Nuovomondo The Golden Door
|
00:04:44 |
Come on! |
00:04:54 |
Anybody here? |
00:05:10 |
You scared me! Who is he? |
00:05:23 |
The deaf mute. |
00:05:47 |
So what do you want? |
00:05:50 |
Go on. Go on. |
00:05:53 |
Shall I tell her? She's possessed. |
00:05:58 |
She doesn't talk, sleep or eat anymore. |
00:06:03 |
There's a curse on her. |
00:06:05 |
She says |
00:06:08 |
How did it get in there? |
00:06:11 |
- Go on. Tell her. |
00:06:14 |
- You heard her. |
00:06:24 |
When did it start? |
00:06:26 |
When Don Ercole |
00:06:33 |
- Look at these. |
00:06:37 |
No, these aren't words. |
00:06:40 |
They're real things. Look. |
00:06:59 |
Look at the onion! |
00:07:05 |
Is that money on the tree? |
00:07:08 |
It's the new land. |
00:07:13 |
Burn them. |
00:08:45 |
Don't be afraid. |
00:08:48 |
So what do we do? |
00:08:50 |
Shall we remove it? |
00:08:53 |
- I can't take it anymore! |
00:09:02 |
It's over. Calm down now. |
00:09:28 |
We're here. |
00:09:31 |
We've brought the stones. |
00:09:39 |
We wanted to ask you something. |
00:09:47 |
What should we do? |
00:09:49 |
Should we leave, |
00:10:04 |
Give us a sign, just a sign. |
00:10:10 |
We'll wait here. |
00:10:13 |
We won't move. |
00:11:15 |
SALVATORE: Blessed be the Lord. |
00:13:04 |
- Zapparelli. |
00:13:08 |
Hey, there. |
00:13:22 |
Get that goat. |
00:13:25 |
- Where is he? |
00:13:26 |
He's inside? |
00:13:40 |
- Good morning. |
00:13:44 |
Here are our animals. |
00:13:47 |
Take a look at them. |
00:13:52 |
Take a look. |
00:13:57 |
and it hasn't even been |
00:14:03 |
Beautiful, huh? |
00:14:05 |
Look at this one. |
00:14:09 |
- You're sure this time? |
00:14:12 |
And your mother? |
00:14:14 |
If she wants to come, fine. |
00:14:19 |
We're leaving. |
00:14:24 |
We'll get you some clothes. |
00:14:27 |
Leave the animals here. |
00:14:40 |
Come in. |
00:14:43 |
Come on. Have a seat. |
00:14:49 |
Take that hat off. |
00:14:55 |
Take that thing off! |
00:15:14 |
Hands off! |
00:15:20 |
Lift your foot. |
00:15:27 |
These boots used |
00:15:31 |
a scoundrel with a heart of gold. |
00:15:34 |
- They seem good to me. |
00:15:41 |
Look at these wooden soles. |
00:15:53 |
Your foot. |
00:15:56 |
These belonged |
00:16:03 |
Take my advice. |
00:16:07 |
Of course. |
00:16:09 |
You understand? |
00:16:21 |
This here |
00:16:26 |
is for Salvatore. |
00:16:29 |
This, on the other hand, is for Angelo. |
00:16:37 |
As for this, it's for Pietro. |
00:16:41 |
It was Bastianuzzo's. |
00:16:48 |
These are clothes for a prince. |
00:16:51 |
- I can't send you to America in rags. |
00:16:56 |
Put them on. |
00:17:03 |
How will I find my brother there? |
00:17:05 |
Your brother, |
00:17:09 |
Maybe he's changed his name, |
00:17:14 |
but he couldn't have changed his face. |
00:17:18 |
I bet they'll think you're him |
00:17:48 |
Know where the cloaks are from? |
00:17:53 |
That way, our dead will travel with you. |
00:18:04 |
SALVATORE: Come on. |
00:18:16 |
Turn left. |
00:18:33 |
ANGELO: When did your brother leave? |
00:18:36 |
SALVATORE: When Pietro was born. |
00:18:38 |
- Why didn't we leave, too? |
00:18:45 |
What's your brother like? |
00:18:48 |
What do you mean? |
00:18:54 |
How can we be sure we'll find him? |
00:18:56 |
Of course we'll find him. |
00:19:06 |
SALVATORE: Your clothes! |
00:19:11 |
Stop! |
00:19:16 |
Stop! Enough! You bloody fool! |
00:19:25 |
Hold this! |
00:19:29 |
Look at you! |
00:19:35 |
- You're sick. |
00:19:38 |
Pick up your things. |
00:19:42 |
Are you planning |
00:19:52 |
Your shoes! |
00:19:55 |
- I've lost my shoes. |
00:19:57 |
You'll walk |
00:20:03 |
- No! |
00:20:07 |
- I'm cursed. |
00:20:11 |
Pick them up! |
00:20:14 |
Get going! Get! |
00:20:22 |
Come on! |
00:20:31 |
We have to arrive looking like princes! |
00:20:36 |
Here. |
00:20:39 |
Don't get it dirty. I'm cursed. |
00:21:27 |
Come on! |
00:21:35 |
- Look at that! |
00:21:38 |
Come on! |
00:22:06 |
- Hey, you! |
00:22:10 |
They're angry with us. |
00:22:14 |
Can't the spirits come with us? |
00:22:21 |
They fear the sea. |
00:22:23 |
They say thousands |
00:22:27 |
So talk them round! |
00:22:35 |
Damn me and my ancestors! |
00:22:38 |
Do we have to stay here? |
00:22:46 |
A great life this is! |
00:22:55 |
She thinks I'm afraid. |
00:22:59 |
She thinks I'm afraid! |
00:23:04 |
Let's stay, then. |
00:24:23 |
Come out now. |
00:24:54 |
SALVATORE: Come on. We have to go. |
00:25:42 |
Mum, where are you going? |
00:25:45 |
To look for you, wretch. |
00:25:50 |
You left me here alone. |
00:25:54 |
- The poor thing, can he come? |
00:25:59 |
I'm bringing him to you. |
00:27:03 |
Come over here. Come on. |
00:27:13 |
Such grim looks! Smile. Smile. |
00:27:18 |
Smile. Smile. |
00:27:25 |
Those who leave are seeds |
00:27:31 |
You're our future. |
00:27:34 |
Embrace each other now. |
00:27:36 |
Embrace each other |
00:27:52 |
That'll do. Get ready. |
00:27:56 |
God will guide you there. |
00:28:00 |
Hurry up now. Let's get going. |
00:28:16 |
Salvatore, you see these two girls? |
00:28:22 |
They have to arrive as they left. |
00:28:27 |
- And how is that? |
00:28:31 |
Come on! |
00:28:34 |
Climb on, Pietro. |
00:29:04 |
Come on! Let's go! |
00:30:29 |
Help me with the shoes! |
00:30:30 |
MAN: This is so fresh |
00:30:34 |
We don't want it! |
00:30:37 |
FORTUNATA: Salvatore, help me down! |
00:30:46 |
SALVATORE: Get your things. |
00:30:51 |
Don't touch anything! |
00:30:58 |
Pietro! Where are you? |
00:31:02 |
SALVATORE: Don't get lost! |
00:31:07 |
Stick together! |
00:31:09 |
We don't want it. Keep moving! |
00:31:12 |
Give us a break! |
00:31:13 |
SALVATORE: Move! |
00:31:18 |
Move it! |
00:31:34 |
What the hell do you want? |
00:31:37 |
- You're leaving for America? |
00:31:41 |
- You have to come with me. |
00:31:45 |
Can you take us to the doctor? |
00:31:48 |
- Yes. |
00:32:17 |
- Are you ill? |
00:32:20 |
Any rashes? |
00:32:24 |
Let me see your tongue. |
00:32:29 |
Are you blind, deaf or mute? |
00:32:34 |
He's not speaking. |
00:32:38 |
No, there's no mute here. |
00:32:40 |
- They repatriate the deaf mutes. |
00:32:44 |
- They send them home. |
00:32:47 |
I can sell you a cure I've invented. |
00:32:51 |
That's rubbish! I'm a healer. |
00:32:55 |
Maybe you do, maybe you don't, |
00:32:57 |
but this cure for mutes |
00:33:03 |
Let me see if you have fleas. |
00:33:05 |
Stick your tongue out. Come on! |
00:33:10 |
- Move on! Move on! |
00:33:17 |
- Where are you taking that? |
00:33:19 |
- You have to pay. |
00:33:21 |
- You have to pay for it. |
00:33:25 |
- It only costs two cents. |
00:33:27 |
- Two cents. |
00:33:29 |
- Because it's for sale. |
00:33:32 |
- Medicine for the teeth. |
00:33:34 |
- He said it was for mutes! |
00:33:37 |
We don't need it, then. Let's go. |
00:34:02 |
Mancuso, four of us and these ladies |
00:34:07 |
MAN: Do you have photos? |
00:34:12 |
- Your photos. |
00:34:14 |
Carmelo, get photos done |
00:34:19 |
Okay. Follow me. |
00:34:23 |
Watch where you're going. |
00:35:02 |
Off you go. Off you go. |
00:35:05 |
Next. Come on. |
00:35:12 |
- Miss, are you together? |
00:35:17 |
- How many are you? |
00:35:21 |
Your name? |
00:35:24 |
Mancuso... |
00:35:27 |
- MAN: Your name? |
00:35:29 |
Mancuso, Salvatore. |
00:35:31 |
- You? |
00:35:34 |
Angelo. You? What's your name? |
00:35:40 |
- What's his name? |
00:35:42 |
Mancuso, Pietro. |
00:35:44 |
And you, madam, what's your name? |
00:35:48 |
- Fortunata. |
00:35:51 |
- And you, miss? |
00:35:53 |
- Rita. What's your name? |
00:35:57 |
- Rosa. And you, miss? |
00:36:01 |
Luce. |
00:36:03 |
You can go. Off you go! |
00:36:14 |
Excuse me, miss. Miss! |
00:36:18 |
- I'm talking to you. Is she with you? |
00:36:23 |
I'm sorry. |
00:36:26 |
- Are you English? |
00:36:30 |
No. |
00:36:33 |
You are wonderful, my darling. |
00:36:37 |
- Traveling alone? |
00:36:43 |
FORTUNATA: Why are we still here? |
00:36:46 |
Hey, I'm talking to the lady. |
00:36:52 |
You have a boyfriend, America? |
00:37:00 |
No. |
00:37:03 |
No boyfriend, no America. |
00:37:09 |
- You have a passport? |
00:37:13 |
- You have money? |
00:37:17 |
Why? Curious, huh? |
00:37:21 |
I have a boyfriend for you, America. |
00:37:27 |
I have, America. |
00:37:31 |
Come on! Come on! Come on! |
00:37:33 |
- Don't touch me. |
00:37:36 |
Where are you off to? Get lost! |
00:37:38 |
FORTUNATA: Salvatore, what's she got |
00:37:44 |
Come on! |
00:38:03 |
SALVATORE: Whatever that |
00:38:08 |
Come on, Pietro. |
00:38:55 |
MAN: Third class! Show your tickets! |
00:39:30 |
Stick together! |
00:39:43 |
MAN: Where are you going? |
00:39:47 |
- Damn you! |
00:39:52 |
Stay with me, you blockhead! |
00:41:06 |
Come on! Come on! Let us through! |
00:41:11 |
No, not here. Men here, women there. |
00:41:16 |
All the women together, |
00:41:20 |
No pushing! Stop pushing! |
00:41:24 |
FORTUNATA: Salvatore! |
00:41:29 |
- Get your hands off me! |
00:41:32 |
Mancuso, there are four of us. |
00:41:36 |
MAN: Yes, yes. Men here, women there. |
00:41:38 |
You stay with me. |
00:41:49 |
Stay calm! |
00:41:58 |
I have my whole family with me! |
00:42:19 |
Excuse me, madam. This is my bed. |
00:42:21 |
- I'm here now. |
00:42:28 |
- I can't read. |
00:42:48 |
ANGELO: Dad! |
00:42:55 |
That's good. Take that one. |
00:43:08 |
Good, Pietro. |
00:43:14 |
ANGELO: I'll go here. Just below, Dad. |
00:43:22 |
- Is your father comfortable? |
00:43:25 |
He's an old man, you know. |
00:43:29 |
- Mancuso, Salvatore, from Petralia. |
00:43:40 |
- I'm sorry. |
00:43:43 |
- Mancuso, Salvatore, from Petralia. |
00:43:47 |
- Esposito, Nicola, from Cinisi. |
00:43:51 |
This is my son. |
00:43:55 |
Esposito, Nicola, from Cinisi. |
00:44:00 |
I've never slept |
00:44:03 |
Foreigners? But we're not foreigners! |
00:44:08 |
- Italian? |
00:44:10 |
- We don't speak the same way. |
00:44:14 |
If you say so. |
00:44:16 |
If you know so much, |
00:44:19 |
- When do we see Big Luciano? |
00:44:23 |
He means the big ocean, the Atlantic. |
00:44:26 |
- That's right. |
00:44:36 |
Can you help me, please? |
00:44:43 |
Thank you. |
00:44:58 |
- Why turn your dress inside out? |
00:45:01 |
Why did you turn |
00:45:06 |
To keep it clean on the journey. |
00:45:11 |
- What's your name? |
00:45:15 |
- What's the garlic for? |
00:45:19 |
- Want some? |
00:45:25 |
- What's your name? |
00:45:36 |
God only knows how long |
00:45:40 |
and this is just the beginning. |
00:45:45 |
- I should have stayed at home. |
00:45:48 |
Could you lower your voice? |
00:45:53 |
Then have one! What do I care? |
00:45:58 |
This is the last thing I needed. |
00:46:01 |
A journey like this ahead, |
00:46:09 |
There's nothing here. |
00:46:16 |
- Nothing at all. |
00:46:23 |
Come over here. |
00:46:30 |
Wait. |
00:46:35 |
Come here, Mum. |
00:46:40 |
Sit down. |
00:48:00 |
I could |
00:48:04 |
who would help you out of this mess, |
00:48:07 |
someone who could give you a hand, |
00:48:09 |
perhaps someone |
00:48:15 |
It wouldn't be a terrible thing. |
00:48:17 |
I could find you a very wealthy, |
00:48:49 |
They have such big, fine horses |
00:48:55 |
I hear they even |
00:48:59 |
I can't swim, but I wouldn't mind |
00:49:04 |
Sure, maybe there are even |
00:49:09 |
You really believe that? |
00:49:13 |
Hey, Caruso. |
00:49:16 |
Take this to Miss Luce. |
00:49:26 |
Give this to Rita from Giovanni. |
00:49:32 |
Excuse me. |
00:49:37 |
Nothing. And you? |
00:49:39 |
- She looked at me. |
00:49:42 |
How could she look at you |
00:49:46 |
- She looked at me. |
00:49:48 |
You can't be serious. |
00:49:53 |
- You just have to pay. |
00:49:56 |
With all due respect, |
00:50:00 |
Miss Luce is traveling with me, |
00:50:03 |
and no one is to disrespect her. |
00:50:25 |
Miss Luce. Miss Luce. |
00:50:30 |
- My father sent this. |
00:50:36 |
- Where's your mother? |
00:50:40 |
She died long ago. |
00:50:44 |
The lady's not interested in all that. |
00:50:49 |
- Aren't you married? |
00:50:53 |
- Don't you want to marry? |
00:56:05 |
WOMAN: Apparently, Miss Luce |
00:56:08 |
He was related to their king. |
00:56:10 |
- He had a castle. |
00:56:14 |
She left her husband to go to America. |
00:56:18 |
When she got there, |
00:56:21 |
- She couldn't get in alone. |
00:56:26 |
ANGELO: They say |
00:56:29 |
but he had so many wives |
00:56:34 |
She's all on her own now, |
00:56:37 |
and she needs a man to care for her. |
00:56:41 |
- Perhaps she's a queen. |
00:56:50 |
Signor Belvedere, Lucy. |
00:56:54 |
Signor Belvedere |
00:56:56 |
of ice in New York City. |
00:57:40 |
FORTUNATA: The sleepwalker's back. |
00:57:50 |
If you want my men's protection, |
00:57:53 |
Behave yourself like the rest of us. |
00:57:56 |
My son's not right for you. |
00:58:00 |
You need a man who can support you. |
00:58:05 |
Why? What's wrong with my hands? |
00:58:32 |
Come here, Pietro! |
00:58:51 |
Don't be scared. Come with me. |
01:03:08 |
You'll wake him! |
01:03:12 |
Let go of me! |
01:09:25 |
So where's America? |
01:09:31 |
It's here, but you can't see it. |
01:09:37 |
- Good morning. |
01:09:45 |
You look younger without a mustache. |
01:09:50 |
I'm still young, though. |
01:10:01 |
Salvatore, would you marry me? |
01:10:06 |
Who? Me? |
01:10:10 |
Of course. Right away. |
01:10:16 |
You're the one asking me? |
01:10:20 |
I need a man to help me get in. |
01:10:25 |
I'm here. When can we get married? |
01:10:31 |
When we reach the island, |
01:10:36 |
I'll call you right away. I'm not scared. |
01:10:43 |
I'm not marrying you for love. |
01:10:53 |
Love? |
01:10:56 |
We hardly know each other. |
01:11:01 |
Those things take time. |
01:11:04 |
Isn't that right? Isn't that right? |
01:11:12 |
Yes. |
01:11:16 |
Here's what we'll do. |
01:11:19 |
Give me a lock of your hair. |
01:11:29 |
Now we won't lose each other. |
01:11:36 |
I don't believe in magic. |
01:11:40 |
With time, I'll teach you. |
01:11:53 |
- We don't have all day. |
01:11:57 |
MAN 1 : |
01:12:00 |
Stop there! |
01:12:01 |
MAN 1 : |
01:12:03 |
MAN 2: All right. All right, hold it. |
01:12:04 |
MAN 3: Stay behind the line! |
01:12:09 |
Put the bags down! Put the bags down! |
01:12:13 |
MAN 1 : Hats off, sir. |
01:12:16 |
MAN 3: Take your hats off! |
01:12:18 |
Down. Heads down. |
01:12:21 |
Lower your head. |
01:12:22 |
Okay, down. |
01:12:27 |
MAN 3: What month is it? |
01:12:28 |
MAN 1 : Thank you. |
01:12:29 |
MAN 2: |
01:12:30 |
What day is it? |
01:12:32 |
What month? |
01:12:33 |
What month is it? |
01:12:38 |
What day? |
01:12:39 |
What day is it? |
01:12:41 |
I'd like to know. What day is it? |
01:12:52 |
Leave the cross there. |
01:12:56 |
Do you understand me? |
01:12:58 |
Why are you doing this? |
01:13:01 |
Can't you answer? |
01:13:03 |
- Your name? |
01:13:05 |
- Where are you from? |
01:13:09 |
- How old are you? |
01:13:11 |
Thirty-seven. |
01:13:13 |
MAN 1 : |
01:13:14 |
MAN 4: |
01:13:15 |
- MAN 3: Pick up your bags! |
01:13:16 |
Pick up your bags! |
01:13:22 |
In line! In line! |
01:13:23 |
MAN 2: |
01:13:24 |
Everybody in line behind the line. |
01:13:25 |
MAN 3: Nice and neat. |
01:13:31 |
Don't push. |
01:13:33 |
In line! |
01:13:36 |
Look down. Look up. Down. Up. |
01:13:46 |
Don't worry. It's all right. Look down. |
01:13:49 |
Open your eyes. |
01:13:53 |
- Try not to move. |
01:13:56 |
Next. |
01:14:01 |
Hat. |
01:14:08 |
What's your name? |
01:14:12 |
Show me your hat. |
01:14:15 |
Listen. Here. Thank you. |
01:15:15 |
Show me your hands. |
01:15:17 |
MAN: Lift your hands. Lift your hands. |
01:15:21 |
Spread your fingers. |
01:15:23 |
Turn them around. |
01:15:24 |
Turn your hands around. |
01:15:29 |
Good. Open your mouth. |
01:15:30 |
Open wide. Stick your tongue out. |
01:15:34 |
Come on. Further. Further. |
01:15:38 |
To one side. |
01:15:40 |
Further out. |
01:15:48 |
Wider. Stick your tongue out. |
01:15:52 |
Further out. Further out. |
01:15:58 |
Have you been ill? |
01:15:59 |
Have you been sick? |
01:16:01 |
Can he speak? |
01:16:02 |
Can you speak? |
01:16:06 |
Have you been ill? |
01:16:07 |
Can you hear me? |
01:16:09 |
Why don't you answer? |
01:16:11 |
He's my son. |
01:16:14 |
Can't you make him speak? |
01:16:16 |
He's a stubborn one, |
01:16:22 |
- Take your trousers off. |
01:16:24 |
Take them off. |
01:16:27 |
Come on! Come on! |
01:16:30 |
- Leave your brother alone. |
01:16:33 |
Pietro. Pietro, don't be afraid. |
01:16:37 |
Step back, please. |
01:16:38 |
He's still shaken |
01:16:41 |
Follow me |
01:16:42 |
He'll do it now! He'll do it now! |
01:16:46 |
My son stays with... Okay. |
01:16:50 |
My son stays with me! |
01:16:52 |
- Come back here. |
01:16:55 |
- We have to finish the examination. |
01:16:59 |
SALVATORE: Don't worry, Pietro. |
01:17:01 |
- My son... |
01:17:33 |
Would you please lie down? |
01:17:34 |
Lie down, madam. |
01:17:39 |
Lie down on your side, please. |
01:17:42 |
Like this, with your head here. |
01:17:53 |
What's she doing? Get your hands off. |
01:17:58 |
- Calm down. It's procedure. |
01:18:03 |
I don't want anyone touching me! |
01:18:04 |
Excuse me. Madam, |
01:18:06 |
this lady is not used |
01:18:09 |
- Are you English, miss? |
01:18:12 |
- You came with Italians? |
01:18:15 |
Is your husband traveling with you? |
01:18:17 |
My fiancé. |
01:18:21 |
It is highly uncommon |
01:18:22 |
to be traveling with Italians. |
01:18:36 |
MAN 1 : Don't be afraid. |
01:18:52 |
Math test. |
01:18:56 |
How many legs on a horse? |
01:19:02 |
Four. |
01:19:05 |
How many legs on a horse |
01:19:09 |
Four and two. |
01:19:11 |
MAN 1 : Four and two. |
01:19:12 |
Therefore? |
01:19:14 |
- They walk. |
01:19:17 |
How many legs in all? |
01:19:32 |
How many legs |
01:19:48 |
MAN 2: Okay. |
01:19:50 |
All right. All right. |
01:20:22 |
SALVATORE: This is the house. |
01:20:24 |
You can dry things here |
01:20:30 |
You can put them here. |
01:20:35 |
Bread and gold. |
01:20:39 |
You're out at sea in a small boat. |
01:20:45 |
There are two sacks in the boat. |
01:20:47 |
One is full of bread, |
01:20:52 |
Which do you throw overboard? |
01:20:59 |
Why throw them overboard? |
01:21:04 |
Get rid of the gold? |
01:21:09 |
MAN 1 : |
01:21:13 |
I eat the bread. |
01:21:15 |
MAN 1 : |
01:21:21 |
I don't throw anything overboard. |
01:21:23 |
Nothing. |
01:21:26 |
Is that right? Is it right? |
01:21:34 |
I'm ready. |
01:21:56 |
Done. |
01:22:02 |
May I ask, I thought you were looking |
01:22:03 |
for illnesses |
01:22:08 |
Unfortunately, ma'am, |
01:22:12 |
that lack of intelligence |
01:22:15 |
hence contagious in a way. |
01:22:18 |
We are trying to prevent |
01:22:20 |
from mixing with our citizens. |
01:22:24 |
What a modern vision. |
01:24:05 |
Let's try an exercise now. |
01:24:09 |
I'll give you instructions, and you |
01:24:16 |
Open the door |
01:24:29 |
You have to do things |
01:24:34 |
First, you open the door, |
01:24:43 |
You got it wrong. |
01:24:44 |
I asked you to open the door |
01:24:49 |
Start again. |
01:25:01 |
That's better. |
01:25:06 |
Now |
01:25:09 |
open the door, |
01:25:15 |
pick up the book and put it on the floor. |
01:28:51 |
MAN 1 : |
01:28:54 |
WOMAN: Miss Rita D'Agostino, |
01:29:01 |
MAN: |
01:29:11 |
Mr. Scandito, |
01:29:13 |
the lady standing before you |
01:29:14 |
- as your fiancée and future wife? |
01:29:17 |
Miss D'Agostino, do you acknowledge |
01:29:20 |
as your fiancé and future husband? |
01:29:23 |
WOMAN: Do you acknowledge |
01:29:34 |
Miss, look up a little, please. |
01:29:39 |
WOMAN: Miss, do you acknowledge |
01:29:48 |
Yes. |
01:29:52 |
MAN: Very well. |
01:29:54 |
on the 17th of the current month |
01:29:55 |
at Ellis Island. |
01:29:57 |
WOMAN: The wedding will be |
01:30:02 |
MAN: You may now pass the flowers. |
01:30:07 |
WOMAN: Please be seated. |
01:30:14 |
MAN: Moving on. |
01:30:17 |
WOMAN: Miss Rosa Napolitano, |
01:30:22 |
Mr. Ettore Scandelli, please stand up. |
01:30:30 |
Mr. Scandelli, do you acknowledge |
01:30:33 |
- as your fiancée and future bride? |
01:30:39 |
MAN: Miss Napolitano, |
01:30:41 |
do you acknowledge |
01:30:43 |
as your fiancé and future husband? |
01:30:45 |
WOMAN: Miss, do you acknowledge |
01:30:49 |
- How old are you? |
01:30:54 |
- How old? |
01:30:57 |
Liar! Wretch! |
01:31:02 |
I thought |
01:31:06 |
You're so short. |
01:31:09 |
Anyone would think |
01:31:13 |
This is what I left my family for? |
01:31:15 |
I already have a father at home. |
01:31:22 |
Ugly wretch! Have you got money? |
01:31:27 |
WOMAN: Do you acknowledge |
01:31:38 |
Yes. |
01:31:39 |
MAN: Very well. The wedding will take |
01:31:42 |
at Ellis Island. |
01:31:46 |
WOMAN: The wedding will be |
01:31:50 |
Please be seated. |
01:31:52 |
MAN: Moving on. |
01:31:56 |
WOMAN: Miss Dolores Torres, |
01:32:03 |
MAN: Mr. Sergio Dominguez, |
01:32:09 |
WOMAN: Mr. Sergio Dominguez. |
01:32:12 |
MAN: Sergio Dominguez, |
01:32:18 |
Sergio Dominguez, |
01:32:22 |
Why won't you show yourself? |
01:32:26 |
How long will you leave me here? |
01:32:30 |
I've been waiting for days now. |
01:33:02 |
Which one? Right here? |
01:33:05 |
Just take this. |
01:33:10 |
Which one? This one? |
01:33:19 |
The gentlemen have the notes. |
01:33:25 |
- Which one? This lady here? |
01:33:28 |
Would you hand me the notes? |
01:33:42 |
This is for you. Take it. It's for you. |
01:34:01 |
MAN 1 : |
01:34:04 |
Mrs. Fortunata Mancuso. Thank you. |
01:34:10 |
Mrs. Fortunata Mancuso. |
01:34:14 |
- Present. |
01:34:19 |
I'm fine sitting here. |
01:34:24 |
What is that stuff? |
01:34:28 |
She wants to know |
01:34:30 |
Does she think |
01:34:33 |
MAN 2: Madam, do you think |
01:34:39 |
What do you want from us? |
01:34:41 |
MAN 2: What do we want from them? |
01:34:45 |
MAN 2: Who do you mean? |
01:34:48 |
Everyone from the old world. |
01:34:50 |
All the folk |
01:34:54 |
Would you explain to her |
01:34:56 |
if they're fit enough |
01:35:00 |
Madam, we want to know if you're |
01:35:06 |
And you think you're God? |
01:35:08 |
Who are you to decide if we're fit or not |
01:35:14 |
Who do we think we are, |
01:35:17 |
who's good or not good |
01:35:20 |
If she wants to enter the United States, |
01:35:23 |
If she refuses |
01:35:27 |
MAN 2: Madam, if you wish |
01:35:30 |
you must accept its rules. |
01:35:33 |
or we'll deport you. |
01:35:40 |
MAN 1 : Mr. Marcello Tarsitano. |
01:35:43 |
MAN 2: Mr. Marcello Tarsitano, please. |
01:36:07 |
What the hell is this glass? |
01:36:10 |
It's frosted glass. |
01:36:12 |
- Not a thing. |
01:36:17 |
We'd have to climb up. |
01:36:19 |
- Shall we climb up? |
01:36:35 |
What are those long things? |
01:36:37 |
- They look like towers. |
01:36:40 |
- Could they be houses? |
01:36:45 |
How do you get up there? |
01:36:47 |
There's a wooden box that carries |
01:36:52 |
- On its own? |
01:36:54 |
- Can animals go up, too? |
01:36:58 |
- I wouldn't like to go home in a box. |
01:37:01 |
- My house has to be on the ground. |
01:37:09 |
What are you doing? Get down now! |
01:37:30 |
- What do we do? Pray, too? |
01:37:34 |
Let's say them all. |
01:37:37 |
"In the name of the Father, |
01:38:20 |
It's like eating a cloud. |
01:38:23 |
God be praised. |
01:39:12 |
MAN: |
01:39:14 |
on the 17th of the current month |
01:39:15 |
- at Ellis Island. |
01:39:18 |
There are |
01:39:19 |
We now have 10 minutes. |
01:39:21 |
- Excuse me, sir. |
01:39:22 |
You haven't called our names yet. |
01:39:24 |
Your name hasn't been called 'cause |
01:39:27 |
- But he's here waiting to be called. |
01:39:30 |
- Over there. |
01:39:33 |
LUCY: Mr. Salvatore Mancuso. |
01:39:38 |
have you filled out this form? |
01:39:40 |
Mr. Mancuso, |
01:39:44 |
No. |
01:39:48 |
MAN: |
01:39:49 |
WOMAN: Do you know this woman? |
01:39:52 |
You bet I know her, |
01:39:55 |
WOMAN: |
01:39:56 |
MAN: Can you tell me her name? |
01:39:57 |
WOMAN: What is her name, please? |
01:40:01 |
- Luce. |
01:40:04 |
- Luce Reed. You always forget it. |
01:40:10 |
It's a difficult name |
01:40:12 |
Well, he must complete the form. |
01:40:14 |
Please complete the form. Here. |
01:40:32 |
What's going on? |
01:40:39 |
You don't want to marry me? |
01:40:41 |
Of course I do, |
01:40:52 |
I can't write. I can't read, either. |
01:41:01 |
WOMAN: |
01:41:03 |
MAN: Well, |
01:41:05 |
with someone that can write for him. |
01:41:06 |
WOMAN: He comes back another day? |
01:41:07 |
That's me, sir. |
01:41:11 |
What am I supposed to do, |
01:41:13 |
He doesn't know anybody out there. |
01:41:15 |
Take the form and do it quickly, please. |
01:41:27 |
Do you have any notes? |
01:41:40 |
Mr. Salvatore Mancuso, |
01:41:42 |
WOMAN: Mr. Salvatore Mancuso, |
01:41:45 |
Miss Lucy Reed, please stand up. |
01:41:47 |
Mr. Mancuso, do you acknowledge |
01:41:49 |
as your fiancée and future bride? |
01:41:51 |
WOMAN: Mr. Mancuso, |
01:41:53 |
do you acknowledge |
01:41:56 |
Of course. |
01:42:00 |
WOMAN: |
01:42:02 |
MAN: Miss Reed, do you acknowledge |
01:42:04 |
- as your fiancé and future husband? |
01:42:07 |
MAN: The wedding |
01:42:09 |
WOMAN: The wedding will be at |
01:42:12 |
Do you have flowers for your fiancée? |
01:42:17 |
I'll offer you this crown that flies. |
01:43:38 |
Mr. Salvatore Mancuso, |
01:43:41 |
Mr. Mancuso, step forward. |
01:43:49 |
Mr. Mancuso, your son |
01:43:54 |
Your mother is feeble-minded |
01:43:57 |
What is your decision? |
01:43:58 |
MAN: Mr. Mancuso, your son |
01:44:02 |
Your mother is feeble-minded |
01:44:05 |
What will you do now, continue |
01:44:14 |
But... |
01:44:18 |
Excuse me. I... |
01:44:23 |
I don't mean to be disrespectful, |
01:44:30 |
but I don't understand. |
01:44:33 |
What's wrong? |
01:44:38 |
How are my mother |
01:44:40 |
with all the land |
01:44:49 |
Because he doesn't speak? |
01:44:54 |
This way, he won't bore anyone. |
01:44:59 |
And, my mother, look at her. |
01:45:04 |
True, she talks a lot, |
01:45:07 |
but I'll keep her indoors |
01:45:12 |
We've come all this way |
01:45:18 |
Dad, |
01:45:21 |
Grandma told me |
01:45:33 |
She also told me that we have to stay. |