North by Northwest
|
00:00:47 |
NORTH BY NORTHWEST |
00:02:15 |
''Even if you accept the belief that a high |
00:02:19 |
-Mr. Thornhill? |
00:02:21 |
-Say hello to the missus. |
00:02:23 |
''My recommendation is still the same. |
00:02:25 |
''Spread the good word in as many |
00:02:28 |
''Let the opposition have their high ratings |
00:02:32 |
''Let's colonize at the Colony |
00:02:35 |
''Let me hear from you, Sam. |
00:02:38 |
You better walk me to the Plaza. |
00:02:40 |
-l didn't put a coat on. |
00:02:43 |
-Next? |
00:02:44 |
Oh, yes. |
00:02:45 |
Send her a box of candy from Blum's. |
00:02:48 |
Each piece wrapped in gold paper. |
00:02:52 |
Just tell her: |
00:02:55 |
-You sent that one last time. |
00:02:57 |
Put: ''Something for your sweet tooth, |
00:03:01 |
l know. |
00:03:02 |
Could we take a cab? |
00:03:03 |
-For two blocks? |
00:03:06 |
That's your trouble, Maggie, |
00:03:08 |
Here. Taxi. |
00:03:11 |
l have a very sick woman here. |
00:03:13 |
Thank you very much. |
00:03:15 |
Perfectly all right. |
00:03:17 |
First stop, the Plaza. Don't throw the flag. |
00:03:19 |
Poor man. |
00:03:21 |
l made him a happy man. |
00:03:24 |
He knew you were lying. |
00:03:27 |
ln the world of advertising, |
00:03:30 |
There's only ''the expedient exaggeration.'' |
00:03:34 |
Do l look heavyish to you? |
00:03:36 |
What? |
00:03:37 |
l feel heavyish. |
00:03:39 |
Put a note on my desk in the morning: |
00:03:41 |
''Think thin.'' |
00:03:43 |
Better make it the 59th Street entrance. |
00:03:46 |
Okay. |
00:03:47 |
Soon as you get back, call my mother. |
00:03:49 |
Remind her we have theatre tickets |
00:03:52 |
Dinner at 21, 7:00. |
00:03:54 |
l'll have had two martini's at the Oak Bar |
00:03:58 |
-She doesn't do that. |
00:04:01 |
Bigelow at 10:30 is your first for tomorrow. |
00:04:05 |
Then lunch with Falcon and his wife. |
00:04:07 |
-Where was that? |
00:04:10 |
-Will you check in later? |
00:04:14 |
Here, Driver. Take this lady |
00:04:16 |
-Right. |
00:04:19 |
-Don't forget, call my mother right away. |
00:04:22 |
-Good night, Mr. Thornhill. |
00:04:27 |
Wait, Maggie! You can't call her. |
00:04:53 |
Good evening, Mr. Thornhill. |
00:04:54 |
l'm looking for Mr. Weltner |
00:04:57 |
Yes, sir. Right this way. |
00:05:00 |
Herman. |
00:05:00 |
-Hello, Roger. |
00:05:02 |
Roger Thornhill. Fanning Nelson. |
00:05:06 |
-We've gotten a head start here. |
00:05:09 |
l was saying that you may be slow |
00:05:14 |
What's the matter? You've got the fidgets. |
00:05:16 |
l told my secretary to call Mother and |
00:05:21 |
Why not? |
00:05:22 |
She's playing bridge at one of her cronies'. |
00:05:24 |
-Your secretary? |
00:05:26 |
Mr. Kaplan? |
00:05:27 |
lt's one of those new apartments, |
00:05:30 |
Perhaps if l send her a telegram. |
00:05:32 |
Mr. George Kaplan? |
00:05:34 |
Boy! |
00:05:41 |
Kaplan. |
00:05:41 |
l have to send a wire. |
00:05:43 |
Could you send it for me |
00:05:46 |
l'm not permitted to do that, sir, |
00:05:49 |
-Will you excuse me? |
00:05:55 |
-Right through there, sir. |
00:05:56 |
Thank you, sir. |
00:06:00 |
What's that supposed to be? |
00:06:02 |
The car is waiting outside. |
00:06:05 |
-What are you talking about? |
00:06:08 |
Go where? Who.... |
00:06:10 |
Who are you? |
00:06:11 |
Mere errand boys, |
00:06:13 |
His is pointed at your heart, so, please, |
00:06:17 |
What is this? A joke or something? |
00:06:19 |
Yes, a joke. We'll laugh in the car. |
00:06:22 |
Come. |
00:06:23 |
This is ridiculous. |
00:06:45 |
Don't tell me where we're going. |
00:06:50 |
l left some friends |
00:06:53 |
They'll think l'm awfully rude. |
00:06:55 |
Could we stop off |
00:06:58 |
...so that l could explain |
00:07:03 |
Well, that is what's happening, isn't it? |
00:07:15 |
Locked. |
00:07:20 |
TOWNSEND |
00:07:29 |
Who's Townsend? |
00:07:32 |
Really? |
00:07:34 |
lnteresting. |
00:08:20 |
-Where is he? |
00:08:22 |
-Tell him l'm here. |
00:08:25 |
Never mind that. Say to him: ''Kaplan.'' |
00:08:27 |
By the way, |
00:08:29 |
-ls anyone in the library? |
00:08:31 |
This way. |
00:08:44 |
You will wait here. |
00:08:45 |
Don't hurry. l'll catch up on my reading. |
00:09:07 |
MR. LESTER TOWNSEND |
00:09:31 |
Good evening. |
00:09:55 |
Not what l expected. A little taller... |
00:09:59 |
...a little more polished than the others. |
00:10:02 |
l'm so glad you're pleased, Mr. Townsend. |
00:10:05 |
But, l'm afraid, just as obvious. |
00:10:09 |
What the devil is all this about? |
00:10:14 |
Games? Must we? |
00:10:18 |
Not that l mind a slight case of abduction, |
00:10:22 |
To a show l was looking forward to. |
00:10:24 |
l get unreasonable about things like that. |
00:10:27 |
With such expert play-acting, |
00:10:32 |
Leonard, have you met |
00:10:37 |
He's a well-tailored one, isn't he? |
00:10:40 |
My secretary is a great admirer |
00:10:43 |
Elusiveness, however misguided-- |
00:10:45 |
Wait a minute. |
00:10:47 |
Did you call me ''Kaplan''? |
00:10:49 |
l know you're a man of many names, |
00:10:54 |
Current choice? |
00:10:55 |
My name is Roger Thornhill. |
00:10:59 |
Of course. |
00:11:01 |
Your friends picked up the wrong package |
00:11:05 |
Sit down, Mr. Kaplan. |
00:11:07 |
l told you, l'm not Kaplan, whoever he is. |
00:11:10 |
-Excuse me. |
00:11:12 |
The guests are here, dear. |
00:11:13 |
Look after them. |
00:11:18 |
Now, shall we get down to business? |
00:11:20 |
l'm all for that. |
00:11:22 |
Simply, l'd like you to tell me |
00:11:25 |
...and how you've come by |
00:11:27 |
-l don't expect to get this for nothing. |
00:11:30 |
Don't misunderstand. |
00:11:31 |
l don't expect you to fall in |
00:11:34 |
...but the least l can do is afford you |
00:11:42 |
What is that supposed to mean? |
00:11:44 |
Why don't you surprise me, |
00:11:46 |
l've told you-- |
00:11:48 |
We know where you're headed for. |
00:11:49 |
l know where l'm headed. |
00:11:53 |
And l think l'd better get going. |
00:12:04 |
Townsend, |
00:12:06 |
This is not going to lead |
00:12:10 |
l'm not Kaplan! |
00:12:12 |
l do wish you would reconsider. |
00:12:13 |
We also know your contact in Pittsburgh |
00:12:18 |
What contact? |
00:12:22 |
On June 16, you checked |
00:12:25 |
...as Mr. George Kaplan |
00:12:28 |
A week later, you registered |
00:12:31 |
...in Philadelphia |
00:12:34 |
On August 1 1, |
00:12:36 |
On August 29, George Kaplan of Boston |
00:12:40 |
At present, you are registered |
00:12:42 |
...at the Plaza Hotel in New York |
00:12:46 |
ln two days, you are due |
00:12:50 |
And then at the Sheraton-Johnson Hotel |
00:12:54 |
Not me! |
00:12:55 |
There's no sense in maintaining |
00:12:58 |
...any more than we are deceiving you. |
00:13:00 |
l suppose it wouldn't do any good |
00:13:03 |
...a driver's license, things like that? |
00:13:05 |
They provide you with such good ones. |
00:13:08 |
lt's getting late. l have guests. |
00:13:11 |
Do you intend to cooperate with us? |
00:13:15 |
A simple no. |
00:13:16 |
For the simple reason that l simply |
00:13:24 |
Give Mr. Kaplan a drink, Leonard. |
00:13:26 |
A pleasant journey, sir. |
00:13:39 |
Scotch? Rye? |
00:13:41 |
Bourbon? Vodka? |
00:13:43 |
Nothing. l'll take a quick ride |
00:13:46 |
That has been arranged. |
00:13:48 |
But first, a libation. |
00:13:51 |
Bourbon! |
00:13:53 |
You drink it. |
00:13:56 |
lt'll be easier if you take this yourself. |
00:14:15 |
Cheers! |
00:15:04 |
Don't worry about me. l'll take the bus. |
00:17:58 |
Thanks for the lift. |
00:18:00 |
l want this man examined for driving |
00:18:03 |
Really? |
00:18:04 |
You see, they tried to kill me. |
00:18:07 |
He won't listen to me. |
00:18:08 |
ln a big house. They tried to kill me. |
00:18:11 |
-All right. Let's just go inside. |
00:18:14 |
Somebody call the police. |
00:18:15 |
Come on. Come on now. |
00:18:18 |
Okay. |
00:18:28 |
Sit down. |
00:18:30 |
l don't want to sit. |
00:18:32 |
Perfectly all right. See? |
00:18:34 |
We'll get 'em. We'll throw the book |
00:18:38 |
Assault with a gun and a bourbon |
00:18:41 |
We'll get 'em. |
00:18:42 |
You'll be fine after a good night's sleep. |
00:18:46 |
l don't want a cell. l want a policeman. |
00:18:48 |
The car was just reported stolen. |
00:18:51 |
A Mrs. Babson up on Twining Road. |
00:18:54 |
l got to call someone. Where's the phone? |
00:18:56 |
You're allowed one call. |
00:18:58 |
Over here. |
00:19:00 |
Thanks. |
00:19:01 |
You better make it your lawyer. |
00:19:04 |
Butterfield 8-1-0-9-8. |
00:19:06 |
What am l, a telephone operator? |
00:19:09 |
Butterfield 8-1-0-9-8. |
00:19:24 |
Just a minute, please. |
00:19:25 |
-Here. |
00:19:29 |
Hello, Mother? |
00:19:32 |
Mother, this is your son, Roger Thornhill. |
00:19:37 |
Wait a minute, l'll find out. |
00:19:40 |
Where am l? |
00:19:41 |
Glen Cove Police Station. |
00:19:44 |
Glen Cove Police Station. |
00:19:48 |
No, Mother, l have not been drinking. |
00:19:50 |
No, these two men, they poured |
00:19:56 |
No, they didn't give me a chaser. |
00:20:00 |
Come on, let's go. |
00:20:03 |
-Wait, l'm not finished yet. |
00:20:07 |
Mother, l got to go now. |
00:20:10 |
Get my lawyer right away |
00:20:13 |
Tomorrow morning, tell her. |
00:20:15 |
Tomorrow morning, he says. |
00:20:18 |
l don't know. l'll ask him. |
00:20:19 |
She wants to know who says. |
00:20:21 |
Sergeant Emil Klinger. |
00:20:23 |
Sergeant Emil.... |
00:20:25 |
Emil? |
00:20:28 |
Sergeant Emil Klinger. |
00:20:32 |
No. l didn't believe it either. |
00:20:35 |
l'm all right, Mother. Good night. |
00:20:43 |
That was Mother. |
00:20:45 |
Let's go. |
00:20:53 |
Here's your man, Doctor. |
00:20:58 |
What's your name? |
00:20:59 |
Roger Thornhill. |
00:21:01 |
Stick out your tongue and say: ''ah.'' |
00:21:03 |
You better move back. |
00:21:07 |
Have you been drinking? |
00:21:08 |
Doctor, l am gassed. |
00:21:11 |
What were you drinking? |
00:21:12 |
Well, bourbon. See, these two fellas-- |
00:21:15 |
-How much would you say you drank? |
00:21:17 |
-How much would you say you drank? |
00:21:21 |
Mr. Thornhill, my opinion |
00:21:25 |
No question about it. |
00:21:26 |
l won't ask your permission to draw blood. |
00:21:29 |
How disgusting! |
00:21:30 |
''You may refuse to permit a blood test |
00:21:32 |
''...but if you do, |
00:21:37 |
lt was at this point |
00:21:40 |
...from his would-be assassins, |
00:21:44 |
...he, naturally, had to drive |
00:21:49 |
How long have you known your client? |
00:21:51 |
Seven years, Your Honor. |
00:21:52 |
Do you know him to be a reasonable man? |
00:21:55 |
Absolutely. |
00:21:58 |
Mother! |
00:21:59 |
Do you believe there is some credence |
00:22:03 |
Credence! |
00:22:04 |
Yes, Your Honor. lf my client says |
00:22:07 |
...l'm certain it must've happened. |
00:22:09 |
Damn right. |
00:22:11 |
l want this turned over |
00:22:14 |
Call them and have them |
00:22:16 |
Right, Your Honor. |
00:22:18 |
Counselor, l'm going to set this over |
00:22:23 |
l expect you and the defendant to be here, |
00:22:27 |
ln the meantime, the County Detectives'll |
00:22:32 |
''Basis in fact''? lf l were brought in dead, |
00:22:36 |
Wait a minute. |
00:22:37 |
After all, Your Honor, |
00:22:40 |
That is precisely what were intending |
00:23:03 |
Remember me? |
00:23:04 |
-Yes, sir. |
00:23:06 |
-ls Mr. Townsend at home? |
00:23:09 |
Mrs. Townsend? |
00:23:11 |
-Who shall l say is calling? |
00:23:14 |
Come in, please. |
00:23:26 |
This way, please. |
00:23:38 |
This is the room. |
00:23:39 |
l'll call Madam. |
00:23:40 |
You do that. |
00:23:41 |
Here's the sofa where they held me down. |
00:23:44 |
They spilled bourbon all over it. |
00:23:50 |
Somebody must've cleaned them off. |
00:23:52 |
This is the cabinet |
00:23:55 |
Scotch, gin, vodka.... |
00:23:58 |
And bourbon. |
00:24:02 |
l remember when it used to come |
00:24:09 |
Dear, we were so worried about you! |
00:24:13 |
Did you get home all right? |
00:24:15 |
Of course you did. |
00:24:16 |
Let me look at you. |
00:24:19 |
lt was a dull party. |
00:24:22 |
l want you all to know, |
00:24:26 |
Mrs. Townsend, l'm Capt. Junket |
00:24:30 |
This is Lt. Harding. |
00:24:32 |
You haven't gotten into trouble, Roger? |
00:24:35 |
-Stop calling me Roger. |
00:24:37 |
Mr. Thornhill was picked up last night |
00:24:42 |
...incidentally, in a stolen car... |
00:24:44 |
Stolen car! |
00:24:45 |
...belonging to Mrs. Babson |
00:24:48 |
Roger, you said you were going |
00:24:50 |
You didn't borrow Laura's Mercedes? |
00:24:53 |
No, l didn't borrow Laura's Mercedes! |
00:24:55 |
Mr. Thornhill has told us that he was |
00:25:00 |
...and forcibly intoxicated by some friends |
00:25:04 |
Do you know anything about this? |
00:25:07 |
Roger was a bit tipsy |
00:25:11 |
She's lying. |
00:25:11 |
And l'm afraid he became even worse |
00:25:15 |
Finally, he told us he had to go home |
00:25:18 |
l knew l should've served dinner earlier. |
00:25:21 |
What a performance! |
00:25:23 |
Mrs. Townsend, does the name |
00:25:26 |
George Kaplan? |
00:25:29 |
-No. |
00:25:31 |
Where's her husband? |
00:25:34 |
ls there any place he can be reached? |
00:25:36 |
Yes. The United Nations. |
00:25:40 |
He's addressing the General Assembly |
00:25:45 |
All right. So he's addressing |
00:25:47 |
-Sorry we had to bother you. |
00:25:53 |
Now, wait a minute. |
00:26:01 |
Do you want to get in touch |
00:26:04 |
No, Mrs. Townsend, |
00:26:06 |
Do you mean you're not going |
00:26:10 |
Pay the two dollars. |
00:26:28 |
Goodbye. |
00:26:56 |
-l don't see why you want me along. |
00:27:00 |
Don't be sarcastic, Roger. |
00:27:13 |
There you are, dear. Park yourself there. |
00:27:16 |
Well, here it goes. |
00:27:18 |
Hello, Operator. |
00:27:19 |
Have you got a George Kaplan |
00:27:24 |
That's right. |
00:27:26 |
You have? |
00:27:27 |
Room 796. |
00:27:29 |
Ring it, will you please? |
00:27:31 |
-You see? |
00:27:33 |
l hope he clears up this silly business. |
00:27:39 |
Did he leave word when he'd be back? |
00:27:42 |
Really? |
00:27:44 |
Thank you. |
00:27:46 |
That's odd. He hasn't answered |
00:27:49 |
Maybe he got locked in the bathroom. |
00:27:51 |
Mother, do me a favor, will you? |
00:27:53 |
Put on that innocent look you do so well |
00:27:58 |
l wouldn't do such a thing! |
00:28:00 |
-$10? |
00:28:02 |
-$50? |
00:28:09 |
Car theft, drunk driving, |
00:28:14 |
...and now, house-breaking. |
00:28:15 |
-No, hotel-breaking. There's a difference. |
00:28:19 |
Just a minute, please. |
00:28:23 |
Will you be wanting me |
00:28:25 |
Yes. Well, but not right now. |
00:28:28 |
l mention it, because the bed |
00:28:31 |
...and l was wondering |
00:28:34 |
Thank you for your interest. |
00:28:37 |
Come on. |
00:28:42 |
She seemed to think l'm Kaplan. |
00:28:45 |
l wonder if l look like Kaplan. |
00:28:58 |
-Look who's here. |
00:29:00 |
Our friend who's assembling |
00:29:04 |
Roger, l think we should go. |
00:29:06 |
Don't be nervous. |
00:29:08 |
-l'm not. l'll be late for the bridge club. |
00:29:27 |
Bulletin, Kaplan has dandruff. |
00:29:30 |
ln that case, l think we should leave. |
00:29:32 |
Too late. |
00:29:38 |
-You rang for me, sir? |
00:29:42 |
-What's your name? |
00:29:47 |
-Do you know who l am? |
00:29:51 |
When did you first see me? |
00:29:53 |
Outside the door. |
00:29:55 |
Out in the hall a couple of minutes ago. |
00:29:58 |
ls that the first time you laid eyes on me? |
00:30:01 |
Can l help it if you're never around, |
00:30:03 |
Then how do you know l'm Mr. Kaplan? |
00:30:05 |
-What? |
00:30:08 |
Of course you are. |
00:30:09 |
This is Room 796, isn't it? |
00:30:11 |
So, you're the gentleman in Room 796, |
00:30:15 |
All right, Elsie, thanks. |
00:30:16 |
-Will that be all, sir? |
00:30:25 |
Valet. |
00:30:26 |
Yes, come in. |
00:30:29 |
-Should l hang it in the closet, Mr. Kaplan? |
00:30:38 |
Tell me.... |
00:30:40 |
What time did l give you that suit? |
00:30:43 |
Last night. Around 6:00. |
00:30:46 |
-Did l give it to you personally? |
00:30:49 |
No. You called down on the phone |
00:30:52 |
Said it would be hanging in your closet. |
00:30:56 |
-Anything wrong? |
00:30:59 |
-Here. Thanks. |
00:31:01 |
Nice to meet you, Mr. Kaplan. |
00:31:08 |
lsn't that the damnedest thing? |
00:31:09 |
l'm beginning to think that no one |
00:31:13 |
Maybe he has his suits mended |
00:31:22 |
Let me see something. |
00:31:30 |
l don't think that one does |
00:31:38 |
Now, that's much better. |
00:31:40 |
Obviously they've mistaken me |
00:31:48 |
-Should l? |
00:31:52 |
Hold that. |
00:31:58 |
It`s good to find you in, Mr. Kaplan. |
00:32:01 |
Who is this? |
00:32:02 |
We met only last night and still |
00:32:05 |
I should feel offended. |
00:32:07 |
Yes, l know who you are |
00:32:11 |
Of course not. You answer his telephone, |
00:32:15 |
...and yet you are not Mr. Kaplan. |
00:32:17 |
Nevertheless, |
00:32:21 |
Now wait.... |
00:32:23 |
Operator? |
00:32:25 |
Operator, this is Mr. Thorn.... |
00:32:29 |
Where did that call come from? |
00:32:33 |
-Just a minute. I`ll see. |
00:32:35 |
Who was it? |
00:32:36 |
One of the men |
00:32:39 |
We're back to that one, are we? |
00:32:42 |
-That call was made from the lobby, sir. |
00:32:47 |
They're probably on their way up here. |
00:32:49 |
-Let's get out of here. |
00:33:36 |
You gentlemen aren't really trying |
00:34:03 |
Lobby, please. Watch your step. |
00:34:06 |
Gentlemen, please. Ladies first. |
00:34:09 |
That's right. Come along. Good. |
00:34:13 |
Roger, will you be home for dinner? |
00:34:19 |
-Where to? |
00:34:37 |
-Take me to the United Nations. |
00:34:40 |
General Assembly Building. |
00:34:42 |
Right. |
00:34:43 |
-l'm being followed. Can you do anything? |
00:34:46 |
Do it. |
00:35:20 |
-May l help you? |
00:35:21 |
Where will l find Mr. Lester Townsend? |
00:35:23 |
Mr. Lester Townsend of UNlPO? |
00:35:26 |
Did you have an appointment, sir? |
00:35:29 |
Well, yes. He expects me. |
00:35:31 |
Your name, please? |
00:35:33 |
-My name? |
00:35:35 |
Kaplan. George Kaplan. |
00:35:39 |
One moment, please. |
00:35:46 |
Wait for me at the corner of 47th. |
00:35:56 |
lf you'd give this to one of the attendants |
00:36:00 |
-Thank you very much. |
00:36:25 |
Page Mr. Lester Townsend, please? |
00:36:28 |
Certainly, Mr. Kaplan. |
00:36:30 |
Mr. Townsend of UNIPO. |
00:36:32 |
Mr. Townsend of UNIPO. |
00:36:34 |
Please call at the communications desk |
00:36:46 |
You paged me? |
00:36:48 |
-Mr. Kaplan? |
00:36:49 |
You wanted to see Mr. Townsend. |
00:36:52 |
How do you do, Mr. Kaplan? |
00:36:55 |
This isn't Mr. Townsend. |
00:36:57 |
Yes, it is. |
00:36:59 |
There must be some mistake. |
00:37:01 |
That's me. What can l do for you? |
00:37:08 |
Are you the Townsend |
00:37:10 |
That's right. Are we neighbors? |
00:37:13 |
A large, red-brick house |
00:37:16 |
That's the one. |
00:37:19 |
Were you at home last night? |
00:37:21 |
-You mean in Glen Cove? |
00:37:23 |
l've been staying in my apartment |
00:37:26 |
l always do when we're in session here. |
00:37:28 |
What about Mrs. Townsend? |
00:37:30 |
My wife has been dead for many years. |
00:37:33 |
Mr. Kaplan, what's this all about? |
00:37:35 |
Who are those people living in your house? |
00:37:37 |
What people? |
00:37:40 |
There's just a gardener and his wife |
00:37:43 |
Now, Mr. Kaplan, tell me who you are |
00:37:51 |
Do you know this man? |
00:38:01 |
Look! |
00:38:07 |
He's got a knife! Look out! |
00:38:08 |
Listen to me. |
00:38:11 |
-Call the police. |
00:38:14 |
Get back! |
00:38:31 |
UNlTED STATES lNTELLlGENCE AGENCY |
00:38:34 |
''The photograph has been identified |
00:38:38 |
''...a Manhattan advertising executive, |
00:38:43 |
''...which he gave to an attendant |
00:38:46 |
''...was false. |
00:38:48 |
''A possible motive for the slaying |
00:38:52 |
''...that earlier today, Thornhill appeared |
00:38:56 |
''...charged with drunk driving |
00:39:00 |
''...and in his defense he charged |
00:39:04 |
''...had tried to kill him the night before.'' |
00:39:06 |
Brother! |
00:39:08 |
What about that? |
00:39:10 |
Does anyone know this Thornhill? |
00:39:13 |
No, not me. |
00:39:14 |
Never heard of him. |
00:39:16 |
Professor? |
00:39:17 |
Apparently, the poor sucker got mistaken |
00:39:21 |
How could he be mistaken for |
00:39:24 |
Don't ask me how it happened, |
00:39:28 |
Vandamm's men must have grabbed him |
00:39:32 |
...using Lester Townsend's house. |
00:39:34 |
And the unsuspecting Townsend winds up |
00:39:38 |
C`est la guerre. |
00:39:40 |
lt's so horribly sad. |
00:39:43 |
What are we going to do? |
00:39:44 |
Do? |
00:39:46 |
About Mr. Thornhill? |
00:39:48 |
We...do nothing! |
00:39:52 |
Nothing? |
00:39:53 |
That's right. Nothing. |
00:39:55 |
We could congratulate ourselves |
00:40:00 |
Our non-existent decoy, George Kaplan, |
00:40:05 |
...from our actual agent, |
00:40:09 |
Yes, Professor. |
00:40:10 |
How long do you think he'll stay alive? |
00:40:13 |
That's his problem. |
00:40:15 |
What Mrs. Finley means-- |
00:40:17 |
l know what she means. |
00:40:18 |
We can't sit back calmly and wait to see |
00:40:22 |
Vandamm and company or the police? |
00:40:25 |
What can we do to save him |
00:40:29 |
Aren't we being just a wee bit callous? |
00:40:32 |
No, my dear woman, |
00:40:35 |
We didn't invent our non-existent man |
00:40:39 |
...establish elaborate behavior patterns |
00:40:42 |
...move his prop belongings in and out |
00:40:47 |
We created George Kaplan... |
00:40:49 |
...and labored successfully |
00:40:52 |
...that this was our agent hot on his trail |
00:40:57 |
Nobody's denying that! |
00:40:58 |
Very well, then. |
00:41:00 |
lf we make the slightest move to suggest |
00:41:04 |
...give any hint to Vandamm he's pursuing |
00:41:09 |
...then our agent, working right under |
00:41:13 |
...will immediately face suspicion, |
00:41:16 |
...and assassination. |
00:41:19 |
Like the two others who went before. |
00:41:21 |
Goodbye, Mr. Thornhill, wherever you are. |
00:41:33 |
Train number 25... |
00:41:36 |
...the 20th Century Limited... |
00:41:40 |
...due to leave in 6:00 p.m. for Chicago.... |
00:41:49 |
Yes, dear. l know. |
00:41:51 |
Now, listen to me, Mother, |
00:41:55 |
Kaplan checked out and went |
00:41:58 |
That's why l'm-- |
00:42:00 |
l can't go to the police. At least not yet. |
00:42:03 |
You saw the newspapers. |
00:42:06 |
l'm a car thief, a drunk driver, |
00:42:09 |
l wouldn't have a chance. |
00:42:11 |
l won't have, until l find George Kaplan |
00:42:15 |
No, the train. lt's safer. |
00:42:18 |
Because there's no place to hide on a plane |
00:42:23 |
You want me to jump off a moving plane? |
00:42:27 |
Well, thank you so much, Mother. |
00:42:43 |
MANHUNT ON FOR U. N. KlLLER |
00:43:08 |
Give me a bedroom |
00:43:11 |
lt's leaving in five minutes. |
00:43:13 |
l know. Will you make it snappy? |
00:43:14 |
l think they're all sold out. |
00:43:17 |
Sold out? |
00:43:18 |
You can always go coach. |
00:43:19 |
No, l can't do that. |
00:43:22 |
Nothing till 10:00. You're in a hurry, huh? |
00:43:26 |
Could you call them |
00:43:28 |
Something wrong with your eyes? |
00:43:30 |
Yes, they're sensitive to questions. |
00:43:33 |
Sure. Sure. |
00:43:38 |
Don't go away! |
00:43:48 |
He's at Window 15, upper level. Hurry. |
00:43:53 |
You're in luck, mister. |
00:44:02 |
-Ticket? |
00:44:06 |
l have to know their names. |
00:44:09 |
Come here! |
00:44:43 |
l'm sorry. |
00:44:44 |
-l'm sorry. |
00:44:47 |
Sorry. |
00:44:57 |
He went that way. l think he got off. |
00:45:00 |
All aboard! |
00:45:05 |
-Thank you. |
00:45:08 |
Seven parking tickets. |
00:46:29 |
-Good evening, sir. One? |
00:46:46 |
A cocktail before dinner? |
00:46:47 |
-Yes, please. A Gibson. |
00:46:59 |
Here we are again. |
00:47:01 |
Yes. |
00:47:04 |
You recommend anything? |
00:47:06 |
The brook trout. |
00:47:10 |
Sold. |
00:47:13 |
''Brook... |
00:47:15 |
''...trout.'' |
00:47:17 |
-There you are. |
00:47:31 |
l know. l look vaguely familiar. |
00:47:33 |
Yes. |
00:47:34 |
You feel you've seen me |
00:47:38 |
l have that effect on people. |
00:47:42 |
lt's a nice face. |
00:47:45 |
-You think so? |
00:47:49 |
Oh, you're that type. |
00:47:51 |
What type? |
00:47:52 |
Honest. |
00:47:54 |
Not really. |
00:47:56 |
Good. Because honest women |
00:47:58 |
Why? |
00:48:00 |
Somehow they seem to put me |
00:48:03 |
-Because you're not honest with them? |
00:48:06 |
Like that business about |
00:48:09 |
What l mean is, |
00:48:14 |
...l have to start pretending l've no desire |
00:48:18 |
What makes you think |
00:48:21 |
She might find the idea objectionable. |
00:48:23 |
Then again, she might not. |
00:48:28 |
Think how lucky l am |
00:48:31 |
Luck had nothing to do with it. |
00:48:34 |
Fate? |
00:48:37 |
l tipped the steward $5 to seat you here |
00:48:45 |
ls that a proposition? |
00:48:48 |
l never discuss love on an empty stomach. |
00:48:51 |
You've already eaten. |
00:48:53 |
But you haven't. |
00:49:02 |
Don't you think it's time |
00:49:04 |
l'm Eve Kendall. l'm 26 and unmarried. |
00:49:09 |
Now you know everything. |
00:49:11 |
What do you do besides lure men |
00:49:15 |
l'm an industrial designer. |
00:49:19 |
Jack Phillips. |
00:49:20 |
Western sales manager |
00:49:23 |
No, you're not. You're Roger Thornhill... |
00:49:26 |
...of Madison Avenue... |
00:49:27 |
...and you're wanted for murder |
00:49:31 |
Don't be so modest. |
00:49:36 |
Don't worry. |
00:49:37 |
-l won't say a word. |
00:49:40 |
l told you. |
00:49:42 |
lt's a nice face. |
00:49:44 |
ls that the only reason? |
00:49:46 |
lt's going to be a long night. |
00:49:49 |
True. |
00:49:50 |
l don't particularly like the book |
00:49:55 |
You know what l mean? |
00:49:57 |
Let me think. |
00:50:03 |
l know exactly what you mean. |
00:50:14 |
R.O.T. |
00:50:17 |
That's my trademark. R.O.T. |
00:50:20 |
Roger O. Thornhill. |
00:50:23 |
Nothing. |
00:50:48 |
l'd invite you to my bedroom |
00:50:51 |
A roomette? |
00:50:52 |
Nothing, not even a ticket. |
00:50:54 |
l've been playing hide-and-seek |
00:50:59 |
How awkward for you. |
00:51:00 |
Yes, isn't it? |
00:51:01 |
No place to sleep. |
00:51:04 |
l have a large drawing-room all to myself. |
00:51:07 |
That doesn't seem quite fair. |
00:51:10 |
Drawing-room E. |
00:51:12 |
Car 3901 . |
00:51:15 |
Such a nice number. |
00:51:18 |
lt's easy to remember. |
00:51:20 |
3901 . |
00:51:22 |
See? |
00:51:25 |
No luggage. |
00:51:29 |
So? |
00:51:31 |
You wouldn't happen to have |
00:51:34 |
Wouldn't l? |
00:51:37 |
l wouldn't order any dessert if l were you. |
00:51:40 |
l get the message. |
00:51:42 |
That isn't exactly what l meant. |
00:51:45 |
The train seems to be making |
00:51:47 |
l saw two men get out of a police car |
00:51:52 |
They weren't smiling. |
00:52:15 |
You better go out |
00:52:18 |
Patience is a virtue. |
00:52:20 |
So is breathing. |
00:52:21 |
Just lie still. |
00:52:25 |
Have you got any olive oil? |
00:52:27 |
Olive oil? |
00:52:28 |
l want to be packed in olive oil |
00:52:33 |
Come in. |
00:52:35 |
-Who are you? |
00:52:39 |
Your name please? |
00:52:40 |
Eve Kendall. ls anything wrong? |
00:52:43 |
There was a man at your table tonight |
00:52:46 |
Yes. |
00:52:47 |
Friend of yours? |
00:52:49 |
l never saw him before. |
00:52:52 |
ls this the man? |
00:52:55 |
Yes, l think so. |
00:52:58 |
lt's a wire-photo. |
00:53:02 |
Police? |
00:53:03 |
He's wanted for murder. |
00:53:05 |
Good heavens, no! |
00:53:07 |
The steward said |
00:53:10 |
We might have happened to leave |
00:53:15 |
What did you two talk about? |
00:53:17 |
Talk about? |
00:53:18 |
The waiter said you were getting along fine |
00:53:22 |
ls that his name? Thornhill? |
00:53:25 |
He didn't tell you? |
00:53:27 |
He didn't tell me anything. |
00:53:29 |
All we did was chat about |
00:53:33 |
...train travel versus plane travel, |
00:53:36 |
Rather innocuous, l must say, |
00:53:41 |
Who did he kill? |
00:53:42 |
He didn't say where he was going? |
00:53:45 |
No. |
00:53:46 |
l assumed Chicago. |
00:53:48 |
Perhaps he got off when you got on? |
00:53:51 |
lf you happen to see him again, Miss... |
00:53:54 |
Kendall. |
00:53:55 |
...will you let us know? |
00:53:57 |
l'm going to bed and l'll lock my door. |
00:54:02 |
ln case you do, we'll be in |
00:54:07 |
lt's comforting to know that. |
00:54:10 |
Good night. |
00:54:13 |
Still breathing? |
00:54:14 |
Either hurry up or get me a snorkel. |
00:54:18 |
l'm looking for the can opener |
00:54:26 |
Hello, there. |
00:54:28 |
Hello. |
00:54:42 |
Tell me, why are you so good to me? |
00:54:45 |
Shall l climb up and tell you why? |
00:55:01 |
l've been thinking... |
00:55:04 |
...it's not safe for you to roam Chicago |
00:55:08 |
...you've been telling me about. |
00:55:10 |
You'll be picked up by the police |
00:55:14 |
lt's such a nice face, too. |
00:55:19 |
Don't you think it'd be a better idea |
00:55:24 |
...while l located him for you |
00:55:28 |
l can't let you get involved. |
00:55:32 |
l'm a big girl. |
00:55:35 |
Yeah, and in all the right places, too. |
00:55:43 |
You know, this is ridiculous. |
00:55:46 |
Yes. |
00:55:47 |
l mean, we've hardly met. |
00:55:49 |
That's right. |
00:55:51 |
How do l know you aren't a murderer? |
00:55:54 |
You don't. |
00:55:56 |
Maybe you're planning to murder me, |
00:56:00 |
Shall l? |
00:56:02 |
Please do. |
00:56:25 |
Beats flying, doesn't it? |
00:56:29 |
We should stop. |
00:56:31 |
lmmediately. |
00:56:32 |
l ought to know more about you. |
00:56:35 |
What more could you know? |
00:56:40 |
You're an advertising man, |
00:56:43 |
That's right. |
00:56:46 |
The train's a little unsteady. |
00:56:49 |
Who isn't? |
00:56:51 |
What else do you know? |
00:56:54 |
You've got taste in clothes, taste in food.... |
00:57:00 |
And taste in women. l like your flavor. |
00:57:12 |
You're very clever with words. |
00:57:14 |
You can probably make them |
00:57:18 |
Sell people things they don't need... |
00:57:20 |
...make women who don't know you |
00:57:26 |
l'm beginning to think l'm underpaid. |
00:57:42 |
Look out. |
00:57:55 |
-Don't bother with the washroom. |
00:57:58 |
By the way, l found this on the floor. |
00:58:01 |
Yes, ma'am. l've been looking for it. |
00:58:03 |
-l'll wait outside. |
00:58:22 |
Thank you, Porter. |
00:58:24 |
Thank you, ma'am. Good night now. |
00:58:26 |
Good night. |
00:58:31 |
Come out, come out, wherever you are. |
00:58:39 |
The porter. |
00:58:42 |
So l see. |
00:58:52 |
Where were we? |
00:58:53 |
Here. |
00:59:00 |
Nice of him to have opened the bed. |
00:59:04 |
Only one bed. |
00:59:08 |
That's a good omen, don't you think? |
00:59:10 |
Wonderful. |
00:59:13 |
Do you know what that means? |
00:59:15 |
What? Tell me. |
00:59:18 |
lt means you'll sleep on the floor. |
00:59:42 |
A message from the lady in 3901 . |
00:59:50 |
What do l do with him |
01:00:28 |
-You keep walking. l'll catch up. |
01:00:33 |
Anything to report? |
01:00:35 |
Yes. l had a fine night's sleep. |
01:00:38 |
l mean, have you seen the man |
01:00:41 |
Mr. Thornycroft? |
01:00:43 |
Thornhill. |
01:00:45 |
No, no. l'm awfully sorry. |
01:00:48 |
But good luck to you both. |
01:00:54 |
-How are we doing? |
01:00:58 |
Not yet. First we have to run the gauntlet. |
01:01:07 |
l'm accustomed to having a load on, |
01:01:11 |
-Bowling balls, naturally. |
01:01:14 |
Which one of these has my suit in it? |
01:01:16 |
The small one underneath your right arm. |
01:01:18 |
Thanks. That ought to do the suit |
01:01:21 |
l'm sure Mr. Kaplan won't mind |
01:01:23 |
Yeah, if he's still there. What time is it? |
01:01:26 |
9:10. |
01:01:27 |
9:10! He may have left |
01:01:31 |
l'll call him for you as soon |
01:01:33 |
Thank you. l can do it. |
01:01:35 |
A redcap in a phone booth? |
01:01:39 |
All right. Do you know |
01:01:42 |
You want to see him right away. |
01:01:46 |
-No explanations. |
01:01:48 |
While l'm calling, |
01:01:51 |
Where do you propose l do that? |
01:01:55 |
l sort of had the men's room in mind. |
01:01:57 |
Did you, now? |
01:01:59 |
You're the smartest girl |
01:02:15 |
l think we made it. |
01:02:20 |
Where did he go? |
01:02:21 |
-Which way did he go? |
01:02:23 |
l don't know. He took my clothes. |
01:04:42 |
What took you so long? |
01:04:44 |
l have a big face. Small razor. |
01:04:47 |
Yes. |
01:04:48 |
Fine. What did he say? |
01:04:50 |
He'll see you but not at the hotel |
01:04:53 |
-He'll see you on the outside. |
01:04:55 |
-l've got it all written down for you. |
01:04:58 |
Take the Greyhound Bus |
01:05:00 |
...for lndianapolis at 2:00 and ask the driver |
01:05:06 |
Prairie Stop, Highway 41 . Good. |
01:05:08 |
lt's about an hour-and-a-half's drive |
01:05:11 |
Fine. l'll rent a car. |
01:05:12 |
No car. Mr. Kaplan said bus. |
01:05:17 |
All right. What'll l do when l get there? |
01:05:20 |
Just wait beside the road. |
01:05:22 |
-How will l know him? |
01:05:24 |
You made the Chicago papers, too. |
01:05:28 |
Have you set your watch for Central time? |
01:05:31 |
Yes, l did that. Thanks. |
01:05:33 |
What's the matter? |
01:05:35 |
Matter? |
01:05:36 |
Yes, you seem.... l don't know. |
01:05:39 |
You better go before the police |
01:05:42 |
We'll see each other again, won't we? |
01:05:45 |
Sometime, l'm sure. |
01:05:47 |
l never had a moment |
01:05:50 |
-Please go. |
01:05:53 |
l've got to pick up my bags now. |
01:05:56 |
Yes. These are the checks |
01:05:59 |
Wait a minute. |
01:06:01 |
Please. |
01:06:03 |
They're coming. |
00:01:50 |
Are you supposed |
00:01:53 |
l'm waiting for the bus. |
00:01:57 |
Some of them crop-duster pilots get rich |
00:02:05 |
Then your name isn't Kaplan? |
00:02:07 |
Can't say it is, 'cause it ain't. |
00:02:10 |
Here she comes. Right on time. |
00:02:16 |
-That's funny. |
00:02:18 |
That plane's dusting crops |
00:06:15 |
Get out of here! The other tank may blow! |
00:06:29 |
What happened? |
00:06:56 |
Come back! |
00:06:58 |
Come back! Come back! |
00:07:52 |
Could you let me have |
00:07:56 |
Kaplan? |
00:07:57 |
l think he checked out. |
00:08:00 |
Checked out? |
00:08:01 |
That's right. |
00:08:04 |
7:10? Are you sure? |
00:08:06 |
Yes. He left a forwarding address. |
00:08:08 |
Hotel Sheraton-Johnson, |
00:08:11 |
7:10? |
00:08:13 |
Then how come l got a message |
00:08:16 |
What's that? |
00:08:20 |
Nothing. |
00:08:50 |
Sorry to bother you again. |
00:08:52 |
Miss Eve Kendall is expecting me. |
00:08:55 |
l've forgotten the number. |
00:09:07 |
-She's in 463. |
00:09:36 |
Hello. |
00:09:44 |
Surprised? |
00:09:46 |
Yes. |
00:09:48 |
No getting rid of me, is there? |
00:10:02 |
l could use a drink. |
00:10:05 |
l have some scotch. |
00:10:07 |
With water. No ice. |
00:10:13 |
Two Die As Crop-Duster Plane Crashes |
00:10:17 |
How did it go today? |
00:10:22 |
The meeting with Kaplan? |
00:10:26 |
He didn't show up. |
00:10:31 |
lt's funny, isn't it? |
00:10:33 |
Why funny? |
00:10:35 |
After all those explicit directions |
00:10:41 |
Maybe l copied them down wrong. |
00:10:43 |
l don't think you got them wrong. |
00:10:50 |
Why don't you call him back again |
00:10:53 |
l did. He checked out. |
00:10:57 |
South Dakota? |
00:10:59 |
Rapid City. |
00:11:02 |
What are you going to do next? |
00:11:05 |
l haven't made my mind up yet. |
00:11:07 |
lt may depend on you. |
00:11:10 |
On me? |
00:11:12 |
Sure. |
00:11:14 |
You're my little helper, aren't you? |
00:11:17 |
Thank you. |
00:11:18 |
To us. To a long and lasting friendship. |
00:11:22 |
Meaning, from now on, l'm not going |
00:11:27 |
-l'm afraid you'll have to. |
00:11:30 |
l do have plans of my own, you know. |
00:11:35 |
Wouldn't it be nice if my problems |
00:11:40 |
Then we could always stay close |
00:11:42 |
...and not have to go in separate directions. |
00:11:51 |
Go ahead, it can't be for me. |
00:12:04 |
No, not yet. l'm not ready. |
00:12:07 |
What time? |
00:12:09 |
l'll meet you. What's the address? |
00:12:15 |
Yes. Goodbye. |
00:12:19 |
Business? |
00:12:21 |
Yes. |
00:12:22 |
lndustrial designing business? |
00:12:28 |
All work and no play. |
00:12:30 |
You should be enjoying yourself tonight |
00:12:37 |
What about having dinner with me? |
00:12:39 |
You can't afford to be seen anyplace. |
00:12:42 |
Let's have it up here. Nice and cozy. |
00:12:44 |
No, l.... |
00:12:47 |
l can't. |
00:12:49 |
l insist. |
00:12:53 |
l want you to do a favor for me. |
00:12:56 |
-A big, big favor. |
00:12:59 |
l want you to leave right now. |
00:13:02 |
Stay far away from me |
00:13:08 |
We're not going to get involved. |
00:13:10 |
Last night was last night |
00:13:13 |
That's all there is. There won't be |
00:13:17 |
So, please.... |
00:13:19 |
Goodbye. |
00:13:21 |
Good luck. No conversation. Just leave. |
00:13:24 |
Right away? |
00:13:25 |
Yes. |
00:13:27 |
No questions asked? |
00:13:29 |
Yes. |
00:13:31 |
l can't do that. |
00:13:33 |
Please. |
00:13:34 |
After dinner. |
00:13:36 |
Now. |
00:13:37 |
After dinner. Fair is fair. |
00:13:41 |
All right. |
00:13:43 |
On one condition. |
00:13:45 |
That you let the hotel valet |
00:13:49 |
You belong in the stockyards |
00:13:52 |
Okay. |
00:13:55 |
There's the phone. |
00:14:02 |
Valet service, please. |
00:14:11 |
-Where are we? |
00:14:14 |
Room 463. |
00:14:16 |
How quickly can you get a suit |
00:14:18 |
Yes, fast. |
00:14:20 |
20 minutes? Fine. |
00:14:23 |
Okay. 463. |
00:14:27 |
He'll be right up. |
00:14:29 |
Better take your things off. |
00:14:34 |
Now, what could a man do |
00:14:38 |
Couldn't he have taken an hour? |
00:14:39 |
You could always take a cold shower. |
00:14:42 |
That's right. |
00:14:44 |
When l was a little boy, |
00:14:48 |
You're a big boy now. |
00:14:54 |
Tell me, how does a girl like you |
00:14:59 |
Lucky, l guess. |
00:15:01 |
Not lucky. Naughty. Wicked. |
00:15:04 |
Ever kill anyone? |
00:15:07 |
Because l bet you could tease a man |
00:15:10 |
So, stop trying. |
00:15:22 |
Be with you in a minute. |
00:15:29 |
Trousers, please. |
00:15:38 |
Thank you. |
00:15:41 |
Think l'll take that cold shower after all. |
00:15:44 |
Good. |
00:16:36 |
1212 N. MlCHlGAN |
00:16:56 |
This magnificent pair |
00:16:59 |
Original gilt finish. |
00:17:02 |
How much may l say to start? |
00:17:05 |
-$100. |
00:17:08 |
$150 is bid here. Say to $200? |
00:17:11 |
Thank you. $200 is bid. |
00:17:12 |
Say to $300? l have $300. |
00:17:16 |
$400 by the little lady. |
00:17:18 |
Thank you, sir. |
00:17:19 |
$450 is bid for the pair. Can l hear $500? |
00:17:21 |
Will you say $500? |
00:17:23 |
Can l say the $500? |
00:17:25 |
Fair warning and last call. |
00:17:27 |
Sold to Mr. Stone, second row. $450. |
00:17:36 |
Lot number 103. |
00:17:39 |
This lovely Aubusson settee. |
00:17:41 |
ln excellent condition. |
00:17:45 |
How much? |
00:17:47 |
$800 is offered, thank you. |
00:17:51 |
$900 is bid. |
00:17:52 |
Now who'll say $1,000? |
00:17:54 |
$1,000, thank you. |
00:17:56 |
$1,000 at $1,000. Say $1,100. |
00:17:58 |
Can l hear $1,100? Selling at $1,000. |
00:18:00 |
The three of you together. |
00:18:03 |
Now, that's a picture |
00:18:06 |
Good evening, Mr. Kaplan. |
00:18:07 |
Before we start calling each other names, |
00:18:11 |
-l haven't had the pleasure. |
00:18:14 |
l was just going to say that to her. |
00:18:16 |
l've always understood you were |
00:18:19 |
What possessed you to come |
00:18:22 |
Could it be an overpowering |
00:18:25 |
Yes. The art of survival. |
00:18:29 |
Have you poured any good drunks lately? |
00:18:32 |
He followed me here from the hotel. |
00:18:35 |
He was in your room? |
00:18:37 |
Sure, isn't everybody? |
00:18:39 |
$150. Thank you. Now, say the two. |
00:18:41 |
Do l hear two? |
00:18:43 |
$200, thank you. |
00:18:44 |
Now the three. Do l hear three? |
00:18:47 |
$300. Thank you. |
00:18:48 |
Now, the four. Do l hear four? |
00:18:51 |
$400 is bid. |
00:18:52 |
Say the five. l have $400. |
00:18:55 |
l didn't realize you were an art collector. |
00:19:00 |
$500. |
00:19:02 |
$500. Thank you. |
00:19:03 |
l'll bet you paid plenty |
00:19:08 |
$700. |
00:19:09 |
She's worth every dollar of it, |
00:19:13 |
She puts her heart into her work. |
00:19:15 |
ln fact her whole body. |
00:19:17 |
Sold to Mr. Vandamm at $700. |
00:19:22 |
Oh, Mr. Vandamm. |
00:19:25 |
Has anyone told you that you overplay |
00:19:31 |
First, you're the outraged |
00:19:33 |
...who claims he's been mistaken |
00:19:36 |
Then, you play the fugitive... |
00:19:38 |
...trying to clear his name of a crime |
00:19:41 |
Now you play the peevish lover... |
00:19:44 |
...stung by jealousy and betrayal. |
00:19:47 |
lt seems you fellows could stand |
00:19:50 |
...and more from the Actors' Studio. |
00:19:53 |
Apparently, the only performance |
00:19:57 |
Your very next role. |
00:20:02 |
Thank you. $375 is bid. |
00:20:04 |
l have $375, go to $400. |
00:20:06 |
$375, go four? |
00:20:08 |
$400 is bid. |
00:20:09 |
l wonder what subtle form of manslaughter |
00:20:13 |
Am l to be dropped |
00:20:16 |
...and become part of a new skyscraper? |
00:20:19 |
Or are you going to ask this female |
00:20:26 |
Who are you kidding? |
00:20:38 |
We've had just about enough of you. |
00:20:40 |
Then, why don't you send for the police? |
00:20:44 |
That's the last thing you'd want, isn't it? |
00:20:48 |
There's something l might tell them. |
00:20:49 |
That's why you had her hustle me |
00:20:53 |
Something tells me l've got a better |
00:20:58 |
Good night, sweetheart. |
00:21:02 |
$1,200 there. $1,200 is bid. Say $1,300? |
00:21:05 |
May l hear $1,300? |
00:21:08 |
They're selling at $1,200. |
00:21:11 |
Last call. |
00:21:13 |
Sold. $1,200. Thank you. |
00:21:23 |
Catalogue number 109. |
00:21:26 |
This superb example |
00:21:30 |
lt will enhance any collection of fine art. |
00:21:33 |
What is your pleasure? |
00:21:36 |
$1,000. |
00:21:38 |
$1,000 is bid. |
00:21:40 |
$1,250 l have. Now $1,500. |
00:21:44 |
$1,500 is bid. Thank you. |
00:21:46 |
$1,750? |
00:21:49 |
l have $1,750. |
00:21:50 |
$2,000. |
00:21:51 |
$2,000 is bid. l have $2,000. |
00:21:56 |
$2,500, anyone? |
00:21:58 |
$2,250 once. |
00:22:01 |
$2,250 twice. |
00:22:03 |
Last call. |
00:22:04 |
$1,500. |
00:22:07 |
But the bid is already up to $2,250, sir. |
00:22:09 |
l still say $1,500. |
00:22:13 |
l have $2,250. |
00:22:16 |
Do l hear $2,500? |
00:22:18 |
$2,250 once, $2,250 twice. |
00:22:20 |
$1,200. |
00:22:21 |
Sold for $2,250. And now-- |
00:22:24 |
$2,250, for that chromo? |
00:22:31 |
Number 1 10 in the catalogue. |
00:22:33 |
A Louis Quinze carved |
00:22:37 |
Would somebody start the bidding |
00:22:40 |
How do we know it's not a fake? |
00:22:46 |
One thing we know. You're no fake. |
00:22:50 |
Thank you. |
00:22:52 |
l wonder if l could... |
00:22:54 |
...ask the gentleman to get into the spirit |
00:22:57 |
All right. l'll start it at $800. |
00:23:00 |
$800. Thank you. |
00:23:02 |
$900? |
00:23:03 |
$1,000 is bid. Go $1,200. |
00:23:06 |
$1,100. |
00:23:07 |
$1,100 is bid. Thank you. Go $1,200. |
00:23:10 |
l have $1,100. |
00:23:11 |
Go $1,200. Who'll say $1,200? |
00:23:14 |
$1,100 once. Who'll say $1,200? |
00:23:16 |
$1,100 twice. |
00:23:17 |
$1,200. Thank you. |
00:23:19 |
$1,200 is bid. l have $1,200. Go $1,300. |
00:23:21 |
Who'll say $1,300? |
00:23:22 |
$13. |
00:23:26 |
You mean $1,300, sir. |
00:23:29 |
No, l mean $13. |
00:23:35 |
l have $1,200. |
00:23:37 |
Go $1,300. Who'll say $1,300? |
00:23:40 |
Who'll say $1,250? |
00:23:44 |
$1,200 once. |
00:23:45 |
$1,200 twice. |
00:23:47 |
Last call. $1,200. |
00:23:49 |
$2,000. |
00:23:53 |
$2,000? |
00:23:56 |
$2,100. |
00:23:58 |
l'm sorry, but we can't-- |
00:24:00 |
Make it $2,500. |
00:24:07 |
Would the gentleman please cooperate? |
00:24:10 |
The last bid was $1,200. |
00:24:12 |
$2,500. My money is as good |
00:24:16 |
l have-- |
00:24:18 |
-What was it? |
00:24:21 |
l have $1,200 once, $1,200 twice-- |
00:24:24 |
$3,000. |
00:24:25 |
Sold for $1,200. |
00:24:30 |
-l won't let you get away with that. |
00:24:33 |
Take your hands off me or l'll sue you. |
00:24:50 |
-What took you so long? |
00:24:52 |
Get moving. |
00:24:53 |
l haven't finished bidding yet. |
00:24:57 |
l'm sorry, old man. Too bad. Keep trying. |
00:25:01 |
Not so rough! |
00:25:11 |
-Handle with care, fellas. |
00:25:14 |
-l'm valuable property. |
00:25:20 |
l want to thank you for saving my life. |
00:25:24 |
Save it for the stationhouse. |
00:25:30 |
Let's have some smiles and good cheer. |
00:25:33 |
You're about to become heroes. |
00:25:37 |
We'll find out as soon as we book you |
00:25:42 |
That's chicken feed. You've hit the jackpot. |
00:25:45 |
''Chicago police capture |
00:25:50 |
My name is Roger Thornhill. |
00:25:52 |
Here. |
00:25:57 |
-lt's him. |
00:26:02 |
This is 1055. Sergeant Flamm. |
00:26:05 |
We've got a man here who answers |
00:26:09 |
Code 76. |
00:26:11 |
Wanted by NYPD. Positive lD. |
00:26:15 |
Absolutely. No question. |
00:26:19 |
Michigan Avenue. Proceeding north |
00:26:25 |
What? |
00:26:28 |
Come again! |
00:26:32 |
Are you sure? |
00:26:34 |
Okay. Right. |
00:26:36 |
Yeah, l got it. |
00:26:38 |
1055, off and clear. |
00:26:42 |
-Where are we going? |
00:26:45 |
-For what? |
00:26:47 |
Airport? l'm not going to any airport. |
00:26:52 |
You do, huh? |
00:26:54 |
Why do you think l sent for you? |
00:26:56 |
How about this guy? He sent for us! |
00:26:59 |
Sit back! |
00:27:00 |
Didn't you hear? l want to be taken |
00:27:02 |
l'm a dangerous assassin. |
00:27:06 |
You ought to be ashamed of yourself. |
00:27:19 |
NORTHWEST |
00:27:34 |
They said right here. |
00:27:36 |
Does anyone mind if l sit down? |
00:27:50 |
Thought l'd never make it. |
00:27:54 |
All right, men. Thank you. |
00:27:56 |
This way, Mr. Thornhill. |
00:27:59 |
This way is more private. |
00:28:05 |
l don't think l caught your name. |
00:28:07 |
l don't think l pitched it. |
00:28:09 |
You're police, aren't you? Or is it FBl? |
00:28:12 |
FBl, ClA, ONl. |
00:28:17 |
You can stick this in your alphabet soup. |
00:28:21 |
-We know that. |
00:28:23 |
Then why did you let the police |
00:28:26 |
We never interfere with the police |
00:28:30 |
lt has become necessary. |
00:28:33 |
Then, l take it l'm to be cleared. |
00:28:35 |
l wish you'd walk faster, Mr. Thornhill. |
00:28:38 |
Where are we going? |
00:28:40 |
Rapid City, South Dakota. |
00:28:43 |
Rapid City? What for? |
00:28:45 |
lt's near Mt. Rushmore. |
00:28:47 |
No, thank you. l've seen Mt. Rushmore. |
00:28:49 |
So has your friend Mr. Vandamm. |
00:28:52 |
Vandamm? |
00:28:53 |
A rather formidable gentleman. |
00:28:56 |
What about that treacherous |
00:28:59 |
Miss Kendall? |
00:29:00 |
His mistress. We know all about her. |
00:29:04 |
Tell me, what's Vandamm up to? |
00:29:06 |
You could say he's a sort |
00:29:09 |
Of what? |
00:29:12 |
Government secrets, perhaps. |
00:29:14 |
Then why don't you grab him? |
00:29:16 |
There's still too much we don't know |
00:29:19 |
l see. What's all this got to do |
00:29:23 |
Vandamm has a place near there. |
00:29:25 |
We think it's his jumping-off point |
00:29:29 |
-Are you going to stop him? |
00:29:31 |
Then why are we going there? |
00:29:33 |
To set his mind at ease |
00:29:37 |
Oh, you, huh? |
00:29:39 |
You're George Kaplan, aren't you? |
00:29:40 |
There is no such person as George Kaplan. |
00:29:43 |
What do you mean? l've been in his room. |
00:29:46 |
l've tried on his clothes. |
00:29:49 |
Believe me, he doesn't exist. |
00:29:52 |
Which is why l'm going to have to ask you |
00:29:58 |
Come on! We'll discuss it on the plane. |
00:30:22 |
You started the decoy business |
00:30:26 |
We might have |
00:30:28 |
You should give me a medal and a vacation |
00:30:32 |
...just so your special agent |
00:30:35 |
Not shot at, Mr. Thornhill. Found out. |
00:30:38 |
Once found out they're as good as dead. |
00:30:40 |
Thanks to you, |
00:30:44 |
Thanks to me? |
00:30:47 |
You listen to me. |
00:30:49 |
l'm an advertising man, not a red herring! |
00:30:51 |
l've got a job, a secretary, a mother... |
00:30:53 |
...two ex-wives and several bartenders |
00:30:56 |
...and l don't intend to disappoint them |
00:31:00 |
The answer is no. |
00:31:02 |
-ls that final? |
00:31:05 |
-Goodbye, then. |
00:31:07 |
lf there was a chance of changing |
00:31:11 |
...of whom you so obviously disapprove. |
00:31:14 |
Yes, for using sex |
00:31:18 |
l suppose it doesn't matter to you... |
00:31:20 |
...that she was probably forced to do |
00:31:24 |
To protect herself from what? |
00:31:26 |
Exposure, assassination. |
00:31:30 |
You see, Mr. Thornhill, she's.... |
00:31:33 |
She's one of our agents. |
00:31:36 |
Oh, no! |
00:31:37 |
l know you didn't mean it... |
00:31:39 |
...but l'm afraid you have put her |
00:31:44 |
And much more than her life is at stake. |
00:32:01 |
Suppose they don't come? |
00:32:03 |
They'll come. |
00:32:06 |
l don't like the way Teddy Roosevelt |
00:32:10 |
Perhaps he's trying to give you |
00:32:14 |
''Speak softly, and carry a big stick.'' |
00:32:16 |
He's trying to tell me not to go through |
00:32:20 |
He doesn't know to what extent |
00:32:24 |
l don't know that l care |
00:32:27 |
lf you hadn't made yourself so attractive |
00:32:31 |
And vice versa. |
00:32:33 |
...our friend Vandamm wouldn't be |
00:32:36 |
lt was quite obvious to him last night |
00:32:40 |
Worst of all, with a man he thinks |
00:32:45 |
Are you trying to tell me |
00:32:48 |
l'm trying to remind you |
00:32:50 |
...to help us restore her |
00:32:53 |
...until he leaves the country tonight. |
00:32:56 |
All right, all right. |
00:32:58 |
But, after tonight.... |
00:33:00 |
My blessings on you both! |
00:33:17 |
Here they are! |
00:34:12 |
Good afternoon, Mr. Kaplan. |
00:34:14 |
Not her! |
00:34:24 |
Did l misunderstand you |
00:34:27 |
We'll get to that later. |
00:34:30 |
l suppose you were surprised |
00:34:32 |
Not at all. l knew the police |
00:34:36 |
By the way, l want to compliment you |
00:34:40 |
...from the auction gallery. |
00:34:42 |
Thank you. |
00:34:43 |
And now what little drama |
00:34:46 |
l don't for a moment believe that |
00:34:50 |
...to come to a business arrangement. |
00:34:54 |
Suppose l tell you that l not only know |
00:34:58 |
...but the latitude and longitude |
00:35:01 |
...and your ultimate destination. |
00:35:04 |
You wouldn't care to carry my bags, |
00:35:06 |
Perhaps you'd be interested in the price, |
00:35:10 |
The price? |
00:35:11 |
For doing nothing to stop you. |
00:35:15 |
How much did you have in mind? |
00:35:18 |
l want the girl. |
00:35:22 |
l want her to get what's coming to her. |
00:35:25 |
Turn her over to me. l'll see there's |
00:35:28 |
...uncomfortable for the rest of her life. |
00:35:32 |
You do that, |
00:35:35 |
She really did get under your skin. |
00:35:37 |
We're not talking about my skin. |
00:35:40 |
-l'm offering you a chance to save it. |
00:35:45 |
Put it any way you like. |
00:35:47 |
l'm curious, Mr. Kaplan. |
00:35:49 |
What made you think that my feelings |
00:35:54 |
...to the point where l would trade her in |
00:35:59 |
l don't deduce. |
00:36:00 |
l observe. |
00:36:04 |
Phillip, if you don't mind, |
00:36:20 |
Just a second, you. |
00:36:21 |
Stay away from me! Let go! |
00:36:25 |
Stay away from me! Let go! |
00:36:27 |
Let go of me! |
00:36:29 |
Save the phony tears. |
00:36:31 |
You just get back. |
00:36:34 |
You little fool! |
00:36:35 |
You just stay away from me. |
00:36:43 |
No good. You can't get involved in this. |
00:36:50 |
-Don't touch anything. |
00:36:52 |
Stand back. |
00:37:54 |
Don't be long. |
00:38:00 |
Hello. |
00:38:02 |
Hello. |
00:38:04 |
Are you all right? |
00:38:06 |
Yes, l think so. |
00:38:09 |
l asked the Professor |
00:38:14 |
There's not much time. |
00:38:17 |
lsn't there? |
00:38:19 |
l wanted to tell you.... |
00:38:22 |
l mean, apologize. |
00:38:25 |
No need. |
00:38:27 |
l understand. |
00:38:31 |
All in the line of duty. |
00:38:34 |
l did treat you miserably. |
00:38:38 |
l hated you for it. |
00:38:41 |
l didn't want you to go on thinking.... |
00:38:46 |
l used some pretty harsh words, l'm sorry. |
00:38:49 |
-They hurt deeply. |
00:38:52 |
l couldn't tell you. |
00:38:54 |
-Of course not. |
00:38:57 |
No, l guess not. |
00:39:01 |
You didn't get hurt. l'm so relieved. |
00:39:03 |
Of course l was. How would you have felt? |
00:39:05 |
l mean in the cafeteria, when you fell. |
00:39:09 |
Oh, that. No. |
00:39:11 |
You did it rather well, l thought. |
00:39:13 |
Yes, l thought l was quite graceful. |
00:39:16 |
Considering it's not really |
00:39:20 |
No, l got into it by accident. |
00:39:26 |
l met Phillip Vandamm at a party one night |
00:39:33 |
l guess l had nothing to do that weekend... |
00:39:36 |
...so l decided to fall in love. |
00:39:39 |
That's nice. |
00:39:42 |
Eventually, the Professor and his |
00:39:48 |
...with a few sordid details about Phillip |
00:39:52 |
...my relationship with him |
00:39:58 |
So you became a Girl Scout? |
00:40:01 |
lt was the first time anyone ever asked me |
00:40:07 |
Has life been like that? |
00:40:12 |
How come? |
00:40:15 |
Men like you. |
00:40:18 |
What's wrong with men like me? |
00:40:21 |
They don't believe in marriage. |
00:40:23 |
l've been married twice. |
00:40:25 |
See what l mean? |
00:40:28 |
l may go back to hating you. |
00:40:38 |
Goodbye, darling. |
00:40:41 |
Wait. Not so soon. |
00:40:42 |
l must get back and convince them... |
00:40:44 |
...that l took the long way |
00:40:49 |
Couldn't we stand like this |
00:40:52 |
Just this time you're supposed |
00:40:54 |
l never felt more alive. |
00:40:57 |
Whose side are you on? |
00:40:59 |
Yours, always, darling. |
00:41:02 |
Please don't undermine my resolve, |
00:41:14 |
l guess it's off to the hospital for me |
00:41:18 |
l don't like it a bit. |
00:41:20 |
lt's much safer now, thanks to you, |
00:41:24 |
Don't thank me. l couldn't stand it. |
00:41:26 |
All right. l won't. |
00:41:28 |
After your malevolent friend Vandamm |
00:41:31 |
...we'll get together and do a lot of |
00:41:35 |
You know that can't be. |
00:41:37 |
Of course it can be! |
00:41:42 |
He has told you, hasn't he? |
00:41:45 |
Told me what? |
00:41:47 |
You've got to get moving. |
00:41:49 |
-What didn't you tell me? |
00:41:52 |
She's going off with Vandamm tonight |
00:41:57 |
She's going off with Vandamm? |
00:41:59 |
That's why we went to such lengths |
00:42:02 |
So that Vandamm couldn't decline |
00:42:05 |
l needn't tell you how valuable |
00:42:09 |
You lied to me! |
00:42:11 |
l needed your help. |
00:42:13 |
You got it, all right. |
00:42:14 |
Don't be angry. |
00:42:15 |
-You think l'll let you go through with this? |
00:42:19 |
Nobody has to do anything! |
00:42:21 |
l don't like the games you play! |
00:42:24 |
War is hell, Mr. Thornhill, |
00:42:27 |
lf you can't lick the Vandamms |
00:42:30 |
...without asking girls to bed down |
00:42:33 |
...and probably never come back... |
00:42:35 |
...perhaps you should learn |
00:42:39 |
We're already doing that. |
00:42:48 |
-l won't let you do this. Get out. |
00:42:57 |
...shot Mr. Kaplan twice in full view |
00:43:01 |
...who had come to the park |
00:43:05 |
Witnesses described the assailant as |
00:43:10 |
Kaplan, who was taken to the hospital |
00:43:14 |
...has been tentatively identified |
00:43:19 |
The tragedy developed |
00:43:21 |
Chris Swenson, |
00:43:24 |
...stated that he heard voices raised in-- |
00:43:34 |
Here we are. |
00:43:36 |
Slacks, a shirt and these. |
00:43:39 |
Thanks. |
00:43:40 |
That'll do for you around here |
00:43:44 |
The next couple of days? |
00:43:47 |
Hey, what's this? |
00:43:50 |
That's where l hit the chair |
00:43:53 |
You and your dopey schemes. Shooting. |
00:43:55 |
-Otherwise, feeling all right? |
00:43:59 |
Considering your driver has |
00:44:03 |
Yeah, l'm sorry about that. |
00:44:05 |
That's all right. l guess l deserved it. |
00:44:08 |
l guess l deserve that locked door, too. |
00:44:10 |
lf you were seen wandering about healthy, |
00:44:15 |
-l've begun to forget her already. |
00:44:18 |
-Better that way. |
00:44:21 |
lnside of an hour, she'll be gone. |
00:44:26 |
How's everything out in Rapid City? |
00:44:28 |
Everything's fine. |
00:44:30 |
Mr. Kaplan's untimely shooting has |
00:44:35 |
Everyone's been cooperating beautifully. |
00:44:37 |
Now you can include me. |
00:44:39 |
-l'm a cooperator. |
00:44:42 |
-Care to do me a favor in return? |
00:44:45 |
l'd like a drink. |
00:44:48 |
A pint will do. |
00:44:51 |
Can l join you? |
00:44:52 |
lf you're gonna join me, |
00:44:55 |
See you in a few minutes. |
00:46:02 |
-Stop! |
00:46:05 |
Stop. |
00:46:30 |
-Don't you want me to take you up there? |
00:49:20 |
-There's nothing to worry about. |
00:49:23 |
l'm not just saying this |
00:49:26 |
l mean it. |
00:49:28 |
l just didn't know what l was doing. |
00:49:30 |
He wants to destroy you. |
00:49:33 |
But not endanger you! |
00:49:34 |
Rubbish. |
00:49:36 |
Soon we'll be off together and l shall |
00:49:42 |
What's the situation, Leonard? |
00:49:44 |
-About the plane, you mean? |
00:49:46 |
What was the last report? |
00:49:48 |
Over Whitestone on the hour. |
00:49:51 |
-About ten minutes? |
00:49:54 |
And now.... |
00:49:56 |
l wonder if l might have a few words |
00:49:59 |
Certainly. |
00:50:01 |
ln private? |
00:50:04 |
l'll get my things. |
00:50:08 |
How does one say goodbye... |
00:50:10 |
...to one's right arm? |
00:50:18 |
ln your case, |
00:50:26 |
l know you're terribly fond |
00:51:13 |
lt couldn't have been anything. |
00:51:19 |
You must've had some doubts |
00:51:23 |
And still do. |
00:51:24 |
Rubbish. |
00:51:26 |
Why else would you've decided |
00:51:29 |
...our little treasure here |
00:51:32 |
You seem to be trying to fill mine |
00:51:34 |
Sometimes the truth does taste |
00:51:37 |
l've heard nothing but innuendoes. |
00:51:39 |
Call it my ''woman's intuition'' if you will, |
00:51:43 |
Neatness is always the result |
00:51:45 |
She shot him in a moment |
00:51:48 |
You were there, you saw it yourself. |
00:51:50 |
Yes. |
00:51:53 |
And thereby wrapped everything up |
00:52:00 |
A: She removed any doubts |
00:52:03 |
What did you call it? Her ''devotion''? |
00:52:06 |
B: She gave herself an urgent reason |
00:52:10 |
...in case you decided to change your mind. |
00:52:14 |
l think you're jealous. |
00:52:16 |
No, l mean it. l'm very touched. |
00:52:22 |
Leonard! |
00:52:31 |
The gun she shot Kaplan with. |
00:52:33 |
l found it in her luggage. |
00:52:36 |
lt's an old trick. Shoot one of your own |
00:52:40 |
They've just freshened it up a bit |
00:52:58 |
What was that noise? |
00:53:02 |
Yes, we wondered what it was, too. |
00:53:06 |
Hurry down, darling. lt's time to leave. |
00:53:08 |
ln a moment. |
00:53:19 |
You're not taking her on that plane |
00:53:21 |
Of course l am. |
00:53:24 |
Like our friends, |
00:53:27 |
This matter is best disposed of |
00:53:32 |
...over water. |
00:54:20 |
How about a little champagne |
00:54:22 |
l'd love it. |
00:54:24 |
lt may not be cold enough. |
00:54:25 |
On the rocks it'll be all right. |
00:54:27 |
Are you sure? |
00:54:39 |
R.O.T. |
00:54:56 |
They're on to you. |
00:55:04 |
l'm in your room. |
00:55:45 |
To you, my dear... |
00:55:46 |
...and all the lovely moments |
00:55:50 |
Thank you. |
00:55:52 |
There he is. |
00:56:01 |
Jump in, Leonard. The champagne's fine. |
00:56:03 |
There isn't time. |
00:56:05 |
You always were a spoilsport, weren't you? |
00:56:08 |
One of my most valuable attributes... |
00:56:10 |
...as it now turns out. |
00:56:14 |
lt would please me if you'd think of me |
00:56:19 |
...if only in spirit. |
00:56:20 |
l shall. |
00:56:29 |
He's heading pretty far out |
00:56:33 |
l guess he's going to play it safe |
00:56:38 |
You couldn't ask |
00:56:40 |
Ceiling and possibilities unlimited. |
00:56:45 |
There he goes, starting his turn. |
00:56:48 |
We'd better get moving. |
00:56:52 |
He should have his wheels on the ground |
00:56:59 |
-Come along, Eve. |
00:57:03 |
l think l left my earrings upstairs. |
00:57:20 |
We can go through the window. |
00:57:23 |
What are you doing? |
00:57:25 |
They know about the fake shooting! |
00:57:28 |
What? |
00:57:29 |
Leonard found the gun in your luggage! |
00:57:31 |
The figure they got at the auction |
00:57:34 |
That's how he's been getting it. |
00:57:38 |
Whatever you do, don't get on that plane! |
00:57:47 |
Don't worry, Anna. |
00:57:51 |
You and your husband will be |
00:57:53 |
-Thank you very much, sir. |
00:57:55 |
We will. |
00:57:57 |
God bless you! |
00:59:03 |
Stay where you are! |
00:59:16 |
Sit down. |
00:59:22 |
As soon as the plane leaves, |
00:59:53 |
What is it? |
00:59:56 |
l was wondering about my earrings. |
00:59:58 |
They'll turn up. |
01:00:04 |
When you return to New York, |
01:00:07 |
Thank her for her performance |
01:00:10 |
Tell your knife-throwing chum |
01:00:14 |
That's all, Leonard. |
01:00:31 |
Get that figure back! |
01:00:40 |
The housekeeper had me pinned down |
01:00:42 |
...before l realized |
01:00:45 |
-l see you've got the pumpkin. |
01:01:26 |
This is no good. |
01:01:47 |
-What'll we do? |
01:01:49 |
We can't. |
01:01:50 |
Here they come. We have no choice. |
01:02:42 |
lf we ever get out of this alive... |
01:02:44 |
...let's go back to New York |
01:02:47 |
All right? |
01:02:48 |
ls that a proposition? |
01:02:51 |
lt's a proposal, sweetie. |
01:02:54 |
What happened to the first two marriages? |
01:02:57 |
My wives divorced me. |
01:03:00 |
Why? |
01:03:01 |
l think they said l led too dull a life. |
01:03:04 |
Come on. |
01:03:15 |
Are you all right? |
01:03:27 |
Come on. |
01:06:19 |
Help! |
01:06:20 |
Help me! |
01:06:53 |
Thank you, Sergeant. |
01:06:54 |
That wasn't very sporting, |
01:06:58 |
Here, reach. Now. |
01:07:00 |
l'm trying. |
01:07:02 |
Come on, l've got you. |
01:07:03 |
-Up! |
01:07:05 |
Yes, you can. |
01:07:06 |
Come on. |
01:07:07 |
Pull harder! |
01:07:09 |
Come along, Mrs. Thornhill. |
01:07:15 |
Roger, this is silly. |
01:07:17 |
l know, but l'm sentimental. |
01:07:26 |
THE END |