Oliver Twist
|
00:03:09 |
Bow to the board. |
00:03:12 |
This is the boy. |
00:03:14 |
Born here in the workhouse. |
00:03:18 |
Nine years old today. |
00:03:22 |
What's your name, boy? |
00:03:29 |
-Oliver Twist. |
00:03:31 |
-That boy's a fool. |
00:03:35 |
You know you are an orphan, |
00:03:37 |
-What's that? |
00:03:40 |
You know you've got |
00:03:42 |
...and that you were brought up |
00:03:45 |
-Yes, sir. |
00:03:48 |
I hope you say your prayers |
00:03:51 |
Pray for those that feed you |
00:03:55 |
...Iike a Christian. |
00:03:56 |
-Yes, sir. |
00:03:59 |
...you have come here |
00:04:01 |
...and to be taught a useful trade. |
00:04:16 |
Here, where do you want these? |
00:04:35 |
Learn from the boy next to you. |
00:04:37 |
-What am I to learn, sir? |
00:04:41 |
What's oakum, sir? |
00:04:43 |
Stop asking so many questions. |
00:04:46 |
Oakum's the fibers you unpick |
00:04:49 |
Then it's used again |
00:04:54 |
You're serving your country. |
00:04:56 |
Now, get on with it. |
00:05:31 |
Tom, give it a rest, will you? |
00:05:38 |
-Can't sleep, too hungry. |
00:05:41 |
Yes, but I'm frightened. |
00:05:44 |
Frightened? Why? |
00:05:47 |
Why? Why? |
00:05:48 |
I'm so hungry, I'm frightened I might |
00:06:28 |
O Lord God... |
00:06:30 |
...for the blessing of this generous |
00:06:33 |
...that thou hast placed before us... |
00:06:36 |
...we give thanks. Amen. |
00:06:39 |
Amen. |
00:08:01 |
Please, sir. I want some more. |
00:08:06 |
What? |
00:08:08 |
Please, sir, I want some more. |
00:08:22 |
Fetch the beadle! |
00:08:33 |
Mr. Limbkins. |
00:08:35 |
I beg your pardon, sir. |
00:08:37 |
Oliver Twist has asked for more. |
00:08:41 |
For more?! |
00:08:43 |
Compose yourself, Mr. Bumble, |
00:08:46 |
Do I understand that he asked for |
00:08:51 |
He did, sir. |
00:08:56 |
That boy will be hanged. |
00:09:10 |
"Five pounds and a b--" |
00:09:16 |
When I says "whoa," |
00:09:23 |
"Health-- Healthy... |
00:09:25 |
...appren-- apprentice. |
00:09:28 |
Five pounds." |
00:09:31 |
Chimney sweeping is a nasty trade. |
00:09:34 |
Young boys have been smothered |
00:09:39 |
That's because they damp the straw |
00:09:42 |
...to make them come out again. |
00:09:46 |
Smoke sends a boy to sleep, |
00:09:50 |
Boys is very lazy, gentlemen. |
00:09:52 |
But there's nothing like a good hot |
00:09:56 |
It's humane too. Yes. |
00:09:59 |
Because even if they've |
00:10:02 |
...roasting their feet makes them |
00:10:07 |
Yes. |
00:10:09 |
I suppose he's fond of |
00:10:11 |
He dotes on it, Your Worship. |
00:10:13 |
Very well. I will sign the indentures... |
00:10:17 |
...to make him Mr.... |
00:10:20 |
Mr. Gamfield's apprentice. |
00:10:34 |
My boy. |
00:10:37 |
My boy, you look pale and alarmed. |
00:10:41 |
What's the matter? |
00:10:43 |
Please, sir. Please, sir. |
00:10:46 |
What is it, my boy? |
00:10:48 |
-Don't.... |
00:10:50 |
Don't.... Don't.... |
00:10:53 |
Go on, my boy. Don't what? |
00:10:56 |
Please don't send me away |
00:11:00 |
Of all the designing orphans |
00:11:02 |
-Hold your tongue, beadle. |
00:11:05 |
Yes, hold your tongue. |
00:11:09 |
No. No, out of the question. |
00:11:12 |
We refuse to sanction |
00:11:17 |
Take the boy away. |
00:11:20 |
And treat him kindly. |
00:11:23 |
He seems to want it. |
00:11:42 |
I've just taken the measure of |
00:11:46 |
You'll make your fortune, |
00:11:49 |
Think so? |
00:11:52 |
The prices allowed by the board |
00:11:55 |
So are the coffins. |
00:11:59 |
By the by, you don't know anybody |
00:12:06 |
Liberal terms, Mr. Sowerberry. |
00:12:19 |
Now, as you are to meet |
00:12:22 |
...pull that cap off your eyes. |
00:12:26 |
Hold your head up, sir. |
00:12:31 |
Dry your eyes, sir. |
00:12:39 |
-ls that you, Bumble? |
00:12:43 |
I've brought the orphan, |
00:12:46 |
So this is the orphan, is it? |
00:12:49 |
Mrs. Sowerberry... |
00:12:51 |
...will you have the goodness |
00:12:55 |
Oliver Twist. |
00:12:57 |
How comes an orphan |
00:13:00 |
-I invented it. |
00:13:02 |
I, Mr. Sowerberry. |
00:13:04 |
I name all our foundlings |
00:13:08 |
The last was S. |
00:13:10 |
Swubble, I named him. |
00:13:12 |
This was a T. Twist, |
00:13:16 |
Next one as comes |
00:13:18 |
...and the next, Vilkins. |
00:13:20 |
I've got names ready |
00:13:24 |
Why, you're quite |
00:13:28 |
Well, well... |
00:13:29 |
-...perhaps I may be. |
00:13:32 |
...this is the orphan |
00:13:37 |
Dear me, he's very small. |
00:13:39 |
But he'll grow, Mrs. Sowerberry. |
00:13:41 |
Yes, I daresay he will. |
00:13:46 |
Workhouse boys always cost more |
00:13:51 |
Get downstairs, you bag of bones. |
00:13:55 |
Here, Charlotte... |
00:13:57 |
...give this boy some of the cold bits |
00:14:29 |
You don't mind sleeping |
00:14:32 |
Well, it doesn't much matter |
00:14:34 |
...for you can't sleep anywhere else. |
00:15:55 |
Open the door, will you? |
00:16:07 |
-You the new boy? |
00:16:11 |
-How old are you? |
00:16:14 |
Then I'll whop you one when I get in, |
00:16:35 |
I beg your pardon, sir. |
00:16:38 |
I kicked. |
00:16:39 |
Did you want a coffin, sir? |
00:16:42 |
-You don't know who I am, I suppose. |
00:16:45 |
Well, I'm Mr. Noah Claypole. |
00:16:48 |
Now, take down the shutters. |
00:16:55 |
Saved a nice little bit of bacon for you |
00:17:04 |
In the corner with you. |
00:17:08 |
They'll want you to mind the shop. |
00:17:11 |
Do you hear, Workhouse? |
00:17:13 |
Oh, Lord, Noah, let the boy alone. |
00:17:16 |
Let him alone? |
00:17:18 |
Why, everybody's let him alone. |
00:17:20 |
His mother, father and all |
00:17:25 |
So he needs someone who don't. |
00:17:48 |
Supper. |
00:17:51 |
Oliver, ain't you done yet? |
00:17:53 |
I've never known such an idle boy. |
00:17:58 |
Mr. Sowerberry... |
00:18:00 |
...supper. |
00:18:02 |
-I've had a thought, my dear. |
00:18:05 |
You want to be careful, |
00:18:08 |
-It's about young Twist. |
00:18:12 |
-A very good-looking boy. |
00:18:16 |
There's an expression of melancholy |
00:18:20 |
He would make a delightful mute, |
00:18:25 |
I-- I don't mean a regular mute to |
00:18:31 |
...but only for children's practice. |
00:18:49 |
Look at him. |
00:18:51 |
Look at him. |
00:18:53 |
A workhouse boy and a sneak. |
00:18:58 |
Mark my words, I'll see him hung. |
00:19:00 |
Can't be too soon. |
00:19:05 |
Workhouse, how's your mother? |
00:19:10 |
She's dead. |
00:19:12 |
What'd she die of, Workhouse? |
00:19:17 |
You gonna cry, Workhouse? |
00:19:20 |
-What set you off? |
00:19:26 |
-Not me, eh? |
00:19:30 |
And you better not say anything |
00:19:34 |
Better not? |
00:19:37 |
About your mother? |
00:19:39 |
Well, I'm very sorry, |
00:19:42 |
But you must know, Workhouse... |
00:19:44 |
...your mother was |
00:19:49 |
-What did you say? |
00:19:52 |
It's a good thing she died |
00:19:54 |
...or she'd be hard laboring |
00:19:57 |
Or hung. Which is most likely, |
00:20:03 |
Help, Mrs. Charlotte! |
00:20:05 |
He'll murder me. Help! |
00:20:09 |
Help. Get off! |
00:20:11 |
For God's sake, help me! |
00:20:15 |
My missus, he's murdering me! |
00:20:17 |
-Get off. Get off me now! |
00:20:20 |
Get him now. Go out with him. |
00:20:24 |
-Workhouse devil. |
00:20:28 |
-You brat! |
00:20:30 |
In with him. In. |
00:20:41 |
Very violent indeed, sir. |
00:20:44 |
And the missus said... |
00:20:46 |
...if Mr. Bumble can spare the time... |
00:20:49 |
...then Mr. Bumble's to flog him... |
00:20:52 |
...because the master's out. |
00:20:59 |
-ln there. |
00:21:01 |
Let me out of here! |
00:21:03 |
-Do you know this here voice, Oliver? |
00:21:06 |
Ain't you afraid of it, sir? |
00:21:08 |
Ain't you trembling |
00:21:11 |
No! |
00:21:17 |
-He must be mad. |
00:21:20 |
-Meat? |
00:21:22 |
You've overfed him. |
00:21:23 |
If you'd kept this boy on gruel, |
00:21:26 |
Dear, dear. |
00:21:31 |
What's all this? |
00:21:32 |
Oliver Twist has turned violent, |
00:21:35 |
Look what he's done to my eye, sir. |
00:21:42 |
Now then. Now then. |
00:21:44 |
-You're a nice young fellow, ain't you? |
00:21:48 |
Well, and what if he did, |
00:21:53 |
She deserved what he said |
00:21:55 |
-She didn't! |
00:21:56 |
It's a lie! |
00:22:01 |
Do something, Mr. Sowerberry. |
00:22:08 |
Do something! |
00:25:35 |
I beg your pardon, miss... |
00:25:37 |
...but would you be so kind--? |
00:25:41 |
Get off my land. |
00:25:43 |
I don't want no beggars here. |
00:25:46 |
Get off! Or I'll put the dog on you! |
00:26:29 |
I haven't much, |
00:26:34 |
Be careful, it's hot. |
00:26:48 |
Seeing you gave me such a turn. |
00:26:52 |
My eyes ain't what they were. |
00:26:56 |
...I just thought for a moment.... |
00:27:07 |
Why are you on the road at all, |
00:27:12 |
-Where are you headed? |
00:27:16 |
London? |
00:27:18 |
London. |
00:27:22 |
Dear, oh, dear, oh, dear. |
00:28:49 |
Hello, my man. |
00:28:52 |
And what's your game? |
00:28:56 |
You're not from these parts? |
00:29:00 |
Where you from, then? |
00:29:04 |
I've been walking. Seven days. |
00:29:07 |
Seven days? Cor. |
00:29:10 |
I expect you want grub? |
00:29:12 |
And you shall have it. |
00:29:14 |
I'm at a low-water mark meself |
00:29:17 |
...but I'll fork out and stump. |
00:29:20 |
Come on, up with you, on your pins. |
00:29:30 |
And these won't get out again? |
00:29:32 |
Thank you very much. |
00:29:35 |
Oh, by the by... |
00:29:37 |
...my name is Jack Dawkins, |
00:29:41 |
Oliver Twist. |
00:29:44 |
Why are you known as |
00:29:48 |
That's why. |
00:29:57 |
Got any lodgings? |
00:29:59 |
Money? |
00:30:02 |
I suppose you want someplace |
00:30:42 |
Baby newt. |
00:30:43 |
Buy a baby newt, 4 pennies. |
00:30:48 |
I expect you walking for so long |
00:30:52 |
-What does that mean? |
00:30:55 |
-A bird's mouth, isn't it? |
00:30:59 |
A beak's a magistrate, my son. |
00:31:02 |
Get off me, you! |
00:31:04 |
That's it, you asked for it. |
00:31:10 |
Come back here. |
00:31:14 |
Lucky heather. |
00:31:31 |
--from where I am, mate, |
00:31:37 |
Go home! |
00:31:45 |
Get off of that! |
00:31:47 |
Go back home! |
00:31:55 |
-Now then. |
00:32:00 |
-There's two of you. Who's he? |
00:32:03 |
-Where'd he come from? |
00:32:05 |
-ls the old one there? |
00:32:26 |
This is him, Fagin. |
00:32:30 |
Well, well, Oliver Twist. |
00:32:36 |
I hope I have the honor |
00:32:40 |
We're very glad to see you, Oliver. |
00:32:43 |
Dodger, take off the sausages... |
00:32:46 |
...and let's make a space |
00:32:51 |
You were staring at the |
00:32:55 |
There's a good many of them, |
00:32:57 |
We've just looked them out, |
00:32:59 |
That's all, my dear. |
00:33:02 |
Blow it. |
00:33:06 |
Hot. Blow it. |
00:33:09 |
Now then, Oliver, |
00:33:12 |
...is a hot gin and water. |
00:33:16 |
Only, drink it quick because another |
00:33:41 |
He's such a nice lad. |
00:33:44 |
I have a feeling he'll turn out |
00:33:48 |
Yeah, a hard worker. |
00:34:15 |
Oliver? |
00:34:20 |
Oliver? |
00:35:36 |
Clever dogs. |
00:35:44 |
Clever dogs. |
00:35:50 |
Fine fellows. |
00:35:56 |
All fine fellows. |
00:36:01 |
Fine fellows. |
00:36:05 |
Fine fellows. |
00:36:08 |
Fine fellows. |
00:36:12 |
Fine fellows. |
00:36:21 |
What do you watch me for? |
00:36:23 |
What have you seen? |
00:36:25 |
Quick. Quick, or it's your life! |
00:36:27 |
I wasn't able to sleep |
00:36:30 |
I'm very sorry if I disturbed you. |
00:36:31 |
-You were not awake a moment ago? |
00:36:33 |
-You sure? |
00:36:39 |
Of course you were asleep, my dear. |
00:36:42 |
I only tried to frighten you. |
00:36:44 |
You're a brave boy, Oliver. |
00:36:49 |
Did you see any |
00:36:52 |
Yes, sir. |
00:36:54 |
They.... |
00:36:56 |
They're mine, Oliver. |
00:36:59 |
For my old age. |
00:37:02 |
It's our secret. |
00:37:04 |
-You understand, my dear? |
00:37:08 |
Can I go up now, sir? |
00:37:14 |
Now.... |
00:37:55 |
I hope you've been at work |
00:37:58 |
-Hard. |
00:37:59 |
Good boys. |
00:38:01 |
Good boys. |
00:38:03 |
-What you got, Dodger? |
00:38:05 |
-Lined? |
00:38:11 |
Yeah. |
00:38:21 |
Dodge. |
00:38:24 |
I don't know, Dodge. |
00:38:29 |
Well... |
00:38:31 |
...not as heavy as they might be... |
00:38:33 |
...but very neat... |
00:38:35 |
...and nicely made. |
00:38:38 |
Ingenious workman, |
00:38:41 |
Indeed, sir. |
00:38:43 |
And, Charley, what have you got, |
00:38:45 |
-Wipes. |
00:38:52 |
They're very good ones. |
00:38:54 |
Very. |
00:39:01 |
You haven't marked them well. |
00:39:04 |
The marks should be picked out |
00:39:08 |
We'll teach Oliver how to do it. |
00:39:10 |
-Shall us, Oliver? |
00:39:12 |
You'd like to make handkerchiefs as |
00:39:16 |
Very much indeed, |
00:39:18 |
I've never met anyone so green. |
00:39:39 |
Now then, boys... |
00:39:41 |
...the game. |
00:39:44 |
We'll show Oliver... |
00:39:46 |
...how to make |
00:39:51 |
You'd like to play a game, |
00:39:53 |
Yes, sir. |
00:41:21 |
-Got the time, guv? |
00:41:24 |
...8:00. |
00:41:35 |
-Playing the game, were we, Fagin? |
00:41:39 |
-He's new. Who's he? |
00:41:43 |
Oliver... |
00:41:45 |
...these are our very good friends |
00:41:52 |
See, Dodger, |
00:41:54 |
He's got manners, he has. |
00:41:58 |
We popped in |
00:42:00 |
As is your custom, my dear. |
00:42:04 |
-Charley. |
00:42:07 |
Or don't you sit |
00:42:10 |
Now, you wanna be |
00:42:13 |
-They'll have you picking-- |
00:42:16 |
Just what we was teaching him, |
00:42:19 |
-Yes, sir. |
00:42:21 |
You know who you're talking to, |
00:42:25 |
What's your mother got to say |
00:42:27 |
I haven't got a mother. |
00:42:30 |
You're in the right company, then. |
00:42:35 |
Come on, Oliver, |
00:42:37 |
It's called Spec or Speculation. |
00:42:39 |
Three cards each, |
00:42:43 |
...is trumps. |
00:42:53 |
This is a pleasant life, |
00:43:01 |
-When can I go out, sir? |
00:43:07 |
Let's-- |
00:43:09 |
Let's see what you've learned. |
00:43:12 |
-Would you like that? |
00:43:16 |
See if you can take this out... |
00:43:19 |
...without my feeling it. |
00:43:48 |
Is it gone? |
00:43:52 |
You're a clever boy, my dear. |
00:43:55 |
I never saw a sharper lad. |
00:44:04 |
Here's a shilling for you. |
00:44:07 |
Make the Dodger and Charley |
00:44:10 |
Especially the Dodger, my dear. |
00:44:12 |
He'll be a great man himself, |
00:44:16 |
You go on this way... |
00:44:18 |
...you'll be the greatest man |
00:44:23 |
Thank you very much, sir. |
00:44:33 |
Lovely white apples. |
00:44:41 |
Biggest cabbages in town. |
00:44:45 |
You mean that one |
00:44:48 |
Too expensive. |
00:45:40 |
Thief! Your handkerchief, sir. |
00:45:42 |
Stop, thief! |
00:45:48 |
Stop! |
00:45:49 |
Thief! |
00:45:52 |
-You're a thief! |
00:45:54 |
-Stop him! |
00:45:57 |
Thief! |
00:46:00 |
Stop, thief! |
00:46:03 |
Thief! |
00:46:06 |
Stop him! |
00:46:09 |
Stop him! |
00:46:11 |
Mind out. |
00:46:16 |
Stop, thief! |
00:46:21 |
There, over there. |
00:46:25 |
That way! |
00:46:27 |
-Stop, thief! Stop! |
00:46:46 |
-What's your name, boy? |
00:46:49 |
He's scared to death. |
00:46:50 |
-Where's the gentleman? |
00:46:54 |
-ls this the boy, sir? |
00:46:56 |
That's a good one. |
00:46:59 |
-Poor fellow's hurt himself. |
00:47:02 |
Hurt me knuckle against his mouth. |
00:47:06 |
-Get up! |
00:47:09 |
Of course it wasn't. It never is. |
00:47:12 |
-Now get up. |
00:47:14 |
Oh, no, sir, I won't hurt him. |
00:47:21 |
This way, gentlemen. |
00:47:21 |
This way, gentlemen. |
00:47:25 |
-What's next? |
00:47:28 |
Officer, who is this fellow? |
00:47:31 |
-My name is Brownlow. |
00:47:33 |
Officer, what's this fellow |
00:47:36 |
Oh, no, no. He's not charged, |
00:47:38 |
He appears against the boy. |
00:47:40 |
-Swear him. |
00:47:42 |
-...I must beg to say one word. |
00:47:44 |
-I will not, sir! |
00:47:48 |
You're an insolent, |
00:47:50 |
-How dare you bully a magistrate. |
00:47:53 |
Swear this person. |
00:47:56 |
"l do solemnly swear to tell |
00:48:00 |
-What's the charge against the boy? |
00:48:03 |
Hold your tongue! |
00:48:05 |
Policeman, what is this? |
00:48:08 |
-None, Your Worship. |
00:48:10 |
Oh, yes, I daresay. |
00:48:13 |
Come along, you vagabond. |
00:48:16 |
What's your name? |
00:48:19 |
What's your name, |
00:48:21 |
-Officer, what's his name? |
00:48:25 |
Some water. Some water. |
00:48:28 |
He says his name is Sam Waters, |
00:48:30 |
-Where does he live? |
00:48:32 |
-Anywhere he can, Your Worship. |
00:48:36 |
Don't try to make a fool out of me. |
00:48:37 |
No, I think he really is ill, |
00:48:40 |
I know better, |
00:48:43 |
Stand away, officer. He's shamming. |
00:48:46 |
He stands committed |
00:48:48 |
Hard labor, of course. |
00:48:50 |
Stop. Stop, stop! |
00:48:52 |
What is this? Who is this? |
00:48:55 |
-Clear the office. |
00:49:00 |
I saw it all. I own the bookshop. |
00:49:02 |
-I demand to be heard. |
00:49:05 |
-lt was not this boy. |
00:49:08 |
The robbery was committed by |
00:49:11 |
I saw it done. I saw that this boy |
00:49:15 |
Why didn't you come before? |
00:49:17 |
-I hadn't a soul to mind the shop. |
00:49:20 |
A book, I suppose. |
00:49:22 |
Yes, the very one |
00:49:25 |
Oh, dear me, I forgot all about it. |
00:49:27 |
Well, you're a nice one. |
00:49:29 |
To prefer a charge |
00:49:33 |
I consider, sir, |
00:49:36 |
...under very suspicious |
00:49:39 |
-Damn me! |
00:49:40 |
...do you want to press charges |
00:49:42 |
-Certainly not. |
00:49:45 |
...think yourself fortunate... |
00:49:47 |
...that the owner of the book |
00:49:49 |
The boy is discharged. |
00:49:51 |
-Clear the office. |
00:49:52 |
Clear the office! |
00:49:55 |
Next case. |
00:49:57 |
Come on. Move along, sir, please. |
00:50:01 |
There's a good gentleman, sir. |
00:50:03 |
Hold on, Harry. I'll give you a hand. |
00:50:05 |
Mind that step. |
00:50:10 |
Make way for the law, sir. |
00:50:13 |
-Careful. Careful with him. |
00:50:18 |
Call a coach, pray. |
00:50:20 |
-Yeah, right away, sir. |
00:50:24 |
Poor boy. |
00:50:31 |
-Mind yourself, madam. |
00:50:34 |
-Got one, sir. |
00:50:37 |
Let me, sir. |
00:50:39 |
There we go. |
00:50:43 |
-Will you drop me off, sir? |
00:50:46 |
All right. |
00:50:47 |
If you could just take his head, sir. |
00:50:51 |
-Where to, sir? |
00:50:54 |
-Pentonville. |
00:50:57 |
Answer me! Where is he? |
00:50:58 |
Answer me! Where is he? |
00:50:59 |
What's become of the boy? |
00:51:01 |
The traps have got him! |
00:51:12 |
Bullseye! |
00:51:14 |
Who pitched this here at me? |
00:51:19 |
Bullseye. |
00:51:23 |
What you stopping outside for? |
00:51:27 |
Lay down. |
00:51:30 |
What you up to, Fagin? |
00:51:34 |
A wonder they don't murder you. |
00:51:38 |
Don't speak so loud. |
00:51:42 |
Give us a drink. |
00:51:45 |
Charley. |
00:51:47 |
Good stuff, Bill. |
00:51:51 |
So, Dodger... |
00:51:52 |
-...what's it all about? |
00:51:55 |
Come out with us |
00:51:58 |
-Got nabbed by the traps. |
00:52:01 |
...I'm afraid he may say something |
00:52:07 |
You were blowed upon, Fagin. |
00:52:10 |
And about time. |
00:52:11 |
And I'm afraid, you see, Bill, |
00:52:14 |
...it would come out rather worse |
00:52:20 |
There's only one thing for it. |
00:52:21 |
Somebody's gotta find out at the office |
00:52:25 |
Somebody's gotta |
00:52:27 |
I ain't going near no police office. |
00:52:30 |
I have it, the very thing. |
00:52:34 |
-Won't you, my dear? |
00:52:36 |
Nancy, my dear, what do you say? |
00:52:38 |
It won't do. There's no use |
00:52:42 |
-What do you mean by that? |
00:52:44 |
Why, you're just |
00:52:46 |
Nobody about here |
00:52:48 |
And as I don't want them to neither. |
00:52:50 |
It's rather more "no" than "yes" |
00:52:53 |
-She'll go, Fagin. |
00:52:55 |
Yes, she will, Fagin. |
00:53:08 |
-Can I help you, miss? |
00:53:12 |
-Now, who would he be? |
00:53:15 |
Lovely manners. |
00:53:19 |
We don't get many of those. |
00:53:21 |
I think you'll be wanting |
00:53:30 |
George, this here young lady |
00:53:34 |
The one that fainted |
00:53:36 |
Oh, yeah. |
00:53:38 |
What gentleman? Gracious heavens, |
00:53:42 |
Well, lives in Pentonville, I believe. |
00:53:45 |
Oh, my God. |
00:53:47 |
No, no. Wait, wait, wait. |
00:53:50 |
His card's here somewhere. |
00:53:53 |
Here we are. |
00:54:01 |
Thank you, sir. |
00:55:03 |
Mr. Brownlow. |
00:55:05 |
Mr. Brownlow. |
00:55:35 |
There's something in him... |
00:55:37 |
...that touched my heart, |
00:55:40 |
Can't explain it. |
00:55:42 |
I feel the same, sir. |
00:55:45 |
Who is he? What is he? |
00:55:47 |
You know nothing of him. |
00:55:49 |
He had a fever. What of that? |
00:55:52 |
Bad people have fevers sometimes. |
00:55:55 |
I knew a man in Jamaica who was |
00:55:58 |
He had a fever six times. |
00:56:00 |
-I know there is goodness in him. |
00:56:03 |
Goodness and innocence. |
00:56:05 |
-I knew it the first moment I saw him. |
00:56:08 |
Let you down |
00:56:10 |
...Iike all your other |
00:56:13 |
If that boy's good and innocent, |
00:56:27 |
How do you feel, my dear? |
00:56:29 |
Very happy, sir. |
00:56:31 |
-And very grateful to you indeed, sir. |
00:56:36 |
Have you given him any nourishment, |
00:56:40 |
Not slops, sir. Broth. |
00:56:43 |
A couple of glasses of port wine... |
00:56:45 |
...would have done him |
00:56:48 |
Wouldn't they, Sam? |
00:56:50 |
My name is Oliver, sir. |
00:56:52 |
Oliver? |
00:56:55 |
-Oliver what? Oliver Waters? |
00:57:00 |
Why did you tell the magistrate |
00:57:02 |
I never told him so, sir. |
00:57:05 |
-You did not? |
00:57:11 |
-You're not angry with me, are you? |
00:57:15 |
Queer name. |
00:57:16 |
Oliver Twist. |
00:57:20 |
There are a great many books, |
00:57:23 |
A great number, sir. |
00:57:26 |
Never saw so many. |
00:57:30 |
How would you like |
00:57:33 |
...and write books? |
00:57:35 |
I think I'd rather read them, sir. |
00:57:38 |
Wouldn't you like to be |
00:57:42 |
I think it'd be a better thing |
00:57:47 |
You have said a very good thing. |
00:57:51 |
Well, well. |
00:57:53 |
We won't make an author of you while |
00:57:56 |
...or brickmaking to turn to. |
00:57:58 |
-Are you going to send me away, sir? |
00:58:02 |
You need not be afraid |
00:58:05 |
-...unless you give me cause. |
00:58:08 |
I hope not... |
00:58:09 |
...because I feel strongly disposed |
00:58:12 |
Thank you, sir. |
00:58:23 |
I'm pleased |
00:58:25 |
So are we all, my dear. |
00:58:29 |
There. |
00:59:28 |
Hello. |
00:59:30 |
What's that? |
00:59:32 |
This is young Oliver Twist. |
00:59:34 |
The bookseller's boy |
00:59:36 |
Oh, stop him, Oliver. |
00:59:39 |
-ls that the boy who had the fever? |
00:59:58 |
Mind out! |
01:00:10 |
-No sign of him, sir. |
01:00:14 |
I particularly wished some books |
01:00:16 |
Why not send Oliver with them? |
01:00:20 |
Yes, do let me take them. |
01:00:22 |
If you please, sir. |
01:00:34 |
You shall go, my dear. |
01:00:35 |
Ask Mrs. Bedwin |
01:00:39 |
-And, Oliver.... |
01:00:41 |
Give the bookseller this. |
01:00:48 |
The money I owe him. |
01:00:56 |
I won't be long, sir. |
01:01:00 |
-How long do you think it'll take him? |
01:01:05 |
-You don't? |
01:01:08 |
No, I do not. |
01:01:11 |
If ever that boy |
01:01:13 |
...I'll eat my own head, sir. |
01:01:17 |
And yours. |
01:01:35 |
Oh, my little brother! |
01:01:38 |
-I don't believe my eyes. |
01:01:41 |
-It's a miracle. Oh, I've found him. |
01:01:45 |
-Oh, Oliver. Oliver. |
01:01:48 |
You're such a naughty boy to make me |
01:01:51 |
-Let go of me! |
01:01:53 |
He ran away from his parents. |
01:01:55 |
-Get off me! |
01:01:58 |
...and joined a set of thieves |
01:02:01 |
Broke his mother's heart. |
01:02:02 |
Young wretch. |
01:02:05 |
I haven't got any parents. |
01:02:06 |
I'm an orphan. |
01:02:08 |
Oh, only hear him, |
01:02:11 |
-What? Young Oliver. |
01:02:15 |
You come home |
01:02:17 |
I don't belong to them! |
01:02:21 |
"Help, help"? |
01:02:22 |
I'll give you "help, help," |
01:02:25 |
And these books. |
01:02:27 |
Have you been a-stealing them, |
01:02:30 |
-You little villain. |
01:02:34 |
-Only way to bring him to his senses. |
01:02:37 |
And you come with me, |
01:02:39 |
It'll do him good. |
01:02:41 |
-Who is this man? Help! |
01:02:44 |
-Mind him. |
01:02:48 |
Look at him, Fagin. |
01:02:50 |
Hold me, somebody. |
01:02:52 |
Hold me, somebody, |
01:02:55 |
Look at his togs, Fagin. |
01:02:57 |
Delighted to see you |
01:03:00 |
Why didn't you write, my dear, |
01:03:03 |
We'd have got something warm |
01:03:06 |
Hello, Fagin. What's that? |
01:03:09 |
Oh, no, my dear. Mine, Bill, mine. |
01:03:12 |
If that ain't mine and Nancy's, |
01:03:15 |
Come on, hand over, will you? |
01:03:16 |
This is hardly fair, Bill. |
01:03:19 |
Fair or not fair, |
01:03:22 |
Give it here, you avaricious |
01:03:26 |
That's for our share of the trouble, |
01:03:30 |
You may keep the books if you're fond |
01:03:33 |
They're very pretty. |
01:03:38 |
Send them back. |
01:03:41 |
Send them back. |
01:03:43 |
He'll think I stole them. |
01:03:45 |
-Please send them back. |
01:03:47 |
You're right, Oliver. You're right. |
01:03:52 |
It couldn't have happened better |
01:03:54 |
Help! Help! Police! |
01:03:57 |
Fetch the police! The police! |
01:04:00 |
Keep back the dog, Bill. |
01:04:02 |
-Serve him right. |
01:04:06 |
Fetch the police! |
01:04:08 |
Step aside, or I'll split |
01:04:10 |
I don't care. |
01:04:11 |
That child shan't be torn down |
01:04:17 |
Bullseye. Here. Bullseye! |
01:04:27 |
Dodger! |
01:04:29 |
Get after him! |
01:04:34 |
Take your hands off me! |
01:05:09 |
So you wanted to get away, |
01:05:12 |
Wanted to call for the police, |
01:05:14 |
We'll soon cure you of that. |
01:05:19 |
I won't stand by |
01:05:22 |
You got the boy. |
01:05:24 |
Keep quiet, Nancy, or I'll quieten you |
01:05:27 |
Let him be. Let him be! |
01:05:29 |
You're a fine one for the boy |
01:05:32 |
God Almighty help me, I am. |
01:05:34 |
He's a thief, a liar, a devil, |
01:05:38 |
Ain't that enough for the old wretch |
01:05:40 |
Come, come, we must have |
01:05:43 |
Civil words? |
01:05:47 |
I thieved for you when I was a child |
01:05:50 |
It's your living. |
01:05:52 |
Yes, and you're the wretch |
01:05:55 |
...and who will keep me at it, |
01:06:02 |
Dodger, Charley, |
01:06:06 |
Best to take them clothes off. |
01:06:09 |
Charley's right. This here suit cost |
01:06:12 |
I never felt such lovely stuff. |
01:06:16 |
Not me. But I'm willing to lay odds... |
01:06:18 |
...this is the same stuff |
01:06:24 |
Quick, get him. |
01:06:26 |
Take it off. |
01:06:31 |
Lift him up. |
01:06:32 |
Up he goes. |
01:06:37 |
Get them shoes off. |
01:07:15 |
Little something for your luncheon, |
01:07:35 |
Shall we have a little chat? |
01:07:37 |
Oliver? |
01:07:39 |
Shall us? |
01:07:44 |
I expect you'd welcome... |
01:07:47 |
...the sound of a human voice again, |
01:07:56 |
Do you know... |
01:07:59 |
...what I consider the greatest sin |
01:08:04 |
Ingratitude. |
01:08:08 |
And that's what you're guilty of... |
01:08:11 |
...ingratitude. |
01:08:13 |
We took you in, we cherished you. If |
01:08:17 |
How do you repay us? |
01:08:19 |
...you cry out for the police, you |
01:08:28 |
There was a lad once, just like you, |
01:08:31 |
He ran away, like you. |
01:08:34 |
And can you guess |
01:08:40 |
They hanged him... |
01:08:42 |
...at the Old Bailey. |
01:08:46 |
Certain evidence was made available, |
01:08:51 |
...but all of it necessary to provide |
01:08:56 |
...and that of my friends. |
01:08:58 |
Yeah. Poor boy. |
01:09:01 |
Hanged. |
01:09:03 |
It's a terrible thing, hanging, Oliver. |
01:09:06 |
Dawn, the gallows... |
01:09:08 |
...the rope, the noose. |
01:09:11 |
You don't always have |
01:09:13 |
They hang you for anything |
01:09:15 |
That's because they're |
01:09:27 |
But if you do as you're told... |
01:09:31 |
...we'll be very good friends yet. |
01:09:43 |
You must feel free |
01:09:48 |
Yes, feel free. |
01:09:57 |
-Here, Oliver. |
01:10:01 |
I'd like you to assist me |
01:10:05 |
-Will you do that for me, my man? |
01:10:09 |
There's a good fellow. You may start |
01:10:13 |
In plain English, clean my boots. |
01:10:20 |
What a pity he ain't a prig. |
01:10:22 |
He don't know what's good for him. |
01:10:25 |
I suppose you don't know |
01:10:27 |
Yes, I do. It's a.... |
01:10:29 |
It's a thief. |
01:10:32 |
You're one, aren't you? |
01:10:34 |
Yes, I am. And so we all are. |
01:10:37 |
...and he's the downiest one |
01:10:39 |
And the least given to peaching. |
01:10:41 |
He wouldn't so much as bark |
01:10:43 |
-...for fear of committing himself. |
01:10:48 |
Why don't you put yourself |
01:10:51 |
You'll make a fortune out of hand. |
01:10:53 |
Like your old gentleman |
01:10:57 |
I had a peep at it, I did. |
01:11:00 |
Yes. And I slept in a proper bed. |
01:11:05 |
-Good stuff on the walls, eh? |
01:11:09 |
Put yourself under Fagin... |
01:11:10 |
...and you'll be able to retire |
01:11:14 |
And do the genteel. |
01:11:16 |
No, he's scared |
01:11:19 |
I don't know what that means. |
01:11:25 |
If you don't take pocket handkerchiefs |
01:11:28 |
...some other cove will. You have |
01:11:31 |
To be sure. To be sure. |
01:11:34 |
It all lies in a nutshell, my dear, |
01:11:37 |
Take the Dodger's word for it. |
01:11:38 |
He understands the catechism |
01:11:53 |
Cabby? |
01:12:15 |
-I've come from Bill. |
01:12:18 |
-For no harm. |
01:12:22 |
If I could help you, I would, |
01:12:26 |
Now, I've promised him |
01:12:29 |
If you're not, you'll only do |
01:12:32 |
And me too. |
01:12:44 |
Did he come quiet? |
01:12:46 |
Like a lamb. |
01:12:50 |
Sit down. |
01:12:57 |
And let me read you a lecture. |
01:13:06 |
You know what this is? |
01:13:08 |
-Yes. |
01:13:15 |
This is powder. |
01:13:25 |
That here's a bullet. |
01:13:30 |
And this is a little bit |
01:13:33 |
...for wadding. |
01:13:41 |
-Now it's loaded. |
01:13:47 |
If you speak a word |
01:13:49 |
...unless I speak to you... |
01:13:51 |
...this loading will go in your head |
01:13:55 |
So if you do make up your mind |
01:13:59 |
...says your prayers first. |
01:14:01 |
The short and long of what you mean |
01:14:05 |
...you'll prevent him |
01:14:07 |
...by shooting him through the head. |
01:14:09 |
And you'll take your chance |
01:14:12 |
That's it. Women always put things |
01:14:16 |
Supper, Nancy. |
01:14:18 |
And then a snooze afore starting. |
01:14:49 |
My pal Bill. |
01:14:52 |
The door's open, come in. |
01:14:56 |
Don't make such a row. |
01:15:02 |
Show us a glim, Toby. |
01:15:04 |
Barney, a glim. |
01:15:07 |
Barney? |
01:15:23 |
Mr. Sykes. Come in, sir, come in. |
01:15:45 |
Bill, my boy. Glad to see you. |
01:15:49 |
Who's...? |
01:15:52 |
-Who's this? |
01:15:54 |
-One of Mr. Fagin's lads? |
01:15:57 |
Right. |
01:16:00 |
Barkers for me, Barney. |
01:16:11 |
-They're loaded. |
01:16:21 |
-The persuaders? |
01:16:28 |
Keys, center bits. |
01:16:35 |
Darkies. |
01:16:47 |
Nothing forgotten? |
01:17:00 |
Yeah, it's all quiet. |
01:17:53 |
I can't. I can't. |
01:17:56 |
You will. |
01:17:58 |
It's Mr. Brownlow's house. |
01:18:29 |
Have mercy. |
01:18:31 |
-Have mercy on me. |
01:18:34 |
For God's sake, let me run away |
01:18:36 |
-I'll never come near London, never. |
01:18:40 |
Get up. Or I'll strew your brains |
01:19:24 |
I'm putting you through there. |
01:19:27 |
Go to the front door |
01:19:30 |
I can't, there's a bolt at the top. |
01:19:34 |
-Well, stand on a chair or something. |
01:20:34 |
To the door. |
01:20:40 |
Who's there? |
01:20:43 |
Mrs. Bedwin? Is that you? |
01:21:00 |
Come here. Come here. |
01:21:03 |
Save me! Save me! |
01:21:16 |
Help! |
01:21:19 |
Help! Police! |
01:21:31 |
Give him here. |
01:21:39 |
Oh, damnation, how he bleeds. |
01:21:41 |
-ls he hit bad? |
01:21:50 |
-Give me a pistol. |
01:21:52 |
We gotta get rid of him, |
01:21:55 |
We gotta do him in. |
01:21:57 |
Here, here. Down here by the river. |
01:22:00 |
But, Bill! Bill! |
01:22:06 |
-Bill? |
01:22:09 |
Help! Help! |
01:22:13 |
-Bill. |
01:22:24 |
Snap. |
01:22:27 |
Snap. |
01:22:30 |
Snap. |
01:22:35 |
Snap. |
01:22:39 |
Snap. |
01:22:54 |
Well, well. |
01:22:56 |
How are you, Fagey? |
01:23:00 |
Scarce. Scarce! |
01:23:03 |
-He's-- He's bleeding. |
01:23:06 |
All in good time. |
01:23:09 |
I can't talk business |
01:23:19 |
Nancy, I said, scarce. Scarce! |
01:23:22 |
Where's Bill? |
01:23:23 |
Well, produce the sustenance, |
01:23:26 |
Dodger! |
01:23:28 |
Nancy, scarce! |
01:23:36 |
-The crack failed. |
01:23:38 |
For the last time of asking, |
01:23:43 |
Dodger. |
01:23:48 |
Put him to bed, |
01:23:58 |
The boy was about to blow on us, |
01:24:01 |
-He was seen. |
01:24:03 |
He was seen? Who saw him? |
01:24:06 |
Two old ones. |
01:24:09 |
Bill lost his head, |
01:24:12 |
-And hit the boy? |
01:24:14 |
Only one was Bill's. |
01:24:17 |
We made a run for it. |
01:24:20 |
Fell? Was he hurt? |
01:24:22 |
No. Last seen, he was swimming |
01:24:29 |
Bullseye. |
01:24:34 |
I told you not to bring a soul here. |
01:24:36 |
Now you've brought the devil. |
01:24:38 |
You said to fetch him. |
01:24:41 |
His fever is that high, |
01:24:44 |
You're not well, are you, Bill? |
01:24:48 |
I'm as weak as water. |
01:24:50 |
Get us a drink. |
01:24:53 |
-What evil wind has blowed you here? |
01:24:59 |
You, Bill, you. |
01:25:08 |
What you done with that boy? |
01:25:10 |
Safe and sound. |
01:25:13 |
They're as close as Cain and Abel. |
01:25:19 |
What about the boy, Bill? |
01:25:24 |
We don't want anyone |
01:25:27 |
And as long as that boy's alive, |
01:25:31 |
So, what's to be done? |
01:25:35 |
-Nothing. |
01:25:37 |
-Not till I'm better. |
01:25:41 |
-Then I'll do for him. |
01:25:44 |
Outside of London somewhere. |
01:25:48 |
The boy's weak. |
01:25:50 |
He can hardly stand, let alone walk. |
01:25:53 |
When he can walk, tell me. |
01:25:57 |
Now, get out of here. |
01:25:59 |
Yes. |
01:26:02 |
Yes. |
01:26:04 |
Bill, you're right. |
01:26:11 |
It's for the best. |
01:26:17 |
I'm burning up. |
01:26:19 |
Give me me physic. |
01:26:23 |
You look like a corpse |
01:26:26 |
-What's the matter? |
01:26:30 |
What do you look at me so hard for? |
01:26:32 |
-What you thinking of? |
01:26:35 |
-What odds in that? |
01:26:38 |
If you haven't caught the fever... |
01:26:40 |
...then there's something |
01:26:43 |
And something dangerous too. |
01:26:46 |
Give me me physic, I say. |
01:26:52 |
No, no, no. |
01:26:55 |
There ain't a stauncher-hearted |
01:26:59 |
...or I'd have cut her throat |
01:27:04 |
She's got a fever coming on. |
01:27:29 |
Here. Make you feel better. |
01:27:39 |
Sit aside me. |
01:27:43 |
Put on your own face, or I'll alter it |
01:29:12 |
-Wait. |
01:29:33 |
-Yes? |
01:29:35 |
Who are you? What do you want? |
01:29:39 |
I have information |
01:29:46 |
Is he all right? Is he safe? |
01:29:49 |
-Where is he? |
01:29:53 |
He's not here. |
01:29:56 |
The boy's innocent, tell him that. |
01:29:59 |
-Where is he? |
01:30:03 |
-But he may not be for long. |
01:30:18 |
Give Mr. Brownlow a message. |
01:30:20 |
Tell him to meet me on Sunday |
01:30:23 |
-...on London Bridge. |
01:30:25 |
And if I'm not there... |
01:30:27 |
...then tell him to come the next night |
01:30:37 |
There, my dear, |
01:30:41 |
-How do you feel? |
01:30:45 |
Well, yes, yes. |
01:30:47 |
It is long after midnight. |
01:30:50 |
But my meaning was... |
01:30:52 |
...how do you feel |
01:30:55 |
Better. Thank you, sir. |
01:30:57 |
-But for the ache in my arm. |
01:31:04 |
I have the very thing for such pains |
01:31:10 |
Undo the bandage. |
01:31:22 |
Oh, my God. |
01:31:25 |
It's a nasty wound. |
01:31:29 |
But my magic will do the trick. |
01:31:33 |
This remedy... |
01:31:36 |
...is older than time. Yes... |
01:31:38 |
...my dear, older than time. |
01:31:40 |
It was handed down |
01:31:44 |
...father to son, and comes from... |
01:31:50 |
...who can say where? |
01:31:55 |
Thank you, sir. Thank you. |
01:31:59 |
For your kindness. |
01:32:02 |
Well.... |
01:32:04 |
Well.... |
01:32:06 |
Always. |
01:32:08 |
Yes, always, my dear. |
01:32:13 |
But who knows how long |
01:32:45 |
An hour this side of midnight. |
01:32:47 |
Dark and heavy it is too. |
01:32:50 |
Good night for business, this. |
01:32:53 |
What a pity, Bill, my dear, |
01:32:56 |
Yeah, for once, you're right. |
01:32:59 |
When will the boy be well enough |
01:33:01 |
-Like I say, Bill. In a day or two. |
01:33:06 |
-For I'm in the humor to. |
01:33:09 |
You're like yourself tonight, Bill. |
01:33:13 |
I don't feel like myself when you lay |
01:33:17 |
...so take it away. |
01:33:27 |
Hello, Nance. |
01:33:29 |
Where's the girl going to |
01:33:32 |
-Not far. |
01:33:35 |
-Where you going? |
01:33:38 |
-And I say, where? |
01:33:40 |
Then I do, nowhere. Sit down. |
01:33:43 |
-I'm not well. I want a breath of air. |
01:33:47 |
There's not enough there. |
01:33:54 |
Then you won't have it. |
01:34:02 |
There. Now, stop quietly |
01:34:11 |
Do you know what you're doing? |
01:34:14 |
Do I know what I'm--? |
01:34:16 |
I think this girl's lost her senses. |
01:34:20 |
You'll drive me on |
01:34:22 |
Now, let me go, will you? |
01:34:25 |
-No! |
01:34:28 |
It'll be better for him. |
01:34:32 |
Aye, I hear you. |
01:34:37 |
And if I have to listen to you |
01:34:40 |
...the dog will tear some |
01:34:44 |
What's come over you, you jade? |
01:34:47 |
Bill, let me go. |
01:34:49 |
Let me go. |
01:34:53 |
For only one hour. |
01:34:55 |
Cut my limbs off one by one if I don't |
01:34:59 |
-Get up. Get up! |
01:35:10 |
Now, stay there! |
01:35:14 |
What a precious, strange girl that is. |
01:35:16 |
You may say that, Bill, |
01:35:18 |
Why did she take it in her head |
01:35:21 |
Obstinacy. Women's obstinacy, |
01:35:24 |
I thought I tamed her of that. |
01:35:30 |
I think she's got a touch of my fever |
01:35:33 |
Like enough. |
01:35:35 |
Well, if she's taken that way again, |
01:35:38 |
Without troubling the doctor. |
01:35:56 |
Why, now she's on the other tack. |
01:36:00 |
Good night. |
01:36:02 |
In two days, Bill, |
01:36:09 |
Light him down. |
01:36:11 |
It's a pity he should fall and break |
01:36:17 |
Show him a light. |
01:36:27 |
What is it, Nancy dear, |
01:36:31 |
-What do you mean? |
01:36:34 |
We'll speak of this anon. |
01:36:36 |
You have a friend in me, Nance. |
01:36:38 |
A staunch friend. |
01:36:41 |
I know you well. Good night. |
01:36:49 |
Dodge... |
01:36:51 |
...pull it in. |
01:36:56 |
My glass is full already, |
01:37:05 |
Trouble? |
01:37:10 |
Dodger. |
01:37:15 |
-Let's find out where old Tom is, eh? |
01:37:18 |
Shall we both take him home? |
01:37:21 |
Honestly... |
01:37:23 |
...I haven't seen her. |
01:37:27 |
Something up? |
01:37:31 |
I.... |
01:37:34 |
I want you to do a piece of work for me |
01:37:40 |
What is it? |
01:37:43 |
-That don't suit me, that don't. |
01:37:47 |
Not the smallest. |
01:37:50 |
-Who, an old one? |
01:37:53 |
-Who is she? |
01:37:54 |
Who? |
01:37:56 |
Nancy? |
01:37:59 |
-What's she been up to? |
01:38:02 |
...my dear, that's why |
01:38:08 |
She may want to talk to people |
01:38:11 |
I want to know where she goes, |
01:38:18 |
Nancy. |
01:38:20 |
I don't know. She's a good one, |
01:38:23 |
A pound, my dear. |
01:39:08 |
Mr. Brownlow? |
01:39:12 |
Yes. |
01:39:16 |
I'm afraid to speak to you here. |
01:39:34 |
This is far enough. |
01:39:36 |
-Why can't we speak up there? |
01:39:39 |
I may be followed. |
01:39:46 |
I'm here because you told... |
01:39:48 |
...my housekeeper you have |
01:39:51 |
-So I have. |
01:39:55 |
He's being held by the devil... |
01:39:57 |
...and he's handing him over |
01:40:01 |
I must know more. |
01:40:05 |
-One is. One ain't. |
01:40:08 |
-...must be delivered up by you. |
01:40:11 |
Bad a life as he has led, I've led a bad |
01:40:17 |
The other. |
01:40:19 |
-Fagin. He has the boy. |
01:40:23 |
Find Fagin, you'll find the boy. |
01:40:24 |
-Where is he? |
01:40:27 |
That's all I'll say. |
01:40:30 |
No one must never know |
01:40:32 |
-Promise. |
01:40:35 |
-Tomorrow I'll go to the police. |
01:40:39 |
Just say Fagin, |
01:40:42 |
-The traps? |
01:40:45 |
-What can I do to serve you? |
01:40:48 |
You can do nothing. |
01:40:52 |
Take this as a reward. |
01:40:54 |
No, I've not done this for money. |
01:40:58 |
God bless you. |
01:40:59 |
Good night. Good night. |
01:41:03 |
Never-- Never say who told you. |
01:41:17 |
Look at him. |
01:41:20 |
What a shame it is. With his face... |
01:41:22 |
...he could pick old ladies' pockets |
01:41:25 |
His face could be a fortune to us. |
01:41:29 |
You changing your mind? |
01:41:31 |
No. |
01:41:33 |
No, Bill, it has to be done. |
01:41:36 |
Fagin! Fagin. |
01:41:43 |
-What's got into you, Dodger? |
01:41:47 |
No, no, you can speak |
01:41:48 |
-No, I can't. |
01:41:52 |
-Nancy. |
01:41:54 |
He done a bit of work for me, Bill. |
01:41:57 |
What do you mean? |
01:41:59 |
Tell us, Dodger. You followed her? |
01:42:01 |
Yes. To London Bridge. |
01:42:04 |
And what? |
01:42:07 |
She met an old one. A gentleman. |
01:42:09 |
-And.... |
01:42:11 |
Speak, will you?! |
01:42:14 |
She peached. |
01:42:17 |
And the old man was |
01:42:27 |
-Let me go. Let me out! |
01:42:29 |
-Don't speak to me, it's not safe! |
01:42:34 |
Bill, you won't be.... |
01:42:37 |
You won't be too violent, Bill? |
01:42:52 |
Flit, boys, flit! |
01:42:53 |
The traps will be at the door |
01:42:56 |
Flit! Flit! Flit! |
01:42:58 |
Flit! |
01:43:00 |
Flit! |
01:43:02 |
Flit! |
01:43:04 |
Flit! |
01:43:06 |
Flit! |
01:43:11 |
Flit! |
01:43:40 |
Come on. |
01:44:07 |
Oh, it's you. |
01:44:12 |
Bill? |
01:44:14 |
What's the matter? |
01:44:24 |
Bill, why do you look like that at me? |
01:44:29 |
There's enough light |
01:44:31 |
What--? What have I done? |
01:44:34 |
-Speak to me. |
01:44:37 |
You was watched tonight. |
01:44:40 |
Every word you said was heard. |
01:44:45 |
I-- I never said your name, Bill. |
01:44:48 |
Never. |
01:44:49 |
Never. |
01:44:51 |
Bill. Bill. Bill! |
01:44:55 |
Oh, God. |
01:45:21 |
Nance? |
01:45:28 |
Nance? |
01:45:51 |
I haven't done nothing. |
01:45:54 |
Go on, be off with you. |
01:46:19 |
Hello, Fagey. |
01:46:21 |
Hello, lads. |
01:46:25 |
What's the news, Toby? |
01:46:27 |
I have it here, Fagin. |
01:46:30 |
You're in it. Bill's in it. |
01:46:34 |
The Chronicle? |
01:46:36 |
Fancy that. You're famous, Fagin. |
01:46:39 |
Read it. |
01:46:40 |
"More information has reached |
01:46:43 |
...concerning the foul |
01:46:46 |
...that took place in Spitalfields and |
01:46:50 |
...the citizens of London. |
01:46:52 |
It is believed that the victim, |
01:46:56 |
...now identified as Nancy... |
01:46:58 |
...was brutally beaten to death... |
01:47:01 |
...by one William Sykes... |
01:47:04 |
...a well-known, dangerous villain. |
01:47:07 |
The motive is as yet unclear... |
01:47:09 |
...but your correspondent has learned |
01:47:12 |
...had informed on her associate... |
01:47:14 |
...and on an infamous fence, Fagin... |
01:47:18 |
...who is now wanted for the abduction |
01:47:25 |
Neither Fagin nor Sykes |
01:47:28 |
...but the police are engaged |
01:47:31 |
...throughout the city and beyond. |
01:47:35 |
Sykes, according to the police... |
01:47:37 |
...is usually accompanied |
01:47:45 |
How about that, eh? |
01:47:59 |
Come. Come back here. |
01:48:05 |
We're going back to London. |
01:48:09 |
I'll have people to speak to. |
01:48:11 |
I'll force shiners out of Fagin, |
01:48:15 |
Damn me, we'll risk it. |
01:48:21 |
Who's he done in? |
01:48:24 |
-They say-- They say it's a woman. |
01:48:54 |
Bullseye. |
01:48:57 |
Don't you hear me when I whistle? |
01:49:00 |
You gone deaf or something? |
01:49:03 |
Come here. Come on. |
01:49:07 |
I ain't gonna harm you. Come on. |
01:49:11 |
Come here. |
01:49:13 |
Stop it! I'm warning you. |
01:49:16 |
Let go, I ain't playing with you! |
01:49:19 |
Let it go, you stinking varmint! |
01:49:21 |
Bullseye! |
01:49:29 |
Bullseye. Bullseye. |
01:49:31 |
Get back here. Get back here. |
01:49:36 |
Damn it! |
01:49:43 |
Look, it's his dog. |
01:49:45 |
It's his dog! |
01:49:52 |
Here, boy. |
01:49:53 |
-Here. |
01:50:01 |
There is a child in danger, |
01:50:04 |
...but you only seem interested... |
01:50:06 |
...in apprehending this man, |
01:50:08 |
Your concern should be... |
01:50:10 |
-...for the safety of the boy. |
01:50:13 |
...this is our usual way |
01:50:16 |
My thinking is this: |
01:50:18 |
If we get Sykes, we get Fagin. |
01:50:21 |
-And if we get Fagin-- |
01:50:24 |
Sir, we found the dog. |
01:50:29 |
Are we going to sit here |
01:50:32 |
-Shut it. |
01:50:35 |
We should do another flit. |
01:50:40 |
The traps! |
01:50:58 |
What? |
01:50:59 |
It's him. |
01:51:01 |
-Don't let him in. |
01:51:05 |
Go on. |
01:51:09 |
Go on! |
01:51:17 |
Don't leave us in the dark. |
01:52:16 |
Damn you all. |
01:52:19 |
Have you nothing to say to me? |
01:52:22 |
-Not safe for you to stop here, Bill. |
01:52:31 |
Is it...? |
01:52:33 |
The body, is it buried? |
01:52:43 |
Dodger, let him in quick. |
01:52:48 |
Dodger. |
01:52:50 |
Do as I say. |
01:52:56 |
Don't come near me, you monster. |
01:53:02 |
You're my witnesses. |
01:53:06 |
And if they come here after him, |
01:53:08 |
I'll tell them you're here. |
01:53:11 |
He may kill me if he likes, |
01:53:15 |
If he was to be boiled alive, |
01:53:18 |
Why, you little-- |
01:53:21 |
Get off me! |
01:53:23 |
Or I'll tear you limb from limb! |
01:53:30 |
Help, he's here! |
01:53:32 |
-He's here. Break down the door! |
01:53:34 |
Help! Come up, please! |
01:53:39 |
-That's Bill Sykes! |
01:53:41 |
Do your worst. I'll cheat you yet! |
01:53:55 |
No! Bill, no. |
01:53:58 |
Not yours, Fagin. Mine. |
01:54:03 |
Bill! |
01:54:16 |
Don't fire. |
01:54:19 |
-Don't fire. |
01:54:21 |
-Hold your fire. |
01:54:24 |
I'll let him drop. |
01:54:26 |
Don't try nothing, |
01:54:32 |
Get up there. |
01:54:35 |
Cross, cross. |
01:54:40 |
Up there. Up there. |
01:54:48 |
Grab hold of there. |
01:55:00 |
We must give chase, sir. |
01:55:14 |
Get down. |
01:55:20 |
They're getting away! |
01:55:22 |
There, there. There he is! |
01:55:25 |
Get him! Get him! |
01:55:26 |
Damn it! |
01:56:01 |
Grab it. |
01:56:03 |
Grab it! |
01:57:25 |
Oliver? |
01:57:27 |
Oliver! |
01:57:31 |
Oliver! |
01:57:38 |
-Here he is, sir. |
01:57:41 |
Mr. Grimwig has something |
01:57:46 |
Do the honors, Mrs. Bedwin. |
01:57:48 |
Now then, young man, |
01:57:53 |
Truth to tell, I feared your benefactor |
01:57:58 |
But he's a good friend |
01:58:01 |
-And one for Oliver. |
01:58:04 |
-So-- |
01:58:06 |
-I don't know as I should, sir. |
01:58:08 |
So I'll take the liberty, |
01:58:14 |
-To Sam Waters. |
01:58:17 |
Oliver Twist. To Oliver Twist. |
01:58:21 |
Yes. |
01:58:25 |
Why, Oliver. |
01:58:30 |
Why are you so sad? |
01:58:59 |
Are you certain, Oliver, |
01:59:02 |
Yes, sir. |
01:59:04 |
Certain. |
01:59:12 |
Yes? |
01:59:59 |
Is the young gentleman |
02:00:02 |
It's not a sight for children, sir. |
02:00:05 |
It is not indeed, my friend. |
02:00:08 |
...in the full career |
02:00:11 |
And it is his wish, even at the cost |
02:00:14 |
...that he should see him now. |
02:00:49 |
Eighteen. |
02:01:06 |
Hey! |
02:01:12 |
Good boy. |
02:01:13 |
Good boy, Charley. |
02:01:15 |
Well done. |
02:01:25 |
Good boy, Charley, well done. |
02:01:29 |
-Take the boy away to bed. |
02:01:31 |
Fagin. |
02:01:33 |
That's me. An old man, my lord. |
02:01:35 |
A-- A very old-- Old man. |
02:01:38 |
Someone here wants to see you. |
02:01:40 |
-Strike! Strike them all dead! |
02:01:42 |
What right have they to butcher me? |
02:01:44 |
Speak to him now. |
02:01:47 |
For he grows worse |
02:01:51 |
Fagin, you were kind to me. |
02:01:54 |
Yes, yes. |
02:01:55 |
I'll be kind again. |
02:01:57 |
I'll be kind again. |
02:01:59 |
I'll be kind again. |
02:02:07 |
-I'm not afraid. |
02:02:14 |
Let-- Let me whisper to you. |
02:02:20 |
You remember the box, Oliver? |
02:02:23 |
With my pretty things |
02:02:26 |
It's hid a little way up the chimney |
02:02:30 |
It's yours, Oliver. |
02:02:32 |
-Yours, but we must talk. |
02:02:35 |
But shall we say a prayer |
02:02:38 |
Do. |
02:02:39 |
Say only one, upon your knees, |
02:02:43 |
...and we can talk all morning. |
02:02:46 |
Outside. Outside. |
02:02:48 |
You can say I've gone to sleep. |
02:02:51 |
You can get me out. The pretty |
02:02:55 |
-Oh, God, forgive this wretched man. |
02:03:00 |
That will help us on. |
02:03:01 |
If-- lf-- lf-- If l... |
02:03:05 |
...shake and tremble as we pass |
02:03:10 |
Don't you mind, hurry on. |
02:03:14 |
-Have you more to say to him, sir? |
02:03:17 |
-You'd better leave him. |
02:03:20 |
Press on, press on. |
02:03:23 |
Softly. Softly. No, no! |
02:03:25 |
It hurts! |
02:03:27 |
Faster, faster! |
02:03:29 |
Faster, faster! |
02:03:31 |
Faster, faster, faster, faster! |
02:05:08 |
THE END |
02:05:14 |
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