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Novecento 1900 en
00:03:23	(Man singing in Italian, bells jangling)
00:03:25	25 April 1945
00:04:07	The war is over.
00:04:10	(Artillery booming in distance)
00:04:32	W-Why?
00:04:36	(Man) Hurry, comrades,
00:04:40	The black shirt bandits are here!
00:04:43	Quick! It's Wildcat, the partisan.
00:04:45	(All shouting)
00:04:58	I want a gun, too.
00:05:08	(Woman yelling in Italian)
00:05:12	- What are you doing? Let go.
00:05:19	I was good enough to cut
00:05:23	Come on, Wildcat. Come on.
00:05:28	What are you waiting for?
00:05:32	Take this. The magazine, too.
00:05:34	Here. Where are you going?
00:05:36	I want to kill, too!
00:05:59	(Door opens)
00:06:12	(Radio) This is the Patriotic Partisan Brigade
00:06:17	Within the last few minutes
00:06:21	The city has been liberated.
00:06:23	A free Milan salutes its fellow countrymen.
00:06:26	I repeat, this is the Patriotic Partisan
00:06:31	In the excitement and joy
00:06:34	our thoughts must go
00:06:37	to bring an end to
00:06:41	But our thoughts, above all, go to...
00:06:44	Leonida, what are you doing in here?
00:06:48	I didn't even see you.
00:06:50	Leonida, what is all this nonsense?
00:06:54	(Grunts) Let go!
00:06:58	- Long live Stalin.
00:07:02	..the Partisan Brigade
00:07:05	Fascism has left us
00:07:09	Long live Stalin.
00:07:14	Attila and Regina.
00:07:18	Attila and Regina!
00:07:31	(Man singing in Italian)
00:07:54	(Woman crying)
00:08:13	(Rustling)
00:08:31	(Distant explosions)
00:08:46	(Panting fearfully)
00:08:50	(All snarling)
00:08:57	(Screams)
00:09:03	Shoot, Attila! Shoot!
00:09:07	(Click)
00:09:09	- Kill her!
00:09:15	Regina!
00:09:20	Regina!
00:09:22	Attila!
00:09:26	(Yells)
00:09:30	(Howls)
00:09:31	I'm coming! I'm coming!
00:09:39	Come on. Come on!
00:09:41	(Moaning)
00:09:49	Oh, the swallows are back.
00:09:51	(Birds chirping)
00:10:01	Wait, wait.
00:10:08	(Cow moos)
00:10:24	My grandfather died here.
00:10:30	Stand up!
00:10:48	Sit down.
00:10:51	Sit!
00:11:07	In America, every cow
00:11:11	American cows are lucky.
00:11:14	Hey. Wouldn't you like
00:11:20	Call me Olmo.
00:11:23	I thought your name was Leonida.
00:11:26	Olmo's my partisan name.
00:11:28	- Do you know who Olmo was?
00:11:33	The bravest.
00:11:38	Well, what do you think of your master?
00:11:41	- (Cocks rifle)
00:11:45	Many years earlier
00:11:48	(Man) Verdi is dead!
00:11:51	Verdi is dead!
00:11:58	Giuseppe Verdi is dead!
00:12:32	(Moaning and yelling)
00:12:42	- Push! Push! Push!
00:12:44	Push! Push! Push! Push! Push!
00:12:49	- (Laughter)
00:12:52	- Look what a nice baby I made.
00:12:59	- (Woman moaning)
00:13:06	(Woman screaming)
00:13:08	- Close the door, Rosalba.
00:13:15	(Man) It's a boy! It's a boy!
00:13:19	(Man) Rosina had a boy!
00:13:23	(Man) It's a boy!
00:13:25	(2nd man) Rigoletto,
00:13:28	- (Laughter)
00:13:40	(Rigoletto) It's a boy! A boy!
00:13:45	Damned woman.
00:13:51	(Rigoletto, laughing) It's a boy!
00:13:55	You hear that, you good for nothing?
00:13:57	The bastard's born
00:14:01	I'm going to get a stick
00:14:12	Eleonora, push. It's coming.
00:14:16	Go on! Harder! Push!
00:14:19	(Strains) Go!
00:14:25	Bitch.
00:14:29	Papa. Papa!
00:14:31	(Baby crying)
00:14:41	(Papa) Oh! Ahh!
00:14:45	Alfredo is born! Alfredo!
00:14:48	The same name as mine. (Laughs)
00:14:51	And if it's a girl, huh?
00:14:53	It's not a girl, is it?
00:14:56	Papa, I can tell a boy from a girl.
00:15:01	He's got his father's
00:15:04	And his grandfather's money already.
00:15:07	What a pretty little boy.
00:15:10	Giovanni, Giovanni. Giovanni!
00:15:12	- What is it?
00:15:15	- Just fine.
00:15:18	"..by heaven blessed...
00:15:20	"plucked from the Garden of Eden...
00:15:24	"be the heir to the lordly graces,
00:15:27	"the pious heart,
00:15:31	Oh, shut up!
00:15:32	- Giovanni, Giovanni.
00:15:35	Write to that playboy brother of yours.
00:15:38	Yes, Papa.
00:15:41	"Ottavio..."
00:15:45	"Ottavio Berlinghieri,
00:15:49	"Announce birth -
00:15:53	"Pray God he doesn't
00:15:57	"Found wife yet, question mark.
00:16:01	- Of course, Papa.
00:16:21	Sister Desolata. Sister Desolata is here!
00:16:27	- Dear brother.
00:16:30	Bravo! Bravo!
00:16:33	You can take down the trunks
00:16:35	because I shall never return
00:16:38	The monsignor has turned very cruel.
00:16:41	He prefers the novices,
00:16:44	I can't tell you how low-bred they are.
00:16:50	- Rigoletto, my hat.
00:16:52	Yes, Signor Padrone.
00:16:57	- The Lord be with you.
00:17:00	Priests here, too.
00:17:16	Well, humpback,
00:17:21	Snow. It's covered with snow.
00:17:25	(Priest) What else?
00:17:30	- (Priest) And what else?
00:17:33	- Bottles?
00:17:36	(Singing in Italian)
00:17:44	It's like paradise in there, and you're
00:17:48	and I'd be St Peter
00:18:04	(Whistles)
00:18:16	- No more work today.
00:18:20	Stop! Stop! Here. Drink up, drink up.
00:18:26	For you. Stop. No work today.
00:18:29	Enzo, special wine.
00:18:31	- Celebration.
00:18:34	- Where's, uh, Dalco?
00:18:37	- Ah.
00:18:40	Oh! What about mine?
00:18:44	- It says sparkling champagne.
00:18:51	There, in the vineyard.
00:19:11	Destiny. Both born on the same day.
00:19:14	And destiny calls for a drink, right?
00:19:17	Signor Alfredo, you know
00:19:21	I've lost count.
00:19:23	I know when we sit down to eat,
00:19:27	You're a lucky man, Leo. Admit it.
00:19:30	He may be a bastard
00:19:33	Don't boys eat like everybody else?
00:19:38	What the hell is bothering you?
00:19:46	It's only natural.
00:19:49	- then came the padroni.
00:19:53	- We're all born equal!
00:19:59	You! What are you standing there for?
00:20:03	Drink up. Drink up, you bastards!
00:20:44	Drink with me.
00:20:57	(Laughs)
00:20:58	Are we drinking or not?
00:21:02	Born together.
00:21:05	Ah.
00:21:09	Probably means we die together.
00:21:13	You shit-pile philosopher.
00:21:21	I want mine to study law.
00:21:24	Mine, thieving.
00:21:26	You might as well make him a priest.
00:21:35	Oh, this wine's not ours. Too dry.
00:21:38	- I didn't like it, either.
00:21:44	Rigoletto, run down to the town hall.
00:21:49	Berlinghieri, Alfredo,
00:21:51	born of Giovanni
00:22:01	Leo, what will you call yours?
00:22:05	Huh?
00:22:06	What are you going to call yours?
00:22:14	Olmo.
00:22:17	Olmo.
00:22:19	Like an elm tree.
00:22:21	Born of the late Oscar and Rosina Coppo.
00:22:27	Oscar? Oscar's been dead for four years.
00:22:30	That's the point.
00:22:34	(Laughs) Oh, you bastards.
00:22:39	In the deep of the summer
00:22:42	In a heat that was stifling
00:22:45	There were born two male children
00:22:48	The distance was trifling
00:22:50	Rigoletto, here, have a drink.
00:22:52	(Men laugh)
00:22:55	Jackasses.
00:22:57	(Man) He just needs a cup of wine!
00:23:00	The poor bastard peasant
00:23:03	Linked by Fate in that hour
00:23:06	To the padrone's grandson
00:23:09	Heir to riches and power...
00:23:17	What do you think? Huh?
00:23:19	(Children yelling)
00:23:36	Leo, Leo. Come on, you must try it, too.
00:23:39	I'm not climbing on that red devil.
00:23:42	(Rigoletto) I can't tell who's faster,
00:23:44	a man with a horse and a machine
00:23:48	(Man) Go on! Go a little faster!
00:23:50	(Men muttering)
00:23:56	There. Huh?
00:24:01	What do you think of that?
00:24:06	ten minutes all alone.
00:24:10	What about this?
00:24:12	Surely you can't call this a good job,
00:24:16	Look at all the hay it leaves behind.
00:24:18	A little hay is nothing, huh?
00:24:22	Don't you realise, you dumb ox, that
00:24:26	We're the first in the valley
00:24:29	Well, blessed are the last to have one.
00:24:32	Who needs a machine
00:24:36	(Children yelling)
00:25:21	Ah! 19!
00:25:23	They stink, and you're disgusting.
00:25:56	Hey! 20!
00:25:59	20!
00:26:00	(Giggling)
00:26:02	You haven't seen anything yet.
00:26:11	Here, kiss it. Bite it.
00:26:14	Jump in the lake!
00:26:17	Olmo's a bastard
00:26:21	Olmo's a bastard
00:26:29	Olmo's a bast...
00:26:32	Here, eat it and burn in hell.
00:26:35	Coward!
00:26:38	Go ahead! Run, you yellowbelly!
00:26:40	You're the yellowbelly.
00:26:43	I say you can't even follow the leader!
00:26:45	And I say I can, too.
00:26:47	Go piss in your pocket!
00:26:52	I'll fix you.
00:26:59	Ah!
00:27:04	Ah!
00:27:51	What are you doing?
00:27:53	Screwing the earth.
00:28:18	- Now what are you doing?
00:28:25	In the telegraph pole?
00:28:30	(Train whistle)
00:28:36	I can't hear anything.
00:28:46	- Are you crazy?
00:28:52	(Train whistle)
00:28:57	When it goes over shut your eyes
00:29:03	I'll make sure you don't run away.
00:29:05	No, no! Let me go! Let me go!
00:29:07	You see? You're yellow! You're a coward!
00:29:11	Olmo! Olmo!
00:29:23	(Whistle hoots)
00:29:35	Olmo!
00:29:37	Are you dead or alive?
00:29:41	Ding dong. Ding dong.
00:29:43	The devil cared, the padrone's scared.
00:29:49	(Baby crying, girl singing)
00:29:56	(Rigoletto) How far is it from here
00:30:00	(Man) As far as it's always been -
00:30:03	(Rigoletto) Once I saw a train
00:30:07	(Man) I got a train in my pants that's longer.
00:30:10	Listen, he's only bragging.
00:30:12	(Laughter)
00:30:14	You see that contraption outside?
00:30:17	You don't want to use it
00:30:20	You're an enemy of progress,
00:30:24	With that contraption, I work less,
00:30:28	- Well, who pays for it? Who pays for it?
00:30:33	Everyone but the padrone.
00:30:35	We the workers pay the bill.
00:30:38	He even infected you.
00:30:41	Olmo gave the lice to everyone.
00:30:43	Your son's filthy.
00:30:46	Of course he should be deloused.
00:30:49	Today your little Olmo found a live frog
00:30:54	(Rigoletto) What do any of you
00:30:58	Pah! Nothing at all, that's what.
00:31:00	I'm the only one who's been to
00:31:06	because anyone who understands
00:31:10	and must travel to preach the great,
00:31:15	who work out their lives in sweat,
00:31:18	profiting not themselves
00:31:22	Amen.
00:31:23	- (Laughter)
00:31:28	(Sobbing)
00:31:42	Who is crying?
00:31:44	Rosina wants to send Olmo
00:31:47	- Why?
00:31:55	They want to take him away
00:31:58	Turn him into a priest.
00:32:01	Nothing's for nothing.
00:32:06	Come on, it can happen to anybody.
00:32:09	Cut it out. It seems to me
00:32:12	When you hatch a bastard,
00:32:16	Bastard?
00:32:18	Who said bastard?
00:32:20	There are no bastards in my house.
00:32:23	Olmo's father's one of us.
00:32:28	Hey, Rosina, is that true or not?
00:32:32	You tell them, Rosina. You know.
00:32:35	It's true. Of course I know.
00:32:41	- If I don't, who does?
00:32:48	Olmo!
00:32:49	(Dog whines)
00:33:00	Olmo, they called you. It was Leo.
00:33:06	(Leo) Hey. Hey!
00:33:12	- Dalco, Olmo.
00:33:15	(2nd woman) There he is!
00:33:19	(Woman) Get him up on the table.
00:33:24	(Leo) Dalco, Olmo,
00:33:29	And still piss in your pants.
00:33:31	(Laughs) Come here.
00:33:34	Remember this - you will learn to read,
00:33:40	but you will still remain
00:33:45	(Man) Doomed to hunger.
00:33:49	You will go off to the army, eh?
00:33:52	You will see the world.
00:33:57	(3rd man) With kicks in the ass all day.
00:33:59	(Leo) You'll take a wife, eh?
00:34:02	You will work
00:34:05	The best thing is
00:34:08	- But who will you remain always?
00:34:12	And that's who you are, Olmo. A peasant!
00:34:16	Understand? No priests in this house.
00:34:24	- What do you have in your hand?
00:34:27	Signor Giovanni gave it to me.
00:34:46	If it is yours, then it belongs to all of us.
00:34:51	- It's too high, I'll fall.
00:34:54	I wish you would and break your neck.
00:34:59	(Woman) Alfredo, Regina,
00:35:07	A card came from my brother,
00:35:12	"Here in the ville lumière,
00:35:16	"Best regards as ever, Ottavio."
00:35:18	Alfredo!
00:35:22	Affection and best regards!
00:35:26	(Giovanni) He doesn't feel at home here.
00:35:29	(Eleonora) He has contempt for us.
00:35:31	(Giovanni) What? You're exaggerating.
00:35:34	(Eleonora) Your brother knows how to live.
00:35:37	Paris, Maxim's, champagne, gigolos.
00:35:40	We sacrifice while he devours money.
00:35:43	- Why do we have to keep calling you?
00:35:50	- (Eleonora) I'll serve.
00:35:52	(Eleonora) Mm-hm, very plump. Alfredo?
00:35:56	- No, no frogs.
00:36:04	Ugh, they're disgusting. Awful.
00:36:06	Manners, Alfredo.
00:36:08	In the army, you'll wish you had
00:36:12	Bull...shit.
00:36:16	Oh? My brother?
00:36:20	Regina.
00:36:28	- Who are those two?
00:36:32	It's my sister and her little girl, Regina.
00:36:36	Oh.
00:36:41	Alfredino.
00:36:44	My dinner.
00:36:46	Go and come right back.
00:36:54	He gets worse every day.
00:36:57	How much longer can he last?
00:36:59	Oh, patience, patience.
00:37:01	He's eight years younger
00:37:05	and you would have him dead already.
00:37:09	Imagine Ottavio with the excuse
00:37:12	coming here to act as lord and master?
00:37:14	He was born with
00:37:17	It is the same with me.
00:37:21	I'm going to be a nun, too,
00:37:23	Ohh.
00:37:32	(Clicks)
00:37:39	- Have a shot?
00:37:46	Hug the stock. Right elbow out.
00:37:49	- Mm-hm.
00:37:54	- You see that family of vultures?
00:37:56	The old black one with the beady eyes?
00:37:59	- Yes.
00:38:02	Bang. Bang.
00:38:04	You got her. You got her!
00:38:07	(Laughs)
00:38:09	(Imitates rifle fire)
00:38:12	(Woman) lmagine the shock.
00:38:14	My husband goes bankrupt
00:38:17	leaving his wife
00:38:20	- If it hadn't been for all of you...
00:38:23	Won't I ever see my father again?
00:38:27	He's your new father now,
00:38:31	Of course.
00:38:35	But you will go on calling me uncle.
00:38:38	(Papa laughing)
00:38:40	(Coughing)
00:38:44	Shh. There they are.
00:38:47	- I'll take Regina.
00:38:51	Ready, aim, fire! Bang!
00:38:53	Right between the eyes. (Laughs)
00:38:57	Now for the jackals.
00:38:59	Ready? Aim, fire! Bang, bang, bang!
00:39:04	Well?
00:39:09	(Both laugh)
00:39:12	Old fool.
00:39:23	Get back to the table.
00:39:26	Get back to the table, I said.
00:39:30	And you, shame on you.
00:39:32	(Grunts)
00:39:37	The table - get going!
00:39:40	Idiot.
00:39:41	Shame on you - at your age.
00:39:50	There's an ocean between us -
00:39:52	between me and the rest of you -
00:39:55	an ocean!
00:39:58	Talk, talk.
00:40:01	Buy machines -
00:40:03	place is going to rack and ruin.
00:40:06	You'll find that
00:40:09	Mr Moderniser.
00:40:18	Now eat your meal.
00:40:27	You go to hell if you don't eat.
00:40:29	Piss in your pocket.
00:40:32	Where do you hear talk like that?
00:40:34	From a friend.
00:40:37	I'm not about to part with a cent
00:40:41	- You can believe me.
00:40:45	I'm only here because this estate
00:40:48	All of it to me! Else I'd be...
00:40:50	You know how I feel about Ottavio?
00:40:52	Well, I'm envious. Yes, dear.
00:40:55	Oh!
00:40:57	To be able to escape this family.
00:41:00	Oh, imagine spending all
00:41:03	A millionaire surrounded with whores.
00:41:06	Oh-ho-ho. Oh!
00:41:08	(Papa singing in Italian)
00:41:24	An ocean of shit!
00:41:41	Oh, what was the point
00:41:45	I prefer educating
00:41:49	Alfredo!
00:41:50	When he's hungry,
00:42:06	These aren't lice, they're roast chickens.
00:42:11	Keep still, keep still.
00:42:22	A little fuzz on top,
00:42:25	Keep still, keep still.
00:42:32	Ahh.
00:42:39	Once a hunchback wed a lady hunchback
00:42:43	Wed her with a song
00:42:45	And a lot of little hunchbacks
00:42:49	- Came along...
00:42:52	I'm going to live with Uncle Ottavio.
00:42:55	(Giovanni) Alfredo! Alfredo!
00:43:00	- Evening, Signor Padrone.
00:43:03	Come back to the house, you hear me?
00:43:05	Good evening, Signor Giovanni.
00:43:09	Hey, you.
00:43:14	- Have you seen Alfredo?
00:43:18	Go to bed, pumpkinhead.
00:43:22	It's late.
00:43:33	Olmo.
00:43:35	- Olmo.
00:43:37	Come to bed.
00:43:41	If my father was here,
00:43:45	He would've shown them.
00:43:48	Once I heard him calling me
00:43:52	(Giovanni) Alfredo!
00:43:54	Let's both of us run away.
00:43:58	Alfredo!
00:44:01	And I heard him once in an old squash
00:44:05	Alfredo.
00:44:09	And in a dark cellar, from inside
00:44:13	Olmo!
00:44:17	- Alfredo.
00:44:23	(Pipes playing)
00:44:42	(Boy) Hey, let's see you fly, cuckoo bird.
00:44:47	(Girl) No, don't!
00:44:50	(Man) Hm, red, but not ripe.
00:44:53	Your daughter's marrying
00:44:56	- What do you think, eh?
00:45:10	(Pipes and organ)
00:45:32	(Laughter)
00:45:40	Hey! Hey, yo, driver! Come back here.
00:45:45	Come back!
00:45:46	Don't leave that horse
00:45:50	Come back. You son of a...
00:45:55	(Dogs whine)
00:46:09	I don't have the breath to...
00:46:13	to give a simple order any more.
00:46:17	God damn it.
00:46:23	Listen.
00:46:25	Beautiful music...
00:46:27	young people...
00:46:29	dancing...
00:46:31	embracing.
00:46:33	Before the day is out, they'll be fucking.
00:46:36	(Pig squeals)
00:46:44	Anyway, this is no place for old men.
00:46:47	(Pipes and organ)
00:47:52	Ooh, it's a hot day, eh, Signor Padrone?
00:47:57	- Who are you?
00:47:59	the youngest daughter of Adelina.
00:48:01	I'm not used to wearing shoes
00:48:06	But they're pretty, aren't they?
00:48:09	The padrona said they're Regina's.
00:48:14	Irma...come.
00:48:42	Irma.
00:49:52	Signor Padrone?
00:49:57	(Cows moo)
00:50:00	Signor Padrone?
00:50:11	(Cows moo)
00:50:15	Signor Padrone?
00:50:22	Don't be frightened.
00:50:27	Don't be frightened.
00:50:31	Take it.
00:50:36	You squeezed me so hard, I got scared.
00:50:50	- Milk her.
00:50:52	Can't you see how full she is? Milk her.
00:51:03	(Cow moos)
00:51:20	Squish, squish.
00:51:24	Cows full of milk and shit.
00:51:29	A curse. A curse we carry with us.
00:51:33	Grows worse with age.
00:51:37	You know what the worst
00:51:41	- Hailstorms.
00:51:45	They're no curse.
00:51:49	Milk and shit in the brain.
00:51:56	War and disease...
00:51:59	They're no curse, either.
00:52:04	Squish, squash.
00:52:06	(Cow moos)
00:52:08	Squish, squash.
00:52:16	The curse is when you can't do it.
00:52:33	Milk and shit.
00:52:41	Can't do it.
00:52:54	Won't get hard.
00:53:03	See? Put your hand inside.
00:53:15	Hey, Signor Alfredo,
00:53:19	(Laughs)
00:53:24	Go.
00:53:26	Go back to the dance.
00:53:35	- Can I really go?
00:53:38	Go. Go.
00:53:41	Irma.
00:53:46	When the dancing is over...
00:53:49	- tell them I'm dead.
00:53:58	- (Cow moos)
00:54:02	- I'm dead.
00:54:29	The padrone, my God.
00:54:33	The padrone told me to say he's dead.
00:54:39	- I was supposed to.
00:54:43	Pour the water out
00:54:46	- Up to the top.
00:54:49	- Giving orders even after he's dead.
00:54:56	(Pipe and organ)
00:55:13	(Cows moo)
00:55:38	Ah, if only you could see yourself now,
00:55:46	This is no way for a padrone to die.
00:55:51	Why'd you have
00:55:54	So I'd have more work to do?
00:56:00	Maybe... Maybe the truth is,
00:56:06	it leaves him too much time to think,
00:56:09	and thinking too much makes him...
00:56:14	Ah! At least I knew who you were,
00:56:19	I knew who gave the orders.
00:56:22	A big, ugly bull!
00:56:26	But now, who knows
00:56:34	"I, Alfredo Berlinghieri,
00:56:39	"being of sound mind and body
00:56:42	"wish to make my last will and testament.
00:56:46	"l hereby declare my younger son,
00:56:53	"as my sole heir,
00:56:56	"and I leave to my eldest son, Ottavio..."
00:57:01	What did he say?
00:57:03	"To my eldest son, Ottavio."
00:57:06	"..eldest son, Ottavio,
00:57:09	"I leave an annuity
00:57:12	"of 5,000 lire a year.
00:57:16	"To be paid to him for the rest of his life
00:57:19	"by my sole heir, Giovanni Berlinghieri.
00:57:25	"And I also leave him...
00:57:29	"my town residence.
00:57:31	"Furthermore,
00:57:46	"that the entire Berlinghieri estate,
00:57:52	Go back to bed, Alfredo.
00:57:56	Go back to bed!
00:57:58	"..consisting of...
00:58:02	"the entire Berlinghieri estate."
00:58:05	Grandpa's dead!
00:58:07	No, no! No, no!
00:58:09	Grandpa's dead! Grandpa's dead!
00:58:12	"..900 acres of cultivated land!
00:58:15	"The family villa..."
00:58:17	(Muffled yelling)
00:58:19	"..farmhouses..."
00:58:25	(Door closes)
00:58:27	"..machinery and tools,
00:58:34	"and all the livestock,
00:58:37	"the cattle,
00:58:41	"the horses and the pigs,
00:58:45	"the sheep,
00:58:47	"I give to my son, Giovanni."
00:59:30	This turban...
00:59:32	once belonged...
00:59:34	to a hunter of tigers.
00:59:52	Uncle Ottavio, let me go away with you.
00:59:57	Why? Don't you like it here?
00:59:59	- They're all liars.
01:00:05	- And where shall we go?
01:00:08	- A sailship?
01:00:13	Like this one?
01:00:18	(Thunder crashes)
01:00:42	(Olmo) Put that silkworm down!
01:00:47	- Put it down!
01:00:49	Because they're all in my care.
01:00:54	But I can touch these silkworms
01:00:56	You're stupid.
01:01:00	No.
01:01:02	- You know, I'm padrone.
01:01:06	- Why not?
01:01:11	Only when I feel like it.
01:01:13	Even if you feed them,
01:01:18	And the food is mine, too.
01:01:26	And the mechanical reaper.
01:01:28	And the wheat is mine.
01:01:32	This worm is mine. The cows are all mine.
01:01:36	Even the Dalco family belongs to me.
01:01:41	And you belong to me, too.
01:01:43	You filthy maggot, let him go!
01:01:45	No!
01:01:46	Burn in hell! You'll burn in hell!
01:01:53	Come back here, you yellowbelly!
01:01:55	(Grunting)
01:02:13	Oh! Give me a hand before we both get it.
01:02:19	Hm, I could beat you
01:02:22	You couldn't beat a frog, not if you tried.
01:02:33	Here, have your stupid silkworm back.
01:02:36	This one's still squirming,
01:02:39	It's not a bird, you dunce.
01:02:41	Those are called pupae or cocoons.
01:02:49	Pretty light. And look, whenever
01:02:56	- I missed ever seeing that.
01:03:00	and like a butterfly, just flew away.
01:03:03	- Why did she fly away?
01:03:08	That isn't true. When you're dead,
01:03:14	You get buried in the ground,
01:03:25	- It must hurt a lot.
01:03:29	- The skin's all back.
01:03:40	Looks just like a cocoon!
01:03:42	Pull the skin back
01:03:47	- It won't go.
01:03:49	Oh, it burns.
01:03:51	Ah, because you're not courageous,
01:03:54	- and you're not a socialist.
01:03:56	I'm a socialist
01:03:59	A socialist with holes in his pocket?
01:04:01	Forget it. What do you know anyhow?
01:04:04	Ah, don't be so smart, and put this on.
01:04:07	- No, I don't want it.
01:04:15	(Mutters)
01:04:23	It's stopped hailing. Listen.
01:04:29	Look, look. Look out of this window.
01:04:34	- What's that?
01:04:37	It can't be the city.
01:04:40	That's the city, I tell you. Look.
01:04:43	There's the cathedral with the dome.
01:04:47	And way on top,
01:04:50	Not houses, bell towers.
01:04:52	Look at the fire
01:04:56	That's a factory, Olmo.
01:04:58	Do they have a view of us
01:05:05	Papa, you can see the city from the loft,
01:05:10	- Not now. Later, huh?
01:05:13	not since the year I was married
01:05:18	Get all your people here.
01:05:20	The day labourers, too.
01:05:22	I'll be waiting in the field.
01:05:26	Hey, Orso.
01:05:28	Orso!
01:05:30	- Turo!
01:05:32	- Censo!
01:05:33	- Oreste!
01:05:35	- Amoretto!
01:05:37	- Gancio!
01:05:38	- Vecchione!
01:05:40	- Montanaro!
01:05:42	Everybody! Everybody in the field!
01:06:08	Now, let's face facts, men.
01:06:10	We lost everything.
01:06:12	Wine, tomatoes, potatoes,
01:06:14	corn - everything.
01:06:17	So now, we'll have to make
01:06:23	Isn't that so, Leo?
01:06:29	What's happened?
01:06:32	Go ahead, tell them.
01:06:39	- Half.
01:06:41	So, it's simple, we'll have to be satisfied
01:06:47	When we harvest double,
01:06:51	If I were to be honest... (Coughs)
01:06:54	If I were to look after my interests alone,
01:06:57	I should ditch you all, fire the lot of you,
01:07:04	And if you weren't so ignorant
01:07:07	because the one making
01:07:15	What's the problem, anyway?
01:07:17	Who gives the orders here?
01:07:20	Hey, you!
01:07:30	We've lost nearly everything,
01:07:34	And yet, your ears are both big enough.
01:08:01	Padrone, what you're doing is a sin,
01:08:04	Your father was good.
01:08:07	You bring sorrow to us!
01:08:10	That man's lost his ear
01:08:13	I leave you with a curse
01:08:16	Turo will find a new padrone!
01:08:25	It's food. Everyone into the house.
01:08:59	Were you hurt bad?
01:09:03	No.
01:09:06	An accident - my own fault.
01:09:09	Poor Vittorio.
01:09:26	Papa, there's no more polenta.
01:09:33	(Girl) Papa, I'm still hungry.
01:09:36	You will forget about hunger
01:09:51	(Cheerful tune on pipes)
01:10:08	(Man) Water!
01:10:10	(2nd man) Let the water through!
01:10:15	(3rd man) Let the water through!
01:10:24	- It's the beginning.
01:10:27	- Workers' League.
01:10:30	To move out. Call a strike for tomorrow.
01:10:33	- You going to go?
01:10:46	Yeah, well, what is going on here?
01:10:50	We're striking, that's what.
01:10:54	Striking?
01:10:58	You know what that means, strike?
01:11:04	I said, do you know what that means?
01:11:09	These hands won't work any more.
01:11:15	Never harvest any more.
01:11:18	Never, never, never...milk.
01:11:23	Everything comes to a standstill.
01:11:27	The land...the land dies.
01:11:32	Yes. Now we got the League.
01:11:34	The League?
01:11:38	What is this League?
01:11:42	Does the League tell you that...
01:11:44	that we'll end up eating
01:11:48	That we become evil. Really evil.
01:11:54	- The League tell you all this?
01:11:57	The League understands.
01:12:00	You can fight back with the League,
01:12:05	The strike is on!
01:12:07	The strike is on!
01:12:10	(Man in distance) The strike is on!
01:12:12	(All calling) The strike is on!
01:12:19	The strike is on!
01:12:22	You know, I like this song.
01:12:24	(All) The strike is on!
01:12:30	Strike.
01:12:33	The strike is on!
01:12:44	(Cows mooing)
01:13:07	They should milk the poor things.
01:13:09	I hear them.
01:13:13	Desolina, send a boy out
01:13:17	Tell him if he sees a Dalco to move along.
01:13:22	It's absolutely ridiculous.
01:13:28	Those bastards are going to ruin me!
01:13:34	What they're doing is uncivilised
01:13:39	Not even with old Leo.
01:13:41	Sooner or later they'll have to give in.
01:13:44	Mm, meanwhile
01:13:47	and the grain rots in the field.
01:13:51	Why don't you eat?
01:13:57	"Talks between the Labour League
01:14:01	"have been broken off.
01:14:03	"The strike area
01:14:06	"'We will not be coerced,'
01:14:10	"'..by a league of rabble-rousers.
01:14:12	"'We'll oppose their boycott
01:14:15	"'We'll counter violence with violence.
01:14:18	"'The only fair verdict is the whip,
01:14:20	"'to be used on workers
01:14:28	(Olmo) Grandfather, what are scabs?
01:14:30	(Leo) Scabs are lousy bastards
01:14:34	(Olmo) Why don't they strike too?
01:14:36	Because they're even more ignorant
01:14:41	(Olmo) Listen, listen! Hear the music!
01:14:43	(Jaunty tune played on strings)
01:15:02	(Man) Good day, padre.
01:15:05	Hey, look over there.
01:15:08	Look at Signor Giovanni
01:15:11	There's Passetti.
01:15:16	And over there, that's Campanini.
01:15:20	The girl with the long braids
01:15:23	- Are they all scabs?
01:15:28	How funny they look
01:15:30	Ding dong, ding dong, ding...
01:15:33	(Laughs)
01:15:50	(Leo) Olmo. Olmo, come here.
01:15:59	Can this be what they call socialism,
01:16:02	all the rich out there sweating
01:16:05	and the poor folks lying under a tree,
01:16:10	It's too good to last.
01:16:13	You're a lucky boy, you are, Olmo.
01:16:16	- Why?
01:16:21	It took me 73 years
01:16:28	(Sighs)
01:16:32	(Leo) That's right.
01:16:41	Hey, Olmo.
01:16:46	Fetch some leaves. Make a little breeze.
01:16:58	I always loved the wind.
01:17:17	I would like to learn how to make a trap.
01:17:19	Shh. Grandfather's dozing.
01:17:27	Does your grandfather
01:17:30	He can do anything.
01:17:35	If they see us together you'll get it.
01:17:38	No. Anyway, everyone knows
01:17:43	Hey, come here, I'll show you something.
01:17:49	- How'd you do it?
01:17:52	You big liar. You went like this...
01:17:55	- Look, I'll teach you something.
01:17:57	I know how you do it. I'm a socialist
01:18:02	(Both laugh)
01:18:25	(Man) Hey, Fasolino,
01:18:28	(Fasolino) That's kids
01:18:31	(Man) What for?
01:18:34	(Man) Oh, for the onion season!
01:18:36	(Fasolino) No, ignoramus,
01:18:40	After three months of striking,
01:18:44	so the workers
01:18:47	Long live the kids from the farm!
01:18:49	(Man) Long live Genoa!
01:18:56	(Fasolino) Sandrone, what do you think?
01:18:58	(Sandrone) I'll need my thinking cap.
01:19:01	(Fasolino) The reformists want
01:19:04	(Sandrone) More per hour?
01:19:07	Ten pennies more an hour,
01:19:09	multiplied by 18 hours work a day,
01:19:14	(Fasolino) Go jump in the lake,
01:19:17	(Sandrone) Hey, now I get water in the ear.
01:19:20	- (Laughter)
01:19:23	on the other hand, the revolutionaries say
01:19:26	that the land should go
01:19:29	and eliminate owners and slaves alike.
01:19:33	(Sandrone) I got it.
01:19:36	I'm a scholar
01:19:39	Punctuation!
01:19:42	(Sandrone) Let's check the vacobulary.
01:19:45	(Child) Vocabulary!
01:19:47	(Sandrone) It's time.
01:19:50	(Sandrone) The time has come to say,
01:19:55	Hooray! Hooray!
01:19:58	(All) Hooray!
01:20:01	Hooray for the strike!
01:20:05	Long live the strike!
01:20:07	(Cheerful harmonica)
01:20:12	(Children laugh)
01:20:15	Oh, Sandrone, look who's come.
01:20:20	(Sandrone) Fasu, what will we do?
01:20:23	(Fasolino) Listen, we can give them
01:20:26	(Sandrone) Quick, quick, grab a stick!
01:20:29	(Fasolino) Ready, Sandrone?
01:20:32	Hey! Who dares defy the law?
01:20:37	Drop that stick and come here quick!
01:20:39	All right, that's enough! All of you, out! Out!
01:20:43	In the name of the law! Move it out!
01:20:50	(Confused yelling)
01:20:55	(Blowing whistle)
01:21:00	Hurry, the train. Go, go on, children, hurry.
01:21:06	(Policeman) Get back! Get back!
01:21:12	Ashamed! You ought to be ashamed!
01:21:19	You cowards! Go back to the landowners!
01:21:35	Get down off those horses!
01:21:39	You sold out to the landowners,
01:21:42	Drop dead, all of you!
01:21:46	Olmo.
01:21:48	Olmo! You forgot your clothes!
01:22:02	(Excited yelling)
01:22:19	Olmo!
01:22:23	Olmo! Where are you?
01:22:25	Olmo, you forgot the bundle
01:22:29	Olmo. Olmo!
01:22:32	(Accordion playing)
01:22:58	(Train whistle blows)
01:23:01	(Bell ringing)
01:23:04	You thought I was a coward, Olmo.
01:23:07	I'm not a coward.
01:23:10	(Boy) Over there, I can see my house.
01:23:19	- (Train whistle blows)
01:23:54	(Train whistle blows)
01:24:10	(Train whistle blows)
01:24:29	(Explosions in distance)
01:24:53	(Man) Hey, Trentini,
01:24:57	She had tits dripping with honey!
01:24:59	(2nd man) I dreamt of your sister.
01:25:07	(3rd man) This one's leg is turning blue.
01:25:12	(3rd man) No, get a doctor over here.
01:25:19	- Move along!
01:25:23	(Men singing in Italian)
01:25:41	(Man) Look at them, men.
01:25:46	Have a good look
01:25:54	Turo! Turo!
01:25:56	Olmo! Olmo!
01:25:59	The bastards got you.
01:26:04	Goddamn the whole nation!
01:26:09	Olmo! Olmo!
01:26:12	Olmo!
01:26:14	(Machinery rumbling)
01:26:49	It's you.
01:27:17	(Whistle blowing)
01:27:20	- Regina.
01:27:23	Go away. Go away!
01:27:26	- Take that costume off.
01:27:29	I said, out, out, out!
01:27:34	- Close the door!
01:27:36	(Engine whistle blows)
01:27:42	- Demesio.
01:27:44	- Hey.
01:27:46	Will you look at that?
01:27:48	Censo!
01:27:56	(Woman) Oh! Back! Oh!
01:28:00	- Oh!
01:28:45	(Woman) "'Please, Father,'
01:28:48	"'my heart will not be at rest
01:28:52	"'Let me go search for them.'
01:28:54	"The boy's plea was so sincere
01:28:58	"that the moment spring came..."
01:29:01	(Boy) What happened?
01:29:22	Hello.
01:29:37	(Boy) I think I heard the story before.
01:29:40	- You must be Olmo.
01:29:44	And you?
01:29:46	Anita. Anita Furlan.
01:29:49	You're from the north?
01:29:53	- Province of Verona.
01:29:55	- (Boy giggles)
01:29:59	- Are you a refugee?
01:30:02	I lost all my family.
01:30:10	Go on.
01:30:13	It's heavy, huh?
01:30:16	(Boy) Will you tell us how it ends?
01:30:18	(Girl) Does he find the nectarines?
01:30:21	All right. Be good.
01:30:32	- Attention!
01:30:35	At ease.
01:30:43	Hey, soldier, don't you recognise me?
01:30:46	It's me, you stupid jackass. It's me!
01:30:51	(Chuckling)
01:30:55	(Grunts)
01:30:57	(Both laughing)
01:31:09	(Both) Hey, hey, hey!
01:31:11	Hey. Hey.
01:31:13	I don't want you. Such a lowly civilian!
01:31:17	The war is over.
01:31:30	- Now I like you better.
01:31:33	(Feminine voice) Oh. Kiss me, my hero.
01:31:46	Ahh.
01:31:50	There was no one
01:31:53	There's nothing up here
01:32:01	Like in the trenches.
01:32:13	Hey. Remember when
01:32:17	But we managed to see it from here.
01:32:22	Did you manage to see
01:32:41	Dreamed all the night in the barracks bed
01:32:44	Of his sister, his brother,
01:32:47	Next morning, in the barracks bed,
01:32:51	They found him dead
01:32:54	Requiem eternum, amen
01:33:04	No, Olmo, no!
01:33:08	Don't we share half and half any more?
01:33:10	Olmo, you've been away.
01:33:14	- I know we get half the harvest.
01:33:18	They rented new machines
01:33:20	- This is no time...
01:33:25	Long live our hero.
01:33:27	Even sharing half and half is robbery
01:33:31	And now not even that!
01:33:33	You know why I have
01:33:36	Because almost all of you men
01:33:41	- Like idiots.
01:33:44	Papa, you have no right to say that.
01:33:47	You keep quiet. And play soldier if you like.
01:33:50	Do you know how much I spent
01:33:53	No, I don't know.
01:33:57	- More than you're worth.
01:34:00	- You didn't want me to go.
01:34:02	Well, what a handsome sabre you have.
01:34:07	Yes, this is a handsome sabre.
01:34:10	And it cuts well! It cuts very well!
01:34:14	Watch, Papa, watch!
01:34:17	Bravo, Lieutenant.
01:34:20	So...that is what you are good at.
01:34:26	I used to get up at four in the morning
01:34:31	Everyone here remembers that.
01:34:34	At threshing time I was the first up
01:34:39	Isn't it so? Can anybody deny that?
01:34:41	Go ahead, speak up.
01:34:45	- Bravo, my little cousin.
01:34:48	The next time, you'll be pierced.
01:34:50	I sacrifice for this farm! Sacrifice.
01:34:54	There aren't any ideals any more!
01:34:58	Devotion to the church, love for the land,
01:35:01	loyalty to the family, and credit in the bank.
01:35:04	Come, Uncle. You're getting upset. Don't.
01:35:07	And respect! Respect, respect, respect!
01:35:11	(Man) The padrone meant that
01:35:17	he had to buy modern machines.
01:35:23	They need their share of grain, too,
01:35:27	but they make life easy.
01:35:31	It's a change...but it's progress.
01:35:35	Look. Beautiful.
01:35:46	Heavy.
01:36:08	Hey! Hey, stop that! Are you crazy?
01:36:13	Hey!
01:36:16	- No, wait.
01:36:19	- Who's this?
01:36:23	I'm a soldier, like you.
01:36:26	Hey, you heard what the padrone said.
01:36:29	You've had your share of grain.
01:36:36	We'll work together. Hey, I understand you.
01:36:48	(Grunting)
01:36:51	Olmo, Olmo. Olmo.
01:36:58	(Anita) Did you hear, women,
01:37:01	It's our men's fault because they got
01:37:06	And the day labourers'
01:37:08	because they work like beasts
01:37:11	It's our fault that our families go hungry,
01:37:16	and it's our fault when so many
01:37:20	Come, follow me, women.
01:37:23	The master should be content
01:37:27	and leave him the rest, for the moment.
01:37:29	Come on, women, come on.
01:37:38	You speak too well for a country girl.
01:37:40	I'm a schoolteacher.
01:37:42	That was the first time
01:37:46	(Attila) Hey, schoolteacher...
01:37:50	..finish the lesson?
01:37:52	Ah, look, women, our rooster is crowing.
01:37:57	Here, peck, eat. Go on.
01:38:00	(All imitating chickens)
01:38:04	No!
01:38:06	Very funny. All right.
01:38:08	(Clucks)
01:38:33	(Man) What's the matter?
01:38:36	To find another place to work and die.
01:38:39	- Who put you out?
01:38:42	Landowners.
01:38:44	Though our contract doesn't run out,
01:38:48	We formed the Workers' League,
01:38:52	And we have to put up with
01:38:57	He said we'll find work near Mantua.
01:39:10	Let's go. No sense in fighting
01:39:14	Our contract hasn't run out.
01:39:16	If they don't pay us for our work,
01:39:24	(Man shouting in distance) Oreste!
01:39:27	Oreste!
01:39:30	Oreste!
01:39:41	Run away, Oreste!
01:39:45	The demons are coming on horseback
01:39:52	Run away, Oreste!
01:40:03	Not the pope, not even Jesus
01:40:08	because I gave 40 years
01:40:11	Bastards, you're afraid,
01:40:13	cos you know that you're
01:40:16	We need new laws and government,
01:40:20	- Laws to get rid of the delinquents!
01:40:24	Laws, good laws that will give us
01:40:28	We know how things stand, because
01:40:33	Poor peasants can't go on like this.
01:40:38	Well, I'll go naked to Rome!
01:40:42	I'll go in my underwear!
01:40:45	- No!
01:40:48	Let me go. No, let me go!
01:40:51	(Woman) Look, you cowards!
01:40:53	(Oreste) Work! Bend your backs!
01:40:55	Go to work, you know what that means?
01:41:01	(Gunshots, horses whinny)
01:42:01	(Man) It's about time they arrived.
01:42:26	Oh... You make me come.
01:42:30	You make me come. (Gasps)
01:42:33	You make me come.
01:42:35	You can't come.
01:42:37	Come on. An elephant
01:42:42	All I need is a real man!
01:43:26	In the name of the law, disperse.
01:43:31	Where will my family sleep tonight,
01:43:35	They'll sleep in the jail
01:43:37	Jail the landowners
01:43:41	- In the name of the law...
01:43:44	Contract's our law,
01:43:48	The padrone's doing them
01:43:52	(Woman) They want us gone
01:43:56	Then what are you waiting for?
01:44:00	Get down, all of you.
01:44:03	(Olmo) They don't respect the law!
01:44:06	The padroni make the law
01:44:09	A law for thieves and murderers!
01:44:13	Stop, don't be afraid! Get down! Get down!
01:44:18	We can't let them pass!
01:44:21	Come with us, unite!
01:44:23	(Olmo) Stop! Wait!
01:44:27	Stick up for your rights.
01:44:30	- Get down! Get your weapons!
01:44:34	Left turn, forward!
01:44:40	Halt formation! Double up column!
01:44:45	(Giovanni) Avanzini,
01:44:49	a nice harvest holiday for them.
01:45:03	Unsheathe sabres!
01:45:09	Let's get some sticks!
01:45:12	Let's go! Let's go! Sticks!
01:45:23	Now's the time. We'll show them.
01:45:25	(Women singing in Italian)
01:46:02	You'll have to kill us all!
01:46:06	You won't pass here!
01:46:28	(Men whistling)
01:46:34	(Women singing in Italian)
01:46:59	Go, men, go on!
01:47:01	Tell them to go find their own property!
01:47:07	Halt! Squad, halt!
01:47:09	(Horses whinny)
01:47:15	Go on back! Move out! Move out!
01:47:19	(Men singing in Italian)
01:47:27	(Women singing in Italian)
01:47:34	Ha! Congratulations.
01:47:37	Afraid of peasants?
01:47:39	You're protectors? What a joke!
01:47:43	Religious powers! You're a disgrace!
01:47:58	I'll drive you out myself!
01:48:00	- Luigi...
01:48:03	What are you doing, you fool?
01:48:05	You're starting a one-man war.
01:48:07	(All singing in Italian)
01:48:12	Damn you!
01:48:15	Go!
01:48:20	Ah!
01:48:21	Go on. Go on, you look fine.
01:48:24	They must see you.
01:48:28	Your time has come.
01:48:45	(Man) We can't do
01:48:48	One of the reds there was murdered,
01:48:52	and gets a monument in the piazza.
01:48:56	Forget it, Pioppi.
01:48:58	You don't make deals
01:49:01	They made a mistake there -
01:49:06	(Laughs) It's the same with my dog.
01:49:08	You hit him once, nothing.
01:49:11	On the tenth crack, though,
01:49:17	May I speak, please?
01:49:29	Here in church, they baptised us.
01:49:37	Here in church, we were married.
01:49:39	And one day...they will carry us in,
01:49:47	feet first.
01:49:49	(Chuckles)
01:49:51	As late as possible, I hope.
01:49:53	All of you know what the Crusades were.
01:49:58	Do you know what the Crusades were?
01:50:02	Young man, we're discussing things here
01:50:07	You wanted me to come here,
01:50:12	The church - yes, even the church,
01:50:18	clamped down hard on its enemies!
01:50:23	Who are these Bolsheviks, anyway?
01:50:26	Eh? Semi-Asiatics.
01:50:29	That's what they are.
01:50:31	Like the Saracens.
01:50:35	Mongol subversives.
01:50:38	And if things go on like this much longer,
01:50:45	and take over everything.
01:50:50	Am I right or not?
01:50:54	Am I right or not?
01:50:56	Eh, Pioppi?
01:51:00	Nothing but talk. I know what
01:51:04	But the Fascist movement doesn't
01:51:09	order first.
01:51:16	We are...the new Crusaders,
01:51:20	and we must instil courage in our youth.
01:51:23	They're waiting for a sign from us.
01:51:33	So...let us give them...
01:51:37	this sign.
01:51:54	Go on. Go on.
01:52:00	We've already saved the country once.
01:52:02	We answered the call in the trenches,
01:52:13	It's only right. When you start a new
01:52:24	Total solidarity, eh?
01:52:26	This is what ltaly needs
01:53:46	Not even a bastard would have done this.
01:53:52	(Honks horn)
01:54:09	They work hard in the city, too, huh?
01:54:12	Imagine my father's face
01:54:16	Your father - "Respect! Respect! Respect!"
01:54:20	Your father is just a thief...
01:54:25	Really? Wait till I become the master.
01:54:29	And on that day...I'll kill you.
01:54:33	You'll really like my uncle.
01:54:38	- He's different. He's more like us.
01:54:47	Hear that music? I know it.
01:55:19	Montanaro! Dalco, Olmo.
01:55:23	(Church bells ringing)
01:55:26	- Ow!
01:55:32	Aren't you Olmo, the bastard child?
01:55:35	- Remember all the polenta?
01:55:38	(Alfredo) Olmo! Olmo!
01:55:40	Don't go. We'll talk later.
01:55:44	- We'll talk later. Don't go.
01:55:48	Oh, you don't have to bother.
01:55:50	Alfredo, it's Montanaro.
01:55:53	- He's right there. See?
01:56:00	Signorina, you'd
01:56:03	What a liar. You're making fun of me.
01:56:05	No, that's the truth.
01:56:08	What's his is mine,
01:56:10	- Yeah, that's about it.
01:56:15	- Good morning, signora.
01:56:18	- (Girl) I'm going down.
01:56:24	Service with a smile. Where, signorina?
01:56:26	On the table.
01:56:28	Ahh, look at that. It's been ages
01:56:33	- You want some?
01:56:38	Don't worry.
01:56:43	I have money. I'll pay you very well.
01:56:47	Very well.
01:56:49	Someday you'll choke
01:56:54	It makes her happy.
01:56:57	Hm?
01:57:07	- You should have a drink, too.
01:57:12	Then don't waste time. Get undressed.
01:57:31	Huh? Huh? You see?
01:57:33	(Whispers) I told you she was a whore,
01:57:37	The girl's poor, but she's not a slut.
01:57:40	If she wasn't,
01:57:43	But it's your money - it corrupts her.
01:57:46	Well, anyway...she cleaned me out.
01:57:55	Aren't you two going to get undressed?
01:57:57	- Go ahead. You go first.
01:58:01	- No, you go ahead. I insist.
01:58:05	- I'm cold.
01:58:07	You're older than I am.
01:58:10	Eh?
01:58:14	- Who do you want to go first?
01:58:17	You mean both of us together?
01:58:20	Why waste time?
01:58:57	- I went under that train.
01:59:00	Remember during the strike?
01:59:20	Who goes first?
01:59:52	He's your friend.
01:59:56	Maybe you can do something better.
02:00:00	No! Ah!
02:00:08	Don't you have a girlfriend?
02:00:10	- Ha ha ha.
02:00:12	I was just thinking about Anita.
02:00:15	- Leave Anita out of this.
02:00:18	- Have a drink.
02:00:21	I feel strange if I drink.
02:00:23	But that's what's so great.
02:00:29	Mm.
02:00:33	- Are you going to marry her?
02:00:38	But without being married.
02:00:43	No marriage. They're Bolsheviks.
02:00:51	Your hand getting tired?
02:01:00	You really know what free love is,
02:01:04	Hm?
02:01:07	- Huh?
02:01:09	- Answer!
02:01:13	I don't know if I'd be answering right.
02:01:17	Don't lie to me, you little whore.
02:01:23	I'm ashamed.
02:01:25	(Gasps)
02:01:28	I'm ashamed.
02:01:32	P-Please...
02:01:34	y-y-you must go away.
02:01:37	G-Go away.
02:01:39	G-G-G-Go away now.
02:01:43	Oh! Oh!
02:01:45	Please!
02:01:47	Go away!
02:01:48	(Thud)
02:01:50	(Grunting and gasping)
02:01:52	Oh! Oh, no! Oh, God! Oh...
02:01:56	She's an epileptic.
02:01:59	Come on, let's go. Hurry up.
02:02:09	Call somebody. Go on! Call somebody!
02:02:17	Signora! Signora!
02:02:19	Stop. Please. Please.
02:02:23	Stop, I beg you.
02:02:26	Stop.
02:02:30	- We didn't do anything.
02:02:34	How stupid.
02:02:37	She knows she must never drink.
02:02:41	- Shall I get a doctor?
02:02:45	She'll stop.
02:02:52	Alfredo!
02:03:26	Uncle Ottavio!
02:03:29	It's me, Alfredo.
02:03:37	Anybody home?
02:03:45	Hello?
02:03:46	(Woman) Who is it?
02:03:50	I'm sorry. I didn't mean to disturb you.
02:03:52	- Ottavio's not here.
02:03:55	- You have a cigarette?
02:03:59	How nice. What did you come for?
02:04:07	- Who are you?
02:04:10	(Snap)
02:04:18	- I'm Alfredo, and I want my uncle.
02:04:20	- Have a cigar?
02:04:24	(Chuckles) For so little.
02:04:28	- Good afternoon, Uncle.
02:04:31	Oh, well, I had a rotten day.
02:04:34	I came into the city to have some fun
02:04:38	Have you ever seen an epileptic?
02:04:41	- I'd like to take a bath.
02:04:51	(Ottavio) Mario, in here.
02:04:57	Over there. Set it down there.
02:05:01	(Ada) How did the auction go?
02:05:03	Oh, all morning at that sale.
02:05:07	I didn't know that the search
02:05:11	- Poor dear. You work so hard.
02:05:16	Take a look at this.
02:05:19	so naturally, no one liked it.
02:05:22	He's a young German painter,
02:05:43	(Ottavio) What do you think the
02:05:46	(Ada) He's sleeping.
02:05:51	(Ada) He's asleep, I tell you.
02:05:55	He's dead. Look at the hand.
02:05:58	(Ada) The hand may be dead
02:06:09	- Guess what.
02:06:11	- I've fallen in love.
02:06:14	- This time, it's serious.
02:06:18	Let's see if I can guess. Lancia?
02:06:21	- Bugatti.
02:06:25	- The roadster?
02:06:28	Mm.
02:06:31	But it's impossible. It's too expensive.
02:06:34	Torpedo. I was thinking of buying one.
02:06:36	- Can you drive?
02:06:38	- it's not difficult.
02:06:41	This nephew of yours is a bit of a liar.
02:06:44	(Ottavio laughs)
02:06:48	Bravo, bravo. Make that stingy
02:06:54	- How's your mother?
02:06:59	Endless ancestral landscapes. Hm.
02:07:04	My lost countryside.
02:07:06	(Footsteps)
02:07:10	Ottavio, lend me the car.
02:07:14	- If you're ready, I'll take you home.
02:07:19	"Vroom! Roar!
02:07:21	"First, second, and third gears
02:07:24	"Dry my tears, and leave me cold
02:07:28	"Bureaucratic, grey, and old"
02:07:32	- You like it?
02:07:34	Yes, it's, er... It's good. It's nice.
02:07:39	Modern? The hell it is. It's futuristic.
02:07:46	"Gypsy, what you rouse in me
02:07:48	"Lingers still like a kiss
02:07:50	"And your traitorous smile"
02:07:53	Er, yes, it has a certain, er...
02:07:56	I like it. It's too bad that it's so short.
02:08:00	- That's what's nice about it.
02:08:04	Two of us have read them.
02:08:07	And you just throw them away like that?
02:08:23	- (Shouting)
02:08:27	(Man) La-la la-la la-la la-la
02:08:30	(All shouting)
02:08:34	(Men laughing)
02:08:36	I want to pass!
02:08:38	- (Man) Attila! Attila!
02:08:41	- What did he say?
02:08:44	(Alfredo) Come on,
02:08:47	Go ahead.
02:08:49	(Jeering)
02:08:52	Friends of yours?
02:08:55	No, they're not friends of mine.
02:08:58	When they go out like that,
02:09:01	They revolt me. I don't want to see.
02:09:04	I don't want to see any more! I'm blind!
02:09:08	Wait a minute. Wait, wait, wait.
02:09:11	Come on, now. Try not to go blind.
02:09:16	I don't want to see.
02:09:19	- No.
02:09:21	- Blind!
02:09:50	"Gives...
02:09:53	"youth...
02:09:57	"to mankind."
02:10:19	(Anita) Pietro, read what you've written.
02:10:21	"Communism
02:10:25	And now Olmo
02:10:34	Well, um...
02:10:36	What does it mean?
02:10:39	- It means... (Laughs)
02:10:43	- Comrade.
02:10:46	I am close to 71,
02:10:49	I still go for a woman
02:10:52	You big bull. We don't come here
02:10:56	(Laughing)
02:11:00	School's over for today.
02:11:03	We'll keep an eye on
02:11:06	And we studied this whole bottle.
02:11:09	Ooh.
02:11:11	(Man laughs)
02:11:20	- Well, shall we go?
02:11:23	What a rotten day.
02:11:28	I went into town with Alfredo.
02:11:32	- Look...
02:11:36	Drawn nicely, isn't it?
02:11:41	We walked around...
02:11:45	we drank a little bit.
02:11:47	You know...
02:11:50	- You know how it is in the city.
02:11:55	You know...
02:11:59	What a class.
02:12:04	The youngsters are dancing
02:12:12	- Mm.
02:12:14	Giving lessons to four old men.
02:12:18	I wanted to dance, too,
02:12:21	(Old men counting upstairs)
02:12:28	Dancing with that belly?
02:12:32	Anita? Anita.
02:12:34	Anita.
02:12:39	No!
02:12:41	(Yells)
02:12:43	Anita!
02:12:46	Oh! No!
02:12:52	- I feel better now.
02:12:56	(Both laugh)
02:13:06	Help!
02:13:09	(Yelling numbers)
02:13:19	What do you have inside that head?
02:13:24	What do you have?
02:13:30	(Gasping)
02:13:43	(Sighs)
02:13:46	- You have another woman.
02:13:48	- No?
02:13:50	- Mm.
02:14:00	Come on, let's go dancing.
02:14:05	(Old men continue counting)
02:14:47	(Traditional music)
02:14:49	Have you ever danced in a barn before?
02:14:51	(Ada) No. It's the first time.
02:14:55	Wait here. I'll get something to drink.
02:14:59	Wait.
02:15:13	- Two glasses.
02:15:15	Certainly.
02:15:44	Alfredo!
02:15:47	Alfredo! Where are you?
02:15:51	Alfredo!
02:15:54	Don't leave me alone!
02:15:56	Oh!
02:15:57	(Music stops)
02:15:59	Alfredo.
02:16:03	What's wrong with her?
02:16:05	Moi? It's nothing.
02:16:07	I don't see. I'm blind.
02:16:10	This music is so beautiful.
02:16:18	Play on. Play on!
02:16:24	(Music resumes)
02:16:42	Faster. Faster!
02:16:45	Faster! How wonderful.
02:16:48	Make me fly!
02:16:55	She has such beautiful eyes, huh?
02:16:57	Oh, yes. Very beautiful.
02:17:10	Alfredo, give me a kiss.
02:17:13	Er, would you like a drink?
02:17:16	No, I think you need a drink.
02:17:19	And if I need a drink, you need a drink,
02:17:22	- All right?
02:17:27	- (Anita) Blind, eh?
02:17:31	How awful!
02:17:37	- Monster!
02:17:47	- Oh!
02:17:49	- Stop this game.
02:17:54	(Ada) Alfredo, how could
02:17:57	You mustn't leave me alone again.
02:17:59	Oh, stop it.
02:18:02	You're outrageous.
02:18:04	I'm an animal de luxe.
02:18:08	This is my best friend Olmo.
02:18:11	Anita, this is Ada.
02:18:20	- So soft.
02:18:23	It's warm. It's warm.
02:18:26	Oh! It feels good.
02:18:28	Beautiful, beautiful.
02:18:30	This morning with an epileptic,
02:18:35	One more like this
02:18:39	You're the one that's blind.
02:18:43	Are they ready?
02:18:50	(Gasps)
02:18:51	The blind girl, huh?
02:18:54	Thank you. Thank you. You saved me.
02:18:58	I was afraid I had to go on all evening.
02:19:00	So you come in here
02:19:03	to make fools of us! Stupid. Spoiled.
02:19:08	How is it you call us? Hicks? Peasants?
02:19:21	Er...
02:19:24	I know. You're right.
02:19:27	But it always happens like this.
02:19:29	I can't stand it, so I close my eyes
02:19:34	Does it scare you to look?
02:19:37	What do you see? What do you see?
02:19:41	What does she see?
02:19:46	I don't want us to change.
02:19:50	Stay still. Everyone, give me their hands.
02:19:53	Put your hands here. Here, here.
02:20:07	Hey, look.
02:20:24	That's horrible.
02:20:31	Oh!
02:20:44	I'm sorry. I apologise to all of you.
02:20:49	It was just a stupid joke.
02:20:52	- It was silly of me, I know.
02:20:56	(Ada) I'm sorry!
02:21:01	Forgive me!
02:21:13	I'm not blind!
02:21:15	Forgive me! I can see very well!
02:21:18	Look! I'm not blind. I see all of you!
02:21:22	- Is she drunk or...?
02:21:25	- It was a joke!
02:21:28	She's fantastic.
02:21:32	She's...she's very modern,
02:21:36	Hey!
02:21:37	You don't understand,
02:21:40	(Man) Out! Out!
02:21:43	- (Man) Hurry! Everybody!
02:21:52	Don't fall.
02:21:54	(Man) Help! Everybody! Hurry!
02:22:02	(Drunk man) Fascists, barbarians,
02:22:16	Oh.
02:22:18	(Children muttering
02:22:22	Hey, hey.
02:22:24	- Hey.
02:22:29	You don't know me.
02:22:32	What the hell do you want?
02:22:39	You're boring.
02:22:46	My name is Ada Fiastri Paulhan.
02:22:48	I'm 21, the worst age in the world.
02:22:52	(Gasps)
02:22:54	My father designed
02:22:58	so we've always been
02:23:01	and never had any.
02:23:04	Oh!
02:23:08	I'm an orphan. Three years ago,
02:23:10	my parents organised
02:23:15	They disappeared into a crevasse
02:23:19	They died the way they lived -
02:23:30	I have no sisters, no brothers.
02:23:32	I can live where I like...
02:23:35	and with anybody I like.
02:23:43	(Man) The community house is on fire!
02:23:45	(2nd man) The community house
02:23:51	(3rd man) The community house is on fire!
02:23:54	(Crowd yelling and screaming)
02:24:30	I don't want to.
02:24:32	I don't want to! I don't want to!
02:24:37	No! Ah!
02:24:43	No!
02:24:57	Come here.
02:25:10	(Screams)
02:25:12	(Fire engine approaching)
02:25:17	(Moaning)
02:25:33	(Both gasping)
02:25:42	Kiss me. Kiss me!
02:25:44	- Mm!
02:25:49	Oh...
02:26:17	Why didn't you tell me
02:26:19	Because you would
02:26:22	That's right.
02:26:27	But aren't you Ottavio's mistress?
02:26:30	Ottavio's mistress?
02:26:32	(Laughing) No!
02:26:34	Oh, no.
02:26:41	(Olmo) Wake up!
02:26:43	(Anita) Pietro Pecorari.
02:26:45	78 years old.
02:26:47	(Olmo) Wake up!
02:26:52	Wake up!
02:26:54	Exploited by the landowners.
02:26:58	(Olmo) Wake up!
02:27:00	(Anita) Decimo Bonazzi. Age 74.
02:27:04	Day labourer from the age of seven.
02:27:08	Murdered by the Fascists.
02:27:11	- Wake up!
02:27:15	Wake up!
02:27:16	Farm labourer from the age of seven.
02:27:21	Murdered by the Fascists!
02:27:23	Wake up!
02:27:27	Open your windows!
02:27:31	Wake up!
02:27:33	Don't you want to see?
02:27:37	Come down and look at them!
02:27:41	- Wake up!
02:27:44	- (Anita sobbing)
02:27:47	Wake up!
02:27:54	Look... There's no one!
02:27:57	(Sobbing)
02:28:13	It's over. It's all over.
02:28:16	- It's the end. It's the end.
02:28:20	No, no! We're strong!
02:28:24	We are many! We're united!
02:28:28	They'll kill us all. They'll...
02:28:30	No, no, no, no...
02:28:35	(Band playing The lnternationale
02:28:39	Listen...
02:28:43	They're coming.
02:28:46	They're coming. Yes.
02:28:48	They're coming.
02:28:51	They're here. Look, Anita.
02:28:53	(Band continue, louder)
02:29:37	(Funeral dirge)
02:31:29	- I'm not well.
02:31:33	What a child you are. There's time.
02:31:43	It's finished.
02:32:14	Did you see?
02:32:16	A crowd like that...
02:32:20	- I don't believe it.
02:32:24	They're saying it was no accident.
02:32:31	(Whistling)
02:32:35	- (Laughter)
02:32:39	Hey, Barone, you look like
02:32:42	You feel sad?
02:32:46	Never regret anything.
02:32:49	The only thing to fear is fear itself.
02:32:52	Shall we take some tucks?
02:32:56	I don't want elegance. I want strength.
02:32:59	This isn't a shirt, it's a symbol,
02:33:03	- Does it look good, Barone?
02:33:06	More manly, yes, but not pretty.
02:33:10	Look good? All of you get one.
02:33:12	You all look like this,
02:33:17	- Give me that pussycat. Listen...
02:33:21	Communists are smart.
02:33:23	They play on your human feelings.
02:33:25	They're like this little pussycat,
02:33:30	Eh?
02:33:31	Communism is a disease.
02:33:33	It can destroy the world. Come outside.
02:33:42	If this little pussycat
02:33:45	you can't think of this little pussycat.
02:33:48	You've got to think of all
02:33:52	You've got to protect all those pussycats.
02:33:54	- (Yowling)
02:33:58	and say, "That's not a pussycat.
02:34:03	And you've got to destroy it!
02:34:07	(Cat screeches)
02:34:11	(Singing in Italian)
02:34:15	(Singing)
02:34:37	- What do we make the Communists do?
02:34:39	What do we make
02:34:42	(All) Shit blood!
02:34:50	END OF ACT ONE
00:00:12	Swear!
00:00:17	Swear that you'll never become
00:00:25	I swear. I swear!
00:00:27	And swear that you'll love me forever
00:00:31	Swear! Swear!
00:00:32	Ah!
00:00:37	I swear I'll marry you!
00:00:39	Forever!
00:00:41	Ah!
00:00:42	Never! (Laughs)
00:00:44	- Give me your hand!
00:00:47	Oh, you're such a liar!
00:00:50	(Ottavio) Quiet, if you please!
00:00:54	Ottavio!
00:00:55	(Ottavio) This is
00:00:58	(Ada) What are you doing?
00:01:01	(Ottavio) I'm taking
00:01:07	(Ada) Who are you?
00:01:10	(Boy) Us? We're babes in the woods.
00:01:12	(2nd boy) Yes,
00:01:15	Now that you've discovered
00:01:19	I think we know how to keep a secret.
00:01:22	(Man) Who told you?
00:01:25	(3rd man) He saw them with his own eyes.
00:01:29	swarming all over the place
00:01:33	(3rd man) They'll march on Rome.
00:01:35	(Man) The go-ahead sign will come
00:01:39	(Woman singing Era De Maggio)
00:01:41	(Conversation continues)
00:01:56	Are you going to leave me alone?
00:01:59	- Don't go without me.
00:02:05	(Man) He told them. Loud.
00:02:08	(Man) Either the chief
00:02:11	(3rd man) That's the only way.
00:02:23	(Man) At the chamber of commerce,
00:02:28	(2nd man) It's a political manoeuvre.
00:02:31	(3rd man) It's more than political,
00:02:34	(2nd man) The chamber of commerce
00:02:39	(Ada) Look. Our photographer.
00:02:57	I'll be right there. Wait. What's this?
00:02:59	- A disguise?
00:03:02	If you want to stay in business,
00:03:22	Leave it there.
00:03:27	Thank you.
00:03:34	- Are we leaving?
00:03:42	- Where are we going?
00:03:45	Taormina. It's an obsession.
00:03:49	- But why?
00:03:52	As far away as possible
00:03:56	(Laughs)
00:03:58	This takes you even farther.
00:04:01	- Even farther south.
00:04:05	Cocaine?
00:04:06	Oh, I'd like to try some. Let me try some.
00:04:20	- Why do you cut it like...?
00:04:41	To the novice.
00:04:57	(Sniffs)
00:05:02	(Sniffs)
00:05:14	(Gasps) What a tragedy!
00:05:16	(Ottavio) What a waste, you mean.
00:05:22	(Sniffs)
00:05:26	(Sniffing)
00:05:28	Uh-uh-uh, just a moment.
00:05:32	Greedy. (Sniffs)
00:05:46	Hey, what's happened to you?
00:05:49	- I can't feel anything.
00:05:52	You've never done it.
00:05:55	I can't feel anything. I mean, er...
00:05:59	my nose is numb, but I can't feel anything.
00:06:02	(Sniffs)
00:06:08	(Ottavio laughs)
00:06:10	- I don't feel a thing.
00:06:15	(Ottavio) It's taking effect.
00:06:18	I can't feel anything.
00:06:20	Well, anyway...
00:06:23	(Clicking heels)
00:06:28	I know! I want a photograph.
00:06:31	Good idea.
00:06:33	(1920s jazz)
00:07:17	- (Knock on door)
00:07:19	- (Man) Telegram.
00:07:21	Coming.
00:07:27	Be right there
00:07:34	Pirouette.
00:07:37	Jeté.
00:07:43	Port de bras.
00:07:49	Here I come. Lift.
00:07:55	It's for you.
00:08:11	You have to leave right away.
00:08:13	Your father is ill.
00:08:17	Hold it... Perfect.
00:09:38	(Woman singing in Italian)
00:11:27	Hey.
00:11:36	- What are you doing?
00:11:42	Wearing your father's coat.
00:11:49	What are you doing in my father's study?
00:11:55	And with my father's gun, hm?
00:12:00	I'm keeping it.
00:12:05	Oh, go ahead. It doesn't matter.
00:12:13	How did he die?
00:12:16	In the cow shed.
00:12:20	He said, er...
00:12:23	"My legs are weak, as if I were dreaming."
00:12:28	He didn't suffer at all.
00:12:32	The cow shed, hm?
00:12:38	You've been away for a month.
00:12:41	There are a lot of things you don't know.
00:12:48	Send Attila away.
00:12:51	There's still time.
00:12:53	Fire him at once.
00:12:55	Today.
00:12:57	Huh?
00:13:02	- It wouldn't do any good.
00:13:05	Kick him out. It will make an impression.
00:13:08	Not now. Mussolini's won.
00:13:12	Things have changed here, too.
00:13:14	I've changed, and so have you.
00:13:16	- What do you mean?
00:13:19	You give the orders now, for God's sake.
00:13:25	- Then I'm your master.
00:13:29	Olmo. Quick. They're coming back.
00:13:33	Olmo.
00:13:37	Here, take it with you. It's yours anyway.
00:13:41	Otherwise,
00:13:49	Is that your baby with your mother?
00:13:52	Yes. It's a girl.
00:13:55	And Anita?
00:13:57	She died...giving birth.
00:14:11	(Sobbing)
00:14:21	Listen to me, Alfredo,
00:14:23	send Attila away.
00:14:32	(Bell tolling)
00:14:59	I prayed and prayed
00:15:03	Now you are all I have left.
00:15:10	How he suffered after you went away.
00:15:18	Do you mind waiting outside?
00:15:31	Mama, I have something to tell you.
00:15:35	I have something to tell everyone.
00:15:37	Sit down, Aunt Amelia. Sit down.
00:15:42	Er...
00:15:44	I have, er, something to tell everyone.
00:15:48	Erm...
00:15:51	I don't know if I should say this.
00:15:56	It's not exactly the right moment
00:15:59	I've decided something, and, erm...
00:16:05	Er...
00:16:08	I'm getting married.
00:16:12	Do you think that this
00:16:19	What a rush.
00:16:24	Is she pregnant?
00:16:25	(Eleonora sobbing)
00:16:33	What's her name?
00:16:36	(Alfredo) Ada.
00:16:39	Ada.
00:16:50	Of a good family?
00:16:52	Eh?
00:16:55	Is she chic? Tell me, is she chic?
00:16:57	- She is French.
00:16:59	She's travelled and she's educated?
00:17:02	Mm-hm.
00:17:03	Is she pretty? And healthy?
00:17:06	Oh, we'll have a wedding
00:17:09	- When?
00:17:11	(Mendelssohn: Wedding March)
00:17:25	(Applause)
00:17:27	Long live the bride and groom!
00:17:32	Dauntless youth, O fearless youth
00:17:35	Your faith is with us
00:17:37	Like a presage of love and affection
00:17:40	A haven of prolific happiness together
00:17:43	That by the bride's moral pledge of fidelity
00:17:47	Shall continue this noble race
00:17:50	Touched by that divine light
00:17:52	A light that shall guide from strife
00:17:55	Each new child in his walk through life
00:17:58	(Applause)
00:17:59	She's too pretty.
00:18:01	Far too pretty for a wife.
00:18:03	She's more than a wife.
00:18:05	- Ada's a mistress.
00:18:07	Oh!
00:18:09	She won't be any good in bed.
00:18:11	Regina! What a way to talk.
00:18:15	I give her one year.
00:18:20	(Woman) Alfredo.
00:18:25	Enchanting, really.
00:18:27	Oh, how delightful, this party.
00:18:30	I was so glad when I heard
00:18:40	You are really a piece of shit.
00:18:43	You know, I hate you. I detest you.
00:18:48	I should be in your place.
00:18:53	May l?
00:18:57	- A souvenir.
00:19:04	Wait.
00:19:12	You will look so pretty.
00:19:15	Like a bride.
00:19:45	(Man) I put my bet on Attila!
00:19:52	(Man) Attila will beat him.
00:19:55	(Man) Half of my money is yours!
00:19:57	(Regina) Attila!
00:19:59	Aha!
00:20:01	My bride.
00:20:22	(Gasping)
00:20:25	(Patrizio) Look at Attila's gloves.
00:20:28	- (Avanzini) You'd like a pair?
00:20:31	And a black shirt too?
00:20:41	(Attila) Signor Alfredo,
00:20:43	together we salute you
00:20:47	Get off the table!
00:21:00	Send them away. I can't stand them.
00:21:06	Look...don't be upset.
00:21:08	These are only our neighbours.
00:21:10	The only difference is
00:21:13	That makes all the difference.
00:21:16	They're like our relatives.
00:21:20	After this we won't see them for ten years.
00:21:22	Oh, a hundred years. Promise.
00:21:25	A thousand years. I promise.
00:21:37	- Is it all one family?
00:21:40	Before the war, there were twice as many.
00:21:45	Who is that beautiful woman by the fire?
00:21:48	Oh, that's Rosina. That's Olmo's mother.
00:21:51	Where is Olmo? I haven't seen him all day.
00:21:55	And Ottavio?
00:21:57	- I'll never forgive him!
00:22:05	Go on. Go on. Go.
00:22:10	Rosina, would you like some confetti?
00:22:12	Oh, thank you, signora.
00:22:14	I knew him when he was so high...
00:22:17	So long ago.
00:22:19	(All shouting)
00:22:25	(Man) It was almost dawn
00:22:28	and saw our boys for half an hour.
00:22:31	Glorious day, Serafini. Glorious.
00:22:34	Regina.
00:22:38	And then they started yelling,
00:22:56	Just remember,
00:23:00	Who'd dare to touch
00:23:04	You think she'll stand living here...
00:23:07	with the pigs, the shit - the Dalcos?
00:23:13	Attila.
00:23:18	Shut the door.
00:23:20	Shut the door!
00:23:31	It is not our tradition
00:23:34	together with family members,
00:23:38	If you have the urge to express yourselves
00:23:43	you'll do it outside the house!
00:23:45	Is that clear?
00:23:48	This is what you were waiting for.
00:23:53	Huh.
00:23:55	To become the padrone.
00:23:59	God only knows how long
00:24:03	And another thing...
00:24:07	I know you look impressive
00:24:11	but my wife doesn't want to have
00:24:17	Many women are...
00:24:19	Come on, Alfredo.
00:24:21	He's not educated, I agree,
00:24:26	Hang on to him. He's your watchdog.
00:24:30	Well, where were you, watchdog,
00:24:32	when they broke into my father's files?
00:24:36	No.
00:24:37	(Alfredo) What happened to the gun
00:24:46	Must have been a Communist.
00:24:48	They don't even have respect
00:24:54	You and your bride can rest without fear.
00:24:58	The gun will be returned.
00:25:00	Never mind the gun, you're here
00:25:06	Send me away.
00:25:10	- Why don't you send me away?
00:25:20	You're part of the inheritance.
00:25:23	(Grunting)
00:25:25	- (Both laughing)
00:25:36	Attila, look at me. It's an arm wrestle.
00:25:42	(Straining)
00:25:49	Is it true you win all the arm wrestles?
00:26:03	And when I think how fond
00:26:07	Regina, it's been decided.
00:26:10	We're all moving into the city.
00:26:13	They have a right to be alone.
00:26:15	And you tell me just like that?
00:26:22	I'm not coming. I'll stay here.
00:26:27	(Singing in Italian)
00:26:44	(Banging on door)
00:26:48	(Banging)
00:26:51	- Oh! Look who's here.
00:26:53	(Audience gasp and chatter)
00:27:01	- It's a little late. Your wedding present.
00:27:05	Oh! Ottavio!
00:27:08	Thank you.
00:27:10	- His name is Cocaine.
00:27:20	Thank you, Uncle. He's beautiful.
00:27:24	His name is Cocaine.
00:27:27	I want to ride him.
00:27:29	Oh, the stirrup.
00:27:32	- One, two, three, up!
00:27:51	(Avanzini) Come, come,
00:27:56	How magnificent.
00:28:01	(Banging)
00:28:03	Come in here, you coward!
00:28:13	- Oh...
00:28:16	- I'll make love to you.
00:28:18	It's my house, too.
00:28:29	Didn't you know?
00:28:31	The gentry have a special place
00:28:35	Alfredo and I used to do it here.
00:28:39	You're a beast!
00:28:42	I felt so sorry for you,
00:28:45	standing there, taking the insults,
00:28:48	at heel beside your master.
00:28:51	- I'm his watchdog.
00:28:55	Don't let him treat me that way.
00:28:59	What kind of a man are you?
00:29:06	Who are you?
00:29:09	(Growls)
00:29:17	Never bite the hand that feeds you...
00:29:20	as long as you need to be fed.
00:29:22	But Alfredo is rotten! He's rotten!
00:29:25	Alfredo's your cousin.
00:29:28	(Yells)
00:29:36	Look at the bitch...
00:29:38	just married, and she's running away.
00:29:50	Regina...
00:29:53	I love you.
00:29:58	I gain strength from insult and humiliation.
00:30:04	I gain strength...
00:30:06	and ltaly is my master.
00:30:09	I serve only her.
00:30:11	That is what we marched for.
00:30:17	The rich, they take,
00:30:21	they eat - they eat well -
00:30:24	We Fascists...
00:30:26	we eat crumbs, and we gain strength.
00:30:35	Alfredo Berlinghieri...
00:30:39	you...and all parasites...
00:30:45	will pay the bill for the Fascist revolution,
00:30:50	and the bill will not be cheap.
00:30:53	The bill will not be cheap.
00:30:56	Everybody will pay.
00:30:58	Everybody - rich and poor,
00:31:01	they will pay with money
00:31:05	and cows and cheese and blood and shit!
00:31:08	Aaah!
00:31:10	Uh-huh.
00:31:14	You really love me?
00:31:17	You love me?
00:31:25	Will you love me forever?
00:31:27	Attila!
00:31:48	Regina, I'll love you forever.
00:31:56	- Here are your gloves.
00:31:59	Best man.
00:32:09	Have you played the wedding game? Huh?
00:32:12	Eh?
00:32:14	(Regina, laughing) Eh?
00:32:19	- Have you played the wedding game?!
00:32:35	- (Screams)
00:32:38	Keep still! Keep still! You'll rip my net.
00:32:42	You're scaring him. You'll rip my net!
00:32:45	- It costs money. Keep still.
00:32:48	- What are you waiting for?!
00:32:51	- Oh!
00:32:53	and you'll be free again.
00:32:59	Well? Come on!
00:33:01	Ah.
00:33:05	Can you - can you help me?
00:33:07	- What is this net doing here?
00:33:10	a trap for brides.
00:33:15	- Do you catch many?
00:33:19	- And the last.
00:33:30	- Is all this land ours?
00:33:33	I think I'm going to like it here.
00:33:35	I used to think I hated the country.
00:33:40	(Sniffs) Oh, I love the smell of earth.
00:33:43	That's dried shit.
00:33:45	Ugh!
00:33:48	- What's in there?
00:33:51	- (Gasps)
00:33:54	My birds are in there. What are you doing?
00:33:58	Help me up now.
00:34:12	They were all at the party today...
00:34:14	Yes, except me.
00:34:18	Alfredo thinks of you as a real friend,
00:34:21	Yes, I know. I know, but we're different.
00:34:25	So perhaps you're not such good friends?
00:34:27	Perhaps.
00:34:29	Maybe you're enemies!
00:34:33	(Avanzini) Patrizio!
00:34:35	- What did you have to eat?
00:34:38	And salmon mousse.
00:34:41	- And what else?
00:34:44	- fresh sturgeon and suckling pig.
00:34:47	No, I haven't. And what else?
00:34:49	- When I catch him... Patrizio!
00:34:53	Patrizio!
00:34:57	Patrizio!
00:35:02	Patrizio!
00:35:07	(Heavy breathing)
00:35:47	Patrizio...
00:35:54	You gonna tell someone on us, were you?
00:35:57	You gonna tell someone on us, were you?
00:36:00	- You wouldn't tell...
00:36:02	- (Regina laughing)
00:36:05	No! No, I wouldn't.
00:36:11	(Attila laughing, Patrizio yelling)
00:36:26	(Screams)
00:36:36	(All) Patrizio!
00:36:38	(Alfredo) Let's search through there.
00:36:41	- Patrizio!
00:36:43	Patrizio!
00:36:46	Not here, not there.
00:36:50	(Woman) Patrizio! Patrizio!
00:36:58	(Man) Patrizio!
00:37:01	(Woman) I'm getting mud
00:37:06	Patrizio!
00:37:11	He kept creeping around
00:37:14	(Woman) Where are you? Patrizio!
00:37:17	I don't feel like seeing him now.
00:37:21	Ah!
00:37:25	- Alfredo!
00:37:29	(Priest) I didn't see you at Mass.
00:37:31	Thanks for coming.
00:37:41	Good catch?
00:37:43	- Just a few thrushes.
00:37:46	(Guests continue calling for Patirizio)
00:37:55	- Do you like my wife?
00:37:58	Ada and the horse.
00:38:01	Where's my father's gun?
00:38:05	I've hidden it.
00:38:08	You'd better be careful.
00:38:15	(Man) Did you look in the chicken coop?
00:38:17	(Woman) Yes. We're going to the barn now.
00:38:22	- It belonged to Lady Godiva.
00:38:25	- How nice.
00:38:27	(Groaning)
00:38:40	(Moaning incoherently)
00:38:45	- Over there...
00:38:47	In there. Oh...
00:39:00	Signora... Signora, what is it?
00:39:03	In there!
00:39:06	In there!
00:39:09	(Wailing)
00:39:26	(Sobbing)
00:40:00	What have they done to him?
00:40:03	What have they done?
00:40:06	It happened just a little while ago.
00:40:11	Look, look!
00:40:16	You...
00:40:19	- You weren't at the wedding.
00:40:22	He'd kill us all!
00:40:25	They're all alike - those peasants!
00:41:04	(Attila) Olmo Dalco!
00:41:08	Don't move.
00:41:10	I accuse you of the murder of this child!
00:41:30	Hit him!
00:41:33	Harder! Hit him!
00:41:40	(Olmo yelling and grunting)
00:41:52	(Rosina) Olmo!
00:41:54	Olmo!
00:42:03	They're killing him!
00:42:09	But Olmo had nothing to do with it.
00:42:15	Go on, kill him!
00:42:17	He's helpless! Killers!
00:42:19	One day they'll kill all of you!
00:42:24	I know who killed him...
00:42:29	I did.
00:42:31	Killer!
00:42:33	Killer!
00:42:35	- Killer! Goddamn you, scum!
00:42:39	It was an accident!
00:42:41	(Attila) Come on!
00:42:44	Attila, stop that! That's enough!
00:42:47	Stop! Stop!
00:42:54	(Gasps, coughs)
00:43:03	- Take this man to the police.
00:43:06	I never hurt a fly. I didn't do anything.
00:43:10	I'm only crazy! I was joking.
00:43:14	Look! He's been stealing food!
00:43:21	Ladies and gentlemen,
00:43:24	It's beginning to rain and it's getting dark,
00:43:27	and I think everyone should leave now.
00:43:50	Look at the state Olmo was in.
00:43:53	The state Olmo was in?
00:43:56	Olmo's innocent! I told you, I was with him!
00:43:59	- I know you were!
00:44:02	Worse.
00:44:07	No! Ottavio! No!
00:44:10	Don't go away. No, stay.
00:44:15	I'm sorry, Ada. I'll never set foot here again.
00:44:34	(Sobbing)
00:44:57	(Screaming)
00:45:01	No!
00:45:04	(Man) All right, another one.
00:45:07	(Pig grunting)
00:45:14	(Pig squealing)
00:45:26	Get him on his back.
00:45:29	Hold him down.
00:45:34	(Squealing)
00:45:43	(2nd man) Hey, Olmo.
00:45:46	(Chuckles) Nice cutting.
00:45:50	(Girl) Papa! Papa!
00:45:52	(Men muttering)
00:46:00	What a hand, eh?
00:46:04	Nobody can kill pigs
00:46:07	(Laughter)
00:46:10	Watch out, Olmo. We saw Attila,
00:46:14	we're better off if we find someone else.
00:46:17	He said you do this so you can go to
00:46:22	(Woman) How's a man to live
00:46:25	(Man) Like Attila - he feeds on evil.
00:46:32	(All talking at once)
00:47:38	(Man) Stella! Stella, we need more water.
00:47:42	(2nd man) Here's some water.
00:47:51	(Woman) There's more hot water
00:47:54	No, no...
00:48:17	You're Olmo!
00:48:21	You don't recognise me.
00:48:25	It was an amnesty. They let me go.
00:48:27	- I've been walking for 30 days.
00:48:30	I walk and I walk and I walk. Can't stop.
00:48:34	Why did you have to mix in that day?
00:48:36	You were down on the ground.
00:48:41	They were beating you to death.
00:48:44	All those years in jail for nothing.
00:48:46	In jail, in a barn, under a tree,
00:49:46	(Singing in Italian)
00:50:08	(Man) Stop it! Stop it!
00:50:10	You keep singing that song,
00:50:13	The Fascists will put you in jail
00:50:18	I didn't kill the boy.
00:50:21	You didn't kill the boy.
00:50:24	It was one of those men
00:50:26	Who?
00:50:29	I saw him hide the body in the cave.
00:50:31	- Who was it?!
00:50:36	In black shirts, all killers look the same!
00:50:40	I walk and I walk and I walk...
00:50:43	I can't stop!
00:50:47	Where is socialism?
00:50:49	(Man) When you get what you want,
00:50:53	The padroni can't stop you.
00:50:57	(2nd man) You get a piece of land,
00:51:00	That's human nature.
00:51:02	Stella.
00:51:08	The seminaries take in studs
00:51:12	Tell them.
00:51:15	Let the priests pay for your keep
00:51:17	then give them a boot in the ass
00:51:20	What Lenin?
00:51:23	They abolished our paper,
00:51:25	the community house is gone,
00:51:28	Look here - read it, it's your newspaper.
00:51:33	The one our comrades print.
00:51:35	Who could go to prison.
00:51:38	Now memorise it,
00:51:40	because once this is gone,
00:51:43	those who don't see it
00:51:46	All right, I'll memorise the newspaper,
00:51:49	but what good is it if we have no party,
00:51:53	Look at us, Olmo. We're all scattered.
00:51:55	If we open our mouths, we go to jail.
00:51:58	Our party's outlawed -
00:52:00	No party? That's not true.
00:52:04	And Eugenia and Enzo and Armando.
00:52:07	Cross over the river, you'll find the Azzalis.
00:52:10	Need more? Then speak with the bellman.
00:52:12	The party is around you,
00:52:16	Inside the prisons
00:52:19	The party's there, too. It's everywhere!
00:52:23	(Singing in Italian)
00:52:34	"100 factory workers were arrested
00:52:39	Anita!
00:52:41	Anita. Where'd my daughter go?
00:52:43	Anita!
00:52:45	Olmo, she went to
00:52:48	What padrona?
00:52:50	- Signora Ada.
00:52:53	"..strikers paraded in the city streets.
00:52:56	"Several came to blows
00:52:59	"who tried to block the demonstration.
00:53:01	"Officials were forced
00:53:04	"While fighting with the troops,
00:53:10	I don't know where you'll get
00:53:14	- (Man) His wife will kill him!
00:53:16	Hey, Berlinghieri,
00:53:19	Now, calm down, Ferrari,
00:53:23	What else can you stake?
00:53:25	He wants to end up
00:53:31	Loads of honour and not much money...
00:53:39	- Oh, I'm sorry. Stupido.
00:53:43	Cavaliere Pioppi would like a word
00:53:47	I told you not to come into this place
00:53:55	Cavaliere Pioppi.
00:54:01	You all know Cavaliere Pioppi...
00:54:06	the only honest man among us.
00:54:08	Now, if you'll excuse us
00:54:11	Don't worry about it.
00:54:13	We'll have a return match,
00:54:16	- Thank God you have your health.
00:54:24	I'm glad one of us has a little enjoyment.
00:54:28	We've, er...
00:54:30	We have trouble making ends meet.
00:54:32	Our lands have been barren. We've, er...
00:54:35	As you must know,
00:54:38	He always told me,
00:54:42	"You let things get out of hand."
00:54:45	He helped sign so many mortgages
00:54:50	I wouldn't have bothered you,
00:54:54	You and I have been rather good friends.
00:54:58	- It's embarrassing. l, er...
00:55:02	Oh, I knew you wouldn't refuse us.
00:55:04	You're more understanding
00:55:07	Well, do you have
00:55:11	- (Door slams)
00:55:19	Olmo. Hello.
00:55:25	- The house, you said.
00:55:34	- You're not allowed in here.
00:55:37	- You don't learn easy, do you, boy?
00:55:40	You've been told a hundred times
00:55:44	- Somebody will teach you a lesson.
00:55:46	Get out of here! You don't learn, do you?
00:55:50	You're going to come to a bad end.
00:55:52	You think you're the king
00:55:55	- I'll show you you're not!
00:55:57	What the hell is going on here?
00:56:04	His shoes are dirty.
00:56:07	What are you doing here?
00:56:11	All right, I'm poor,
00:56:13	a peasant, a worker, and a killer.
00:56:17	- And I want my daughter!
00:56:41	"By the..."
00:56:43	- (Ada) Rushes.
00:56:48	"my lovely house doth lie."
00:56:51	(Ada) Good girl. Here you are.
00:56:57	(Footsteps)
00:57:03	- Anita, come home.
00:57:07	(Ada and Anita laugh)
00:57:09	I don't like you to come here.
00:57:12	She has to learn how to read and write.
00:57:23	You're not her mother.
00:57:26	I don't want her here!
00:57:35	He's right, you know.
00:57:37	What gives you the right
00:57:40	What the hell gives you the right?
00:57:45	- I love that child!
00:57:48	The child is out of place here.
00:57:52	Leave other people's children alone.
00:58:01	All right!
00:58:04	No! Just devote yourself to me!
00:58:19	Oh, November's
00:58:28	Damn it! Bitch.
00:58:32	Filthy bitch!
00:58:34	But I'll get in there. I'll get a bottle.
00:58:38	(Grunting)
00:58:42	(Keys jangle)
00:58:47	The key. Now give me the key.
00:58:52	- The key!
00:58:55	We're respectable people
00:58:58	Didn't you know that? Huh? (Cackling)
00:59:03	I want that key!
00:59:05	I'll stick it up your ass! (Cackling)
00:59:10	(Both screeching)
00:59:19	(Laughing)
00:59:22	You stupid thing...
00:59:25	How stupid you are.
00:59:27	Why shouldn't you have what you want?
00:59:29	You must drink all you want.
00:59:31	You're the padrona.
00:59:34	So you'll have all the drink you want.
00:59:44	Help me. Why don't you help me?
00:59:47	- You want a drink?
00:59:51	I baptise you Regina,
01:00:13	(Knock on glass)
01:00:25	Ada!
01:00:34	Good evening.
01:00:41	Go to bed, little witch.
01:00:44	Go on.
01:00:47	Ada.
01:00:53	(Laughs)
01:00:55	Good night, angel. Sleep well.
01:01:02	(Olmo) Signora.
01:01:04	Care for some wine?
01:01:08	Yes, I don't mind if I do.
01:01:11	A drop is good from time to time.
01:01:14	- Two or three, even.
01:01:21	It's so nice here.
01:01:24	What's so nice, may I ask?
01:01:28	Anita saying good night.
01:01:31	The smell of your supper.
01:01:34	The way you are all together.
01:01:38	And your mother sleeping by the fire.
01:01:41	Hm.
01:01:46	Well, live here if you find it so nice.
01:01:50	You know the big doors
01:01:53	Every evening,
01:01:55	- Really?
01:01:58	It was as big as that.
01:02:05	And so the peasants were all locked up,
01:02:10	We were able to dance, to sing,
01:02:14	but impossible to get out.
01:02:17	We had to be shut up
01:02:23	- Then what happened?
01:02:26	the padrone would send a servant
01:02:31	I'm not talking about the Middle Ages,
01:02:34	- No.
01:02:37	Grandfather Leo was alive.
01:02:42	Once Alfredo got into our house here
01:02:53	Well, the doors are open now.
01:02:57	But Alfredo never comes.
01:03:08	What do you think of Alfredo?
01:03:11	The padroni are our enemies.
01:03:15	- The padrone's Alfredo.
01:03:19	- You are the padrona.
01:03:22	I'm the wife of the padrone.
01:03:25	- Mm.
01:03:29	wouldn't her mother
01:03:32	(Rosina) Olmo?
01:03:34	Rosina... We woke you up.
01:03:36	- Olmo.
01:03:38	- Go away. I had a terrible dream.
01:03:41	I was on a mountain
01:03:44	"Look down," he said.
01:03:47	"One is limping, another is blind.
01:03:50	- It's late, Mama.
01:03:53	Run, Olmo. Everything's gone to ruin.
01:04:00	- (Screams)
01:04:02	- Do you hear that? He's there.
01:04:05	Over there. I saw him. He was moving.
01:04:10	Here he comes to spy.
01:04:16	Do something!
01:04:25	Here.
01:04:29	Here.
01:04:34	It's a cat!
01:04:38	Every night, I dream of that kid.
01:04:43	He's all covered with blood.
01:04:46	I hate him.
01:04:48	You drive me crazy.
01:04:51	I'm never coming to
01:04:56	Don't be angry. I'm fed up too.
01:05:00	Whenever we feel like doing it
01:05:02	we have to behave like
01:05:06	You could change all that if you wanted to.
01:05:09	You give the orders around here.
01:05:13	Ada's drunk all the time.
01:05:15	You have the keys to everything,
01:05:21	No. I deserve a house of my own,
01:05:24	fit for somebody like me.
01:05:29	I know one.
01:05:32	Where?
01:05:34	Villa Pioppi. The mortgage is nearly due.
01:05:41	Can't you see us, the two of us...
01:05:45	sitting together in
01:05:49	listening to the radio
01:05:52	A servant very quietly comes in
01:05:59	Marsala, my ass.
01:06:02	I want champagne.
01:06:04	(Men singing in Italian)
01:06:56	(Singing stops)
01:06:59	Hey!
01:07:01	Stella!
01:07:02	Hey, where you running?
01:07:06	They took him away!
01:07:10	Who did it?
01:07:12	The guards! They're taking them away!
01:07:15	The guards? What? Wait!
01:07:18	Wait. All of you...come with me.
01:07:25	No. Olmo, where are you going?
01:07:29	Put that gun away!
01:07:32	You promised not to lose your head.
01:07:35	P-P-Prison!
01:07:41	Yes. Prison.
01:07:44	Prison.
01:07:46	- Prison.
01:07:49	(Olmo) Prison!
01:07:51	Come back, Olmo!
01:07:56	Wait, Stella!
01:08:03	Martino, Gelindo!
01:08:08	Wait, Stella.
01:08:13	Stella.
01:08:14	Hold on, comrades!
01:08:19	Stop! You'll only make it worse!
01:08:24	- Hold on! Hold on!
01:08:26	(Olmo) Martino, Gelindo!
01:08:31	Come, come.
01:08:33	There are hundreds of us!
01:08:37	There's no room in your jails to keep us!
01:08:39	What are you doing, Olmo?
01:08:45	Stella, wait!
01:08:49	No, no!
01:08:50	The party won't abandon you!
01:08:53	(Martino) Yes, but these chains hurt!
01:08:56	(Guard) Get moving.
01:09:14	- Christ is with us.
01:09:17	Since my husband died
01:09:20	I have nothing but debts,
01:09:22	I have always made my offering
01:09:25	I don't have the money for the mortgage
01:09:29	if I must choose between a mortgage
01:09:32	then I choose the wounds.
01:09:36	Oh, this has become a fixation.
01:09:38	Don't you know that
01:09:41	- A very bad sin.
01:09:45	What do you call this then?
01:09:48	Look, here's the proof!
01:09:50	Please, I can't bear cats.
01:09:54	He used to sleep with me.
01:09:56	- Adeste fideles...
01:09:59	They want to hurt me,
01:10:02	They're wicked people!
01:10:04	(Continues singing in Latin)
01:10:30	(Door slams)
01:10:39	- There's the car.
01:10:41	Yes. Here.
01:10:49	(Man) Aren't you coming in?
01:10:53	- Tonight, one should stay at home.
01:10:57	- Don't eat too much.
01:11:01	- Evening, signore.
01:11:03	- We'll play cards later, eh?
01:11:07	(Woman) Ciao!
01:11:10	(Cheerful tune on radio)
01:11:52	- (Ada) Merry Christmas.
01:11:56	- Merry Christmas.
01:12:15	- Merry Christmas.
01:12:17	You know how long
01:12:19	Signora Berlinghieri
01:12:22	because the wine is locked away.
01:12:25	She can no longer drink in smart cafés,
01:12:28	because her husband
01:12:32	So she drinks in taverns.
01:12:34	I'm going to have you
01:12:41	I can drink here!
01:12:43	I can even fall under the table.
01:12:45	(Cup clinks)
01:12:49	Nobody sees me anyway.
01:12:53	Get up from there. Get up.
01:12:56	You look disgusting.
01:13:00	Your face is all swollen
01:13:02	You stink. Get up.
01:13:06	Get up.
01:13:08	Do I disgust you too?
01:13:11	(Radio) ..on Christmas Eve,
01:13:15	Am l...swollen?
01:13:18	..and social order.
01:13:22	- Do I stink?
01:13:25	Do you need help, signora?
01:13:27	..or favourite dolly,
01:13:32	Don't get mixed up!
01:13:39	I know why you don't want me to drink.
01:13:43	It's because when I drink it gives me
01:13:48	You are different. You have changed.
01:13:52	You are surrounded by
01:13:56	Murderers.
01:14:07	And you are even worse than they are.
01:14:10	Come. Have a drink with us.
01:14:14	- My husband wants to meet you.
01:14:18	Stop staring at them. Come on. Let's go.
01:14:21	Stop staring, you idiot.
01:14:27	(Ada) Hey, hey!
01:14:29	Hey, wait a minute.
01:14:35	- You can't refuse a drink.
01:14:39	- Where are you going?
01:14:42	- Why?
01:14:44	Oh, for heaven's sake. Stay like this.
01:14:48	You're much more beautiful
01:14:56	Can I have your cap?
01:14:59	- You really want it?
01:15:03	Excuse us, signora. Excuse us, please.
01:15:30	What do you want?
01:15:35	- Signore, we're closing.
01:15:39	I'll get your coat.
01:15:45	(Music stops)
01:15:48	(Ada) Charcoal, charcoal
01:15:52	Charcoal
01:15:54	Charcoal for sale
01:15:57	You slut.
01:15:59	You like fooling around with everyone.
01:16:03	Olmo? What an imagination.
01:16:07	Did I imagine that I saw you together,
01:16:10	that I've seen you with him before?
01:16:12	Do I imagine that I smell him on you?
01:16:14	You think Olmo would have anything
01:16:18	Fascist? I am not a Fascist!
01:16:22	If I see you again with him, I will kill you!
01:16:25	You'll kill me because
01:16:28	Fighting, eh?
01:16:31	Lucky you. I guess you love each other.
01:16:50	- How are you?
01:16:57	- You know her?
01:17:01	Sit down.
01:17:03	Er...
01:17:06	Neve? Ah, Neve, this is Ada.
01:17:13	I'm glad you remember me.
01:17:20	What about you?
01:17:24	You look like a lady.
01:17:29	She's my wife.
01:17:32	You know, after that day,
01:17:35	Ah, God knows what went on in my head.
01:17:39	And then, I found a man, a good man.
01:17:41	I liked him. I was very fond of him.
01:17:43	When my mother died, we got married.
01:17:46	A hard worker. We settled down here
01:17:50	- What happened to him?
01:17:54	I never saw him again.
01:17:56	But even if he's taken up
01:18:00	I learn about how to manage
01:18:05	There were no children.
01:18:09	You know, I never knew
01:18:13	Oh, my cake. I forgot.
01:18:19	Why don't you stay and eat with us?
01:18:21	They're nice people, you know.
01:18:23	And where can you go this time of night?
01:18:25	You'll enjoy it. You'll see.
01:18:28	(Man) Oh, Neve,
01:18:31	(Neve) I must have lost time at the baker's.
01:18:46	Alfredo...
01:18:49	I want a child.
01:18:53	(Oreste) Go! Go to your midnight Mass.
01:18:56	(Woman) Ciao, Oreste.
01:18:58	(Oreste) Sing your hearts out!
01:19:00	Let everybody know
01:19:03	(Fausto) Careful, Oreste,
01:19:06	I'm not afraid of the devil!
01:19:11	(Attila) Who lives here?
01:19:14	- He's come up in the world.
01:19:16	(Regina) No, with his beloved Regina,
01:19:21	(Attila) Really?
01:19:23	(Signora Pioppi) Merry Christmas,
01:19:27	What are you doing out there?
01:19:30	Merry Christmas, Signora Pioppi!
01:19:33	We don't want to be late for Mass.
01:19:35	Oh.
01:19:37	We can have a drop to warm ourselves,
01:19:41	Oh, she's really crazy.
01:19:43	First she cuts me dead in public
01:19:47	- Marvellous. (Scoffs)
01:19:51	- What difference does it make?
01:19:56	Let's see what it's like inside.
01:19:58	(Church bells chiming)
01:20:20	- (Attila clicks heels)
01:20:25	You're making fun of me.
01:20:28	They'll elect you one of these days.
01:20:33	Young. And strong.
01:20:39	Everything is so artistic...
01:20:41	just like being abroad.
01:20:46	The house is perfect for a real lady.
01:20:51	- Very elegant. Very...
01:20:54	Very tasteful.
01:20:57	Do you really think so?
01:21:17	- What is she doing?
01:21:30	Caught you, didn't l?
01:21:34	I'm the one doing the talking now.
01:21:37	To get out, you'll have to sign a paper
01:21:41	Attila, Attila! Look!
01:21:44	You got that mortgage from my husband
01:21:49	You made his heart give out.
01:21:51	You tormented him until he died!
01:21:54	"It's all so artistic, as if you were abroad"!
01:21:58	Made to order for a high party official,
01:22:02	But now I've got you trapped
01:22:06	You're not leaving here.
01:22:08	This house is mine and it'll stay mine.
01:22:11	"Made in...
01:22:14	"Czechoslovakia."
01:22:17	- Hm.
01:22:20	Concubine! Concubine!
01:22:24	You see? I told you.
01:22:27	If we don't get married soon
01:22:32	The radio doesn't work.
01:22:39	You've harmed me for the last time.
01:22:43	What has my poor cat done to you?
01:22:46	Murderers. That's what you are.
01:22:49	Murderers.
01:22:53	Murderers! Murderers!
01:22:54	Murderers!
01:23:05	(Signora Pioppi laughs)
01:23:13	Murderers.
01:23:16	Murderers! (Laughs)
01:23:19	- Murderers!
01:23:22	calm down.
01:23:24	Open the door. You're really hysterical.
01:23:28	What are you talking about?
01:23:31	All these silly accusations.
01:23:35	If you just open the door,
01:23:42	We're respectable people, Signora Pioppi.
01:23:49	(Laughter)
01:23:55	Admit it, I looked nice
01:23:57	- Ah, you looked irresistible.
01:24:01	But I prefer you in my hat.
01:24:06	Mm. Mm.
01:24:09	Mm!
01:24:17	(Honks horn)
01:24:23	Who are these people?
01:24:25	They must be coming from midnight Mass.
01:24:35	What's going on?
01:24:42	(Woman) A robbery.
01:24:45	(Man) Poor people.
01:24:48	(2nd woman) Who has the mortgage?
01:24:51	Oh, my God. Oh...
01:24:53	- (Gasps)
01:24:57	Everything is mortgaged to Berlinghieri.
01:24:59	What do mortgages have to do with it?
01:25:03	She was still a very handsome woman.
01:25:06	She undoubtedly had some relationship.
01:25:10	- Merry Christmas. Signorina.
01:25:27	Mortgages.
01:25:29	I wouldn't be surprised if this weren't
01:25:34	Could be anyone,
01:25:38	She probably led him on...
01:25:42	then spurned him.
01:25:45	With his lust aroused...
01:25:52	Then this murder.
01:25:55	Maniacs. Communists.
01:25:58	Perverts.
01:26:01	- May I take a look?
01:26:07	There, you see? No underwear.
01:26:11	Why does a woman
01:26:14	Why?
01:26:19	Coward. Coward.
01:26:27	(Engine starts)
01:26:34	Ada! Ada!
01:26:49	Olmo. Olmo!
01:26:54	Olmo!
01:26:58	Olmo.
01:27:03	Why do you have a lock?
01:27:06	(Olmo) I lock others out.
01:27:21	Oh...
01:27:23	That's enough! Get out of here!
01:27:25	- Olmo!
01:27:29	- I'm sorry. I...
01:27:32	- What's he want?
01:27:34	Shh! You'll wake the children.
01:27:48	I'm sorry. I...I don't know
01:27:52	I'm not feeling well. Feel my heart.
01:27:54	What heart?
01:28:00	Maybe you're right. I don't know.
01:28:02	I'm going crazy. Ada's gone.
01:28:06	- And you look for her in my bed?
01:28:10	- What?
01:28:12	- You know.
01:28:15	I think it's very possible,
01:28:18	Yeah...
01:28:20	You're right.
01:28:25	And, er, she likes me.
01:28:30	And we fuck and fuck, fuck all the night.
01:28:34	But it's not enough for her, not enough.
01:28:39	It seems she wants to, er...
01:28:42	stuff the salami up her ass, huh?
01:28:46	Olmo, stop acting like a pig.
01:28:50	How can you talk like that?
01:28:52	If you knew what I was going through
01:29:01	They killed that wretched widow Pioppi.
01:29:03	There's such violence here.
01:29:12	I don't know.
01:29:15	just as Ada and I
01:29:18	It was like in the beginning.
01:29:21	She saw that blood and she ran away,
01:29:25	I mean, I don't know
01:29:28	- Who gets the widow's house?
01:29:30	The property?
01:29:34	They'll imprison some poor devil
01:29:38	Call him a Communist.
01:29:40	Too many innocent people
01:29:43	and you'll soon see more
01:29:47	And there are too many in jail.
01:29:49	It's you and others like you
01:30:03	I'm happy you have a woman in the house.
01:30:09	She only came for Christmas.
01:30:14	Her husband is in jail.
01:30:17	Has it never occurred to you
01:30:21	you who should have been the first inside?
01:30:24	Because I've stopped Attila, that's why.
01:30:30	If you protect me, it's in your interest.
01:30:32	Oh, that's right, go on, insult me.
01:30:37	If I protect you,
01:30:40	Remember how we used to catch frogs?
01:30:42	How beautiful it was in the summer? Huh?
01:30:45	I caught the frogs. You ate them. (Laughs)
01:30:48	Come on.
01:30:51	Come on,
01:30:54	- don't you remember anything?
01:31:00	I remember your wedding day,
01:31:03	and, er, I remember I was beaten up,
01:31:06	and I remember you stood and watched.
01:31:11	You also remember when you broke in
01:31:15	If you're so courageous,
01:31:18	To get killed? Is that what you want?
01:31:28	- Enough talk, Alfredo.
01:31:35	Go home. You'll find Ada there.
01:31:40	- You really think so?
01:31:50	Take this, just in case.
01:31:56	- Ah, stick it up yours.
01:33:08	Ada?
01:33:22	Ada. Ada.
01:33:25	Ada, open the door. Are you all right?
01:33:27	Say something, Ada! Ada?
01:33:31	Open the door, or I'll break it down.
01:33:34	- Ada? Ada, are you all right?
01:33:37	Are you all right, Ada?
01:33:39	Ada, say something at least.
01:33:44	It's not my fault, Ada. Please, open up.
01:33:48	It's not my fault.
01:33:50	We'll take a trip, go to Paris.
01:33:53	We can leave tomorrow.
01:33:57	We'll have a child. We'll have a child!
01:34:01	(Man on radio) ..most recent communiqué...
01:34:04	I've just seen Aunt Ada.
01:34:07	Be a good girl now.
01:34:10	(Attila) Italo, come have your lunch.
01:34:15	(Maid) Good girl.
01:34:17	(Radio) Allied forces are fighting
01:34:21	With the help of Italo-German air power
01:34:24	our gallant soldiers
01:34:27	in several places, turning northward
01:34:32	So...you saw your Auntie Ada?
01:34:36	- I mean it! I mean it!
01:34:42	Ada is dead. Dead, dead, dead.
01:34:44	Why do you say she's dead?
01:34:47	She's in a room, caged beast.
01:34:52	She eats the hearts of bad children.
01:34:55	..66 heavy artillery pieces
01:34:58	(Children) Carnival games, carnival toys
01:35:01	Carnival rides for everyone
01:35:03	Carnival games, carnival toys
01:35:05	Carnival fun for girls and boys
01:35:09	Carnival games, carnival toys
01:35:11	Carnival music all day long...
01:35:14	(Attila) Hey!
01:35:17	Hey! (Laughs)
01:35:19	Hail the Duce, people.
01:35:21	This is what is known as
01:35:24	We don't need carthorses any more.
01:35:28	- in one machine!
01:35:34	Hey, Barone!
01:35:39	Unless you got a stable hand. (Laughs)
01:35:42	You need a stable hand, Barone? (Laughs)
01:35:47	Seems fit. Any family?
01:35:49	- (Children) Carnival song...
01:35:53	Widower. One daughter.
01:35:56	(Laughs)
01:36:03	(Barone) How much
01:36:06	Barone, I give you
01:36:16	Barone's a good man.
01:36:24	So, I'm sold, too. Huh?
01:36:26	Part of the contract.
01:36:28	Horses, horseman...
01:36:30	horse manure. (Laughs)
01:36:33	You all hear? I was sold. (Chuckles)
01:36:38	Stupid beast. Ah!
01:36:40	(Growling)
01:36:42	(Children laughing)
01:36:48	But I can't be milked or be fed with hay.
01:36:51	I can't provide milk or make a meal
01:36:57	only a peasant.
01:36:59	A peasant like...like you men, understand?
01:37:06	Can they buy us for nothing?
01:37:09	Is a peasant for sale? Is it just?
01:37:20	(Engine stops)
01:37:23	Well, tell me, is it just?
01:37:25	Olmo, tie the horses to the motorcycle,
01:37:33	Horse manure!
01:37:37	(Laughs)
01:37:47	Here's another miracle.
01:37:51	(Man) Horses go in horse manure!
01:37:55	Shit! Shit, my love!
01:38:01	Oh, come on.
01:38:06	That's for il Duce! He's full of shit, too!
01:38:09	God bless us. A full behind.
01:38:13	Look at all the shit.
01:38:24	- It stinks!
01:38:37	Go on, everybody, laugh!
01:38:39	More shit! It's all right! It's all right!
01:38:43	Now we can begin to change things.
01:38:46	(Man) Make him eat it, Olmo! Horse shit pie!
01:38:52	Milk and wines give you lines.
01:38:55	Tell her milk on the tongue...
01:38:58	Stupid.
01:39:02	Ciao, Teresita.
01:39:13	- (Anita sobbing)
01:39:17	(2nd woman) Hurry.
01:39:20	- (2nd woman) Olmo, hurry!
01:39:22	(Man) Stay away until you're sure it's safe.
01:39:25	- I want to go with you.
01:39:28	- Be good, promise.
01:39:30	Take the key. It's yours.
01:39:32	(Sobbing)
01:39:34	All right, I'll come back.
01:39:52	Here, you'll need it more than I do.
01:39:54	Thank you. Thank you.
01:39:56	Listen, keep your doors locked
01:40:01	- Thank you.
01:40:03	- Ciao.
01:40:05	- Take care of yourself.
01:40:08	Write to us. Send us word.
01:40:11	- Let us know how you are.
01:40:14	Here, Olmo, take this. Goodbye. Be careful.
01:40:17	(Man) Don't let them get you, Olmo.
01:40:50	Signora Ada, I have a new story for you.
01:40:53	- And today it's a true story.
01:41:04	(Piano concerto)
01:41:06	Attila wanted to sell Olmo.
01:41:09	- Sell Olmo?
01:41:11	Attila bought a new tractor
01:41:14	Then he said horsemen are finished
01:41:18	- Nobody helped Olmo?
01:41:27	Then you know what? It began to rain.
01:41:29	- What?
01:41:31	It rained horse manure,
01:41:34	in his nose, his eyes, all over -
01:41:38	- Regina, too?
01:41:40	But they'd have gotten her
01:41:43	They massaged the horses asses
01:41:46	After that, Attila smelled like a pigsty.
01:41:49	But suddenly, the farmers were scared.
01:41:55	- Olmo ran away?
01:41:57	Attila will come with his Fascists.
01:41:59	Everyone cried when Olmo left, signora.
01:42:02	He wanted to go. He was free, understand?
01:42:05	You stupid. You're in a fog. He was happy.
01:42:08	Poor Olmo, had to leave his daughter
01:42:14	He wasn't glad at all.
01:42:19	What do you know? You know nothing.
01:42:21	- You're leaving, too, signora?
01:42:25	Everybody's going.
01:42:32	I won't need these.
01:42:34	You can have them.
01:42:50	This, too.
01:42:51	Here, take this.
01:42:56	And this...
01:42:59	And this...
01:43:01	- This.
01:43:05	Here, take this.
01:43:10	Signora...
01:43:14	Could I have a kiss, too?
01:43:16	Come here.
01:43:36	(Yelling)
01:44:14	(Attila) Fanfoni! Fanfoni!
01:44:19	(Screaming)
01:44:27	Attila!
01:44:30	Attila!
01:44:36	Attila!
01:44:39	Come down here immediately!
01:44:46	Fanfoni, there are books in the other room.
01:44:48	Right away.
01:44:55	(Alfredo) Attila!
01:45:00	Alfredo, you've heard.
01:45:03	(Alfredo) Who gave you
01:45:06	- Right? He's a Communist...
01:45:09	That friend stole this gun
01:45:13	It's taken you a long time to find it.
01:45:16	I would have found it sooner
01:45:21	You've done your job.
01:45:25	What?
01:45:28	Listen, everybody, I fired him.
01:45:32	Can you hear me? I fired Attila!
01:45:42	Ada, it's me. I know I shouldn't be here
01:45:45	but I've something important
01:45:48	I know you're going to be very happy.
01:45:57	I've done it. I've fired Attila. It's ov...
01:46:05	- She's gone, padrone. Gone.
01:46:08	- Where did she go?
01:46:11	- Where did she go?
01:46:14	- Where did she go?!
01:46:23	She said you'd understand
01:46:29	(Thunder rolls)
01:46:33	- (Fanfoni) Come on, swim!
01:46:47	(Man) Take a look. You're all going
01:46:52	- (Fanfoni) Go on, drink, you piece of shit!
01:47:01	- (Man) Rub his face in it!
01:47:05	(Yelling)
01:47:09	Eurialo!
01:47:12	Eurialo!
01:47:16	(Geese honk)
01:47:18	- (Eurialo) Niso!
01:47:22	(Yells)
01:47:24	- Bastard Fascist!
01:47:28	You vile bastard! Pig!
01:47:30	Bastard! Pig!
01:47:33	(Gunshot)
01:47:40	Back! Stand back!
01:47:44	Demesio!
01:47:47	Demesio, does God exist?
01:47:49	(Man) No!
01:47:50	Attila, does that bastard Mussolini exist?
01:47:56	Demesio, does il Duce exist?
01:47:59	No! The Duce doesn't exist.
01:48:02	- Kill him.
01:48:05	You move and I'll kill you.
01:48:07	Attila! Neither do you exist, Attila.
01:48:12	(Gunshot, geese honk)
01:48:16	(Man whistling)
01:48:39	(Gunshot)
01:48:41	(Whistling continues)
01:48:46	Stop that whistling. Stop it!
01:48:51	(Whistling)
01:48:53	I could kill all of you if I want to,
01:48:55	so you can whistle till your mouths rot!
01:48:57	I don't give a damn for any of you!
01:48:59	Fanfoni, Traversi, let's get out of here.
01:49:04	You're shit! Scum!
01:49:06	You're a disgrace to the Italian nation!
01:49:09	You are the shit of ltaly!
01:49:38	25 April 1945
01:49:41	(Man singing in Italian)
01:49:55	Hurry, comrades! In the name of Stalin!
01:49:57	The black shirt bandits are here!
01:50:01	Rip their guts. Every last one of them!
01:50:07	They're just beyond the canal. Go on!
01:50:11	(All shouting)
01:50:15	(Woman) Don't get yourselves killed!
01:50:20	(All shouting)
01:50:32	Anita!
01:50:34	Anita, what can you see there?
01:50:37	I can see...
01:50:40	I can see...
01:50:42	I can see a bunch of Fascists.
01:50:45	One of our men is running after them.
01:50:49	- Anita!
01:50:50	I'll bet that's my Wildcat. God bless him!
01:50:55	Oh! He's only got a stick,
01:51:01	He's really giving it to them!
01:51:03	If you could only see them, women!
01:51:06	Men, harder! Harder now!
01:51:11	Have you lost your tongues?
01:51:15	Let our men hear us! Come on, shout!
01:51:18	(All women) Kill them!
01:51:21	Louder!
01:51:25	Blessed are the young
01:51:28	Hundreds of German soldiers
01:51:32	If you could only see this, too.
01:51:36	They're throwing away their guns
01:51:40	My God!
01:51:44	What do you see?
01:51:46	A huge cloud of dust,
01:51:50	He looks like...like Olmo.
01:51:54	- Hey, if only it was Olmo.
01:52:03	Attila and Regina!
01:52:08	Attila and Regina!
01:52:18	Shoot, Attila, shoot!
01:52:28	(Singing in Italian)
01:53:07	- (Women cheering)
01:53:09	Stinking bastards!
01:53:26	(Women) Kill her!
01:53:28	Throw her in the shit!
01:53:31	- Die, Fascist cow!
01:53:34	- Kill them!
01:53:36	(2nd man) Take them to the barn!
01:53:42	(Woman) Now you know what it feels like!
01:53:45	(All yelling)
01:54:01	(Man) No! You can't come through.
01:54:05	(All yelling)
01:54:15	Hey, comrades!
01:54:17	Is it true you're giving the land
01:54:21	- Who is she?
01:54:23	I said, is it true you're giving the land
01:54:29	Yes! Come on! Come on!
01:54:34	Let's go. Come on, you blockheads.
01:54:40	(Woman) Oh, how many there are.
01:54:43	No one knows you, and yet you speak
01:54:47	This man is Cornelio
01:54:51	We come from the mountains.
01:54:53	The Nazis, they burned everything.
01:54:57	And the Fascists, they took all our goods.
01:55:00	First of all, we have to
01:55:03	Best let us sleep inside the sheds here.
01:55:06	No. The shed is for vagabonds.
01:55:08	The house is where comrades stay.
01:55:11	- Pigsties are for the Fascists.
01:55:26	Mm, so glad that I shall die
01:55:29	And yet I'm sorry
01:55:32	I'm so sorry that I die
01:55:34	So I won't worry
01:55:38	Shut up, you gravedigger!
01:55:41	Who goes there?
01:55:43	The People's Committee
01:55:47	Oh! More pigs than I ever saw.
01:55:54	Oh... Come here, my beauty.
01:55:58	Oh, let me kiss you! (Kisses)
01:56:00	Ah, come, another.
01:56:04	Oh, let me touch you, you're so beautiful.
01:56:06	Let me get on you.
01:56:10	Can't you show pity? Bastards! Bastards!
01:56:14	13...14...
01:56:16	15...16...
01:56:18	17...18...and with those two
01:56:22	Just a moment, comrades.
01:56:25	Abolishing the padrone's rights
01:56:29	We must be idiots, eh?
01:56:33	Look at all these pigs in here.
01:56:35	Prosciutto, salami, sausage,
01:56:39	And mortadella! Who do they belong to?
01:56:41	Listen here.
01:56:44	Socialism can bring it all to you.
01:56:46	How do I know that socialism
01:56:50	And what my heart is heavy for
01:56:54	All the Dalcos step forward.
01:56:59	You, from the mountains,
01:57:02	try patting your head three times
01:57:07	- What do you want to do?
01:57:09	So did you. But beating your head?
01:57:11	Why beat our heads three times?
01:57:14	- Beating your head makes no sense.
01:57:17	Look at him! Look at him.
01:57:21	I can see you're a man of feeling.
01:57:25	Help him.
01:57:27	Help him...in the name of humanity.
01:57:32	(Mumbles) Don't you kill me.
01:57:40	(All laugh)
01:57:49	(Violin and accordion playing)
01:57:51	(Groaning)
01:57:59	(Woman) Look, right there
01:58:17	(Attila) "Patrizio Avanzini...
01:58:19	"Tender flower plucked
01:58:25	Cruel hands of destiny!
01:58:28	Destiny's hands...are my hands.
01:58:34	Cruel hands of destiny.
01:58:38	Oh...Regina.
01:58:43	Regina, our children will harvest
01:58:48	You are as ugly as sin. (Cackles)
01:58:51	- (Woman) Get away!
01:58:53	Don't cut her hair! No!
01:58:59	(Attila groans)
01:59:01	(Coughing)
01:59:03	"Cantarelli Pioppi...
01:59:07	"Good and saintly woman
01:59:11	I am that cruel time. Me!
01:59:15	I killed that crazy bitch!
01:59:20	And that little turd Patrizio.
01:59:24	- Me. Attila Melanchini...
01:59:28	Fascist. Man.
01:59:33	- Pigs.
01:59:36	Scum.
01:59:38	Shits.
01:59:41	Turds.
01:59:42	(Violin and accordion continue)
01:59:44	(All snorting like pigs)
01:59:47	Stop that music! This is not a dance hall!
01:59:50	You have no respect for our dead!
01:59:53	(Music continues)
02:00:01	(Gunshot, music stops)
02:00:30	Look, everybody.
02:00:33	Come here, everybody!
02:00:36	- Who is that?
02:00:42	Kill me. Kill me!
02:00:44	Kill me. Kill me.
02:00:46	K-Kill me.
02:00:49	- Kill me!
02:00:51	Kill me.
02:00:53	(Violin and accordion resume)
02:01:09	(Engine chugging)
02:01:20	Be careful. Watch from behind here.
02:01:27	(Cows mooing)
02:01:37	Don't look when a lady is pissing.
02:01:49	Halt. No one can pass here.
02:01:51	Mm, go on.
02:01:56	- Who is that?
02:01:59	- Why are you holding him here?
02:02:04	Takes a smart boy to fool with such a gun.
02:02:23	- (Woman) We did it!
02:02:55	(Woman) Comrade! Be the first one up!
02:02:58	(Man) Paint out the slogans!
02:03:01	(3rd woman) Throw the paint on!
02:03:05	(3rd man) Shit on it!
02:03:09	It's mine!
02:03:13	(4th man) If it's yours,
02:03:16	(4th woman) Why is mine everybody's?
02:03:18	(Man) Make it redder! Put more red on!
02:03:39	(Leonida) Stop tickling.
02:03:42	Stupid ass.
02:03:45	Cut it out.
02:03:53	- I'll kill you.
02:03:57	(Man) Even forgot to arrest him.
02:04:01	(2nd woman) They have
02:04:24	Excuse, padrone, I held my hand back
02:04:28	(Laughter)
02:04:33	And my foot escaped, too!
02:04:38	Are you Olmo? I hand you my prisoner.
02:04:42	Bravo.
02:04:51	Hey. You sleeping?
02:04:59	Ada never came back, you know.
02:05:04	You'd rather she were dead, huh?
02:05:07	Well, at least you came back.
02:05:18	(Crowd muttering)
02:05:30	(Man) Are you sure we hid it here?
02:05:37	- (Olmo) I hereby declare...
02:05:40	..the people's trial
02:05:43	padrone and therefore
02:05:50	I declare the people's trial
02:06:18	(Woman) How did you find it?
02:06:38	I hereby declare the people's trial
02:06:42	padrone and therefore
02:06:47	(Woman) This is going to be good.
02:06:49	(2nd woman) My feet are killing me
02:06:59	- Do you know why...?
02:07:03	You know she ran away
02:07:05	She's cleverer than you.
02:07:15	- (Man) What are you writing?
02:07:18	Help us, Anita. This is a people's trial.
02:07:22	Comrades, what's done
02:07:26	And what is written down
02:07:29	(Woman) Get it up.
02:07:32	(Man) All our flags together!
02:07:33	(2nd man) The Workers' League,
02:07:36	(3rd woman) Yes, Rosina sewed them!
02:07:40	Olmo, I know we're ignorant but how
02:07:46	I bring the accused, and you ask
02:07:50	(Anita) But we caught him, not you!
02:07:52	(Woman) No, you didn't catch him, either!
02:07:55	He surrendered to Leonida.
02:07:57	Yes! You're right!
02:07:59	(Musicians play cheerful tune)
02:08:05	- (Woman) Lift it high! Higher!
02:08:32	(Chicken squawking)
02:08:51	(All cheer)
02:09:01	Let's dance! Come on! Dance!
02:09:03	- Get away.
02:09:07	Dance!
02:09:19	When a mute begins to speak,
02:09:22	but the poor man is tongue-tied, as well.
02:09:25	It's all right.
02:09:39	Stop the music.
02:09:42	(Music stops)
02:09:44	I lost them harvesting
02:09:47	Can you make good now?
02:09:52	(Cheerful dance)
02:09:59	(Music stops)
02:10:02	Why did all these teeth drop out?
02:10:06	He's able to munch with them all day long.
02:10:10	(Cheerful dance)
02:10:13	(Old woman)
02:10:17	- (Music stops)
02:10:21	- We made money and you spent it!
02:10:25	You had plenty in your stomach
02:10:27	- (Laughter)
02:10:33	You're a leech
02:10:36	After a hailstorm
02:10:39	Not him, it was his papa, Giovanni!
02:10:41	It makes no difference!
02:10:50	(Music stops)
02:10:52	All land needs labourers,
02:10:56	But the padrone!
02:10:59	(Grunts)
02:11:08	I have one thing to say -
02:11:11	I've never hurt anyone.
02:11:13	All the padrone claim the very same thing
02:11:18	- they think it's true.
02:11:22	You've taken criminals out of prison
02:11:27	Listen to me, comrades...
02:11:31	Fascists don't spring up someday
02:11:36	No. Fascists are the padrone's offspring.
02:11:39	lnventions of the padrone.
02:11:43	And with these Fascists,
02:11:46	that they had to put their fortunes to use.
02:11:48	And that's how war was invented.
02:11:50	So we were sent to Africa, Russia, Greece,
02:11:54	Albania and Spain.
02:11:56	But did they pay? No, we paid!
02:11:58	The proletariat, peasants, workers!
02:12:01	(Yelling)
02:12:04	(Woman) I say kill him!
02:12:05	(Woman) He pays now!
02:12:07	(2nd man) He pays now!
02:12:09	Do you hear that, Alfredo Berlinghieri?
02:12:12	You hear the voice of the people?
02:12:15	We, the ignorant hicks
02:12:19	will set an example here.
02:12:23	We condemn you
02:12:27	That's it, comrades. No more padrone.
02:12:32	The padrone is a dead man.
02:12:37	I'm very tired. May I sit down?
02:12:48	I'm very tired.
02:12:52	If I understand it right,
02:12:56	He thinks he's alive, and for us,
02:13:00	(Cheerful dance)
02:13:07	The man's alive. His body's on fire.
02:13:11	Olmo, you learned how to speak
02:13:14	Here.
02:13:16	But you should explain with simple talk.
02:13:19	That educated talk can play tricks.
02:13:22	The padrone is dead.
02:13:26	- And we mustn't kill him.
02:13:29	Because he's the living proof
02:13:34	(Wood splintering)
02:13:41	(Cheering)
02:13:48	And now let's vote!
02:13:53	(Man singing in Italian)
02:15:39	(Applause)
02:15:42	(Man) Hey, comrades! The partisans!
02:15:46	The partisans are coming!
02:15:49	The partisans!
02:15:51	Comrades! The partisans!
02:16:02	(All cheering wildly)
02:16:20	(Man) Friends, comrades!
02:16:22	Silence! Silence, please!
02:16:24	Come over here, everybody!
02:16:26	I have an important
02:16:29	Everybody, come over here!
02:16:34	(Boy) Hey, let me look at it!
02:16:38	In the name of
02:16:41	we represent the Christian Democrats,
02:16:44	we represent the Liberals,
02:16:47	we represent the Socialists,
02:16:52	This Committee for the Liberation of Italy...
02:16:54	- Sit down!
02:16:57	to maintain law and order in the country.
02:16:59	And so, dear friends, I ask you to adhere
02:17:02	to the decision of the Committee
02:17:06	- (All) No!
02:17:08	(Crowd muttering in protest)
02:17:11	- Comrades, history is like being drunk.
02:17:14	When you drink, you say
02:17:17	- It's a trap, Olmo.
02:17:20	The moment of truth arrives
02:17:24	and put your head under the faucet
02:17:28	- No, we won't!
02:17:31	- It's all bullshit!
02:17:34	Hey, come on!
02:17:38	But if there's evidence
02:17:42	we must say no anyway.
02:17:46	We know the truth. The padrone's dead!
02:17:48	(Machine-gun fire)
02:18:29	Hey, boy, didn't you hear the orders?
02:18:31	No! Give it back to me!
02:18:34	It's mine! It's mine!
02:18:36	Give it back! It's mine!
02:18:41	Aaaah!
02:18:45	(Others join in yelling)
02:19:19	(Sobbing)
02:19:47	The padrone's alive.
02:20:17	(Dogs barking)
02:20:44	(Birds singing)
02:22:15	(Laughing)
02:22:42	(Whistle blows)
02:22:45	Ho!
02:22:52	(Whistle blows)
02:23:06	(Children's voices, echoing)

Novecento 1900