Another Woman
|
00:00:20 |
If someone had asked me, when |
00:00:24 |
I'd have said I'd reached a decent level of |
00:00:30 |
Beyond that, I would say |
00:00:33 |
Not that I was afraid of uncovering |
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But I always feel, if something |
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My name is Marion Post. |
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I'm Director of Undergraduate Studies |
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although right now I'm on leave |
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My husband is a very accomplished |
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who some years ago examined my heart, |
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It's the second marriage for us both, and |
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who lives with his former wife |
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She's a sweet girl who can be |
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and I've tried to take her |
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I also have a married brother. |
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My mother died recently, |
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Not much else to say, except |
00:01:30 |
but construction noise next door |
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I subleased a one-room flat |
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A new book is always |
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and it requires that I really shut myself off |
00:01:44 |
from everything but the work. |
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(d "Gymnopedie No. 1") |
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As I settled down to work that first |
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(man) Something about him |
00:03:08 |
So this was my... my big experience |
00:03:14 |
And I've never been able to get it out of |
00:03:20 |
which are sort of bugging me. |
00:03:25 |
(psychiatrist) What do |
00:03:28 |
(man) Well, sometimes when I'm |
00:03:34 |
Well, sometimes when I'm... |
00:03:39 |
I find myself thinking about Giles. |
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And, uh, it's not that I'm not |
00:03:47 |
I mean, I still am. I really am physically |
00:03:53 |
While eavesdropping on the intimate |
00:03:58 |
might be fascinating to some people, |
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when I rented the place. |
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(man) Well, um... |
00:04:08 |
I don't really have to use him |
00:04:21 |
I worked hard all day, |
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Beginning a book is always |
00:04:28 |
and by late afternoon I'd become tired. |
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I lay my head down and closed |
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I don't know exactly |
00:04:39 |
but one of the pillows must |
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because I gradually became |
00:04:46 |
It was a woman's voice, and it was such |
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that I was totally arrested by its sadness. |
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(woman) I just know that I woke up |
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And time passed, and |
00:05:09 |
I began having troubling |
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Like there was |
00:05:20 |
Full of deceptions. |
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That these... these deceptions |
00:05:25 |
had become so... so many, |
00:05:28 |
and so much a part of me now, |
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that I couldn't even tell who I really was. |
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And suddenly I began to perspire. |
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I sat up in bed with |
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And I looked at my husband next to me, |
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and it was as if he... he was a stranger. |
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And I turned on the light |
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and I asked him to hold me. |
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(sobs) |
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And only after a long time |
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But for one moment, earlier, |
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it was as if a curtain had parted, |
00:06:16 |
and I could see myself clearly. |
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But I was afraid of what I saw. |
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(sniffs) |
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And what I had to look forward to. |
00:06:29 |
And I wondered... |
00:06:32 |
I wondered about ending everything. |
00:07:18 |
Please, please. |
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It is with a mixture of some joy, |
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that I hereby plunge into the big five-o. |
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I was, uh, I was fine till last week. |
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Then my son said to me, "Gee, Dad, |
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He's very funny, my son. |
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Marion, I was telling Lydia |
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- Oh, yes. |
00:07:59 |
- No, this is an old brownstone. |
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Last week Lydia and I were at home. |
00:08:07 |
- Mark... |
00:08:10 |
- Mark! |
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- Are you crazy? He's drunk. |
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The living room floor, |
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- I gotta admit, it was a surprise. |
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So the door opens, and the |
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- Oh, no. |
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And we are in flagrante delicto. |
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You know what he does? He gets up, |
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this is not the pipe that needs fixing." |
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That was quick, Ken. Could you have |
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- No. |
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- Did he laugh? |
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He turned very red |
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Sad. |
00:09:02 |
One good thing about becoming 50. |
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I know. |
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It's Laura. She had another fight with |
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It's not fair to Kathy. |
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Well, you tell her, cos once again |
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I know. Just... hold on a minute. |
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Will you talk to Marion? OK. |
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Laura? This is not a good habit to get into. |
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You know your mother's high-strung. |
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Well, it may not seem fair to you, but |
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Well, if she can't, then you |
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OK? I'll see you at my father's tomorrow. |
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We'll talk about it then. OK. |
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Bye-bye. |
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She listens to you cos she looks up |
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It's just... It's a terrible situation. |
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(d "The Bilbao Song" on piano) |
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Hey. |
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Take you back? |
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God, yeah. |
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Would you ever think of making love |
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Would you want me to? |
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I don't know. Would you want to? |
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I don't know. |
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Actually, I don't think I see you |
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No? |
00:11:03 |
Hey, Ken, what are you doing |
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Hello, Lydia. Look, |
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Would you say that she was the type |
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- Ken! |
00:11:17 |
- I'm only teasing. |
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But not unpleasant |
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Next morning I'd agreed to meet |
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I waited as long as I could, but when |
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- Marion. I'm sorry. |
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- I got stuck in traffic. |
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- Sorry. I just need a few minutes. |
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You said eight, and I waited, |
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- Stupid bus wouldn't move. |
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I've gotta be disciplined when I'm writing, |
00:12:00 |
I need to borrow some money. You know, |
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I heard. I'm sorry. |
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- Are you? |
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Because... I know you |
00:12:16 |
Why, I hardly know you. |
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It's not from my lack of trying. |
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Oh, look, I know this must all be very |
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I'm sorry. |
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If you needed money, |
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Well... he wouldn't. |
00:12:36 |
Well, why not? He has before. |
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Marion, |
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don't you know how he feels about you? |
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Sure. We've always been very close. |
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You're deluding yourself. |
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Of course, in a way he idolises you, but... |
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he also hates you. |
00:13:01 |
I'm sorry, I don't accept that. |
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You're such a perceptive woman. How |
00:13:09 |
Look, um, I'm late, and... |
00:13:11 |
and, uh... |
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to tell you the truth, I make it a practice |
00:13:19 |
They're fruitless, and people say |
00:13:23 |
Why don't you just tell me how much you |
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The encounter with my |
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but I refused to let it |
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I had a reasonably productive day, |
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I began to feel anxious somehow. |
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(woman) I really can't |
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Lately I've had odd feelings |
00:14:03 |
It's as if it's been... coming apart. |
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And I've just been, |
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I must admit, |
00:14:16 |
I have moments when I question |
00:14:22 |
I've told you there |
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The last time I saw him |
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before I was married, at a party. |
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(d "A Fine Romance") |
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Stop it. Just stop it. This is just crazy. |
00:14:52 |
- How can you marry Ken? You love me. |
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What makes you think that I love you? |
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I know. There are some things |
00:15:04 |
Well, I-I... I'm... I... You're wrong, |
00:15:09 |
- It's you you're misleading. |
00:15:13 |
I mean, Ken is your close friend. |
00:15:16 |
I love everything about you, and |
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Stop it! Stop it. Right now. |
00:15:24 |
(woman) Marion? We're toasting! |
00:15:27 |
Just go away. |
00:15:33 |
To Ken and Marion |
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And to Marion's new book. German |
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Let's hope not. |
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You'll go on for ever. Heidegger |
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Hey, I'd like to propose a toast. |
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To good health and happiness. |
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- Aren't you gonna drink to Marion? |
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I drink to Marion with my eyes. |
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Smoothie. Old smoothie. |
00:16:02 |
(doorbell) |
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I was just returning some things. |
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You could stop staring. |
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I'm not a ghost. |
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Well, we did spend a few years together, |
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I wish you'd called. |
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I'm not staying. Although some of |
00:16:48 |
- Would you like a drink? |
00:16:51 |
Don't panic, I'm not accepting. |
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These are artefacts from |
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(Ken) I think perhaps you |
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Which one's Marion? |
00:17:05 |
- I am. |
00:17:08 |
Oh, my ex-husband |
00:17:11 |
Now what does Emily Post say about |
00:17:16 |
in a Holiday Inn while his wife is in the |
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- OK, that's enough. Now please leave. |
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I realise that you've been hurt, and |
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Forgive me. I accept your condemnation. |
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I'm so sorry. |
00:17:42 |
(d "Make Believe") |
00:18:01 |
What can I say to change your heart? |
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I'm really amazed at you. |
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He's your friend. He's just... He's just |
00:18:13 |
Yes, he is my friend. And I love him. |
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But he's a prig. He's cold and he's stuffy. |
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Can't you see that? "I accept |
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He handled a very |
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Oh, too well. Do you like that? |
00:18:35 |
He's a snob. |
00:18:37 |
He's a wonderful man. |
00:18:40 |
And he's... he's a terrific doctor. |
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He's cultured and he's honourable. |
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I love to be with him. I... I... |
00:18:51 |
- I love reading books with him, and... |
00:18:55 |
And he's sexy. |
00:18:58 |
Adultery in the Holiday Inn? |
00:19:03 |
He would never try to undermine you. |
00:19:08 |
Even if he loved a woman passionately? |
00:19:17 |
Maybe we should join the others. |
00:19:20 |
Maybe I was wrong about you. |
00:19:24 |
- Maybe you're two of a kind. |
00:19:28 |
Maybe this conversation is scaring you. |
00:19:31 |
I have to go. |
00:19:34 |
Why don't you do that? |
00:19:44 |
(woman) I often wonder about real love. |
00:19:48 |
Or should I say, I... I keep myself |
00:19:53 |
- I don't mean the kind I've experienced. |
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It's deeper, much more intense. |
00:20:03 |
Because I feel too much... |
00:20:13 |
- Hi. How are ya? |
00:20:16 |
This is great, this is really nice. |
00:20:20 |
- Sure. |
00:20:23 |
- No. |
00:20:26 |
- You know your dad's not coming? |
00:20:31 |
- Me? |
00:20:33 |
- No, sure, I'm fine. |
00:20:36 |
All right, well, we should get going |
00:20:54 |
I've gathered a number of your |
00:20:59 |
Pictures, letters. |
00:21:02 |
You may as well have them. |
00:21:04 |
I just can't seem to bring |
00:21:08 |
- Was it unbearable, the past few months? |
00:21:13 |
- I wish you'd consider moving to the city. |
00:21:18 |
Clara comes in. She cleans and |
00:21:23 |
so that's no different. |
00:21:26 |
Twice a year the board |
00:21:30 |
That gets me down to Washington, |
00:21:38 |
I'm all right. I'm fine right here. |
00:21:41 |
But you want nothing around |
00:21:46 |
Well, there are times when even a |
00:21:51 |
You think at your age you can meet |
00:21:55 |
One hopes at my age |
00:22:02 |
Are you aware that Paul and |
00:22:06 |
Nothing Paul does would surprise me, |
00:22:11 |
- He's had bad luck. |
00:22:16 |
It's just that he doesn't have it |
00:22:20 |
- I hope you're not still giving him money. |
00:22:25 |
I've salvaged him from |
00:22:30 |
and I've spent more money |
00:22:35 |
Someday he'll defraud somebody in |
00:22:41 |
And he'll go to jail. |
00:22:44 |
(d "Sonata for Cello and Piano No. 2") |
00:22:47 |
I noticed you sort of gave me |
00:22:52 |
Well, I didn't think it was very |
00:22:56 |
whether at his age |
00:22:59 |
- Well, he didn't take it badly. |
00:23:04 |
He's old now. He doesn't |
00:23:07 |
I'm sorry. |
00:23:09 |
It's OK, it's just... |
00:23:12 |
Never mind, it's... youth. |
00:23:15 |
Here are the photos. |
00:23:18 |
And here's my mother's |
00:23:22 |
They were never ones |
00:23:27 |
Here's her book of Rilke's poems. |
00:23:29 |
You know, she was the one who first |
00:23:35 |
And there's a picture |
00:23:38 |
That's really nice. |
00:23:42 |
And there's Clara. Look how |
00:23:45 |
You were so good to us. I can still |
00:23:50 |
You used to sit up with us when we had |
00:23:55 |
Oh, and here I am, older. I could go up |
00:24:00 |
The time would just fly by |
00:24:03 |
And there I am with my friend Claire. |
00:24:08 |
We used to be so close, |
00:24:12 |
And there's my mother. She loved |
00:24:18 |
She loved all beautiful things. |
00:24:22 |
That was her whole existence. |
00:24:29 |
- Paul? I'd like to discuss something. |
00:24:34 |
I've had a talk with my brother Ben. |
00:24:37 |
And he has promised me that he will find |
00:24:42 |
I don't wanna work |
00:24:44 |
- It's paper products, Paul, not just boxes. |
00:24:50 |
Paul... |
00:24:53 |
There are some obligations |
00:24:57 |
This has not been a good year. |
00:25:00 |
Your mother is very ill, and I |
00:25:04 |
to finish my study on |
00:25:06 |
It's important that there is enough money |
00:25:12 |
I want her to take that scholarship. |
00:25:15 |
But I had other plans. |
00:25:17 |
I'm sure those plans included |
00:25:22 |
- That's not fair. |
00:25:26 |
It's not because you're not smart enough, |
00:25:31 |
I know. And Marion's a genius. |
00:25:35 |
She has the opportunity |
00:25:39 |
- Do you want to prevent her? |
00:25:42 |
She's going to be something. She's got |
00:25:48 |
If only I could stop her daydreaming in |
00:26:05 |
(Marion) Paul? |
00:26:09 |
What's wrong? |
00:26:11 |
He's making me go to work |
00:26:15 |
- Well, what do you wanna do? |
00:26:18 |
Move out of the house, travel, |
00:26:23 |
anything but work in a paper box factory. |
00:26:27 |
I hate him. Both of them. |
00:26:30 |
They live in their own world. |
00:26:33 |
(d "Sonata for Cello and Piano No. 2") |
00:26:56 |
- Is this close enough? |
00:27:00 |
Why don't you come? He'd love to meet |
00:27:05 |
Thank you, honey, but I'm really tired. |
00:27:08 |
- Can I take a rain check? |
00:27:11 |
It's really early, and Dad's |
00:27:15 |
Do you see someone? |
00:27:17 |
- I do. |
00:27:20 |
It's just, uh... it's an acquaintance |
00:27:28 |
All right, well, thanks a lot. |
00:27:31 |
- OK. |
00:28:54 |
I forgot half of that speech tonight. |
00:28:59 |
Marion. I... |
00:29:01 |
- Claire? |
00:29:04 |
- Claire? I was just talking about you. |
00:29:08 |
I was going through old photos at my |
00:29:13 |
- I'm doing a play. And it's closing, but... |
00:29:18 |
Yes. I guess you don't read |
00:29:21 |
Well, yes, I do, but I just had no idea. |
00:29:26 |
I'm sorry, what am I doing? I'm sorry. |
00:29:30 |
- Marion Post. |
00:29:33 |
Oh, my goodness. Claire, I have |
00:29:37 |
- Well, we live in Monterey now. |
00:29:41 |
- Sorry, we're meeting some friends. |
00:29:46 |
- Do we? |
00:29:49 |
- Come on, this way. Straight ahead. |
00:29:59 |
(Marion)... Amnesty International and |
00:30:04 |
(Jack) Listen, you gotta be kidding me. |
00:30:09 |
a member of Amnesty International |
00:30:13 |
Marion always had the urge |
00:30:16 |
Just give me a flood or a famine. Ken too. |
00:30:19 |
- Where do you find the time? |
00:30:23 |
And head of the philosophy |
00:30:26 |
I took two years of philosophy, |
00:30:30 |
- They've got a great department. |
00:30:35 |
And Claire, you never told me |
00:30:38 |
- I thought I had. |
00:30:41 |
- It was clear she'd be a gifted actress. |
00:30:44 |
Don't you believe her. |
00:30:49 |
Do you get to the theatre much? |
00:30:53 |
I do. My husband really prefers |
00:30:57 |
- I used to be a devoted Brechtian. |
00:31:01 |
- Did you? |
00:31:03 |
- Not the one here? |
00:31:07 |
Sure I saw it. That's the most intelligent |
00:31:12 |
- That's sweet of you. |
00:31:15 |
Some of the speeches |
00:31:18 |
- Exactly. The translation was awkward. |
00:31:23 |
Hey, hey. Hey. |
00:31:26 |
Look at me once in a while. |
00:31:29 |
Huh? |
00:31:30 |
You've been hanging on her |
00:31:34 |
You're embarrassing me. |
00:31:36 |
Jack is very impressed by certain things |
00:31:40 |
Claire, take it easy. |
00:31:41 |
Do you deny he's been looking |
00:31:46 |
- I don't think you heard one word I said. |
00:31:50 |
- If you'd rather be alone with her... |
00:31:54 |
- We're just having a nice chat. |
00:31:58 |
- This wouldn't be the first time. |
00:32:01 |
- What does that mean? |
00:32:04 |
We've been in this situation before, |
00:32:06 |
where you so innocently wound up |
00:32:10 |
Claire, you're being awfully theatrical. |
00:32:13 |
I don't know what you're talking about. |
00:32:16 |
We didn't just drift apart, |
00:32:21 |
- You're not talking about David? |
00:32:26 |
- I know I never had any interest in him. |
00:32:30 |
I had nothing to do with him. And I never |
00:32:36 |
That's not true. |
00:32:37 |
Your conversations were full of subtle |
00:32:43 |
and... little gambits designed to seduce. |
00:32:50 |
That's so untrue. |
00:32:52 |
And you've held that against me? |
00:32:54 |
He couldn't see anything except |
00:32:59 |
We never spent a single moment alone. |
00:33:03 |
And I say you seduced him. You just... |
00:33:08 |
Maybe you didn't even know |
00:33:11 |
Claire, let's get off the subject. |
00:33:15 |
I must have seemed |
00:33:17 |
This is nonsense! To have backed off of |
00:33:23 |
I'm sure I brought it on myself. |
00:33:26 |
You were my best friend. You were so |
00:33:32 |
Of course you would want David |
00:33:36 |
I refused his overtures. I told him he was |
00:33:41 |
- By that time you had what you wanted. |
00:33:45 |
I really believe that you may not |
00:33:49 |
This is outrageous. |
00:33:53 |
I swear to you, it was never in my mind. |
00:33:58 |
Think about it. Just think about it |
00:34:14 |
When I got home Ken was asleep. |
00:34:20 |
The incident with Claire had |
00:34:23 |
I thought if I read for a while |
00:34:27 |
I thumbed through |
00:34:31 |
When I was 16 I had done a paper |
00:34:36 |
and on the image that the panther saw |
00:34:41 |
And that image, I concluded, |
00:34:46 |
Then I saw my mother's favourite poem, |
00:34:50 |
"Archaic Torso of Apollo". |
00:34:54 |
There were stains on the page, |
00:35:01 |
They fell across the last line. |
00:35:05 |
"For here there is no place |
00:35:11 |
"You must change your life." |
00:35:18 |
(Ken) You got in late last night. |
00:35:20 |
(Marion) I ran into an old friend. |
00:35:23 |
Then I didn't sleep. I don't think |
00:35:27 |
I don't know how you do it. I'd collapse. |
00:35:30 |
We're going to the concert |
00:35:34 |
I'm good for today, it's tomorrow I'll feel it. |
00:35:38 |
Yeah, but tomorrow we're going |
00:35:42 |
And Friday, Mark and Lydia are |
00:35:46 |
- Is it our anniversary already? |
00:35:54 |
What's the matter? |
00:35:56 |
I don't know. |
00:36:00 |
What is it? |
00:36:03 |
Well, you know, shouldn't we |
00:36:06 |
We could go to the restaurant where |
00:36:10 |
In Philadelphia? |
00:36:17 |
Hold me. |
00:36:22 |
Hey. |
00:36:26 |
Honey. |
00:36:30 |
I've already found your present. |
00:36:40 |
Did I seduce you away from your wife? |
00:36:46 |
No, I seduced you, don't you remember? |
00:36:50 |
Then I was worried in case you wouldn't |
00:36:57 |
Well... |
00:36:59 |
So how was it with Laura last night? |
00:37:03 |
Yeah. |
00:37:06 |
I'd better get going, I guess. I have to |
00:37:11 |
OK. |
00:37:33 |
(psychiatrist) You're silent today. |
00:37:36 |
Usually you're quite talkative. |
00:37:40 |
(woman) Yeah, I... I-I have nothing to say. |
00:37:47 |
(psychiatrist) Mm-hm. |
00:37:57 |
(woman) I... That is, |
00:38:04 |
(psychiatrist) Are you angry? |
00:38:08 |
(woman) No, not that I'm aware of. |
00:38:11 |
(psychiatrist) But you |
00:38:15 |
(woman) No. |
00:38:28 |
(d "Ecuatorial") |
00:39:24 |
(Laura) She saw us, Scott. |
00:39:28 |
(Scott) You said they were |
00:39:30 |
(Laura) Dad said he was uncomfortable |
00:39:35 |
and I tried to explain, make him trust me, |
00:39:40 |
- Come on, I'm sure she's sophisticated. |
00:39:44 |
- I thought you said she was pretty hip. |
00:39:48 |
She's great. She... I dunno, |
00:39:54 |
She's a little... judgmental. |
00:39:56 |
You know? She sort of stands |
00:40:02 |
I've heard her make remarks |
00:40:06 |
I always think that she's gonna |
00:40:10 |
I just... Now I feel really |
00:40:15 |
- (Scott) Cheap? |
00:40:17 |
- Cheap? |
00:40:18 |
- I thought it was very romantic. |
00:40:21 |
(Scott) With the fire, and the wine... |
00:40:25 |
(Laura) Yeah. It was. |
00:40:29 |
I couldn't work any more that day. |
00:40:32 |
I felt I needed some fresh air. |
00:40:35 |
I walked the streets aimlessly, just trying |
00:40:42 |
I don't know how long I wandered, |
00:40:44 |
but when I looked up I was |
00:41:07 |
What's happened? |
00:41:10 |
I don't know. |
00:41:14 |
Well, what are you doing here? |
00:41:22 |
- Something must be wrong. |
00:41:27 |
Marion, you don't seek out |
00:41:32 |
You must need something. |
00:41:34 |
Yes, I do need something. |
00:41:37 |
Only I don't know what it is, exactly. |
00:41:41 |
- Well, what do I have I could offer? |
00:41:46 |
You and I were so close |
00:41:52 |
How honest do you want me to be? |
00:41:55 |
It was just today that I realised how long |
00:42:00 |
Well... |
00:42:03 |
I gave up pursuing you when I realised |
00:42:08 |
- That's not true. |
00:42:15 |
You know... |
00:42:17 |
I realised... that I disappointed you. |
00:42:22 |
And worse, I realised that I embarrass |
00:42:28 |
Of course, that's falling apart now, |
00:42:33 |
She wants me to work for Cousin Andrew. |
00:42:41 |
But she's right, you know, because I never |
00:42:47 |
Well, would that be so awful? |
00:42:53 |
You used to say that. |
00:42:55 |
I know. I know I did, but... |
00:42:59 |
- Times change. |
00:43:03 |
Do you remember, some years ago, |
00:43:06 |
when I, uh, I showed you something I'd |
00:43:12 |
No, I don't remember. I was |
00:43:17 |
Yes, I'm sure. |
00:43:22 |
"It's too emotional. It's maudlin." |
00:43:25 |
"Your dreams may be meaningful to you, |
00:43:31 |
"It's so embarrassing." |
00:43:34 |
I said that? |
00:43:36 |
Exactly your words. |
00:43:41 |
So I try not to embarrass you... |
00:43:44 |
any more. |
00:43:52 |
I should go. |
00:43:55 |
(d "Symphony No. 4 in G Major") |
00:44:15 |
I've spent all afternoon trying to |
00:44:19 |
to celebrate your anniversary on Friday. |
00:44:22 |
What's wrong with |
00:44:25 |
where you had your first |
00:44:30 |
- You see? He thinks like you think. |
00:44:34 |
I should drink. I should drink. If I ever |
00:44:40 |
Excuse me, I'm sorry to disturb you, but... |
00:44:43 |
I was a pupil of yours |
00:44:48 |
Cynthia Frank? You probably |
00:44:51 |
Yes, I do. I do remember you. |
00:44:53 |
- You changed my life. |
00:44:56 |
You... she was the inspiration for every |
00:45:01 |
- That's very kind of you. |
00:45:05 |
There was a particular talk you gave |
00:45:11 |
Well, your ideas were amazing to me, |
00:45:18 |
Well, didn't mean to interrupt, |
00:45:21 |
I've seen you here before, and I never was |
00:45:27 |
Thanks. |
00:45:28 |
(Mark) Hey, all right. All right. Well done. |
00:45:31 |
Do you remember that lecture? It's terrific |
00:45:38 |
(Lydia) It's very touching. |
00:45:41 |
I had spent a second sleepless night, |
00:45:47 |
I couldn't write at all, and |
00:45:52 |
Usually I can't sleep in the day, |
00:45:56 |
I closed my eyes for a few minutes, and |
00:46:03 |
(psychiatrist) You're not |
00:46:08 |
You haven't said a thing, |
00:46:14 |
I don't believe you have nothing to say. |
00:46:20 |
I think it's because you're angry. |
00:46:24 |
Too choked with rage to speak. |
00:46:27 |
What is it that enrages you? |
00:46:37 |
(woman) Life. |
00:46:40 |
- Life? |
00:46:45 |
The cruelty, the injustice. |
00:46:48 |
The suffering of humanity. |
00:46:51 |
Illness, ageing... death. |
00:46:54 |
All very abstract. "Humanity." |
00:47:00 |
Get your own life in order. |
00:47:03 |
- (sighs) Yeah. |
00:47:13 |
What would you say |
00:47:17 |
- Self-deception. |
00:47:21 |
- I don't think she can part with the lies. |
00:47:27 |
- Not that she doesn't want to. |
00:47:31 |
When she wants to, she will. |
00:47:34 |
- It's all happening so fast. |
00:47:37 |
I'm trying to prevent her |
00:47:41 |
- You don't think she would? |
00:47:45 |
- She has? |
00:47:47 |
That's not her style. She's doing it |
00:47:51 |
and has been since she was very young. |
00:47:55 |
Now, if you'll pardon me, |
00:48:16 |
Now that my life is... |
00:48:19 |
drawing to a close, |
00:48:22 |
I have only regrets. |
00:48:25 |
Regrets that the woman |
00:48:30 |
is not the one I loved the most deeply. |
00:48:34 |
Regrets that there is no love between |
00:48:41 |
Regrets that perhaps I've been |
00:48:47 |
too demanding, that I haven't |
00:48:54 |
But I was so unhappy myself, |
00:48:57 |
so caught up in those stupid |
00:49:04 |
Even though I have achieved |
00:49:10 |
I asked too little of myself. |
00:49:15 |
Suddenly the dream shifted and I found |
00:49:21 |
It seemed to be where I had run |
00:49:26 |
(d "Ecuatorial") |
00:49:39 |
- What's going on? |
00:49:43 |
Would she like to observe the rehearsal? |
00:49:48 |
She plays innumerable roles. |
00:49:51 |
Would you ever think of making love |
00:49:55 |
- Would you want me to? |
00:49:59 |
Well, somehow I've never seen you |
00:50:03 |
No. That's a pretty insulting thing to say. |
00:50:07 |
It's you that's the type not to make love |
00:50:12 |
- Now who's being insulting? |
00:50:16 |
Well, it's 1am. |
00:50:20 |
Let's try being honest. There's not much |
00:50:27 |
- Is there not? I haven't noticed. |
00:50:30 |
I'm trying to tell you something. |
00:50:33 |
- Well, was it ever? |
00:50:37 |
Marion, I'm tired. |
00:50:39 |
We rarely sleep together any more, |
00:50:43 |
It's the same routine. I know what |
00:50:47 |
Yeah, it's true, we are both creatures of |
00:50:53 |
And could you please try not |
00:50:59 |
Last night you kept saying "Larry". I |
00:51:04 |
At the mention of Larry Lewis's name, |
00:51:07 |
I experienced odd feelings |
00:51:12 |
I wanted to weep in the dream, |
00:51:15 |
but the tears wouldn't come. |
00:51:19 |
- Are you married? |
00:51:25 |
Oh yes. |
00:51:28 |
Yes, I had heard that. |
00:51:30 |
Larry wants us to move back |
00:51:33 |
We've had such a nice time in Santa Fe. |
00:51:37 |
- Are you happy? |
00:51:41 |
Why don't I leave you two? |
00:51:50 |
I see your by-line |
00:51:54 |
Did you read my novel? |
00:51:57 |
I have it, but I am embarrassed |
00:52:01 |
You inspired one of the characters. |
00:52:04 |
Oh? |
00:52:06 |
- I hope you weren't too rough on me. |
00:52:14 |
Your wife is lovely. |
00:52:16 |
Yes. I met her right after |
00:52:19 |
Her name's Jennifer. |
00:52:24 |
- Do you have any children? |
00:52:27 |
We have a daughter. |
00:52:29 |
It's been the greatest, |
00:52:44 |
Do you ever think of me? |
00:52:47 |
(Larry) Do you ever think of me? |
00:52:50 |
Once in a while. |
00:52:54 |
I hope you're happy with Ken. |
00:52:57 |
I ran into him on the street not too |
00:53:02 |
I think of you more than once in a while. |
00:53:06 |
But without regret. Please, |
00:53:10 |
(Claire) Darling, come here for a moment. |
00:53:16 |
Which character |
00:53:19 |
Hlenka. I gave you |
00:53:23 |
I described our times together. |
00:53:25 |
You'll recognise it. |
00:53:28 |
I have to go now. |
00:53:31 |
My wife needs me. |
00:53:41 |
Marion, please, don't cry. |
00:53:44 |
Although I am glad to hear |
00:53:47 |
- I'd like to go home. |
00:53:51 |
I just thought you might like |
00:53:55 |
Your first husband's suicide scene. |
00:53:59 |
It's touching. |
00:54:01 |
Sam was not a suicide. |
00:54:03 |
How do you know? It was |
00:54:09 |
He died in his sleep from |
00:54:14 |
I was at his funeral. |
00:54:16 |
(Jack) Well, you know, |
00:54:19 |
Alone in a hotel room, |
00:54:21 |
depressed... |
00:54:24 |
(Marion) Sam was a wonderful man. |
00:54:27 |
We had such lovely times together. |
00:54:32 |
You taught me so much. |
00:54:35 |
You were a wonderful pupil. Certainly |
00:54:40 |
Still, the age difference... |
00:54:43 |
I shouldn't have seduced you. |
00:54:47 |
I should have resisted that temptation. |
00:54:50 |
I shouldn't have made you adore me, |
00:54:54 |
the temptation was too great. |
00:54:57 |
And so I paid the price. |
00:55:00 |
We both paid the price. |
00:55:02 |
Inevitably there comes a time when |
00:55:08 |
And what seemed like constant joyous |
00:55:12 |
becomes suffocation. |
00:55:15 |
Ironically, that's what they |
00:55:19 |
"Suffocation." |
00:55:22 |
Oh, Sam. |
00:55:24 |
(Jack) Wait, there's another important |
00:55:28 |
No. |
00:55:31 |
No more. |
00:55:36 |
That night we had what was |
00:55:39 |
with Tom and Eleanor Banks. |
00:55:43 |
Everyone was full of energy, and |
00:55:49 |
Not only was I tired but the dream |
00:56:00 |
Tom and Eleanor are funny. |
00:56:02 |
All that carrying-on about ESP |
00:56:06 |
You'd think they'd be more sensible. |
00:56:09 |
And then when you put it down so |
00:56:13 |
You were a little cruel, however correct. |
00:56:16 |
I was so tired, I was in a stinking mood. |
00:56:21 |
Maybe there is more to life than meets |
00:56:25 |
Their beliefs are one step ahead of Ouija |
00:56:30 |
You'd think no one had sailed |
00:56:33 |
If we're so contemptuous of Tom and |
00:56:37 |
It's just when they get on to certain topics. |
00:56:43 |
Why do we have to see people every night |
00:56:48 |
- Well, that's not so. |
00:56:52 |
Yours, mine, people we hardly know. |
00:56:55 |
We've known Tom and Eleanor for years. |
00:56:57 |
- And you don't even enjoy him. |
00:57:00 |
You've spoken contemptuously many |
00:57:04 |
- which you don't take seriously. |
00:57:06 |
No, you're not. You disguise it |
00:57:10 |
- You're trying to provoke an argument. |
00:57:15 |
- I didn't think we were. |
00:57:19 |
We talk. |
00:57:20 |
Why go out with Mark and Lydia |
00:57:23 |
If that's all that's bothering you, |
00:57:27 |
But neither should we drive all the way |
00:57:31 |
Don't do that. Don't make |
00:57:35 |
OK, but it's the same level |
00:57:39 |
We might as well have it on the floor. |
00:57:42 |
- I don't believe we're discussing this. |
00:57:46 |
We are simply going through a less active |
00:57:51 |
Why? I just wanna know why. |
00:57:54 |
Why don't we just go to bed? |
00:57:57 |
There was a time that |
00:58:02 |
Marion, you're still the most |
00:58:06 |
But we won't make love tonight |
00:58:13 |
I hadn't realised how much of that |
00:58:18 |
I'm really sorry. If I've done |
00:58:24 |
I accept your condemnation. |
00:58:36 |
(d"Cello Suite No.6 in D Major") |
00:58:41 |
(Sam) You were a wonderful pupil. |
00:58:43 |
Certainly the most interesting one |
00:58:54 |
I love you. |
00:58:56 |
I love you too. |
00:59:03 |
- Happy birthday. |
00:59:05 |
Oh, I wanted to. Open it. |
00:59:12 |
While you were out I read your paper. |
00:59:17 |
It's your work that's brilliant. |
00:59:23 |
- What is it? From a play or something? |
00:59:26 |
It's an original from a French |
00:59:30 |
- I love it. |
00:59:33 |
It was all I could afford |
00:59:56 |
(d "The Bilbao Song") |
01:00:01 |
The following morning I realised I'd |
01:00:06 |
I thought it would be a simple thing, |
01:00:10 |
The truth was I couldn't really |
01:00:14 |
After window-shopping for an hour or so, |
01:00:18 |
At first I didn't think there'd be |
01:00:22 |
but somehow I was drawn to look further. |
01:00:25 |
The place was empty and dusty, |
01:00:30 |
It was full of odd pieces, and I found |
01:00:57 |
(woman sobbing) |
01:01:08 |
(Marion) Excuse me. Are you all right? |
01:01:14 |
Thank you. I'm OK. |
01:01:21 |
Can I help you? |
01:01:25 |
I'm sorry. I don't know why |
01:01:30 |
Thank you. |
01:01:32 |
Thank you. I was... I was just |
01:01:37 |
And I just felt so sad. |
01:01:40 |
Oh, but this is a very optimistic work. |
01:01:43 |
You know, I saw the original |
01:01:48 |
I think, of all the paintings Klimt did |
01:01:54 |
I'm sorry. |
01:02:00 |
Are you an artist? |
01:02:02 |
Yes. Well, I used to do some |
01:02:05 |
I was absolutely in love |
01:02:11 |
It's funny. Just this morning I was |
01:02:15 |
- I'd like to get back into it. |
01:02:22 |
I guess we all imagine |
01:02:27 |
But that was a long time ago. |
01:02:31 |
Well, anyway... |
01:02:36 |
- Are you feeling better now? |
01:02:39 |
- What kind of paintings did you do? |
01:02:46 |
We left the store and walked together. |
01:02:48 |
I wanted to know her better |
01:02:51 |
We talked about art, and the discussion |
01:02:56 |
We stopped at a gallery and spent |
01:03:00 |
and I took a chance and invited her to |
01:03:05 |
She suggested a little out-of-the-way |
01:03:10 |
We ordered a bottle of wine, although |
01:03:14 |
The result was that I wound up |
01:03:17 |
and while I really wanted to find out about |
01:03:23 |
50. |
01:03:26 |
I didn't think anything of turning 30. |
01:03:33 |
Everybody said I would. |
01:03:36 |
Then they said I'd be crushed turning 40. |
01:03:40 |
But they were wrong. I didn't |
01:03:46 |
Then they said that I'd be |
01:03:52 |
And they were right. |
01:03:57 |
I'll tell you the truth. |
01:04:01 |
I don't think I've ever recovered |
01:04:05 |
Aw, gee, 50's not so old. |
01:04:08 |
No, I know it isn't, but... |
01:04:12 |
you just suddenly look up |
01:04:16 |
You're in a good spot, aren't you? |
01:04:21 |
Well, I thought I was. |
01:04:25 |
And then there's chances gone by |
01:04:29 |
Well, like what? |
01:04:32 |
I don't know. |
01:04:39 |
Maybe it would be nice to have a child. |
01:04:46 |
You really think that? |
01:04:53 |
I do. |
01:04:56 |
I've never said it before, but I do. |
01:05:02 |
(Sam) How arrogant! How |
01:05:05 |
I told you I didn't want a baby! |
01:05:07 |
What do you mean, "didn't want a baby"? |
01:05:10 |
- It was partly mine! |
01:05:14 |
- I'm just destroyed! |
01:05:17 |
- and I have to stop and bring it up. |
01:05:21 |
- You know it would devolve down to me. |
01:05:25 |
- I told you, it was not part of my plan. |
01:05:29 |
Consulting you?! It's my baby! |
01:05:31 |
Do I have to consult you for every move |
01:05:35 |
- You said you wanted children. |
01:05:38 |
I don't have the future stretched |
01:05:42 |
It's easy for you to say. You've done |
01:05:46 |
trying to make something of myself! |
01:05:49 |
But you could do it without asking me! Or |
01:05:54 |
I didn't want to be argued out of it. We've |
01:05:59 |
Do you want to bring a child |
01:06:03 |
You're the one that hates it so much, |
01:06:06 |
forever lecturing me on the |
01:06:09 |
- I hate you so! |
01:06:12 |
I can't stand this any more! Let me go! |
01:06:16 |
To be capable of such a lack of feeling! |
01:06:19 |
Knowing how I felt! |
01:06:21 |
Caring only about how you felt! |
01:06:23 |
Your career. Your life of the mind. |
01:07:14 |
(woman) I feel... I feel a little depressed. |
01:07:19 |
I met a really sad woman today. |
01:07:23 |
A woman you'd think |
01:07:26 |
and she doesn't. She has nothing. |
01:07:29 |
And it made me feel frightened. |
01:07:33 |
Because I feel... |
01:07:35 |
I feel if I don't stop myself, |
01:07:38 |
as the years go by, |
01:07:45 |
She can't allow herself to feel. |
01:07:48 |
So the result is she's led this... |
01:07:52 |
cold cerebral life, and... and has |
01:07:59 |
Well, you know, we've |
01:08:02 |
how I... how I only... only |
01:08:06 |
That's exactly what she does. She... |
01:08:09 |
She's pretended for so long |
01:08:13 |
but you can see clearly |
01:08:19 |
She had an abortion years ago, |
01:08:24 |
She rationalises it in many ways, |
01:08:26 |
but I think the truth is she was afraid of |
01:08:33 |
And she's a very bright woman, |
01:08:36 |
But like me, she... Well, you know |
01:08:44 |
I've run away from men |
01:08:47 |
because the intensity of their |
01:08:53 |
I guess you can't keep deep feelings |
01:08:59 |
I just don't want to look up when I'm |
01:09:05 |
(d "The Bilbao Song") |
01:09:14 |
(woman) Anyhow, |
01:09:16 |
while we were at lunch, |
01:09:21 |
In the midst of a conversation, |
01:10:11 |
(Ken) Marion? |
01:10:15 |
You're late. |
01:10:17 |
I got you an anniversary present. |
01:10:20 |
I know it's tomorrow, |
01:10:29 |
I didn't know what to get you. |
01:10:38 |
As I said, I always like an opera. |
01:10:46 |
Happy anniversary. |
01:10:49 |
Come on, let's get dressed. |
01:10:54 |
I'm not going anywhere. |
01:10:57 |
What are you talking about? |
01:11:03 |
I saw you and Lydia in the restaurant |
01:11:08 |
I watched the two of you. |
01:11:13 |
Afterwards I went walking for |
01:11:21 |
Actually, if I'd had any perception, |
01:11:25 |
I would have been |
01:11:29 |
Because you and I committed adultery for |
01:11:36 |
That was a very different situation. |
01:11:39 |
I don't think it was. |
01:11:48 |
I guess it wouldn't mean much if |
01:11:55 |
It was never very serious. |
01:11:59 |
And it was, uh, utterly foolish |
01:12:05 |
I feel sorry for you, Ken, because in your |
01:12:15 |
Have we been lonely? |
01:12:20 |
At least I've come to recognise it. |
01:12:28 |
The following days, |
01:12:31 |
Mostly I walked the streets |
01:12:35 |
trying to put everything in order. |
01:12:37 |
I felt the need to talk to my brother Paul, |
01:12:40 |
who had made an important |
01:12:45 |
Strange. Lynn and I go through hell |
01:12:49 |
you and Ken never fight |
01:12:53 |
- So will you move out? Or will he? |
01:12:59 |
I really do want a clean start. |
01:13:01 |
I wanna do a lot of things differently. |
01:13:05 |
And that does mean between us, too. |
01:13:10 |
I'd like to spend a lot more |
01:13:14 |
I'd like to get to know everyone. |
01:13:18 |
If that's OK with you. |
01:13:36 |
So was it Dad's fault? |
01:13:39 |
Oh, we both did, you know? |
01:13:42 |
I mean, I'm just as much |
01:13:46 |
- Maybe more. |
01:13:50 |
I just wanted to make sure that the |
01:13:55 |
Well, I... to tell you the truth, I'm really... |
01:13:58 |
I'm not shocked, I'm just |
01:14:04 |
If I can be honest, I always felt there was |
01:14:09 |
I don't know. Maybe too comfortable, |
01:14:15 |
Just something, you know? |
01:14:19 |
Well, I hope that this isn't |
01:14:24 |
I really value your friendship. |
01:14:26 |
Yeah, and I value yours. |
01:14:39 |
- Yes? |
01:14:43 |
and I thought you should know that |
01:14:47 |
- I can hear all your patients quite clearly. |
01:14:50 |
Well, thank you. I'll take care of it. I've had |
01:14:56 |
By the way, you have a young woman |
01:15:01 |
I wonder if you could tell me |
01:15:05 |
Oh, yes. She's terminated her treatment. |
01:15:09 |
She's gone away. I don't have any way of |
01:15:18 |
I resumed work. It went well, |
01:15:21 |
and I was undisturbed |
01:15:24 |
The writing seemed to flow |
01:15:27 |
Once on a sunny morning |
01:15:30 |
and I thought I would look through |
01:15:35 |
I was curious about the character Hlenka, |
01:15:41 |
I opened the book, leafed through, |
01:15:44 |
and sat down as my eye |
01:15:55 |
"Hlenka and I accidentally |
01:15:59 |
while we were both |
01:16:02 |
"I knew her because she was the |
01:16:07 |
"Recently they had decided to marry. |
01:16:12 |
because from the moment he introduced |
01:16:18 |
"I convinced her to have a drink with me." |
01:16:21 |
"It was the only time I'd ever been |
01:16:25 |
"She was lovely, and I spoke |
01:16:30 |
because I was embarrassed |
01:16:33 |
which I felt were painfully obvious. " |
01:16:38 |
"We walked around in Central Park |
01:16:42 |
"I told her about a book I was planning |
01:16:48 |
"She spoke enthusiastically |
01:16:51 |
but I thought it was too enthusiastic, |
01:16:54 |
as if she were trying to convince |
01:16:59 |
"Soon it began to rain." |
01:17:02 |
"We ducked into an underpass |
01:17:06 |
"I remember thinking |
01:17:09 |
and how beautiful she |
01:17:13 |
"And I wanted to tell her so many things |
01:17:19 |
"And I think she knew everything, |
01:17:23 |
"And yet some instinct told me that |
01:17:31 |
"Her kiss was full of desire, |
01:17:34 |
and I knew I couldn't share |
01:17:42 |
"And then a wall went up, and just |
01:17:47 |
"But it was too late, because I now knew |
01:17:52 |
if she would one day |
01:17:58 |
I closed the book, and felt a strange |
01:18:05 |
And I wondered if a memory is something |
01:18:11 |
For the first time in |