Oliver Twist

en
00:03:09 Bow to the board.
00:03:12 This is the boy.
00:03:14 Born here in the workhouse.
00:03:18 Nine years old today.
00:03:22 What's your name, boy?
00:03:29 -Oliver Twist.
00:03:31 -That boy's a fool.
00:03:35 You know you are an orphan,
00:03:37 -What's that?
00:03:40 You know you've got
00:03:42 ...and that you were brought up
00:03:45 -Yes, sir.
00:03:48 I hope you say your prayers
00:03:51 Pray for those that feed you
00:03:55 ...Iike a Christian.
00:03:56 -Yes, sir.
00:03:59 ...you have come here
00:04:01 ...and to be taught a useful trade.
00:04:16 Here, where do you want these?
00:04:35 Learn from the boy next to you.
00:04:37 -What am I to learn, sir?
00:04:41 What's oakum, sir?
00:04:43 Stop asking so many questions.
00:04:46 Oakum's the fibers you unpick
00:04:49 Then it's used again
00:04:54 You're serving your country.
00:04:56 Now, get on with it.
00:05:31 Tom, give it a rest, will you?
00:05:38 -Can't sleep, too hungry.
00:05:41 Yes, but I'm frightened.
00:05:44 Frightened? Why?
00:05:47 Why? Why?
00:05:48 I'm so hungry, I'm frightened I might
00:06:28 O Lord God...
00:06:30 ...for the blessing of this generous
00:06:33 ...that thou hast placed before us...
00:06:36 ...we give thanks. Amen.
00:06:39 Amen.
00:08:01 Please, sir. I want some more.
00:08:06 What?
00:08:08 Please, sir, I want some more.
00:08:22 Fetch the beadle!
00:08:33 Mr. Limbkins.
00:08:35 I beg your pardon, sir.
00:08:37 Oliver Twist has asked for more.
00:08:41 For more?!
00:08:43 Compose yourself, Mr. Bumble,
00:08:46 Do I understand that he asked for
00:08:51 He did, sir.
00:08:56 That boy will be hanged.
00:09:10 "Five pounds and a b--"
00:09:16 When I says "whoa,"
00:09:23 "Health-- Healthy...
00:09:25 ...appren-- apprentice.
00:09:28 Five pounds."
00:09:31 Chimney sweeping is a nasty trade.
00:09:34 Young boys have been smothered
00:09:39 That's because they damp the straw
00:09:42 ...to make them come out again.
00:09:46 Smoke sends a boy to sleep,
00:09:50 Boys is very lazy, gentlemen.
00:09:52 But there's nothing like a good hot
00:09:56 It's humane too. Yes.
00:09:59 Because even if they've
00:10:02 ...roasting their feet makes them
00:10:07 Yes.
00:10:09 I suppose he's fond of
00:10:11 He dotes on it, Your Worship.
00:10:13 Very well. I will sign the indentures...
00:10:17 ...to make him Mr....
00:10:20 Mr. Gamfield's apprentice.
00:10:34 My boy.
00:10:37 My boy, you look pale and alarmed.
00:10:41 What's the matter?
00:10:43 Please, sir. Please, sir.
00:10:46 What is it, my boy?
00:10:48 -Don't....
00:10:50 Don't.... Don't....
00:10:53 Go on, my boy. Don't what?
00:10:56 Please don't send me away
00:11:00 Of all the designing orphans
00:11:02 -Hold your tongue, beadle.
00:11:05 Yes, hold your tongue.
00:11:09 No. No, out of the question.
00:11:12 We refuse to sanction
00:11:17 Take the boy away.
00:11:20 And treat him kindly.
00:11:23 He seems to want it.
00:11:42 I've just taken the measure of
00:11:46 You'll make your fortune,
00:11:49 Think so?
00:11:52 The prices allowed by the board
00:11:55 So are the coffins.
00:11:59 By the by, you don't know anybody
00:12:06 Liberal terms, Mr. Sowerberry.
00:12:19 Now, as you are to meet
00:12:22 ...pull that cap off your eyes.
00:12:26 Hold your head up, sir.
00:12:31 Dry your eyes, sir.
00:12:39 -ls that you, Bumble?
00:12:43 I've brought the orphan,
00:12:46 So this is the orphan, is it?
00:12:49 Mrs. Sowerberry...
00:12:51 ...will you have the goodness
00:12:55 Oliver Twist.
00:12:57 How comes an orphan
00:13:00 -I invented it.
00:13:02 I, Mr. Sowerberry.
00:13:04 I name all our foundlings
00:13:08 The last was S.
00:13:10 Swubble, I named him.
00:13:12 This was a T. Twist,
00:13:16 Next one as comes
00:13:18 ...and the next, Vilkins.
00:13:20 I've got names ready
00:13:24 Why, you're quite
00:13:28 Well, well...
00:13:29 -...perhaps I may be.
00:13:32 ...this is the orphan
00:13:37 Dear me, he's very small.
00:13:39 But he'll grow, Mrs. Sowerberry.
00:13:41 Yes, I daresay he will.
00:13:46 Workhouse boys always cost more
00:13:51 Get downstairs, you bag of bones.
00:13:55 Here, Charlotte...
00:13:57 ...give this boy some of the cold bits
00:14:29 You don't mind sleeping
00:14:32 Well, it doesn't much matter
00:14:34 ...for you can't sleep anywhere else.
00:15:55 Open the door, will you?
00:16:07 -You the new boy?
00:16:11 -How old are you?
00:16:14 Then I'll whop you one when I get in,
00:16:35 I beg your pardon, sir.
00:16:38 I kicked.
00:16:39 Did you want a coffin, sir?
00:16:42 -You don't know who I am, I suppose.
00:16:45 Well, I'm Mr. Noah Claypole.
00:16:48 Now, take down the shutters.
00:16:55 Saved a nice little bit of bacon for you
00:17:04 In the corner with you.
00:17:08 They'll want you to mind the shop.
00:17:11 Do you hear, Workhouse?
00:17:13 Oh, Lord, Noah, let the boy alone.
00:17:16 Let him alone?
00:17:18 Why, everybody's let him alone.
00:17:20 His mother, father and all
00:17:25 So he needs someone who don't.
00:17:48 Supper.
00:17:51 Oliver, ain't you done yet?
00:17:53 I've never known such an idle boy.
00:17:58 Mr. Sowerberry...
00:18:00 ...supper.
00:18:02 -I've had a thought, my dear.
00:18:05 You want to be careful,
00:18:08 -It's about young Twist.
00:18:12 -A very good-looking boy.
00:18:16 There's an expression of melancholy
00:18:20 He would make a delightful mute,
00:18:25 I-- I don't mean a regular mute to
00:18:31 ...but only for children's practice.
00:18:49 Look at him.
00:18:51 Look at him.
00:18:53 A workhouse boy and a sneak.
00:18:58 Mark my words, I'll see him hung.
00:19:00 Can't be too soon.
00:19:05 Workhouse, how's your mother?
00:19:10 She's dead.
00:19:12 What'd she die of, Workhouse?
00:19:17 You gonna cry, Workhouse?
00:19:20 -What set you off?
00:19:26 -Not me, eh?
00:19:30 And you better not say anything
00:19:34 Better not?
00:19:37 About your mother?
00:19:39 Well, I'm very sorry,
00:19:42 But you must know, Workhouse...
00:19:44 ...your mother was
00:19:49 -What did you say?
00:19:52 It's a good thing she died
00:19:54 ...or she'd be hard laboring
00:19:57 Or hung. Which is most likely,
00:20:03 Help, Mrs. Charlotte!
00:20:05 He'll murder me. Help!
00:20:09 Help. Get off!
00:20:11 For God's sake, help me!
00:20:15 My missus, he's murdering me!
00:20:17 -Get off. Get off me now!
00:20:20 Get him now. Go out with him.
00:20:24 -Workhouse devil.
00:20:28 -You brat!
00:20:30 In with him. In.
00:20:41 Very violent indeed, sir.
00:20:44 And the missus said...
00:20:46 ...if Mr. Bumble can spare the time...
00:20:49 ...then Mr. Bumble's to flog him...
00:20:52 ...because the master's out.
00:20:59 -ln there.
00:21:01 Let me out of here!
00:21:03 -Do you know this here voice, Oliver?
00:21:06 Ain't you afraid of it, sir?
00:21:08 Ain't you trembling
00:21:11 No!
00:21:17 -He must be mad.
00:21:20 -Meat?
00:21:22 You've overfed him.
00:21:23 If you'd kept this boy on gruel,
00:21:26 Dear, dear.
00:21:31 What's all this?
00:21:32 Oliver Twist has turned violent,
00:21:35 Look what he's done to my eye, sir.
00:21:42 Now then. Now then.
00:21:44 -You're a nice young fellow, ain't you?
00:21:48 Well, and what if he did,
00:21:53 She deserved what he said
00:21:55 -She didn't!
00:21:56 It's a lie!
00:22:01 Do something, Mr. Sowerberry.
00:22:08 Do something!
00:25:35 I beg your pardon, miss...
00:25:37 ...but would you be so kind--?
00:25:41 Get off my land.
00:25:43 I don't want no beggars here.
00:25:46 Get off! Or I'll put the dog on you!
00:26:29 I haven't much,
00:26:34 Be careful, it's hot.
00:26:48 Seeing you gave me such a turn.
00:26:52 My eyes ain't what they were.
00:26:56 ...I just thought for a moment....
00:27:07 Why are you on the road at all,
00:27:12 -Where are you headed?
00:27:16 London?
00:27:18 London.
00:27:22 Dear, oh, dear, oh, dear.
00:28:49 Hello, my man.
00:28:52 And what's your game?
00:28:56 You're not from these parts?
00:29:00 Where you from, then?
00:29:04 I've been walking. Seven days.
00:29:07 Seven days? Cor.
00:29:10 I expect you want grub?
00:29:12 And you shall have it.
00:29:14 I'm at a low-water mark meself
00:29:17 ...but I'll fork out and stump.
00:29:20 Come on, up with you, on your pins.
00:29:30 And these won't get out again?
00:29:32 Thank you very much.
00:29:35 Oh, by the by...
00:29:37 ...my name is Jack Dawkins,
00:29:41 Oliver Twist.
00:29:44 Why are you known as
00:29:48 That's why.
00:29:57 Got any lodgings?
00:29:59 Money?
00:30:02 I suppose you want someplace
00:30:42 Baby newt.
00:30:43 Buy a baby newt, 4 pennies.
00:30:48 I expect you walking for so long
00:30:52 -What does that mean?
00:30:55 -A bird's mouth, isn't it?
00:30:59 A beak's a magistrate, my son.
00:31:02 Get off me, you!
00:31:04 That's it, you asked for it.
00:31:10 Come back here.
00:31:14 Lucky heather.
00:31:31 --from where I am, mate,
00:31:37 Go home!
00:31:45 Get off of that!
00:31:47 Go back home!
00:31:55 -Now then.
00:32:00 -There's two of you. Who's he?
00:32:03 -Where'd he come from?
00:32:05 -ls the old one there?
00:32:26 This is him, Fagin.
00:32:30 Well, well, Oliver Twist.
00:32:36 I hope I have the honor
00:32:40 We're very glad to see you, Oliver.
00:32:43 Dodger, take off the sausages...
00:32:46 ...and let's make a space
00:32:51 You were staring at the
00:32:55 There's a good many of them,
00:32:57 We've just looked them out,
00:32:59 That's all, my dear.
00:33:02 Blow it.
00:33:06 Hot. Blow it.
00:33:09 Now then, Oliver,
00:33:12 ...is a hot gin and water.
00:33:16 Only, drink it quick because another
00:33:41 He's such a nice lad.
00:33:44 I have a feeling he'll turn out
00:33:48 Yeah, a hard worker.
00:34:15 Oliver?
00:34:20 Oliver?
00:35:36 Clever dogs.
00:35:44 Clever dogs.
00:35:50 Fine fellows.
00:35:56 All fine fellows.
00:36:01 Fine fellows.
00:36:05 Fine fellows.
00:36:08 Fine fellows.
00:36:12 Fine fellows.
00:36:21 What do you watch me for?
00:36:23 What have you seen?
00:36:25 Quick. Quick, or it's your life!
00:36:27 I wasn't able to sleep
00:36:30 I'm very sorry if I disturbed you.
00:36:31 -You were not awake a moment ago?
00:36:33 -You sure?
00:36:39 Of course you were asleep, my dear.
00:36:42 I only tried to frighten you.
00:36:44 You're a brave boy, Oliver.
00:36:49 Did you see any
00:36:52 Yes, sir.
00:36:54 They....
00:36:56 They're mine, Oliver.
00:36:59 For my old age.
00:37:02 It's our secret.
00:37:04 -You understand, my dear?
00:37:08 Can I go up now, sir?
00:37:14 Now....
00:37:55 I hope you've been at work
00:37:58 -Hard.
00:37:59 Good boys.
00:38:01 Good boys.
00:38:03 -What you got, Dodger?
00:38:05 -Lined?
00:38:11 Yeah.
00:38:21 Dodge.
00:38:24 I don't know, Dodge.
00:38:29 Well...
00:38:31 ...not as heavy as they might be...
00:38:33 ...but very neat...
00:38:35 ...and nicely made.
00:38:38 Ingenious workman,
00:38:41 Indeed, sir.
00:38:43 And, Charley, what have you got,
00:38:45 -Wipes.
00:38:52 They're very good ones.
00:38:54 Very.
00:39:01 You haven't marked them well.
00:39:04 The marks should be picked out
00:39:08 We'll teach Oliver how to do it.
00:39:10 -Shall us, Oliver?
00:39:12 You'd like to make handkerchiefs as
00:39:16 Very much indeed,
00:39:18 I've never met anyone so green.
00:39:39 Now then, boys...
00:39:41 ...the game.
00:39:44 We'll show Oliver...
00:39:46 ...how to make
00:39:51 You'd like to play a game,
00:39:53 Yes, sir.
00:41:21 -Got the time, guv?
00:41:24 ...8:00.
00:41:35 -Playing the game, were we, Fagin?
00:41:39 -He's new. Who's he?
00:41:43 Oliver...
00:41:45 ...these are our very good friends
00:41:52 See, Dodger,
00:41:54 He's got manners, he has.
00:41:58 We popped in
00:42:00 As is your custom, my dear.
00:42:04 -Charley.
00:42:07 Or don't you sit
00:42:10 Now, you wanna be
00:42:13 -They'll have you picking--
00:42:16 Just what we was teaching him,
00:42:19 -Yes, sir.
00:42:21 You know who you're talking to,
00:42:25 What's your mother got to say
00:42:27 I haven't got a mother.
00:42:30 You're in the right company, then.
00:42:35 Come on, Oliver,
00:42:37 It's called Spec or Speculation.
00:42:39 Three cards each,
00:42:43 ...is trumps.
00:42:53 This is a pleasant life,
00:43:01 -When can I go out, sir?
00:43:07 Let's--
00:43:09 Let's see what you've learned.
00:43:12 -Would you like that?
00:43:16 See if you can take this out...
00:43:19 ...without my feeling it.
00:43:48 Is it gone?
00:43:52 You're a clever boy, my dear.
00:43:55 I never saw a sharper lad.
00:44:04 Here's a shilling for you.
00:44:07 Make the Dodger and Charley
00:44:10 Especially the Dodger, my dear.
00:44:12 He'll be a great man himself,
00:44:16 You go on this way...
00:44:18 ...you'll be the greatest man
00:44:23 Thank you very much, sir.
00:44:33 Lovely white apples.
00:44:41 Biggest cabbages in town.
00:44:45 You mean that one
00:44:48 Too expensive.
00:45:40 Thief! Your handkerchief, sir.
00:45:42 Stop, thief!
00:45:48 Stop!
00:45:49 Thief!
00:45:52 -You're a thief!
00:45:54 -Stop him!
00:45:57 Thief!
00:46:00 Stop, thief!
00:46:03 Thief!
00:46:06 Stop him!
00:46:09 Stop him!
00:46:11 Mind out.
00:46:16 Stop, thief!
00:46:21 There, over there.
00:46:25 That way!
00:46:27 -Stop, thief! Stop!
00:46:46 -What's your name, boy?
00:46:49 He's scared to death.
00:46:50 -Where's the gentleman?
00:46:54 -ls this the boy, sir?
00:46:56 That's a good one.
00:46:59 -Poor fellow's hurt himself.
00:47:02 Hurt me knuckle against his mouth.
00:47:06 -Get up!
00:47:09 Of course it wasn't. It never is.
00:47:12 -Now get up.
00:47:14 Oh, no, sir, I won't hurt him.
00:47:21 This way, gentlemen.
00:47:21 This way, gentlemen.
00:47:25 -What's next?
00:47:28 Officer, who is this fellow?
00:47:31 -My name is Brownlow.
00:47:33 Officer, what's this fellow
00:47:36 Oh, no, no. He's not charged,
00:47:38 He appears against the boy.
00:47:40 -Swear him.
00:47:42 -...I must beg to say one word.
00:47:44 -I will not, sir!
00:47:48 You're an insolent,
00:47:50 -How dare you bully a magistrate.
00:47:53 Swear this person.
00:47:56 "l do solemnly swear to tell
00:48:00 -What's the charge against the boy?
00:48:03 Hold your tongue!
00:48:05 Policeman, what is this?
00:48:08 -None, Your Worship.
00:48:10 Oh, yes, I daresay.
00:48:13 Come along, you vagabond.
00:48:16 What's your name?
00:48:19 What's your name,
00:48:21 -Officer, what's his name?
00:48:25 Some water. Some water.
00:48:28 He says his name is Sam Waters,
00:48:30 -Where does he live?
00:48:32 -Anywhere he can, Your Worship.
00:48:36 Don't try to make a fool out of me.
00:48:37 No, I think he really is ill,
00:48:40 I know better,
00:48:43 Stand away, officer. He's shamming.
00:48:46 He stands committed
00:48:48 Hard labor, of course.
00:48:50 Stop. Stop, stop!
00:48:52 What is this? Who is this?
00:48:55 -Clear the office.
00:49:00 I saw it all. I own the bookshop.
00:49:02 -I demand to be heard.
00:49:05 -lt was not this boy.
00:49:08 The robbery was committed by
00:49:11 I saw it done. I saw that this boy
00:49:15 Why didn't you come before?
00:49:17 -I hadn't a soul to mind the shop.
00:49:20 A book, I suppose.
00:49:22 Yes, the very one
00:49:25 Oh, dear me, I forgot all about it.
00:49:27 Well, you're a nice one.
00:49:29 To prefer a charge
00:49:33 I consider, sir,
00:49:36 ...under very suspicious
00:49:39 -Damn me!
00:49:40 ...do you want to press charges
00:49:42 -Certainly not.
00:49:45 ...think yourself fortunate...
00:49:47 ...that the owner of the book
00:49:49 The boy is discharged.
00:49:51 -Clear the office.
00:49:52 Clear the office!
00:49:55 Next case.
00:49:57 Come on. Move along, sir, please.
00:50:01 There's a good gentleman, sir.
00:50:03 Hold on, Harry. I'll give you a hand.
00:50:05 Mind that step.
00:50:10 Make way for the law, sir.
00:50:13 -Careful. Careful with him.
00:50:18 Call a coach, pray.
00:50:20 -Yeah, right away, sir.
00:50:24 Poor boy.
00:50:31 -Mind yourself, madam.
00:50:34 -Got one, sir.
00:50:37 Let me, sir.
00:50:39 There we go.
00:50:43 -Will you drop me off, sir?
00:50:46 All right.
00:50:47 If you could just take his head, sir.
00:50:51 -Where to, sir?
00:50:54 -Pentonville.
00:50:57 Answer me! Where is he?
00:50:58 Answer me! Where is he?
00:50:59 What's become of the boy?
00:51:01 The traps have got him!
00:51:12 Bullseye!
00:51:14 Who pitched this here at me?
00:51:19 Bullseye.
00:51:23 What you stopping outside for?
00:51:27 Lay down.
00:51:30 What you up to, Fagin?
00:51:34 A wonder they don't murder you.
00:51:38 Don't speak so loud.
00:51:42 Give us a drink.
00:51:45 Charley.
00:51:47 Good stuff, Bill.
00:51:51 So, Dodger...
00:51:52 -...what's it all about?
00:51:55 Come out with us
00:51:58 -Got nabbed by the traps.
00:52:01 ...I'm afraid he may say something
00:52:07 You were blowed upon, Fagin.
00:52:10 And about time.
00:52:11 And I'm afraid, you see, Bill,
00:52:14 ...it would come out rather worse
00:52:20 There's only one thing for it.
00:52:21 Somebody's gotta find out at the office
00:52:25 Somebody's gotta
00:52:27 I ain't going near no police office.
00:52:30 I have it, the very thing.
00:52:34 -Won't you, my dear?
00:52:36 Nancy, my dear, what do you say?
00:52:38 It won't do. There's no use
00:52:42 -What do you mean by that?
00:52:44 Why, you're just
00:52:46 Nobody about here
00:52:48 And as I don't want them to neither.
00:52:50 It's rather more "no" than "yes"
00:52:53 -She'll go, Fagin.
00:52:55 Yes, she will, Fagin.
00:53:08 -Can I help you, miss?
00:53:12 -Now, who would he be?
00:53:15 Lovely manners.
00:53:19 We don't get many of those.
00:53:21 I think you'll be wanting
00:53:30 George, this here young lady
00:53:34 The one that fainted
00:53:36 Oh, yeah.
00:53:38 What gentleman? Gracious heavens,
00:53:42 Well, lives in Pentonville, I believe.
00:53:45 Oh, my God.
00:53:47 No, no. Wait, wait, wait.
00:53:50 His card's here somewhere.
00:53:53 Here we are.
00:54:01 Thank you, sir.
00:55:03 Mr. Brownlow.
00:55:05 Mr. Brownlow.
00:55:35 There's something in him...
00:55:37 ...that touched my heart,
00:55:40 Can't explain it.
00:55:42 I feel the same, sir.
00:55:45 Who is he? What is he?
00:55:47 You know nothing of him.
00:55:49 He had a fever. What of that?
00:55:52 Bad people have fevers sometimes.
00:55:55 I knew a man in Jamaica who was
00:55:58 He had a fever six times.
00:56:00 -I know there is goodness in him.
00:56:03 Goodness and innocence.
00:56:05 -I knew it the first moment I saw him.
00:56:08 Let you down
00:56:10 ...Iike all your other
00:56:13 If that boy's good and innocent,
00:56:27 How do you feel, my dear?
00:56:29 Very happy, sir.
00:56:31 -And very grateful to you indeed, sir.
00:56:36 Have you given him any nourishment,
00:56:40 Not slops, sir. Broth.
00:56:43 A couple of glasses of port wine...
00:56:45 ...would have done him
00:56:48 Wouldn't they, Sam?
00:56:50 My name is Oliver, sir.
00:56:52 Oliver?
00:56:55 -Oliver what? Oliver Waters?
00:57:00 Why did you tell the magistrate
00:57:02 I never told him so, sir.
00:57:05 -You did not?
00:57:11 -You're not angry with me, are you?
00:57:15 Queer name.
00:57:16 Oliver Twist.
00:57:20 There are a great many books,
00:57:23 A great number, sir.
00:57:26 Never saw so many.
00:57:30 How would you like
00:57:33 ...and write books?
00:57:35 I think I'd rather read them, sir.
00:57:38 Wouldn't you like to be
00:57:42 I think it'd be a better thing
00:57:47 You have said a very good thing.
00:57:51 Well, well.
00:57:53 We won't make an author of you while
00:57:56 ...or brickmaking to turn to.
00:57:58 -Are you going to send me away, sir?
00:58:02 You need not be afraid
00:58:05 -...unless you give me cause.
00:58:08 I hope not...
00:58:09 ...because I feel strongly disposed
00:58:12 Thank you, sir.
00:58:23 I'm pleased
00:58:25 So are we all, my dear.
00:58:29 There.
00:59:28 Hello.
00:59:30 What's that?
00:59:32 This is young Oliver Twist.
00:59:34 The bookseller's boy
00:59:36 Oh, stop him, Oliver.
00:59:39 -ls that the boy who had the fever?
00:59:58 Mind out!
01:00:10 -No sign of him, sir.
01:00:14 I particularly wished some books
01:00:16 Why not send Oliver with them?
01:00:20 Yes, do let me take them.
01:00:22 If you please, sir.
01:00:34 You shall go, my dear.
01:00:35 Ask Mrs. Bedwin
01:00:39 -And, Oliver....
01:00:41 Give the bookseller this.
01:00:48 The money I owe him.
01:00:56 I won't be long, sir.
01:01:00 -How long do you think it'll take him?
01:01:05 -You don't?
01:01:08 No, I do not.
01:01:11 If ever that boy
01:01:13 ...I'll eat my own head, sir.
01:01:17 And yours.
01:01:35 Oh, my little brother!
01:01:38 -I don't believe my eyes.
01:01:41 -It's a miracle. Oh, I've found him.
01:01:45 -Oh, Oliver. Oliver.
01:01:48 You're such a naughty boy to make me
01:01:51 -Let go of me!
01:01:53 He ran away from his parents.
01:01:55 -Get off me!
01:01:58 ...and joined a set of thieves
01:02:01 Broke his mother's heart.
01:02:02 Young wretch.
01:02:05 I haven't got any parents.
01:02:06 I'm an orphan.
01:02:08 Oh, only hear him,
01:02:11 -What? Young Oliver.
01:02:15 You come home
01:02:17 I don't belong to them!
01:02:21 "Help, help"?
01:02:22 I'll give you "help, help,"
01:02:25 And these books.
01:02:27 Have you been a-stealing them,
01:02:30 -You little villain.
01:02:34 -Only way to bring him to his senses.
01:02:37 And you come with me,
01:02:39 It'll do him good.
01:02:41 -Who is this man? Help!
01:02:44 -Mind him.
01:02:48 Look at him, Fagin.
01:02:50 Hold me, somebody.
01:02:52 Hold me, somebody,
01:02:55 Look at his togs, Fagin.
01:02:57 Delighted to see you
01:03:00 Why didn't you write, my dear,
01:03:03 We'd have got something warm
01:03:06 Hello, Fagin. What's that?
01:03:09 Oh, no, my dear. Mine, Bill, mine.
01:03:12 If that ain't mine and Nancy's,
01:03:15 Come on, hand over, will you?
01:03:16 This is hardly fair, Bill.
01:03:19 Fair or not fair,
01:03:22 Give it here, you avaricious
01:03:26 That's for our share of the trouble,
01:03:30 You may keep the books if you're fond
01:03:33 They're very pretty.
01:03:38 Send them back.
01:03:41 Send them back.
01:03:43 He'll think I stole them.
01:03:45 -Please send them back.
01:03:47 You're right, Oliver. You're right.
01:03:52 It couldn't have happened better
01:03:54 Help! Help! Police!
01:03:57 Fetch the police! The police!
01:04:00 Keep back the dog, Bill.
01:04:02 -Serve him right.
01:04:06 Fetch the police!
01:04:08 Step aside, or I'll split
01:04:10 I don't care.
01:04:11 That child shan't be torn down
01:04:17 Bullseye. Here. Bullseye!
01:04:27 Dodger!
01:04:29 Get after him!
01:04:34 Take your hands off me!
01:05:09 So you wanted to get away,
01:05:12 Wanted to call for the police,
01:05:14 We'll soon cure you of that.
01:05:19 I won't stand by
01:05:22 You got the boy.
01:05:24 Keep quiet, Nancy, or I'll quieten you
01:05:27 Let him be. Let him be!
01:05:29 You're a fine one for the boy
01:05:32 God Almighty help me, I am.
01:05:34 He's a thief, a liar, a devil,
01:05:38 Ain't that enough for the old wretch
01:05:40 Come, come, we must have
01:05:43 Civil words?
01:05:47 I thieved for you when I was a child
01:05:50 It's your living.
01:05:52 Yes, and you're the wretch
01:05:55 ...and who will keep me at it,
01:06:02 Dodger, Charley,
01:06:06 Best to take them clothes off.
01:06:09 Charley's right. This here suit cost
01:06:12 I never felt such lovely stuff.
01:06:16 Not me. But I'm willing to lay odds...
01:06:18 ...this is the same stuff
01:06:24 Quick, get him.
01:06:26 Take it off.
01:06:31 Lift him up.
01:06:32 Up he goes.
01:06:37 Get them shoes off.
01:07:15 Little something for your luncheon,
01:07:35 Shall we have a little chat?
01:07:37 Oliver?
01:07:39 Shall us?
01:07:44 I expect you'd welcome...
01:07:47 ...the sound of a human voice again,
01:07:56 Do you know...
01:07:59 ...what I consider the greatest sin
01:08:04 Ingratitude.
01:08:08 And that's what you're guilty of...
01:08:11 ...ingratitude.
01:08:13 We took you in, we cherished you. If
01:08:17 How do you repay us?
01:08:19 ...you cry out for the police, you
01:08:28 There was a lad once, just like you,
01:08:31 He ran away, like you.
01:08:34 And can you guess
01:08:40 They hanged him...
01:08:42 ...at the Old Bailey.
01:08:46 Certain evidence was made available,
01:08:51 ...but all of it necessary to provide
01:08:56 ...and that of my friends.
01:08:58 Yeah. Poor boy.
01:09:01 Hanged.
01:09:03 It's a terrible thing, hanging, Oliver.
01:09:06 Dawn, the gallows...
01:09:08 ...the rope, the noose.
01:09:11 You don't always have
01:09:13 They hang you for anything
01:09:15 That's because they're
01:09:27 But if you do as you're told...
01:09:31 ...we'll be very good friends yet.
01:09:43 You must feel free
01:09:48 Yes, feel free.
01:09:57 -Here, Oliver.
01:10:01 I'd like you to assist me
01:10:05 -Will you do that for me, my man?
01:10:09 There's a good fellow. You may start
01:10:13 In plain English, clean my boots.
01:10:20 What a pity he ain't a prig.
01:10:22 He don't know what's good for him.
01:10:25 I suppose you don't know
01:10:27 Yes, I do. It's a....
01:10:29 It's a thief.
01:10:32 You're one, aren't you?
01:10:34 Yes, I am. And so we all are.
01:10:37 ...and he's the downiest one
01:10:39 And the least given to peaching.
01:10:41 He wouldn't so much as bark
01:10:43 -...for fear of committing himself.
01:10:48 Why don't you put yourself
01:10:51 You'll make a fortune out of hand.
01:10:53 Like your old gentleman
01:10:57 I had a peep at it, I did.
01:11:00 Yes. And I slept in a proper bed.
01:11:05 -Good stuff on the walls, eh?
01:11:09 Put yourself under Fagin...
01:11:10 ...and you'll be able to retire
01:11:14 And do the genteel.
01:11:16 No, he's scared
01:11:19 I don't know what that means.
01:11:25 If you don't take pocket handkerchiefs
01:11:28 ...some other cove will. You have
01:11:31 To be sure. To be sure.
01:11:34 It all lies in a nutshell, my dear,
01:11:37 Take the Dodger's word for it.
01:11:38 He understands the catechism
01:11:53 Cabby?
01:12:15 -I've come from Bill.
01:12:18 -For no harm.
01:12:22 If I could help you, I would,
01:12:26 Now, I've promised him
01:12:29 If you're not, you'll only do
01:12:32 And me too.
01:12:44 Did he come quiet?
01:12:46 Like a lamb.
01:12:50 Sit down.
01:12:57 And let me read you a lecture.
01:13:06 You know what this is?
01:13:08 -Yes.
01:13:15 This is powder.
01:13:25 That here's a bullet.
01:13:30 And this is a little bit
01:13:33 ...for wadding.
01:13:41 -Now it's loaded.
01:13:47 If you speak a word
01:13:49 ...unless I speak to you...
01:13:51 ...this loading will go in your head
01:13:55 So if you do make up your mind
01:13:59 ...says your prayers first.
01:14:01 The short and long of what you mean
01:14:05 ...you'll prevent him
01:14:07 ...by shooting him through the head.
01:14:09 And you'll take your chance
01:14:12 That's it. Women always put things
01:14:16 Supper, Nancy.
01:14:18 And then a snooze afore starting.
01:14:49 My pal Bill.
01:14:52 The door's open, come in.
01:14:56 Don't make such a row.
01:15:02 Show us a glim, Toby.
01:15:04 Barney, a glim.
01:15:07 Barney?
01:15:23 Mr. Sykes. Come in, sir, come in.
01:15:45 Bill, my boy. Glad to see you.
01:15:49 Who's...?
01:15:52 -Who's this?
01:15:54 -One of Mr. Fagin's lads?
01:15:57 Right.
01:16:00 Barkers for me, Barney.
01:16:11 -They're loaded.
01:16:21 -The persuaders?
01:16:28 Keys, center bits.
01:16:35 Darkies.
01:16:47 Nothing forgotten?
01:17:00 Yeah, it's all quiet.
01:17:53 I can't. I can't.
01:17:56 You will.
01:17:58 It's Mr. Brownlow's house.
01:18:29 Have mercy.
01:18:31 -Have mercy on me.
01:18:34 For God's sake, let me run away
01:18:36 -I'll never come near London, never.
01:18:40 Get up. Or I'll strew your brains
01:19:24 I'm putting you through there.
01:19:27 Go to the front door
01:19:30 I can't, there's a bolt at the top.
01:19:34 -Well, stand on a chair or something.
01:20:34 To the door.
01:20:40 Who's there?
01:20:43 Mrs. Bedwin? Is that you?
01:21:00 Come here. Come here.
01:21:03 Save me! Save me!
01:21:16 Help!
01:21:19 Help! Police!
01:21:31 Give him here.
01:21:39 Oh, damnation, how he bleeds.
01:21:41 -ls he hit bad?
01:21:50 -Give me a pistol.
01:21:52 We gotta get rid of him,
01:21:55 We gotta do him in.
01:21:57 Here, here. Down here by the river.
01:22:00 But, Bill! Bill!
01:22:06 -Bill?
01:22:09 Help! Help!
01:22:13 -Bill.
01:22:24 Snap.
01:22:27 Snap.
01:22:30 Snap.
01:22:35 Snap.
01:22:39 Snap.
01:22:54 Well, well.
01:22:56 How are you, Fagey?
01:23:00 Scarce. Scarce!
01:23:03 -He's-- He's bleeding.
01:23:06 All in good time.
01:23:09 I can't talk business
01:23:19 Nancy, I said, scarce. Scarce!
01:23:22 Where's Bill?
01:23:23 Well, produce the sustenance,
01:23:26 Dodger!
01:23:28 Nancy, scarce!
01:23:36 -The crack failed.
01:23:38 For the last time of asking,
01:23:43 Dodger.
01:23:48 Put him to bed,
01:23:58 The boy was about to blow on us,
01:24:01 -He was seen.
01:24:03 He was seen? Who saw him?
01:24:06 Two old ones.
01:24:09 Bill lost his head,
01:24:12 -And hit the boy?
01:24:14 Only one was Bill's.
01:24:17 We made a run for it.
01:24:20 Fell? Was he hurt?
01:24:22 No. Last seen, he was swimming
01:24:29 Bullseye.
01:24:34 I told you not to bring a soul here.
01:24:36 Now you've brought the devil.
01:24:38 You said to fetch him.
01:24:41 His fever is that high,
01:24:44 You're not well, are you, Bill?
01:24:48 I'm as weak as water.
01:24:50 Get us a drink.
01:24:53 -What evil wind has blowed you here?
01:24:59 You, Bill, you.
01:25:08 What you done with that boy?
01:25:10 Safe and sound.
01:25:13 They're as close as Cain and Abel.
01:25:19 What about the boy, Bill?
01:25:24 We don't want anyone
01:25:27 And as long as that boy's alive,
01:25:31 So, what's to be done?
01:25:35 -Nothing.
01:25:37 -Not till I'm better.
01:25:41 -Then I'll do for him.
01:25:44 Outside of London somewhere.
01:25:48 The boy's weak.
01:25:50 He can hardly stand, let alone walk.
01:25:53 When he can walk, tell me.
01:25:57 Now, get out of here.
01:25:59 Yes.
01:26:02 Yes.
01:26:04 Bill, you're right.
01:26:11 It's for the best.
01:26:17 I'm burning up.
01:26:19 Give me me physic.
01:26:23 You look like a corpse
01:26:26 -What's the matter?
01:26:30 What do you look at me so hard for?
01:26:32 -What you thinking of?
01:26:35 -What odds in that?
01:26:38 If you haven't caught the fever...
01:26:40 ...then there's something
01:26:43 And something dangerous too.
01:26:46 Give me me physic, I say.
01:26:52 No, no, no.
01:26:55 There ain't a stauncher-hearted
01:26:59 ...or I'd have cut her throat
01:27:04 She's got a fever coming on.
01:27:29 Here. Make you feel better.
01:27:39 Sit aside me.
01:27:43 Put on your own face, or I'll alter it
01:29:12 -Wait.
01:29:33 -Yes?
01:29:35 Who are you? What do you want?
01:29:39 I have information
01:29:46 Is he all right? Is he safe?
01:29:49 -Where is he?
01:29:53 He's not here.
01:29:56 The boy's innocent, tell him that.
01:29:59 -Where is he?
01:30:03 -But he may not be for long.
01:30:18 Give Mr. Brownlow a message.
01:30:20 Tell him to meet me on Sunday
01:30:23 -...on London Bridge.
01:30:25 And if I'm not there...
01:30:27 ...then tell him to come the next night
01:30:37 There, my dear,
01:30:41 -How do you feel?
01:30:45 Well, yes, yes.
01:30:47 It is long after midnight.
01:30:50 But my meaning was...
01:30:52 ...how do you feel
01:30:55 Better. Thank you, sir.
01:30:57 -But for the ache in my arm.
01:31:04 I have the very thing for such pains
01:31:10 Undo the bandage.
01:31:22 Oh, my God.
01:31:25 It's a nasty wound.
01:31:29 But my magic will do the trick.
01:31:33 This remedy...
01:31:36 ...is older than time. Yes...
01:31:38 ...my dear, older than time.
01:31:40 It was handed down
01:31:44 ...father to son, and comes from...
01:31:50 ...who can say where?
01:31:55 Thank you, sir. Thank you.
01:31:59 For your kindness.
01:32:02 Well....
01:32:04 Well....
01:32:06 Always.
01:32:08 Yes, always, my dear.
01:32:13 But who knows how long
01:32:45 An hour this side of midnight.
01:32:47 Dark and heavy it is too.
01:32:50 Good night for business, this.
01:32:53 What a pity, Bill, my dear,
01:32:56 Yeah, for once, you're right.
01:32:59 When will the boy be well enough
01:33:01 -Like I say, Bill. In a day or two.
01:33:06 -For I'm in the humor to.
01:33:09 You're like yourself tonight, Bill.
01:33:13 I don't feel like myself when you lay
01:33:17 ...so take it away.
01:33:27 Hello, Nance.
01:33:29 Where's the girl going to
01:33:32 -Not far.
01:33:35 -Where you going?
01:33:38 -And I say, where?
01:33:40 Then I do, nowhere. Sit down.
01:33:43 -I'm not well. I want a breath of air.
01:33:47 There's not enough there.
01:33:54 Then you won't have it.
01:34:02 There. Now, stop quietly
01:34:11 Do you know what you're doing?
01:34:14 Do I know what I'm--?
01:34:16 I think this girl's lost her senses.
01:34:20 You'll drive me on
01:34:22 Now, let me go, will you?
01:34:25 -No!
01:34:28 It'll be better for him.
01:34:32 Aye, I hear you.
01:34:37 And if I have to listen to you
01:34:40 ...the dog will tear some
01:34:44 What's come over you, you jade?
01:34:47 Bill, let me go.
01:34:49 Let me go.
01:34:53 For only one hour.
01:34:55 Cut my limbs off one by one if I don't
01:34:59 -Get up. Get up!
01:35:10 Now, stay there!
01:35:14 What a precious, strange girl that is.
01:35:16 You may say that, Bill,
01:35:18 Why did she take it in her head
01:35:21 Obstinacy. Women's obstinacy,
01:35:24 I thought I tamed her of that.
01:35:30 I think she's got a touch of my fever
01:35:33 Like enough.
01:35:35 Well, if she's taken that way again,
01:35:38 Without troubling the doctor.
01:35:56 Why, now she's on the other tack.
01:36:00 Good night.
01:36:02 In two days, Bill,
01:36:09 Light him down.
01:36:11 It's a pity he should fall and break
01:36:17 Show him a light.
01:36:27 What is it, Nancy dear,
01:36:31 -What do you mean?
01:36:34 We'll speak of this anon.
01:36:36 You have a friend in me, Nance.
01:36:38 A staunch friend.
01:36:41 I know you well. Good night.
01:36:49 Dodge...
01:36:51 ...pull it in.
01:36:56 My glass is full already,
01:37:05 Trouble?
01:37:10 Dodger.
01:37:15 -Let's find out where old Tom is, eh?
01:37:18 Shall we both take him home?
01:37:21 Honestly...
01:37:23 ...I haven't seen her.
01:37:27 Something up?
01:37:31 I....
01:37:34 I want you to do a piece of work for me
01:37:40 What is it?
01:37:43 -That don't suit me, that don't.
01:37:47 Not the smallest.
01:37:50 -Who, an old one?
01:37:53 -Who is she?
01:37:54 Who?
01:37:56 Nancy?
01:37:59 -What's she been up to?
01:38:02 ...my dear, that's why
01:38:08 She may want to talk to people
01:38:11 I want to know where she goes,
01:38:18 Nancy.
01:38:20 I don't know. She's a good one,
01:38:23 A pound, my dear.
01:39:08 Mr. Brownlow?
01:39:12 Yes.
01:39:16 I'm afraid to speak to you here.
01:39:34 This is far enough.
01:39:36 -Why can't we speak up there?
01:39:39 I may be followed.
01:39:46 I'm here because you told...
01:39:48 ...my housekeeper you have
01:39:51 -So I have.
01:39:55 He's being held by the devil...
01:39:57 ...and he's handing him over
01:40:01 I must know more.
01:40:05 -One is. One ain't.
01:40:08 -...must be delivered up by you.
01:40:11 Bad a life as he has led, I've led a bad
01:40:17 The other.
01:40:19 -Fagin. He has the boy.
01:40:23 Find Fagin, you'll find the boy.
01:40:24 -Where is he?
01:40:27 That's all I'll say.
01:40:30 No one must never know
01:40:32 -Promise.
01:40:35 -Tomorrow I'll go to the police.
01:40:39 Just say Fagin,
01:40:42 -The traps?
01:40:45 -What can I do to serve you?
01:40:48 You can do nothing.
01:40:52 Take this as a reward.
01:40:54 No, I've not done this for money.
01:40:58 God bless you.
01:40:59 Good night. Good night.
01:41:03 Never-- Never say who told you.
01:41:17 Look at him.
01:41:20 What a shame it is. With his face...
01:41:22 ...he could pick old ladies' pockets
01:41:25 His face could be a fortune to us.
01:41:29 You changing your mind?
01:41:31 No.
01:41:33 No, Bill, it has to be done.
01:41:36 Fagin! Fagin.
01:41:43 -What's got into you, Dodger?
01:41:47 No, no, you can speak
01:41:48 -No, I can't.
01:41:52 -Nancy.
01:41:54 He done a bit of work for me, Bill.
01:41:57 What do you mean?
01:41:59 Tell us, Dodger. You followed her?
01:42:01 Yes. To London Bridge.
01:42:04 And what?
01:42:07 She met an old one. A gentleman.
01:42:09 -And....
01:42:11 Speak, will you?!
01:42:14 She peached.
01:42:17 And the old man was
01:42:27 -Let me go. Let me out!
01:42:29 -Don't speak to me, it's not safe!
01:42:34 Bill, you won't be....
01:42:37 You won't be too violent, Bill?
01:42:52 Flit, boys, flit!
01:42:53 The traps will be at the door
01:42:56 Flit! Flit! Flit!
01:42:58 Flit!
01:43:00 Flit!
01:43:02 Flit!
01:43:04 Flit!
01:43:06 Flit!
01:43:11 Flit!
01:43:40 Come on.
01:44:07 Oh, it's you.
01:44:12 Bill?
01:44:14 What's the matter?
01:44:24 Bill, why do you look like that at me?
01:44:29 There's enough light
01:44:31 What--? What have I done?
01:44:34 -Speak to me.
01:44:37 You was watched tonight.
01:44:40 Every word you said was heard.
01:44:45 I-- I never said your name, Bill.
01:44:48 Never.
01:44:49 Never.
01:44:51 Bill. Bill. Bill!
01:44:55 Oh, God.
01:45:21 Nance?
01:45:28 Nance?
01:45:51 I haven't done nothing.
01:45:54 Go on, be off with you.
01:46:19 Hello, Fagey.
01:46:21 Hello, lads.
01:46:25 What's the news, Toby?
01:46:27 I have it here, Fagin.
01:46:30 You're in it. Bill's in it.
01:46:34 The Chronicle?
01:46:36 Fancy that. You're famous, Fagin.
01:46:39 Read it.
01:46:40 "More information has reached
01:46:43 ...concerning the foul
01:46:46 ...that took place in Spitalfields and
01:46:50 ...the citizens of London.
01:46:52 It is believed that the victim,
01:46:56 ...now identified as Nancy...
01:46:58 ...was brutally beaten to death...
01:47:01 ...by one William Sykes...
01:47:04 ...a well-known, dangerous villain.
01:47:07 The motive is as yet unclear...
01:47:09 ...but your correspondent has learned
01:47:12 ...had informed on her associate...
01:47:14 ...and on an infamous fence, Fagin...
01:47:18 ...who is now wanted for the abduction
01:47:25 Neither Fagin nor Sykes
01:47:28 ...but the police are engaged
01:47:31 ...throughout the city and beyond.
01:47:35 Sykes, according to the police...
01:47:37 ...is usually accompanied
01:47:45 How about that, eh?
01:47:59 Come. Come back here.
01:48:05 We're going back to London.
01:48:09 I'll have people to speak to.
01:48:11 I'll force shiners out of Fagin,
01:48:15 Damn me, we'll risk it.
01:48:21 Who's he done in?
01:48:24 -They say-- They say it's a woman.
01:48:54 Bullseye.
01:48:57 Don't you hear me when I whistle?
01:49:00 You gone deaf or something?
01:49:03 Come here. Come on.
01:49:07 I ain't gonna harm you. Come on.
01:49:11 Come here.
01:49:13 Stop it! I'm warning you.
01:49:16 Let go, I ain't playing with you!
01:49:19 Let it go, you stinking varmint!
01:49:21 Bullseye!
01:49:29 Bullseye. Bullseye.
01:49:31 Get back here. Get back here.
01:49:36 Damn it!
01:49:43 Look, it's his dog.
01:49:45 It's his dog!
01:49:52 Here, boy.
01:49:53 -Here.
01:50:01 There is a child in danger,
01:50:04 ...but you only seem interested...
01:50:06 ...in apprehending this man,
01:50:08 Your concern should be...
01:50:10 -...for the safety of the boy.
01:50:13 ...this is our usual way
01:50:16 My thinking is this:
01:50:18 If we get Sykes, we get Fagin.
01:50:21 -And if we get Fagin--
01:50:24 Sir, we found the dog.
01:50:29 Are we going to sit here
01:50:32 -Shut it.
01:50:35 We should do another flit.
01:50:40 The traps!
01:50:58 What?
01:50:59 It's him.
01:51:01 -Don't let him in.
01:51:05 Go on.
01:51:09 Go on!
01:51:17 Don't leave us in the dark.
01:52:16 Damn you all.
01:52:19 Have you nothing to say to me?
01:52:22 -Not safe for you to stop here, Bill.
01:52:31 Is it...?
01:52:33 The body, is it buried?
01:52:43 Dodger, let him in quick.
01:52:48 Dodger.
01:52:50 Do as I say.
01:52:56 Don't come near me, you monster.
01:53:02 You're my witnesses.
01:53:06 And if they come here after him,
01:53:08 I'll tell them you're here.
01:53:11 He may kill me if he likes,
01:53:15 If he was to be boiled alive,
01:53:18 Why, you little--
01:53:21 Get off me!
01:53:23 Or I'll tear you limb from limb!
01:53:30 Help, he's here!
01:53:32 -He's here. Break down the door!
01:53:34 Help! Come up, please!
01:53:39 -That's Bill Sykes!
01:53:41 Do your worst. I'll cheat you yet!
01:53:55 No! Bill, no.
01:53:58 Not yours, Fagin. Mine.
01:54:03 Bill!
01:54:16 Don't fire.
01:54:19 -Don't fire.
01:54:21 -Hold your fire.
01:54:24 I'll let him drop.
01:54:26 Don't try nothing,
01:54:32 Get up there.
01:54:35 Cross, cross.
01:54:40 Up there. Up there.
01:54:48 Grab hold of there.
01:55:00 We must give chase, sir.
01:55:14 Get down.
01:55:20 They're getting away!
01:55:22 There, there. There he is!
01:55:25 Get him! Get him!
01:55:26 Damn it!
01:56:01 Grab it.
01:56:03 Grab it!
01:57:25 Oliver?
01:57:27 Oliver!
01:57:31 Oliver!
01:57:38 -Here he is, sir.
01:57:41 Mr. Grimwig has something
01:57:46 Do the honors, Mrs. Bedwin.
01:57:48 Now then, young man,
01:57:53 Truth to tell, I feared your benefactor
01:57:58 But he's a good friend
01:58:01 -And one for Oliver.
01:58:04 -So--
01:58:06 -I don't know as I should, sir.
01:58:08 So I'll take the liberty,
01:58:14 -To Sam Waters.
01:58:17 Oliver Twist. To Oliver Twist.
01:58:21 Yes.
01:58:25 Why, Oliver.
01:58:30 Why are you so sad?
01:58:59 Are you certain, Oliver,
01:59:02 Yes, sir.
01:59:04 Certain.
01:59:12 Yes?
01:59:59 Is the young gentleman
02:00:02 It's not a sight for children, sir.
02:00:05 It is not indeed, my friend.
02:00:08 ...in the full career
02:00:11 And it is his wish, even at the cost
02:00:14 ...that he should see him now.
02:00:49 Eighteen.
02:01:06 Hey!
02:01:12 Good boy.
02:01:13 Good boy, Charley.
02:01:15 Well done.
02:01:25 Good boy, Charley, well done.
02:01:29 -Take the boy away to bed.
02:01:31 Fagin.
02:01:33 That's me. An old man, my lord.
02:01:35 A-- A very old-- Old man.
02:01:38 Someone here wants to see you.
02:01:40 -Strike! Strike them all dead!
02:01:42 What right have they to butcher me?
02:01:44 Speak to him now.
02:01:47 For he grows worse
02:01:51 Fagin, you were kind to me.
02:01:54 Yes, yes.
02:01:55 I'll be kind again.
02:01:57 I'll be kind again.
02:01:59 I'll be kind again.
02:02:07 -I'm not afraid.
02:02:14 Let-- Let me whisper to you.
02:02:20 You remember the box, Oliver?
02:02:23 With my pretty things
02:02:26 It's hid a little way up the chimney
02:02:30 It's yours, Oliver.
02:02:32 -Yours, but we must talk.
02:02:35 But shall we say a prayer
02:02:38 Do.
02:02:39 Say only one, upon your knees,
02:02:43 ...and we can talk all morning.
02:02:46 Outside. Outside.
02:02:48 You can say I've gone to sleep.
02:02:51 You can get me out. The pretty
02:02:55 -Oh, God, forgive this wretched man.
02:03:00 That will help us on.
02:03:01 If-- lf-- lf-- If l...
02:03:05 ...shake and tremble as we pass
02:03:10 Don't you mind, hurry on.
02:03:14 -Have you more to say to him, sir?
02:03:17 -You'd better leave him.
02:03:20 Press on, press on.
02:03:23 Softly. Softly. No, no!
02:03:25 It hurts!
02:03:27 Faster, faster!
02:03:29 Faster, faster!
02:03:31 Faster, faster, faster, faster!
02:05:08 THE END
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