|
Novio para mi mujer Un A Boyfriend for My Wife
|
| 00:01:23 |
-Hello. |
| 00:01:24 |
-Have you rung? |
| 00:01:26 |
No. Well, yes, l rang, |
| 00:01:28 |
but they told me to wait till |
| 00:01:30 |
-Ah, OK. Well, l'm here now. |
| 00:01:36 |
Well, tell me, what brings you here? |
| 00:01:45 |
-What? |
| 00:01:54 |
Hello? |
| 00:01:56 |
Hi. No, no, no, no, |
| 00:01:58 |
l'm not doing anything much. |
| 00:02:03 |
A BOYFRlEND FOR MY WlFE |
| 00:02:07 |
6 MONTHS BEFORE |
| 00:02:54 |
Good morning. |
| 00:02:57 |
-Good morning. |
| 00:02:59 |
OK, l didn't hear you. |
| 00:03:17 |
-What? |
| 00:03:25 |
-Don't smoke. |
| 00:03:27 |
-lt's still early. |
| 00:03:32 |
Great! l'm really off |
| 00:03:41 |
lsn't there one lighter in |
| 00:03:47 |
l don't believe it. |
| 00:04:05 |
Do you know one of the things |
| 00:04:09 |
l can't bear coincidence seekers. |
| 00:04:11 |
They get on my nerves. |
| 00:04:14 |
You know, people who are always |
| 00:04:19 |
Just yesterday the girl from 2B |
| 00:04:20 |
Just yesterday the girl from 2B |
| 00:04:24 |
What sign am l? But don't you know me? |
| 00:04:29 |
Sagittarius, l said. |
| 00:04:31 |
Hey, l don't believe it! |
| 00:04:35 |
She says: ''A friend |
| 00:04:38 |
l don't get it. |
| 00:04:41 |
So you've got a friend who was born |
| 00:04:46 |
Excuse me. |
| 00:04:52 |
Stupid bitch. Brothers, sisters, |
| 00:04:54 |
Yes, l said. |
| 00:04:56 |
Sister. l have a sister. Why? |
| 00:04:58 |
Some coincidence? |
| 00:05:00 |
ls the earth about to move? |
| 00:05:02 |
Younger or older than you, she asks. |
| 00:05:05 |
l've got a twin sister. |
| 00:05:07 |
Some fuckin' coincidence! |
| 00:05:10 |
Don't you |
| 00:05:12 |
What's the plan? To have me locked up? |
| 00:05:15 |
-No, no, l was taking it off. |
| 00:05:17 |
until my brain rots whenever |
| 00:05:21 |
You knowthose people who talk |
| 00:05:25 |
As if a coincidence could |
| 00:05:26 |
so we can talk about things |
| 00:05:28 |
But she'sjust a neighbour. |
| 00:05:32 |
l don't want to talk. |
| 00:05:33 |
She just lives |
| 00:05:36 |
The old cow's probably up there |
| 00:05:39 |
l reckon you're winding yourself |
| 00:05:43 |
-What's that? |
| 00:05:45 |
What you've got there, what is it? |
| 00:05:47 |
l don't believe you're still spending |
| 00:05:49 |
l don't believe you're still spending |
| 00:05:53 |
What did you get him? Silk |
| 00:05:56 |
What sort of present can you |
| 00:05:58 |
OK, no problem, sorry. |
| 00:06:01 |
Some people live |
| 00:06:03 |
Some people live |
| 00:06:06 |
and nobody says a thing. |
| 00:06:08 |
-l think he's horrendous. Sorry. |
| 00:06:11 |
l know, so l said sorry. |
| 00:06:14 |
-We're going to his party Saturday. |
| 00:06:16 |
-Yes, what's up? |
| 00:06:18 |
To hear a first-time mum |
| 00:06:20 |
lt'll be great. Wonderful. |
| 00:06:26 |
-Come on. |
| 00:06:29 |
There's a new radio station |
| 00:06:31 |
-A load of arseholes. |
| 00:06:33 |
-No, no. |
| 00:06:35 |
-l've no time, Tenso. |
| 00:06:37 |
-Piss off. |
| 00:06:58 |
-Hello. |
| 00:06:59 |
That shitty TV l'm trying |
| 00:07:01 |
That shitty TV l'm trying |
| 00:07:04 |
-Tana... |
| 00:07:06 |
l'm seeing the same thing |
| 00:07:08 |
-Okay, okay. |
| 00:07:10 |
By the way, |
| 00:07:12 |
l mean it, really. |
| 00:07:13 |
l mean it, really. |
| 00:07:16 |
-because l've notgota thing to wear. |
| 00:07:17 |
But even ifl had l don't want |
| 00:07:21 |
l've got nothing in common with them. |
| 00:07:24 |
lfl don't talkl'm left looking |
| 00:07:27 |
So when do you plan |
| 00:07:29 |
l rang 3 times today |
| 00:07:33 |
First she was with the masseuse, |
| 00:07:35 |
then she was in the shower. |
| 00:07:38 |
What do you say to that? |
| 00:07:41 |
l reckon that |
| 00:07:44 |
he thinks we are not good enough. |
| 00:07:47 |
He doesn't let her. |
| 00:07:50 |
Not to worryabout us? |
| 00:07:52 |
What l'd like to know is |
| 00:07:57 |
They're spending too much. |
| 00:08:00 |
She was going on and on. |
| 00:08:03 |
and she puts her hand here, |
| 00:08:06 |
and she puts her hand here, |
| 00:08:08 |
l just flipped and said |
| 00:08:10 |
-Sorry... |
| 00:08:11 |
-No, no, l'm sorry... |
| 00:08:13 |
-Go and see a shrink, kid. |
| 00:08:15 |
-And why don't you...? |
| 00:08:17 |
-but it scares me. |
| 00:08:18 |
-No, not guilty. Scared. |
| 00:08:24 |
-Carry on, arsehole! |
| 00:08:30 |
-l swear it, l can't. |
| 00:08:33 |
-l swear it, l can't. |
| 00:08:37 |
You need to split up. |
| 00:08:39 |
l don't want to. |
| 00:08:44 |
Three words, Tenso. |
| 00:08:46 |
l, 1 . Want, 2. Out, 3. |
| 00:08:50 |
lf you can't say it, it's because |
| 00:08:53 |
But tell her, otherwise |
| 00:08:56 |
But tell her, otherwise |
| 00:09:00 |
-Try it on me. Come on. |
| 00:09:02 |
-Try it on me. |
| 00:09:04 |
-Three little words, come on. |
| 00:09:05 |
-Come on. |
| 00:09:10 |
-What? |
| 00:09:19 |
l want out. |
| 00:09:21 |
That's it, great, great! |
| 00:09:27 |
Tenso, be strong. |
| 00:09:28 |
Tenso, be strong. |
| 00:09:32 |
That l want to resign from. |
| 00:09:34 |
You need a change of routine. |
| 00:09:36 |
To stop doing... what you always do. |
| 00:09:38 |
When you get home, |
| 00:09:39 |
When you get home, |
| 00:09:41 |
-l put my pyjamas on. |
| 00:09:43 |
-l wash my hands. |
| 00:09:45 |
-Then l sit down to dinner. |
| 00:09:48 |
you don't wash your hands, |
| 00:09:51 |
you're not hungry. |
| 00:09:53 |
You stand up straight, |
| 00:09:56 |
looking at the wall, |
| 00:09:59 |
-l want out. |
| 00:10:02 |
Be brave, Tenso. |
| 00:10:06 |
l want out. |
| 00:10:09 |
l want out. |
| 00:10:11 |
l want out. |
| 00:10:13 |
l want out! |
| 00:10:16 |
l want out. |
| 00:10:20 |
l want out. |
| 00:10:25 |
l want out! |
| 00:10:29 |
Hell, l want out. |
| 00:10:36 |
We're not all stupid. They reckon |
| 00:10:40 |
Howwas your day? |
| 00:10:44 |
Know how much this bloody onion cost? |
| 00:10:50 |
What's wrong? |
| 00:10:52 |
l'm not going to change. |
| 00:10:54 |
-What? |
| 00:10:57 |
Are you sure you're alright? |
| 00:11:00 |
Yes. |
| 00:11:02 |
OK, well go and sit up, |
| 00:11:04 |
l'm not hungry. |
| 00:11:06 |
l made pasta. |
| 00:11:08 |
-Tana, l want... |
| 00:11:19 |
-lsn't it any good? |
| 00:11:33 |
l was almostthere. |
| 00:11:36 |
Work at a relationship, |
| 00:11:37 |
Work at a relationship, |
| 00:11:40 |
What you need kid is someone |
| 00:11:45 |
He knewwhat it was all about. |
| 00:11:47 |
He knewwhat it was all about. |
| 00:11:49 |
Real old school. |
| 00:11:51 |
-Who's ''Cuervo Flores''? |
| 00:11:54 |
-A crook. |
| 00:11:57 |
-lt's in the genes with him. |
| 00:12:00 |
No doubt. We couldn't |
| 00:12:02 |
Do you remember Susana Hoyos, |
| 00:12:05 |
With a name like that... |
| 00:12:07 |
There was something about |
| 00:12:10 |
He was wild, a hunting dog. |
| 00:12:13 |
He knew you had to seduce a woman... |
| 00:12:16 |
by talking to her, |
| 00:12:17 |
Christ, he caused havoc round our way. |
| 00:12:20 |
Christ, he caused havoc round our way. |
| 00:12:22 |
Maybe Marito never attended to |
| 00:12:25 |
Do you remember lndia, |
| 00:12:27 |
Do you remember lndia, |
| 00:12:30 |
He saw her |
| 00:12:32 |
and convinced her to party with him, |
| 00:12:35 |
and she missed her own wedding. |
| 00:12:37 |
He's got a thing about married women. |
| 00:12:39 |
-l need someone like that. |
| 00:12:43 |
He can't show his face round there now. |
| 00:12:49 |
Come on, Tenso! |
| 00:12:55 |
Everything was horrible. |
| 00:12:57 |
The house was horrible, |
| 00:12:59 |
The neighbours were horrible, too. |
| 00:13:02 |
And for some reason l wasn't |
| 00:13:04 |
Basically there was something |
| 00:13:07 |
ls that the right word, swallow? |
| 00:13:11 |
Does it matter? ls it the right word? |
| 00:13:13 |
Swallow. |
| 00:13:16 |
OK. |
| 00:13:18 |
Because that's the word. |
| 00:13:21 |
l've never been able to assimilate, |
| 00:13:28 |
the fact she didn't like my friends. |
| 00:13:31 |
The fact she was always miserable |
| 00:13:34 |
-So l don't like your friends? |
| 00:13:36 |
l have to like your friends, |
| 00:13:38 |
-Don't you think? |
| 00:13:40 |
-Don't you think? |
| 00:13:41 |
ls it hard to... what is it? |
| 00:13:44 |
-That's enough. |
| 00:13:47 |
Did you ring? |
| 00:13:49 |
Put your cigarette out. |
| 00:13:53 |
Alright, l'll put it out. |
| 00:13:54 |
-Tenso! |
| 00:13:58 |
Someone's calling you from over there. |
| 00:14:03 |
-Me? |
| 00:14:07 |
-Oh, God. |
| 00:14:10 |
Well, we won't stay |
| 00:14:12 |
-Calm down, please. |
| 00:14:14 |
-Hello, hello. |
| 00:14:18 |
-Hi, happy birthday. |
| 00:14:23 |
-Come on... |
| 00:14:26 |
That's it, come on in. |
| 00:14:30 |
-How are you? |
| 00:14:31 |
Thanks, thanks. |
| 00:14:33 |
-Happy birthday! |
| 00:14:35 |
-lsn't it great? A presentfrom Pao. |
| 00:14:48 |
-What? |
| 00:14:59 |
That's the thing nowadays, see? |
| 00:15:02 |
Lower your voice, please. |
| 00:15:11 |
What's wrong with that girl? |
| 00:15:19 |
Can't she fall in love with an agent? |
| 00:15:22 |
Yes, love, yes. |
| 00:15:32 |
-OK, pretend to talk... she's coming. |
| 00:15:35 |
-Hi... |
| 00:15:37 |
-Fine, you? |
| 00:15:39 |
Hi, how are you? |
| 00:15:42 |
-Tenso, Tana... |
| 00:15:44 |
-What do you say? |
| 00:15:49 |
Very well. l'm happy that l've finally |
| 00:15:51 |
Very well. l'm happy that l've finally |
| 00:15:55 |
to look after the baby. |
| 00:15:58 |
-So l'm fine. |
| 00:16:00 |
-So l'm fine. |
| 00:16:02 |
Sorry l couldn't get to the clinic. |
| 00:16:05 |
Don't worry. No problem, Tana. |
| 00:16:08 |
ls the baby well? |
| 00:16:12 |
-ls he sleeping OK? |
| 00:16:15 |
-She... Ah, a girl, right. A girl. |
| 00:16:17 |
-Yes, she's a saint, you can't imagine. |
| 00:16:19 |
Yes, except when she's got wind, |
| 00:16:22 |
because she's constipated. |
| 00:16:26 |
The whole family, just ask my sister, |
| 00:16:29 |
l passed on my slow-transit gene, |
| 00:16:32 |
-Yes, but now it's all runny, isn't it? |
| 00:16:36 |
Her nappy had some runny poo. |
| 00:16:38 |
So l'm constantly having |
| 00:16:41 |
And l don't have much milk. |
| 00:16:44 |
And l don't have much milk. |
| 00:16:48 |
my... tit, |
| 00:16:52 |
-What are you laughing at? |
| 00:16:55 |
-But you have to experience it yourself. |
| 00:16:57 |
-Ah, but she's gorgeous, gorgeous. |
| 00:17:00 |
-No. |
| 00:17:06 |
-And you, you're well? |
| 00:17:09 |
-Lovely. You're looking pretty. |
| 00:17:11 |
-So what do you do, Tana? |
| 00:17:13 |
-What do you do? |
| 00:17:17 |
-But what's your thing? |
| 00:17:21 |
-Your passion. |
| 00:17:23 |
-None, l don't have a passion. |
| 00:17:26 |
-No, l don't. |
| 00:17:28 |
What's my passion? |
| 00:17:30 |
-l don't have one. ls that so bad? |
| 00:17:34 |
l'm not doing anything |
| 00:17:36 |
What sign are you, Tana? |
| 00:17:39 |
-Sagittarius, why? |
| 00:17:43 |
l don't believe it! |
| 00:17:45 |
My ex was Sagittarius. |
| 00:17:48 |
l mean he is, he's not dead. |
| 00:17:50 |
l have two very very good friends, |
| 00:17:54 |
both Sagittarius. |
| 00:17:57 |
lt's amazing! |
| 00:17:59 |
l don't believe it. lt's incredible, |
| 00:18:03 |
and Gachi and Pachi, |
| 00:18:05 |
-Right. |
| 00:18:06 |
lt's amazing. Unbelievable. |
| 00:18:10 |
Her, Gachi and Pachi and Laura, |
| 00:18:13 |
-That was Lorena. |
| 00:18:16 |
lt's amazing. |
| 00:18:18 |
it sounds ridiculous, but |
| 00:18:20 |
And there must be people here too... |
| 00:18:22 |
Hey! everyone, excuse me... |
| 00:18:25 |
Turn the music down, guys. |
| 00:18:28 |
-Anybody born under Sagittarius here? |
| 00:18:29 |
-Anybody born under Sagittarius here? |
| 00:18:31 |
Cool it, love. l'm only asking, |
| 00:18:33 |
Are you Sagittarius? |
| 00:18:35 |
Are you Sagittarius? |
| 00:18:37 |
Any more Sagittarius? |
| 00:18:40 |
Any more Sagittarius? |
| 00:18:42 |
OK, but it's still a load. There are |
| 00:18:46 |
So it's... Gachi, Pachi, her, |
| 00:18:50 |
me and these two prats, |
| 00:18:53 |
lt's full of Sagittarius. |
| 00:18:57 |
Maybe that's a coincidence too, |
| 00:18:58 |
Maybe that's a coincidence too, |
| 00:19:00 |
and then we'll all... |
| 00:19:02 |
-Everyone here will drop dead. |
| 00:19:05 |
-We'll all freak out. |
| 00:19:07 |
-You can't imagine. |
| 00:19:17 |
-Come on. |
| 00:19:22 |
l feel like crying, |
| 00:19:27 |
l feel really bad. |
| 00:19:30 |
lt's over, Tana. |
| 00:19:32 |
No, it's not. |
| 00:19:37 |
And also... |
| 00:19:42 |
-What? |
| 00:19:44 |
No! l feel really bad! Why? |
| 00:19:47 |
And l had to apologise! |
| 00:19:52 |
l'm so angry. |
| 00:19:57 |
l can't bear it! |
| 00:20:10 |
-That's it! |
| 00:20:13 |
What did you do, arsehole? |
| 00:20:14 |
-Go for it, Tenso! |
| 00:20:17 |
Goal! |
| 00:20:20 |
-Goal! |
| 00:20:22 |
Sorry. Keep your hair on, Gardel. |
| 00:20:26 |
How did it go? |
| 00:21:00 |
Guys? |
| 00:21:13 |
Straight on, straight on. |
| 00:21:17 |
Just keep going... |
| 00:21:49 |
-lt's here, isn't it? We've made it. |
| 00:21:53 |
-We're going to be mugged here... |
| 00:21:55 |
You'll see. |
| 00:21:58 |
Well, let's wait. |
| 00:22:15 |
-What are we doing, Tenso? |
| 00:22:19 |
-Yes. |
| 00:22:21 |
Well... |
| 00:22:25 |
-What's going on? |
| 00:22:27 |
What is it? What happened? |
| 00:22:29 |
What? |
| 00:22:33 |
He's coming... Look... |
| 00:22:54 |
Anybody follow you? |
| 00:22:56 |
Nobody. |
| 00:22:58 |
-Did you leave me the note? |
| 00:23:02 |
-Nobody at all. |
| 00:23:04 |
-Nobody else. |
| 00:23:09 |
Are you sure about what you're after? |
| 00:23:11 |
Very sure. |
| 00:23:16 |
Follow me. |
| 00:23:40 |
-You OK? |
| 00:23:51 |
We have a problem with the guys. |
| 00:23:54 |
-l don't like them. |
| 00:23:59 |
All you have to do is listen to him. |
| 00:24:02 |
All you have to do is listen to him. |
| 00:24:06 |
What do you want? |
| 00:24:10 |
-Good evening, Mr. Cuervo. |
| 00:24:16 |
Go on... go on... go on... |
| 00:24:23 |
Mr. Flores... |
| 00:24:25 |
l... |
| 00:24:27 |
want... |
| 00:24:30 |
out... |
| 00:24:42 |
-ls he Flores? |
| 00:24:44 |
Flores, Flores? |
| 00:24:46 |
He's all the worse for wear. |
| 00:24:56 |
-Are you fucking me around? |
| 00:24:58 |
What is this, tell me? |
| 00:24:59 |
My name's Diego, ''El Tenso'', Polsky. |
| 00:25:01 |
l'm married to Andrea ''La Tana'' Ferro |
| 00:25:04 |
so l've come... |
| 00:25:05 |
because of your |
| 00:25:07 |
to ask you to seduce my wife |
| 00:25:10 |
He's giving you the chance to do |
| 00:25:18 |
Look... the girl's hard work. |
| 00:25:21 |
l know her: it's impossible. |
| 00:25:27 |
Why have you come to me? |
| 00:25:30 |
They say you never fail. |
| 00:25:46 |
l'll think it over, uh? |
| 00:25:50 |
So... don't come looking for me. |
| 00:25:56 |
l've never done anyone any harm. |
| 00:25:59 |
l only ever went in when there was a |
| 00:26:02 |
-ls that clear? |
| 00:26:04 |
l'll think it over. |
| 00:26:06 |
Did you hear? |
| 00:26:09 |
Thanks, Mr. Flores. |
| 00:26:22 |
My wife's not going to like him, |
| 00:26:26 |
He was born for this. |
| 00:26:29 |
That's the firsttime that the pupil |
| 00:26:44 |
-Hi. |
| 00:26:46 |
-Nothing. |
| 00:26:49 |
-Where were you? |
| 00:26:51 |
We stayed on chatting. |
| 00:27:05 |
Listen and don't say a thing. |
| 00:27:09 |
Listen and don't say a thing. |
| 00:27:11 |
So l can see ifl want thejob, |
| 00:27:14 |
at "French Fries Paradise". |
| 00:27:20 |
She keeps ringing so l'll go with her. |
| 00:27:22 |
Do you knowwhy she rang? |
| 00:27:24 |
So l can go with her for her |
| 00:27:27 |
whatever it is she has done |
| 00:27:29 |
But she doesn't stop ringing, |
| 00:27:31 |
l can't bear it! l don't have all the |
| 00:27:35 |
So l'm telling you up front, |
| 00:27:36 |
so you don't go talking behind my back. |
| 00:27:39 |
Follow me? Unbelievable, isn't it? |
| 00:27:42 |
-Unbelievable. |
| 00:27:45 |
-Unbelievable. |
| 00:27:47 |
-Bitch! Where are you going? |
| 00:27:50 |
-lsn't itjust unbelievable? |
| 00:27:54 |
But then afterwards it's all my... |
| 00:27:56 |
l'm going to the loo, Tana! |
| 00:27:59 |
Bloody awful glasses! |
| 00:28:12 |
Excuse me, madam. l'd just like to |
| 00:28:15 |
To the most beautifulflower. |
| 00:28:19 |
-Thanks very much. |
| 00:28:21 |
Thank you very much, on behalf of the |
| 00:28:30 |
Don't mention it. |
| 00:28:33 |
-Nothing, it's just that... |
| 00:28:35 |
Nothing. Shall we go? Shall we go? |
| 00:28:39 |
Nothing, it'sjust that some fool... |
| 00:28:41 |
-Shall we go? |
| 00:28:47 |
Waiter! |
| 00:28:49 |
-The bill's been paid. |
| 00:29:07 |
Hello... |
| 00:29:10 |
-Sorry. |
| 00:29:15 |
Yes, why? |
| 00:29:18 |
l've found the way. l'll do it. |
| 00:29:22 |
Thanks very much, Cuervo. |
| 00:29:24 |
Make a list of contacts, telephone |
| 00:29:28 |
Listen and make notes... |
| 00:29:32 |
Ah... ah, right... |
| 00:29:36 |
Er... |
| 00:29:39 |
Tastes in music. |
| 00:29:43 |
-Tastes...? |
| 00:29:45 |
-Sorry? |
| 00:29:46 |
pop, rock, salsa, merengue, ethnic. |
| 00:29:49 |
-Does she like Phil Collins? |
| 00:29:51 |
-Does she smoke? |
| 00:29:52 |
-What does she read? |
| 00:29:55 |
-What does she read? |
| 00:29:57 |
-Oh, Bucay? Does she do pills? |
| 00:30:00 |
Does she get depressed, recurring |
| 00:30:03 |
She cries a lot. |
| 00:30:04 |
-Usual groups of friends? |
| 00:30:06 |
-Absent father, living? |
| 00:30:08 |
-Relationship with her mother... |
| 00:30:10 |
-Brother? |
| 00:30:11 |
-He lends her money, she... |
| 00:30:14 |
-Threesomes, foursomes... |
| 00:30:16 |
-Voyeurism, exhibitionism? |
| 00:30:18 |
Role changes? Active, passive, |
| 00:30:20 |
-Ah, she doesn't... |
| 00:30:22 |
-What foreplay? |
| 00:30:23 |
-Sexy? |
| 00:30:24 |
-Kinky in what sense? |
| 00:30:26 |
Sado, toys? Sex aids? |
| 00:30:28 |
No, whattoys? No, nothing, normal... |
| 00:30:32 |
or her like this... rough, on top. |
| 00:30:34 |
But... sorry, how long is it going to |
| 00:30:37 |
-Why? |
| 00:30:42 |
-From 10 to 15 days. |
| 00:30:45 |
How much is it going to cost? |
| 00:30:49 |
You'll see. |
| 00:30:51 |
Another thing: where does she work? |
| 00:30:54 |
-She doesn't work. |
| 00:30:58 |
Nothing. |
| 00:31:00 |
Get her out ofthe house first. |
| 00:31:11 |
Get her ajob in your radio station. |
| 00:31:13 |
very talented, |
| 00:31:16 |
Kepelsky, we're from the same |
| 00:31:18 |
She's a bit down and needs that push, |
| 00:31:20 |
She's a bit down and needs that push, |
| 00:31:24 |
-Has nobody ever helped you? |
| 00:31:26 |
but l don't have the money |
| 00:31:28 |
-lt's a small radio station, Tenso. |
| 00:31:31 |
To bring somebody in |
| 00:31:35 |
-Does she have qualifications? |
| 00:31:37 |
-Yes, we can get it. |
| 00:31:41 |
-Yes, we can get it. |
| 00:31:43 |
Don't give up hope. l'll give you a |
| 00:31:45 |
Don't give up hope. l'll give you a |
| 00:31:46 |
But is it a yes? |
| 00:31:48 |
lt's yes, if something turns up, yes, |
| 00:31:51 |
-Eh? |
| 00:31:55 |
Sorry. Dami? |
| 00:31:59 |
How much does an announcer earn? |
| 00:32:03 |
Well... about 500 pesos. |
| 00:32:09 |
l'll pay it! |
| 00:32:12 |
l'll pay. We're not going |
| 00:32:14 |
we're ofthe same blood. |
| 00:32:15 |
l'll pay it. You've got |
| 00:32:19 |
She doesn't stop talking. |
| 00:32:21 |
You'll love her. You'll see. |
| 00:32:49 |
-Morning. |
| 00:32:56 |
Hi. |
| 00:32:58 |
What do they mean with ''winter's |
| 00:33:01 |
With two cold days in summer. |
| 00:33:04 |
-Well yes... |
| 00:33:06 |
What a load of rubbish. l understand... |
| 00:33:09 |
People... a photo of people at the |
| 00:33:12 |
ls that news? Haven't they got |
| 00:33:15 |
No, they obviously don't live |
| 00:33:17 |
Always, every summer... |
| 00:33:18 |
lt's always cold somewhere. |
| 00:33:20 |
Are they going to take that photo? |
| 00:33:26 |
-Want one? |
| 00:33:36 |
l was speaking to Kepelsky, |
| 00:33:39 |
the owner of the radio station |
| 00:33:42 |
And well... we were chatting and your |
| 00:33:47 |
And... he asked me what you were |
| 00:33:50 |
of you, me, l don't like to talk. |
| 00:33:54 |
And then Kepelsky says... |
| 00:33:56 |
he's got something for you. |
| 00:33:58 |
-For me? |
| 00:34:02 |
-What? |
| 00:34:05 |
He wants to tell you himself. |
| 00:34:07 |
Kepelsky, from that crap radio |
| 00:34:11 |
They're a bunch of arseholes. |
| 00:34:15 |
Come on, Tenso, l'm in a bad way, |
| 00:34:17 |
-Tana... |
| 00:34:20 |
it's absolute crap... |
| 00:34:22 |
-and they are dross... |
| 00:34:25 |
l'm trying to talk and you |
| 00:34:27 |
l'm trying to talk and you |
| 00:34:28 |
-But you're shouting. |
| 00:34:30 |
-OK, now. |
| 00:34:32 |
and do something with |
| 00:34:38 |
They want to kill the thief |
| 00:34:42 |
Who made offwith a woman. |
| 00:34:45 |
Do you want to know where he is? |
| 00:34:49 |
You'll neverknow. |
| 00:34:52 |
They want to kill the thief |
| 00:34:56 |
Who made offwith a woman. |
| 00:34:59 |
To know where he is |
| 00:35:03 |
But they'llnever know. |
| 00:35:09 |
He'llneverknow you're with me |
| 00:35:12 |
in a corner ofmy hut |
| 00:35:16 |
because theydon'tknow the way... |
| 00:35:19 |
or the mountains |
| 00:35:23 |
l know they're looking forme |
| 00:35:27 |
because they've been shamed |
| 00:35:30 |
when l made offwith you |
| 00:35:34 |
in theirrush theyfailed |
| 00:35:37 |
They want to kill the thief |
| 00:35:41 |
Who made offwith a woman |
| 00:36:02 |
No, it's spectacular. |
| 00:36:05 |
No, l'dprefer not to talkabout it. |
| 00:36:09 |
lt upsets me. |
| 00:36:10 |
That's OK, take care. |
| 00:36:13 |
-Yes, can l help? |
| 00:36:17 |
-You're from the cake shop, right? |
| 00:36:19 |
l'm notfrom anywhere |
| 00:36:24 |
Ah, sorry, one last time... |
| 00:36:27 |
Andrea Ferro, and l'm here to see |
| 00:36:30 |
Yes, right. |
| 00:36:34 |
She's out of her mind. |
| 00:36:37 |
She plans to get 45 people |
| 00:36:41 |
The house is tiny. |
| 00:36:44 |
No, l'm not going to the party. |
| 00:36:48 |
She weighs... she must weigh 39 kilos. |
| 00:36:51 |
You can't wear all that |
| 00:36:55 |
Of course... absolutely, hang on. |
| 00:37:02 |
l'll be right with you. |
| 00:37:04 |
No, oh, God. Can you believe it? |
| 00:37:08 |
The carnival guy we were going to |
| 00:37:13 |
That isjust so rude, |
| 00:37:15 |
because l do myjob, see? |
| 00:37:19 |
No, l'm not going. |
| 00:37:23 |
With 50 people there... |
| 00:37:25 |
Excuse me... |
| 00:37:27 |
lf not l'll go home... |
| 00:37:29 |
while you send |
| 00:37:32 |
Didn't you collect |
| 00:37:34 |
lt's not my fault. |
| 00:37:37 |
that's why he |
| 00:37:40 |
Pension? ls that meant |
| 00:37:45 |
so that comment... |
| 00:37:48 |
so that comment... |
| 00:37:52 |
l'd have to throw myself in front of |
| 00:37:57 |
-What's going on? |
| 00:38:00 |
-What's wrong? |
| 00:38:02 |
She got nervous for some reason. |
| 00:38:04 |
-l'm here to see Mr. Kepelsky. |
| 00:38:08 |
Andrea Ferro. |
| 00:38:09 |
-Ah, you're Tenso's wife. |
| 00:38:11 |
-How are you? |
| 00:38:13 |
-Yes, that's me. |
| 00:38:17 |
No, l'm in charge of the radio. |
| 00:38:19 |
Oh, so you're in charge? |
| 00:38:23 |
-Fine. |
| 00:38:25 |
-You're OK? |
| 00:38:28 |
She was on the phone |
| 00:38:31 |
Come in and take a seat. |
| 00:38:33 |
-Yes, thanks. |
| 00:38:37 |
-Hello. |
| 00:38:39 |
No, l'm under a lot of stress. |
| 00:38:42 |
The thing with that girl was |
| 00:38:45 |
-Sorry. |
| 00:38:49 |
-Can l sit down? |
| 00:38:52 |
-Does that often happen? |
| 00:38:55 |
-You getting mad? |
| 00:38:58 |
Butwhen l see someone with one of |
| 00:39:01 |
and l'm leftwaiting... |
| 00:39:09 |
-Shall l leave? |
| 00:39:12 |
-So you're a radio announcer. |
| 00:39:15 |
So l speakto you? |
| 00:39:18 |
That's right. |
| 00:39:20 |
What have you done in the past? |
| 00:39:24 |
Uh... well, l have a problem |
| 00:39:29 |
lt'd be easier if l told you what |
| 00:39:32 |
Okay. |
| 00:39:34 |
l'm not interested in a traditional |
| 00:39:38 |
with a presenter, reporters trying to |
| 00:39:43 |
l hate to thinkthat the listener... |
| 00:39:46 |
has a lower lQ than the presenter... |
| 00:39:49 |
And l don't want a woman... |
| 00:39:51 |
sitting there just to read |
| 00:39:53 |
or talking about the traffic problems. |
| 00:39:55 |
l think it's sexist, it's... pathetic. |
| 00:39:59 |
What else do you detest? |
| 00:40:03 |
-What else do l detest? |
| 00:40:05 |
-Anything else you can't stand? |
| 00:40:11 |
Other things l can't stand? Many. |
| 00:40:14 |
-For example...? |
| 00:40:18 |
Well, coincidence seekers... |
| 00:40:20 |
tend to get up my nose... |
| 00:40:22 |
useless people who spend their time... |
| 00:40:24 |
looking out for coincidences. |
| 00:40:25 |
You know, your birthday, |
| 00:40:28 |
birth sign, whatever. |
| 00:40:32 |
What else? |
| 00:40:34 |
Models irritate me. |
| 00:40:36 |
People who smile all the time, |
| 00:40:39 |
Effusive thanks... |
| 00:40:42 |
especially from the family... |
| 00:40:46 |
when they come out of the screen |
| 00:40:48 |
when they come out of the screen |
| 00:40:50 |
-Wallpaper. |
| 00:40:53 |
and with sunglasses. |
| 00:40:56 |
-The scene? |
| 00:40:58 |
Being in, being out. |
| 00:41:01 |
Have you ever listened |
| 00:41:03 |
No, never been able to. |
| 00:41:06 |
-You knowwhat l'd like you to do? |
| 00:41:09 |
Bring me a list... |
| 00:41:11 |
of all those things you hate, |
| 00:41:15 |
and we can put something together, |
| 00:41:19 |
so you can vent on air all your hates |
| 00:41:24 |
-l'd come every morning? |
| 00:41:27 |
l think it'll work. |
| 00:41:29 |
-lt's for 500 pesos, you know? |
| 00:41:34 |
-What do you mean, you don't know? |
| 00:41:38 |
-How much do you want? |
| 00:41:40 |
No, not at all. |
| 00:41:43 |
l'm a dreadful negotiator. |
| 00:41:46 |
-Double? |
| 00:41:48 |
We're a small radio station, |
| 00:41:50 |
No, of course. |
| 00:41:53 |
So we can forget it |
| 00:41:56 |
-Thanks all the same. |
| 00:41:58 |
l'll consult, yeah? |
| 00:42:02 |
-Alright. |
| 00:42:16 |
-Damian Kepelsky, how are you? |
| 00:42:18 |
-Damian Kepelsky, how are you? |
| 00:42:20 |
Great. Your wife's here, |
| 00:42:22 |
but she won't go with 500. |
| 00:42:25 |
-What do you mean twice that? |
| 00:42:28 |
No, she won't, l know her, but... |
| 00:42:30 |
No, she won't, l know her, but... |
| 00:42:33 |
tell her it's a trial run, |
| 00:42:35 |
-she'll have a rise. |
| 00:42:38 |
-And what did she say? |
| 00:42:41 |
Whatd'you mean nothing? |
| 00:42:42 |
-Work on her... |
| 00:42:45 |
She's not worth 700, no way. |
| 00:42:49 |
Offer her 650, and l'll hold. |
| 00:42:52 |
OK, hang on. |
| 00:42:56 |
We could do 650. |
| 00:42:59 |
We could do 650. |
| 00:43:01 |
Um... no, no way... it's no good. |
| 00:43:04 |
-What's your minimum? |
| 00:43:07 |
The fuckin' bitch...! |
| 00:43:16 |
No, it's OK. |
| 00:43:19 |
l barely make it to the end of the |
| 00:43:23 |
-Just a sec, she wants 800 pesos. |
| 00:43:26 |
lt's the price of freedom, Tenso. |
| 00:43:29 |
-And it's money that comes back in. |
| 00:43:33 |
Go on... |
| 00:43:36 |
Hello. |
| 00:43:40 |
OK, do it. |
| 00:43:43 |
Look... |
| 00:43:46 |
Would it bother you if l gave |
| 00:43:48 |
-A cheque to cash? |
| 00:43:50 |
No, 120 days would ruin me. |
| 00:43:52 |
No, l thought so. |
| 00:43:54 |
OK, look, from the 1st to the 5th... |
| 00:43:55 |
my secretary will take you the cash. |
| 00:43:58 |
-God, you're mean. |
| 00:44:01 |
But l'm the one paying the money! |
| 00:44:11 |
-What are you doing here? |
| 00:44:12 |
-What are you doing here? |
| 00:44:15 |
What does it matter to you? |
| 00:44:21 |
lf you like, we can have a coffee |
| 00:44:24 |
-What do you think? |
| 00:44:27 |
-Go on. |
| 00:44:35 |
Just two minutes. |
| 00:44:38 |
You can't go home with wet hair. |
| 00:44:43 |
No, really, l'll just wait here. |
| 00:44:45 |
l'll stay here, thanks. |
| 00:44:53 |
-Can l ask you something? |
| 00:44:56 |
But do you have any idea? |
| 00:45:00 |
But do you have any idea? |
| 00:45:04 |
Thanks. |
| 00:45:09 |
Hold this... |
| 00:45:17 |
Have one. |
| 00:45:18 |
-Shall l take one? |
| 00:45:30 |
Thanks. |
| 00:45:34 |
Toffees, chocolates? |
| 00:45:39 |
Now, tellme. |
| 00:45:42 |
Sex: how were things going? |
| 00:45:46 |
l don't know. You speak. |
| 00:45:50 |
l don't get the mechanism: |
| 00:45:52 |
She asks and we speak... |
| 00:45:56 |
OK. Fine... |
| 00:45:58 |
That is... well... OK... |
| 00:46:02 |
Let's see... |
| 00:46:05 |
At times l'd initiate and feel things |
| 00:46:09 |
weren't... |
| 00:46:11 |
That what? |
| 00:46:12 |
At times l'd initiate |
| 00:46:14 |
-You'd initiate...? |
| 00:46:16 |
You should have made a noise... |
| 00:46:18 |
because l never actually realised. |
| 00:46:20 |
l never realised... |
| 00:46:22 |
And the times l got on top of you? |
| 00:46:25 |
Ah, but... |
| 00:46:28 |
What? |
| 00:46:29 |
When l got on top of you, |
| 00:46:31 |
-You can't hear yourself? |
| 00:46:34 |
-You can't hear yourself? |
| 00:46:40 |
lt's true, l'd often get on top... |
| 00:46:42 |
l mean it... No... |
| 00:46:45 |
l don'twant to hurt anyone... |
| 00:46:49 |
Quite honestly, l don't remember |
| 00:47:01 |
This is a joke, Blanca. |
| 00:47:08 |
-Morning. |
| 00:47:51 |
-OK? |
| 00:47:57 |
No! |
| 00:48:01 |
No! |
| 00:48:15 |
Well, l'm off. |
| 00:48:18 |
-l'm a bit nervous. |
| 00:48:19 |
Bye... see you. |
| 00:48:23 |
-Wish me luck. |
| 00:48:26 |
Thanks. |
| 00:48:31 |
-Tana, how are things? |
| 00:48:33 |
Why should l lie? |
| 00:48:34 |
Why should l lie? |
| 00:48:36 |
-So what's the matter? |
| 00:48:39 |
l realise that living in society |
| 00:48:41 |
Why? What's wrong? |
| 00:48:43 |
l feel l'm surrounded by mediocrity, |
| 00:48:46 |
and frauds... |
| 00:48:48 |
Optimists, |
| 00:48:50 |
l detest optimism with all my heart. |
| 00:48:53 |
lt's so damned stupid... |
| 00:48:55 |
to face life with optimism... |
| 00:48:58 |
And l realised l'm surrounded by |
| 00:49:02 |
and that fake smile really |
| 00:49:06 |
For some people optimism |
| 00:49:09 |
The other day l ran into a friend, |
| 00:49:11 |
The other day l ran into a friend, |
| 00:49:13 |
who's no longer a friend, |
| 00:49:16 |
He was in plaster from hip to ankle, |
| 00:49:19 |
so l said: ''l can't believe |
| 00:49:23 |
what ''an accident |
| 00:49:25 |
what ''an accident |
| 00:49:27 |
l fail to see what element of ''luck''... |
| 00:49:29 |
-Maybeyourfriend needed to see... |
| 00:49:32 |
-Maybeyourfriend needed to see... |
| 00:49:36 |
Sure, but what l sayis, |
| 00:49:38 |
why see things so positively? |
| 00:49:40 |
lfthis poorsod smashed the car up, |
| 00:49:43 |
he should at least be able to say: |
| 00:49:45 |
what fuckin'bad luck l'm having... |
| 00:49:47 |
l don't mind whingers at all, |
| 00:49:49 |
l love people who moan, l do. |
| 00:49:51 |
''Down with optimism, long live |
| 00:49:55 |
-l reckon you're convincing me. |
| 00:49:58 |
lf l say your coming on this |
| 00:50:01 |
would you take it |
| 00:50:03 |
No... not at all. l'd say... |
| 00:50:06 |
it's the most sensible thing |
| 00:50:10 |
-Thanks, Tana. |
| 00:50:12 |
-Thanks, Mery. |
| 00:50:14 |
Bye friends. Life is the pits. |
| 00:50:29 |
l adore your pessimism. |
| 00:50:33 |
What are you doing here? |
| 00:50:36 |
lt's no coincidence. |
| 00:50:40 |
-What for? |
| 00:50:43 |
-What? |
| 00:50:49 |
Careful, l'm married. |
| 00:50:52 |
l want to have a meal with a woman... |
| 00:50:55 |
who hates this sort of society. |
| 00:50:58 |
No. |
| 00:51:19 |
-Ah, well... |
| 00:51:22 |
That's it! |
| 00:51:24 |
You've stolen my heart. |
| 00:51:27 |
Have pity on me, please. |
| 00:51:32 |
l'm a mere mortal. |
| 00:51:41 |
A mixed salad, please. |
| 00:51:44 |
-Yes... |
| 00:51:46 |
-Tenderloin. |
| 00:51:50 |
So, let's drink. |
| 00:51:52 |
-Thanks. |
| 00:51:54 |
a little ''nervous water''? |
| 00:51:59 |
-Thank you very much. |
| 00:52:03 |
To this meeting. |
| 00:52:04 |
-Cheers. |
| 00:52:08 |
And to my new life. |
| 00:52:10 |
Naturally. |
| 00:52:15 |
Some good things have been happening |
| 00:52:18 |
That's not usually how it is. |
| 00:52:20 |
lf everything's going bad you have |
| 00:52:26 |
Don't worry, l'm not going to start |
| 00:52:29 |
-Talk, l don't mind. |
| 00:52:34 |
-l love listening to you. |
| 00:52:35 |
l've got all day and all night to |
| 00:52:41 |
Lots of things... |
| 00:52:44 |
have changed for me too recently. |
| 00:52:47 |
l'm telling you this because l like you. |
| 00:52:50 |
And when l tell you who l am... |
| 00:52:54 |
You do look familiar. |
| 00:52:57 |
Absolutely... |
| 00:53:00 |
Where do l know you from? |
| 00:53:02 |
-Well... |
| 00:53:07 |
l've been ''in hiding'' for a while. |
| 00:53:12 |
-l'm ''El Cuervo'' Flores. |
| 00:53:18 |
Don't be scared, please. |
| 00:53:22 |
And l'm suffering for it. |
| 00:53:27 |
l'm telling you this because... |
| 00:53:29 |
l'd like us to be friends. |
| 00:53:34 |
Nobody knows that. |
| 00:53:37 |
Nobody knows that. |
| 00:53:40 |
l've suffered as much |
| 00:53:44 |
l'll apologise to them all one day. |
| 00:53:47 |
l swear. |
| 00:53:53 |
-Can we be friends? |
| 00:54:11 |
Where have you been all this time? |
| 00:54:20 |
-Will you excuse me? |
| 00:54:34 |
Engaged. |
| 00:54:37 |
Hi, Cuervo! How are things? Fine? |
| 00:54:40 |
-What are you doing here? |
| 00:54:44 |
ls everything going according to plan? |
| 00:54:46 |
l'm backing out. |
| 00:54:49 |
No, l don't enjoy watching. |
| 00:54:52 |
lt'sjust that l came... |
| 00:54:57 |
l began to feel a sort of anguish |
| 00:55:01 |
Suddenly... |
| 00:55:09 |
-Sorry, l feel embarrassed. |
| 00:55:11 |
-No, don't look at me. |
| 00:55:14 |
Breathe... inhale... |
| 00:55:18 |
Well... |
| 00:55:24 |
ln and out. |
| 00:55:28 |
-Does it hurt? |
| 00:55:31 |
When l say ''go'' you go. OK? |
| 00:55:35 |
Go. |
| 00:55:36 |
-Better? |
| 00:55:39 |
Seeing me at work mixed you up, right? |
| 00:55:41 |
-Yep... |
| 00:55:43 |
you'll think you like her again, |
| 00:55:46 |
l want total abstinence from you |
| 00:55:50 |
Friendly but distant. lf she speaks, |
| 00:55:53 |
Workto rule, got it? |
| 00:55:56 |
-Got it? |
| 00:55:58 |
And don't ask her where she's going |
| 00:56:03 |
OK? |
| 00:56:05 |
OK? |
| 00:56:11 |
Well, that's hard to understand too. |
| 00:56:14 |
-Hello. |
| 00:56:15 |
l'll ring you back. |
| 00:56:18 |
-Yes, hello. |
| 00:56:20 |
-Ugh, that stinks. |
| 00:56:22 |
-lt turns my stomach. |
| 00:56:23 |
-Yes, l did. |
| 00:56:25 |
-So so. |
| 00:56:27 |
l liked it but... a fewthings... |
| 00:56:30 |
You can't hear itvery well. |
| 00:56:32 |
That's because the aerial is not very |
| 00:56:35 |
But they're a great lot who work there. |
| 00:56:38 |
You used to have a lisp, didn't you? |
| 00:56:42 |
-A lisp? |
| 00:56:46 |
Well... because l know you... |
| 00:56:49 |
But my friends rang |
| 00:56:51 |
-Really? |
| 00:56:53 |
The agent too? |
| 00:56:56 |
Don't call him ''agent''. |
| 00:56:58 |
lt's really pejorative calling him |
| 00:57:01 |
OK, fine. |
| 00:57:03 |
l've told you a thousand times. |
| 00:57:06 |
Sorry. |
| 00:57:21 |
-lt was a joke, sorry. |
| 00:57:25 |
l'm so happy your friends liked it. |
| 00:57:27 |
-Yes. |
| 00:57:29 |
-What are you doing? |
| 00:57:32 |
Look, l wanted to read to you. |
| 00:57:34 |
Tomorrow l've got to take along... |
| 00:57:35 |
another column like today's. |
| 00:57:37 |
-Can l read it to you? |
| 00:57:38 |
-No? |
| 00:57:40 |
-Are you busy? |
| 00:57:42 |
Can l borrow your cell phone? |
| 00:57:45 |
-The guy from the radio's calling... |
| 00:57:47 |
l'll recharge it. l should say |
| 00:57:50 |
He wants to meet but quite honestly |
| 00:57:53 |
No, no. Let's start again. |
| 00:57:55 |
No, no. Let's start again. |
| 00:57:57 |
-Why? |
| 00:57:58 |
-And you have responsibilities. |
| 00:58:01 |
The radio doesn't stop |
| 00:58:04 |
-lt continues. lsn't there a debate? |
| 00:58:07 |
-Don't you all discuss things? |
| 00:58:09 |
-Go. |
| 00:58:10 |
No, really, you have to go. |
| 00:58:12 |
Otherwise they'll starttalking. |
| 00:58:13 |
-What can they say? |
| 00:58:15 |
Things like that, so l think... |
| 00:58:18 |
You'll do well at the radio. |
| 00:58:20 |
Who knows where it could lead. |
| 00:58:21 |
-Hey, love, stop it! |
| 00:58:23 |
-l've got my hair up! |
| 00:58:26 |
l've left you a sort of |
| 00:58:28 |
-''Coq au vin'' it's called. |
| 00:58:30 |
-Well... that's all. See you. |
| 00:58:34 |
What? |
| 00:58:36 |
You look really good in that dress. |
| 00:58:37 |
-Really? Thanks. |
| 00:58:39 |
The advance on my first pay cheque. |
| 00:58:42 |
-OK, see you. Bye. |
| 00:58:48 |
l hate this de auteur culture. |
| 00:58:50 |
So what's de auteur culture |
| 00:58:54 |
Everything. Cinema, clothes, |
| 00:58:56 |
shoes... food, even wine nowadays. |
| 00:58:59 |
What's wrong with you in Palermo... |
| 00:59:01 |
with your ''cruttons'' and ''tagglitelli''? |
| 00:59:03 |
And they've turned |
| 00:59:05 |
into a globalised dump. |
| 00:59:07 |
The otherday l went to eat in one of |
| 00:59:11 |
and we were met with a menu with |
| 00:59:13 |
macerated carpaccio, |
| 00:59:15 |
semolina with black sauce... |
| 00:59:18 |
and ginger, etc. |
| 00:59:20 |
Where does Cuervo get the money to |
| 00:59:23 |
-Keep quiet. |
| 00:59:25 |
And then the "auteur" himself |
| 00:59:27 |
l macerated the carpaccio, then l |
| 00:59:30 |
and added grated ginger and nuts. |
| 00:59:34 |
but l'm not telling you... |
| 00:59:37 |
but l'm not telling you... |
| 00:59:38 |
Could you bring me... |
| 00:59:41 |
Could you bring me... |
| 00:59:43 |
a fresh market garden salad, |
| 00:59:45 |
with freshly laid free-range eggs, |
| 00:59:48 |
either a beef tomato or a plum tomato |
| 00:59:50 |
-What happened? |
| 00:59:53 |
where l ordered a mixed salad, |
| 00:59:56 |
and a breaded beef cutlet, which is |
| 00:59:59 |
l was happy. |
| 01:01:32 |
-Have a good day? |
| 01:01:35 |
Yeah, it was good. |
| 01:01:37 |
-What did you do? |
| 01:01:39 |
and thought about |
| 01:01:42 |
-Alone? |
| 01:01:44 |
Hey, come here, |
| 01:01:47 |
-Are you hungry? |
| 01:01:50 |
Me too, but l couldn't cook. |
| 01:01:56 |
-Pizza? |
| 01:01:58 |
-Or something else. |
| 01:02:01 |
-Hello. |
| 01:02:12 |
-Tana. |
| 01:02:17 |
Give me a kiss. |
| 01:02:25 |
Tana... |
| 01:02:45 |
Hang on a minute. |
| 01:02:47 |
-No, it's mine. |
| 01:02:49 |
Yours doesn't sound like that, |
| 01:02:51 |
Where did you get it? |
| 01:02:52 |
-They gave it me at the radio. |
| 01:02:54 |
Just a minute and l'll tell you. |
| 01:03:00 |
-Everything OK? |
| 01:03:06 |
-What's wrong? |
| 01:03:08 |
but l have |
| 01:03:10 |
-Hang on. |
| 01:03:12 |
-Tana, what are you hiding from me? |
| 01:03:15 |
-Do you want to tell me something? |
| 01:03:17 |
-What are you laughing at? |
| 01:03:19 |
-What do you want to know? |
| 01:03:21 |
No, nothing. |
| 01:03:23 |
-Really? |
| 01:03:26 |
l'll be right back. |
| 01:03:28 |
l'm on my way. |
| 01:04:12 |
Over here! |
| 01:04:23 |
Here's the list of things |
| 01:04:30 |
-l'll go and get it. |
| 01:04:33 |
-l'll go and get it |
| 01:04:35 |
There's no need. |
| 01:04:39 |
l'm working on her very slowly... |
| 01:04:42 |
l reckon... start thinking of |
| 01:04:46 |
Thatwas quick, we'd said another week. |
| 01:04:49 |
She's... Tana's a fine lass, |
| 01:04:54 |
Yes, start making plans. |
| 01:04:56 |
ln a couple of days we'll be done. |
| 01:05:00 |
-Why? Has something happened? |
| 01:05:05 |
No, sure, l... |
| 01:05:09 |
You're beginning to realise... |
| 01:05:12 |
what sort of girl she is, l suppose. |
| 01:05:14 |
A great kid... but difficult... |
| 01:05:17 |
with a special sort of energy... |
| 01:05:20 |
l contacted you because l couldn't... |
| 01:05:22 |
l couldn't, not because... |
| 01:05:27 |
l don't understand. |
| 01:05:28 |
lt would help if at breakfast... |
| 01:05:31 |
You made her a shake of... |
| 01:05:34 |
pomegranate juice, paysion fruit and |
| 01:05:38 |
-Passion fruit. |
| 01:05:39 |
-No, passion fruit. No 'y'. |
| 01:05:44 |
No 'y'? OK, No 'y'. |
| 01:05:46 |
What's this for? |
| 01:05:50 |
Afruit, passion fruit. |
| 01:05:52 |
Afruit, passion fruit. |
| 01:05:54 |
-l don't know, get back... |
| 01:05:55 |
Don't say l don't know. |
| 01:05:57 |
-Where can l get passion fruit? |
| 01:05:59 |
-You are not answering! |
| 01:06:00 |
-Where can l get passion fruit? |
| 01:06:02 |
-Passion fruit. |
| 01:06:05 |
-ls it open? |
| 01:06:08 |
-Concentrate, are you mad? |
| 01:06:10 |
-How come you're not shadowing. |
| 01:06:12 |
Excuse me, you've gone soft |
| 01:06:16 |
Don't talkto me like that. |
| 01:06:18 |
-Like what? |
| 01:06:20 |
-l've never called you a fat slob. |
| 01:06:23 |
Yeah, get lost. |
| 01:06:53 |
-Morning. |
| 01:06:57 |
-Hey, will you make me one? |
| 01:07:19 |
Sorry ifl pretend l haven't lostyou |
| 01:07:23 |
lt hurts to accept thatyou're gone |
| 01:07:27 |
l can't getyou out ofmy mind. |
| 01:07:33 |
One dayyou'll know |
| 01:07:38 |
Life makes no sense |
| 01:07:41 |
and l can die ifyou're not here. |
| 01:07:47 |
l need you so much |
| 01:07:51 |
lt hurts me to breathe |
| 01:07:54 |
Orperhaps in mydreams |
| 01:07:58 |
l loveyou more and more |
| 01:08:01 |
lt's raining stars |
| 01:08:05 |
ln ourroom |
| 01:08:08 |
They fill with tears... |
| 01:08:12 |
myheart |
| 01:08:16 |
lt's raining stars |
| 01:08:19 |
around me |
| 01:08:22 |
andpeople ask |
| 01:08:26 |
What's become ofyou... |
| 01:08:29 |
what's become ofyou... |
| 01:08:34 |
l'd like to carryyou with me |
| 01:08:39 |
Get to the bottom ofyourfeelings |
| 01:08:42 |
To see ifyou feel the same way. |
| 01:08:48 |
No, no. Stop, no. |
| 01:08:50 |
Blanca, l'm both very sociable |
| 01:08:53 |
l like birthdays, parties, |
| 01:08:56 |
She's the complete opposite. |
| 01:08:58 |
She doesn't like being with people, |
| 01:09:00 |
so it's very hard on me, Blanca. |
| 01:09:03 |
On top of that, Blanca, |
| 01:09:06 |
-Hold it a sec, hold it... |
| 01:09:07 |
-l've got it here. |
| 01:09:08 |
Blanca this, Blanca that. |
| 01:09:11 |
What are you, Blanca? |
| 01:09:14 |
-Psychiatrist. |
| 01:09:17 |
So what should l say? |
| 01:09:20 |
You say ''Blanca'' just once... |
| 01:09:22 |
And we all knowthat this person here |
| 01:09:24 |
OK, agreed. |
| 01:09:26 |
Blanca, whatever you say. |
| 01:09:28 |
-Do you knowwhat Kepelsky said? |
| 01:09:31 |
That he's going to pay Tana's salary. |
| 01:09:33 |
He's got a few new sponsors so he |
| 01:09:36 |
Would you believe it? |
| 01:09:43 |
That really gets me, |
| 01:09:45 |
For the better? What are deals for? |
| 01:09:47 |
For the better? What are deals for? |
| 01:09:49 |
A girl comes along... |
| 01:09:51 |
lt wasn't easy to get |
| 01:09:53 |
Run, run! |
| 01:09:58 |
Who hit me? Was it a goal? |
| 01:09:59 |
-Are you alright? |
| 01:10:01 |
-Are you? |
| 01:10:04 |
-Things OK? |
| 01:10:06 |
Come on, come on. |
| 01:10:09 |
Tana! |
| 01:10:14 |
Tana, are you in? |
| 01:10:24 |
Are you mad? Doyou know |
| 01:10:27 |
-Yes, l know, l don't care. |
| 01:10:28 |
You can'tpayoffan overdraft with a |
| 01:10:30 |
We have financialproblems, |
| 01:10:33 |
lt's not that. We're young. |
| 01:10:35 |
Willyou carry on working with |
| 01:10:37 |
You don'towe anything. |
| 01:10:39 |
-We owe the bank money. |
| 01:10:41 |
You want to open a shop of a thousand |
| 01:10:43 |
-Not the end of the world? |
| 01:10:45 |
-Not the end of the world? |
| 01:10:47 |
Which l'm borrowing from my brother, |
| 01:10:49 |
-No, not your brother. |
| 01:10:51 |
Listen you say one thousand pesos and |
| 01:10:54 |
-Athousand pesos... |
| 01:10:56 |
Alright. |
| 01:10:59 |
Great... |
| 01:11:06 |
Forgive my interrupting butjust |
| 01:11:09 |
l was in a similar situation |
| 01:11:12 |
l listened to my wife and here l am. |
| 01:11:16 |
What shall we do? |
| 01:11:18 |
What shall we do? |
| 01:11:20 |
OK, do it, call them. |
| 01:11:23 |
Great, congratulations. |
| 01:11:30 |
-Tell me where he is! |
| 01:12:26 |
-Uh? |
| 01:12:29 |
Come with me. |
| 01:12:37 |
Who grassed? Who was it? |
| 01:12:40 |
No, Cuervo, nobody grassed. |
| 01:12:46 |
-l hope it's notwhat l think. |
| 01:12:48 |
l'm pleased with your work. |
| 01:12:50 |
OK, we're here. Just go away and |
| 01:12:54 |
-ls that clear? |
| 01:12:56 |
is ''it's over''. |
| 01:12:59 |
to call it a day with the job. |
| 01:13:03 |
l don't want to lose Tana, Cuervo. |
| 01:13:07 |
l really... |
| 01:13:09 |
am very grateful... |
| 01:13:12 |
for all you've done, |
| 01:13:14 |
my life has changed 180 degrees. |
| 01:13:17 |
She's started work, |
| 01:13:19 |
more of a woman... and that's |
| 01:13:23 |
She's... she's changed, Cuervo. |
| 01:13:27 |
And l'm in love with her |
| 01:13:30 |
What l mean is: |
| 01:13:45 |
What's wrong? |
| 01:13:48 |
What's wrong? |
| 01:13:52 |
Don't... don't... |
| 01:13:54 |
Stand up, get this off... |
| 01:13:56 |
What's wrong? |
| 01:13:59 |
-l've fallen in love! |
| 01:14:02 |
With Tana. |
| 01:14:05 |
That hurts... a lot. |
| 01:14:11 |
l didn't want to... l really didn't. |
| 01:14:16 |
No, what you've told me is alright. |
| 01:14:20 |
lt can happen. |
| 01:14:22 |
One of the risks of yourjob. |
| 01:14:28 |
You'll leave off, right? |
| 01:14:30 |
You've got a gem there. A gem. |
| 01:14:33 |
You don't even deserve ten percent, |
| 01:14:36 |
But you're going to leave off, |
| 01:14:40 |
l'll honour our agreement though. |
| 01:14:45 |
l didn't like you when we met. |
| 01:14:49 |
You're the biggest arsehole |
| 01:14:52 |
That's very nice of you, |
| 01:14:54 |
get it off your chest. |
| 01:14:58 |
You'll be alright, because |
| 01:15:02 |
With courage, strength and dedication |
| 01:15:07 |
What doesn't kill you can only make |
| 01:15:34 |
Tana? |
| 01:15:39 |
-Hello. |
| 01:15:42 |
-Hello. |
| 01:15:44 |
-What? |
| 01:15:47 |
-What? |
| 01:15:48 |
l'm very confused. |
| 01:15:51 |
Don't ask me to explain, |
| 01:15:54 |
-My head's spinning. |
| 01:15:56 |
l don't want to fuck things up. |
| 01:15:59 |
-Confused? Why? |
| 01:16:02 |
l feel l'm going to fuck it all up. |
| 01:16:06 |
Why? What's up? |
| 01:16:08 |
-l'm not crying. |
| 01:16:10 |
My head's all over the place |
| 01:16:14 |
No, stop that. Leave that there. |
| 01:16:18 |
-Has something happened? |
| 01:16:21 |
You're crying, Tana. |
| 01:16:25 |
-What's the matter? |
| 01:16:36 |
l knowwhat's happening. |
| 01:16:41 |
But it's all over now. |
| 01:16:43 |
l'd be so happy if |
| 01:16:46 |
But... my love for you is not in doubt, |
| 01:16:48 |
but... sorry, l'm very upset. |
| 01:16:51 |
-l hate to have to do this. |
| 01:16:54 |
Forgive me. |
| 01:16:57 |
Come on. |
| 01:17:01 |
l'm going to tell you something, |
| 01:17:03 |
not to get angry and to listen to me. |
| 01:17:07 |
-Yes? |
| 01:17:17 |
Tana... |
| 01:17:22 |
l contacted Cuervo Flores. |
| 01:17:26 |
-Who? |
| 01:17:28 |
So we could make things up together. |
| 01:17:30 |
What's Cuervo Flores got |
| 01:17:32 |
Are you seeing Cuervo Flores? |
| 01:17:35 |
How do you know l'm seeing |
| 01:17:37 |
You're seeing him and... |
| 01:17:40 |
l asked him to do something. |
| 01:17:43 |
What did you ask him? |
| 01:17:45 |
Things were not going well. |
| 01:17:49 |
l thought by going to him |
| 01:17:52 |
What for? What did you ask him? |
| 01:17:54 |
l couldn't... it was impossible |
| 01:17:57 |
l... l didn't knowwhere to start, |
| 01:17:59 |
What did you ask him? Tell me. |
| 01:18:02 |
Things were bad between us and |
| 01:18:04 |
Well, yes, l guess so. Yes. |
| 01:18:07 |
We needed a change. |
| 01:18:09 |
and asked him to take you out |
| 01:18:11 |
so l could make a decision l hadn't |
| 01:18:14 |
You asked Cuervo Flores to seduce me? |
| 01:18:17 |
-No. |
| 01:18:19 |
Answer me, because if you did |
| 01:18:22 |
-l didn't. |
| 01:18:23 |
-No, l'm not lying. l... |
| 01:18:26 |
-No! |
| 01:18:28 |
-No, no! |
| 01:18:30 |
-No, no! The only thing l asked him... |
| 01:18:32 |
No, l couldn't decide what to do |
| 01:18:36 |
that if he took you out a fewtimes |
| 01:18:38 |
and together we'd be able |
| 01:18:41 |
-That's it. |
| 01:18:43 |
-And actually l didn't do too badly... |
| 01:18:44 |
Just think... |
| 01:18:48 |
-24 hours a day... |
| 01:18:50 |
cursing me all day long from the time |
| 01:18:53 |
And thanks to me, you actually started |
| 01:18:57 |
-You bloody idiot. |
| 01:18:58 |
No, no, no! Thanks to the fact... |
| 01:19:01 |
that l began to enjoy |
| 01:19:03 |
a guy who's always chatting me up, |
| 01:19:05 |
a guy who's always chatting me up, |
| 01:19:09 |
but whenever he wants to kiss me |
| 01:19:10 |
because like an idiot l think |
| 01:19:14 |
-What guy? |
| 01:19:17 |
Here, take this. |
| 01:19:19 |
You're on your own. We've just split. |
| 01:19:22 |
-Damian? |
| 01:19:25 |
Tana? |
| 01:19:26 |
Tana, come back. |
| 01:19:29 |
Tana! |
| 01:19:38 |
Morning, Tana. How are you? |
| 01:19:40 |
To tell you the truth, |
| 01:19:43 |
with a strong urge to kill someone. |
| 01:19:46 |
Who would you like to kill today? |
| 01:19:47 |
All the cowards, or chickenshits |
| 01:19:51 |
and who basically behave like |
| 01:19:54 |
So l'd like to dedicate |
| 01:19:57 |
to all those people who are able |
| 01:20:00 |
living with someone they don't love |
| 01:20:02 |
Those who can't be sincere |
| 01:20:04 |
to all those people who... |
| 01:20:07 |
can cook up pathetic, childish plans. |
| 01:20:11 |
So if that description fits you, |
| 01:20:12 |
please keep away from Tana Ferro. |
| 01:20:14 |
l met a guy who was so uptight and |
| 01:20:18 |
listen to what he did... |
| 01:20:20 |
but it's a true story. |
| 01:20:22 |
He hired a guy to seduce his wife... |
| 01:20:25 |
and get her to leave him, |
| 01:20:28 |
lt's amazing but men like that exist. |
| 01:20:33 |
So there we had Tana Ferro and |
| 01:20:38 |
Thanks, Tana. |
| 01:20:41 |
a hotel where couples can really get |
| 01:20:45 |
We'll be back. |
| 01:20:47 |
Tana... |
| 01:20:52 |
So you were already separated? |
| 01:20:56 |
-No. |
| 01:20:59 |
-And you're with...? |
| 01:21:01 |
-l'm alone. That's all in the past. |
| 01:21:04 |
And since we're both here... |
| 01:21:08 |
we should both tell the truth. |
| 01:21:11 |
-Right? |
| 01:21:13 |
-We should be frank, right? |
| 01:21:16 |
So l need you to tell me... |
| 01:21:17 |
if you slept |
| 01:21:19 |
-Yes, l slept with him. |
| 01:21:21 |
l slept with him. |
| 01:21:24 |
-Tell the truth, no, tell the truth. |
| 01:21:25 |
-He's like this all the time... |
| 01:21:27 |
-He's like this all the time... |
| 01:21:29 |
l'm not going to talk anymore. |
| 01:21:30 |
lf you refuse to tell the truth... |
| 01:21:33 |
This is a joke, Blanca. |
| 01:21:35 |
Well, of course it's a joke. |
| 01:21:41 |
What l will say, |
| 01:21:44 |
is that in the last 2 years... |
| 01:21:48 |
l've felt very lonely. |
| 01:21:50 |
l'm not talking about a day, a week |
| 01:21:56 |
Because when the person you choose |
| 01:21:59 |
to have a family with... |
| 01:22:05 |
starts making things difficult... |
| 01:22:08 |
it's not very pleasant for anyone, |
| 01:22:15 |
And when l tried... |
| 01:22:19 |
to change things, l fantasised |
| 01:22:25 |
l would've like to hear that, |
| 01:22:31 |
-Did l never tell you? |
| 01:22:34 |
No, just a moment... |
| 01:22:36 |
No, just a moment... |
| 01:22:38 |
Tell the truth. Don't lie. |
| 01:22:41 |
-So we never spoke? |
| 01:22:43 |
OK. Fine. Even so you had no right... |
| 01:22:47 |
to give up and spend all day indoors... |
| 01:22:50 |
Tana... |
| 01:22:52 |
lt was too much, wasn't it? |
| 01:22:57 |
Alright, l acted badly, |
| 01:23:00 |
but what l did turned out |
| 01:23:02 |
but what l did turned out |
| 01:23:06 |
You got going again. |
| 01:23:09 |
Well... look at her. |
| 01:23:13 |
you feel better. |
| 01:23:15 |
So what l did... to a certain extent... |
| 01:23:21 |
You never knew the talent you had |
| 01:23:27 |
And when you began to change, |
| 01:23:33 |
l fell in love with you |
| 01:23:38 |
l began to feel what l had felt |
| 01:23:40 |
when we started going out together, |
| 01:23:48 |
and l wanted to stop everything, |
| 01:23:54 |
lt could happen to anyone. |
| 01:23:58 |
That's why l say... |
| 01:24:06 |
lf you still love me, l'm here. |
| 01:24:15 |
l want you to come backto me. |
| 01:24:21 |
l want you at my side again. |
| 01:24:27 |
How does that sound to you, Tana? |
| 01:24:36 |
l don't know. The thing is that... |
| 01:24:40 |
l don't know. l had no problem |
| 01:24:44 |
l mean... |
| 01:24:46 |
l was in a bad way, obviously. |
| 01:24:52 |
l just don't know. l still loved you, |
| 01:24:57 |
but other things that don't include |
| 01:25:02 |
l always thought that at 30... |
| 01:25:04 |
l would be settled professionally, |
| 01:25:08 |
at ease with myself, |
| 01:25:10 |
but perhaps |
| 01:25:13 |
l'm sorry, l know you would've |
| 01:25:16 |
Well... it's late, l don't know. |
| 01:25:19 |
But l'm not that old, 30 something. |
| 01:25:23 |
But maybe it's only now |
| 01:25:26 |
or could have started thinking |
| 01:25:29 |
although l haven't the slightest idea |
| 01:25:32 |
let alone look after a kid, |
| 01:25:35 |
but... l could've started thinking. |
| 01:25:42 |
Uh... perhaps l see things |
| 01:25:45 |
l don't think people can be happy |
| 01:25:49 |
least of all couples. |
| 01:25:54 |
But it's not very brave... |
| 01:25:56 |
to run off |
| 01:26:03 |
What l liked |
| 01:26:05 |
is that l thought... |
| 01:26:11 |
even with my screwed up personality, |
| 01:26:15 |
with the swearing, the cellulitis... |
| 01:26:19 |
with all that is bad in me. |
| 01:26:22 |
Or l thought you did. |
| 01:26:24 |
Or l thought you did. |
| 01:26:32 |
But, well, l was wrong. |
| 01:26:38 |
And now you talk about sex... |
| 01:26:40 |
l'd never thought that it was |
| 01:26:42 |
lt's only now l see |
| 01:26:46 |
Love for me was being able to... |
| 01:26:49 |
l feel ashamed to say this, but... |
| 01:26:51 |
sitting on the sofa reading |
| 01:26:55 |
l thought that was part |
| 01:26:57 |
Or taking you a tea |
| 01:26:59 |
Me too. |
| 01:27:05 |
l imagine you must have formed... |
| 01:27:06 |
some ideas about yourself too, right? |
| 01:27:09 |
Your fears? l don't know. |
| 01:27:14 |
Why the surprise? What fears? |
| 01:27:16 |
Why that shocked expression? |
| 01:27:18 |
-l'm not shocked. |
| 01:27:25 |
Fear of everything, |
| 01:27:29 |
of me, because you did all this |
| 01:27:31 |
Fear of fear, because you're a coward. |
| 01:27:33 |
Fear paralyses you... |
| 01:27:36 |
and makes you do |
| 01:27:37 |
l don't know if you sawwhat he does |
| 01:27:40 |
that drives me crazy. |
| 01:27:53 |
l can't say any more because |
| 01:27:59 |
lt helps me to speak, to understand |
| 01:28:02 |
lt helps me to speak, to understand |
| 01:28:05 |
or were, |
| 01:28:07 |
although we can't do anything |
| 01:28:14 |
Well... |
| 01:28:17 |
ln that case... |
| 01:28:21 |
to retain the |
| 01:28:25 |
that you surely did have... |
| 01:28:28 |
and separate on the best terms. |
| 01:28:35 |
Excuse me. |
| 01:28:40 |
Yes, l... |
| 01:28:43 |
lt'd be important for me... |
| 01:28:46 |
to have another session, |
| 01:28:52 |
Why not take a few days... |
| 01:28:54 |
to think it over before you ring me? |
| 01:29:00 |
-No, l don't know. |
| 01:29:04 |
How much do l owe you? |
| 01:29:06 |
-240. |
| 01:29:11 |
How much? |
| 01:29:13 |
240. Those are my fees. |
| 01:29:16 |
-Have you got...? |
| 01:29:19 |
-Have you got anything? |
| 01:29:22 |
Yes, but l don't know if it's enough. |
| 01:29:24 |
How much have you got? |
| 01:29:29 |
l've got 200 here. |
| 01:29:31 |
-l've got 100. Let me have that. |
| 01:30:43 |
Hello. |
| 01:30:45 |
Hello? |
| 01:31:10 |
What do you want? |
| 01:31:14 |
l wanted to know how you were. |
| 01:31:22 |
l received the summons. |
| 01:31:25 |
You knew it was coming. |
| 01:31:31 |
Yes, l knew. |
| 01:31:34 |
l thought you were going to warn me. |
| 01:31:37 |
Yes, l warned you. |
| 01:31:45 |
l imagined you were going |
| 01:31:56 |
lt hurts... |
| 01:32:05 |
-l have to sign... |
| 01:32:09 |
We'll worry about that |
| 01:32:13 |
-Do we sign together? |
| 01:32:18 |
-Polsky and Ferro. |
| 01:32:20 |
Polsky and Ferro. |
| 01:32:22 |
The secretary's a little late. |
| 01:32:26 |
-What did he say? |
| 01:32:30 |
-Has it been postponed? |
| 01:32:34 |
Where are you going? |
| 01:32:42 |
What? |
| 01:32:47 |
-Are you staying? |
| 01:32:58 |
-You can't smoke here, can you? |
| 01:33:26 |
l'll be back. |
| 01:33:39 |
-Here you are. |
| 01:33:45 |
-Yes? |
| 01:33:48 |
There's no cold meat left. |
| 01:33:50 |
No, thanks. |
| 01:34:02 |
Excuse me... can l? |
| 01:34:05 |
Of course. |
| 01:34:09 |
Want some? |
| 01:34:13 |
Want some? |
| 01:34:15 |
Speakto me, say, yes, l'll have some. |
| 01:34:19 |
-Yes, l'll have some. |
| 01:34:37 |
How long to go? |
| 01:34:41 |
-An hour. |
| 01:34:44 |
That's a lot. |
| 01:34:52 |
What shall we do? |
| 01:34:59 |
That always happens. |
| 01:35:12 |
-Shall we talk? |
| 01:35:18 |
How are things? Are you well? |
| 01:35:19 |
-Diego ''Tenso'' Polsky. |
| 01:35:22 |
-How are you? |
| 01:35:34 |
Polsky, Ferro. |
| 01:35:37 |
Polsky, Ferro. |
| 01:35:41 |
l really want to apologise if... |
| 01:37:16 |
l really want to apologise if... |
| 01:37:21 |
And is Miss Natalia good to you? |
| 01:37:25 |
Stop, stop...! |
| 01:37:38 |
l didn't know what l was doing. |
| 01:37:49 |
What a surprise! |
| 01:38:17 |
People are looking... they're staring. |
| 01:38:19 |
They pay their taxes, that's all... |
| 01:38:25 |
Forgive me, forgive me... |
