Another Time Another Place

en
00:02:07 This is Mark Trevor speaking to you...
00:02:09 from the actual site
00:02:12 A hundred yards
00:02:14 the sappers have begun to dig down
00:02:17 which only an hour ago
00:02:21 This is the first bomb of its kind
00:02:25 You can hear the sappers
00:02:28 We are nearly down to the warhead
00:02:32 We're going to have to take it easy
00:02:34 There's a good chance
00:02:38 The sappers know in a small chamber
00:02:41 is the Sterg unit.
00:02:43 The wires leading from this complicated
00:02:47 will have to be cut
00:02:53 - How's it coming through, Alan?
00:03:04 Thank you, miss.
00:03:06 I'm afraid I can't let you through.
00:03:09 I know, but I want to get over
00:03:11 You can't do it.
00:03:14 Your paper doesn't want you
00:03:17 It practically demands it.
00:03:19 - Well, it's your risk.
00:03:23 We have uncovered the hinged panel...
00:03:25 which we shall have to open somehow
00:03:30 I thought the angels
00:03:33 Thank you, Sergeant.
00:03:34 But I'm from the New York Standard,
00:03:37 - Do you think this will take long?
00:03:40 If you're still here, we might be having
00:03:43 Fine. I take two sugars.
00:03:45 If I were you,
00:03:48 There's no telling
00:03:53 Oh, it looks so peaceful.
00:03:55 "Gone to bed. Do not disturb. "
00:04:00 What are you doing here, Miss Scott?
00:04:02 The same thing you are, Mr. Trevor:
00:04:04 Don't you realise that thing can blow
00:04:08 That's the story.
00:04:09 Blast. Rain's just what we need.
00:04:13 I want to talk to you.
00:04:18 - Call me when they get to the warhead.
00:04:25 Hello.
00:04:26 I told you not to come down here.
00:04:28 This rain is going to make it
00:04:30 I'll admit it would be cozier in my flat.
00:04:33 You'll catch cold, sneeze,
00:04:35 Then we'll have had it.
00:04:37 The sergeant said
00:04:40 Do you know, if we sit here till then...
00:04:42 it'll be the longest we've been together
00:04:45 We might even get killed together.
00:04:49 Doesn't that frighten you?
00:04:51 The day I met you, I promised myself
00:04:56 No matter how short it is.
00:05:00 - Does that frighten you?
00:05:16 Just as they expected.
00:05:19 then the thing slipped down
00:05:21 Can't he wait until the rain lets up?
00:05:23 This job's A1 category.
00:05:27 Now...
00:05:29 - Well, it's all yours, sir.
00:05:35 Well, we've opened the panel
00:05:39 There are all kinds
00:05:42 and I can see the Sterg unit.
00:05:44 There's a chance
00:05:47 - working with the wires in the rain.
00:05:50 Right, let's have a go at it.
00:06:01 You're all wet.
00:06:03 - I've heard that before.
00:06:07 You recall standing on the dock waiting
00:06:11 when it hit a mine.
00:06:12 No casualties,
00:06:15 one of them being me.
00:06:17 Oh, you looked so funny.
00:06:18 I'm sure I did, with half of my clothes
00:06:22 and all you could do was laugh
00:06:24 It was your angry expression.
00:06:27 Oh, Mark, it's crazy, isn't it?
00:06:29 You spend your life looking for love
00:06:33 and among all the proper people.
00:06:35 And then there's a war...
00:06:38 and you find what you were looking for,
00:06:42 Half drowned.
00:06:43 You didn't help any, either,
00:06:47 after coming back
00:06:50 - Oh, you must have hated me.
00:06:53 After all, I went out on the launch
00:06:57 Most important, I got you.
00:07:01 For which I'm eternally grateful.
00:07:02 For which I'm eternally grateful.
00:07:03 Mark, he's going to cut the wires now.
00:07:11 There's a double core cable
00:07:15 The cable is insulated...
00:07:17 and I'm having to cut the insulation
00:07:21 Then I'll have to cut
00:07:33 Now I've cut the insulation.
00:07:38 Here comes the tricky bit.
00:07:40 The sapper is now going to cut
00:07:50 One.
00:07:56 Two.
00:08:03 Three.
00:08:04 One more.
00:08:15 Four. That's it.
00:08:22 I think I'd better try that again sometime.
00:08:31 Hello?
00:08:33 Hello? Sara?
00:08:35 Hello!
00:08:37 Sara, this is Jake. Hello?
00:08:39 Sara?
00:08:43 - How long before they call back?
00:08:47 No one's that lucky.
00:08:51 - What's the matter?
00:08:54 Why are you looking at me like that?
00:08:56 I was thinking about
00:08:59 and yet how little.
00:09:02 What is there to know,
00:09:06 I want to know everything.
00:09:08 Where you were born,
00:09:13 I was born in a village called St. Giles.
00:09:16 And I grew up there. That's all.
00:09:19 That's only the beginning.
00:09:22 - I'd rather...
00:09:27 St. Giles? It's a place
00:09:34 I like small places.
00:09:39 All day long you can hear
00:09:43 and set your watch
00:09:46 What did you do there?
00:09:48 I went to school, got older,
00:09:54 When the war started,
00:09:57 but they insisted I'd be more useful
00:10:04 You've just jumped a dozen years.
00:10:05 The ones in Cornwall?
00:10:08 I worked on the fishing boats
00:10:10 and lived in a cottage on Tregenna Hill.
00:10:13 Oh, Mark, take me there.
00:10:17 - Meet all the people you knew.
00:10:22 No, I wouldn't be.
00:10:30 - Oh, Mark, never let me go.
00:10:34 - Do you know how much I love you?
00:10:37 Only half.
00:10:39 I still have worlds of love to show you.
00:10:43 I love you more than I've ever loved
00:10:49 Tell me again.
00:10:51 - You're a greedy woman, Sara.
00:11:03 - There's something I haven't told you.
00:11:15 About my boss, Carter Reynolds.
00:11:18 I've worked for him for a long time.
00:11:22 And when I left New York, he...
00:11:26 He asked me to marry him.
00:11:29 I see.
00:11:31 It wasn't the first time he'd asked me.
00:11:34 But this time you said "yes. "
00:11:36 Out of gratitude
00:11:40 Things that I'll tell you about one day.
00:11:44 But now I want to tell him
00:11:50 Sara, look...
00:11:51 Just tell me one thing...
00:11:53 that we'll always be together. Tell me.
00:11:57 Yes, always.
00:12:05 How long can you listen
00:12:08 You'll give in first.
00:12:11 - It sounds anxious.
00:12:16 It must be Jake.
00:12:20 - I'll take you down.
00:12:38 - See you tonight.
00:12:48 - Jonesy.
00:12:51 What are you still doing here?
00:12:55 I've had a telegram, Miss Scott.
00:12:58 - The one in the Army.
00:13:04 Is there anything you'd like me to do?
00:13:09 I'll give you some stuff
00:13:14 - Hello, Nancy.
00:13:20 - Four copies, and I want them clear.
00:13:23 I'm so sorry, Jonesy.
00:13:26 Four copies, clear.
00:14:12 - Haven't you finished yet?
00:14:14 Then what are you sitting around for?
00:14:18 - Darn! I forgot.
00:14:20 - You can say that without shame?
00:14:24 - Pair of kings.
00:14:32 - Well, what's the top?
00:14:35 That's not a very high sky.
00:14:36 - Just play.
00:14:38 We sent the stuff in so they could
00:14:41 we're here knocking ourselves out,
00:14:44 Ante sixpence.
00:14:46 - Anything wild?
00:14:48 - Anything new?
00:14:51 - Two.
00:14:53 Suffer it.
00:14:57 Sara.
00:14:59 I bet a shilling. Yes?
00:15:01 Someone fell out of a plane
00:15:03 Who?
00:15:05 Oh, that's wonderful, Jonesy. Thanks.
00:15:07 The butcher's promised
00:15:10 You know what those butchers are:
00:15:12 - What time you eating?
00:15:14 Better make it 8:00.
00:15:15 - Okay, what have you got?
00:15:19 Why 8:00?
00:15:20 Because you've got to be
00:15:22 Sorry, I have a date.
00:15:24 The boss is flying in.
00:15:26 - Well, he can't be.
00:15:29 It should happen to a dog.
00:15:31 I thought he was at Regensburg
00:15:33 He was. Now he's in a plane
00:15:38 - I've had it. Count me out.
00:15:41 Sorry. Tomorrow night.
00:15:47 Count me out, too.
00:15:59 When the boss flies in,
00:16:02 I told you: I have a date.
00:16:04 - With Mark.
00:16:05 - So I'll see Reynolds here.
00:16:09 What's the difference?
00:16:12 I know. I'm just being cowardly, Jake.
00:16:17 What do you think he'll do
00:16:22 - You're what?
00:16:25 - When did this happen?
00:16:30 I think maybe
00:16:33 But he'll understand.
00:16:34 Reynolds? He's been known to string
00:16:38 - You're a great help.
00:16:42 I'll be seeing you.
00:16:51 Only today I said to Mr. Bunker, I said:
00:16:53 "Listening to Mr. Trevor's broadcasts,
00:16:58 Well, that's nothing to be ashamed of,
00:17:00 They're so good, sometimes
00:17:03 Very funny.
00:17:04 - Thank you, Mrs. Bunker.
00:17:07 - It's 9:00, Miss Scott.
00:17:10 I'm sorry, Mark, but I have to run.
00:17:11 - Just a minute, Sara.
00:17:13 I'll change in a hurry,
00:17:17 Come on, don't look so glum.
00:17:19 - Ready for coffee, Mrs. B.
00:17:26 Here's your coffee, Mr. Trevor.
00:17:28 If you don't mind my saying, so, sir,
00:17:32 - Yes, I am a bit.
00:17:35 The war will soon be over,
00:17:41 Mark, I'm going to have to miss
00:17:45 You won't be missing a thing.
00:17:47 You know you're not supposed to talk
00:17:50 That's my privilege.
00:17:55 You're sure you have to go
00:17:58 When the boss flies in,
00:18:01 - Besides, I'm going to tell him.
00:18:03 About us. And how disgustingly happy
00:18:07 He'll throw some fiery glances at me,
00:18:11 But I'm ready for him.
00:18:14 In fact, I'm even dressing up for it.
00:18:18 You know, I've got to meet a trainload
00:18:23 - Can't you come back later?
00:18:26 I won't be coming back.
00:18:28 When the war's over,
00:18:32 We'll drive to Spain
00:18:35 And every morning I'll wake you up
00:18:39 Did you say
00:18:42 Yes.
00:18:46 Will you be that late?
00:18:48 Come and sit down with me
00:18:49 - I don't dare, darling. I haven't time.
00:18:52 All right.
00:18:55 That's probably Jake.
00:18:58 Hello?
00:18:59 Yes, Jake, I'm still here.
00:19:02 Well, actually, I'm in the tub
00:19:05 Okay. Just wishful thinking.
00:19:09 You'll pick me up? I'll be ready.
00:19:17 Sara, I can't come back tonight,
00:19:22 Well, if that's a joke...
00:19:24 I'm married. My wife's in Cornwall
00:19:32 I don't believe it.
00:19:34 Is there anything more you want done
00:19:38 No, thank you, Mrs. Bunker.
00:19:40 Very well, then, I'll say good night.
00:19:44 I'll be listening to you on the wireless.
00:19:55 It can't be true.
00:19:57 I've got no excuses, Sara. None.
00:20:01 - Why didn't you tell me?
00:20:05 Unless being so much in love with you
00:20:08 I couldn't make myself say it.
00:20:14 And here I was, going to the airport
00:20:18 I've thought about this
00:20:23 Every time I saw you,
00:20:31 - Mark, what are we going to do?
00:20:34 I don't want to hurt you, Sara.
00:20:37 I know, darling.
00:20:41 And I don't want to hurt
00:20:48 What can I say?
00:20:59 - Do you still love her?
00:21:03 You don't know?
00:21:05 But you can make love to me,
00:21:08 Every word I said to you was true.
00:21:10 Oh, that's funny, Mark.
00:21:13 - I don't expect you to understand.
00:21:17 Just tell me to go.
00:21:18 - Why? To make it easy for you?
00:21:23 When you decide what you want to do,
00:21:35 - Is Sara ready?
00:21:38 She used to be everywhere
00:21:41 Suddenly she's late all the time.
00:21:43 Come on, Sara. Snap it up.
00:21:46 Well, how goes it, Mark-boy?
00:21:48 - Couldn't be better, Jake.
00:21:52 - How are we for time, Jake?
00:21:55 Drop you off at your hotel?
00:21:57 Thanks, but someone's coming by
00:21:59 Yeah.
00:22:04 - Goodbye, Mark.
00:22:23 - What's the matter with you?
00:22:27 That guy, Mark...
00:22:31 - What about him?
00:22:34 Like he's waiting for something
00:22:40 How long since you've seen the boss?
00:22:44 Not since I've been in Europe.
00:22:46 I saw him about four weeks ago.
00:22:48 He was passing through
00:22:51 He mentioned your name.
00:22:53 What did he say?
00:22:55 He said, "If you see Sara, tell her
00:22:59 "or run over by a tank in Africa...
00:23:01 "I'll raise her salary. "
00:23:03 - He said all that?
00:23:07 Somebody must've been holding
00:23:16 Let me in on it, Sara. What's happened?
00:23:20 Well, you can tell the boss
00:23:24 Only the tank that ran over me
00:23:44 - Nothing.
00:23:47 Look, it's not going to get here
00:23:50 - Have some more coffee.
00:23:52 You got it all figured,
00:23:54 I thought I had.
00:24:00 Why don't you smoke a cigarette
00:24:12 Hold it.
00:24:14 I'll see if it's him.
00:24:33 - What are you doing in London?
00:24:36 - Out to where, sir?
00:24:37 How much longer
00:24:40 - When's your birthday, son?
00:24:42 We'll celebrate it in Berlin
00:24:44 Your dispatches come in to New York
00:24:47 - Where's Sara?
00:24:52 Hello.
00:24:56 What did your fine Presbyterian
00:25:00 To turn the other cheek.
00:25:03 How are you, Carter?
00:25:05 - How's New York, and Finlay, and Mike?
00:25:09 As you know,
00:25:11 Yes, your column's been improving.
00:25:13 It's wonderful to see you.
00:25:16 All ready, boss.
00:25:17 Just like old times,
00:25:21 Patton's striking south
00:25:24 He's got an arc of armour and infantry
00:25:27 - You talk to him while you were there?
00:25:30 - How was the old boy?
00:25:31 When is he going to meet up
00:25:33 He's in radio contact now.
00:25:35 Have you got any word as to when
00:25:39 Russians don't tell anybody anything,
00:25:42 How many miles a day
00:25:44 It's fantastic.
00:25:46 Just how much fight is there left
00:25:49 Not much.
00:25:51 Why are you going to Paris, boss?
00:25:52 To talk to McLellan about reorganizing.
00:25:54 Then I'm heading for San Francisco.
00:25:56 That's the spot to watch
00:25:58 Not a new League of Nations?
00:25:59 Why not? Because the first one failed?
00:26:01 Well, I'll tell you this:
00:26:03 A man hands me a buck,
00:26:06 But this time, I've got a feeling
00:26:09 Why does it have to work, Carter?
00:26:10 Who are you going to have
00:26:13 The same old people?
00:26:14 This paper will stand for the necessity
00:26:18 We'll slap them
00:26:20 and break our hands applauding
00:26:22 There's been enough slaughter.
00:26:24 A dead man lying face down in the mud
00:26:27 That's all for now, thank you. I'll be back
00:26:31 Get everybody together
00:26:34 And I want to talk to you.
00:26:41 - All right, what's going on?
00:26:44 I mean, about Sara.
00:26:45 She's just getting a little tired,
00:26:48 Look, Mr. Reynolds, I just work here.
00:26:55 Below was a new wilderness...
00:26:57 the wilderness created by the bombing.
00:27:00 As far as the eye could see...
00:27:01 smoke and flame
00:27:04 And in the light thrown...
00:27:12 ...could still watch for the enemy.
00:27:15 Flight Lt. William Briggs...
00:27:18 You kept me informed about her.
00:27:22 I told you,
00:27:24 It has everything to do with it.
00:27:28 Mark Trevor. He's a reporter
00:27:33 We'll talk about it
00:27:36 Another broadcast in the series of...
00:27:37 Recordings and Observations
00:27:39 written, narrated,
00:27:45 That sounded like a good broadcast.
00:27:49 - Mark Trevor.
00:27:51 His stuff might make a good column
00:27:53 Where can I get a hold of him?
00:27:54 You don't have to check on him.
00:27:57 In fact, I'll introduce you.
00:27:59 - How long have you known him?
00:28:01 - How well have you known him?
00:28:03 - How well have you known him?
00:28:04 I'll have to look through your letters.
00:28:07 - I was going to tell you tonight.
00:28:12 Do you think
00:28:15 I wanted to marry him.
00:28:17 Outside of the fact that you were
00:28:20 what's stopping you?
00:28:23 His wife and son.
00:28:27 Give me a cigarette, please.
00:28:31 How long have you known that?
00:28:35 I found out about it
00:28:38 - You've had a big night.
00:28:42 Get a few things ready.
00:28:45 - No, Carter.
00:28:46 Didn't he say he was married?
00:28:49 You're free to travel.
00:28:51 - I can't make any decisions now.
00:28:54 I'm ordering you to go to Paris.
00:28:57 Well, I just quit!
00:29:00 Yes, but that doesn't change
00:29:02 You have three years to go.
00:29:04 But he loves me, Carter.
00:29:06 I'm sure he loves his wife, too.
00:29:08 You haven't been punched enough, is
00:29:11 I want time to figure this out.
00:29:13 - And is he going to help you?
00:29:14 - Did he tell you that?
00:29:16 That's fine. You feel it.
00:29:18 - Lf I were you, I'd get it in writing.
00:29:20 You know I'm right, baby.
00:29:23 I can't go anywhere now.
00:29:24 Then I'll pick you up on my way back,
00:29:28 What do you say?
00:29:31 What can I say?
00:29:33 A simple "yes" will do fine.
00:29:36 - You really think I'm kidding myself?
00:29:40 Sure, I'm just looking for a beating.
00:29:43 You're right, Carter,
00:29:47 - The car's waiting.
00:29:51 I'll be back tomorrow at 4:00.
00:29:55 I'll be packed.
00:29:56 Travel light, because we move fast.
00:30:10 What have you got?
00:30:12 So far, nothing but a headache.
00:30:14 Take an aspirin.
00:30:23 There.
00:30:24 - Is it good?
00:30:26 If you give me some more time,
00:30:28 What's the matter with you?
00:30:30 I'm sorry, Alfy.
00:30:32 - Lf you don't think it's really up to par...
00:30:40 How are you feeling, Jonesy?
00:30:42 I feel a bit hollow, Miss Scott.
00:30:46 - Good night.
00:31:06 - Sure you won't come over for a drink?
00:31:09 - Look, about Sara...
00:31:11 - I know how tough it must have been.
00:31:13 What time do you want to cut the tapes
00:31:15 I'm going to sleep till 9:00...
00:31:17 unless the building falls in.
00:31:23 Good night.
00:32:40 - Sara?
00:32:42 The building just fell in.
00:32:45 - What? Where are you now?
00:32:49 They've accepted
00:32:53 What's our job?
00:32:54 We fly to Paris in three hours,
00:32:57 I'll pick you up in front of your hotel
00:32:59 I'll be ready.
00:33:17 - Can I help you?
00:33:49 - Would you call Mr. Trevor for me?
00:33:51 - Tell him Mr. Thompson is waiting.
00:34:00 Hello, Sara.
00:34:02 - Where's Mark?
00:34:04 He told me that you'd both decided
00:34:08 I didn't know you were concerned.
00:34:10 I've been a friend of theirs
00:34:12 If you were so concerned,
00:34:15 I should have, but...
00:34:20 Oh, darling.
00:34:21 I tried to stay away.
00:34:25 I've been ringing you.
00:34:27 I don't want you to leave me.
00:34:31 Tell me you feel the same. Please!
00:34:33 Yes, we'll find a way out.
00:34:36 How about shoving off?
00:34:38 - Where're you going?
00:34:40 - We're flying to Paris, and then Rome.
00:34:44 Darling, I have to go.
00:34:46 But what about us?
00:34:48 We've got to move, Mark.
00:34:52 Just remember this: I love you.
00:34:56 You will come back to me,
00:34:58 I promise.
00:35:05 Don't catch cold.
00:35:07 Just catch my broadcast,
00:35:30 - Shall I make you some more toast?
00:35:33 I had a terrible night.
00:35:37 And there was me and Mr. Bunker
00:35:40 - That was a nightmare.
00:35:42 Well, I think I'll go
00:35:47 I'll get it, Mrs. Bunker.
00:35:55 Carter, what are you doing
00:35:57 I managed to finish my business
00:36:00 I caught an early plane.
00:36:02 Well, you're just in time for coffee.
00:36:06 Sit down.
00:36:09 I have a lot to tell you, Carter.
00:36:11 I saw Mark just before he left for Paris.
00:36:13 - Sara...
00:36:15 but I'm not going to New York with you.
00:36:17 - We're going to work it out, Mark and I.
00:36:20 - He promised that...
00:36:22 - That's Mark's broadcast.
00:36:24 What? I don't want to miss it.
00:36:25 Sara, before it comes on...
00:36:28 I flew back to tell you myself.
00:36:29 This is the BBC Home Service.
00:36:31 We regret to announce...
00:36:33 that the broadcast
00:36:36 has been cancelled,
00:36:39 of our reporter, Mr. Mark Trevor.
00:36:42 Mr. Trevor was one of a number
00:36:45 at Le Bourget early this morning.
00:36:50 No.
00:36:56 It's a mistake.
00:36:57 No, no, no! It's a mistake!
00:37:00 A list of other victims of the crash
00:37:05 There will now be a short interlude.
00:37:11 Carter, you've always told me:
00:37:15 I've checked and rechecked.
00:37:17 The story's gone to press.
00:37:44 - Well, how is she, Doctor?
00:37:47 She's been here six weeks.
00:37:48 Six weeks is a short time in this case.
00:37:51 Grief does different things
00:37:53 In Miss Scott's mind,
00:37:56 But emotionally, to her,
00:37:59 from which she'll awaken
00:38:01 However, there's
00:38:03 - What's that?
00:38:06 I've prevailed on her
00:38:08 But after that, there's nothing I can do
00:38:11 Doctor, did she tell you
00:38:14 No. Just that she wants to go back
00:38:17 - Can she travel alone?
00:38:19 - All right. May I see her now?
00:38:35 Hello, Sara.
00:38:38 Hello.
00:38:40 I understand you're ready to leave.
00:38:44 - At the end of the week.
00:38:47 - What's my next assignment, Carter?
00:38:55 I thought I'd stay in London for a while.
00:38:57 Not a chance.
00:38:59 I'd take you with me,
00:39:02 There's a ship going from Plymouth
00:39:04 - I'll have Jake put you on it.
00:39:06 That's right.
00:39:08 You'll have nothing to do on board but
00:39:16 Sara, I know how tough it's been on you,
00:39:21 - Do you understand that?
00:39:24 Mark is dead.
00:39:26 When somebody dies, you have to pick
00:39:30 I know.
00:39:31 Because if you don't, you can make
00:39:35 - What do you say?
00:39:38 And I'll give you all the help I can.
00:39:43 I love you, Sara. I'll be waiting for you.
00:39:47 Is it a deal? Saturday, from Plymouth?
00:39:50 It's a deal.
00:39:57 Take care of yourself.
00:40:18 Hi.
00:40:19 - Ready to go?
00:40:21 I got you a nice slow ship
00:40:23 I'll need it.
00:40:26 Who taught you how to pack?
00:40:29 I can give you a cigarette, American.
00:40:32 Relax. I'm fine.
00:40:33 Look, you're not sailing until tomorrow,
00:40:37 and I'll tell you all about how I used
00:40:41 Sorry, Jake. But I'm leaving today.
00:40:43 I don't want to face the crowd
00:40:45 so I'll sleep in Plymouth tonight
00:40:49 I'm supposed to keep you in chains
00:40:51 Well, I'm as good as gone.
00:40:54 From now on, I'll take care of myself.
00:40:57 Okay.
00:40:59 I'm flying out myself tomorrow
00:41:02 Next stop: Japan.
00:41:03 - So, goodbye.
00:41:07 And thanks.
00:41:10 Cor! I waited for hours in the queue
00:41:14 You know, Mr. Klein,
00:41:17 seeing all them people
00:41:19 Me and my husband
00:41:22 - Here they are, Miss Scott.
00:41:25 There's some stuff in the fridge,
00:41:28 Thanks, Miss Scott.
00:41:31 So long, Jake.
00:41:32 Cornwall.
00:41:34 Seems I heard about that place
00:41:37 Isn't that way down
00:41:39 Mind your own business, huh?
00:41:40 Wasn't there a guy we both knew
00:41:43 - So what?
00:41:45 - I just want one look at his house.
00:41:49 That ticket to Cornwall is like
00:41:53 When I found out how near
00:41:55 You thought you'd drop down there
00:41:59 All right, Jake. Hang it up.
00:42:01 Do me a favour, sweetie. Don't go.
00:42:03 - Aren't you going to be late?
00:42:05 I told you I just want to see
00:42:10 Just one look, Sara.
00:43:19 All the boarding houses is full up.
00:43:20 Every train from London
00:43:22 It's nice having the town full again.
00:43:24 We'll get the boats out
00:43:26 Remember that whopper we caught
00:43:29 - Good afternoon, madam.
00:43:30 - Are you the manager?
00:43:33 I'd like a room and bath for tonight.
00:43:34 I'm sorry, ma'am.
00:43:36 - You haven't anything?
00:43:38 It's been so long since people
00:43:41 - that we're completely booked.
00:43:43 - Is there a train to Plymouth tonight?
00:43:48 I wonder,
00:43:50 Why, certainly, madam.
00:43:53 How do I find the old part of town?
00:43:55 Go out there, turn right,
00:43:58 Tregenna Hill.
00:43:59 That's right. Cross the quay,
00:44:02 - Thank you. I'll find it.
00:45:38 Hello.
00:45:41 - Hello.
00:45:44 Are you a tourist?
00:45:46 Yes, I guess I am.
00:45:47 My mother says tourists grow
00:45:50 She's right.
00:45:52 - You're an American, aren't you?
00:45:54 Brian, tea's ready.
00:45:57 I hope he wasn't bothering you.
00:46:05 Are you all right?
00:46:09 Look, come inside and sit down
00:46:18 Come and sit over here.
00:46:22 Would you like a cup of tea?
00:46:25 - Thank you.
00:46:43 Are you feeling any better?
00:46:46 I did a bit too much today.
00:46:48 I was ill recently in London,
00:46:53 My name's Kay Trevor.
00:46:55 Mine's Sara Scott.
00:46:58 - Is this your first visit to St. Giles?
00:47:00 What do you think of it?
00:47:04 Well, I've only been here
00:47:06 That means you've been
00:47:08 Show me.
00:47:11 The left one's not bad,
00:47:21 My father said there's a building
00:47:25 they have lights on it
00:47:29 That's the Empire State Building.
00:47:31 I should like to build something that
00:47:35 and put my head in the clouds
00:47:38 Brian's inherited
00:47:42 You've finished your milk, darling.
00:47:45 Are you staying in St. Giles,
00:47:49 No, I'm going back to Plymouth.
00:47:50 I meant to stay tonight,
00:47:53 That's a shame.
00:47:56 I could give them a ring
00:47:58 Thank you, but it's probably
00:48:01 - My ship for New York is in the morning.
00:48:04 The manager at the hotel said
00:48:08 What will you do in the meantime?
00:48:11 I'll stay at the Inn. My suitcase is there.
00:48:13 That's no fun!
00:48:16 and have dinner with us?
00:48:18 Thank you, but...
00:48:19 Look, the restaurants are going to be
00:48:22 And I can get a lobster.
00:48:25 Yes.
00:48:32 I've got him to bed.
00:48:35 I hope he didn't bother you too much
00:48:39 I enjoyed them.
00:48:40 Good, because he asked if you'd go
00:48:43 - You've made quite a conquest.
00:48:46 He can't talk of anything else
00:48:49 so that he can go back with you
00:48:52 - I couldn't refuse after that.
00:49:00 Is New England the same as England?
00:49:01 Is New England the same as England?
00:49:03 Well, it's a little the same.
00:49:05 Only it's awfully cold in winter, with
00:49:09 To yours, or mine?
00:49:12 Yours.
00:49:14 And in the summer, the sky spreads out
00:49:17 What did you do there?
00:49:19 Well, when I was a little girl...
00:49:20 I used to watch the men
00:49:24 There was the smell of ink,
00:49:27 What does "whirring" mean?
00:49:30 That's the sound the machines make.
00:49:32 If I went to America,
00:49:35 There are lots of boys and girls
00:49:37 Do you have any?
00:49:40 No.
00:49:42 Lights out, Brian.
00:49:44 It's past your bedtime.
00:49:45 - I'll sleep later in the morning.
00:49:51 Good night, darling.
00:49:54 - Good night, Miss Scott.
00:50:03 Would you like a drink before you go?
00:50:05 - Yes, thank you.
00:50:16 Is anything the matter?
00:50:18 No, it's just that music.
00:50:20 I'll turn it off.
00:50:24 Music has such a way
00:50:29 Did it remind you of someone?
00:50:32 You know, I think the most difficult thing
00:50:36 is to be taken off guard.
00:50:39 The feeling of things half-said...
00:50:42 half-finished...
00:50:45 I can tell you something that helped me.
00:50:49 I found it wasn't any good to resist grief.
00:50:53 I just let it have its way...
00:50:55 and after a while,
00:50:59 "Very well, you can bear that. "
00:51:01 It was easier then.
00:51:05 How about that drink?
00:51:09 For a while after my husband's death...
00:51:12 I couldn't come in here
00:51:16 Do you know a line from the Bible:
00:51:19 "And the places that knew them
00:51:24 Yes. I know it.
00:51:35 My husband was with the BBC.
00:51:40 Perhaps you heard some of them
00:51:43 Yes, I did.
00:51:45 He did a series of
00:51:48 The best he did was to describe how
00:51:53 I was so frightened just listening to it.
00:51:57 How long were you in London?
00:51:59 About three months.
00:52:02 I've been here writing articles
00:52:05 - Did you come straight from the States?
00:52:09 Mark and I were there a lot
00:52:12 It's a lovely city.
00:52:16 Life has a strange way...
00:52:18 of standing back until you're happiest...
00:52:21 and then, when you've got
00:52:24 it gives you a solid whack
00:52:27 Do you know what I mean?
00:52:29 I'm a newspaper woman.
00:52:32 What life does to people
00:52:38 Cheers.
00:52:45 I'd better go. I don't want to miss
00:52:48 I'm afraid you're not going to make it.
00:52:52 Can't I take a taxi?
00:52:54 Not at this hour.
00:52:56 But my ship leaves early in the morning.
00:52:58 Look, why don't you stay here tonight,
00:53:01 - I couldn't.
00:53:04 And I am sure that Brian
00:53:06 he'd be delighted to ask you
00:53:08 Come on, I'll show you the room.
00:54:45 - Well, good night, Mr. Polworth.
00:56:31 Miss Scott?
00:56:41 Ship Inn.
00:56:42 Good morning, this is Mrs. Trevor
00:56:46 Yes, Mrs. Trevor?
00:56:47 Did a Miss Sara Scott
00:56:50 No, nobody's checked in, Mrs. Trevor.
00:56:53 I see. Thank you.
00:56:59 - Number, please.
00:57:08 Hello.
00:57:09 Alan, it's Kay here.
00:57:10 Hello!
00:57:11 Listen, something rather odd's
00:57:14 - It's nothing serious, is it?
00:57:16 I'll come right away.
00:57:30 So I asked her to stay the night.
00:57:32 When do you think she left the house?
00:57:34 I don't know. Her bed's not slept in.
00:57:37 I'm really worried, Alan.
00:57:41 Her nerves are raw.
00:57:44 She looks like I looked
00:57:48 What's her name?
00:57:49 Scott. Sara Scott.
00:57:54 Well, I'm...
00:57:55 I'm sure everything's all right.
00:57:58 It was the way she looked at things.
00:58:01 As if she were seeing everything
00:58:04 I'll go down to the police station.
00:58:26 I'll call the doctor.
00:58:31 Hello? Eight-five, please.
00:58:36 Hello, Dr. Meade?
00:58:40 Yes. I wonder if you could possibly
00:58:43 There's been a bit of an accident.
00:58:46 Thank you so much. Goodbye.
00:59:12 Dr. Meade says in a few days
00:59:14 Is that a diagnosis or a weather report?
00:59:17 He's really very efficient,
00:59:20 He's written to your doctor in London
00:59:25 I don't remember telling him
00:59:27 Dr. Aldridge.
00:59:32 Are you warm enough?
00:59:34 Yes, fine, thanks.
00:59:35 You know, I'm going to miss you
00:59:39 During the war, Brian and I
00:59:42 but we were always expecting Mark,
00:59:47 And now I've filled your days
00:59:50 I didn't mind that.
00:59:54 When Mark was here...
00:59:56 I used to think St. Giles
01:00:01 Odd, isn't it, how the presence
01:00:04 - can make a whole place beautiful?
01:00:09 It's done me good to have someone
01:00:13 And Brian's had a holiday
01:00:17 He wants you to stay on.
01:00:20 Why don't you stay?
01:00:22 I'd like to, but all of my things
01:00:27 At least they made the ship.
01:00:29 Besides, when the office finds out I'm
01:00:33 You've got your job.
01:00:34 My job's got me.
01:00:36 Yes, I see.
01:00:38 Well, first, you can buy anything
01:00:42 And second,
01:00:45 and tell them that you're covering
01:00:49 and you can't leave
01:00:52 And what do I hand in when I get back?
01:00:54 I'll let you figure that one out
01:01:26 - How are you feeling, Miss Scott?
01:01:28 - Good.
01:01:30 - On what?
01:01:32 Excuse me while I unstick him.
01:01:40 I wanted to come and see you
01:01:42 But then I thought,
01:01:44 I know what a shock it was
01:01:47 Yes, I thought...
01:01:50 That I died with Mark?
01:01:54 Almost. I was in hospital for a month.
01:01:59 On the plane...
01:02:02 did Mark say anything?
01:02:04 - About you?
01:02:07 I don't remember.
01:02:10 Or you don't want to remember.
01:02:13 Does it matter?
01:02:19 Kay tells me
01:02:22 Yes, she did.
01:02:23 You told her you couldn't.
01:02:25 Look, if you think you can travel...
01:02:29 I haven't enough petrol
01:02:31 but I can manage Torquay.
01:02:33 There are some good hotels there.
01:02:35 And while you're there,
01:02:37 How would I explain that to Kay?
01:02:39 I'll do the explaining.
01:02:42 Why do you think you have the right
01:02:45 I'm only trying to prevent Kay
01:02:51 I'm not going to hurt her.
01:02:55 If you stay here, sooner or later
01:02:59 And not from me.
01:03:01 And not from me.
01:03:04 If you don't feel up to it...
01:03:05 I'll contact your office
01:03:08 You're very kind.
01:03:09 Don't mention it.
01:03:11 But I think I can handle this myself.
01:03:14 Let me know what you decide.
01:03:16 Alan.
01:03:21 Tell me.
01:03:22 What did Mark say?
01:03:24 Nothing.
01:03:42 Stick the pin around the strut.
01:03:45 Not in my finger!
01:03:47 - You said you'd take me sailing.
01:03:50 Today.
01:03:51 Okay, today.
01:03:52 I'll get my boots.
01:03:57 What are you doing this evening, Kay?
01:03:59 I think I'll stay at home.
01:04:02 Isn't Sara well enough
01:04:05 No, not really.
01:04:07 Let me pick you up at 7:00.
01:04:09 Another time, Alan. Please.
01:04:11 I'm ready!
01:04:13 Good boy.
01:04:15 Well, I'll call you tomorrow. Come on.
01:04:40 Yes?
01:04:41 Mr. Reynolds, I have your call
01:04:46 Dr. Aldridge?
01:04:47 Yes, this is Dr. Aldridge.
01:04:49 This is Carter Reynolds.
01:04:51 I'm afraid I've got some rather
01:04:54 I don't understand.
01:04:56 No. It seems she went
01:05:00 St. Giles, in Cornwall.
01:05:02 Well?
01:05:03 Well, the point is,
01:05:06 She's actually staying in his house.
01:05:08 What?
01:05:09 I received a letter from a Dr. Meade,
01:05:14 He said she suffered some kind
01:05:18 We've got to get her out of there.
01:05:19 I'm afraid I really have
01:05:22 I simply felt it was my duty to get
01:05:26 Of course, I agree. She should leave
01:05:29 All right, Doctor. Thanks.
01:05:35 - You'd better think fast.
01:05:37 - Sara's still in England.
01:05:39 She's living in Trevor's place.
01:05:42 She said she was just going
01:05:44 How could I know
01:05:49 - Get me air reservations, please.
01:05:51 - I think I'll hang myself.
01:05:54 What do you think she's doing?
01:05:58 What does any woman want to do
01:06:00 - Yeah? What?
01:06:06 As far as the eye could see...
01:06:08 smoke and flame reached
01:06:10 And in the light
01:06:13 the young face of the dead copilot
01:06:16 his eyes still open, as though even
01:06:21 Flight Lt. William Briggs, the pilot who
01:06:25 in the countryside he had just
01:06:28 stared silently ahead as he turned
01:06:44 I hope you don't mind.
01:06:47 Of course not.
01:06:48 That's one of the broadcasts I heard
01:06:52 It was almost the last.
01:06:54 How many did he do altogether?
01:06:56 One a week from the time
01:07:00 The ones I heard were very good.
01:07:02 I thought they were all good.
01:07:04 He wanted to turn some of them
01:07:08 Occasionally, he would come home
01:07:12 but he never had enough time.
01:07:16 Have you ever thought
01:07:19 Yes, I've thought about it...
01:07:22 but I don't really know
01:07:26 Did he leave any notes
01:07:30 No. He threw everything away.
01:07:34 I wonder if it would be a good idea...
01:07:36 to use the scripts
01:07:40 How do you mean?
01:07:43 Well...
01:07:45 almost his own story.
01:07:47 Tying one script to another...
01:07:49 with descriptions of the man
01:07:51 his life here at home...
01:07:54 and then how different it became
01:07:57 That's wonderful!
01:07:59 But you'll have to help me with it.
01:08:08 Brian was my guide through the days
01:08:13 Through his eyes I saw the village
01:08:17 I saw the people who lived there,
01:08:21 and I felt I knew them.
01:08:26 Here was his boyhood school...
01:08:28 where the man who had taught him
01:08:40 It was becoming my village...
01:08:43 my people...
01:08:44 my life.
01:08:53 What was it Mark had said?
01:08:55 "All day long, you can hear
01:08:58 "and you set your watch
01:09:04 Our time together
01:09:06 but now I was seeing his timeless world
01:09:14 Even the joy of warm evenings
01:09:22 I've turned the clock backwards
01:09:25 I'm putting together
01:09:28 They belong to me now.
01:09:36 It's so vivid, Sara, and alive.
01:09:41 I think I've done enough for today.
01:09:43 Strange, you're even showing him
01:09:50 I've been trying to get
01:09:53 You've done more than that.
01:09:57 first of all took him away from me...
01:10:00 and then his death
01:10:04 But now you're bringing him back.
01:10:19 I'll answer it.
01:10:21 Hello.
01:10:23 Good morning, young man.
01:10:25 She's gone shopping.
01:10:27 Would you go and tell her
01:10:30 Yes, sir.
01:10:38 There's someone to see you.
01:10:43 - She's coming.
01:10:48 - Carter!
01:10:51 When did you...
01:10:53 I just got off the train from London.
01:10:54 You look fine, Sara.
01:10:57 I'm sorry.
01:11:00 I was planning to come over
01:11:03 I thought while I was here I'd pick
01:11:07 Now that you've lost
01:11:09 I don't want to let you out of my sight.
01:11:11 Well, I can't leave just yet.
01:11:15 I understand
01:11:17 Yes.
01:11:20 His wife and son still live here,
01:11:22 Carter, I didn't plan to stay.
01:11:24 I only wanted to look at the village
01:11:27 - That was some time ago.
01:11:30 So that's what he looked like, huh?
01:11:33 I didn't think I'd ever have the chance
01:11:36 I suppose it's foolish of me to ask
01:11:40 - She doesn't know.
01:11:42 Waiting around for her to find out?
01:11:44 - I said I was leaving soon.
01:11:46 I have something to finish.
01:11:52 Carter, this is Kay Trevor.
01:11:54 - How do you do?
01:11:56 Carter's my boss.
01:11:58 I hope you're not going to take her away.
01:12:00 We were just talking about it.
01:12:01 We may have to close down if we
01:12:05 I'm sure that's true.
01:12:07 One of the best.
01:12:08 Have you told Mr. Reynolds
01:12:12 No, I haven't had time.
01:12:14 What work is that?
01:12:16 Kay's husband was a broadcaster
01:12:19 He was killed in an aeroplane accident
01:12:22 I'm sorry to hear that.
01:12:25 And I'm helping to make the broadcasts
01:12:28 I see.
01:12:29 Sara's spent hours gathering
01:12:33 That's very interesting.
01:12:37 Well, it won't be finished for a few days.
01:12:41 - I suppose you'll be going then.
01:12:43 I'm afraid she might even have
01:12:46 I'm going to miss her.
01:12:48 I'm sure you will.
01:12:49 - Can you stay to dinner, Mr. Reynolds?
01:12:52 - Are you sure it won't be trouble?
01:12:54 Didn't you say you had work
01:12:57 Nothing important. I'll just send
01:13:00 Good. Let's have a party.
01:13:02 And I must check the larder.
01:13:07 - Carter, I want you to get out of here.
01:13:11 - As soon as you're ready, we'll go.
01:13:13 Why not?
01:13:15 Kay asked me to help with
01:13:18 - Sara, you can think faster than that.
01:13:21 You're just doing a job of work, eh?
01:13:24 All right, since we're pressed for time,
01:13:27 I'll help you with them.
01:13:29 I don't need your help.
01:13:32 Is it too private?
01:13:33 Please, Carter, leave me alone.
01:13:38 Sara, I didn't come 3,000 miles to say
01:13:43 Say goodbye to Mrs. Trevor for me.
01:13:52 What was your job during the war,
01:13:54 I was with the BBC.
01:13:55 - Is that so?
01:13:58 - I see.
01:14:00 I was Mark's assistant.
01:14:03 Must have been very exciting work.
01:14:04 It was, sometimes.
01:14:06 Mrs. Trevor tells me
01:14:08 are turning some of her husband's
01:14:10 - That's right.
01:14:13 No.
01:14:15 I'd have thought Mr. Thompson
01:14:17 He could give you
01:14:19 I can still use it.
01:14:21 I don't know that I could find the time.
01:14:23 Don't you think the book's a good idea?
01:14:25 Oh yes, fine.
01:14:26 How long will you be in England,
01:14:28 Only a short while this trip.
01:14:31 I'd like to watch London
01:14:34 without the blackout.
01:14:36 They must have a wonderful
01:14:39 Did you spend time in London
01:14:41 Hardly at all.
01:14:42 I had to stay here in St. Giles
01:14:47 There wasn't anyone to look after him
01:14:49 so I was pretty well stuck here.
01:14:51 I'm not sure that isn't
01:14:53 The separation of people,
01:14:56 Yes, the waiting for the mail
01:15:00 Most of the time waiting in fear.
01:15:03 Did your husband manage
01:15:05 Quite often when he started his work,
01:15:10 Nobody had time then.
01:15:13 I suppose not.
01:15:15 They were hectic days for everyone.
01:15:18 Yes, I know. I don't think I've ever felt...
01:15:20 as lonely as I felt then.
01:15:24 When Mark first began
01:15:27 his letters used to be full of excitement.
01:15:32 and he would write to me
01:15:36 And then towards the end,
01:15:39 Just short notes.
01:15:42 I think he was under
01:15:45 Yes. We all were.
01:15:47 Did you say there was some brandy?
01:15:50 Yes. I forgot about it.
01:15:53 - Come and help me with the glasses.
01:16:05 What are you trying to do, Carter?
01:16:07 If you don't know, Sara, I didn't succeed.
01:16:09 You think I don't feel guilty enough,
01:16:12 Because Mark was with me during those
01:16:15 I want you to stop trying to take him
01:16:18 - I'm not trying to...
01:16:24 I'd like to propose a toast.
01:16:26 - Mr. Reynolds.
01:16:28 To Sara.
01:16:39 - Landlord.
01:16:40 - Do you have some telegraph blanks?
01:16:50 - Mr. Reynolds?
01:16:52 - Thanks.
01:16:54 - Here you are, Mr. Reynolds.
01:16:56 - What will you have?
01:16:58 - Make it two.
01:17:00 What's on you mind?
01:17:02 If you've got a minute,
01:17:05 What's bothering you, Mr. Thompson?
01:17:07 Sara. Why did you let her
01:17:10 Let her come?
01:17:12 to put her on a ship for New York.
01:17:14 Maybe he didn't understand,
01:17:17 - She won't miss the next one.
01:17:20 I'm going to put her on it myself.
01:17:22 - Two beers, gentlemen.
01:17:25 - Thank you.
01:17:28 Exactly what's your concern in all this?
01:17:31 - Kay Trevor.
01:17:33 I don't like standing around while
01:17:37 A few more evenings like last night...
01:17:39 All right, let's get to the point.
01:17:42 While Mark and Sara were together
01:17:45 his letters to Kay
01:17:47 So she said.
01:17:48 She sensed that something pretty deep
01:17:51 but before she could get at the truth,
01:17:54 Of course, she took it very hard...
01:17:55 but she managed to get to her feet
01:17:58 She didn't let herself think
01:18:01 Only about the good times,
01:18:03 - Well?
01:18:07 - You mean the writing she's been doing.
01:18:12 And you're afraid
01:18:16 You've got to get Sara out of here.
01:18:18 Look Mr. Thompson, you're worried
01:18:22 because you don't want her to get hurt.
01:18:24 Well, I'm here to tell you
01:18:27 She isn't staying in that house
01:18:30 If she knew what she was doing,
01:18:33 Mr. Thompson,
01:18:36 and neither one of us knows
01:18:38 There's a dead guy called Mark Trevor
01:18:41 That's a tough rope to cut.
01:18:43 I'm trying to figure it out.
01:18:44 If you come up with anything bright,
01:18:47 because I haven't got much time.
01:19:06 Give me your coat. I'll hang it up to dry.
01:19:09 I'm drenched.
01:19:12 I've often wondered how you manage
01:19:15 I have a woman come in daily
01:19:19 Make yourself at home.
01:19:23 Did you enjoy the picture?
01:19:24 Oh yes, I love films that end with
01:19:29 the church steps.
01:19:30 Riddled with holes, like a Swiss cheese.
01:19:33 This'll be warm in a minute.
01:19:35 It was a lovely evening, Alan.
01:19:37 It was good to see you laughing again.
01:19:40 Can I get you anything? A drink?
01:19:43 Not for me.
01:19:46 It's funny being in this room again.
01:19:48 I remember when Mark and I
01:19:51 and the three of us
01:19:54 Yes, they were nice evenings.
01:19:57 Alan, why do you do that?
01:19:59 What do you mean?
01:20:01 Turn away
01:20:04 I'm sorry. I didn't know I was doing that.
01:20:08 You know, I've been thinking so much
01:20:12 when Mark wrote
01:20:16 Alan, you were his friend.
01:20:19 Don't keep anything from me, now.
01:20:23 I don't know.
01:20:24 But you were always with him.
01:20:26 He was working very hard,
01:20:29 He never had a moment to himself.
01:20:31 You don't sound very convincing.
01:20:34 I've told you.
01:20:35 No. You've avoided it. Why?
01:20:38 - What are you hiding?
01:20:42 Was there someone else?
01:20:44 Don't be silly.
01:20:47 I want to know! Was that it?
01:20:48 Kay, please.
01:20:50 Did he fall in love with someone else?
01:20:52 Listen to me, Kay. Mark loved you.
01:20:55 Don't start torturing yourself.
01:20:58 No!
01:21:02 Mummy!
01:21:06 Brian!
01:21:08 Brian, what is it? Tell me what it is.
01:21:12 I was dreaming.
01:21:14 Oh, don't cry.
01:21:17 I saw Daddy, and there was a light
01:21:21 Well, that's nothing to be afraid of, dear.
01:21:23 I wanted him to talk to me,
01:21:29 Don't. Now, you lie down, Brian,
01:21:33 There.
01:21:34 But if he really isn't gone away,
01:21:40 What do you mean, darling?
01:21:41 Mummy always talks about him,
01:21:45 He is coming back, isn't he?
01:21:53 No, Brian, he's not coming back.
01:21:57 Now, I'll tuck you in
01:22:02 That's a good boy.
01:22:05 Where's Mummy?
01:22:06 She'll be back soon.
01:22:10 You're all right now, aren't you?
01:22:12 I don't know.
01:22:13 Well, of course you are.
01:22:15 And you won't have any more dreams
01:22:22 - Good night.
01:22:34 Well, sir, you might try shark fishing
01:22:37 I'm afraid that'd be more
01:22:40 Excuse me.
01:22:43 Ship Inn. Yes, certainly.
01:22:46 Mr. Reynolds?
01:22:48 - Phone.
01:22:54 Hello?
01:22:56 - Carter?
01:22:57 Yes.
01:22:58 I want you to come up
01:23:00 What's happened?
01:23:02 I can't tell you now. Please hurry.
01:23:05 I'm on my way.
01:23:26 Kay?
01:23:28 It started to rain.
01:23:31 We went to Alan's place
01:23:40 What's wrong, Kay? Can you tell me?
01:23:44 I found out why Mark stopped writing.
01:23:48 He met someone in London
01:23:55 It was really very obvious.
01:23:58 Alan didn't say anything,
01:24:00 Alan didn't say anything,
01:24:04 I can't think of anything
01:24:10 "Did she work with him?
01:24:14 Kay, listen to me.
01:24:15 I can't help it, I've got to know!
01:24:19 I won't see anyone.
01:24:29 What's the matter?
01:24:32 - She found out.
01:24:34 No, not about me,
01:24:42 Carter, I have to tell her.
01:24:46 - Stay away from her. Don't do it.
01:24:49 - Get hold of yourself. Let's get away.
01:24:51 Do you want to stay
01:24:53 - I'm going to tell her who I am.
01:24:55 If I hadn't come here,
01:24:58 I brought him back to her.
01:25:00 All right, she found out,
01:25:02 What could be more cruel?
01:25:04 To let her torture herself
01:25:07 To go on wondering, not knowing.
01:25:10 - Lf you tell her, she'll flay you alive.
01:25:13 Well?
01:25:15 I'll tell her.
01:25:18 Want me around when you do it?
01:25:21 But I want you waiting when I come out.
01:25:24 With a big net?
01:25:26 The biggest.
01:25:49 - Good night, Mr. Polworth.
01:26:24 Sara.
01:26:26 I'm sorry if I embarrassed you.
01:26:28 You didn't.
01:26:30 I felt frightened.
01:26:31 I know.
01:26:35 Kay, remember the first night
01:26:40 You told me about Mark's death...
01:26:42 and how you'd found a way to face it.
01:26:45 Yes, I remember.
01:26:47 You told me because you felt
01:26:51 You were right. I was.
01:26:55 Mark and I met three months ago
01:27:02 Mark and you met?
01:27:05 We fell in love.
01:27:08 Why are you telling me this?
01:27:10 I want you to know who it was.
01:27:15 What are you doing here?
01:27:19 Kay, I knew so little about him.
01:27:21 I had to see where he lived, just once,
01:27:25 I asked you
01:27:27 I didn't mean to come inside,
01:27:30 I walked through the village
01:27:32 Then I saw Brian...
01:27:34 and when he talked to me,
01:27:38 Then you asked me in.
01:27:40 I couldn't help it. Don't you understand?
01:27:43 Oh, yes, I understand.
01:27:49 I understand a lot of things now.
01:27:52 Why you wanted to be friends...
01:27:54 why you helped with the broadcasts,
01:27:59 Kay, please.
01:28:00 What are you trying to do?
01:28:03 even after his death?
01:28:07 Say anything you want.
01:28:09 I'm sorry, Sara.
01:28:11 I didn't give you enough assistance.
01:28:14 No one could expect you
01:28:17 without knowing all the intimate details.
01:28:20 I'll try and make that up to you now.
01:28:24 We were married in that village.
01:28:26 The reception was in this room. We
01:28:33 Do you want to know
01:28:36 and all the other nights
01:28:39 And when Brian was born.
01:28:41 or did you find out about it in London?
01:28:44 I didn't know Mark was married
01:28:49 Of course not.
01:28:50 And I was the one who invited you into
01:28:54 And Mark's picture got smashed
01:28:57 You brushed up against it,
01:29:01 I've heard about as much
01:29:04 I don't want any more lies.
01:29:10 Not before I tell you this:
01:29:13 I loved Mark with all the love I had.
01:29:17 He was coming back to you and Brian.
01:29:25 I was just someone he had met
01:29:28 He wanted to be here with everything
01:29:35 Please go.
01:29:38 I'll get my things.
01:29:45 We'll have a few minutes wait, sir.
01:29:48 Thank you.
01:29:49 We'll spend a few days in New York,
01:29:52 I want you to see
01:29:55 And after that?
01:29:56 The East. The finish is coming
01:30:00 Do you feel up to it?
01:30:03 Lt'll be good to be working again.
01:30:04 Would you come this way, sir?
01:30:10 Sara!
01:30:15 Wait inside for me, Carter.
01:30:17 - Sara.
01:30:19 I wanted to say goodbye.
01:30:23 Goodbye, Kay.
01:30:27 Send Brian a photograph
01:30:32 I will.
01:30:48 Goodbye.