|
On A Clear Day You Can See Forever
|
| 00:00:16 |
Hey, buds below |
| 00:00:21 |
Up is where to grow |
| 00:00:26 |
Up, with which below |
| 00:00:32 |
Hurry |
| 00:00:34 |
It's lovely up here |
| 00:00:42 |
Life down a hole |
| 00:00:46 |
What with not a soul there |
| 00:00:51 |
Hurry, it's lovely up here |
| 00:01:00 |
Wake up |
| 00:01:02 |
Bestir yourself |
| 00:01:09 |
You've got a spot to fill |
| 00:01:16 |
And what a gift package |
| 00:01:20 |
Of shower, sun and love |
| 00:01:23 |
You'll be met above everywhere |
| 00:01:26 |
With fondled and sniffed |
| 00:01:31 |
By millions who drift by |
| 00:01:36 |
Life here is rosy |
| 00:01:41 |
If you're a posy |
| 00:01:46 |
Hurry, it's lovely here |
| 00:01:56 |
Climb up, geranium |
| 00:02:01 |
It can't be fun subterranean |
| 00:02:05 |
On the exterior |
| 00:02:09 |
It's cheerier |
| 00:02:13 |
R.S. V.P., peonies |
| 00:02:17 |
Pollinate the breeze |
| 00:02:19 |
Make the queen of bees |
| 00:02:24 |
Come give at least |
| 00:02:33 |
Come up |
| 00:02:37 |
Come up |
| 00:02:42 |
Come poke your head out |
| 00:02:46 |
Open up and spread out |
| 00:02:51 |
Hurry, it's lovely here |
| 00:03:29 |
On a clear day |
| 00:03:32 |
You can see forever |
| 00:03:35 |
Forever and ever and ever and ever |
| 00:03:42 |
And you'll see who you are |
| 00:03:50 |
On a clear day |
| 00:03:54 |
How it will astound you |
| 00:03:58 |
That the glow of your being |
| 00:04:03 |
Outshines every star |
| 00:04:06 |
You'll feel part of |
| 00:04:10 |
Every mountain, sea and shore |
| 00:04:14 |
You can hear from far and near |
| 00:04:18 |
A world you never |
| 00:04:21 |
Never heard before |
| 00:04:27 |
And on a clear day |
| 00:04:33 |
On a clear day |
| 00:04:38 |
You can see forever and ever |
| 00:04:44 |
And ever |
| 00:04:46 |
And evermore |
| 00:05:30 |
And now the window opens. |
| 00:05:34 |
and the night steals softly in. |
| 00:05:38 |
Your eyelids now are heavy. |
| 00:05:41 |
Your arms are numb and heavy. |
| 00:05:44 |
Your legs are dull and heavy |
| 00:05:47 |
and you give yourself to sleep. |
| 00:05:50 |
A deep sleep. |
| 00:06:02 |
He's under. Lights, please. |
| 00:06:05 |
I'll begin with |
| 00:06:08 |
and after, if Preston here |
| 00:06:12 |
- When does this class meet again? |
| 00:06:14 |
On Wednesday. |
| 00:06:17 |
Mr Preston, after I waken you, |
| 00:06:22 |
"Wednesday," you will take off your left |
| 00:06:26 |
Remember, the first time |
| 00:06:30 |
Now for regression. |
| 00:06:32 |
I will try and take Preston back |
| 00:06:36 |
Stand up and turn around, please. |
| 00:06:41 |
I want you to go back in time |
| 00:06:45 |
- Dr Chabot. |
| 00:06:48 |
Now, five years more |
| 00:06:53 |
Now, five years more |
| 00:06:57 |
Now, another five years, and when I |
| 00:07:01 |
you will be 5 years old. |
| 00:07:03 |
Five years old, |
| 00:07:09 |
One, |
| 00:07:10 |
two... |
| 00:07:13 |
Give me back my chalk, Henry. |
| 00:07:16 |
You give me back my chalk, |
| 00:07:18 |
and you'll get all gooey. |
| 00:07:20 |
- Sit down, Preston. |
| 00:07:23 |
- on your turtle. Honest. |
| 00:07:25 |
- Miss Hildebrand, you gotta make... |
| 00:07:29 |
Sleep. |
| 00:07:32 |
To be hypnotized indirectly |
| 00:07:34 |
but to be regressed indirectly |
| 00:07:38 |
but a little nerve-wracking. |
| 00:07:40 |
Listen to me. |
| 00:07:43 |
You are as you are today. |
| 00:07:44 |
And when I count to three |
| 00:07:46 |
you will awaken feeling fine. |
| 00:07:48 |
One, two, three. |
| 00:07:52 |
How do you feel? |
| 00:07:55 |
Fine. |
| 00:08:00 |
What happened? |
| 00:08:02 |
You were hypnotized by mistake. |
| 00:08:05 |
- Your mistake or mine? |
| 00:08:09 |
I opened the window, |
| 00:08:14 |
- What's your name? |
| 00:08:18 |
You're not a medical student, |
| 00:08:21 |
No. |
| 00:08:23 |
Did everybody, I mean, |
| 00:08:26 |
No. No, just you. |
| 00:08:29 |
Just me? |
| 00:08:31 |
I'm awfully sorry, doctor. |
| 00:08:34 |
I didn't mean to butt in, I... |
| 00:08:37 |
I mean, I didn't mean to butt in. |
| 00:08:42 |
It won't happen to me again. |
| 00:08:44 |
Boy, you can swing open |
| 00:08:47 |
and when the night starts crawling in, |
| 00:08:50 |
and my arms get numb and heavy |
| 00:08:56 |
When I count to three |
| 00:08:59 |
you will awaken and stay awake. |
| 00:09:02 |
- One, two, three. |
| 00:09:06 |
Why don't you step outside |
| 00:09:08 |
Sure. I mean, sure. |
| 00:09:12 |
I'm awfully sorry, doctor. Really. |
| 00:09:17 |
Oh, thank you very... |
| 00:09:18 |
Doctor, I'm awfully sorry, |
| 00:09:25 |
Push. |
| 00:09:31 |
Sorry. |
| 00:09:34 |
Preston, you are no longer |
| 00:09:38 |
You are as you are now. |
| 00:09:40 |
And when I count to three and snap |
| 00:09:43 |
One, two, three. |
| 00:09:48 |
Do you feel all right? |
| 00:09:50 |
- Yes, sir. |
| 00:09:53 |
Sir, nothing happened to me. |
| 00:09:56 |
Most people don't believe |
| 00:09:59 |
- Well, I know that, sir... |
| 00:10:02 |
Oh, no, sir. No. Is that all? |
| 00:10:05 |
On Wednesday, when we |
| 00:10:13 |
- What are you doing there? |
| 00:10:17 |
...sock. |
| 00:10:25 |
See you all Wednesday. |
| 00:10:29 |
Out like a light. |
| 00:10:31 |
If you don't remember, |
| 00:10:33 |
to take off your shoes and socks. |
| 00:10:36 |
Oh, Marc, |
| 00:10:39 |
Oh, just routine meeting, |
| 00:10:42 |
Doctor, could I see you |
| 00:10:44 |
- Don't you feel well? |
| 00:10:46 |
But I gotta talk to you |
| 00:10:48 |
If you call my secretary... |
| 00:10:51 |
- She'll make an appointment. |
| 00:10:54 |
Couldn't you ask me |
| 00:10:55 |
If you come a little early, |
| 00:10:58 |
Oh, my God. |
| 00:11:00 |
Come in. Come here, hey. |
| 00:11:02 |
Come, come. |
| 00:11:07 |
Come in. Here. |
| 00:11:13 |
This way, this way, please. |
| 00:11:16 |
Here, come in. |
| 00:11:20 |
You're doing that |
| 00:11:23 |
Oh, no. |
| 00:11:26 |
Turn around. |
| 00:11:28 |
I'm terribly sorry. |
| 00:11:31 |
Is anything else coming off? |
| 00:11:33 |
- Of course not. Here, your shoe. |
| 00:11:36 |
That's quite a weapon |
| 00:11:38 |
Boy, you fellas must have |
| 00:11:44 |
I mean... |
| 00:11:47 |
What's the matter? |
| 00:11:50 |
- This just isn't my day. |
| 00:11:55 |
You'll feel better in a moment. |
| 00:11:57 |
Sit down. |
| 00:12:00 |
- Oh, God. |
| 00:12:04 |
Oh, rats. |
| 00:12:10 |
Thank you. |
| 00:12:27 |
Oh, God. |
| 00:12:31 |
Now, what did you |
| 00:12:34 |
What I wanted to ask you was this: |
| 00:12:36 |
Doctor, do you think...? |
| 00:12:39 |
I mean, can people really be |
| 00:12:42 |
I mean, of something like smoking. |
| 00:12:44 |
It's stuck in the dictionary. I mean, can |
| 00:12:49 |
I beg your pardon? |
| 00:12:52 |
Aren't you looking for a piece |
| 00:12:56 |
- Yes. |
| 00:13:00 |
Well, yes. |
| 00:13:02 |
Well, just see if it's in there. |
| 00:13:04 |
You see, the other night I heard |
| 00:13:09 |
on the radio, and this man said... |
| 00:13:13 |
It's under X. |
| 00:13:16 |
He said you could be |
| 00:13:19 |
without getting something else |
| 00:13:21 |
like fat or nervous or acne. |
| 00:13:24 |
- Miss... |
| 00:13:27 |
What about this address? |
| 00:13:31 |
- Isn't that the one you're looking for? |
| 00:13:37 |
I don't know. I just saw you |
| 00:13:41 |
and wondered what it was and... |
| 00:13:43 |
You know, I knew. |
| 00:13:46 |
Very well, |
| 00:13:49 |
Yeah. |
| 00:13:51 |
Can you do any other tricks? |
| 00:13:53 |
No. You see, I only have until |
| 00:13:58 |
And that's why I busted on |
| 00:14:01 |
What else do you do? |
| 00:14:07 |
Come on, you can trust me. |
| 00:14:12 |
Well... |
| 00:14:15 |
...sometimes... |
| 00:14:18 |
...I do get the feeling when |
| 00:14:23 |
Or when someone' s |
| 00:14:28 |
So I wait. |
| 00:14:30 |
And sometimes I can tell |
| 00:14:34 |
are thinking about me, |
| 00:14:36 |
I mean, you know, if I like them. |
| 00:14:39 |
And |
| 00:14:42 |
that's about all. |
| 00:14:44 |
No. |
| 00:14:45 |
That's all. That's all. |
| 00:14:54 |
I make flowers grow. |
| 00:14:57 |
- You make flowers grow? |
| 00:15:02 |
And how do you do that? |
| 00:15:05 |
I don't know. |
| 00:15:08 |
Well, why don't you |
| 00:15:15 |
I don't blame you. |
| 00:15:18 |
It sounds so silly. |
| 00:15:20 |
Well, never mind, doctor. |
| 00:15:24 |
I'm really sorry I bothered you. |
| 00:15:29 |
Thanks anyway. |
| 00:15:31 |
Oh, answer your phone. |
| 00:15:43 |
Yes? |
| 00:15:48 |
Yes, Conrad. I'm coming. |
| 00:15:52 |
Order me a... |
| 00:15:54 |
Double whiskey. |
| 00:15:56 |
And you thought she saw it |
| 00:16:00 |
on the other side of the room. |
| 00:16:02 |
Remarkable, isn't it? |
| 00:16:04 |
- And you think it was a trick? |
| 00:16:09 |
Marc, I know as a psychiatrist |
| 00:16:13 |
from me for this, but you don't think |
| 00:16:19 |
of extrasensory perception, ESP? |
| 00:16:23 |
All right. |
| 00:16:25 |
Find the girl, hypnotize her |
| 00:16:27 |
whether or not it was a trick. |
| 00:16:29 |
You're against scientific research? |
| 00:16:32 |
How can ESP be called a science |
| 00:16:36 |
- that ESP exists? |
| 00:16:39 |
Two people have |
| 00:16:42 |
It's happened millions of times. |
| 00:16:44 |
but psychiatry calls it coincidence. |
| 00:16:46 |
- That's what it is. |
| 00:16:49 |
- and for a very good scientific reason. |
| 00:16:53 |
Pure, unadulterated rubbish. |
| 00:17:05 |
Violet. Lily. Rose. |
| 00:17:11 |
Mrs Hatch? |
| 00:17:18 |
This is my address |
| 00:17:20 |
- You can type it now. |
| 00:17:22 |
When you've finished, telephone |
| 00:17:26 |
until you find someone who |
| 00:17:29 |
I hypnotized by mistake |
| 00:17:31 |
Oh, you mean Daisy Gamble? |
| 00:17:34 |
Will you please tell me |
| 00:17:36 |
Well, she told me. |
| 00:17:52 |
- Miss Gamble? |
| 00:17:54 |
Hello. This way, please. |
| 00:18:03 |
- No calls, Mrs Hatch. |
| 00:18:06 |
Did you lose another one? |
| 00:18:09 |
No. Follow me. |
| 00:18:13 |
- Now, Miss Gamble... |
| 00:18:15 |
Do you know the name of a good |
| 00:18:18 |
and see if he could help me lay off |
| 00:18:20 |
before tomorrow night, or else |
| 00:18:23 |
Then I won't bother you any more. |
| 00:18:26 |
You don't even know who Warren is. |
| 00:18:31 |
Go on. |
| 00:18:33 |
- Go on? |
| 00:18:36 |
Well, you see, over here, you know, |
| 00:18:41 |
these big companies that send out |
| 00:18:45 |
to these colleges to sign up |
| 00:18:49 |
Well, Warren... |
| 00:18:53 |
He's graduating in the top 2 percent |
| 00:18:56 |
and Chemical Foods, Inc., |
| 00:18:58 |
see, and I can ruin it. I mean, |
| 00:19:01 |
you know, if they don't like me. |
| 00:19:03 |
And they're not gonna like me. |
| 00:19:05 |
Because Warren told me, you know, |
| 00:19:07 |
that they don't like addicts, |
| 00:19:09 |
And I'm an addicted addict. |
| 00:19:11 |
unless somebody |
| 00:19:13 |
Is that possible? |
| 00:19:15 |
It's possible, provided it's not |
| 00:19:19 |
No, no, I'm normal. I swear. |
| 00:19:23 |
Last year I took some of these |
| 00:19:28 |
not for a job, but for Warren |
| 00:19:31 |
and you know the results? |
| 00:19:33 |
What? |
| 00:19:36 |
Healthy, adjusted |
| 00:19:40 |
I mean, no character of any kind. |
| 00:19:45 |
You see, tomorrow night, |
| 00:19:49 |
and one |
| 00:19:50 |
So, what do I do about |
| 00:19:54 |
Do you want one? |
| 00:19:55 |
No, no, thank you. |
| 00:19:59 |
How old are you, Miss Gamble? |
| 00:20:03 |
Twenty-two. |
| 00:20:06 |
And how old were you |
| 00:20:09 |
Twelve. See, I had |
| 00:20:12 |
who came to visit us, |
| 00:20:14 |
You know, he dared me to try. |
| 00:20:16 |
Well, he was only 9, |
| 00:20:18 |
Of course. |
| 00:20:20 |
Miss Gamble, |
| 00:20:22 |
But from tomorrow on, |
| 00:20:25 |
And if you call me tomorrow, I'll give |
| 00:20:29 |
Sit here, please. |
| 00:20:31 |
- You mean now? |
| 00:20:34 |
Oh, doctor. I don't know how I can |
| 00:20:42 |
- I didn't expect, you know... |
| 00:20:48 |
Good. |
| 00:21:02 |
Please. |
| 00:21:06 |
That's it. |
| 00:21:09 |
Just relax now. |
| 00:21:16 |
Relax. |
| 00:21:25 |
Now, Miss Gamble, I want you to try, |
| 00:21:30 |
I see it. |
| 00:21:32 |
- What? |
| 00:21:36 |
That's right, a window. |
| 00:21:38 |
Now, keep staring at that window |
| 00:21:40 |
until slowly, very slowly, |
| 00:21:44 |
It's open. |
| 00:21:46 |
That's right. |
| 00:21:48 |
And now the dark of night is... |
| 00:21:51 |
Oh, well, you know the rest, go on. |
| 00:22:04 |
- Can you hear me, Miss Gamble? |
| 00:22:09 |
Miss Gamble, if you truly wish |
| 00:22:11 |
I would like you |
| 00:22:27 |
Drop your hand. |
| 00:22:30 |
When I awaken you, you will find |
| 00:22:35 |
will grow less and less, |
| 00:22:37 |
your ability to resist it will grow |
| 00:22:40 |
- Do you understand, Miss Gamble? |
| 00:22:42 |
Good. |
| 00:22:49 |
Now, open your eyes. |
| 00:22:53 |
Miss Gamble, this morning |
| 00:22:55 |
to help me find an address I'd lost. |
| 00:22:58 |
- Do you remember? |
| 00:23:00 |
It was quite a trick. |
| 00:23:04 |
Yes. |
| 00:23:06 |
I thought so. How? |
| 00:23:11 |
Well, |
| 00:23:14 |
I saw you looking around |
| 00:23:17 |
and I wondered what it was. |
| 00:23:22 |
- You knew what? |
| 00:23:26 |
- That's all? |
| 00:23:31 |
I see. |
| 00:23:33 |
- Do you really? |
| 00:23:39 |
Who taught it to you? |
| 00:23:43 |
I don't know. I suppose I got it |
| 00:23:47 |
Who is she? |
| 00:23:48 |
- Nobody. |
| 00:23:51 |
I mean, nobody anymore. |
| 00:23:54 |
But before she died |
| 00:23:58 |
- No. |
| 00:24:01 |
No. |
| 00:24:02 |
- But you said you got it from her. |
| 00:24:10 |
Can you remember an incident |
| 00:24:12 |
when you saw Winnie Wainwhisle |
| 00:24:15 |
Oh, sure, lots of them. |
| 00:24:16 |
- Just one. |
| 00:24:18 |
Where did it happen? |
| 00:24:23 |
In London. |
| 00:24:26 |
- You know, in England? |
| 00:24:29 |
- What were you doing in London? |
| 00:24:33 |
Was it lately? |
| 00:24:36 |
Well, was it before you were 15? |
| 00:24:40 |
Before you were 10? |
| 00:24:43 |
- Yeah. |
| 00:24:48 |
- What was it she found? |
| 00:24:52 |
I see. |
| 00:24:54 |
- It was the one my husband gave me. |
| 00:24:57 |
And how old was your little husband? |
| 00:25:00 |
No. He was... |
| 00:25:04 |
Let's see, 59. Yeah, that's right. |
| 00:25:07 |
Because he was exactly |
| 00:25:10 |
- What? |
| 00:25:13 |
Thirty-five years older? |
| 00:25:15 |
Well, I know it's a lot, but he was rich |
| 00:25:19 |
That would make you 24. |
| 00:25:23 |
Well, after 23. |
| 00:25:24 |
But that makes you two years older |
| 00:25:28 |
Miss Gamble, how can you go back |
| 00:25:32 |
and say you are 24? |
| 00:25:45 |
Miss Gamble. |
| 00:25:47 |
Yes? |
| 00:25:50 |
What year are you remembering? |
| 00:25:56 |
1814. |
| 00:26:13 |
Now, listen carefully. You're saying |
| 00:26:17 |
Very well. I want you to tell me |
| 00:26:21 |
beginning with your name. |
| 00:26:22 |
You do remember your name? |
| 00:26:26 |
My name? |
| 00:26:28 |
Gee, I don't know if I can do that. |
| 00:26:31 |
I mean, boy, that's tough. |
| 00:26:36 |
- I'm Daisy Gamble. |
| 00:26:40 |
Maybe I was called |
| 00:26:44 |
...but the only name I... |
| 00:26:50 |
I mean, my name has always... |
| 00:26:56 |
My name is... |
| 00:27:14 |
My name is Melinda. |
| 00:27:17 |
Melinda Winifred Waine Tentrees. |
| 00:27:22 |
And I am appalled and stunned |
| 00:27:31 |
- Inquisition, Lady Tentrees? |
| 00:27:37 |
you have been coiled |
| 00:27:40 |
Trying to make me crawl |
| 00:27:44 |
and admit to your monstrous lies. |
| 00:27:47 |
But you shall not succeed. |
| 00:27:49 |
I shall speak only the truth. |
| 00:27:52 |
I hope so. |
| 00:27:57 |
Now you say your name |
| 00:28:00 |
Would you tell the court |
| 00:28:03 |
of the tragic voyage |
| 00:28:07 |
I know nothing about that unfortunate |
| 00:28:11 |
Yet you advised your husband |
| 00:28:14 |
How did you know |
| 00:28:16 |
You have asked me that question |
| 00:28:19 |
again and again. |
| 00:28:24 |
The Caroline sailed |
| 00:28:28 |
also never to return, |
| 00:28:31 |
insurance also rejected by |
| 00:28:36 |
How did you know |
| 00:28:38 |
I do not know. |
| 00:28:40 |
I do not know. |
| 00:28:43 |
You don't know if your name is |
| 00:28:45 |
Of course I know my name is |
| 00:28:48 |
And I also know my husband's name |
| 00:28:53 |
the street, |
| 00:28:57 |
- I have a breathtaking grasp of things. |
| 00:29:02 |
Robert and I have been married |
| 00:29:05 |
tumultuous, passionate, |
| 00:29:10 |
Your husband must be |
| 00:29:13 |
He's remarkable for any age. |
| 00:29:16 |
- But still, at 59. |
| 00:29:19 |
That was my first husband. |
| 00:29:22 |
What was your |
| 00:29:27 |
Lord Percy Moorepark. |
| 00:29:30 |
Poor, fumbling, old, rich thing. |
| 00:29:35 |
But you heard a witness testify to |
| 00:29:39 |
on the night of November 14th, |
| 00:29:42 |
with a known enemy of the crown. |
| 00:29:43 |
- He lies! |
| 00:29:46 |
I'm so glad you interrupted. |
| 00:29:52 |
- What are you on trial for? |
| 00:29:56 |
Very well, never mind. |
| 00:29:58 |
You were going to tell me |
| 00:30:00 |
when Winnie Wainwhisle |
| 00:30:05 |
Yes. |
| 00:30:07 |
It was the day I first met Robert. |
| 00:30:11 |
What a glorious day it was. |
| 00:30:14 |
- Where are you? |
| 00:30:18 |
At the Royal Pavilion at Brighton |
| 00:30:35 |
Percy. Percy, put on |
| 00:30:38 |
Hurry. |
| 00:30:40 |
Now look directly across the lawn. |
| 00:30:44 |
Do you see Diana Smallwood? |
| 00:30:46 |
- Unmistakably Diana Smallwood. |
| 00:30:50 |
Robert Tentrees. |
| 00:30:51 |
- What does he do? |
| 00:30:54 |
Joseph Pelham was complaining |
| 00:30:57 |
He knows Tentrees' father |
| 00:31:00 |
Maritime insurance. |
| 00:31:05 |
- Is he married? |
| 00:31:06 |
But he should have been, |
| 00:31:10 |
And he will be soon. |
| 00:31:12 |
I can't wait to hear |
| 00:32:13 |
My dearest love |
| 00:32:21 |
Till this evening |
| 00:32:23 |
When a wave came |
| 00:32:30 |
None of the loves |
| 00:32:33 |
Could prepare you for the love |
| 00:32:37 |
Raging everywhere in me |
| 00:32:42 |
For all the arms |
| 00:32:44 |
That have covered you |
| 00:32:49 |
And the lips you have lingered on |
| 00:32:55 |
Added together would be less |
| 00:33:00 |
In the banquet of love |
| 00:33:07 |
Love seasoned to entice |
| 00:33:12 |
Love with all the trimmings |
| 00:33:17 |
Love flavoured to your whim |
| 00:33:22 |
Served piping hot |
| 00:33:25 |
With all the trimmings |
| 00:33:39 |
For I'll decode every breath |
| 00:33:46 |
And every sigh |
| 00:33:50 |
Is fulfilled before it's made |
| 00:33:54 |
Toss in some jealousy and doubt |
| 00:34:01 |
Not rest till there's |
| 00:34:07 |
Thus loving as I do |
| 00:34:12 |
Never, never will you ever be untrue |
| 00:34:17 |
Having love with all the trimmings |
| 00:34:23 |
Waiting home |
| 00:34:26 |
For you |
| 00:34:51 |
Gentlemen. His Highness. |
| 00:34:58 |
Chef, my good fellow. |
| 00:35:02 |
Your Royal Highness. |
| 00:35:04 |
Never in history |
| 00:35:05 |
so delectably treated |
| 00:35:07 |
with your extraordinary |
| 00:35:10 |
Served with cream |
| 00:35:13 |
Garnished with truffles |
| 00:35:16 |
You seem to know this woman. |
| 00:35:19 |
Winnie Wainwhisle. |
| 00:35:21 |
Do you have a name for this, |
| 00:35:26 |
this chef-d'oeuvre? |
| 00:35:28 |
Yes, with pleasure. |
| 00:35:31 |
I humbly christen it |
| 00:35:36 |
- To my chef. |
| 00:35:43 |
- Melinda. |
| 00:35:45 |
- Is that your mother? |
| 00:35:47 |
How are you, Melinda? |
| 00:35:49 |
Mum, did you ever hear |
| 00:35:51 |
Robert Tentrees? |
| 00:35:54 |
Hasn't got a halfpenny to his name. |
| 00:35:56 |
- Here, I got something for you. |
| 00:35:58 |
- Your locket. |
| 00:36:01 |
Under the ambassador's night table. |
| 00:36:05 |
- Well, that's a bit of luck. |
| 00:36:08 |
- Is he here tonight? |
| 00:36:10 |
Mum, he's here, and I met him. And |
| 00:36:14 |
- Marry him? |
| 00:36:17 |
I'll divorce him. |
| 00:36:18 |
And don't you worry about |
| 00:36:21 |
In two years' time, |
| 00:36:22 |
I'll make Robert Tentrees |
| 00:36:26 |
That good-for-nothing. |
| 00:36:28 |
do you expect to make the likes of...? |
| 00:36:31 |
No. |
| 00:36:33 |
No, Melinda. Don't misuse |
| 00:36:37 |
Or God knows in how many |
| 00:36:41 |
What talents? |
| 00:36:47 |
Well. |
| 00:36:49 |
- There you are, milady. |
| 00:36:52 |
Thank you. |
| 00:37:07 |
For I'll decode every breath |
| 00:37:14 |
And every sigh |
| 00:37:17 |
Is fulfilled before it's made |
| 00:37:22 |
Toss in some jealousy and doubt |
| 00:37:25 |
Should it be required |
| 00:37:28 |
Not rest till there's |
| 00:37:35 |
Thus loving as I do |
| 00:37:40 |
Never, never will you ever be untrue |
| 00:37:45 |
Having love with all the trimmings |
| 00:37:51 |
Waiting home |
| 00:37:54 |
For you |
| 00:38:17 |
And just how do you expect |
| 00:38:20 |
I'm going to be caught |
| 00:38:23 |
Caught red-handed. |
| 00:38:26 |
- There. |
| 00:38:28 |
Here. |
| 00:38:30 |
Oh, Percy. |
| 00:38:32 |
Percy, I knew you'd leave |
| 00:38:36 |
Here is your other pair. |
| 00:38:38 |
Oh, thank you very much. |
| 00:38:47 |
And is it not true, Lady Moorepark, |
| 00:38:49 |
that in the pursuit of illicit passion, |
| 00:38:52 |
you and Robert Tentrees |
| 00:38:55 |
Yes. We met frequently, in secret. |
| 00:39:00 |
Lady Tentrees, I suggest that you |
| 00:39:03 |
and that you have consorted |
| 00:39:05 |
in the treasonous plot |
| 00:39:08 |
to destroy 38 British ships at sea. |
| 00:39:11 |
No! You are trying |
| 00:39:14 |
What? One moment, now. |
| 00:39:16 |
You admit to these indiscretions? |
| 00:39:18 |
I am under oath. |
| 00:39:20 |
I cannot lie. Yes. |
| 00:39:23 |
Not one written message. |
| 00:39:25 |
I am under oath. I cannot lie. |
| 00:39:28 |
- No! |
| 00:39:31 |
I beg you to consider |
| 00:39:33 |
- Confess a lie! |
| 00:39:36 |
- Never... |
| 00:39:39 |
Oh, thank you. I'm exhausted. |
| 00:39:43 |
- So am I. |
| 00:39:46 |
I can't. |
| 00:39:48 |
I just can't. |
| 00:39:51 |
Neither can I. |
| 00:39:54 |
You may sleep until I count to three. |
| 00:39:56 |
Then you will awaken |
| 00:39:59 |
and you'll remember nothing. |
| 00:40:02 |
Except to smoke less. |
| 00:40:20 |
- Mrs Hatch. |
| 00:40:23 |
I've recorded this session. |
| 00:40:25 |
After I leave, would you make |
| 00:40:28 |
And send one |
| 00:40:43 |
One, two, three. |
| 00:40:51 |
How do you feel? |
| 00:40:53 |
Fine. How'd I do? |
| 00:40:56 |
Beyond my wildest expectations. |
| 00:41:01 |
Do you think I'll smoke less |
| 00:41:03 |
I mean, you know, more normal? |
| 00:41:05 |
Yes, I think so. |
| 00:41:07 |
Oh, Dr Chabot, |
| 00:41:10 |
if there's anything I can ever do |
| 00:41:12 |
I mean, really, just, |
| 00:41:15 |
Pronounce my name "Chabot." |
| 00:41:18 |
Isn't it C-H-A-B-O-T? |
| 00:41:23 |
Yes, Chabot. |
| 00:41:26 |
Oh, well, anything you say. |
| 00:41:31 |
Thank you. |
| 00:41:33 |
Well. |
| 00:41:35 |
- Goodbye. |
| 00:41:39 |
The... |
| 00:41:43 |
Thank you. |
| 00:42:28 |
Tad. |
| 00:42:32 |
Tad. |
| 00:42:35 |
- Hi. |
| 00:42:38 |
- What are you doing here? |
| 00:42:40 |
Same old thing. |
| 00:42:43 |
- Looking for myself. |
| 00:42:46 |
Well, I thought I might |
| 00:42:51 |
Maybe I'll find out how you do |
| 00:42:53 |
No. Oh, for Pete's sake, don't say |
| 00:42:56 |
I mean, will you? |
| 00:42:59 |
Why? It's... It's not un-American. |
| 00:43:02 |
I mean, you've got some kind |
| 00:43:06 |
- I think it's beautiful. |
| 00:43:08 |
That's because you're a nut. |
| 00:43:10 |
Daisy, a lot of people are psychic. |
| 00:43:12 |
Fine. I'm sure they're all very nice, |
| 00:43:13 |
but that is not the group |
| 00:43:16 |
I mean, if Warren ever found out, |
| 00:43:18 |
He thinks I'm, you know, normal. |
| 00:43:21 |
Normal? |
| 00:43:24 |
Warren does. |
| 00:43:29 |
I did write to you |
| 00:43:30 |
about Warren and me, didn't I? |
| 00:43:39 |
What are you looking at? |
| 00:43:41 |
I think you're sexier. |
| 00:43:44 |
You think sexier? I thought you were |
| 00:43:48 |
- Oh, here, excuse me... |
| 00:43:53 |
Where are they? No, no, thanks. |
| 00:43:59 |
Darn. |
| 00:44:03 |
Two hours and seven minutes |
| 00:44:06 |
I gotta tell the doctor. |
| 00:44:08 |
Doctor? What doctor? |
| 00:44:12 |
I went to this doctor, you know, |
| 00:44:16 |
You went to a doctor for that? Why? |
| 00:44:19 |
Because five packs a day |
| 00:44:22 |
- Oh, Warren. |
| 00:44:26 |
That's him. The one in the chair. |
| 00:44:30 |
Hey, you wanna see the job I'm really |
| 00:44:33 |
They've got the finest |
| 00:44:36 |
and the pension starts |
| 00:44:39 |
- Fifteen years? |
| 00:44:40 |
You see, compensation |
| 00:44:43 |
They pay for any operation, |
| 00:44:45 |
and in the event |
| 00:44:47 |
they pick up the tab |
| 00:44:49 |
for you or your wife, |
| 00:44:52 |
Boy, when I stop to think I almost |
| 00:44:57 |
What the hell is she growing here, |
| 00:45:00 |
I don't know how she does it. |
| 00:45:02 |
- I planted mine the very same day. |
| 00:45:07 |
There. |
| 00:45:16 |
Oh, boy, this is embarrassing. |
| 00:45:19 |
I'm so worried |
| 00:45:21 |
- Daisy, Daisy, I've gotta talk to you. |
| 00:45:24 |
- Hi, fella. Daisy, I've gotta talk to you... |
| 00:45:27 |
Really? Your what? |
| 00:45:29 |
Well, not actually. I mean, his father |
| 00:45:34 |
Eight years ago. Daisy and I were |
| 00:45:38 |
The judge stopped |
| 00:45:41 |
That's very interesting. |
| 00:45:45 |
Daisy, I've gotta talk to you |
| 00:45:48 |
Now, how do you feel? |
| 00:45:49 |
- Well, l... |
| 00:45:51 |
to integrate into the image. |
| 00:45:54 |
no whiskey and no martinis. |
| 00:45:55 |
- Sherry. It's more feminine. Got it? |
| 00:45:58 |
Swell. Remember about the dress? |
| 00:46:01 |
You see, Unkstadder's wife |
| 00:46:02 |
And if she catches him looking |
| 00:46:05 |
So tomorrow night, you're a boy. |
| 00:46:07 |
Oh, and, Daisy, for God's sake, |
| 00:46:10 |
I mean, talk all you want if you |
| 00:46:12 |
See, they don't like women |
| 00:46:14 |
In fact, they don't really like women. |
| 00:46:17 |
Let me see your fingers. |
| 00:46:20 |
Can't you get that nicotine off? |
| 00:46:21 |
From the knuckles down, |
| 00:46:24 |
Warren, don't worry. |
| 00:46:26 |
Come here, Daisy, |
| 00:46:28 |
This is our whole future. |
| 00:46:30 |
Just a few years' work and we |
| 00:46:37 |
Yes? Oh, hello, Conrad. |
| 00:46:41 |
Did you read the transcript? |
| 00:46:43 |
What you think? |
| 00:46:51 |
It's amazing, isn't it? |
| 00:46:53 |
The names? Well, like all these cases, |
| 00:46:56 |
she must have gotten them |
| 00:47:02 |
Look them up? |
| 00:47:04 |
In what? |
| 00:47:06 |
Books about England. |
| 00:47:09 |
Conrad, if you're implying that this |
| 00:47:12 |
you are sicker than she is. |
| 00:47:15 |
No, no, I can't see her anymore. |
| 00:47:18 |
See you tomorrow. |
| 00:47:36 |
And from now on, you will find |
| 00:47:41 |
will have a bitter, bitter taste. |
| 00:47:43 |
Remember, the third puff. |
| 00:47:49 |
Open your eyes. |
| 00:47:56 |
Now, Miss Gamble, |
| 00:47:58 |
yesterday you claimed |
| 00:48:02 |
when your name was |
| 00:48:05 |
There's a Winifred in there. |
| 00:48:07 |
Yes, I know. Now, where |
| 00:48:11 |
From my aunt. |
| 00:48:14 |
She was the fattest woman in London. |
| 00:48:17 |
- In London? |
| 00:48:19 |
They used to say that |
| 00:48:21 |
owned everything in London |
| 00:48:26 |
That's very funny. |
| 00:48:28 |
Then you definitely |
| 00:48:31 |
Oh, yeah. |
| 00:48:33 |
How many times? |
| 00:48:35 |
- Once. |
| 00:48:39 |
Twenty-eight years. |
| 00:48:41 |
Twenty-eight years? |
| 00:48:44 |
How old were you when you left? |
| 00:48:46 |
Twenty-eight years. |
| 00:48:50 |
Are you saying |
| 00:48:54 |
...died? |
| 00:48:57 |
Yeah. |
| 00:48:59 |
What's the matter? |
| 00:49:01 |
I just hated to die at 28. |
| 00:49:05 |
I just hope I don't have to do it again. |
| 00:49:07 |
It's better than 22. |
| 00:49:10 |
But tell me, |
| 00:49:13 |
from the kitchen maid's daughter |
| 00:49:16 |
How? |
| 00:49:18 |
Because of a lesson |
| 00:49:21 |
where my impoverished mother |
| 00:49:24 |
Where was your father? |
| 00:49:26 |
Don't be rude. |
| 00:49:28 |
Our postman, Mr Pimpleton. |
| 00:49:31 |
And this is Mrs Brickstone himself. |
| 00:49:35 |
I scrubbed, oh. |
| 00:49:38 |
And scrubbed, oh. |
| 00:49:41 |
And scrubbed, oh. |
| 00:49:44 |
And I ate. |
| 00:49:50 |
For recreation, I plotted my escape. |
| 00:49:53 |
I knew the exact location |
| 00:49:55 |
on the other side of the wall. |
| 00:49:57 |
And I had practiced with this rope |
| 00:50:07 |
Up and up I went toward freedom. |
| 00:50:21 |
My new quarters. |
| 00:50:31 |
I looked around and thought, |
| 00:50:34 |
Thirty days in this dungeon |
| 00:50:40 |
I found something to do. |
| 00:50:42 |
Every night, I heard voices |
| 00:50:46 |
which aroused my curiosity. |
| 00:50:49 |
Cor blimey, a secret room. |
| 00:50:52 |
Just the sort of place you expect |
| 00:50:55 |
And what did I find? |
| 00:51:00 |
Next to the name |
| 00:51:03 |
was the name |
| 00:51:06 |
Except mine, of course. |
| 00:51:08 |
It was lord this and the duke |
| 00:51:12 |
And as I turned the pages, |
| 00:51:14 |
suddenly, through the dank |
| 00:51:18 |
I realized that I had in my hands |
| 00:51:21 |
the sort of stuff |
| 00:51:24 |
that sent the flower |
| 00:51:26 |
out into the world to create |
| 00:51:30 |
and might very well |
| 00:51:36 |
My letters were simple and honest: |
| 00:51:38 |
"Dear lord so-and-so, if you do not |
| 00:51:43 |
please send 1 pound a month. |
| 00:51:45 |
Sincerely..." |
| 00:51:48 |
He sent 1, and he sent 1. |
| 00:51:52 |
And so did lots of others. |
| 00:51:57 |
In fact, business was marvellous. |
| 00:52:00 |
Until one day, |
| 00:52:02 |
a nasty, dishonest child |
| 00:52:18 |
To my joy and happiness, |
| 00:52:21 |
I was expelled. |
| 00:52:25 |
When I saw the glow |
| 00:52:28 |
to my dear mother's eyes, |
| 00:52:30 |
I made a firm resolution. |
| 00:52:33 |
"Melinda," I said, |
| 00:52:35 |
"let this be a lesson to you. |
| 00:52:38 |
Never, never do anything |
| 00:52:47 |
But what about Robert Tentrees? |
| 00:52:51 |
He had no money |
| 00:52:54 |
True, he had |
| 00:52:57 |
But love is the exception |
| 00:53:08 |
You're crying. |
| 00:53:18 |
Why? |
| 00:53:21 |
I should have known |
| 00:53:26 |
Desert you? |
| 00:53:29 |
He was too weak to be faithful. |
| 00:53:33 |
Why didn't I see that? |
| 00:53:36 |
Is love so blind? |
| 00:53:41 |
No. |
| 00:53:44 |
But mistrust is so exhausting. |
| 00:53:49 |
It's not easy to be |
| 00:53:53 |
A man must be strong |
| 00:53:57 |
but weak for you to love him. |
| 00:54:01 |
And love makes the choice. |
| 00:54:08 |
That's very clever of you. |
| 00:54:10 |
Very clever. |
| 00:54:15 |
Who are you, exactly? |
| 00:54:20 |
I could ask the same of you. |
| 00:54:22 |
But you seem to know me |
| 00:54:28 |
That's because |
| 00:54:31 |
Now, what does that mean? |
| 00:54:35 |
Or don't you know either? |
| 00:54:40 |
Oh, dear. |
| 00:54:42 |
I'm suddenly a little... |
| 00:54:45 |
A little... |
| 00:54:47 |
Oh, boy, am I beat. |
| 00:54:53 |
You must be. |
| 00:55:01 |
What's the matter with me? |
| 00:55:05 |
There was never Melinda. |
| 00:55:09 |
Robert never existed. |
| 00:55:12 |
How could someone who never existed |
| 00:55:22 |
And when I heard it, |
| 00:55:25 |
why did it make me so sad? |
| 00:55:31 |
No. |
| 00:55:33 |
None of this is true. |
| 00:55:35 |
It's nothing but shadows and |
| 00:55:40 |
This is a dream, Melinda |
| 00:55:47 |
Just a mirage, so they say |
| 00:55:53 |
This whole affair |
| 00:55:58 |
Was dreamed each step of the way |
| 00:56:05 |
You're a mere dream, Melinda |
| 00:56:12 |
Out for a gay little spin |
| 00:56:18 |
Dealing me lies before my eyes |
| 00:56:22 |
Of days that never have been |
| 00:56:29 |
There's no Melinda |
| 00:56:35 |
They say for sure |
| 00:56:41 |
But don't go, Melinda |
| 00:56:49 |
I know and you know |
| 00:56:54 |
That you're no mere dream, Melinda |
| 00:57:01 |
Gone when the dawn |
| 00:57:08 |
You and I know that long ago |
| 00:57:13 |
Before the dream there was you |
| 00:57:20 |
There |
| 00:57:24 |
Once |
| 00:57:29 |
Was you |
| 00:57:44 |
Damn you, Melinda. |
| 00:57:47 |
If I'm not on guard every moment, |
| 00:57:51 |
There have been thousands |
| 00:57:53 |
And every one, without exception, |
| 00:57:55 |
has been traced |
| 00:57:58 |
This life. |
| 00:58:02 |
Daisy Gamble, somewhere |
| 00:58:05 |
is the key to all this. |
| 00:58:09 |
If I have to squeeze out of you every |
| 00:58:14 |
So en garde. |
| 00:58:28 |
One, two, three. |
| 00:58:33 |
Hi. |
| 00:58:35 |
How do you feel? |
| 00:58:37 |
Fine. Did I do all right? |
| 00:58:40 |
I think so. |
| 00:58:42 |
How was the smoking |
| 00:58:46 |
Oh, much better. If the phone |
| 00:58:48 |
I wouldn't have smoked |
| 00:58:51 |
Do you always smoke |
| 00:58:55 |
Well, you've got to. |
| 00:58:57 |
I mean, you got this hand |
| 00:59:01 |
Of course, I usually hear it before |
| 00:59:04 |
Of course. |
| 00:59:06 |
Where are you meeting Warren? |
| 00:59:08 |
At the Americana. |
| 00:59:11 |
Can I give you a lift? |
| 00:59:13 |
- Oh, thanks. |
| 00:59:26 |
You know? |
| 00:59:36 |
Thank you. |
| 00:59:37 |
You're welcome. |
| 00:59:40 |
You sure I'm not gonna |
| 00:59:42 |
No, you're not. Not at all. |
| 00:59:46 |
It's open tonight |
| 00:59:48 |
of English painters |
| 00:59:51 |
Oh, that's nice. |
| 00:59:54 |
England's had |
| 00:59:57 |
I don't know much about it, really. |
| 01:00:01 |
Don't you like painting? |
| 01:00:03 |
I don't know. |
| 01:00:09 |
But it's still much easier driving |
| 01:00:15 |
In England, they drive on the left. |
| 01:00:19 |
Boy, those English sure have |
| 01:00:21 |
No, it's the law. |
| 01:00:24 |
- Haven't you ever been to England? |
| 01:00:27 |
The sea makes me seasick |
| 01:00:30 |
I mean, not really flying, |
| 01:00:35 |
- But maybe I can do it now, huh? |
| 01:00:39 |
Wouldn't you like a quick drink? |
| 01:00:41 |
Oh, no, no. Thank you. |
| 01:00:43 |
I'm supposed to be |
| 01:00:45 |
- A short one. |
| 01:01:03 |
And what are you studying? |
| 01:01:06 |
Well, let's see. |
| 01:01:10 |
Oh, I'm taking domestic science |
| 01:01:14 |
and budget-making |
| 01:01:17 |
and child care at the Sarah Plaut |
| 01:01:21 |
you know, here |
| 01:01:23 |
And 20 lectures on planned |
| 01:01:27 |
and ten on how not to. |
| 01:01:30 |
What size family do you |
| 01:01:33 |
Well, my father's pretty fat, |
| 01:01:39 |
Oh, you mean how many |
| 01:01:45 |
None. |
| 01:01:46 |
I had this great stepbrother for a while, |
| 01:01:50 |
I mean, there was, you know, |
| 01:01:54 |
You lived with your mother? |
| 01:01:56 |
Yeah. In Mahwah, New Jersey. |
| 01:02:00 |
- Where? |
| 01:02:04 |
That's where... |
| 01:02:08 |
- Fascinating. |
| 01:02:11 |
- Another drink? |
| 01:02:15 |
- I've gotta run. |
| 01:02:17 |
Oh, fine. |
| 01:02:31 |
- Muriel, have you seen Daisy? |
| 01:02:34 |
Oh, I goofed. Chemical Foods called |
| 01:02:37 |
and I forgot to call |
| 01:02:40 |
- Warren. |
| 01:02:43 |
It was called off |
| 01:02:46 |
- Did you wait too long? |
| 01:02:49 |
- But you got something to eat? |
| 01:02:51 |
- Will you forgive me? |
| 01:02:53 |
- Thattagirl. |
| 01:02:56 |
- What? |
| 01:02:59 |
you know, to the Americana. |
| 01:03:02 |
- You didn't go? |
| 01:03:05 |
Isn't that a funny coincidence? |
| 01:03:08 |
Yes, it certainly is. It's amazing. |
| 01:03:10 |
You... Didn't you really? |
| 01:03:15 |
No, I didn't. And I'm not just saying |
| 01:03:18 |
Oh, I believe you. I believe you. |
| 01:03:22 |
Daisy, this was an important night, |
| 01:03:26 |
What's the matter, Warren? |
| 01:03:28 |
- Aren't you happy? |
| 01:03:32 |
- Why don't you smile? |
| 01:03:36 |
I like your smile, Warren. Super. |
| 01:03:40 |
Look... |
| 01:03:41 |
- Daisy... |
| 01:04:44 |
Now, that's what I call a man. |
| 01:04:48 |
What are you gonna do |
| 01:04:49 |
That's the first time in my life |
| 01:04:52 |
What are you gonna do |
| 01:04:54 |
I wonder if he'll ask me |
| 01:04:56 |
What are you gonna do |
| 01:04:57 |
What am I gonna do about Warren? |
| 01:05:01 |
- Warren cares. |
| 01:05:05 |
But I don't care. |
| 01:05:06 |
You have to care because |
| 01:05:08 |
You don't have to care about him |
| 01:05:11 |
he cares about you? |
| 01:05:13 |
What'd you say? |
| 01:05:24 |
When you know there's someone |
| 01:05:32 |
And you know there's someone |
| 01:05:40 |
And they're not the same |
| 01:05:47 |
Go to sleep, girl |
| 01:05:49 |
Go to sleep |
| 01:05:55 |
Close your eyes |
| 01:06:03 |
When you wake up |
| 01:06:10 |
But tell me, how can I sleep? |
| 01:06:12 |
Tell me who could |
| 01:06:14 |
When you see your whole life |
| 01:06:17 |
I could drink |
| 01:06:20 |
Oh, but how can I sleep? |
| 01:06:25 |
Go to sleep |
| 01:06:28 |
Go to sleep |
| 01:06:33 |
And when you and someone |
| 01:06:37 |
Which you made |
| 01:06:41 |
And when you and someone |
| 01:06:45 |
It was bad to |
| 01:06:47 |
But I had to |
| 01:06:49 |
When they're not the same |
| 01:06:53 |
This is not the way to find a mate |
| 01:06:57 |
Go to sleep, girl |
| 01:06:58 |
Go to sleep |
| 01:07:01 |
Go to sleep, girl |
| 01:07:02 |
Go to sleep |
| 01:07:04 |
Comes the dawn |
| 01:07:09 |
Comes the dawn |
| 01:07:12 |
In the sunlight |
| 01:07:19 |
But tell me, how can I sleep? |
| 01:07:21 |
Look what I've done |
| 01:07:25 |
Soon you have none |
| 01:07:29 |
Which is why I can't sleep |
| 01:07:34 |
Go to sleep |
| 01:07:38 |
Go to sleep |
| 01:07:41 |
Go to sleep |
| 01:07:45 |
Go to... |
| 01:07:51 |
How do you happen to be in command |
| 01:07:54 |
Because I'm interested |
| 01:07:57 |
What does it have to do |
| 01:08:00 |
Because if a case such as this |
| 01:08:03 |
is not the memory of a past life, |
| 01:08:06 |
then somehow... |
| 01:08:09 |
...knowledge is being acquired |
| 01:08:13 |
other than the five that we know |
| 01:08:18 |
And, my boy, that's the solution |
| 01:08:21 |
Because if reincarnation is |
| 01:08:24 |
do you know who will be |
| 01:08:27 |
The sweethearts of Sigmund Freud. |
| 01:08:30 |
Did you ever look up Pelham and |
| 01:08:35 |
This is a fantasy, Conrad. |
| 01:08:38 |
To 600 million Muhammadans, |
| 01:08:42 |
- Yes? |
| 01:08:45 |
May I meet her? |
| 01:08:47 |
Ask her to come in. |
| 01:08:50 |
Did you ever try to hypnotize |
| 01:08:54 |
Oh, for God's sake, Conrad. |
| 01:08:58 |
- Hello, doctor. |
| 01:09:03 |
I brought you these. |
| 01:09:04 |
Miss Gamble, may I present |
| 01:09:07 |
Oh, hello. |
| 01:09:09 |
How do you do, Miss Gamble? |
| 01:09:14 |
They're geraniums. |
| 01:09:16 |
Any minute now. |
| 01:09:18 |
Miss Gamble says that she can make |
| 01:09:22 |
Faster than what, Miss Gamble? |
| 01:09:25 |
Well, you know, faster. |
| 01:09:29 |
What I mean, my friend Muriel and I, |
| 01:09:32 |
and, I don't know, my flowers come |
| 01:09:35 |
as if the police were after them, |
| 01:09:38 |
Do you ever talk to your flowers, |
| 01:09:41 |
Talk to them? |
| 01:09:44 |
Do you? |
| 01:09:46 |
- You don't think I should? |
| 01:09:49 |
and don't let anyone stop you, either. |
| 01:09:52 |
Well, goodbye, Miss Gamble. |
| 01:09:56 |
Oh, Marc, I advise you to check |
| 01:10:06 |
I brought these for your window. |
| 01:10:10 |
- You know, sill? |
| 01:10:12 |
Let's put them over here. |
| 01:10:19 |
Doctor, |
| 01:10:21 |
were you thinking about me |
| 01:10:25 |
I was asleep then, Miss Gamble. |
| 01:10:27 |
So was I, but something woke me up. |
| 01:10:31 |
Really? |
| 01:10:34 |
Those look just great there. |
| 01:10:39 |
Miss Gamble. |
| 01:10:41 |
I wonder if I could hypnotize |
| 01:10:46 |
...telepathy. |
| 01:10:50 |
What would I have to do? |
| 01:10:53 |
Just sit here... |
| 01:10:57 |
...perfectly still, and empty |
| 01:11:01 |
And I'll stand over here, |
| 01:11:05 |
I'll begin hypnotizing you |
| 01:11:08 |
Do you understand? |
| 01:11:10 |
Sure, I understand. |
| 01:11:26 |
Very good, Miss Gamble. |
| 01:11:36 |
About Melinda Tentrees, |
| 01:11:38 |
that your husband Robert |
| 01:11:41 |
Please. Not when I'm about |
| 01:11:53 |
Number four. |
| 01:11:55 |
Black. |
| 01:12:09 |
Melinda, my dear. |
| 01:12:14 |
Do sit down, if you insist. |
| 01:12:22 |
Thank you. |
| 01:12:23 |
It's quite fascinating. I cannot lose. |
| 01:12:26 |
If I win, I win. |
| 01:12:29 |
If I lose, you'll be in agony, |
| 01:12:32 |
Number ten. Black. |
| 01:12:36 |
Well, you have lost. |
| 01:12:39 |
And I am hardly writhing |
| 01:12:41 |
Ladies and gentlemen, |
| 01:12:43 |
And unlike you, |
| 01:12:45 |
I know what it is to be poor. |
| 01:12:49 |
All you have ever been |
| 01:12:53 |
You're so smug about your humble |
| 01:12:57 |
Rien ne va plus. |
| 01:12:59 |
That is not true. |
| 01:13:01 |
You may resent me, Robert. |
| 01:13:06 |
But you are not bored. |
| 01:13:08 |
Number 19. |
| 01:13:10 |
Red. |
| 01:13:20 |
Play 24. |
| 01:13:27 |
I've lost everything, what? |
| 01:13:30 |
- Everything. |
| 01:13:32 |
I don't wish to be rich, |
| 01:13:35 |
and I don't wish to be married. |
| 01:13:39 |
You lie. |
| 01:13:41 |
Number 24. Black. |
| 01:13:51 |
Yes. I lie. |
| 01:13:55 |
Do you enjoy lying? |
| 01:14:00 |
To you and with you. |
| 01:14:03 |
Ladies and gentlemen, |
| 01:14:06 |
Play 36. |
| 01:14:15 |
Rien ne va plus. |
| 01:14:20 |
Must you have everything? |
| 01:14:22 |
Man cannot live by bed alone. |
| 01:14:26 |
Number 36. Red. |
| 01:14:41 |
Good Lord, what does she |
| 01:14:45 |
That gigolo. |
| 01:14:47 |
What a strange creature woman is. |
| 01:14:51 |
Does kindness, generosity |
| 01:14:53 |
fill her with kindness, generosity |
| 01:14:59 |
But give her a good-for-nothing rat |
| 01:15:03 |
and every girl in town, |
| 01:15:08 |
Oh, God, why didn't you make |
| 01:15:21 |
"Robert: Must you have everything? |
| 01:15:24 |
Melinda: Man cannot live |
| 01:15:28 |
"Doctor: Now may we go on? |
| 01:15:30 |
Patient: I am quite tired. |
| 01:15:34 |
Doctor: I can see you are. |
| 01:15:38 |
You may sleep until..." |
| 01:15:45 |
This is the case to date. |
| 01:15:48 |
Now I want to see |
| 01:15:51 |
how many of you think it's |
| 01:15:58 |
Everybody. |
| 01:16:00 |
There's no question about it. |
| 01:16:05 |
And no evidence. |
| 01:16:08 |
Only prejudice. |
| 01:16:12 |
In my opinion, this case merits |
| 01:16:18 |
And I intend to go on searching |
| 01:16:25 |
In addition, the information about |
| 01:16:29 |
If any of you have the time or interest, |
| 01:16:36 |
And the expected high for today |
| 01:16:41 |
The time is now 16 minutes past 8. |
| 01:16:45 |
On the local front, |
| 01:16:48 |
has struck |
| 01:16:50 |
Yesterday Dr Marc Chabot, |
| 01:16:53 |
let it be known |
| 01:16:56 |
a possible case of reincarnation. |
| 01:16:59 |
And by dawn, the school |
| 01:17:01 |
Countless students, seeking |
| 01:17:04 |
congregated in front of the medical |
| 01:17:08 |
An emergency meeting of |
| 01:17:11 |
was called for this morning. |
| 01:17:13 |
I want those junkies out of the yard. |
| 01:17:16 |
We'll get them out, Brad. |
| 01:17:18 |
Marc, we were told that yesterday |
| 01:17:21 |
you read aloud a case history |
| 01:17:25 |
and in the discussions |
| 01:17:27 |
you indicated that one possible |
| 01:17:33 |
You'll have to forgive me, Marc, |
| 01:17:36 |
One possible explanation |
| 01:17:42 |
Now, what actually happened, Marc? |
| 01:17:47 |
That's what happened. |
| 01:17:50 |
What the hell did you say that for? |
| 01:17:53 |
- Because it could be. |
| 01:17:57 |
But the point is it isn't. |
| 01:18:00 |
The stink's coming right |
| 01:18:02 |
We know, Brad. |
| 01:18:04 |
Get them out of here before they |
| 01:18:07 |
We will, Brad! |
| 01:18:09 |
This medical school is |
| 01:18:12 |
The only way you're gonna be able |
| 01:18:17 |
We've gotta go deep |
| 01:18:21 |
I'm presiding here, Crock. |
| 01:18:23 |
You might try to remember |
| 01:18:25 |
to get good college presidents |
| 01:18:28 |
Gentlemen, I think we can cut |
| 01:18:32 |
Marc, in a privately sponsored school, |
| 01:18:36 |
academic freedom means that if you |
| 01:18:40 |
you're free to go to |
| 01:18:44 |
That's a choice that you're |
| 01:18:49 |
At 10:00 tomorrow morning, |
| 01:18:52 |
either a letter denying emphatically |
| 01:18:54 |
that your remarks had |
| 01:18:57 |
or a letter of resignation. |
| 01:19:00 |
Is that clear? |
| 01:19:03 |
Mason, I don't see how you could ask |
| 01:19:07 |
We have got to stop this kind |
| 01:19:12 |
Good day, gentlemen. |
| 01:19:14 |
And it was never my intention |
| 01:19:20 |
to suggest reincarnation |
| 01:19:24 |
as a possible solution |
| 01:19:29 |
to this case. |
| 01:19:34 |
I only wanted my students |
| 01:19:38 |
to learn that all possibilities |
| 01:19:44 |
must always... |
| 01:19:58 |
Are you all right, doctor? |
| 01:20:00 |
Yes, come in, come in. |
| 01:20:02 |
All those things they said about |
| 01:20:05 |
- Come in. |
| 01:20:07 |
- your mental health, doctor? |
| 01:20:09 |
Oh, you're welcome. |
| 01:20:11 |
Boy, what a layout. |
| 01:20:16 |
Gee, this is really something. |
| 01:20:20 |
Who's that? |
| 01:20:22 |
The woman who lives here. |
| 01:20:26 |
- Oh, I thought you lived here. |
| 01:20:30 |
Where is she now? |
| 01:20:32 |
Away with her husband. |
| 01:20:36 |
- Are they French too? |
| 01:20:40 |
They gave me their apartment |
| 01:20:45 |
You sure you're all right? |
| 01:20:48 |
Yes. |
| 01:20:50 |
Doctor, how long has this stuff |
| 01:20:55 |
Quite a while. |
| 01:20:56 |
Does anybody besides you know |
| 01:20:59 |
- I mean, you know, who the nut is? |
| 01:21:02 |
And no one ever will. |
| 01:21:05 |
Do most people think it was |
| 01:21:09 |
Yes, most people think it was |
| 01:21:21 |
Daisy, would you mind if we skipped |
| 01:21:27 |
That's all right. |
| 01:21:29 |
But we can still have dinner |
| 01:21:31 |
Oh, great! And will you let me |
| 01:21:34 |
Of course. |
| 01:21:36 |
Nobody ever asks me where |
| 01:21:39 |
I mean, everybody usually, |
| 01:21:42 |
I'm kind of a... |
| 01:21:46 |
I mean, people say "Come along," |
| 01:21:51 |
Downstairs where I live, |
| 01:21:54 |
this restaurant called |
| 01:21:57 |
But, well, I mean, |
| 01:21:59 |
"Daisy, do you wanna go |
| 01:22:03 |
No. No, they say: |
| 01:22:05 |
"Daisy, we are going |
| 01:22:08 |
You want to come along?" |
| 01:22:11 |
I don't even like |
| 01:22:13 |
They've got absolutely rotten food. |
| 01:22:15 |
And the pizza, well, I have lost |
| 01:22:54 |
Hello. |
| 01:22:59 |
Oh, it's you. |
| 01:23:01 |
How are you tonight? |
| 01:23:03 |
I am accused of treason. |
| 01:23:06 |
And tomorrow I shall be ordered |
| 01:23:10 |
Does Robert know? |
| 01:23:13 |
I sent him a message two hours ago. |
| 01:23:17 |
Where is he? |
| 01:23:19 |
He should be home soon. |
| 01:23:22 |
Could this be the moment |
| 01:23:26 |
Deserted me? |
| 01:23:29 |
Robert has not deserted me, |
| 01:23:33 |
You ought to know. |
| 01:23:35 |
Why? |
| 01:23:37 |
Do you think I can see |
| 01:23:40 |
Yes. |
| 01:23:43 |
I can about certain things. |
| 01:23:46 |
But never, never about myself. |
| 01:23:56 |
Oh, I am pleased you came tonight. |
| 01:24:01 |
An hour ago I was ready to leap |
| 01:24:11 |
What's the matter? |
| 01:24:14 |
Melinda, I came to say goodbye. |
| 01:24:19 |
Goodbye? |
| 01:24:22 |
We shan't be together ever again? |
| 01:24:26 |
No. |
| 01:24:30 |
That's dreadful. |
| 01:24:34 |
I shall miss you. |
| 01:24:37 |
I shall miss you too. |
| 01:24:40 |
You have brought something |
| 01:24:45 |
What's that? |
| 01:24:48 |
Mystery. |
| 01:24:51 |
How odd. |
| 01:24:53 |
You have brought clarity |
| 01:24:58 |
What will I ever do without you? |
| 01:25:01 |
- You have Robert. |
| 01:25:06 |
Whom you love. |
| 01:25:08 |
I know. |
| 01:25:11 |
But he isn't you. |
| 01:25:17 |
How could I be |
| 01:25:20 |
This at ease with him? |
| 01:25:24 |
Pour out my heart |
| 01:25:30 |
He isn't you |
| 01:25:36 |
He isn't you |
| 01:25:41 |
When will I feel |
| 01:25:46 |
When will a voice |
| 01:25:52 |
He isn't you |
| 01:25:56 |
He isn't you |
| 01:26:00 |
Memories may fade |
| 01:26:03 |
In the shadows behind me |
| 01:26:10 |
But there'll be the dream |
| 01:26:13 |
That will always remind me |
| 01:26:20 |
A dream |
| 01:26:22 |
That I'll be forever |
| 01:26:26 |
Comparing him to |
| 01:26:33 |
So love me, he may |
| 01:26:37 |
Even die for me |
| 01:26:40 |
Sweep every cloud |
| 01:26:44 |
From the sky for me |
| 01:26:47 |
He may be king |
| 01:26:51 |
But he'll never |
| 01:26:54 |
Be you |
| 01:27:17 |
But why must you turn back |
| 01:27:22 |
How did you ever become |
| 01:27:28 |
Oh, sometimes I think |
| 01:27:32 |
I will tighten my tie until I strangle. |
| 01:27:55 |
Marc, sit down. |
| 01:28:05 |
Mason, you asked me yesterday |
| 01:28:10 |
Forgive me, Marc. Could we |
| 01:28:14 |
- Why? |
| 01:28:18 |
Marc, you know this building |
| 01:28:21 |
Do you know who |
| 01:28:24 |
The man who owns |
| 01:28:27 |
He lives on it. |
| 01:28:30 |
During the past 25 years he's |
| 01:28:35 |
cataracts, half dozen |
| 01:28:38 |
ulcers, gallstones |
| 01:28:40 |
all of which the doctors here |
| 01:28:44 |
Coincidentally, |
| 01:28:47 |
he has given the school |
| 01:28:51 |
including his Social Security |
| 01:28:56 |
Mr Stratton heard about |
| 01:28:59 |
and called me early this morning |
| 01:29:03 |
he was definitely in favour |
| 01:29:05 |
to continue with your case. |
| 01:29:08 |
With the four of us against it, |
| 01:29:09 |
it made the final vote ten for you |
| 01:29:17 |
He not only wants you to continue |
| 01:29:21 |
but he wants me to organize |
| 01:29:25 |
for research into reincarnation. |
| 01:29:29 |
Good Lord. |
| 01:29:32 |
Yes, I believe he is. |
| 01:29:35 |
But Mr Stratton wants proof. |
| 01:29:37 |
It occurred to him that if it's possible |
| 01:29:42 |
it might also be possible to determine |
| 01:29:47 |
in which case Mr Stratton |
| 01:29:52 |
You mean, if he can't take it with him, |
| 01:29:56 |
Yes. |
| 01:29:57 |
Well, what do you think, Marc? |
| 01:30:00 |
Well, what do you expect? |
| 01:30:04 |
of all my lifetimes. |
| 01:30:06 |
Thank you. |
| 01:30:09 |
I will so inform him. |
| 01:30:14 |
You're... |
| 01:30:18 |
You're not happy about it, |
| 01:30:20 |
No, I'm not happy. |
| 01:30:24 |
It kills ambition, |
| 01:30:27 |
and propagates false hopes. |
| 01:30:29 |
And is obviously a pack of lies. |
| 01:30:32 |
Then how can you accept |
| 01:30:36 |
I may be wrong. |
| 01:30:39 |
Dr Chabot's office. |
| 01:30:41 |
Oh, yes. Yes, doctor, she's here. |
| 01:30:44 |
One moment, please. |
| 01:30:46 |
The doctor will be a little late. |
| 01:30:49 |
Yes, she can. |
| 01:30:51 |
Oh, then I can go home now? |
| 01:30:55 |
You don't mind being alone, do you? |
| 01:30:57 |
Oh, no, don't worry about me. |
| 01:30:59 |
I wanna listen to the news, you know, |
| 01:31:04 |
- Good night. |
| 01:31:34 |
I'm Daisy Gamble. |
| 01:31:37 |
Maybe I was called |
| 01:31:41 |
but the only name I... |
| 01:31:46 |
Take your time. |
| 01:31:49 |
I mean, my name has always... |
| 01:31:56 |
My name is... |
| 01:31:59 |
My name is Melinda. |
| 01:32:03 |
Melinda Winifred Waine Tentrees. |
| 01:32:10 |
And I am appalled and stunned |
| 01:32:41 |
You may sleep until I count to three |
| 01:32:44 |
and then you will awake |
| 01:32:49 |
Now, sleep. |
| 01:32:52 |
But why must you turn back |
| 01:32:57 |
How did you ever become |
| 01:33:01 |
Oh, sometimes I think if I hear |
| 01:33:05 |
I will tighten my tie until I strangle. |
| 01:33:10 |
Daisy Gamble, |
| 01:33:12 |
is the key to all this, |
| 01:33:16 |
if I have to squeeze out of you every |
| 01:33:43 |
I don't know why |
| 01:33:47 |
They redesigned me |
| 01:33:52 |
He likes the way |
| 01:33:56 |
He used to find me |
| 01:34:00 |
He likes the girl |
| 01:34:03 |
I left behind me |
| 01:34:07 |
I mean, he... |
| 01:34:10 |
I mean, me... |
| 01:34:22 |
What did I have |
| 01:34:27 |
That I don't have? |
| 01:34:31 |
What did he like |
| 01:34:35 |
That I lost track of? |
| 01:34:39 |
What did I do |
| 01:34:42 |
That I don't do |
| 01:34:45 |
The way I did before? |
| 01:34:54 |
What isn't there |
| 01:34:58 |
That once was there? |
| 01:35:02 |
What have I got |
| 01:35:04 |
A great big lack of? |
| 01:35:08 |
Something in me then |
| 01:35:11 |
He could see then |
| 01:35:17 |
Beckons to him no more |
| 01:35:22 |
I'm just a victim of time |
| 01:35:29 |
Obsolete in my prime |
| 01:35:34 |
Out-of-date and outclassed |
| 01:35:40 |
By my past |
| 01:35:44 |
What did he love |
| 01:35:48 |
That there's none of? |
| 01:35:52 |
What did I lose |
| 01:35:54 |
The sweet, warm knack of? |
| 01:35:59 |
Wouldn't I be |
| 01:36:01 |
The late, great me |
| 01:36:04 |
If I knew how? |
| 01:36:12 |
What did I have |
| 01:36:15 |
I don't |
| 01:36:20 |
Have now? |
| 01:36:47 |
I thought he kind of liked me. |
| 01:36:53 |
And all the time he was thinking |
| 01:36:57 |
Me. |
| 01:37:00 |
Those questions. |
| 01:37:04 |
He wasn't interested in me. |
| 01:37:06 |
He was interested in me. |
| 01:37:10 |
Oh, God. |
| 01:37:14 |
Why did I have to come along? |
| 01:37:17 |
I mean, what is so special |
| 01:37:28 |
Cheerio. |
| 01:37:32 |
Tallyho, doctor. |
| 01:37:34 |
Yes, she gave me the jolly message. |
| 01:37:37 |
Oh, nothing. Nothing is wrong. |
| 01:37:40 |
After all, what is time? |
| 01:37:41 |
If you miss me in this life, you can |
| 01:37:45 |
Eh, what? |
| 01:37:47 |
Well, kippered herring! |
| 01:37:50 |
What did I have that I don't have? |
| 01:37:53 |
What do I need a big supply of? |
| 01:37:56 |
What was the trick I did |
| 01:38:02 |
What did he see that's gone in me? |
| 01:38:05 |
What did I use that now I'm shy of? |
| 01:38:08 |
Why is the sequel never the equal? |
| 01:38:11 |
Why is there no encore? |
| 01:38:14 |
Where can I go to repair |
| 01:38:19 |
All the wear and the tear |
| 01:38:23 |
Till I'm once again the previous me? |
| 01:38:27 |
What did he like that I am not like? |
| 01:38:30 |
What was the charm |
| 01:38:34 |
What would I give |
| 01:38:35 |
If my old know-how |
| 01:38:39 |
Oh, what did I know? |
| 01:38:42 |
Tell me, where did it go? |
| 01:38:46 |
What, oh, what did I have |
| 01:38:55 |
I don't |
| 01:39:00 |
Have |
| 01:39:10 |
Now? |
| 01:39:31 |
Daisy! |
| 01:39:36 |
What did you mean, "the next life"? |
| 01:39:39 |
I've been trying to find you |
| 01:39:42 |
- Where did you go? |
| 01:39:45 |
- Where? |
| 01:39:48 |
My watering can fell off the roof. |
| 01:39:50 |
But...? But where have you been |
| 01:39:54 |
You knew we were supposed to work. |
| 01:39:55 |
Oh, you wanted to do |
| 01:39:57 |
- You know, with me? |
| 01:40:00 |
Casually glance at some |
| 01:40:03 |
- We might. It's possible. |
| 01:40:06 |
with a little hypnotism? |
| 01:40:07 |
Sort of one little trance |
| 01:40:09 |
- It's for your good, Daisy. |
| 01:40:11 |
- What? |
| 01:40:14 |
- What's the matter? |
| 01:40:17 |
Your courting days are over. |
| 01:40:18 |
I am through being a go-between |
| 01:40:21 |
You're not gonna go on |
| 01:40:23 |
Oh, my God. This is disastrous. |
| 01:40:26 |
Oh, no. |
| 01:40:27 |
Now that you know who you are, |
| 01:40:30 |
You're no longer reliable. |
| 01:40:32 |
How did you find out? Who told you? |
| 01:40:33 |
- I played a tape, and all I can say... |
| 01:40:36 |
- How do I know?! All I can say is... |
| 01:40:38 |
It was in a foreign language! |
| 01:40:40 |
- Did you tell anyone? |
| 01:40:42 |
All I can say is... Oh, rats, |
| 01:40:46 |
Oh, yeah, yeah. All I can say is, |
| 01:40:47 |
if you tell anybody it's me, I'll sue. |
| 01:40:50 |
There may still be a chance. |
| 01:40:52 |
The first finger that touches me, |
| 01:40:54 |
Daisy, I insist you stop |
| 01:40:57 |
Neurotic?! |
| 01:40:59 |
you're not even sure was anybody, |
| 01:41:02 |
Physician, heal thyself! |
| 01:41:05 |
Daisy. Daisy, Daisy, because |
| 01:41:08 |
you may feel betrayed and hurt. |
| 01:41:11 |
But a case like yours |
| 01:41:14 |
And, Daisy, we have a breathtaking |
| 01:41:17 |
By the time we finish, you may find |
| 01:41:22 |
but one of the few genuinely normal |
| 01:41:25 |
Get off my roof! |
| 01:41:27 |
I will not get off your roof |
| 01:41:30 |
Any other girl would be proud |
| 01:41:33 |
Great. If you want to experiment, |
| 01:41:36 |
I can't, Daisy. I can't. |
| 01:41:42 |
You bet your Aunt Susie |
| 01:41:45 |
And not for the noble cause |
| 01:41:47 |
- You wanna see Melinda. |
| 01:41:49 |
- You got the hots for Melinda! |
| 01:41:55 |
That's right, doctor. |
| 01:41:58 |
You're not. |
| 01:42:00 |
And I'm not yours either. |
| 01:42:05 |
Now, if you'll excuse me, |
| 01:42:07 |
I gotta... I gotta spend more time |
| 01:42:09 |
I gotta plan my life |
| 01:42:11 |
And I need my roof! |
| 01:42:13 |
So if you don't mind, |
| 01:42:16 |
Your roof? |
| 01:42:18 |
Very well, keep your roof. |
| 01:42:20 |
It's as close to heaven |
| 01:42:22 |
Melinda's soul inside of you? |
| 01:42:25 |
God, what a housing shortage. |
| 01:42:30 |
Damn you, Daisy, |
| 01:42:33 |
Not with all the buried treasure |
| 01:42:36 |
- Help! |
| 01:42:37 |
You can count on that. |
| 01:42:40 |
You have an appointment |
| 01:42:46 |
Clip, clip! |
| 01:43:01 |
Rats. |
| 01:43:13 |
Oh, no, you don't, |
| 01:43:18 |
You are not going to hypnotize me |
| 01:43:21 |
Fourscore and seven years ago, |
| 01:43:24 |
this continent a new nation |
| 01:43:26 |
and dedicated to the proposition... |
| 01:43:29 |
Mary had a little lamb, |
| 01:43:31 |
Everywhere that Mary went, |
| 01:43:43 |
Hey, what in the name of...? |
| 01:43:47 |
What the hell do you mean, "shh"? |
| 01:43:50 |
Jerk. |
| 01:43:54 |
Fourscore and seven years ago, |
| 01:43:57 |
- Daisy! |
| 01:43:59 |
- Daisy, what are you doing? |
| 01:44:01 |
Daisy, what's happened to you?! |
| 01:44:05 |
Daisy, pay attention! |
| 01:44:09 |
Daisy, what in heaven...? |
| 01:44:12 |
That is very rude, and I'm shocked. |
| 01:44:15 |
I like you the way you are. |
| 01:44:17 |
Oh, Warren! |
| 01:44:19 |
This is not behaving |
| 01:44:21 |
Daisy, will you... |
| 01:44:25 |
Marc! |
| 01:44:27 |
Yes, Conrad. |
| 01:44:30 |
Marc, get out the champagne. |
| 01:44:32 |
Shake out the confetti. |
| 01:44:35 |
- What's the matter with you? |
| 01:44:38 |
Will you ever forgive me? |
| 01:44:41 |
The place to look for spooks, |
| 01:44:43 |
is not in a medical library |
| 01:44:46 |
but in a spook book. |
| 01:44:48 |
This is an encyclopaedia |
| 01:44:55 |
- May I read aloud? |
| 01:44:59 |
"Tentrees, Melinda. Clairvoyant. |
| 01:45:02 |
Dates, 1787-1815. |
| 01:45:06 |
Married to Sir Robert Tentrees. |
| 01:45:09 |
In celebrated case, |
| 01:45:12 |
of conspiring with enemies |
| 01:45:14 |
and was executed one year |
| 01:45:18 |
How does that grab you? |
| 01:45:20 |
What about her husband? |
| 01:45:21 |
Oh, yeah, well, that's here. |
| 01:45:25 |
"Melinda Tentrees claimed |
| 01:45:28 |
from psychic powers, but her husband |
| 01:45:34 |
His evidence might have saved her." |
| 01:45:37 |
Well, |
| 01:45:39 |
there it is. |
| 01:45:45 |
And may I add that I find your gratitude |
| 01:45:51 |
Then she is not an illusion. |
| 01:45:56 |
Conrad, I have the feeling |
| 01:45:59 |
I've got to find out if it's true. |
| 01:46:10 |
Hi, fella. |
| 01:46:11 |
- Hi. |
| 01:46:14 |
- No. |
| 01:46:16 |
Is something the matter? |
| 01:46:18 |
No, no, no, it's just that we have a date |
| 01:46:21 |
of Chemical Foods at 6:00 |
| 01:46:24 |
I just wanna make sure |
| 01:46:28 |
I wouldn't worry about that now. |
| 01:46:29 |
Yeah, well, you wouldn't worry |
| 01:46:32 |
- Wait till you have to get a job. |
| 01:46:36 |
Oh, really? |
| 01:46:37 |
Oh, how you gonna arrange that? |
| 01:46:40 |
I'm rich. |
| 01:46:43 |
Oh, boy. |
| 01:46:46 |
Oh, that's depressing. |
| 01:46:49 |
You know, it's funny you never know |
| 01:46:54 |
Why? |
| 01:46:55 |
Well, you're engaged to her. |
| 01:46:59 |
No. |
| 01:47:01 |
- You're incredible. |
| 01:47:04 |
Listen, how come I never see you |
| 01:47:07 |
I mean, are you really going to school, |
| 01:47:10 |
I haven't started yet. |
| 01:47:12 |
Then why are you hanging |
| 01:47:14 |
- Actually, I came to see Daisy. |
| 01:47:18 |
She wrote me that she |
| 01:47:20 |
and I wanted to see |
| 01:47:26 |
Too bad. |
| 01:47:28 |
Why, you got a better idea? |
| 01:47:30 |
Yes. |
| 01:47:32 |
Me. |
| 01:47:33 |
You? |
| 01:47:35 |
That's incest! |
| 01:47:37 |
- We're only related by marriage. |
| 01:47:41 |
- Morning. |
| 01:47:47 |
Honey, you look kind of tired. |
| 01:47:50 |
I mean, you gotta be |
| 01:47:53 |
Daisy, do you remember |
| 01:47:56 |
- Yeah. |
| 01:47:58 |
for God's sake, don't let on that |
| 01:48:00 |
Sweet mother India, |
| 01:48:04 |
Oh, hey, Daisy, I got a great piece |
| 01:48:07 |
You don't have to worry |
| 01:48:09 |
I found out Mrs Unkstadder |
| 01:48:12 |
Isn't that a hot one, huh? |
| 01:48:19 |
Oh, that is... |
| 01:48:20 |
That... That is really a hot one. |
| 01:48:24 |
Oh, Warren, that... |
| 01:48:26 |
That is really a riot. |
| 01:48:31 |
Isn't that a hot riot, Tad? |
| 01:48:35 |
Well... |
| 01:48:38 |
...l've really got a hot one |
| 01:48:42 |
I'm that patient of Dr Chabot's. |
| 01:48:46 |
I'm Melinda. |
| 01:48:49 |
I'm not hearing this. |
| 01:48:52 |
And do you know why |
| 01:48:56 |
Because I talk to them. |
| 01:48:58 |
Every morning I come up here |
| 01:49:02 |
You talk to them? |
| 01:49:06 |
And do you know what else? |
| 01:49:09 |
I can tell when the phone's |
| 01:49:11 |
Walter Lippmann? |
| 01:49:12 |
Watch. |
| 01:49:16 |
Tell him I'm out! |
| 01:49:19 |
Hello? She's out. |
| 01:49:21 |
Now, Warren, what time do we |
| 01:49:25 |
Oh, great. I just can't wait for you |
| 01:49:28 |
Oh, it is not too low, |
| 01:49:31 |
It is transparent! |
| 01:49:33 |
- But, Daisy, what...? |
| 01:49:35 |
- I just can't! |
| 01:49:36 |
Oh, Warren! |
| 01:49:42 |
Get off my roof. |
| 01:49:59 |
I've been calling for eight days, |
| 01:50:02 |
I've been told Miss Gamble is out. |
| 01:50:05 |
If she's not been in, |
| 01:50:08 |
Now, which is it? |
| 01:50:11 |
And if she's away, when did...? |
| 01:50:13 |
Hello. Hello! |
| 01:50:18 |
If you don't mind my saying so, |
| 01:50:19 |
why are you so interested |
| 01:50:22 |
You don't seem to be having |
| 01:50:25 |
Thank you, Mrs Hatch. |
| 01:50:28 |
You've done the impossible. |
| 01:50:30 |
You've given my depression |
| 01:50:32 |
a depression. |
| 01:50:44 |
You're out there somewhere, |
| 01:50:48 |
And you can hear me. |
| 01:50:49 |
So listen! |
| 01:50:52 |
Hear my voice |
| 01:50:55 |
Take the train |
| 01:50:58 |
Hop a freight |
| 01:51:02 |
Come back to me |
| 01:51:05 |
Catch a plane |
| 01:51:08 |
On your hands |
| 01:51:11 |
Swim or fly |
| 01:51:15 |
Come back to me |
| 01:51:18 |
On a mule |
| 01:51:21 |
With your hair in a net |
| 01:51:24 |
I don't care |
| 01:51:26 |
This is where |
| 01:51:31 |
From the hills |
| 01:51:34 |
Ride the wind to my door |
| 01:51:37 |
Turn the highway to dust |
| 01:51:41 |
Break the law if you must |
| 01:51:44 |
Move the world, only just |
| 01:51:47 |
Come back to me |
| 01:51:52 |
Making a soufflé requires |
| 01:51:55 |
and patience. |
| 01:51:59 |
Beat, beat, beat. |
| 01:52:01 |
Blast your hide |
| 01:52:05 |
Must I fight city hall? |
| 01:52:09 |
Here and now |
| 01:52:12 |
Come back to me |
| 01:52:15 |
What on earth must I do? |
| 01:52:18 |
Scream and yell till I'm blue? |
| 01:52:21 |
Curse your soul |
| 01:52:23 |
When will you come back to me? |
| 01:52:28 |
Have you gone to the moon? |
| 01:52:32 |
Or the corner saloon |
| 01:52:35 |
Mademoiselle, where in hell |
| 01:52:38 |
Can you be? |
| 01:52:41 |
Leave a sign on your door |
| 01:52:44 |
Out to lunch |
| 01:52:48 |
In a Rolls or a van |
| 01:52:51 |
Wrapped in mink or saran |
| 01:52:54 |
Any way that you can |
| 01:52:58 |
Come back to me |
| 01:53:05 |
Damn you, Daisy Gamble, |
| 01:53:07 |
Why can't you pick up a phone? |
| 01:53:09 |
Hear my voice |
| 01:53:13 |
Feel the waves |
| 01:53:16 |
Like a call from within |
| 01:53:19 |
Come back to me |
| 01:53:22 |
Leave behind all you own |
| 01:53:26 |
Tell your flowers you will phone |
| 01:53:29 |
Let your dog walk alone |
| 01:53:32 |
Come back to me |
| 01:53:36 |
Let your tub overflow |
| 01:53:39 |
If a date waits below |
| 01:53:42 |
Ride a rail |
| 01:53:44 |
Come by mail |
| 01:53:45 |
COD |
| 01:53:49 |
Par avion |
| 01:53:52 |
Dans une vieille |
| 01:54:03 |
Come by steam |
| 01:54:07 |
Come for free |
| 01:54:10 |
Under drugs |
| 01:54:13 |
Come back to me |
| 01:54:17 |
Leave your bills all unpaid |
| 01:54:20 |
Let your bed go unmade |
| 01:54:23 |
Your soufflé unsouffléd |
| 01:54:26 |
Come back to me |
| 01:54:30 |
Come by sail |
| 01:54:33 |
In a box or a crate |
| 01:54:36 |
I don't care |
| 01:54:38 |
This is where you should be |
| 01:54:43 |
Come in pain or in joy |
| 01:54:46 |
As a girl, as a boy |
| 01:54:49 |
In a bag or a trunk |
| 01:54:51 |
Shut up! |
| 01:54:53 |
On a horse or a drunk |
| 01:54:56 |
In a Ford or a funk |
| 01:54:59 |
Come back to me |
| 01:55:03 |
Come back to me |
| 01:55:06 |
Come back... |
| 01:55:07 |
Daisy! |
| 01:55:09 |
Will you stop bothering me! |
| 01:55:11 |
- Daisy, l... |
| 01:55:14 |
in the bathtub, on the roof, |
| 01:55:16 |
What is this, |
| 01:55:17 |
I'd go to the police, |
| 01:55:20 |
they'd have locked me up! |
| 01:55:22 |
Never mind, I know what you want, |
| 01:55:23 |
and you can't have it |
| 01:55:25 |
Even if I did, |
| 01:55:27 |
- What are you talking about? |
| 01:55:29 |
My name never was Melinda Tentrees. |
| 01:55:31 |
- How do you know? |
| 01:55:33 |
- How? |
| 01:55:34 |
- I'm not like Melinda Tentrees. |
| 01:55:37 |
I don't, but you do, |
| 01:55:39 |
You don't like what I'm like, |
| 01:55:40 |
I know what I'm like, |
| 01:55:42 |
Because I'm like nothing |
| 01:55:44 |
and nothing or nobody can change me. |
| 01:55:46 |
Weak, a go-alonger, no character! |
| 01:55:49 |
- You have character to stop smoking. |
| 01:55:52 |
I didn't stop smoking, |
| 01:55:53 |
you made my subconscious |
| 01:55:55 |
And I went along, just like I always do. |
| 01:55:59 |
Will you please sit down! |
| 01:56:03 |
Now, you listen to me! |
| 01:56:05 |
As little as you know about Melinda, |
| 01:56:07 |
it's gigantic compared to what |
| 01:56:12 |
You think you're nothing |
| 01:56:14 |
over the world like Jupiter |
| 01:56:17 |
Imagine having eyes that can see |
| 01:56:21 |
or someone about to phone you |
| 01:56:23 |
or to be filled with a kind of love |
| 01:56:28 |
And if that were not enough, |
| 01:56:30 |
you either have a heart so deep |
| 01:56:34 |
or a mind that's filled |
| 01:56:40 |
Why, Daisy... |
| 01:56:43 |
...you're a bloody miracle. |
| 01:56:46 |
Could anyone among us |
| 01:56:51 |
what magic feats of wizardry |
| 01:56:55 |
And who would ever guess |
| 01:57:01 |
And who would not be stunned |
| 01:57:06 |
There's more to us |
| 01:57:12 |
So much more than we ever knew |
| 01:57:16 |
So much more were we born to do |
| 01:57:20 |
Should you draw back the curtain? |
| 01:57:23 |
This, I am certain |
| 01:57:26 |
You'll be impressed |
| 01:57:29 |
With you |
| 01:57:37 |
On a clear day |
| 01:57:45 |
Rise and look around you |
| 01:57:53 |
And you'll see |
| 01:57:57 |
Who you are |
| 01:58:05 |
On a clear day |
| 01:58:10 |
How it will astound you |
| 01:58:15 |
That the glow of your being |
| 01:58:21 |
Outshines every star |
| 01:58:25 |
You feel a part of |
| 01:58:30 |
Every mountain, sea and shore |
| 01:58:36 |
You can hear from far and near |
| 01:58:40 |
A world you've never heard before |
| 01:58:47 |
And on a clear day |
| 01:58:54 |
On that clear day |
| 01:58:59 |
You can see forever |
| 01:59:05 |
And ever |
| 01:59:08 |
And ever |
| 01:59:10 |
And evermore |
| 01:59:27 |
Gee. |
| 01:59:33 |
Gee. |
| 01:59:36 |
Daisy, I must hypnotize you |
| 01:59:38 |
- one more time. |
| 01:59:40 |
Not to see Melinda, I swear it. |
| 01:59:42 |
Now that you know, |
| 01:59:45 |
It's for another reason. |
| 01:59:49 |
One last time. |
| 01:59:54 |
Just hope I haven't forgotten how... |
| 02:00:06 |
- Daisy, can you hear me? |
| 02:00:09 |
Open your eyes. |
| 02:00:13 |
I want you to concentrate |
| 02:00:17 |
You have told me about |
| 02:00:21 |
Do you remember |
| 02:00:25 |
Oh, sure. |
| 02:00:26 |
How many? |
| 02:00:30 |
Let's see. |
| 02:00:31 |
One, two, three, four. |
| 02:00:36 |
Five. |
| 02:00:38 |
Six. |
| 02:00:40 |
Seven, eight, nine, ten, 11, 12. |
| 02:00:44 |
Thirteen. |
| 02:00:47 |
- Fourteen... |
| 02:00:51 |
In all those lifetimes, |
| 02:00:54 |
do you ever remember... |
| 02:00:58 |
...meeting me? |
| 02:01:02 |
Yes. |
| 02:01:06 |
Did we know each other well? |
| 02:01:08 |
We were married. |
| 02:01:11 |
Happily married? |
| 02:01:14 |
It was... |
| 02:01:18 |
...beyond anything. |
| 02:01:22 |
What were our names? |
| 02:01:25 |
Laura and John Caswell. |
| 02:01:29 |
Laura and John Caswell. |
| 02:01:34 |
Where did we live? |
| 02:01:37 |
It's funny. |
| 02:01:39 |
We lived in Virginia. |
| 02:01:43 |
I can... |
| 02:01:44 |
I can see us, but l... |
| 02:01:46 |
I can't see all around us. |
| 02:01:50 |
What year was it? |
| 02:01:52 |
2038. |
| 02:02:11 |
- I think I see... |
| 02:02:17 |
No more questions. |
| 02:02:20 |
Sleep until I count to three |
| 02:02:23 |
Then you will awaken and you |
| 02:02:29 |
One, two, three. |
| 02:02:32 |
Fine. |
| 02:02:34 |
Thank you, Daisy. |
| 02:02:37 |
When are you getting married? |
| 02:02:41 |
Warren and I have severed |
| 02:02:44 |
What are you going to do? |
| 02:02:47 |
I don't know. |
| 02:02:48 |
I thought I'd go up on the roof |
| 02:02:51 |
and sit around with Tad. |
| 02:02:53 |
You know, my ex-stepbrother. |
| 02:02:56 |
I think that's a good idea. |
| 02:03:00 |
- What about you? |
| 02:03:04 |
Oh, really? |
| 02:03:06 |
Yes, but we're separated. |
| 02:03:09 |
Oh, really? |
| 02:03:10 |
I spoke to her and somehow |
| 02:03:15 |
Oh, really. |
| 02:03:17 |
She says I've changed. |
| 02:03:20 |
Have you? |
| 02:03:23 |
Yes. Thanks to you. |
| 02:03:27 |
I used to be in love with answers, |
| 02:03:29 |
but since I have known you, |
| 02:03:34 |
I think the answers make you wise, |
| 02:03:40 |
You got that from me? |
| 02:03:43 |
Yes, I did. |
| 02:03:46 |
Well, |
| 02:03:48 |
I'm glad you got something. |
| 02:03:50 |
I don't smoke anymore. |
| 02:03:56 |
Well... |
| 02:04:00 |
Goodbye, doctor. |
| 02:04:06 |
Goodbye, Daisy. |
| 02:04:10 |
Bye. |
| 02:04:24 |
Daisy, have you...? |
| 02:04:27 |
Have you ever been to Virginia? |
| 02:04:30 |
No. |
| 02:04:32 |
Have you? |
| 02:04:33 |
No. |
| 02:04:45 |
Daisy. |
| 02:04:48 |
You won't forget what I told you? |
| 02:04:55 |
On... |
| 02:04:59 |
...a clear day... |
| 02:05:02 |
Rise and look around you |
| 02:05:09 |
And you'll see |
| 02:05:13 |
Who you are |
| 02:05:27 |
Well... |
| 02:05:32 |
So long, doctor. |
| 02:05:41 |
See you later. |
| 02:06:21 |
On a clear day |
| 02:06:28 |
Rise and look around you |
| 02:06:36 |
And you'll see who you are |
| 02:06:46 |
On a clear day |
| 02:06:52 |
How it will astound you |
| 02:06:56 |
That the glow of your being |
| 02:07:01 |
Outshines every star |
| 02:07:06 |
You'll feel part of |
| 02:07:09 |
Every mountain, sea and shore |
| 02:07:13 |
You can hear from far and near |
| 02:07:19 |
A world you never |
| 02:07:22 |
Never heard before |
| 02:07:28 |
And on a clear day |
| 02:07:36 |
On that clear day |
| 02:07:40 |
You can see forever |
| 02:07:44 |
And ever and ever |
| 02:07:49 |
And evermore |
| 02:08:00 |
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