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Ocean s Twelve en
00:00:44	Hi.
00:00:52	-How'd it go?
00:00:56	Got a '63 Thunderbird
00:01:00	Now they just wanna look at the pictures.
00:01:03	You smell nice.
00:01:09	How was your day?
00:01:11	It was great.
00:01:13	We had a big breakthrough
00:01:17	Really?
00:01:19	We found a boot print.
00:01:21	A really good one.
00:01:24	The left heel was worn way down.
00:01:31	That's a good lead.
00:01:33	I know.
00:01:35	We found a hair.
00:01:37	A hair, wow.
00:01:39	It's at the lab.
00:01:40	So hopefully by noon tomorrow
00:01:45	...what kind of conditioner he uses,
00:01:48	...if he has dandruff, everything.
00:01:52	That is amazing.
00:01:54	You know, having those
00:01:58	Oh, you're just being modest.
00:02:01	Are you coming to bed, baby?
00:02:03	I'm just gonna have a shower.
00:02:49	-Good morning.
00:02:51	-And you are Mr...?
00:02:54	-And you're here to open a...?
00:02:58	Terrific. Oh, it says here
00:03:02	-I am.
00:03:05	I was a high school basketball coach.
00:03:08	You must have done
00:03:10	-What's your name?
00:03:12	Greg. Let me ask you something.
00:03:17	Yes, they're housed in our vault.
00:03:19	-ln your vault?
00:03:22	Of course, we've made some
00:03:26	You know, I was once in a vault
00:03:30	That must have been quite an experience.
00:03:33	Yeah.
00:03:40	Yeah.
00:03:54	That's too oxblood.
00:04:00	What do y'all do?
00:04:03	My husband and l?
00:04:06	Well, he's retired. Just retired.
00:04:10	It's great. It's....
00:04:12	And I did work at an art gallery.
00:04:17	And, you know, I love art,
00:04:21	That's too brown. I'm sorry.
00:04:25	-Hey, it's your paint.
00:04:40	May I show you something specific?
00:04:42	Well, I was looking
00:04:46	What is it, a special occasion?
00:04:48	It's our second third anniversary.
00:04:50	Excuse me. Hello, Mrs. Diaz,
00:04:54	-How'd it go at the bank?
00:04:57	I mean great.
00:04:59	No, you mean easy.
00:05:00	What?
00:05:02	You're doing recon work
00:05:05	-Tess.
00:05:07	-Where are you now?
00:05:11	That's an interesting way to ease back
00:05:15	-Should I stop painting now?
00:05:17	Let's talk about something important.
00:05:22	-Well, we'll stay in.
00:05:25	-Great. I'll cook.
00:05:29	You want me to talk?
00:05:31	Words and everything? That's what
00:05:38	-Oh, no, Danny.
00:05:42	Tess...
00:05:44	...what's wrong?
00:05:47	There's water in the basement
00:05:50	Hang up!
00:06:08	Hello, Tess.
00:06:22	Where is he, Tess?
00:06:26	Where is...
00:06:28	...Mr. Diaz?
00:06:38	I want it back, Tess.
00:06:41	I want it all back.
00:06:43	-You got it all from the insurance company.
00:06:47	The money that your husband
00:06:51	With interest. A hundred and sixty
00:06:55	That's a lot of vig.
00:06:57	And I want it all back.
00:07:09	He's got two weeks.
00:07:15	You'll never find them.
00:07:17	They're way too smart for you.
00:07:21	Right.
00:07:25	You know, as it turns out...
00:07:27	...I'm not the only person in the world
00:07:54	All right.
00:07:56	I'm the groom, and I'm not supposed
00:08:00	But I don't care what the rules are,
00:08:05	My mom and dad,
00:08:09	Uncle Ted, Aunt Celeste...
00:08:11	...and their children, Denise and Jessica.
00:08:15	Bishop Tom and his wife, Helen,
00:08:19	...and his new girlfriend, Tanya.
00:08:21	And all the guys at Lean Machine lnc.,
00:08:25	...Big Sam.
00:08:30	And everyone else
00:08:32	...in welcoming Sara
00:08:42	Excuse me, everybody. I'd just like to--
00:08:46	-Get up.
00:08:49	-Get up.
00:08:51	-Walk.
00:08:55	I'd like to say a few words
00:08:59	...about honor...
00:09:01	...about responsibility...
00:09:04	...about a very special someone
00:09:08	Get up. Pull the chair out.
00:09:15	Admitting to her in front of everybody...
00:09:19	...that her wedding...
00:09:21	...and that very special
00:09:26	...will have to be postponed.
00:09:31	The photographer. Jesus, he's just a friend.
00:09:38	Well, of course I am.
00:09:39	You don't expect me to embarrass myself
00:09:46	On a budget? On a budget?
00:09:48	Who was the only person who couldn't
00:09:52	You, with all your connections.
00:09:58	He seemed really nice. And you know
00:10:03	And you do this every time
00:10:06	And you know what?
00:10:28	You think it's a accident
00:10:33	Ain't no accident.
00:10:35	...and you ladies
00:10:38	I'm gonna tell you what it is.
00:10:40	Conspiracy, collusion, complicity.
00:10:44	Let me break it down like a fraction for you
00:10:48	Fred "Bud" Kelly made skates
00:10:51	...at his uncle's farm in the early 1 900s.
00:10:56	I'm gonna tell you something else. You
00:11:00	You know why that is?
00:11:04	...took his name off the history books.
00:11:08	Seems like every time I see you,
00:11:12	Now, why is that?
00:11:15	You can let go of my feet now.
00:11:23	-This don't bother you?
00:11:27	-What the * * * * do you want me to do?
00:11:30	You can't hear none of the lyrics.
00:11:32	You can't get with the beat
00:11:36	You want a * * * * * * * single on the * * * * * * *
00:11:40	Well, it's * * * * * *, isn't it?
00:11:43	* * * * * * * right, it's * * * * * * * * * * * * *.
00:11:47	What the * * * * is that?
00:11:50	Somebody must be in 2.
00:11:56	Oh, * * * *!
00:12:03	And you haven't contacted
00:12:06	Because, really, I don't think there's
00:12:16	It's all on you, Linus.
00:12:19	Okay. Good.
00:12:23	-Good. Because I have a whole network--
00:12:26	Thank you.
00:12:31	-Mr. Bloom?
00:12:33	There appears to be
00:12:38	Oh, well, yes. Here.
00:12:41	I'm afraid not, sir.
00:12:43	Why?
00:12:45	Your business manager
00:12:48	Todd said I would understand?
00:12:50	No, Mr. Benedict.
00:12:53	Mr. Benedict. Mr....
00:12:57	Oh, yes.
00:12:59	An old friend, a practical joker.
00:13:02	Tell Mr. Benedict
00:13:05	Terry Benedict.
00:13:08	Old Terry.
00:13:11	She's looking at me
00:13:14	And she's crazy about me, I can tell...
00:13:18	...because she's been staring
00:13:21	...I just go up to her, and I grab her.
00:13:24	And I've got her really close to me...
00:13:27	...and her eyes are all fiery.
00:13:30	And my eyes are fiery.
00:13:32	And it's like-- It's electric.
00:13:35	And I say to her, "Mom....
00:13:41	Mother...."
00:13:44	What?
00:13:51	Thanks for letting me finish.
00:13:54	What can I say?
00:13:56	You're a funny guy.
00:14:01	Oh, yeah. My friend Rusty.
00:14:04	He owns this hotel in Los Angeles...
00:14:07	...Iosing a lot of money,
00:14:10	He's a nice, bright kid,
00:14:14	Do you think I could send something
00:14:18	I read your palm, not his.
00:14:21	Somebody who could do that could do
00:14:24	-My hips are bothering me.
00:14:30	This? You couldn't see this?
00:14:36	-I tried knocking, he won't open.
00:14:39	Jesus Christ, are you people retarded?
00:14:42	-lt says, "Do not disturb"!
00:14:52	Hey.
00:14:55	Come on in.
00:14:57	Jeez, Topher, you didn't
00:15:00	I'm sorry.
00:15:04	I just....
00:15:06	There's this girl.
00:15:09	I love her, man.
00:15:11	I love her, but she is driving me crazy!
00:15:15	I can't sleep. I can't work.
00:15:17	I quit the show. I totally phoned in
00:15:20	-I mean, it's like....
00:15:23	God, it's almost like this
00:15:27	Rusty, call for you.
00:15:33	Dude, don't leave.
00:15:36	-Yeah?
00:15:39	...soon to be ex-owner
00:15:44	-You got him.
00:15:47	You used some nasty words.
00:15:50	I admit I was a little
00:15:53	Think about that night a lot,
00:15:55	I thought I'd be dead before
00:15:59	I've been asked to show restraint.
00:16:02	...to your favorite car of all the 1 7 you own,
00:16:12	You got two weeks.
00:16:23	Now, you told me that your wife said
00:16:28	Now, who decided that?
00:16:31	It was a collaboration.
00:16:33	It was one job we did together.
00:16:36	I don't know where this proprietary stance
00:16:40	One could make the argument
00:16:43	Hang on a minute.
00:16:46	I mean, without us,
00:16:49	It just hurts, you know, because...
00:16:51	...it seemed we all agreed
00:16:54	That's what we called it
00:16:57	If you wanted to call it
00:16:59	When you have a problem,
00:17:01	-Rusty.
00:17:04	Thanks.
00:17:06	Based on what we stole, plus interest...
00:17:09	-...how much does everybody owe?
00:17:13	Assuming Benedict gives us
00:17:17	Figure 1 9 to be safe.
00:17:20	Okay, 1 9 each. Anybody got that?
00:17:25	What, you think the stock market's
00:17:29	...beyond the realm of human
00:17:35	I saw the signs.
00:17:37	How much is everybody short?
00:17:39	How much you short?
00:17:41	Fourteen. Fourteen.
00:17:44	-All but 5 million?
00:17:46	You don't know what it's like
00:17:50	-Well, with interest, I'm short 7.
00:17:53	I spent about a million,
00:17:56	That makes it 7 for me.
00:18:00	-I'm light 9.
00:18:02	-About 6.
00:18:05	-How?
00:18:06	I've been staying at my parents'.
00:18:10	I owe 25.
00:18:15	Hotels, man.
00:18:17	Saul?
00:18:19	I haven't spent it all, but I will.
00:18:24	I'm out, fellas.
00:18:26	As ranking old-timer,
00:18:31	At my age, I think I earned
00:18:36	I wanna thank you all for the wonderful
00:18:41	But I want the last check
00:18:47	Saul, you having a laugh?
00:18:50	Saul.
00:18:57	-I can handle Saul's share.
00:19:00	Who would I talk to if you were all dead?
00:19:02	That's a good point.
00:19:11	Yeah, but it's a nice place.
00:19:13	-So that comes to...?
00:19:17	He didn't find us on his own.
00:19:20	-Someone helped him.
00:19:22	Nobody we know would
00:19:25	What we do know is we need a job.
00:19:28	We're too hot to work
00:19:31	-So we go abroad. How about we go--?
00:19:35	Good. Where are we going?
00:19:37	-Amsterdam.
00:19:40	-Clock's running. Let's go.
00:19:43	I hear German girls are really hot.
00:19:46	Rusty.
00:19:48	-Amsterdam?
00:19:51	Don't tell Danny.
00:20:00	Hey, Rusty. Rusty.
00:20:04	Sorry, sorry. Hey.
00:20:05	What are you doing?
00:20:07	-Nothing.
00:20:09	-Can l--? Can l--?
00:20:11	-Just for a second, can I talk to you?
00:20:14	I just-- I don't know.
00:20:16	This might not be the perfect time
00:20:20	-Okay.
00:20:26	I've been doing my homework.
00:20:28	And I'd really like...
00:20:31	...to play a more central role
00:20:34	-Right.
00:20:36	-Right.
00:20:38	Way overdue.
00:20:39	I was wondering if I could come to
00:20:44	Okay. It's just a sit-down with Matsui.
00:20:50	He's got his own language, this guy.
00:20:52	I watched you and Danny really closely
00:20:56	Linus, in my professional opinion,
00:21:02	-Okay. Yeah, I mean--
00:21:05	...if you're convinced you are ready...
00:21:08	...I can speak with Danny.
00:21:11	But you gotta be sure.
00:21:19	-Not sure?
00:21:20	-You're sure?
00:21:23	-You would call me?
00:21:25	Any time.
00:21:27	-Okay.
00:21:28	-All right.
00:21:31	Yeah.
00:21:35	I almost wasn't gonna
00:21:38	Then I'd still be sleeping.
00:21:41	-Thanks, buddy.
00:22:13	-Who's there?
00:22:16	-What?
00:22:17	Is Rusty here? Rusty...?
00:22:20	-Do you know where Rusty is?
00:22:23	So have you met Matsui?
00:22:25	Seriously, what do you think of me...
00:22:28	...you know, in terms
00:23:52	The fact that we're unemployable
00:23:55	Otherwise, you're wasting time.
00:23:57	Don't mention Benedict
00:24:00	And if he does, tell him everything.
00:24:02	Right. Stay on point. And don't
00:24:05	-What?
00:24:07	Relax. Remember, if we don't
00:24:10	Rusty, I tried calling you
00:24:12	So finally, she slams her vodka tonic
00:24:16	" Hey, maybe that's why
00:24:35	Yeah.
00:24:39	-So to business?
00:24:42	A doctor who specializes in skin diseases...
00:24:45	...will dream he has fallen asleep
00:24:49	Later, he will wake up
00:24:52	...but not remember his dream.
00:24:57	Would you agree?
00:25:08	If all the animals along the equator
00:25:14	...then Thanksgiving and Halloween...
00:25:17	...would fall on the same date.
00:25:21	Yeah. Hey.
00:25:28	When I was 4 years old...
00:25:30	...I watched my mother
00:25:37	Years later, I realized it was not a spider.
00:25:40	It was my Uncle Harold.
00:26:01	Oh, let the sun beat down upon my face
00:26:05	Stars to fill my dreams
00:26:09	I am a traveler in both time and space
00:26:13	To be where I have been
00:26:31	Is he all right? Are we all right?
00:26:34	-" Kashmir"?
00:26:37	-We hadn't even started yet.
00:26:40	Okay, I don't even understand what
00:26:45	-You called his niece a whore.
00:26:47	-She's 7.
00:26:50	-No, don't tell him about it.
00:26:53	Okay. So, what does this mean?
00:26:56	It means you stay here.
00:27:03	The mark's name is van der Woude.
00:27:07	He claims to sell antiques,
00:27:10	His store is his privately owned home,
00:27:13	But don 't let van der Woude's
00:27:16	The house is extremely well-protected.
00:27:38	-What are we after?
00:27:40	It' s a very old, very valuable document.
00:27:43	-Yeah, what is it?
00:27:45	The first one ever issued
00:27:49	Dutch East lndia Trading Company.
00:27:51	-The only one of its kind.
00:27:53	2.5 million euro.
00:27:55	Wait. Each?
00:27:57	-No.
00:28:00	-That's a lot of money to a lot of people.
00:28:04	If we do one job a week at that rate,
00:28:08	-September 2005.
00:28:11	I hear you, but it's what's available.
00:28:13	After we pull this job off...
00:28:15	...Matsui's gonna throw us another.
00:28:19	-Which will buy an extension from Benedict.
00:28:22	I hope. Now, the good news is that
00:28:26	-So, what are we waiting for?
00:28:29	-That's the bad news.
00:28:31	-He's agoraphobic.
00:28:34	-Not in 1 0 years since he moved in.
00:28:38	-He opens his window.
00:28:40	-Best time of arrival.
00:28:43	Every night at 1 :30 he takes an Ambien,
00:28:46	By the fourth movement, he's out
00:28:50	Okay, can we tap into the system
00:28:53	It's a closed-loop system with two servers
00:28:58	-So hacking in is out.
00:29:01	Telephone-repair truck,
00:29:04	Telescoping rod through the window,
00:29:07	-Dumb idea. One lane, one-way streets.
00:29:11	All right? Any stoppage will bring cops.
00:29:14	The outside is covered
00:29:17	Monitored 24 hours a day
00:29:20	He's got five exterior cameras?
00:29:22	-This guy is a freak.
00:29:24	What about through the roof?
00:29:26	-Two more cameras, pressure sensors--
00:29:30	-Smoke the freak out.
00:29:32	-Smoke the freak out.
00:29:34	-What?
00:29:36	-What term?
00:29:41	The National lnstitute of Mental Health
00:29:45	-...develop "agraphoriaphobia."
00:29:47	Whatever. I'm just saying,
00:29:51	We don't need to be an
00:29:54	Oh, now we're an organization?
00:29:56	You'd call Emily Dickinson a freak?
00:29:58	-Are you hosting a telethon?
00:30:02	Am I the only one who feels funny
00:30:07	You know, a handicapped guy?
00:30:10	-Well, I don't care.
00:30:12	I feel funny about other things.
00:30:15	Cool.
00:30:16	But....
00:30:18	-Yeah?
00:30:19	-Right.
00:30:21	-Ahab with a piggyback. Livingston?
00:30:24	-It's done.
00:30:26	-Boys.
00:30:28	That whole "Ahab with a piggyback,"
00:30:32	-Let me in.
00:30:34	-...when someone bangs on the door?
00:30:38	Otherwise, I'm gonna shit on your feet.
00:31:15	Show me them specs.
00:31:23	I've been doing this since
00:31:26	You gotta find people you can delegate to.
00:31:31	I don't want a life. I want the hotel
00:31:34	Reuben.
00:31:36	Yeah.
00:31:38	Great.
00:31:40	-Okay. Good.
00:31:44	Fantastic.
00:31:49	Remember in Miller's Crossing
00:31:52	Sure. " Look into your heart."
00:31:56	I cry every time.
00:31:58	What?
00:31:59	We have no line of sight.
00:32:03	Our only possibility, the window.
00:32:07	There's no clear shot, even with Basher.
00:32:09	In the physical universe we occupy,
00:32:13	What about the guy
00:32:16	-Nagel. Spoke with him.
00:32:18	Lot of ideas, none of them any good.
00:32:21	He's pushing this new
00:32:23	Really interesting stuff, though.
00:32:28	How about 97 million?
00:32:32	We're forcing it.
00:32:34	Yeah, we're forcing it.
00:32:37	-You know what we haven't thought of?
00:32:39	We turn ourselves in.
00:32:41	-What could Benedict do to us then?
00:32:44	Call the cops,
00:32:47	They put us away for 20 years.
00:32:51	I think Tess would stick around.
00:32:53	You look great in jumpsuits.
00:32:56	Hey...
00:32:57	-...how's the hotel business?
00:33:00	-How's East Haven?
00:33:04	I don't know.
00:33:08	Can't turn my brain off, you know.
00:33:12	We go into some place,
00:33:15	It's what I do. It's what
00:33:20	I don't know.
00:33:22	Some sort of weird irony, you know?
00:33:25	Tess watching me scratch and itch.
00:33:28	Hey, listen. You know,
00:33:33	-What'd you wanna do?
00:33:37	-The whole house?
00:33:40	Schumann did it in '64 in Venice
00:33:43	-He only had a crew of six.
00:33:46	-Did it with the Leaning Tower of Pizza.
00:33:49	-It took 300 men over two years to do it.
00:33:53	We cut them, insert the jacks
00:33:56	It's really our best plan,
00:33:59	-Crank for how long?
00:34:37	What?
00:34:41	Oh, oh, okay, hold on.
00:34:52	Try that.
00:35:46	Number five. I'm a go.
00:36:10	Master thieves who practice the long con
00:36:15	They have legitimate jobs and families...
00:36:18	...which make them
00:36:22	The greatest thief of all time was,
00:36:26	...Gaspar LeMarc, who either died
00:36:32	...or in Hong Kong in 1 996,
00:36:38	We may never know for certain,
00:36:41	...was never captured or photographed...
00:36:44	...despite being active for over 50 years.
00:36:49	Though he left behind a slew
00:36:52	...only one is worth mentioning
00:36:57	The thief we know only
00:37:01	So named for the small onyx figurines
00:37:06	...the Night Fox must be considered
00:37:11	His string of high-profile crimes are
00:37:16	...to our entire profession.
00:37:19	We need more than traditional resources
00:37:25	We need to train ourselves to think the
00:37:31	And we should not allow ourselves
00:37:34	I'm sorry. Someone just robbed
00:37:38	What?
00:37:52	Hi, lsabel. Well, we could really use
00:37:56	I hope the scene hasn't
00:38:13	When can I speak to Mr. van der Woude?
00:38:15	Probably tomorrow. He's heavily sedated.
00:38:19	We can't figure out how they disabled
00:38:22	No, that would have triggered the system
00:38:28	Well, then.
00:38:36	They had the code. Someone other than
00:38:40	Impossible. Van der Woude programmed
00:38:43	He set it and never left the house again.
00:38:46	Closed loop. Redundant servers.
00:38:50	It's not bad, actually.
00:39:24	Yeah. Thanks.
00:39:43	Do we know each other?
00:39:46	-I think I saw you yesterday.
00:39:50	Yeah, you were being chased
00:39:53	Chasing me? No. I don't think so.
00:39:57	I'm quite sure it was you.
00:40:00	Doesn 't say much for the police.
00:40:08	No, I love Rome. I love it.
00:40:09	But there's an opening at work
00:40:13	I was thinking I was gonna try out for it.
00:40:17	My mother has family there, so it'd be--
00:40:27	-He lifted the whole house?
00:40:30	-The entire house?
00:40:32	It's called a Schumann Special...
00:40:35	...named after this guy, a brilliant guy,
00:40:39	Then he did it in Istanbul in 1 973.
00:40:45	What is it?
00:40:49	It's where the crossbow bolt hit.
00:40:55	The crossbow bolt?
00:40:59	They fired from that rooftop
00:41:02	With a crossbow bolt from that roof
00:41:05	-That's a very difficult shot.
00:41:09	...until they raised the building.
00:41:12	Check the pylons. They'll be elevated.
00:41:15	-You know the name Max Schumann?
00:41:18	-Well, they do.
00:41:20	The Americans.
00:42:00	Wait a minute.
00:42:08	Exactly. Why would they bring the drill
00:42:14	-What?
00:42:30	-What?
00:42:45	Congratulations. You are the second person
00:42:52	In arriving second, Mr. Ocean,
00:42:55	...of people who 've worked hard and risked
00:43:03	You don 't know these people by name,
00:43:07	You know this word, "oblivion "?
00:43:09	It means to be totally forgotten
00:43:13	And it's where you would be now
00:43:18	How does this guy know who we are?
00:43:20	In a way, I'm responsible for you
00:43:24	I hired Matsui, and Matsui hired you.
00:43:28	That's the guy who dimed us
00:43:31	-All of them, including Ocean.
00:43:35	I find that hard to believe.
00:43:39	You can call me the Night Fox.
00:43:41	The Night Fox. Okay, Mr. Night Fox.
00:43:45	-What will this information cost me?
00:43:48	Nothing? Who do you think you're
00:43:52	And this information is definitely
00:43:55	Let's just say our interests
00:43:59	How so?
00:44:01	Well, the information is free,
00:44:04	-Such as?
00:44:08	Restraint? That' s asking a lot.
00:44:12	Two weeks to buy themselves
00:44:14	Two weeks?
00:44:17	I can live with that, even if they can't.
00:44:20	Just out of curiosity,
00:44:25	For letting them live?
00:44:30	A lot of interest.
00:44:32	But didn 't your insurance
00:44:36	Of course.
00:44:37	So you're asking them to double
00:44:40	Well, do you really think that's fair?
00:44:42	Fair? I certainly hope not.
00:44:48	Okay. It's on your desk.
00:44:53	He was here.
00:44:57	-Who?
00:45:02	Go down to the Dampkring
00:45:05	Real name, Ian Nicolas McNally.
00:45:07	The Night Fox was here at the same time
00:45:12	That's what we're gonna find out.
00:45:20	What is he doing?
00:45:23	Get him out of there.
00:45:27	God.
00:46:28	Hello, Frank.
00:46:31	I can't understand what we did
00:46:33	-Why does he have it out for us like this?
00:46:37	Doesn't matter. He broke rule
00:46:40	Great time for a turf war.
00:46:42	I spoke with Frank's associate in Dublin.
00:46:47	Our train leaves tomorrow at 1 :38, okay?
00:46:50	-Where is Frank?
00:46:52	It's gonna get out. Then we'll be dead,
00:46:58	Housekeeping.
00:47:11	Turndown service for Mr. Ryan.
00:47:23	Hi.
00:47:30	Nice room.
00:47:32	You have it all to yourself?
00:47:37	You here to take me in?
00:47:40	Why would I do that?
00:47:47	It's nice to see you again, Robert.
00:47:50	You too.
00:47:52	Of course, you've been seeing
00:47:59	I like this one.
00:48:02	I call it "thief a la mode."
00:48:12	Schumann Special, huh?
00:48:15	I guess that's what I get
00:48:18	So, what about the Night Fox?
00:48:21	Did he leave you a message?
00:48:25	What about the figurine?
00:48:31	I suppose it's a compliment in a way.
00:48:34	I guess he's threatened by you,
00:48:41	You have no idea what you're up against.
00:48:44	The French police
00:48:47	Well, he is French.
00:48:50	Let me give you some advice.
00:48:52	Find out how you offended him.
00:49:00	Got to go.
00:49:03	Any message for Frank?
00:49:08	On what charge?
00:49:10	Well, we found a print of a size 1 4
00:49:15	And?
00:49:17	Bought with a fraudulent credit card.
00:49:20	From that point on, well, there's only one,
00:49:44	-And you lied to us.
00:49:48	Well, Frank knew.
00:49:50	-Frank knew you were in touch?
00:49:53	I was more like keeping tabs.
00:49:56	-She's a cop!
00:49:58	-Where'd she learn all that Schumann crap?
00:50:01	-What, he was a cop?
00:50:03	-Oh, God. Was he good?
00:50:05	Great. Pissed-off ex-girlfriend
00:50:09	...taught her every trick in the book.
00:50:12	Well, she just made Danny and Yen.
00:50:14	In the next 48 hours, your pictures
00:50:18	-Nobody looks at them.
00:50:21	-Detectives.
00:50:24	-...if her old man was a thief.
00:50:28	No, her old man got popped a day
00:50:32	So I wouldn't count on much sympathy.
00:50:36	She's gonna have the hotel
00:50:39	Great. We'll just eat room service, watch
00:50:43	-Who's on the $1 00 bill?
00:50:45	-John Travolta.
00:50:47	...is an opportunity in disguise.
00:50:49	He couldn't say that
00:50:52	No, you're missing the silver lining here.
00:50:54	Now, she gave us a name, didn't she?
00:50:58	One phone call, we're gonna find out
00:52:31	The name is M. Diaz.
00:52:36	It's a black duffel bag.
00:52:40	The team's in Rotterdam.
00:52:43	He's the modern man:
00:52:48	...paranoid, but with good reason.
00:52:51	It's too sad to be funny.
00:52:55	-I think I can get 20 minutes out of it.
00:52:57	I got it. The team's in Barcelona.
00:53:02	This is a moral issue
00:53:05	And we don't have a grease man anymore,
00:53:09	We got a bag man.
00:53:11	Such an ape. An animal with no feelings.
00:53:13	-I have feelings.
00:53:15	I feel bad for the guy. He's in a piece
00:53:19	-What did you want them to do?
00:53:22	And pick up the bag
00:53:25	How many pro soccer teams
00:53:28	Rusty's not 50 years old.
00:53:32	Yeah, dude, we know Rusty's not 50.
00:53:35	You think I'm 50 years old?
00:53:38	No, wait, let me ask you something.
00:53:40	How old do you think I am?
00:53:43	Forty-eight.
00:53:46	You think I'm 48 years old?
00:53:50	Fifty-two?
00:53:57	-Maybe he should've asked me.
00:54:00	That guy doesn't have a hard enough
00:54:05	You're gonna defend him?
00:54:09	-Can I ask you something? Ever notice--?
00:54:13	...give me time to respond,
00:54:15	...in which case the answer
00:54:18	-Okay, can I ask--?
00:54:19	-You ever notice that Tess looks exactly--?
00:54:24	-Not to anyone. Especially not to her.
00:54:27	Look.
00:54:29	It's not in my nature to be mysterious...
00:54:32	...but I can't talk about it,
00:54:42	-Can I ask you--? Do I look 50 to you?
00:54:45	-Really?
00:55:47	Saul?
00:55:49	What's the matter?
00:55:52	Nothing.
00:55:56	You wanna go out? It's nice.
00:55:59	No.
00:56:02	You wanna watch something?
00:56:05	No.
00:56:07	-You hungry? I'll heat something up.
00:56:12	Saul, ever since you got back,
00:56:18	What did Danny want?
00:56:21	Nothing.
00:56:23	Nothing? How could he want nothing?
00:56:39	All right, the Night Fox has a name.
00:56:43	Baron Francois Toulour.
00:56:46	Father was a French industrialist,
00:56:49	He never met her,
00:56:52	The bad news is he's rich, he's bored
00:56:56	The really bad news is he was trained
00:57:00	-This is not good.
00:57:03	That's the one.
00:57:05	-Well, we're doomed.
00:57:07	-He 's one guy, and he 's French.
00:57:10	Before we get too impressed
00:57:12	-...Iet's hear what he 's done.
00:57:15	Bank of Geneva, the Danish Treasury,
00:57:19	...the Brussels Diamond Exchange,
00:57:23	-Wait, wait. All those in the 1 990s?
00:57:26	-Seriously?
00:57:29	He hit the Tate in London, the Louvre
00:57:33	Wait. No, no, hang on. The Prado Museum
00:57:37	-Everybody knows that--
00:57:42	Okay, I'll skip to my favorite.
00:57:44	In 2002, he stole the king of Morocco 's
00:57:51	Crew surfaced days later in a life raft.
00:57:54	-How do you hide a 200-foot yacht?
00:57:58	He got it back a month later. He now plays
00:58:03	-We're in some serious trouble here.
00:58:06	-So, what do we do?
00:58:09	-Respond? How?
00:58:36	Mr. Ocean.
00:58:38	You broke rule number one,
00:58:42	Oh, you must be talking about
00:58:44	Don't worry. You'll be dead in five days,
00:58:49	-Unless you have an accident first.
00:58:53	Perhaps I should explain to you
00:58:56	I'd like that.
00:58:59	Last month I was in Portugal
00:59:02	-LeMarc.
00:59:05	A very loud and annoying American
00:59:11	He worked for a big insurance company.
00:59:13	He's the one who suggested Benedict
00:59:17	- You know the man?
00:59:19	He said it was the most
00:59:23	He went on and on about this job,
00:59:26	...it showed you were the greatest
00:59:29	But the worst part is that LeMarc
00:59:38	I told LeMarc that you can't be
00:59:42	And he answered that it was impossible
00:59:47	So I thought about that for, like,
00:59:53	And then suddenly, I realized that
00:59:58	It is impossible to compare one theft
01:00:02	So I guess the only way to know
01:00:09	...is to go after the same object.
01:00:12	Don't you think that would be fun?
01:00:16	You're being awfully cavalier with a lot of
01:00:22	You're gonna regret it.
01:00:25	Come on, Mr. Ocean.
01:00:28	How are you gonna possibly get
01:00:32	Especially if every safe you crack
01:00:38	Whereas if you accept my challenge
01:00:40	...I promise I'll pay your debt
01:00:43	...and LeMarc will hold my money
01:00:54	What are we stealing?
01:00:58	The famous Faberge Coronation Egg.
01:01:00	-Was that your idea or LeMarc's?
01:01:04	...that it's the most appropriate thing
01:01:07	Where is it located?
01:01:09	The egg left Paris this morning
01:01:12	It travels with heavy security and usually
01:01:17	Sometimes they even show the replicas
01:01:22	When the egg goes on display
01:01:25	...you'll have 48 hours to steal it
01:01:29	When the deadline passes
01:01:32	...LeMarc will know who 's the best.
01:01:52	-Rusty' s phone.
01:01:55	Nicole. Who 's this?
01:01:57	Nagel. Where' s Rusty?
01:02:00	He said if you called,
01:02:04	Gunther' s? What' s that about?
01:02:07	Do you have a message?
01:02:09	Yes, I do. Tell him this thing is gonna
01:02:13	And tell him I had to go three times
01:02:17	And tell him if he wants it tomorrow,
01:02:23	And tell him this thing is beautiful.
01:02:26	Would fool the bloody Romanovs
01:02:29	And tell him I'm being a nice guy.
01:02:34	Is that it?
01:02:36	Yeah. No. Tell him having
01:02:41	...is such a terrible cliche.
01:02:55	Can I get a coffee or something?
01:02:59	Thanks. Just a cappuccino or espresso.
01:03:05	Well....
01:03:15	You call me on Saturday
01:03:19	...and sign a 1 077...
01:03:21	...and you can 't even tell me
01:03:24	-I can come to your house.
01:03:28	-We'll talk about this on Wednesday.
01:03:31	-What? What? What will be gone?
01:03:35	Ryan and his friends
01:03:39	-I am telling you, this is serious--
01:03:42	-...then we should call the American FBI--
01:03:46	-Maurizio, listen to me.
01:03:49	...a 1 077 is not a small thing.
01:03:52	Unless you can tell me what they are after,
01:04:43	Hey--
01:04:47	Because LeMarc stole it in 1 980
01:04:51	Because the Night Fox is trying to prove
01:04:57	This is ridiculous.
01:05:01	Then you say LeMarc already stole it
00:00:05	What?
00:00:08	LeMarc's wife made him
00:00:15	When I signed a 1 077 for you
00:00:20	...you requisitioned 30 of my men
00:00:30	I won't do it again.
00:00:35	First, we cannot go at night.
00:00:37	The laser grid in the Great Hall's
00:00:39	-Nothing's impossible.
00:00:42	It's in constant motion, programmed
00:00:46	...meaning we can 't
00:00:48	All right.
00:00:49	So it's a daytime play.
00:00:51	We're still short three on the inside
00:00:56	We could try a Smuggler's Paradise.
00:00:59	-It hasn 't worked since the '50s.
00:01:02	What's option two?
00:01:03	Baby Jane, Squeaky Wheel,
00:01:06	It's complicated, but it's got a high
00:01:10	We can 't do it without a grease man
00:01:16	We'll have to risk it.
00:01:21	1 0: 1 0, I leave the cafe,
00:01:26	-I enter the second-floor bathroom.
00:01:29	Approach the Spanish Steps
00:01:31	Basher and I enter by the main entrance.
00:01:33	-1 0: 1 5?
00:01:36	-1 0:1 8?
00:01:39	-I pause in the Great Hall while--
00:01:42	-1 0:21?
00:01:44	He cuts power to grid 1 4-A.
00:01:48	-I then go to the Egg Room.
00:01:50	I drop my keys and move Reuben
00:01:52	-I blind camera one.
00:01:55	-I blind camera three.
00:01:57	-I make the switch.
00:01:59	-1 0:24?
00:02:02	I meet Danny at the Steps.
00:02:05	Turk and I make the drop.
00:02:07	All right. Really good stuff, guys.
00:02:09	Really good work. All right,
00:02:13	It's a slam-dunk.
00:02:16	-Great.
00:02:19	You bet.
00:02:20	-How was Toulour?
00:02:23	You hear from Nagel?
00:02:25	He'll be here.
00:02:27	That's a lot to presume
00:02:29	Follow it up.
00:02:38	This is lsabel.
00:02:39	It's Johan. I just set a 6:00 meeting
00:02:43	...who says he had four paintings stolen
00:02:48	-And when was this?
00:02:50	He's missing two Monets,
00:02:53	-Which Degas was it?
00:02:55	Supposedly, there 's surveillance video,
00:03:00	It is all about error correction.
00:03:04	Three thousand separate,
00:03:08	...instead of the 1 000
00:03:11	Thank God it doesn't have to move.
00:03:16	Re-creating the lighting was a pain.
00:03:21	-What? No, no, no.
00:03:23	-Who's that sexy phone voice? Early Bond.
00:03:27	The message I left with
00:03:30	On your mobile.
00:03:32	Got something going
00:03:35	-Okay, when did you leave the message?
00:03:39	She had your phone.
00:03:43	-She has your--?
00:03:47	-That means that she's--?
00:03:50	-Well, you better--
00:03:54	-That's great.
00:03:56	So--? So who's got my money?
00:04:03	Who has got my bloody money?
00:04:27	Jesus.
00:04:41	Sorry to hear about your mom.
00:04:44	She was an amazing....
00:04:47	Well, I thought so, at least.
00:04:49	She hated you.
00:04:52	-She hated all thieves.
00:04:55	Excuse me?
00:04:56	-May I have my phone back?
00:05:01	-That's a nice pull, by the way.
00:05:05	Did you get that tingling sensation
00:05:08	Or is that none of my business?
00:05:13	You considered a career change?
00:05:16	Have you?
00:05:20	I tried hotels.
00:05:22	I'm better at this.
00:05:28	Went by the cafe for some tiramisu.
00:05:30	-lt wasn't the same.
00:05:32	-They did something to the eggs.
00:05:37	Because he'll lose.
00:05:39	And how can you beat him?
00:05:41	We can't.
00:05:43	You're not making any sense.
00:05:45	Okay.
00:05:51	The Bulgari job you pulled with Frank
00:05:57	...I knew it was you.
00:06:02	Why didn't you say something?
00:06:07	Why didn't you...
00:06:09	...Robert?
00:06:12	I didn't want it to end.
00:06:18	You assumed it would.
00:06:20	Was I wrong?
00:06:24	You shouldn't be here.
00:06:29	I have a meeting.
00:06:31	Someone stole a whole bunch
00:06:35	Interesting. Any leads?
00:06:38	The next time I see you...
00:06:41	...I'm arresting you.
00:06:43	And Ocean and anybody else I recognize.
00:06:48	Fair enough.
00:07:47	-Ready?
00:08:06	Yes, of course I do.
00:08:08	My Blue Dancers, my Degas.
00:08:11	They took it, unfortunately,
00:08:14	Do you have any enemies?
00:08:16	Anybody out there who would
00:08:22	No. I can't see anyone.
00:08:25	But why? You think--
00:08:28	...is trying to harm me personally now?
00:08:30	Well, I assumed he was after
00:08:33	I think it's enough.
00:08:34	Ready?
00:08:44	Good?
00:08:48	I have something you might be
00:08:50	It's a DVD with all the hidden
00:08:56	It's plenty. I haven't checked it out yet.
00:08:59	Maybe the thieves have been
00:09:02	I doubt it, this level of thief,
00:09:05	Yeah. You never know.
00:09:07	Okay. Well, merci.
00:09:11	Thank you, Mademoiselle Lahiri,
00:09:13	Thank you. Goodbye. Goodbye.
00:09:17	Mademoiselle Lahiri.
00:09:19	Did you get the faxed copy
00:09:23	Here's what I need:
00:09:28	Metal detectors, extra cameras.
00:09:32	So I'll e-mail you the photographs.
00:09:36	I'll just give you the names. Okay.
00:09:39	Livingston Dell, male, Caucasian,
00:09:43	Virgil Malloy, male, Caucasian,
00:09:48	Robert Ryan, male, Caucasian....
00:09:58	-Hello?
00:10:00	This is your 5 a.m. wake-up call.
00:10:03	-Really?
00:10:05	Have a nice day, sir.
00:10:17	-Hey.
00:10:20	-What--? Sleeping. Why are you dressed?
00:10:26	It's 1 1 :30.
00:10:30	The night before.
00:10:36	But....
00:10:43	Oh, he's mean.
00:10:45	-How many espressos did you have?
00:10:47	Yeah, come on.
00:10:59	I don't know if she's just confused...
00:11:01	...or she's really turned the corner
00:11:05	You think I handled this wrong?
00:11:08	I was too forceful.
00:11:11	She's different.
00:11:14	Maybe you're right,
00:11:19	You know, I talked to a doctor
00:11:27	But given its location,
00:11:36	That guy doing Potsie is unbelievable.
00:14:43	I mean, what's this guy's problem?
00:14:45	He's stitched us up twice in two weeks,
00:14:50	It's the first decent evening we've
00:14:53	All right, all right,
00:14:56	Let's go over the list again.
00:14:58	Who died and made you Danny?
00:15:04	No one.
00:15:06	I'm sorry. My emotions
00:15:09	I was forceful, trying
00:15:12	-For fuck's sake. Let's go.
00:15:14	Thanks.
00:15:16	All right, well,
00:15:18	-Swinging Priest?
00:15:20	-Crazy Larry?
00:15:22	-Soft Shoulder?
00:15:24	-Baker's Dozen?
00:15:26	Hell in a Handbasket?
00:15:28	We can't train a cat that quickly.
00:15:34	-What about Tess?
00:15:37	Well, you know how she
00:15:40	-So what?
00:15:42	So we do a Lookie-loo.
00:15:45	-It's a Lookie-loo with a Bundle of Joy.
00:15:49	...and a Bundle of Joy?
00:15:50	You've gone right out of your tree,
00:15:53	It's crazy. It's ltalian-television crazy,
00:15:57	No, think about it. She can get near the egg
00:16:02	I mean, that's a trifecta.
00:16:08	He might be right. Make the calls.
00:16:15	Linus Caldwell, you are not
00:16:18	...Danny talked about
00:16:21	Something is wrong. What is wrong?
00:16:23	Danny's fine. He's with Rusty.
00:16:24	During this part of the plan,
00:16:28	Promise he isn't hurt.
00:16:29	I promise he isn 't hurt.
00:16:33	You ' re gonna miss the deadline.
00:16:34	Danny would be thrilled if you met him
00:16:38	He misses you like crazy.
00:16:40	Plus, you studied art,
00:16:43	There's no downside here.
00:16:47	Wow, they're bringing you
00:16:50	Yes. Danny would be more thrilled...
00:16:52	...if you were on the 7 p.m. out of JFK,
00:17:25	I thought I ' d requested a midsize.
00:17:28	-Danny here?
00:17:38	Did you have a nice flight? We weren't
00:17:42	-How long's Danny been in jail?
00:17:46	Which, you know, on the bright side,
00:17:50	He told me everything was fine.
00:17:53	What I think he meant by "fine"
00:17:57	...and we're deeper in debt
00:18:00	I assume that you have a plan
00:18:03	-Actually, she sounds like her.
00:18:07	-Can you do a Southern--?
00:18:11	Not quite. The accent is crucial.
00:18:14	-This ridiculous car, what is it doing?
00:18:18	All right, I'm just gonna level with you.
00:18:23	...that we have sustained...
00:18:26	...we're-- Various readjustments
00:18:29	You're gonna have to play a small role
00:18:32	Okay? So can you put these on?
00:18:35	I'd like you to put this hat on.
00:18:38	You're gonna put on that,
00:18:42	And we'll turn around,
00:18:47	Small role.
00:18:49	Who am I supposed to be?
00:18:52	Well....
00:18:56	Oh, really?
00:18:57	Well, absolutely.
00:19:01	I can have-- We can make
00:19:05	No, no, no trouble at all.
00:19:07	I mean, we would love-- We are honored
00:19:12	Okay.
00:19:13	Okay. Thank you.
00:19:15	Bye.
00:19:27	How is this going to get Danny out?
00:19:29	-We needed someone famous.
00:19:33	Just think Four Weddings and a Funeral.
00:19:36	She wasn't in
00:19:38	" l." " I wasn't in
00:19:41	Just protect your fake baby.
00:19:45	I'm hyperventilating.
00:19:47	-Welcome back, Signora Roberts.
00:19:52	-Take it. Take it.
00:19:55	Oh, let's hide. Let's hide.
00:19:59	Julia?
00:20:01	My name is Teresa.
00:20:09	I thought I saw a friend of mine,
00:20:12	No, absolutely not. You can't turn off
00:20:17	Well, she can't touch it.
00:20:18	She's a movie star.
00:20:22	You're from Smyrna, Georgia.
00:20:25	-You like croquet and knitting.
00:20:28	You've got 1 0 dogs, seven horses.
00:20:30	-Your favorite color is peach.
00:20:34	-I can't do this. I can't.
00:20:36	-"Julia," please.
00:20:38	No, we understand you're feeling
00:20:42	-You're playing an actress. They're insecure.
00:20:46	-Yes. That's right.
00:20:48	You're playing a role.
00:20:50	No, you're playing a role.
00:20:53	-Yeah, so?
00:21:00	You mean, like, morally?
00:21:03	No. Well, yes.
00:21:06	Probably-- It's not the point.
00:21:10	...for someone who's out there somewhere.
00:21:13	More personal than your husband
00:21:16	He won't do 25-to-life. Benedict will
00:21:19	-Don't.
00:21:21	We're gonna be in and out in 1 0 minutes.
00:21:26	You don't even have to talk. Give them
00:21:30	-That's all she ever does.
00:21:33	...don't forget your accent.
00:21:37	Room service.
00:21:38	It's gonna be fine.
00:21:41	You are an image to these people.
00:21:44	Nobody actually knows you.
00:21:54	-Aren't you overdue?
00:21:56	-I'm here on vacation.
00:21:59	You are not supposed to fly
00:22:02	-I know.
00:22:04	-Of course.
00:22:05	-No, no, I mean, he has--
00:22:08	-Yes. Yes and no. He's working.
00:22:11	-Bruce. Glen Snackwell, publicity.
00:22:13	-I'm a big fan.
00:22:15	Great. You fired Marcy?
00:22:16	You fired Marcy. Two weeks ago,
00:22:20	-I'm sorry.
00:22:23	-There's a story?
00:22:26	-Marcy-- Marcy....
00:22:28	-Such a surprise.
00:22:31	I'm with the studio.
00:22:34	I just wanted to get you for a second.
00:22:37	We're looking to come off
00:22:40	You know, that little statue on the mantle
00:22:44	You know what I'm saying?
00:22:47	-Not really, Glen, no.
00:22:50	Hey, Jules, that reminds me.
00:22:52	I've been meaning to call you
00:22:56	-It's so good to see you.
00:23:00	Anyway, Tallulah left her
00:23:04	-Okay.
00:23:06	-Thank you.
00:23:07	-Thanks, Bruce.
00:23:10	...and have him get ahold of Louise
00:23:15	He's home now, right?
00:23:18	-Marcus--
00:23:20	-That's so funny. What a coincidence.
00:23:24	Over by the window, with the reception.
00:23:26	-Hello?
00:23:30	No, it's Julia. Who 's this?
00:23:33	It's Julia. I'm with Bruce Willis.
00:23:35	You're with Bruce right now?
00:23:37	Can I speak with him?
00:23:40	-I'm sorry, can I talk to him for a sec?
00:23:44	-Yes, it fell out.
00:23:47	-Put that phone away right now.
00:23:51	Hang it up and put it away.
00:23:53	Do you have any idea how vulnerable...
00:23:55	...a fetus' brain is to the electromagnetic
00:24:01	You might as well point a gun
00:24:04	-I'm Bruce Willis.
00:24:07	-I am Julia's physician.
00:24:09	What happened to Dr. Webber?
00:24:13	-You know, Doc...? He was sick.
00:24:16	-Well, he's sick.
00:24:18	-Sick on vacation.
00:24:22	Sorry to have jumped on you, Mr. Willis.
00:24:26	Thank you.
00:24:27	-Snackbar.
00:24:29	It doesn't matter. If we are to get there
00:24:34	-I say 50-50.
00:24:36	-2- 1 they don 't make it to the museum.
00:24:42	What?
00:24:46	-She's still my wife.
00:24:48	-Led by an apprentice.
00:24:51	You want her to win.
00:24:53	-Which her?
00:24:55	-The one that started all this.
00:24:57	-Good. For a minute--
00:25:00	-lt wasn't.
00:25:01	-Good.
00:25:03	-I'm confused.
00:25:06	-lsabel.
00:25:09	-I loved it, but I figured it out.
00:25:13	-That's amazing.
00:25:15	...talk to you in the restaurant, I knew--
00:25:17	You figured that out.
00:25:19	-Yeah, I mean, the movie still works for me.
00:25:22	Can we just--? Does she really
00:25:26	-She's practically jogging.
00:25:29	...mothers routinely give birth in
00:25:33	-Amazing women over there.
00:25:36	She will not have it in a rice paddy.
00:25:39	And she will be very comfortable
00:25:43	...from this walk and this exercise.
00:26:22	Was she worth it?
00:26:25	Was T ess?
00:26:30	The moment that she doesn ' t talk to you
00:26:34	-Your friends didn't tell you?
00:26:36	-That's when you figured it out, huh?
00:26:39	-But the movie was still enjoyable for me.
00:26:44	If everybody's so freaking smart, how come
00:26:51	...theatrical?
00:26:53	Julia. Doctor.
00:26:54	Doctor, you might wanna
00:27:00	Seal off the museum. Nobody in or out.
00:27:05	-Bring-- Bring it, bring it.
00:27:08	-Sit her down. Sit her down.
00:27:12	-Can you hear me? Talk to me.
00:27:15	She's good? Okay, that's it.
00:27:19	-Thank you, Bruce Willis.
00:27:21	-Thank you, museum. We are code four.
00:27:26	We'll get you into the car
00:27:33	Okay, we're not stopping. Don't stop.
00:27:36	-Hello.
00:27:37	Isabel Lahiri, I'm with the museum.
00:27:42	-We're very late.
00:27:45	I don't wanna be an annoying fan,
00:27:49	I can't let you leave unless you sign
00:27:53	-That's very unorthodox.
00:27:56	-What's his name?
00:27:58	Aren't you a lefty?
00:28:01	She is a lefty.
00:28:03	Often pregnant women
00:28:05	You are a big fan.
00:28:08	She doesn't necessarily
00:28:11	Oh, thanks so much. This is great.
00:28:13	Okay. We're on the move.
00:28:15	Thank you. You take care, now.
00:28:18	And one more thing.
00:28:21	...with someone called Marcy who put you
00:28:26	...where you have a 1 :00 meeting
00:28:32	Anyway, she just wanted me to let you
00:28:36	...and was wondering if you could
00:28:40	I knew it.
00:28:42	Shame on you.
00:28:46	I don't think we've met. Bruce.
00:28:47	Isabel Lahiri. Nice to meet you.
00:28:50	Do you really have a boyfriend?
00:28:52	Or were you just--? Was that just
00:29:34	So how'd it go?
00:30:09	You Lahiri?
00:30:12	I'm Section Chief Molly Starr.
00:30:14	I spoke to a very nice man at Europol
00:30:19	He wants you on the next flight
00:30:21	There seems to be some irregularity
00:30:59	That one.
00:31:01	Let's start with that one.
00:31:05	Imagine yourself in a room...
00:31:08	...that's too short for you to stand up in
00:31:13	A room with no light, no heat...
00:31:16	...and stone walls scratched by the teeth
00:31:20	...men driven crazy by isolation.
00:31:24	You will have rats for company...
00:31:27	...and a small window that looks out
00:31:32	Your parents will grow old and die,
00:31:37	Your friends will forget your name,
00:31:41	...because what good is a story when
00:31:45	-What do you want?
00:31:48	...in the Benedict case.
00:31:50	The ltalian charges will be dropped.
00:31:52	You and the others will be extradited
00:31:56	Plead, and you walk with parole.
00:32:01	I can't.
00:32:11	Think about it, Linus.
00:32:16	For a moment there,
00:32:23	Wait.
00:32:29	Just hang on a sec.
00:33:42	Linus.
00:33:45	Right. Thanks.
00:33:49	You okay?
00:33:51	-Well, I blew the meet with Matsui.
00:33:55	Let me guess. He pulled
00:34:01	That's his idea of fun for first-timers.
00:34:04	-I mean-- How do I not see these things?
00:34:08	-Obvious.
00:34:10	I hope Danny and Rusty appreciate the job
00:34:15	-Thanks.
00:34:18	-You--? You told Dad?
00:34:21	-You told Dad?
00:34:23	I'm sorry.
00:34:25	Great. Thanks. You're gonna be
00:34:29	"Hey, remember the time your mom
00:34:33	I'm sorry.
00:34:35	Every time with him. It's like....
00:34:37	It's like a....
00:34:41	That was for keeping me in the dark.
00:34:45	...is for making me a master thief.
00:34:47	-And that...
00:34:50	...is for ruining our
00:34:53	Okay. Okay? Come here.
00:35:04	I'm sorry I kept you in the dark.
00:35:09	I'm sorry that I made you a thief.
00:35:11	-Master.
00:35:21	And I'm very sorry that I ruined
00:35:28	-Okay?
00:35:33	You forgive me?
00:35:35	-A little.
00:35:38	What was Bruce Willis like? Was he--?
00:35:49	Follow it. That's Ryan's car.
00:36:17	Hey, wait, wait!
00:36:20	What the hell is going on?
00:36:23	Your father's alive, lzzy.
00:36:28	Your mom lied to you...
00:36:29	-...to keep you from him. He's alive.
00:36:33	When they divorced, she told him if he
00:36:37	...with everything to put him in jail.
00:36:39	How do you know that?
00:36:42	And why should I believe you?
00:36:55	You know where he is?
00:36:57	I know somebody who does.
00:37:06	There's nothing back there
00:38:51	-No. Really? No.
00:38:54	That'd be horrible.
00:38:56	It's hard, you know, for dinners.
00:38:58	Well, you must have very good contacts.
00:39:02	I hear it usually takes days
00:39:07	-Tess, this is Francois Toulour.
00:39:11	-Hello.
00:39:12	Shouldn't you be somewhere else
00:39:15	...Outer Mongolia, maybe?
00:39:18	Well, before we get to that,
00:39:22	-What is that?
00:39:24	Oh, so that's why you came.
00:39:28	Well, I guess that's normal.
00:39:32	But I got another deal for you.
00:39:35	You both recognize that I'm the best,
00:39:40	-Yeah.
00:39:44	Make it if you get him to tell us...
00:39:48	-...and tell him that he is the best.
00:39:51	-I won't tell him because you're the best.
00:39:57	All right.
00:39:59	We'll tell you you're the best
00:40:09	How can I refuse
00:40:15	The egg arrived in Rome at 6:45 p.m.
00:40:21	-It was at the museum by 8 p.m.
00:40:24	You stole it that evening?
00:40:27	How'd you get in the building?
00:40:31	Why didn 't my recon team see you?
00:40:33	-Don't touch my thing.
00:40:36	You got greasy hands, you put them
00:40:40	-You can't see anything.
00:40:43	You look like a retard.
00:40:45	I'll pay you a million dollars if you don't
00:40:49	-I wanna eat your whole head.
00:40:55	Right. With no equipment, no rope.
00:40:58	Of course. Come on, don't tell me
00:41:02	How did you get by the laser field
00:41:08	The laser fields. Well....
00:42:59	Okay. Toulour, you're the best.
00:43:03	Well, thank you, Danny.
00:43:06	Good. Now, if you can just
00:43:11	...we'll be going.
00:43:14	The money?
00:43:17	What money?
00:43:18	The money that you agreed
00:43:21	-We're under a deadline.
00:43:26	You didn't win.
00:43:28	You lost. And not only did you lose...
00:43:31	...your entire crew got pinched.
00:43:34	You don't look anything like her.
00:43:38	I mean, the way you walk
00:44:01	That means that you spoke to LeMarc.
00:44:07	You spoke to LeMarc?
00:44:17	Since I'm dead, I think my involvement
00:44:22	-Of course.
00:44:24	It's ironic that the solution to all of
00:44:30	I'm sure I provoked him by agreeing with my
00:44:34	I apologize sincerely for the trouble
00:44:38	-There's no need.
00:44:40	Remember, from the time you see Toulour
00:44:45	...you must assume he will have you
00:44:51	You'll have to put on
00:44:55	The egg, the real egg...
00:44:58	...will be carried in a backpack
00:45:02	-...at 9:30 a.m.
00:45:05	You saved our lives, Gaspar.
00:45:07	Yeah. And I'm still getting
00:47:23	And I stole a replica?
00:47:26	Your paintings are in a high-security
00:47:30	It's 1 7 Via Andreotti, unit 222.
00:47:35	-Security code is 2-3-1 -1 -6--
00:47:43	Listen, all games aside, that was--
00:47:48	That was good. How'd you do that?
00:47:55	Well, I told you one story tonight.
00:48:00	...if you, both of you, could please....
00:48:39	-Whose house is this?
00:48:43	He knows my father?
00:48:46	Probably better than anyone.
00:48:49	Who is he?
00:48:51	-He helped with the whole Night Fox thing.
00:48:55	His real name? I don't know, actually.
00:49:01	I've only known him as LeMarc.
00:49:04	LeMarc?
00:49:17	Oh, my God.
00:49:36	Where the hell have you been?
00:49:39	Waiting.
00:49:42	For what?
00:49:44	For this.
00:49:56	Oh, my God.
00:50:34	So we done?
00:50:36	Issue closed?
00:50:38	-ls it actually good?
00:50:43	I don't trust you, and I don't trust Ocean.
00:50:46	These grudges, they're awful.
00:50:50	Danny's had enough of this meshugaas.
00:50:52	And the competition,
00:50:55	Always some new young punk
00:51:00	Guys like Ocean, they keep coming back.
00:51:05	-Too much ego, too much pride.
00:51:09	Trust me on that.
00:51:12	It's hard to believe,
00:51:15	Well, if he tries anything-- If anybody
00:51:19	Terry, I can't predict the future.
00:51:22	I pay professionals to do that,
00:51:26	I can't say that nobody'll ever
00:51:29	But I can say this: lf, God forbid,
00:51:34	...we will not be involved.
00:51:36	You better not be, Reuben.
00:51:54	Hey.
00:51:57	Good to see you guys.
00:52:04	You don't remember? You put me
00:52:09	-Hey.
00:52:13	-You're more beautiful than ever.
00:52:17	-Five-oh-five?
00:52:19	-Who's winning?
00:52:21	-And you're big.
00:52:23	Oh, my God.
00:52:25	-Hello.
00:52:28	You're all under arrest.
00:52:30	You're thieves. You're crooks.
00:52:35	Isabel, Livingston Dell.
00:52:38	Thank you.
00:52:41	Isabel, Tess.
00:52:42	The adult table. That's the kids' table.
00:52:46	-Let me clear that for you.
00:52:49	Can I get another beer?
00:52:51	-I feel I know you.
00:52:54	You want five?
00:52:59	-Five.
00:53:00	Okay.
00:53:06	Is that a joke?
00:53:11	Yes.
00:53:13	-Jesus Christ.

Ocean s Twelve