|
Notorious Bettie Page The
|
| 00:01:38 |
Do you have anything |
| 00:01:40 |
I'm not sure |
| 00:01:43 |
Do you have anything |
| 00:01:49 |
High heels? |
| 00:01:52 |
Leather boots... |
| 00:02:00 |
Very good, yes. |
| 00:02:03 |
Um, do you have |
| 00:02:07 |
that shows... |
| 00:02:18 |
It's a big favorite |
| 00:02:22 |
The model |
| 00:02:27 |
Do you have any |
| 00:02:30 |
I'll have to check |
| 00:02:34 |
Sir, I'm Detective Farrell |
| 00:02:37 |
We have to ask you a few questions about |
| 00:02:40 |
We have reason to believe |
| 00:02:42 |
and indecent literature |
| 00:02:50 |
Any witness who feels |
| 00:02:54 |
embarrassed by the lights |
| 00:02:57 |
they will not be asked |
| 00:03:00 |
Because of the rules |
| 00:03:02 |
we cannot have smoking |
| 00:03:04 |
That is difficult for some, |
| 00:03:07 |
including the chairman. |
| 00:03:09 |
Since assuming the chairmanship |
| 00:03:12 |
to Investigate |
| 00:03:14 |
I have become |
| 00:03:17 |
during each passing week |
| 00:03:19 |
with the effect |
| 00:03:22 |
on American adolescents |
| 00:03:25 |
and with the widespread |
| 00:03:28 |
of this insidious filth. |
| 00:03:31 |
Father Egan, you think |
| 00:03:34 |
is having a substantial |
| 00:03:37 |
I certainly do. |
| 00:03:40 |
It is rotting at the very |
| 00:03:44 |
Communism will never |
| 00:03:46 |
No, it's something |
| 00:03:49 |
within the nation |
| 00:04:21 |
Dear Bettie, how are things |
| 00:04:25 |
We haven't heard |
| 00:04:27 |
I guess you must be real busy |
| 00:04:31 |
Here's a picture of you |
| 00:04:34 |
It was nice |
| 00:04:36 |
Hope you visit soon. |
| 00:04:39 |
All my love, Goldie. |
| 00:04:42 |
"And they went forth |
| 00:04:46 |
The Lord working with them, |
| 00:04:50 |
with signs." |
| 00:04:54 |
I know, friends, |
| 00:04:56 |
God's gonna call me home. |
| 00:04:58 |
When he calls, I know it's gonna be... |
| 00:05:02 |
to my eternal home. |
| 00:05:04 |
But before he calls, |
| 00:05:08 |
to come to him. |
| 00:05:10 |
don't you know the Lord... |
| 00:05:12 |
gives every sinner man |
| 00:05:15 |
the chance to come |
| 00:05:18 |
I feel like singing an invitational |
| 00:05:22 |
If there be any unsaved |
| 00:05:25 |
Who feel like giving their hearts |
| 00:06:24 |
Okay. |
| 00:06:33 |
Y'all, Mrs. Craddock |
| 00:06:35 |
- Let her get an eyeful. |
| 00:06:40 |
Do we look |
| 00:06:42 |
Girls, get on back |
| 00:06:44 |
- Come on and do your chores. |
| 00:06:56 |
Bettie, I wanna see you. |
| 00:07:00 |
Come on up. |
| 00:07:15 |
Oh! Oh, why thank you. |
| 00:07:22 |
Uh, ma'am, |
| 00:07:24 |
Are you gonna be all right |
| 00:07:27 |
Do you have |
| 00:07:29 |
or something |
| 00:07:31 |
Well, thank you |
| 00:07:34 |
But... no, I'm not married. |
| 00:07:40 |
I'll be fine on my own. |
| 00:07:51 |
"...The fundamental principles |
| 00:07:55 |
- to be represented..." |
| 00:07:58 |
You wait here. |
| 00:08:00 |
Billy, you fool, that's Bettie Page. |
| 00:08:04 |
to date that girl, |
| 00:08:10 |
I'd sure like to meet you, |
| 00:08:12 |
I'd like to meet |
| 00:08:14 |
Well, you can. |
| 00:08:17 |
That's hard to believe. |
| 00:08:20 |
Well... |
| 00:08:24 |
Hey! |
| 00:08:26 |
"One of the fundamental |
| 00:08:29 |
is the people's right..." |
| 00:08:32 |
- Did you write that? |
| 00:08:34 |
I'm on the debating team. |
| 00:08:37 |
I'd like to debate you |
| 00:08:40 |
You're probably |
| 00:08:42 |
- but I bet I could put up a good fight. |
| 00:08:46 |
I was never |
| 00:08:48 |
They just passed me in school |
| 00:08:50 |
Football? |
| 00:08:53 |
Yeah, I've seen you play... |
| 00:08:55 |
- against Hume-Fogg. |
| 00:08:57 |
You're a good ballplayer. |
| 00:08:59 |
Yes, I am. |
| 00:09:01 |
- How good are you? |
| 00:09:05 |
If you come out with me, |
| 00:09:08 |
- Well, I'd like to, but... |
| 00:09:11 |
You're gonna |
| 00:09:13 |
- I signed up. |
| 00:09:16 |
That's right... |
| 00:09:19 |
Well, my mother doesn't |
| 00:09:21 |
That's a shame. |
| 00:09:23 |
That's a darn shame. |
| 00:09:25 |
You tell your mother |
| 00:09:29 |
Maybe I will. |
| 00:09:31 |
I'm gonna marry |
| 00:09:34 |
No, you ain't gonna marry her. |
| 00:09:37 |
I don't know. |
| 00:11:08 |
Let's see |
| 00:11:10 |
- Oh. |
| 00:11:13 |
See you Monday. |
| 00:11:34 |
I bet it'd look |
| 00:11:37 |
It's a beautiful |
| 00:11:40 |
Yes, it is. |
| 00:11:42 |
Say, do you |
| 00:11:45 |
My buddy and his girl |
| 00:11:48 |
and they invited me |
| 00:11:50 |
to feel like a third wheel. |
| 00:11:55 |
Well, I do like dancing. |
| 00:11:58 |
Love to dance, in fact. |
| 00:12:00 |
Well, my... my friends |
| 00:12:04 |
I'd be thrilled |
| 00:12:06 |
Yeah, I think I will |
| 00:12:09 |
Great. |
| 00:12:12 |
- My name's Scotty. |
| 00:12:15 |
- Nice to meet you. |
| 00:12:17 |
Thanks so much. |
| 00:12:19 |
Have you been |
| 00:12:22 |
I love to go there |
| 00:12:24 |
The band really cooks. |
| 00:12:25 |
And I'd just bet you can really dance, |
| 00:12:29 |
Well, I like to dance. |
| 00:12:31 |
If the music's good, |
| 00:12:39 |
- This is Jake. |
| 00:12:41 |
- Hi. |
| 00:12:42 |
- Hi. |
| 00:12:48 |
The more the merrier. |
| 00:13:04 |
Why are we... |
| 00:13:07 |
leaving the city? |
| 00:13:13 |
Where is this place? |
| 00:13:21 |
Where are we going? |
| 00:13:27 |
Where are we going?! |
| 00:13:55 |
Don't try and run. |
| 00:13:57 |
Oh, please, |
| 00:14:00 |
- Please. |
| 00:14:02 |
Can't nobody hear you |
| 00:14:04 |
You know what we're |
| 00:14:06 |
Just get in the back |
| 00:14:08 |
Please, I can't. |
| 00:14:11 |
Please, it's that time |
| 00:14:13 |
Shit, |
| 00:14:15 |
I thought you said we were |
| 00:14:17 |
Well, |
| 00:14:20 |
she'll have to give us some kind |
| 00:17:04 |
"Dear Goldie, |
| 00:17:06 |
I've decided to make a fresh start |
| 00:17:10 |
I've found an apartment |
| 00:17:13 |
and painted |
| 00:17:16 |
I entered a beauty contest |
| 00:17:19 |
I won second prize in one, |
| 00:17:22 |
a set of brand new Revere |
| 00:17:25 |
which I needed very much. |
| 00:17:27 |
I hope this finds y'all |
| 00:17:30 |
and you kids |
| 00:17:34 |
Love to y'all. |
| 00:17:53 |
- Can I ask you a question? |
| 00:17:55 |
Don't be nervous. I'm a policeman. |
| 00:17:59 |
See? |
| 00:18:02 |
I was just curious... |
| 00:18:04 |
have you ever done |
| 00:18:07 |
Well, not for photographs. |
| 00:18:09 |
Well, you look like a model. |
| 00:18:12 |
but I'm a photographer too... |
| 00:18:14 |
If you let me take your picture, |
| 00:18:17 |
- Take my photo? Right here? |
| 00:18:20 |
- Looking like this? |
| 00:18:22 |
I don't know. |
| 00:18:25 |
You're a southern girl, |
| 00:18:26 |
Well, I don't wanna |
| 00:18:29 |
Oh, no no, |
| 00:18:31 |
Don't get me wrong. |
| 00:18:33 |
and she was real nice. |
| 00:18:36 |
Well, I... |
| 00:18:41 |
Oh, what's the harm in it? |
| 00:18:43 |
- Come on, over here. |
| 00:18:47 |
I don't think |
| 00:18:50 |
Good, Bettie. |
| 00:18:52 |
Nashville, Tennessee. |
| 00:18:54 |
- Ah, home of the Grand Ole Opry. |
| 00:18:57 |
I hear it on the radio |
| 00:18:59 |
My wife listens to it |
| 00:19:01 |
Could you lift |
| 00:19:04 |
A little more. |
| 00:19:06 |
Good. |
| 00:19:10 |
Head up and |
| 00:19:14 |
Great, Bettie. |
| 00:19:17 |
Good. |
| 00:19:21 |
Hey, Officer. |
| 00:19:29 |
Uh... |
| 00:19:30 |
well, it seems as if |
| 00:19:32 |
aren't happy about me |
| 00:19:35 |
Well, they're just prejudiced. |
| 00:19:37 |
I used to be |
| 00:19:39 |
but I grew up |
| 00:19:41 |
- All we're doing is taking pictures. |
| 00:19:44 |
Maybe next time |
| 00:19:49 |
Let's go. |
| 00:20:05 |
Good. |
| 00:20:07 |
Good. |
| 00:20:09 |
Uh, give me friendly. |
| 00:20:12 |
Now, give me pert. |
| 00:20:15 |
One more. |
| 00:20:18 |
And give me haughty. |
| 00:20:21 |
Good, Bettie. |
| 00:20:23 |
Now, could you turn |
| 00:20:25 |
I'd like to see your figure |
| 00:20:27 |
Okay. |
| 00:20:29 |
All right. |
| 00:20:31 |
that a lot |
| 00:20:34 |
If you put this |
| 00:20:36 |
it will enhance your bustline. |
| 00:20:41 |
This is all lumpy. |
| 00:20:44 |
Well, you have |
| 00:20:46 |
Oh... |
| 00:20:49 |
Oh. |
| 00:20:53 |
Good. |
| 00:20:57 |
Good, Bettie. |
| 00:21:01 |
Great, Bettie. |
| 00:21:05 |
Yeah, the poses are great. |
| 00:21:08 |
Would you mind |
| 00:21:13 |
Come, please. |
| 00:21:16 |
There's nothing wrong with it, |
| 00:21:20 |
But if we covered it... |
| 00:21:30 |
it wouldn't catch the light, |
| 00:21:33 |
and it frames your face. |
| 00:21:35 |
Yeah, I see what you mean. |
| 00:21:37 |
- Yeah? Shall we try? |
| 00:21:43 |
Austin, Green & Dunleavey. |
| 00:21:47 |
Yes, sir. |
| 00:22:03 |
- Hi, I'm Bettie. |
| 00:22:08 |
Did Jerry tell you |
| 00:22:10 |
You can change in there. The other |
| 00:22:13 |
That's Maxie. |
| 00:22:15 |
She knows all about |
| 00:22:17 |
clothes, pose |
| 00:22:19 |
- "Clothes, pose and expression." |
| 00:22:23 |
- Maxie, this way. |
| 00:22:25 |
- Over here. |
| 00:22:28 |
- You'll get your turn. |
| 00:22:32 |
Don't forget us boys |
| 00:22:33 |
- Oh. |
| 00:22:35 |
Can you bend over |
| 00:22:38 |
- No, like this. |
| 00:22:39 |
Hey, no touching! |
| 00:22:42 |
You don't have |
| 00:22:44 |
There's no funny business here. |
| 00:22:47 |
You think |
| 00:22:49 |
I can sure try. |
| 00:23:12 |
Let's see that smile, kid. |
| 00:23:15 |
Turn to me. |
| 00:23:19 |
Lift that leg a little bit. |
| 00:23:22 |
Yeah. And higher. |
| 00:23:24 |
- Mmm... |
| 00:23:26 |
I saw it. I saw beaver. |
| 00:23:29 |
- You're dreaming. It was a shadow. |
| 00:23:31 |
- Mm-hmm. |
| 00:23:34 |
- It's Bettie. |
| 00:23:36 |
Can you bend over |
| 00:23:39 |
- Please? |
| 00:23:48 |
- Hello, keister. |
| 00:23:51 |
Nice. |
| 00:23:54 |
That's good. |
| 00:24:07 |
To want or need |
| 00:24:10 |
Comes from a distrust |
| 00:24:13 |
It comes from our fear |
| 00:24:15 |
All right. |
| 00:24:17 |
to that first |
| 00:24:19 |
recreating two minutes |
| 00:24:23 |
when we're alone. |
| 00:24:26 |
would you like to show us |
| 00:24:40 |
The curtain rises |
| 00:24:42 |
and you are sitting on stage. |
| 00:24:44 |
You are alone. |
| 00:24:47 |
and sit. At last, |
| 00:24:50 |
the curtain comes down. |
| 00:24:52 |
Nothing could be simpler, |
| 00:24:56 |
The curtain rises... |
| 00:25:37 |
the curtain comes down. |
| 00:25:43 |
Bettie, my angel, |
| 00:25:45 |
it's not necessary |
| 00:25:53 |
I'd like to try the exercise next |
| 00:25:55 |
Okay, Marvin. |
| 00:26:06 |
Curtain rises. |
| 00:26:25 |
Curtain down. |
| 00:26:28 |
Marvin sat... |
| 00:26:32 |
and waited, |
| 00:26:35 |
Now, it may not seem |
| 00:26:37 |
to sit and wait |
| 00:26:40 |
but it's life. |
| 00:26:42 |
Now, that's all for today. |
| 00:26:44 |
Thanks. |
| 00:26:52 |
Hey, don't worry, Bettie. |
| 00:26:54 |
It's like he said... |
| 00:26:57 |
I was terrible. |
| 00:26:59 |
I couldn't concentrate. |
| 00:27:01 |
No, no. |
| 00:27:04 |
I thought it was really interesting |
| 00:27:07 |
Don't feel bad. |
| 00:27:10 |
Hey, how about a milkshake? |
| 00:27:15 |
That was back when I was trying to write |
| 00:27:17 |
It all seems so juvenile. |
| 00:27:20 |
But then a friend dragged me |
| 00:27:24 |
and, I don't know, |
| 00:27:27 |
- inspiring. |
| 00:27:30 |
- It's like when you're in church. |
| 00:27:33 |
Well, sometimes with the preaching |
| 00:27:36 |
you get lifted up... |
| 00:27:39 |
It's like you're taken |
| 00:27:41 |
Yeah! Taken to another place, |
| 00:27:47 |
Bettie, I feel like I've been talking about |
| 00:27:49 |
So what about you? |
| 00:27:52 |
Well, I started |
| 00:27:55 |
and did all the plays. |
| 00:27:58 |
- it ruined my life. |
| 00:28:01 |
Well, I was gonna be our high school |
| 00:28:04 |
Everyone said |
| 00:28:07 |
The valedictorian gets a full scholarship to |
| 00:28:11 |
- It's a real big deal. |
| 00:28:14 |
Well, one day I... |
| 00:28:16 |
and I cut one class... |
| 00:28:21 |
So I got an A-minus |
| 00:28:23 |
and Martin Murphy |
| 00:28:26 |
And I got to be |
| 00:28:29 |
and a place at a teacher |
| 00:28:32 |
And I hated teaching. All the boys |
| 00:28:36 |
I just couldn't |
| 00:28:39 |
I wanted that |
| 00:28:42 |
Jeez, I'm sorry, Bettie. |
| 00:28:46 |
Hey, you know, |
| 00:28:47 |
It seemed so bitter at the time, |
| 00:28:51 |
you were meant |
| 00:28:54 |
Well, I wonder. |
| 00:28:56 |
I hope you're right |
| 00:29:12 |
Yes. Like this? |
| 00:29:15 |
Look at that over there. |
| 00:29:17 |
I know it's coming. |
| 00:29:19 |
Listen, girls, |
| 00:29:20 |
That Peggy is gonna |
| 00:29:22 |
- some semi-nude posing today. |
| 00:29:25 |
If you're feeling shy about that, |
| 00:29:29 |
Although there's nothing more beautiful |
| 00:29:32 |
Art, I've told you, my boyfriend |
| 00:29:35 |
Of course, of course. |
| 00:29:39 |
Thank you, Art, Frank. |
| 00:29:42 |
We appreciate |
| 00:29:44 |
Beautiful. |
| 00:29:46 |
You know, sometimes |
| 00:29:48 |
I just go to Central Park |
| 00:29:51 |
Gee, I like |
| 00:29:53 |
Some people think I'm funny |
| 00:29:57 |
Oh, no, Bettie. |
| 00:30:00 |
Many of the world's greatest thinkers |
| 00:30:03 |
They did? |
| 00:30:13 |
I'm roasting. |
| 00:30:15 |
Oh, no, I'm fine. |
| 00:30:18 |
Well, we'd better move into the shade |
| 00:30:21 |
You don't want get a mark |
| 00:30:23 |
Well, thank you, Charlie. |
| 00:30:31 |
You know, |
| 00:30:32 |
I could take this little old |
| 00:30:36 |
Really? |
| 00:30:40 |
- if you don't mind. |
| 00:30:43 |
and what difference does it make, |
| 00:30:46 |
I agree. |
| 00:30:49 |
Oh, thank you. |
| 00:30:54 |
You know, Bettie, |
| 00:30:56 |
You're the most popular |
| 00:30:58 |
Flattery is the devil's |
| 00:31:01 |
How's this? |
| 00:31:04 |
I don't know |
| 00:31:05 |
and don't be offended, but... |
| 00:31:09 |
well, we've come |
| 00:31:12 |
Do you think you could take off |
| 00:31:14 |
After all, it's just |
| 00:31:16 |
Now, don't you go throwing |
| 00:31:19 |
I'm... I'm sorry. |
| 00:31:21 |
Just kidding you. |
| 00:31:24 |
Sure, I don't mind. |
| 00:31:30 |
Um, um... |
| 00:31:45 |
Bettie? |
| 00:31:50 |
- Bettie? |
| 00:31:52 |
If we show too much, |
| 00:31:55 |
- What do you mean? |
| 00:31:57 |
but you have |
| 00:32:01 |
Oh... |
| 00:32:03 |
Oh, I'll just put |
| 00:32:05 |
No no no, you don't |
| 00:32:08 |
Um, the backside's okay. |
| 00:32:14 |
How's this? |
| 00:32:17 |
Oh, thank you. |
| 00:32:55 |
A copy of "She: |
| 00:32:59 |
Oh, Marvin. |
| 00:33:02 |
A-ha, there she is. |
| 00:33:05 |
- In roller-skates this time. |
| 00:33:08 |
"Gals think men are beasts! |
| 00:33:11 |
This doll thinks a gorilla |
| 00:33:17 |
I'm not sure I like the idea |
| 00:33:20 |
It's a bathing suit, Marvin. |
| 00:33:23 |
- You make it look so good. |
| 00:33:30 |
Yeah, I know. |
| 00:33:36 |
- Yes... yes? |
| 00:33:38 |
I got your name from Maxie. |
| 00:33:41 |
Oh, yeah. She told me about you. |
| 00:33:44 |
Yeah, we got some |
| 00:33:47 |
Yeah, Stewart Granger |
| 00:33:49 |
Just come into the store. |
| 00:33:52 |
- Thank you so much. |
| 00:33:53 |
- So Maxie told you about us? |
| 00:33:56 |
She said there would be some |
| 00:33:59 |
Okay, great. |
| 00:34:01 |
and talk to my brother |
| 00:34:03 |
Klaw Studios |
| 00:34:05 |
featuring the largest variety |
| 00:34:09 |
Well, what are you |
| 00:34:11 |
Films, cartoons, |
| 00:34:14 |
We got some great new pictorials in, |
| 00:34:17 |
just a moment. |
| 00:34:21 |
You hungry? |
| 00:34:23 |
- some beautiful sliced brisket. |
| 00:34:26 |
Okay. |
| 00:34:28 |
Dressing room's |
| 00:34:34 |
Uh, no more "Boudoir |
| 00:34:37 |
What about some |
| 00:34:40 |
"Bound in Rubber," |
| 00:34:43 |
and "Fearful Ordeal |
| 00:34:46 |
Now, that last one's |
| 00:34:48 |
because of the quality of the poses, |
| 00:34:51 |
are among the most strenuous |
| 00:35:02 |
Whoa-whoa, how anyone walks |
| 00:35:06 |
You don't have far to go. |
| 00:35:08 |
- Oh, hello. |
| 00:35:09 |
- Nice to meet you. |
| 00:35:13 |
We get a lot of requests |
| 00:35:15 |
Sure do... 8" stiletto heels, |
| 00:35:18 |
12 different poses. |
| 00:35:21 |
- There you go. |
| 00:35:23 |
All right, Bettie. |
| 00:35:26 |
Beautiful, Bettie. |
| 00:35:28 |
Oh! I think we got a little problem. |
| 00:35:31 |
Oh, yep. We better put |
| 00:35:34 |
Yeah, we gotta put these |
| 00:35:36 |
These will be okay, huh? |
| 00:35:40 |
It's the shoes they want. |
| 00:35:43 |
- they can't get enough of them. |
| 00:35:45 |
Don't ask. It takes all types |
| 00:35:49 |
What kind of types? |
| 00:35:53 |
You see, the customers |
| 00:35:56 |
they're very respectable, |
| 00:35:59 |
doctors, lawyers, |
| 00:36:02 |
Even a judge. |
| 00:36:04 |
The pressures they've got... |
| 00:36:07 |
So what if they want something |
| 00:36:10 |
- If it makes them happy? |
| 00:36:13 |
Sometimes they come into the store, and |
| 00:36:16 |
Irving says I can |
| 00:36:18 |
- Oh, she can. She's got an instinct. |
| 00:36:22 |
I'll pull out a movie star... |
| 00:36:25 |
with a nice pair of high heels... |
| 00:36:28 |
"Hmm, something |
| 00:36:30 |
Oh, the look on their face... |
| 00:36:34 |
And then I start pulling |
| 00:36:36 |
Look at the time. |
| 00:36:39 |
- Jack, let's put some music on. |
| 00:36:41 |
Let's put some music. |
| 00:36:43 |
- Oh, yeah. |
| 00:36:46 |
I'm fine. Just fine. |
| 00:36:48 |
Turn your backside to us |
| 00:36:50 |
Nice nice. |
| 00:36:53 |
Wonderful, Bettie. |
| 00:36:56 |
To me, turn to me. |
| 00:36:59 |
It's nice, right? |
| 00:37:06 |
Gorgeous gorgeous. |
| 00:37:12 |
She's great. |
| 00:37:14 |
Oh, that's right, honey. |
| 00:37:16 |
Do that cha-cha, |
| 00:37:18 |
Great, Bettie. |
| 00:37:21 |
Listen to this..."you have |
| 00:37:24 |
in playing your part, |
| 00:37:27 |
At such times your playing |
| 00:37:30 |
I think he was talking |
| 00:37:32 |
No, no, he's talking |
| 00:37:35 |
I'm just so nervous. Uh, they liked |
| 00:37:40 |
- but they never heard me speak. |
| 00:37:42 |
- Uh-huh. |
| 00:37:44 |
a good Southern girl. |
| 00:37:46 |
You find truth in the character |
| 00:37:49 |
- that you're from Tennessee. |
| 00:37:58 |
Okay, start from here. |
| 00:38:00 |
Come on, turn. |
| 00:38:04 |
Not... slowly |
| 00:38:09 |
And look at me |
| 00:38:11 |
with your beautiful eyes. |
| 00:38:16 |
Now, this way. |
| 00:38:20 |
Straight. |
| 00:38:23 |
Now, say something nice. |
| 00:38:28 |
Um... |
| 00:38:32 |
I don't know know what to say. |
| 00:38:34 |
Come on, we're recording sound |
| 00:38:42 |
- I'm sorry. |
| 00:38:46 |
You're behaving |
| 00:38:48 |
Come on, look at me |
| 00:38:53 |
And? |
| 00:38:58 |
Ahem... |
| 00:39:00 |
hi, I'm Bettie Page. |
| 00:39:03 |
Um... |
| 00:39:05 |
I'm from Nashville, |
| 00:39:10 |
Right. Okay, that's it. |
| 00:39:15 |
I thought you looked really great |
| 00:39:18 |
You're a knockout. |
| 00:39:21 |
Uh, you think so? |
| 00:39:24 |
You'll have to work |
| 00:39:26 |
But it would be no fun |
| 00:39:31 |
Say, why don't you have |
| 00:39:33 |
I could give you a few pointers. |
| 00:39:36 |
Oh, I'm sorry, but I can't. |
| 00:39:39 |
Oh, come on. |
| 00:39:43 |
It's always an advantage |
| 00:39:46 |
I really have to go. |
| 00:39:50 |
You try and do |
| 00:40:00 |
Still not tight enough. |
| 00:40:01 |
I told you, it won't go any tighter. |
| 00:40:05 |
You'll ruin the whole thing because |
| 00:40:07 |
Oh, come off it. |
| 00:40:10 |
- Set the shot up the way I told you. |
| 00:40:14 |
Bettie, you're supposed |
| 00:40:16 |
You're not on the clock, you don't |
| 00:40:19 |
- Okay. |
| 00:40:25 |
Give it in the eyes. |
| 00:40:29 |
- Beautiful. |
| 00:40:31 |
- A little bit of heel. |
| 00:40:33 |
A little bit of bum. |
| 00:40:36 |
- That's perfect. |
| 00:40:38 |
See, she's one of our best. |
| 00:40:39 |
And then he admitted |
| 00:40:43 |
And they gave me 10. |
| 00:40:44 |
So I says to Irving, |
| 00:40:47 |
but who's been freezing |
| 00:40:48 |
every Saturday for the past six months? |
| 00:40:52 |
Gee, that's not fair. Roz is real nice, |
| 00:40:55 |
- Everyone says so. |
| 00:40:58 |
Yeah, we're cold. |
| 00:41:01 |
I'll see what I can do. |
| 00:41:04 |
it'll fall out of your head. |
| 00:41:07 |
This is one of our |
| 00:41:09 |
We call him "Little John" to tell him |
| 00:41:12 |
He's the photographer |
| 00:41:13 |
Anyway, Little John has some |
| 00:41:17 |
- I'd say they're special. |
| 00:41:20 |
Yeah, all right, some of them are |
| 00:41:22 |
Yeah, he's not normal, |
| 00:41:25 |
- but he's nice. |
| 00:41:27 |
So will you try |
| 00:41:32 |
- What does she mean? |
| 00:41:34 |
You just have to scare him |
| 00:41:39 |
Actually, |
| 00:41:42 |
You're lucky. |
| 00:41:47 |
Hey! Ouch, that's too tight. |
| 00:41:50 |
Well, that is rather the point, my dear. |
| 00:41:54 |
- Paula. |
| 00:41:55 |
- She's all right. Aren't you, Maxie? |
| 00:41:58 |
- I'm getting rope burns. |
| 00:42:00 |
Bettie, stand over there. |
| 00:42:04 |
I'd like this young lady |
| 00:42:08 |
He'd like her |
| 00:42:10 |
He'd like you to look |
| 00:42:25 |
Come on, my dear, |
| 00:42:32 |
More... tigress, |
| 00:42:44 |
Whoa, very good. |
| 00:42:46 |
Dominate the men |
| 00:42:48 |
Crush them with |
| 00:42:57 |
"Come, fill the cup. |
| 00:43:01 |
the winter garment |
| 00:43:04 |
Oh, that's very nice. |
| 00:43:07 |
Not just a poem, my dear, the poem... |
| 00:43:11 |
Whoa... oh, no, thank you. |
| 00:43:13 |
Come on, |
| 00:43:16 |
Most of the time these last six months, |
| 00:43:19 |
or with strangers |
| 00:43:24 |
Might I tempt you |
| 00:43:26 |
Oh. So what do you do, |
| 00:43:29 |
He has a very successful |
| 00:43:31 |
- with many distinguished clients. |
| 00:43:34 |
- You been keeping busy? |
| 00:43:36 |
But mother hasn't |
| 00:43:38 |
So I've been spending |
| 00:43:41 |
Sorry to hear it. |
| 00:43:42 |
And what about those legal |
| 00:43:46 |
I had a letter |
| 00:43:49 |
about sending some of my pictures |
| 00:43:52 |
- about getting around that? |
| 00:43:54 |
that I know of |
| 00:43:56 |
is the case of this fellow, |
| 00:43:58 |
The post office tried |
| 00:44:00 |
from sending photographs |
| 00:44:02 |
They got the Civil |
| 00:44:05 |
And the Chicago court |
| 00:44:07 |
- were not obscene. |
| 00:44:09 |
He just had to be careful he was |
| 00:44:12 |
Tell me, what do you think |
| 00:44:16 |
You seem to have |
| 00:44:18 |
And I'm always on the lookout |
| 00:44:21 |
who don't mind a bit |
| 00:44:23 |
Well, it certainly |
| 00:44:26 |
I liked what you did |
| 00:44:29 |
It's a treat to see a girl |
| 00:44:32 |
Oh, I enjoy acting |
| 00:44:35 |
I've been taking lessons. |
| 00:44:37 |
Oh... we shall have |
| 00:44:39 |
in a little film |
| 00:44:43 |
Little John old cock, |
| 00:44:45 |
What say we give |
| 00:44:48 |
in "Sally's Punishment"? |
| 00:47:19 |
Could you stop there, |
| 00:47:22 |
These films include bondage, |
| 00:47:25 |
all illegal to send |
| 00:47:28 |
I will need you |
| 00:47:30 |
stating that you will |
| 00:47:32 |
any films, photographs |
| 00:47:35 |
Sir, if I may, |
| 00:47:38 |
a number of photographs |
| 00:47:42 |
Take one, for example, |
| 00:47:46 |
a scantily clad actress |
| 00:47:49 |
Lash marks are |
| 00:47:52 |
Now, this film passed |
| 00:47:56 |
What is your point, |
| 00:47:58 |
Well, certainly, you can't |
| 00:48:01 |
these Hollywood |
| 00:48:03 |
Those images represent a minute part |
| 00:48:07 |
intended as harmless |
| 00:48:09 |
Mr. Klaw's films |
| 00:48:12 |
with the deliberate intention |
| 00:48:15 |
and lascivious thoughts, |
| 00:48:18 |
from being sent |
| 00:48:20 |
If you do not cease |
| 00:48:22 |
this will become a matter |
| 00:48:43 |
Hi, girls. |
| 00:48:46 |
That looks |
| 00:48:48 |
- What's it called? |
| 00:48:50 |
- Very nice. |
| 00:48:53 |
- Not good. |
| 00:48:56 |
- Did you get the fluttering again? |
| 00:48:58 |
- Bettie, that's all for today. |
| 00:49:02 |
I hope you don't mind... |
| 00:49:04 |
a little break from production, |
| 00:49:06 |
- Sure. |
| 00:49:09 |
You know where I'd go |
| 00:49:12 |
- Where would you go? |
| 00:49:16 |
That's where I'm gonna go |
| 00:49:19 |
Sit in the sand |
| 00:49:23 |
Sun and fun, Bettie. |
| 00:49:30 |
Dear Goldie, guess what. |
| 00:49:33 |
I decided to take |
| 00:49:35 |
I've been spending |
| 00:49:38 |
The water is so clear |
| 00:49:44 |
Now I've been working too. |
| 00:49:47 |
an introduction |
| 00:49:49 |
who takes beautiful |
| 00:49:52 |
I hear she's one of the top |
| 00:49:56 |
Her name is |
| 00:50:00 |
- Miss Yeager? |
| 00:50:03 |
Please step this way. |
| 00:50:08 |
- Would you like some water? |
| 00:50:15 |
- Is this you? |
| 00:50:16 |
That was taken in Hawaii. |
| 00:50:20 |
You brought |
| 00:50:25 |
I made this. |
| 00:50:36 |
Is this what |
| 00:50:39 |
Yes. |
| 00:50:41 |
Well, maybe the bathing suit |
| 00:50:43 |
Not the corset. |
| 00:50:45 |
I believe the female form |
| 00:50:49 |
In fact, I'd like |
| 00:50:51 |
Do you mind standing |
| 00:50:58 |
And what brings you |
| 00:51:00 |
I don't know. |
| 00:51:02 |
Well, I love the sunshine, |
| 00:51:05 |
Well, that's perfect. |
| 00:51:12 |
Yes, she's been shot |
| 00:51:13 |
by just about every |
| 00:51:16 |
but I think I caught |
| 00:51:18 |
in her personality |
| 00:51:21 |
The first thing I noticed was |
| 00:51:23 |
when she's nude, |
| 00:51:26 |
Maybe it's just her all-over |
| 00:51:28 |
or maybe just her attitude. |
| 00:51:31 |
Whatever it is, |
| 00:51:33 |
that here is |
| 00:51:36 |
Bettie's attitude |
| 00:51:38 |
is the essence of nudism. |
| 00:51:45 |
"Dear Goldie, |
| 00:51:47 |
yes, they made |
| 00:51:49 |
a bunch of them, |
| 00:51:51 |
I had a wonderful time at the beach here, |
| 00:51:54 |
Wish you could have |
| 00:51:56 |
Hope to see you |
| 00:51:58 |
I can't wait to walk through those |
| 00:52:01 |
Love, Bettie." |
| 00:52:09 |
What are you bringing us |
| 00:52:11 |
Hope you got |
| 00:52:13 |
You won't be getting a thing |
| 00:52:17 |
And thank you for giving us this food |
| 00:52:20 |
And thank you, Lord, |
| 00:52:22 |
Please shine your precious light |
| 00:52:25 |
who's in mobile and can't |
| 00:52:27 |
And on this day of celebration, |
| 00:52:31 |
And, Lord, help us |
| 00:52:33 |
for abandoning |
| 00:52:35 |
For what we are about to receive |
| 00:52:38 |
- Amen. |
| 00:52:41 |
Jack, don't take |
| 00:52:44 |
Save some |
| 00:52:47 |
So have you met |
| 00:52:49 |
No, Jack. She lives in Hollywood. |
| 00:52:52 |
A man from |
| 00:52:54 |
- Says he wants to interview you. |
| 00:52:56 |
Says you were voted "Pin-Up |
| 00:52:59 |
Oh my. |
| 00:53:00 |
How long are you gonna |
| 00:53:03 |
Uh, you know, Mama, |
| 00:53:06 |
All that teacher training. |
| 00:53:08 |
It just seems a shame |
| 00:53:12 |
You know I hated teaching. |
| 00:53:14 |
I wish mama would |
| 00:53:16 |
Has mama said anything to you |
| 00:53:18 |
Not a word. But a few weeks ago, |
| 00:53:22 |
Suddenly, I came across a whole |
| 00:53:26 |
- Not the nudist ones. |
| 00:53:28 |
Just the glamour stuff. |
| 00:53:31 |
Oh, I never was |
| 00:53:40 |
Madam, as I live |
| 00:53:43 |
- Ha! |
| 00:53:46 |
that believes naught save some |
| 00:53:50 |
Oh, madam, if you would |
| 00:53:53 |
listen to this man who is more |
| 00:53:57 |
He will tie you down |
| 00:54:01 |
he will wring tears of blood |
| 00:54:04 |
and then he will heal the wound |
| 00:54:09 |
Madam, she is jealous, |
| 00:54:11 |
and heaven help me, |
| 00:54:13 |
for how can I be content |
| 00:54:16 |
black-eyed, |
| 00:54:19 |
now that I have looked |
| 00:54:22 |
Oh, he is compact |
| 00:54:26 |
I'm tired of being |
| 00:54:28 |
and dragged down to hell |
| 00:54:31 |
I am, of all ladies, |
| 00:54:34 |
and wretched. |
| 00:54:36 |
We know from Stanislavski |
| 00:54:39 |
that there can be |
| 00:54:42 |
To reproduce feelings, |
| 00:54:45 |
you must be able to identify them |
| 00:54:48 |
Now, Bettie, |
| 00:54:51 |
would you tell the class |
| 00:54:53 |
to find the truth |
| 00:54:58 |
Well, I tried to think of something |
| 00:55:02 |
And what was that, Bettie? |
| 00:55:04 |
I thought of what Jesus might do to me |
| 00:55:08 |
Marvelous. |
| 00:55:49 |
Are you sure? |
| 00:55:51 |
Okay, I'll get back to you. |
| 00:55:58 |
This is quite |
| 00:56:00 |
The more |
| 00:56:01 |
the tighter |
| 00:56:04 |
- What did the lawyer say? |
| 00:56:07 |
- a word with you in the office? |
| 00:56:09 |
Carry on. |
| 00:56:46 |
What's the matter, Bettie? |
| 00:56:52 |
Watch your language, |
| 00:56:54 |
Oh, it's just |
| 00:56:56 |
It helped keep |
| 00:56:58 |
while we were fighting |
| 00:57:00 |
Don't you approve? |
| 00:57:02 |
I believe in Jesus. |
| 00:57:05 |
But of course |
| 00:57:12 |
Of course you do. |
| 00:57:30 |
Do you mind if I ask |
| 00:57:43 |
What do you think Jesus would say |
| 00:57:48 |
Well, Mr. Willie... |
| 00:57:52 |
I've thought about this |
| 00:57:56 |
I'm not really sure |
| 00:57:59 |
I think God has |
| 00:58:02 |
some kind of talent |
| 00:58:04 |
That's why |
| 00:58:09 |
Mr. Willie, would you mind |
| 00:58:12 |
- It's hard for me to think like this. |
| 00:58:15 |
God gave me the talent |
| 00:58:19 |
and it seems to make |
| 00:58:22 |
Well, that can't be |
| 00:58:25 |
Not to me, it's not. |
| 00:58:29 |
Well, I can't say |
| 00:58:31 |
I can't speak for him. |
| 00:58:34 |
I do worry sometimes |
| 00:58:36 |
about some of the things |
| 00:58:38 |
- that I've done. |
| 00:58:44 |
I posed naked |
| 00:58:50 |
Have you, my dear? |
| 00:58:54 |
You naughty girl. |
| 00:58:56 |
But is that really bad? Adam and Eve |
| 00:59:01 |
So they were. |
| 00:59:04 |
Oh, I don't know what God |
| 00:59:07 |
I hope that |
| 00:59:09 |
with what I'm doing, |
| 00:59:12 |
he'll let me know |
| 00:59:14 |
I'm sure he will, |
| 00:59:16 |
I'm sure he will. |
| 00:59:28 |
Did you love it? |
| 00:59:32 |
Bettie, you love |
| 00:59:34 |
Oh, come on in. |
| 00:59:37 |
- What's your poison? Whiskey? |
| 00:59:39 |
Oh, Bettie, you will kill me. |
| 00:59:42 |
Hey, would you do me |
| 00:59:44 |
Bettie, come on, there's somebody |
| 00:59:46 |
if I don't introduce you. |
| 00:59:51 |
Did anyone ever tell you you look |
| 00:59:54 |
No. |
| 00:59:56 |
Howie, Howie. |
| 00:59:57 |
- I'd like you to meet Bettie Page. |
| 01:00:00 |
Howie Lippman. |
| 01:00:01 |
I've got this sensational |
| 01:00:04 |
We've got a full orchestra, |
| 01:00:06 |
comedians, a juggling act... |
| 01:00:09 |
I'd love it if you |
| 01:00:11 |
would come down |
| 01:00:13 |
Did you see that girl? |
| 01:00:15 |
- That's Bettie Page. |
| 01:00:17 |
That's her? She looks different |
| 01:00:20 |
There will be a lot of press. |
| 01:00:23 |
- and "Hello, career," right? |
| 01:00:25 |
- aren't you? |
| 01:00:27 |
I'm really |
| 01:00:30 |
I heard you might |
| 01:00:33 |
I have a lot |
| 01:00:35 |
If you don't mind, do you think |
| 01:00:38 |
- Sure. |
| 01:00:41 |
Does it just make you sick |
| 01:00:44 |
Oh, no, it's fine. |
| 01:00:48 |
Don't you just wanna |
| 01:00:51 |
punish us? |
| 01:00:53 |
No, sir. I'm sure you're |
| 01:00:56 |
Hey, there you are, doughnut. |
| 01:00:59 |
Here you go. |
| 01:01:00 |
- Thanks. |
| 01:01:02 |
- Can I see? |
| 01:01:07 |
Hmm... |
| 01:01:09 |
"Long black stockings," |
| 01:01:16 |
"200 excellent poses." |
| 01:01:19 |
"Bound and gagged"? |
| 01:01:23 |
- Bettie, what is this? |
| 01:01:26 |
I did for Irving |
| 01:01:28 |
Bettie, I... |
| 01:01:31 |
I don't think you |
| 01:01:33 |
It's just... |
| 01:01:36 |
- weird. |
| 01:01:38 |
We're just dressing up. |
| 01:01:40 |
Bettie, doctors |
| 01:01:43 |
about this sort of thing. |
| 01:01:45 |
- it's abnormal. |
| 01:01:48 |
- I'm not nude. |
| 01:01:50 |
Do you understand what kind of man |
| 01:01:54 |
They're for special customers |
| 01:01:55 |
who like these kinds |
| 01:01:57 |
high-quality people. |
| 01:01:59 |
He's a lawyer. He's very nice. |
| 01:02:02 |
These people you work for... |
| 01:02:04 |
is this what they ask |
| 01:02:08 |
Who are these people?! |
| 01:02:10 |
They're very nice people, |
| 01:02:12 |
Look... this thing |
| 01:02:15 |
- what is this? |
| 01:02:18 |
It's just silliness. |
| 01:02:20 |
- when we're doing this stuff. |
| 01:02:23 |
it... it's disgusting. |
| 01:02:33 |
I'm gonna |
| 01:03:19 |
- Hi. |
| 01:03:22 |
Will you take |
| 01:03:24 |
- Yeah. |
| 01:03:26 |
People take pictures |
| 01:03:28 |
but I don't know |
| 01:03:30 |
Shall I just stand |
| 01:03:32 |
Yeah. |
| 01:03:35 |
You just press |
| 01:03:37 |
Okay. |
| 01:03:46 |
Here's your camera, Miss. |
| 01:03:52 |
- Where are you going after the beach? |
| 01:03:55 |
Would you like |
| 01:03:58 |
Uh-huh. |
| 01:04:00 |
- I'm Bettie. |
| 01:04:03 |
- I am Armand. |
| 01:04:05 |
- it's nice to meet you, Armand. |
| 01:04:40 |
Don't think for a minute |
| 01:04:43 |
with cuties like this. |
| 01:04:45 |
and that naughty |
| 01:04:47 |
are products |
| 01:04:50 |
Of course, |
| 01:04:52 |
Is both civilized |
| 01:04:54 |
depending on her mood. |
| 01:05:01 |
I'm gonna send these pictures |
| 01:05:03 |
It's called "Playboy." |
| 01:05:05 |
- No, ma'am, I don't think I do. |
| 01:05:07 |
very tasteful magazine, |
| 01:05:10 |
It's very classy. |
| 01:05:12 |
- Like this? |
| 01:05:13 |
Now, Bettie, the magazine wants |
| 01:05:16 |
- I'm 32. |
| 01:05:19 |
well, I never |
| 01:05:21 |
I don't think you should |
| 01:05:23 |
No magazine wants |
| 01:05:26 |
Smile, Bettie. |
| 01:05:30 |
Okay, I need you |
| 01:05:32 |
I'm seeing |
| 01:05:34 |
You know what's funny? |
| 01:05:36 |
Would never let me pose |
| 01:05:38 |
- Irving Klaw? |
| 01:05:41 |
No. I think I heard his name on TV |
| 01:05:43 |
- Some government investigation. |
| 01:05:46 |
Yeah, I think he's |
| 01:05:48 |
- What kind of trouble? |
| 01:05:50 |
It's probably just some senators |
| 01:05:53 |
Eyes to the camera, |
| 01:05:56 |
How about a wink? |
| 01:06:05 |
We shall show |
| 01:06:07 |
that a large portion |
| 01:06:10 |
is with inquisitive |
| 01:06:13 |
There is a peculiar resemblance |
| 01:06:17 |
in exposure of juveniles |
| 01:06:19 |
but there is one difference, |
| 01:06:22 |
the injection of heroin |
| 01:06:25 |
stops with the addict, |
| 01:06:27 |
but the contaminative |
| 01:06:30 |
in the hands |
| 01:06:32 |
are incapable |
| 01:06:40 |
Irving says they |
| 01:06:42 |
- until they sort this out. |
| 01:06:45 |
Maybe it's time |
| 01:06:47 |
and just worked hard |
| 01:06:49 |
People are getting tired |
| 01:06:52 |
Never. |
| 01:06:54 |
What are you gonna do? |
| 01:06:57 |
- I got a plan. |
| 01:06:59 |
You know Frank and Charlie |
| 01:07:02 |
- Yeah. |
| 01:07:03 |
they asked to borrow my apartment |
| 01:07:06 |
So I said, |
| 01:07:08 |
So they paid me |
| 01:07:10 |
And then it became |
| 01:07:12 |
Then another couple of guys |
| 01:07:15 |
"Why not go into business |
| 01:07:17 |
- for myself?" |
| 01:07:20 |
Well, I got myself |
| 01:07:22 |
- Nice. |
| 01:07:24 |
but good enough |
| 01:07:26 |
And a couple of pillars. |
| 01:07:28 |
And on another wall, I'm gonna |
| 01:07:32 |
And maybe a fake fireplace on another |
| 01:07:36 |
and get the most |
| 01:07:41 |
Do you think Paula |
| 01:07:44 |
- Maybe. It's competition. |
| 01:07:47 |
But you got to look |
| 01:07:50 |
And you can't be |
| 01:07:56 |
I was reading |
| 01:07:58 |
of the goddamned "New York Times" |
| 01:08:01 |
Petruchio, swinging a whip |
| 01:08:03 |
the play by Shakespeare... |
| 01:08:06 |
- Nobody cares. |
| 01:08:08 |
Then, I see this illustration |
| 01:08:11 |
Of "Kiss Me Kate," a Broadway musical. |
| 01:08:14 |
Spanking! |
| 01:08:16 |
They wanna shut me down for distributing |
| 01:08:20 |
Shh. Don't say too much. |
| 01:08:27 |
I'm beginning to get |
| 01:08:30 |
Don't. |
| 01:08:35 |
- You are Mr. Klaw? |
| 01:08:37 |
Mr. Klaw, were you... |
| 01:08:42 |
Sir, in accordance |
| 01:08:45 |
we don't want |
| 01:08:50 |
Thank you very much. |
| 01:08:54 |
Uh, Mr... Klaw, |
| 01:08:56 |
to bring any |
| 01:08:58 |
- Yes. |
| 01:09:01 |
I decline to make |
| 01:09:04 |
under the 5th amendment |
| 01:09:06 |
that they may tend to degrade |
| 01:09:09 |
and under the 4th amendment |
| 01:09:11 |
that the subpoena |
| 01:09:13 |
Do you wish to make |
| 01:09:15 |
you think producing any books |
| 01:09:19 |
might tend |
| 01:09:23 |
I decline to answer under the 5th |
| 01:09:26 |
that an answer |
| 01:09:36 |
Dr. Henry, I direct |
| 01:09:39 |
to a booklet entitled |
| 01:09:42 |
published by Irving Klaw |
| 01:09:45 |
I specifically call |
| 01:09:47 |
to the movie |
| 01:09:49 |
The heading reads |
| 01:09:54 |
shows the terrific battle |
| 01:09:56 |
when both girls |
| 01:09:59 |
Is this |
| 01:10:01 |
of perversion to which |
| 01:10:03 |
- It is. |
| 01:10:07 |
known as "bondage," |
| 01:10:09 |
- is trussed up with rope and chains? |
| 01:10:12 |
- That is fairly common. |
| 01:10:15 |
that bondage |
| 01:10:17 |
Fairly common |
| 01:10:19 |
that is, the group |
| 01:10:21 |
Tell us more |
| 01:10:24 |
uh... bondage being |
| 01:10:26 |
Among those |
| 01:10:28 |
with this variety |
| 01:10:30 |
it is a matter |
| 01:10:32 |
You mean they like to see |
| 01:10:35 |
- Yes, they do. |
| 01:10:37 |
- Some of them do. |
| 01:10:40 |
to a series of photographs |
| 01:10:45 |
"Bettie can only feel fear |
| 01:10:47 |
as she is unable to see |
| 01:10:50 |
Now that the pole |
| 01:10:53 |
Bettie had to crawl |
| 01:10:57 |
The floor made |
| 01:11:00 |
The unwieldy steel brank |
| 01:11:04 |
Irritating the tender flesh |
| 01:11:07 |
thus making the cold steel |
| 01:11:10 |
It was most exhausting, |
| 01:11:13 |
But Bettie's strength and endurance |
| 01:11:17 |
Doctor, could I ask you... |
| 01:11:19 |
could children |
| 01:11:22 |
- by looking at photos of this nature? |
| 01:11:26 |
Would you say it is |
| 01:11:28 |
that suicide, murder |
| 01:11:30 |
is the result |
| 01:11:32 |
In some instances, yes. |
| 01:11:39 |
Mr. Grimm, |
| 01:11:41 |
I want say as Chairman |
| 01:11:43 |
I know the embarrassment |
| 01:11:46 |
you have |
| 01:11:48 |
to talk about the tragic |
| 01:11:50 |
on August 20th |
| 01:11:52 |
We appreciate |
| 01:11:54 |
- Mr. Gaughan, you may proceed. |
| 01:11:58 |
tell the subcommittee how it was |
| 01:12:02 |
on the evening |
| 01:12:04 |
Now, I realize |
| 01:12:07 |
but tell us |
| 01:12:08 |
He'd worked all day for me, |
| 01:12:10 |
come home dirty and tired |
| 01:12:15 |
He was away all evening, |
| 01:12:17 |
He never left the house |
| 01:12:23 |
I found him the next morning |
| 01:12:26 |
grotesque, weird situation |
| 01:12:28 |
to cope with |
| 01:12:34 |
He was um... |
| 01:12:36 |
trussed up |
| 01:12:41 |
Looked like it had |
| 01:12:46 |
He wasn't hung like |
| 01:12:48 |
by the neck from a rope. |
| 01:12:50 |
And the fact that he didn't |
| 01:12:53 |
he was a modest boy... |
| 01:12:56 |
that there was |
| 01:12:58 |
Mr. Grimm, do you recognize, sir, |
| 01:13:01 |
entitled |
| 01:13:04 |
published by Irving Klaw |
| 01:13:09 |
- Yes. |
| 01:13:11 |
how you first came across |
| 01:13:14 |
Through a mutual friend |
| 01:13:16 |
who was interested |
| 01:13:18 |
I found very similar pictures |
| 01:13:21 |
that reminded me |
| 01:13:24 |
I've never come across |
| 01:13:27 |
I was looking for a clue. |
| 01:13:29 |
Sir, let me direct your attention |
| 01:13:32 |
That picture illustrates |
| 01:13:36 |
Does that accurately |
| 01:13:39 |
It's more or less the same... |
| 01:13:42 |
I haven't had the police into it. |
| 01:13:44 |
They said it was |
| 01:13:46 |
due to some impulse |
| 01:13:49 |
I-I don't care |
| 01:13:52 |
The way he was tied... it wasn't |
| 01:13:55 |
with his character |
| 01:13:58 |
There wasn't any history of that, |
| 01:14:01 |
He led an outdoor life. |
| 01:14:04 |
He was active |
| 01:14:05 |
from the time he was |
| 01:14:09 |
He had only been home |
| 01:14:12 |
in Tennessee when... |
| 01:14:15 |
when I found him. |
| 01:14:18 |
I feel he could not |
| 01:14:20 |
into this position |
| 01:14:23 |
It... it had to be |
| 01:14:25 |
either by someone else |
| 01:14:27 |
or he saw |
| 01:14:29 |
I do feel there is |
| 01:14:31 |
between this sort of thing |
| 01:14:33 |
And I also feel there is |
| 01:14:36 |
and I'm bound and determined |
| 01:14:41 |
This is not |
| 01:14:43 |
It's not wholesome. |
| 01:14:46 |
It's just no damn good! |
| 01:14:52 |
And that's all I got |
| 01:15:05 |
- Miss Page? |
| 01:15:07 |
Your testimony is no longer necessary. |
| 01:15:11 |
What do you mean? |
| 01:15:14 |
Why is it no longer |
| 01:15:17 |
They didn't give |
| 01:15:20 |
Do I have to come |
| 01:15:22 |
No, ma'am. |
| 01:15:25 |
You can go. |
| 01:15:50 |
Our girls had fun doing this. |
| 01:15:53 |
Do you got a fetish? |
| 01:15:55 |
All we were interested in |
| 01:15:58 |
We gotta burn them... |
| 01:16:00 |
- and they'll get off our backs. |
| 01:16:03 |
After all that work? |
| 01:16:05 |
I've had it. Come on, |
| 01:16:09 |
The lawyers, the money... |
| 01:16:11 |
I'm gonna get out of here |
| 01:16:14 |
sit in the sun |
| 01:16:16 |
All this stuff's |
| 01:16:18 |
"You needn't try |
| 01:16:20 |
I haven't come here |
| 01:16:23 |
You said, 'Let's talk truthfully.' |
| 01:16:26 |
Unsparingly, truthfully, |
| 01:16:30 |
It's no longer a secret |
| 01:16:33 |
I loved you as long ago |
| 01:16:36 |
to read the stone angel's name |
| 01:16:38 |
Yes, I remember the long |
| 01:16:42 |
when I had to stay indoors |
| 01:16:44 |
and I heard the playmates |
| 01:16:47 |
'Johnny! Johnny!"' |
| 01:16:51 |
Not bad. Not bad at all. |
| 01:16:57 |
It's quite a treat to meet |
| 01:17:05 |
Send the next one in. |
| 01:17:27 |
Let's get out of here, |
| 01:17:31 |
Look at what this life |
| 01:17:40 |
Hey, Bettie. |
| 01:17:43 |
Bettie! |
| 01:17:47 |
Bettie? |
| 01:17:49 |
Bettie? |
| 01:17:52 |
Bettie. |
| 01:18:20 |
Sweetheart, do you |
| 01:19:48 |
Oh, my God... |
| 01:19:51 |
tonight, I know that |
| 01:19:54 |
and the most important |
| 01:19:56 |
is that men and women |
| 01:19:58 |
surrender their lives |
| 01:20:00 |
God, don't let |
| 01:20:03 |
who heard me preach here tonight |
| 01:20:06 |
Don't let a mother's girl |
| 01:20:09 |
Don't let a daddy or a mother |
| 01:20:13 |
- Save them! |
| 01:20:16 |
Save them tonight... |
| 01:20:19 |
from all their sins. |
| 01:20:21 |
May they be born again, |
| 01:20:23 |
saved through and through |
| 01:20:26 |
I pray. |
| 01:20:28 |
Amen. |
| 01:20:40 |
Did you get |
| 01:20:45 |
Didn't quite make it, |
| 01:20:47 |
and made a stand, |
| 01:20:49 |
- What's your name? |
| 01:20:52 |
Are you ready for me |
| 01:20:55 |
- Yes, sir. |
| 01:21:07 |
O, Father, |
| 01:21:08 |
we ask You that You deliver |
| 01:21:11 |
Destroy it |
| 01:21:14 |
Heal her through and through, |
| 01:21:18 |
Make her a new creature |
| 01:21:30 |
What did you say? |
| 01:21:34 |
A wonderful... |
| 01:21:37 |
- a wonderful feeling. |
| 01:21:41 |
Yes, sir. |
| 01:21:43 |
- What did it feel like? |
| 01:21:49 |
- a lifting up. |
| 01:21:54 |
Well... |
| 01:21:57 |
amen. |
| 01:22:43 |
"And God shall wipe |
| 01:22:47 |
and there shall be |
| 01:22:50 |
neither sorrow, |
| 01:22:53 |
neither shall there be |
| 01:22:55 |
for the former things |
| 01:22:59 |
And He that sat |
| 01:23:02 |
'Behold, I make |
| 01:23:05 |
- You're Bettie Page, aren't you? |
| 01:23:08 |
Bettie Page the Pin-Up |
| 01:23:11 |
What, what |
| 01:23:13 |
I've turned my life |
| 01:23:16 |
- No kidding. |
| 01:23:19 |
God doesn't want me |
| 01:23:21 |
Oh, no offense meant. |
| 01:23:25 |
The stuff they sell now on |
| 01:23:27 |
You don't have to be ashamed |
| 01:23:30 |
I'm not ashamed. |
| 01:23:33 |
Adam and Eve were naked |
| 01:23:36 |
When they sinned, |
| 01:23:44 |
"And He said unto me, |
| 01:23:48 |
I am Alpha and Omega... |
| 01:23:51 |
the beginning and the end. |
| 01:23:53 |
I will give unto him that |
| 01:23:57 |
of the water |
| 01:24:00 |
He that overcometh |
| 01:24:03 |
and I will be his God, |
| 01:24:05 |
and he will be My son. |
| 01:24:08 |
But the fearful, |
| 01:24:33 |
- How's it going? |
