Notting Hill

en
00:00:12 [ Shouting ]
00:00:20 [ Shouting, Whistling ]
00:00:23 [ Man ] So stay with us
00:00:25 we're lucky enough
00:00:28 Hollywood's biggest star by far.
00:00:30 Miss Scott's latest film
00:00:33 - [ Piano ]
00:00:38 She may be the face
00:00:42 A trace of pleasure or regret
00:00:47 May be my treasure or the price
00:00:51 I have to pay
00:00:53 She may be the mirror
00:00:56 Of my dream
00:00:58 A smile reflected in a stream
00:01:02 She may not be what she may seem
00:01:05 Inside her shell
00:01:11 She who always seems
00:01:16 Whose eyes can be
00:01:20 No one's allowed
00:01:26 She may be the love
00:01:31 May come to me
00:01:35 That I'll remember till the day
00:01:38 I die
00:01:40 She may be the reason I survive
00:01:45 The why and wherefore I'm alive
00:01:49 The one I'll care for
00:01:52 And ready years
00:01:55 Me, I'll take her laughter
00:02:00 And make them all my souvenirs
00:02:04 For where she goes I've got to be
00:02:07 The meaning of my life is
00:02:10 She
00:02:13 She
00:02:19 Oh, she
00:02:26 [ Man Narrating ]
00:02:28 and always thought
00:02:31 But, you know, a million, million miles
00:02:34 which is here, Notting Hill,
00:02:38 There's the market on weekdays selling
00:02:42 Rock hard bananas,
00:02:46 The tattoo parlor
00:02:49 and now can't remember
00:02:52 The radical hairdressers
00:02:57 whether they want to or not.
00:02:59 And then, suddenly,
00:03:01 and from break of day hundreds
00:03:04 filling Portobello Road,
00:03:07 And wherever you look thousands of
00:03:10 some genuine and some...
00:03:15 And what's great is that lots of friends
00:03:19 That's Tony, for example,
00:03:23 who recently invested all the money
00:03:26 And so, this is where
00:03:30 in this small village in the middle of
00:03:33 that my wife and I bought together
00:03:37 who looked exactly like Harrison Ford.
00:03:40 And where I lead a strange half-life
00:03:43 Spike!
00:03:48 You couldn't help me with an incredible
00:03:53 Is this important in comparison to,
00:03:57 That's right. I am at last going out
00:04:00 and I just wanna be sure
00:04:03 - What are the choices?
00:04:13 First there's this one.
00:04:16 Yeah, it might make it hard
00:04:21 Point taken.
00:04:23 If it's romance we're looking for,
00:04:31 Yeah, well, there again, she might not
00:04:35 Right.
00:04:43 True love here I come.
00:04:51 Well, yeah. Yeah, that's--
00:04:55 Great. Thanks.
00:04:58 - Wish me luck.
00:05:07 [ Narrating ] And so it was
00:05:10 as I walked the thousand yards
00:05:13 never suspecting that this was the day
00:05:17 This is work, by the way,
00:05:22 - Morning, Martin.
00:05:25 which, um, well, sells travel books,
00:05:28 and to be frank with you,
00:05:35 Classic.
00:05:39 minus 347 pound.
00:05:43 Shall I, uh,
00:05:47 - You know, ease the pain a bit.
00:05:50 Better make it a half.
00:05:53 Get your logic.
00:05:58 [ Doorbell Dings ]
00:06:22 Um, can I help you at all?
00:06:26 No, thanks.
00:06:31 Fine.
00:06:39 Uh, that book's really not great.
00:06:42 Just in case, you know, browsing turned
00:06:46 But if it's Turkey
00:06:49 um, this one, on the other hand,
00:06:52 Um, I think the man who wrote it has
00:06:56 Um, there's also
00:07:00 um, which is one
00:07:03 Thanks.
00:07:05 Or, in the bigger hardback variety,
00:07:08 I'm sorry.
00:07:15 Excuse me.
00:07:17 - Yes?
00:07:19 What?
00:07:21 We've got a security camera
00:07:24 So?
00:07:26 So I saw you put that book
00:07:30 - What book?
00:07:34 I don't have a book
00:07:37 Right.
00:07:39 I tell you what.
00:07:41 if I'm wrong about the whole
00:07:45 I really apologize.
00:07:47 Okay. What if... I did
00:07:52 Well, ideally,
00:07:55 you'd remove the Cadogan Guide
00:08:00 and either wipe it
00:08:03 I'll see you in a sec.
00:08:06 I'm sorry about that.
00:08:08 No, it's fine.
00:08:11 I was gonna steal one,
00:08:15 Oh, signed by the author,
00:08:18 Um, yeah, couldn't stop him.
00:08:20 If you can find an unsigned one,
00:08:23 - [ Chuckles ]
00:08:26 - Yes?
00:08:29 Uh, sure.
00:08:31 - Uh--
00:08:33 - What's your name?
00:08:42 What does it say?
00:08:44 That's my signature. And above it, it
00:08:49 Good one.
00:08:53 - Do you want my phone number?
00:08:56 But... no.
00:09:03 I will take this one.
00:09:06 Oh, right, right.
00:09:08 Well, on second thoughts,
00:09:13 Actually, it's a sort
00:09:16 None of those childish kebab stories
00:09:19 And, um, I tell you what.
00:09:21 I'll throw in
00:09:23 Useful for, uh, lighting fires,
00:09:26 wrapping fish,
00:09:32 - Thanks.
00:09:45 [ Door Closes ]
00:10:05 Cappuccino, as ordered.
00:10:10 Thanks.
00:10:12 I don't think you'll believe
00:10:15 Who?
00:10:19 - No, no, no.
00:10:22 Would be exciting, though,
00:10:26 Do you know--
00:10:30 but I once saw Ringo Starr.
00:10:32 - Where was that?
00:10:35 At least I think it was Ringo.
00:10:37 It might have been that man
00:10:40 - You know, Toppy.
00:10:42 Yes, that's right.
00:10:45 Mm-hmm.
00:10:47 Actually, Ringo Starr doesn't--
00:10:51 Yeah, but he was--
00:10:54 So actually it could've
00:10:57 Yes, I suppose so, yes.
00:11:00 - It's not a classic anecdote, is it?
00:11:09 - Another one?
00:11:13 Let's go crazy.
00:11:17 [ People Chattering ]
00:11:22 - Okay, thanks. Bye-bye.
00:11:32 - Oh!
00:11:34 - Oh, my God!
00:11:37 - Here. Let me--
00:11:40 I'm really sorry.
00:11:43 I have, um, water and soap.
00:11:46 No, thank you.
00:11:48 I also have a phone.
00:11:52 we could have you spick-and-span
00:11:55 In the non-prostitute sense,
00:12:01 All right. Well-- What do you mean,
00:12:04 - Give it to me in yards.
00:12:08 That's my house there
00:12:14 Come on in.
00:12:20 Um, right. Right.
00:12:25 It's, um, not quite as tidy
00:12:29 But, um--
00:12:32 And the telephone's just--
00:12:38 Here.
00:12:46 Um, round the corner.
00:12:53 Bugger.
00:12:56 [ Groans ]
00:13:00 Uh-oh.
00:13:15 Uh,
00:13:16 would you like a cup of tea
00:13:20 - No.
00:13:22 - No.
00:13:26 Probably not.
00:13:31 Uh--
00:13:33 - [ Bottles Rattling ]
00:13:37 Some disgusting sugary drink...
00:13:39 pretending to have something to do
00:13:41 - No.
00:13:44 Uh, something to nibble?
00:13:46 Um, apricots soaked in honey?
00:13:50 Quite why, no one knows, because
00:13:54 and makes them taste like honey,
00:13:56 and if you wanted honey, you'd just
00:14:01 Um, but nevertheless,
00:14:04 They're yours if you want them.
00:14:06 No.
00:14:11 Do you always say "no"
00:14:15 No.
00:14:18 I'd better be going.
00:14:21 Thanks for your, uh, help.
00:14:24 You're welcome.
00:14:26 And, uh, may I also say,
00:14:32 I'll just take
00:14:35 After you've read
00:14:37 you're certainly not going
00:14:40 Thank you.
00:14:42 Yeah.
00:14:57 So...
00:15:00 it was nice to meet you.
00:15:02 Surreal but, um-- but nice.
00:15:08 Sorry.
00:15:10 [ People Chattering Outside ]
00:15:18 "Surreal but nice"?
00:15:27 [ Doorbell Rings ]
00:15:33 - Hi.
00:15:35 - I forgot my other bag.
00:15:48 Thanks.
00:16:21 I'm very sorry about
00:16:26 - Disaster.
00:16:28 I thought the apricot and honey thing
00:16:33 - [ Chuckles ]
00:16:35 Oh, my God.
00:16:38 I'm sorry.
00:16:41 [ Clears Throat ]
00:16:43 - Hey.
00:16:45 I'm just going into the kitchen
00:16:47 Then I'm gonna tell you a story
00:16:57 Probably best
00:17:00 Right. Right.
00:17:03 I mean, I'll tell myself sometimes.
00:17:06 But don't worry.
00:17:15 - Bye.
00:17:29 There's something wrong
00:17:34 It's not yogurt.
00:17:37 Oh, right.
00:17:39 Mm.
00:17:41 On for a videofest tonight?
00:17:45 I got some absolute classics.
00:17:51 - Smile.
00:17:57 - Smile.
00:18:10 Okay.
00:18:12 In about seven seconds,
00:18:15 I'm going to ask you
00:18:25 [ Spike ]
00:18:27 Somewhere in the world
00:18:32 [ Both Laughing ]
00:18:35 Yes, she is, uh,
00:18:37 fairly fabulous.
00:18:49 - Do you have any books by Dickens?
00:18:52 No, I'm afraid we're a travel bookshop.
00:18:58 Oh, right. How about
00:19:03 Well, no, 'cause that's, uh--
00:19:07 Oh, right.
00:19:11 [ Sighs ]
00:19:18 Martin, your customer.
00:19:20 - Uh, can I help you?
00:19:25 [ Pop ]
00:19:29 Once in a lifetime
00:19:34 - [ Continues ]
00:19:36 Hi.
00:19:39 - Once in a lifetime
00:19:44 uh, why...
00:19:47 Combination of factors really.
00:19:51 There never will be, you know,
00:19:55 Right.
00:19:57 And I was, like,
00:20:00 and I found this,
00:20:04 Kinda... spacey.
00:20:10 There's something wrong
00:20:12 No, they were, um, prescription.
00:20:15 - Groovy.
00:20:19 You should do more
00:20:22 - So, look, any messages today?
00:20:26 So there were two.
00:20:31 You want me to write down
00:20:35 Okay, who are the ones
00:20:39 [ Sighs ]
00:20:41 No. Gone completely.
00:20:42 Oh, no.
00:20:44 She said don't forget lunch,
00:20:47 - No one else?
00:20:53 Though if we're going for this obsessive
00:20:56 some American girl called Anna
00:21:05 - What did she say?
00:21:08 She said, "Hi. It's Anna."
00:21:14 and then gave herself
00:21:17 - Which was?
00:21:21 Remembering one name's hard enough.
00:21:24 No, I-- I know that.
00:21:26 Um, I know she's using another name.
00:21:29 The problem is
00:21:32 which was a very serious mistake.
00:21:34 Um, I don't know. Imagine, if you will,
00:21:38 - Are you doing that?
00:21:43 And now double it.
00:21:46 the git that I am living with.
00:21:49 And he can't remember--
00:21:50 - Try Flintstone.
00:21:53 I think she said
00:21:59 I don't-- I don't suppose, um,
00:22:04 - Oh, I'll put you right through, sir.
00:22:10 Hello. Hi.
00:22:13 - Hi there.
00:22:15 Hi. Hi.
00:22:17 - Sorry. It's William... Thacker.
00:22:21 Um, we-- I work in a bookshop.
00:22:24 Uh-huh. You played it pretty cool there,
00:22:27 Oh, no, I promise you I've never played
00:22:31 My flatmate, who'll I'll stab to death
00:22:36 I don't know.
00:22:39 I could drop round
00:22:43 - Things are pretty busy here.
00:22:48 - Bye.
00:22:51 [ Phone Clicks, Dial Tone ]
00:22:56 Classic.
00:23:03 Classic.
00:23:31 [ Piano ]
00:23:34 [ Continues ]
00:23:43 - Which floor?
00:23:52 [ Elevator Dings ]
00:24:14 Uh, are you sure this is--
00:24:17 Oh, yeah. Yeah. Sure.
00:24:31 - Hi. Hi. I'm Karen.
00:24:33 I'm sorry.
00:24:36 Here's the, uh, thing.
00:24:40 [ Karen ]
00:24:43 [ Reporters Chattering ]
00:24:47 So what did you
00:24:49 Yeah, I thought it was fantastic.
00:24:52 Close Encounters
00:24:58 I agree.
00:25:00 I'm sorry. I didn't get down
00:25:03 - Time Out.
00:25:05 And you're from?
00:25:11 Uh, Horse & Hound.
00:25:20 The name's William Thacker. I think,
00:25:23 Oh, okay.
00:25:30 I see you've, uh--
00:25:33 [ Laughing ]
00:25:36 These are for my,
00:25:40 She's in a hospital
00:25:42 Thought I'd kill two birds
00:25:45 Sure, right.
00:25:49 Which hospital's that?
00:25:51 Do you mind me not saying?
00:25:54 It's a rather distressing disease.
00:25:56 - Name of the hospital
00:25:59 Cheers.
00:26:01 Right, uh, Mr.Thacker.
00:26:04 Right.
00:26:06 You've got five minutes.
00:26:18 - Hi.
00:26:21 Uh, I brought these, but clearly--
00:26:25 No, they're great.
00:26:29 Ah, listen,
00:26:32 The whole "two-names concept"...
00:26:34 was totally too much for my flatmate's
00:26:36 No, it's a stupid privacy thing.
00:26:40 Last time I was Mrs.Bambi.
00:26:43 [ Door Closes ]
00:26:45 - Everything all right?
00:26:49 And you're from, uh,
00:26:52 - Yeah.
00:26:54 Is that so? Well.
00:27:03 So, uh--
00:27:08 Uh, I'll just... fire away then,
00:27:15 Right.
00:27:17 Uh--
00:27:20 The film's great, and, um,
00:27:24 I just was wondering whether...
00:27:27 you ever thought of having, um,
00:27:29 more, uh, horses in it.
00:27:33 [ Clears Throat ]
00:27:36 Uh, well, we would have liked to,
00:27:40 but it was, um, difficult,
00:27:47 Space, right, yeah.
00:27:52 I'm so sorry.
00:27:54 They thrust this thing
00:27:56 No, it's my fault.
00:27:59 I just wanted to sort of apologize
00:28:02 I seriously don't know
00:28:04 And I just wanted to make sure
00:28:09 - Yeah, yeah, yeah. Absolutely fine.
00:28:14 Do remember that Miss Scott is also
00:28:19 which is, um, shooting
00:28:22 Ah, yes, excellent.
00:28:31 Any horses in that one?
00:28:35 Or hounds for that matter. Our readers
00:28:41 It takes place on a submarine.
00:28:43 Oh. Well, bad luck.
00:28:48 But, um,
00:28:51 if there were horses in it,
00:28:53 would you be riding them...
00:28:56 or would you be getting, a--
00:29:03 [ Chuckles ] I-I'm a complete moron.
00:29:08 This is very weird. It's the sort
00:29:12 not in real life.
00:29:15 I mean, good dreams.
00:29:17 It's a dream, in fact,
00:29:22 What happens next in the dream?
00:29:28 I suppose in the, uh, dream--
00:29:32 dream scenario--
00:29:36 change my personality...
00:29:38 because you can do that
00:29:43 walk over and, uh, kiss the girl.
00:29:48 But, uh--
00:29:58 Time's up, I'm afraid.
00:30:02 - Um, nearly, nearly.
00:30:05 - Um, nearly, nearly.
00:30:08 - Sure. [ Clears Throat ]
00:30:12 [ Door Closes ]
00:30:14 Are you... busy tonight?
00:30:18 - Yes.
00:30:24 - Come in.
00:30:28 Yes, and you.
00:30:31 Surreal... but nice.
00:30:33 Thank you. You are Horse & Hounds'
00:30:39 You and Black Beauty...
00:30:42 tied.
00:30:49 How was she?
00:30:51 Oh, um, fabulous.
00:30:54 Excellent. Wait a minute.
00:30:58 Uh, yeah, yeah.
00:31:02 - Bitch.
00:31:04 Mr.Thacker, if you'd like to come with
00:31:09 The others?
00:31:10 Mr.Thacker is from Horse & Hound.
00:31:16 - How's it going?
00:31:19 Have a seat.
00:31:22 - Well, did you enjoy the film?
00:31:25 Yes, enormously.
00:31:28 - Well, fire away.
00:31:32 Did you enjoy making the film?
00:31:34 - Yes, I did.
00:31:38 Any bit in particular?
00:31:41 You tell me what bit
00:31:44 and I'll tell you
00:31:49 Uh, I...
00:31:53 liked the bit in space...
00:31:56 very much.
00:31:58 Did you identify with the character
00:32:01 [ Speaking Spanish ]
00:32:05 - No.
00:32:11 Oh. Why not?
00:32:15 [ Spanish ]
00:32:17 [ Spanish ]
00:32:21 Because he's playing
00:32:25 Classic.
00:32:27 So, uh,
00:32:30 is this your first film?
00:32:33 No. It's my 22nd.
00:32:36 Of course it is.
00:32:41 Working with Leonardo.
00:32:43 - Da Vinci?
00:32:47 Of course.
00:32:50 And is-- is he your favorite
00:32:54 [ Reporters Chattering ]
00:32:59 - Mr.Thacker.
00:33:02 - Have you got a minute?
00:33:11 Hi.
00:33:14 Hi.
00:33:16 Um-- Yeah, so the, um--
00:33:20 the-- the thing I was doing tonight,
00:33:24 I told them I had
00:33:27 with Britain's premier
00:33:31 Oh. Well, great.
00:33:34 Fantastic.
00:33:36 Oh. Shittity brickitty.
00:33:40 It's my sister's birthday. Shit.
00:33:43 - Okay, that's fine.
00:33:46 No, I mean, if it's fine with you,
00:33:51 You--
00:33:54 to my little sister's
00:33:57 - If it's all right.
00:34:01 My friend Max is cooking,
00:34:03 and he is generally acknowledged
00:34:06 But, um, you know, you could hide
00:34:11 - Okay.
00:34:17 - He's bringing a girl?
00:34:21 - Does the girl have a name?
00:34:25 Oh, Christ!
00:34:28 - [ Doorbell Rings ]
00:34:34 Hi. Come on in.
00:34:43 Hiya! Sorry.
00:34:45 The guinea-fowl is proving
00:34:48 - He's cooking guinea-fowl?
00:34:51 - Hi.
00:34:54 Good Lord,
00:34:56 Bella, this is Anna.
00:35:00 - Right.
00:35:02 Max, this is Anna.
00:35:05 - Hi.
00:35:09 Scott.
00:35:12 Thank you.
00:35:14 - [ Doorbell Rings ]
00:35:19 Red or white?
00:35:21 - Oh. Hey.
00:35:23 - Oh, yes, happy birthday.
00:35:27 Look, your brother's
00:35:29 Hi, guys.
00:35:32 Oh, holy fuck!
00:35:34 Hon, this is Anna. Anna, this is Honey.
00:35:38 Oh. Hi.
00:35:40 Oh, God. This is one
00:35:43 when it's possible
00:35:46 and I-- I'm going to fail
00:35:53 I-- I absolutely,
00:35:58 And I just think... you are
00:36:02 And, more importantly,
00:36:05 and I've believed for some time now,
00:36:10 So what do you think?
00:36:13 [ Chuckles ]
00:36:15 Uh, lucky me.
00:36:19 [ Clears Throat ]
00:36:22 Oh, you gave me a present.
00:36:27 Marry Will. He's a really nice guy.
00:36:30 - Well, I'll think about it.
00:36:34 - [ Doorbell Rings ]
00:36:38 - Hi.
00:36:40 Bollocksed up at work again, I fear.
00:36:43 - Millions down the drain.
00:36:46 - Bernie, this is Anna.
00:36:49 - And you.
00:36:53 - Hi, Bella.
00:36:56 Um, it-- it-- it's a hat.
00:37:00 - Hi, Will.
00:37:03 Hi.
00:37:05 - Hi.
00:37:08 - Wine, Bernie?
00:37:10 - [ Cork Pops ]
00:37:13 That is a cheap question, and
00:37:15 - No comment means "yes."
00:37:17 - Do you ever masturbate?
00:37:19 - You see, it means "yes."
00:37:22 So, uh, tell me,
00:37:27 - I'm an actress.
00:37:30 What do you do?
00:37:32 I'm actually in the stock market myself,
00:37:36 Though, um-- um, I have done
00:37:40 Um-- uh, P.G. Wodehouse.
00:37:44 "Careful there, Vicar."
00:37:47 Always imagined it's a pretty tough job,
00:37:50 - The wages are a scandal, aren't they?
00:37:54 I see friends from university--
00:37:56 Been in the business longer than you.
00:37:58 They're scraping by on seven,
00:38:03 You know, it's no life.
00:38:05 - What sort of acting do you do?
00:38:10 Oh, splendid. Oh, well done.
00:38:15 I mean, last film you did,
00:38:20 Fifteen million dollars.
00:38:23 Right.
00:38:25 So that's, well, fairly good.
00:38:29 Right, I think we're ready.
00:38:32 - Ooh.
00:38:34 Bella, can you tell me
00:38:36 Oh, sorry.
00:38:38 I'll show you.
00:38:43 [ Whispering ] Quickly, quickly.
00:38:45 What are you doing here
00:38:47 - Anna Scott?
00:38:49 - What, the film star?
00:38:51 - Oh, God!
00:38:54 - Oh, God. Oh, goddy God.
00:38:57 I don't believe it.
00:39:00 I was still chatting
00:39:03 - She had to ask me to leave.
00:39:06 - [ Laughing ]
00:39:08 Of course I did, but he didn't.
00:39:10 Well, not instantly, but I-- I--
00:39:14 [ All Chattering ]
00:39:17 - What do you think of the guinea-fowl?
00:39:22 Oh, God.
00:39:25 So, how's the guinea-fowl?
00:39:27 Best guinea-fowl
00:39:31 It's amazing how you
00:39:34 - Can speak right to my heart
00:39:42 Without saying a word
00:39:45 You can light up the dark
00:39:53 - [ Hands Clapping ]
00:39:59 - What I hear when you
00:40:05 Having you here, Anna, firmly
00:40:09 that we really are the most
00:40:12 - [ Bernie ] Shame.
00:40:15 In fact, I think it's something
00:40:18 I'm gonna give the last brownie
00:40:21 to the saddest act here.
00:40:24 - Uh-oh.
00:40:27 Yeah, all right.
00:40:30 I mean, I work in the city in a job
00:40:33 and everyone keeps
00:40:36 I haven't had a girlfriend since--
00:40:38 And... nobody fancies me.
00:40:41 And if these cheeks get any chubbier,
00:40:44 - Nonsense. I fancy you.
00:40:48 Yeah. Or I did
00:40:51 [ Max ] You see.
00:40:54 your job still pays you
00:40:56 whilst Honey here
00:40:59 flogging her guts out
00:41:02 Yes! And I haven't got hair.
00:41:05 And I've got funny goggly eyes.
00:41:09 And, actually,
00:41:11 because, um, my boosies
00:41:15 - [ Max ] You see, it's incredibly sad.
00:41:17 her best friend is Anna Scott.
00:41:19 That's true. I can't deny it.
00:41:24 And most of her limbs work, whereas
00:41:27 in a house full of ramps.
00:41:29 And to add insult
00:41:32 I've totally given up smoking,
00:41:38 And, um, well, the truth is,
00:41:42 we can't have a baby.
00:41:50 Oh, Belle.
00:41:52 C'est la vie.
00:41:57 Still, um, we're lucky in lots of ways.
00:42:01 But surely that's worth a brownie.
00:42:06 Well, I don't know.
00:42:11 - Very unsuccessful professionally.
00:42:14 Divorced. Used to be handsome,
00:42:20 And absolutely certain never
00:42:23 - once she's heard that his
00:42:26 You did.
00:42:30 Thanks very much. Thank you.
00:42:33 [ Max ]
00:42:35 Well, wait.
00:42:39 I'm sorry?
00:42:43 [ Chuckles ]
00:42:47 You'll have to prove it.
00:42:50 I'm gonna fight for it.
00:42:53 I've been on a diet
00:42:56 which basically means
00:43:00 [ All Laughing ]
00:43:02 I've had a series of not-nice
00:43:06 Uh, and every time
00:43:09 the newspapers splash it about
00:43:15 And... it's taken two rather painful,
00:43:20 to get me looking like this.
00:43:22 - Really?
00:43:28 And one day not long from now,
00:43:32 they will discover I can't act,
00:43:35 and I will become
00:43:40 who... looks a bit like someone
00:43:53 No, nice try, gorgeous,
00:43:56 - [ All Laughing ]
00:43:58 Pathetic effort
00:44:02 - Thank you for such a terrific time.
00:44:07 - That's a great tie.
00:44:10 Okay, it's true.
00:44:13 - It was lovely to meet you.
00:44:15 I'll wait until you've gone
00:44:18 - No!
00:44:23 - Good night.
00:44:26 I meant to leave.
00:44:29 Ring me if you want someone
00:44:31 I know lots of nice, cheap places,
00:44:35 It was just so nice to meet you.
00:44:37 - Happy birthday. You're my style guru.
00:44:40 - Sorry. Can I just--
00:44:42 - Thanks.
00:44:44 - Good night, everyone.
00:44:46 [ William ] Max, Belle,
00:44:49 - Thank you, everybody. Call us.
00:44:52 - Bye, Anna.
00:44:54 [ William ]
00:44:58 [ Screaming, Shouting ]
00:45:00 [ Screaming, Shouting Continue ]
00:45:03 Sorry. They always do that
00:45:07 It's a stupid thing.
00:45:21 - "Floppy," huh?
00:45:24 - Mm-hmm.
00:45:29 Why is she in a wheelchair?
00:45:31 Uh, because she had an accident
00:45:36 And the pregnancy thing,
00:45:39 You know, I'm not sure.
00:45:40 I don't think they tried for kids
00:45:52 Do you want to, um--
00:45:55 My place is just, um--
00:45:58 Too complicated.
00:46:01 That's fine.
00:46:03 [ Chuckles ]
00:46:08 Busy tomorrow?
00:46:12 - I thought you were leaving tomorrow.
00:46:18 All these streets round here
00:46:23 - They're like little villages.
00:46:26 Ah, no, that's the point.
00:46:28 Only the people who live round the edges
00:46:31 Oh. You abide by rules like that?
00:46:35 I don't. No, no.
00:46:37 I just do what I want.
00:46:40 Um-- Right.
00:46:46 - Whoopsidaisies.
00:46:49 What did you say?
00:46:51 - Nothing.
00:46:54 - No, I didn't.
00:46:58 No one says, "Whoopsidaisies," do they?
00:47:02 There is no "unless." Because no one
00:47:05 And even then it was-- it was just
00:47:09 Exactly. Right.
00:47:15 - Oh! Oh! Whoopsidaisies.
00:47:20 Yeah, well, it's a disease.
00:47:22 I'm taking pills and having injections.
00:47:26 - Okay, stand aside.
00:47:29 Really, it's quite, um, tricky.
00:47:34 Anna, don't. It's harder than it--
00:47:44 [ Birds Chirping ]
00:47:46 Come on, Flopsy.
00:47:48 Right.
00:47:50 All right.
00:47:53 [ Grunts ]
00:47:57 Oh, God,
00:48:04 Ay!
00:48:12 Now what in the world in this garden
00:48:21 It's amazing how you
00:48:25 Can speak right to my heart
00:48:30 Nice garden.
00:48:33 Without saying a word
00:48:36 You can light up the dark
00:48:44 - [ Anna Laughs ]
00:48:49 What I hear
00:48:58 - You say it best
00:49:02 When you say nothing at all
00:49:05 "For June who loved this garden.
00:49:08 From Joseph who always sat beside her."
00:49:15 Some people do spend
00:49:27 All day long I can hear
00:49:29 People talking out loud
00:49:38 - But when you hold me near
00:49:41 - You drown out the crowd
00:49:48 - Try as they may
00:49:54 What's been said
00:50:00 The smile on your face
00:50:06 There's a truth in your eyes
00:50:08 - Saying you'll never leave me
00:50:10 - Have you seen my glasses?
00:50:13 Big, big bollocks!
00:50:18 Everywhere I look
00:50:20 But when I want to go to the cinema,
00:50:23 It's one of life's real cruelties.
00:50:25 That's compared to, like,
00:50:29 Oh, shit.
00:50:31 - [ Continues ]
00:50:35 Oh, you're welcome.
00:50:37 - Sort of.
00:50:48 Oh, the smile on your face
00:50:55 There's a truth in your eyes
00:50:57 Saying you'll never leave me
00:51:04 The touch of your hand says
00:51:09 So who left who?
00:51:11 - Uh, she left me.
00:51:14 - She saw through me.
00:51:17 That's not good.
00:51:21 You can give me
00:51:23 I didn't like her last film. Fell asleep
00:51:26 I don't really care
00:51:28 Any film with her in,
00:51:31 [ Men Laughing ]
00:51:33 She's not my type at all.
00:51:35 You know, blonde, sweet-looking.
00:51:38 You know, what's-her-name.
00:51:40 Has an orgasm every time
00:51:42 Meg Ryan.
00:51:44 No, she's too wholesome.
00:51:48 she's got that twinkle in her eyes.
00:51:51 Probably drug-induced.
00:51:54 Well, whatever.
00:51:56 You see, most girls, they're all like,
00:51:59 But Anna,
00:52:03 [ Men Laughing ]
00:52:05 Do you know that in over 50%
00:52:08 the word for "actress" is
00:52:12 - [ Men Laughing ]
00:52:15 And Anna is your definitive actress,
00:52:19 someone really filthy
00:52:25 - Right, that's it. Sorry.
00:52:28 [ All Laughing ]
00:52:31 Um, sorry--
00:52:33 - But, um--
00:52:36 Well, yeah. I wish I hadn't overheard
00:52:39 And, um, I just think, you know,
00:52:42 the person you're talking about
00:52:45 And I think she probably deserves
00:52:48 rather than having jerks like you
00:52:51 Oh, sod off, mate.
00:52:54 [ Snickering, Laughing ]
00:53:01 - I'm sorry.
00:53:04 Time was I'd have done the same thing.
00:53:07 [ Laughing Continues ]
00:53:11 Hi.
00:53:15 Oh, my God.
00:53:17 I just wanted to apologize for
00:53:20 Uh, look, I'm sorr--
00:53:21 No, no, leave it. It's, you know--
00:53:24 I'm sure it was just friendly banter.
00:53:27 I'm sure you guys have dicks
00:53:30 The tuna's really good.
00:53:35 [ Anna ] I shouldn't have done that.
00:53:38 - No, you were brilliant.
00:53:41 What am I doing with you?
00:53:45 Uh, I don't know, I'm afraid.
00:53:47 I don't either.
00:53:54 Here we are.
00:53:56 Yes.
00:54:00 - Well, look--
00:54:04 Well, there seems to be...
00:54:09 There are lots of reasons.
00:54:16 Do you wanna come up?
00:54:22 Give me five minutes?
00:54:42 - Hi.
00:54:47 To be able to do that
00:54:50 - You've got to go.
00:54:52 Because my boyfriend who was in America
00:54:57 - Boyfriend?
00:55:00 - Baby, who is it?
00:55:04 - Uh--
00:55:07 Oh. How you doing? I thought you guys
00:55:13 Usually we do.
00:55:15 But I was just, uh--
00:55:18 And, um, then I thought
00:55:22 Oh, great. If you don't mind,
00:55:25 Could you bring me up some
00:55:28 I'll see what I can do.
00:55:30 - Still, not sparkling.
00:55:35 Unless it's illegal in the U.K. to serve
00:55:38 I wouldn't want you going to jail
00:55:42 - No, I'm sure it's fine.
00:55:45 Hey, one more thing.
00:55:52 - Uh--
00:55:54 No. No. Um, don't-- don't--
00:55:57 I don't think
00:55:59 Oh, I'm sorry. I'm sorry.
00:56:05 Bernie.
00:56:07 Oh, listen, Bernie.
00:56:09 Thank you.
00:56:12 - Hey, you.
00:56:19 So, tell me. Tell me, tell me.
00:56:24 - Good surprise.
00:56:27 She hates surprises.
00:56:29 - Huh?
00:56:32 Um, I haven't decided yet.
00:56:35 Oh, well, don't overdo it.
00:56:37 I don't want people saying,
00:56:41 - [ Laughing ]
00:56:43 I should leave.
00:56:51 This is a fairly strange reality
00:56:56 I'm so sorry.
00:57:01 I don't know...
00:57:03 what to say.
00:57:06 Well,
00:57:08 I think, um,
00:57:10 "good-bye" is traditional.
00:57:58 I can think of younger days
00:58:02 When living for my life
00:58:07 Was everything
00:58:10 A man could want to do
00:58:15 I could never see
00:58:19 Tomorrow
00:58:25 I was never told
00:58:29 About the sorrow
00:58:37 And
00:58:40 How can you mend
00:58:44 A broken heart
00:58:51 How can you stop the rain
00:58:58 Tell me how can you stop
00:59:04 That old sun from shining
00:59:09 What makes the world
00:59:12 Go round
00:59:16 - And
00:59:18 - How can you mend
00:59:21 This is me.
00:59:27 I'm in contact with some quite
00:59:33 Come on.
00:59:40 - There's this girl--
00:59:43 See, I been gettin' a female vibe.
00:59:47 Speak on, dear friend.
00:59:50 She's someone who...
00:59:52 can't be mine, and, uh,
00:59:58 it's as if I've taken love heroin,
01:00:03 I've opened Pandora's box
01:00:06 Mmm.
01:00:10 Yeah.
01:00:13 Tricky.
01:00:16 Tricky.
01:00:20 I knew a girl at school
01:00:26 Never got to see her box or--
01:00:29 Right.
01:00:31 - Right. Thanks. That's very helpful.
01:00:37 You didn't know
01:00:40 No. No.
01:00:43 Why? Did you?
01:00:46 [ William ] Oh, bloody hell.
01:00:49 My whole life ruined because
01:00:53 Let's face facts.
01:00:58 Anna's... a goddess.
01:01:01 You know what happens to mortals
01:01:04 - Buggered, is it?
01:01:07 But don't despair. I think I have
01:01:12 - Really?
01:01:14 She works in the Contracts Department.
01:01:16 The hair, I admit,
01:01:20 but she's bright as a button and kisses
01:01:24 - Apparently.
01:01:26 [ Doorbell Ringing ]
01:01:29 Now... try.
01:01:34 [ Tessa ]
01:01:37 It's very difficult, isn't it?
01:01:39 Kensington Park Road. Kensington Garden.
01:01:43 - Tessa, this is Bella, my wife.
01:01:45 - You're in a wheelchair.
01:01:48 And this is William.
01:01:50 - Hello, William.
01:01:52 - Max has told me everything about you.
01:01:56 Oh, yes.
01:01:58 - Wine?
01:02:01 Come on, Willie.
01:02:03 - Red or white?
01:02:08 Keziah.
01:02:11 - Some woodcock?
01:02:15 Ah.
01:02:19 What is a fruitarian, exactly?
01:02:21 We believe that
01:02:25 so we think cooking is cruel.
01:02:28 We only eat things that have actually
01:02:32 that are, in fact, dead already.
01:02:36 Ah. Oh, right.
01:02:40 Right.
01:02:42 So, um, these carrots?
01:02:44 - Have been murdered, yes.
01:02:49 Poor old carrots.
01:02:52 That's beastly.
01:02:57 Delicious coffee.
01:03:00 - I'm sorry about the lamb.
01:03:03 No. I thought it was...
01:03:08 Interesting means inedible.
01:03:11 - Really inedible. Yes, you're right.
01:03:17 Well, maybe we'll meet again.
01:03:21 Yeah, yeah.
01:03:25 be great.
01:03:34 Bye.
01:03:55 Well?
01:03:58 Perfect.
01:04:00 Absolutely perfect.
01:04:04 And?
01:04:07 I think you've forgotten
01:04:13 To find someone you actually... love,
01:04:18 The chances are always minuscule.
01:04:22 Look at me.
01:04:24 Apart from the American, I've only
01:04:29 - That's not fair.
01:04:31 faster than you can say
01:04:34 And the other-- who seriously
01:04:37 casually marries my best friend.
01:04:40 - She still loves you, though.
01:04:46 - I never fancied you much, actually.
01:04:48 - Oh, God.
01:04:52 I loved you.
01:04:55 all that kissing my ears.
01:04:58 I don't believe it.
01:05:01 I shall find myself 30 years from now
01:05:05 - Do you wanna stay?
01:05:09 All that awaits me at home
01:05:16 Here we go.
01:05:18 - Good night.
01:05:26 [ Chattering, Laughing ]
01:05:39 - See you.
01:05:49 Guilty.
01:05:52 So it seems.
01:05:58 [ Dog Barking ]
01:06:36 [ Doorbell Rings ]
01:06:41 Hi.
01:06:45 Can I come in?
01:06:48 Come in.
01:06:57 They were taken years ago.
01:07:00 I know it was--
01:07:03 But I was poor and--
01:07:08 That's not an excuse.
01:07:13 But to make matters worse,
01:07:16 it now appears as though...
01:07:19 someone was filming me as well.
01:07:23 So what was a stupid
01:07:27 now looks like a porn film.
01:07:32 The pictures have been sold
01:07:35 everywhere.
01:07:40 I didn't know where to go.
01:07:45 The hotel's surrounded.
01:07:51 I know it's been months, but--
01:07:55 This is the place.
01:07:59 Thank you.
01:08:05 I'm just in London...
01:08:07 for two days,
01:08:10 it's the worst place to be.
01:08:13 These pictures are just so horrible,
01:08:17 It makes me look like--
01:08:19 Don't think about it.
01:08:24 We'll sort it out.
01:08:29 What would you like?
01:08:33 Bath?
01:08:39 - A bath would be great.
01:08:45 Oh, Christ alive!
01:08:51 Brilliant. Fantastic.
01:08:57 Magnificent.
01:09:06 You must be Spike.
01:09:17 [ Exhaling ]
01:09:21 - Hi.
01:09:25 checkin'.
01:09:32 Thank you, God.
01:09:37 I'm really sorry about last time.
01:09:40 - Oh--
01:09:42 - I had no idea.
01:09:44 In fact, I had no idea
01:09:49 It's not often one
01:09:52 the plates of
01:09:55 It was, um--
01:10:01 So how is he?
01:10:06 I don't know.
01:10:10 It just got to the point...
01:10:12 where I couldn't remember
01:10:17 And you and love?
01:10:22 Oh, well, there's a question, um,
01:10:25 without an interesting answer.
01:10:31 I have thought about you.
01:10:35 - Oh.
01:10:39 anytime I've tried to keep...
01:10:42 anything normal
01:10:46 normal,
01:10:48 Listen, I appreciate that.
01:10:53 So what is that,
01:10:56 Um, start in L.A. on Tuesday.
01:11:00 Would you like me to
01:11:03 Would you?
01:11:06 Hand it over.
01:11:10 Right.
01:11:14 I'm a difficult but brilliant
01:11:17 who in about 20 minutes is gonna
01:11:22 Mm-hmm. Okay.
01:11:24 "Message from Command. Would you
01:11:26 No. Turn over four T.R.S.s
01:11:29 before the K.F.T.s return at 1900.
01:11:31 Then inform the Pentagon we'll need
01:11:35 And if you say one word about how many
01:11:39 - Very well, Captain.
01:11:42 - How many mistakes did I make?
01:11:44 - Damn it. And Wainwright--
01:11:48 Cartwright, Wainwright,
01:11:50 I promised little Jimmy
01:11:52 so could you get a message to him
01:11:55 Certainly.
01:11:57 - My son's name is Johnny?
01:12:00 - Then get a message to him too.
01:12:03 but I can't promise anything.
01:12:05 - And Cartwright goes.
01:12:09 - What do you think?
01:12:14 It's not Henry James,
01:12:17 - Think I should do Henry James instead?
01:12:20 But this writer-- writers--
01:12:26 You never get anyone
01:12:28 "Inform the Pentagon
01:12:31 For me the book is the poorer for it.
01:12:39 I can't believe you have that picture.
01:12:43 You like Chagall?
01:12:45 I do. It feels like
01:12:50 floating through a dark blue sky.
01:12:53 With a goat, playing a violin.
01:12:55 Well, yes.
01:12:57 Happiness isn't happiness
01:13:22 You have big feet.
01:13:26 Yes.
01:13:32 You know what they say
01:13:37 No.
01:13:39 Uh, big feet,
01:13:43 large... shoes.
01:13:51 The thing that is so irritating...
01:13:53 is that now I'm so fierce
01:13:57 You actually have... clauses
01:14:00 Definitely.
01:14:02 "You may show the dent of the top of the
01:14:05 Or if there's
01:14:09 "artist must have full consultation."
01:14:12 - You have a stunt bottom?
01:14:17 Are people tempted to go
01:14:22 Yeah. [ Chuckling ] I would.
01:14:24 It's one hell of a job, isn't it?
01:14:28 "Profession: Mel Gibson's bottom."
01:14:31 Actually, Mel does his own ass work.
01:14:33 - Right.
01:14:35 - Absolutely.
01:14:39 What, the ice cream
01:14:43 Both. Equally.
01:14:46 But you wouldn't necessarily lick both?
01:14:48 - Well, this is tart. [ Laughing ]
01:14:53 And fuzz-free.
01:14:59 And, uh--
01:15:02 Bedroom.
01:15:14 Today's been a good day,
01:15:17 which in the circumstances is...
01:15:20 unexpected.
01:15:23 Thank you.
01:15:29 Anyway, um,
01:15:32 time for bed.
01:15:35 Or sofa bed.
01:15:43 Good night.
01:15:45 Good night.
01:15:56 [ Clock Ticking ]
01:16:01 [ Dog Barking ]
01:16:25 [ Stairs Creaking, Footfalls ]
01:16:33 Oh, my God.
01:16:43 Hello?
01:16:45 Hello.
01:16:49 - Spike.
01:16:53 - Right.
01:16:56 but she's just split up
01:16:59 - Maybe.
01:17:04 - Yes.
01:17:09 - Yes.
01:17:12 a nice opportunity to...
01:17:18 slip her one.
01:17:20 Spike, for God's sakes.
01:17:22 You think it's the wrong moment.
01:17:30 - Do you mind if I have a go?
01:17:32 - Okay.
01:17:35 Okay.
01:17:40 [ Footfalls ]
01:17:42 [ Footfalls End ]
01:17:44 [ Footfalls Resume ]
01:17:49 [ Groans ]
01:17:53 - Okay. All right.
01:17:55 Wait! I thought you were,
01:18:01 I thought you were Spike.
01:19:06 [ Whispers ]
01:19:10 What?
01:19:12 Nothing.
01:19:49 It does strike me as,
01:19:52 well, surreal that I'm allowed
01:19:56 - You and every person in this country.
01:20:01 What is it about men and nudity, huh?
01:20:03 Particularly breasts.
01:20:05 - How can you be so interested in them?
01:20:10 But, seriously,
01:20:13 Every second person
01:20:16 More than that, when you think about it.
01:20:19 [ Chuckling ]
01:20:23 They're for milk.
01:20:26 You've seen a thousand of them.
01:20:29 Actually, I can't think
01:20:33 Let me just have a quick look.
01:20:40 - Nope, nope. Beats me.
01:20:46 Rita Hayworth used to say,
01:20:50 "They go to bed with Gilda,
01:20:54 - Who was Gilda?
01:20:59 Men went to bed with the dream,
01:21:02 and they didn't like it
01:21:07 Do you feel that way?
01:21:12 You are lovelier this morning
01:21:19 I'll be right back.
01:21:35 Breakfast in bed.
01:21:37 - Oh.
01:21:41 My God.
01:21:44 Can I stay a bit longer?
01:21:49 Stay forever.
01:21:53 Okay.
01:21:57 [ Doorbell Rings ]
01:22:00 I'll get the jam,
01:22:14 [ Flashbulbs Popping,
01:22:18 Jesus Christ.
01:22:22 What?
01:22:25 What is it?
01:22:27 - Nothing, really.
01:22:30 - Anna, no, please!
01:22:36 My God. And they got a picture of you
01:22:41 Yes.
01:22:44 Undressed like this, yeah.
01:22:48 - Morning, darling ones.
01:22:52 No, there are hundreds of them.
01:22:54 My brilliant plan
01:22:57 I know. I know.
01:23:00 Damn it.
01:23:07 - Um, I wouldn't go outside.
01:23:13 - Just take my word for it.
01:23:24 [ Clamoring ]
01:23:38 How did I look?
01:23:40 Not at all bad.
01:23:45 Chicks love gray.
01:23:47 Nice firm buttocks.
01:23:54 How are you doing?
01:23:56 How do you think I'm doing?
01:24:00 - I don't know what happened.
01:24:02 Your furry friend thought he'd make
01:24:07 - That's not true.
01:24:09 The entire British press
01:24:13 She's in that house with the blue door
01:24:16 Then you go out
01:24:19 - I went out in my goddamn underwear too.
01:24:22 Sorry.
01:24:24 - I'm so sorry.
01:24:28 I come to you to protect myself
01:24:31 and now I've landed in it
01:24:33 For God's sake, I've got a boyfriend!
01:24:36 - You have?
01:24:39 And now, tomorrow there'll be
01:24:44 I know that, but...
01:24:47 You stay calm! This is a perfect
01:24:51 Minimum input, maximum publicity.
01:24:54 Everywhere you go, people will say,
01:24:56 You slept with that actress.
01:25:00 - That is spectacularly unfair.
01:25:03 Maybe it'll even help business.
01:25:05 Buy a boring book about Egypt
01:25:08 Stop! Stop! I beg you!
01:25:12 Calm down.
01:25:14 I don't want
01:25:17 - I just wanna go home.
01:25:20 Spike, see who that is,
01:25:23 - [ Clamoring ]
01:25:26 Spike owes you
01:25:28 depending who's got the brains
01:25:31 That is not true.
01:25:33 This is crazy behavior.
01:25:36 Can't we just
01:25:39 Seriously. In the huge sweep of things,
01:25:43 What he's gonna say next is
01:25:46 Well, there are, and we don't
01:25:50 My best friend slipped down stairs,
01:25:53 and she's in a wheelchair
01:25:56 All I'm asking for is
01:26:00 You're right.
01:26:03 It's just that I've dealt
01:26:06 You've had it for ten minutes.
01:26:08 Our perspectives are very different.
01:26:11 Today's newspapers will be lining
01:26:15 - Excuse me?
01:26:17 It's just one day.
01:26:19 Tomorrow, today's papers
01:26:23 You really don't get it.
01:26:25 This story will be filed.
01:26:28 Every time anyone writes anything
01:26:33 Newspapers last forever.
01:26:35 I'll regret this forever.
01:26:40 Right.
01:26:45 Right.
01:26:47 I will feel the opposite,
01:26:50 if that's okay by you, and, uh,
01:26:54 always be glad that you...
01:27:00 But, um, you're probably right.
01:27:03 You better go.
01:27:07 [ Doorbell Rings ]
01:27:16 [ Clamoring ]
01:27:45 Was it you?
01:27:50 I may have told a few people
01:27:56 Right.
01:28:02 Ain't no sunshine when she's gone
01:28:08 It's not warm when she's away
01:28:14 Ain't no sunshine when she's gone
01:28:18 And she's always gone too long
01:28:21 Any time she goes away
01:28:27 Ain't no sunshine when she's gone
01:28:34 It's not warm when she's away
01:28:40 Ain't no sunshine when she's gone
01:28:43 And she's always gone too long
01:28:46 Any time she goes away
01:28:53 Wonder this time where she's gone
01:28:59 Wonder if she's gone to stay
01:29:05 Ain't no sunshine when she's gone
01:29:08 And this house just ain't no home
01:29:11 Any time she goes away
01:29:17 Ain't no sunshine when she's gone
01:29:21 And this house just ain't no home
01:29:23 Any time she goes away
01:29:29 Any time she goes away
01:29:35 Any time she goes away
01:29:42 Any time she goes away
01:29:48 Have I got something for you. Something
01:29:51 Have I got something for you. Something
01:29:52 you will want to hug me every day
01:29:55 - Blimey. What is it?
01:29:58 Phone number of Anna Scott's agent
01:30:01 and her agent in New York.
01:30:07 Listen, you think about her all
01:30:10 Yeah. Brilliant. Thanks.
01:30:14 I'll see you tonight.
01:30:41 [ Tapping On Glass ]
01:30:43 Shh! Hello!
01:30:47 I won't stand up because
01:30:52 Exactly a year ago today, this man here
01:30:57 - Hear, hear.
01:30:59 Unfortunately,
01:31:02 - It's a tiny hiccup.
01:31:05 And so we have to face the fact
01:31:08 we must find somewhere new to eat.
01:31:12 I just want to say to Tony...
01:31:16 The more I think about things, the more
01:31:20 No one knows why some things work out
01:31:24 Why some of us get lucky...
01:31:25 - and some of us--
01:31:29 - What?
01:31:30 Yeah, well, it seems
01:31:33 much more towards
01:31:36 And, of course, well,
01:31:40 A toast to Bernie-- the worst
01:31:43 I thank you.
01:31:45 - Tony and Bernie. Both crap...
01:31:48 in their own special ways.
01:31:51 [ Chattering ]
01:31:54 Since it's an evening
01:31:56 uh, I've also got one.
01:31:59 Um, I've decided to get engaged.
01:32:03 I've found myself a nice,
01:32:08 who I know is gonna make me happy
01:32:13 Wait a sec. I mean, I--
01:32:16 I'm your brother. I don't know
01:32:20 - Is he financially viable?
01:32:24 He's an artist...
01:32:29 - This is a secret
01:32:32 [ Whispering ]
01:32:37 - Me?
01:32:43 Well, yeah.
01:32:47 Groovy.
01:32:49 Excuse me.
01:32:53 Well, actually, yes.
01:32:56 I feel I should
01:32:59 for my behavior
01:33:01 I have, as you know,
01:33:05 There's an understatement.
01:33:09 But I just wish to make it clear
01:33:12 and, um, henceforward intend
01:33:20 [ Piano ]
01:33:23 Without a love of my own
01:33:30 - Blue moon
01:33:35 You knew just what I was there for
01:33:38 Oh, God. I'm horribly drunk.
01:33:41 You heard me saying a prayer for
01:33:44 - Come here.
01:33:47 Someone I really could care for
01:33:50 - So you've laid the ghost?
01:33:54 I believe I have.
01:33:56 Don't give a damn
01:34:00 No.
01:34:01 No, I don't think I do.
01:34:04 Which means you won't be distracted
01:34:07 grasping her Oscar...
01:34:09 and currently to be found filming,
01:34:14 Oh, God, no.
01:34:19 So not over her, in fact.
01:35:00 [ Laughter ]
01:35:05 - Can I help you?
01:35:08 - I'm looking for Anna Scott.
01:35:11 No. No, uh, she doesn't.
01:35:14 - I'm afraid I can't let you through.
01:35:18 I mean, I am actually a friend.
01:35:23 - No, you basically, er--
01:36:08 Well, this is, uh--
01:36:09 I only found out
01:36:13 - I was going to call, but I--
01:36:17 Yes. Um--
01:36:19 Things aren't going very well,
01:36:22 Absolutely, yeah.
01:36:24 But if-- if you could wait,
01:36:27 there are... things to say.
01:36:34 Okay.
01:36:38 Drink tea.
01:36:47 Come and have a look.
01:36:53 Are you a fan of Henry James?
01:36:56 - This is a Henry James film?
01:37:06 This is, uh, Harry.
01:37:09 He'll give you a pair of headphones
01:37:12 - Thank you very much.
01:37:14 - Hi.
01:37:17 - Volume's on the side. Have a seat.
01:37:28 [ Man Through Headphones ]
01:37:32 [ Anna ] We've got to.
01:37:34 Oh, stop showing off.
01:37:39 - I'm not listening.
01:37:43 So many tragic young teenagers
01:37:45 and that girl has an ass
01:37:48 with at least ten other women
01:37:52 I would think, looking at
01:37:55 you and your...
01:37:59 would be well advised to keep quiet.
01:38:01 Now down to business.
01:38:02 Now down to business.
01:38:03 Um, I ask you when you're
01:38:06 Um, tomorrow will be soon enough.
01:38:11 And then I-- Right. Okay.
01:38:13 Say, who was that rather diffident chap
01:38:17 No one.
01:38:20 Just some guy from the past. I--
01:38:23 It's a bit of an awkward situation.
01:38:44 'Course.
01:38:52 Thanks. I've got to, um--
01:38:55 Any time.
01:39:07 [ Man ] Ladies and gentlemen,
01:39:10 On your first marks!
01:39:25 Uh, I-I do hate to disturb you
01:39:28 but, uh, there's a delivery for you.
01:39:31 Martin, really.
01:39:34 But you see, this is not for the shop.
01:39:39 Right. Okay.
01:39:41 Tell me, if I employ a wet rag, would I
01:39:50 Hi.
01:39:53 Hello.
01:39:55 You disappeared.
01:39:57 Yeah. Yeah. Um--
01:40:00 I had to leave.
01:40:04 - How have you been?
01:40:08 When they change the law,
01:40:12 Whereas you, I've watched in wonder.
01:40:15 - Awards, glory.
01:40:17 It's-- It's all nonsense, believe me.
01:40:21 I'd no idea how much nonsense
01:40:24 nonsense it all is.
01:40:28 Well, um--
01:40:31 Yesterday was our last day of filming,
01:40:38 But, um--
01:40:41 I brought this for you from home,
01:40:45 so I thought I'd give it to you.
01:40:49 Thank you.
01:40:52 Shall I--
01:40:54 Oh, no, don't open it now.
01:40:59 Well, thank you. I don't know
01:41:03 Actually, I had it in my apartment,
01:41:10 But when it came to it,
01:41:12 having behaved so badly.
01:41:16 Twice.
01:41:19 So it's just been
01:41:23 Then you came and... I figured--
01:41:31 The thing is--
01:41:34 The thing is--
01:41:38 What? What is the thing?
01:41:43 Don't even think about it.
01:41:45 - Go away.
01:41:48 Sorry.
01:41:52 You were saying?
01:41:57 Yes.
01:42:00 I have to go away today, but I...
01:42:03 wondered if I didn't...
01:42:07 whether you might
01:42:11 or... a lot, maybe.
01:42:17 See if you could like me again.
01:42:20 But yesterday
01:42:23 and you just
01:42:27 I heard.
01:42:30 You had a microphone.
01:42:33 You expect me
01:42:35 to the most indiscreet man
01:42:39 Uh, excuse me.
01:42:42 It's your mother on the phone.
01:42:47 Will you tell her
01:42:49 I've actually tried that tack, but
01:42:52 and it's now been about 24 hours...
01:42:54 and the foot that was purple
01:42:58 Right, right. Yeah.
01:43:04 Martin, hold the fort a second.
01:43:07 Uh, yes. All right.
01:43:14 Um, could I just say--
01:43:17 [ Chuckles ] I thought Ghost
01:43:23 - Is that right?
01:43:26 [ Chuckles ]
01:43:29 Um, I've always wondered...
01:43:33 what Patrick Swayze's like
01:43:36 I can't say that I know Patrick
01:43:40 He wasn't that friendly during filming?
01:43:42 Well, I'm sure he was friendly to
01:43:50 Oh. Oh, right.
01:43:53 Sorry.
01:43:56 Always been a bit of an ass.
01:44:00 Um, anyway-- Um--
01:44:03 Well, it was lovely to meet you.
01:44:05 I'm a huge, huge fan of yours.
01:44:07 And Demi's, of course.
01:44:13 Sorry.
01:44:16 That's fine.
01:44:18 There's always a pause when the jury
01:44:24 Anna, look, um--
01:44:27 I'm a fairly levelheaded bloke,
01:44:31 not often in and out of love.
01:44:35 But, uh--
01:44:41 Can I just say no to your...
01:44:44 kind request and, uh, leave it at that?
01:44:52 Yes.
01:44:55 Fine. Of course. I--
01:44:59 Of course.
01:45:02 I'll just be going, then.
01:45:05 The thing is,
01:45:08 with you I'm in real... danger.
01:45:12 It seems like a... perfect situation,
01:45:15 apart from that
01:45:19 my relatively inexperienced heart
01:45:23 recover, uh, if I was...
01:45:26 once again cast aside,
01:45:30 There are just too many pictures of you,
01:45:36 You'd go and I'd be, uh,
01:45:39 well, buggered, basically.
01:45:43 That really is a real no, isn't it?
01:45:46 I live in Notting Hill.
01:45:51 Everyone in the world
01:45:53 My mother has trouble
01:45:57 Fine.
01:46:01 Fine. Good decision.
01:46:09 The fame thing isn't really real,
01:46:16 And don't forget I'm--
01:46:20 I'm also just a girl...
01:46:24 standing in front of a boy...
01:46:28 asking him to love her.
01:46:41 Good-bye.
01:47:06 So what do you think?
01:47:08 [ Honey ]
01:47:10 I mean, when all's said and done,
01:47:13 I saw her taking her trousers down,
01:47:15 and I definitely glimpsed
01:47:18 Good decision, yeah.
01:47:21 All actresses are as mad as snakes.
01:47:24 - Tones, what do you reckon?
01:47:27 - Brilliant. Max?
01:47:31 Great. Thanks. Brilliant.
01:47:35 [ Panting ]
01:47:37 William's just turned down Anna Scott.
01:47:41 You daft prick.
01:47:44 No, no.
01:47:51 That painting
01:47:54 Um, you know,
01:48:00 But she said
01:48:05 - Yeah.
01:48:09 What?
01:48:13 Well, you know,
01:48:15 anyone saying they wanna go out with you
01:48:25 It was...
01:48:27 sort of... sweet, actually.
01:48:30 Um, I mean,
01:48:33 so she can... deliver a line, but, um,
01:48:39 she said she might be
01:48:41 but also that she was...
01:48:44 just a girl...
01:48:48 standing in front of a boy...
01:48:52 asking him... to love her.
01:49:10 Oh, sod a dog. I've made
01:49:15 Yeah.
01:49:17 Max, how fast is your car?
01:49:20 - Hey
01:49:24 - Good luck!
01:49:28 - Where to?
01:49:30 - Where's Bella?
01:49:32 - Oh, sod that. Bernie, in the back.
01:49:36 [ Chattering ]
01:49:38 - So glad we made it
01:49:41 - So glad you made it
01:49:43 You gotta gimme some lovin'
01:49:46 Gimme, gimme some lovin'
01:49:48 - Gimme some lovin'
01:49:51 - Gimme some lovin'
01:49:53 Down Kensington Church Street, then
01:49:56 - No, crazy. Go along Bayswater.
01:49:59 No, straight down to the Cromwell Road,
01:50:01 - No!
01:50:05 Stop right there!
01:50:08 Sorry, Max.
01:50:11 James Bond never has to put up
01:50:14 Well, I feel so good
01:50:17 You better take it easy
01:50:21 - [ Continues ]
01:50:23 - I can't. It's one way.
01:50:25 - Oh, sod it. Hold on.
01:50:28 So glad we made it
01:50:31 So glad we made it
01:50:34 - Brilliant!
01:50:37 - Gimme, gimme some lovin'
01:50:39 Gimme, gimme some lovin'
01:50:41 - Gimme some lovin' every day
01:50:45 - Hey
01:50:46 - Hey
01:50:47 Hi.
01:50:49 - No, sir.
01:50:53 - No, sir.
01:50:56 - No, sir.
01:50:59 I don't know.
01:51:03 No, sir.
01:51:06 Thanks. Thanks.
01:51:09 There was a Miss Pocahontas,
01:51:12 but she checked out
01:51:14 I believe she's holding
01:51:17 before flying to America.
01:51:24 We have liftoff.
01:51:30 [ Speaks Japanese ]
01:51:36 You have message for Takiama?
01:51:38 I'll just check, sir.
01:51:40 [ Resumes ]
01:51:44 - Gimme some lovin'
01:51:47 Gimme some lovin' every day
01:52:03 Bugger this for a bunch of bananas.
01:52:10 Stop! Stop! Stop!
01:52:13 - Whoa, whoa, whoa! Hang on!
01:52:17 Come on! No! Wait! Wait there!
01:52:20 Come on! Come on! Wait!
01:52:22 Whoa, whoa, whoa! Go on!
01:52:27 You're my hero!
01:52:29 Whoa! Down boy.
01:52:31 Everybody should and I'm
01:52:34 So glad we made it
01:52:36 Hey, hey
01:52:39 You gotta gimme some lovin'
01:52:42 - Gimme, gimme some lovin'
01:52:45 - Gimme, gimme some lovin'
01:52:49 Gimme, gimme some lovin'
01:52:51 - Gimme, gimme some lovin'
01:52:53 - Yes?
01:52:56 - Are you an accredited
01:53:01 - There you go.
01:53:05 That's right.
01:53:08 - Movies Are Our Business.
01:53:11 - He's with me.
01:53:13 Writing an article on how London hotels
01:53:18 Yes, of course, madam.
01:53:22 Though I'm afraid you're rather late.
01:53:24 Run!
01:53:39 [ Chattering ]
01:53:41 [ Man ] Does this mean that Miss Scott
01:53:45 No, it absolutely
01:53:48 She'll be abiding by
01:53:50 She just won't be making
01:53:54 [ Man #2 ]
01:53:56 [ Publicist ] At the moment,
01:53:58 towards the end of the autumn,
01:54:00 and over here around Christmas
01:54:02 and over here around Christmas
01:54:04 Right! Dominic.
01:54:06 Anna, how much longer are you
01:54:09 No time at all.
01:54:11 Which is why we have to round things
01:54:16 Yes. Lady there.
01:54:18 Is your decision to take
01:54:21 with the rumors about Jeff
01:54:24 - Absolutely not.
01:54:28 Well, it's really
01:54:32 Though I will say, from my experience,
01:54:37 [ Laughter ]
01:54:39 Yeah. The last time you were here, there
01:54:43 taken of you
01:54:47 So, uh, what happened there?
01:54:51 He was just a friend.
01:54:54 - [ Reporters Clamoring ]
01:54:57 Yes. Gentleman in the pink shirt.
01:55:05 Yes. Miss Scott,
01:55:10 are there any circumstances in which...
01:55:13 the two of you...
01:55:16 might be more than just good friends?
01:55:21 I hoped there would be, but no,
01:55:25 - But what would you say if--
01:55:29 No, it's all right.
01:55:33 I was just wondering if, uh,
01:55:36 it turned out that this person, uh--
01:55:40 [ Man #3 ]
01:55:42 - Thanks, thanks.
01:55:45 I just wondered whether if...
01:55:47 Mr.Thacker realized he'd been
01:55:51 [ Reporters Chattering ]
01:55:54 and got down on his knees and...
01:55:57 whether you would, in fact, then...
01:56:01 reconsider?
01:56:13 - Yes, I believe I would.
01:56:18 That's very good news.
01:56:23 The readers of Horse & Hound
01:56:26 [ Laughter ]
01:56:33 Right. Uh, Dominic, if you'd
01:56:36 Yeah? Anna, how long are you
01:56:50 Indefinitely.
01:56:59 She may be the face I can't forget
01:57:04 The trace of pleasure or regret
01:57:07 May be my treasure
01:57:13 - She may be the song that
01:57:17 - Summer sings
01:57:19 May be the chill the autumn brings
01:57:23 May be a hundred different things
01:57:26 Within the measure of a day
01:57:32 She may be the beauty or the beast
01:57:37 May be the famine or the feast
01:57:41 May turn each day
01:57:47 She may be the mirror of my dream
01:57:52 The smile reflected in a stream
01:57:55 She may not be what she may seems
01:57:59 Inside her shell
01:58:35 [ Crowd Cheering, Shouting ]
01:58:38 She who always seems
01:58:42 Whose eyes can be
01:58:46 No one's allowed to see them
01:58:49 When they cry
01:58:53 She may be the love
01:58:57 May come to me
01:59:01 That I remember till the day I die
01:59:07 She may be the reason I survive
01:59:12 The why and wherefore I'm alive
01:59:16 The one I'll care for
01:59:19 And ready years
01:59:22 Me, I'll take her laughter
01:59:27 And make them all my souvenirs
01:59:30 For where she goes I've got to be
01:59:34 The meaning of my life is
01:59:37 She
01:59:40 She
01:59:46 Oh, she
02:00:02 It's in the way you are
02:00:06 You've got a way with me
02:00:12 Somehow you got me to believe
02:00:19 In everything that I could be
02:00:25 I gotta say
02:00:27 You really got a way
02:00:31 It's in the way you want me
02:00:38 It's in the way you hold me
02:00:45 The way you show me
02:00:50 Made of
02:00:52 It's in the way we make love
02:00:59 Oh, how I adore you
02:01:03 Like no one before you
02:01:06 I love you just the way you are
02:01:11 It's in the way you want me
02:01:17 Oh, it's in the way you hold me
02:01:25 The way you show me
02:01:30 Made of
02:01:32 It's in the way we make love
02:01:40 It's just the way you are
02:01:59 No matter what they tell us
02:02:04 No matter what they do
02:02:09 No matter what they teach us
02:02:15 What we believe is true
02:02:19 I can't deny what I believe
02:02:25 I can't be what I'm not
02:02:28 - I know our love
02:02:34 - I know
02:02:41 No matter who they follow
02:02:46 No matter where they've been
02:02:51 No matter how they judge us
02:02:56 I'll be everyone you need
02:03:01 - I can't deny what I believe
02:03:07 I can't be what I'm not
02:03:10 I know I'm not
02:03:12 I know this love's forever
02:03:17 That's all that matters now
02:03:26 - No, no matter what
02:03:30 - That's all that matters to me
02:03:33 No, no matter
02:03:36 - That's all that matters to me
02:03:38 No, no matter what
02:03:41 - That's all that matters to me
02:03:43 No, no matter what
02:03:46 - That's all that matters to me
02:03:49 No, no matter what
02:03:51 That's all that matters to me