|
Je vous salue Marie Hail Mary
|
| 00:00:27 |
THE BOOK OF MARY |
| 00:00:54 |
What do you think? |
| 00:00:57 |
You'll escape routine if you're alone? |
| 00:01:01 |
No, that's not it. |
| 00:01:04 |
But I just can't stand this deal, |
| 00:01:08 |
putting up with anything as |
| 00:01:12 |
You always come back to that. |
| 00:01:14 |
Admit it you are so |
| 00:01:16 |
afraid of being abandoned, |
| 00:01:21 |
You should know by now. |
| 00:01:24 |
Since you're here |
| 00:01:26 |
for once |
| 00:01:27 |
let's be serious. |
| 00:01:29 |
Seeing you is hardly a blessing now. |
| 00:01:32 |
Even for Mary. |
| 00:01:34 |
It's no good. |
| 00:01:35 |
And Ive had it. |
| 00:01:37 |
I can't work, I can't sleep. |
| 00:01:44 |
I see, if we separate you'll sleep again? |
| 00:01:48 |
You see how brutal you are? |
| 00:01:50 |
You're brutal too, in your way. |
| 00:01:55 |
You won't face up to things. |
| 00:02:00 |
Listen Paul, youve cheated on |
| 00:02:04 |
You can't brush that off. |
| 00:02:06 |
I think it takes constant |
| 00:02:12 |
In your line of work, |
| 00:02:16 |
It doesn't interest you, that's all. |
| 00:02:19 |
So we play it safe and stay together. |
| 00:02:23 |
What does that do for the child? |
| 00:02:25 |
Loving's not investing. |
| 00:02:27 |
You can save too, |
| 00:02:29 |
not just give, or expect |
| 00:02:35 |
The way you've set things up, |
| 00:02:38 |
You're never here. |
| 00:02:40 |
I spent much more time at home. |
| 00:02:43 |
I put a lot in and get little back. |
| 00:02:47 |
We've been over this so often. |
| 00:02:50 |
What other way is there? |
| 00:02:55 |
Before you |
| 00:02:56 |
didn't work, you took care of Mary. |
| 00:02:57 |
But now we're closer |
| 00:03:01 |
I don't agree. |
| 00:03:03 |
I'm still here for serving, |
| 00:03:08 |
That's a mother's job, |
| 00:03:13 |
I am tired. |
| 00:03:15 |
Things have got to change for a while. |
| 00:03:19 |
You're so impatient. |
| 00:03:21 |
May be. |
| 00:03:24 |
What I know now is... |
| 00:03:26 |
that I don't need to be dominated |
| 00:03:30 |
I no longer need to lose. |
| 00:03:33 |
I don't see where that gets you either. |
| 00:03:38 |
I don't know. |
| 00:03:41 |
I want to see clearly. |
| 00:03:46 |
I wish you understood. |
| 00:03:49 |
Understanding's scarce. |
| 00:03:53 |
Truth is often deadly. |
| 00:03:56 |
So don't complain afterwards. |
| 00:03:58 |
I'm not complaining, |
| 00:04:04 |
Why is everyone so scared... |
| 00:04:06 |
...of clarity? |
| 00:04:07 |
Your eyes hurt? |
| 00:04:09 |
No, I'm alright. |
| 00:04:15 |
I don't need your total sincerity. |
| 00:04:19 |
It's comforting, |
| 00:04:22 |
Let's not start again. |
| 00:04:24 |
No, let's not. |
| 00:04:32 |
But try to understand sometimes. |
| 00:04:35 |
For 10 years we've copied. |
| 00:04:38 |
Now I want to invent. |
| 00:04:40 |
No one's stopped you. |
| 00:04:44 |
Anyway, women don't invent much. |
| 00:04:46 |
Even the soul was invented by a man. |
| 00:04:51 |
You're really encouraging. |
| 00:04:54 |
You don't need encouragement now. |
| 00:04:57 |
We can see how well you |
| 00:04:59 |
Good morning! We continue |
| 00:05:02 |
Now we cut the eye in half. |
| 00:05:06 |
It's black, if you can see that. |
| 00:05:09 |
I put this inside, it's the pupil. |
| 00:05:13 |
The pupil, seen from outside, |
| 00:05:18 |
is brown. |
| 00:05:19 |
The eye is enormous, |
| 00:05:22 |
but the pupil takes up a lot of space. |
| 00:05:25 |
The rest is water. |
| 00:05:27 |
Water, yes. |
| 00:05:29 |
The pupil floats like a baby |
| 00:05:32 |
When you look at things, |
| 00:05:36 |
because it floats, |
| 00:05:37 |
and when we move |
| 00:05:38 |
as you see, it shifts. |
| 00:05:41 |
Understand what Im saying? |
| 00:05:43 |
It's complicated, a bit technical. |
| 00:05:45 |
Yes, it's mechanical and technical |
| 00:05:48 |
and at the same time surgical. |
| 00:05:50 |
You operate once for this illness. |
| 00:05:54 |
If you do it twice, the patient dies. |
| 00:05:58 |
In any case the eye withers. |
| 00:06:02 |
It's a very serious operation. |
| 00:06:05 |
Yes, I entirely agree there. |
| 00:06:08 |
You undergo it after you've |
| 00:06:13 |
Because this gentleman, |
| 00:06:17 |
has been completely... shaken, see? |
| 00:06:22 |
It's had a shock. |
| 00:06:24 |
The eye's been completely terrorized, |
| 00:06:27 |
so... |
| 00:06:29 |
we can't do much for it. |
| 00:06:34 |
Well, that's all for this program. |
| 00:06:36 |
Good bye. |
| 00:06:46 |
Spoken to Mary? |
| 00:06:48 |
Not yet, |
| 00:06:50 |
but I'll speak to her, of course. |
| 00:06:54 |
And you'll have to tell her |
| 00:06:57 |
and from me. |
| 00:07:01 |
You've thought of what |
| 00:07:06 |
shuttling between parents? |
| 00:07:10 |
Stop talking as if it |
| 00:07:19 |
Silence, please. |
| 00:07:22 |
My spirit with a heavy |
| 00:07:25 |
In black battalions, |
| 00:07:28 |
Driving me on to moving roads |
| 00:07:31 |
closed in by bloodied |
| 00:07:35 |
How strange and wicked was our act? |
| 00:07:39 |
Can you explain my trouble |
| 00:07:44 |
Silence! |
| 00:07:46 |
I said, silence! |
| 00:07:49 |
Who can tell me... |
| 00:07:51 |
...what Baudelaire meant |
| 00:07:54 |
If you weren't asleep, that is. |
| 00:07:59 |
Get out your notebooks, |
| 00:08:03 |
Hurry! We have other things to do. |
| 00:08:08 |
My spirit with a heavy fear forebodes... |
| 00:08:14 |
Heavy fear, |
| 00:08:18 |
black battalions, |
| 00:08:20 |
with two "t's", |
| 00:08:21 |
and stray ghosts... |
| 00:08:26 |
Silence! |
| 00:08:28 |
Yes? |
| 00:08:31 |
Mary, I have something to tell you. |
| 00:08:35 |
All right. |
| 00:08:36 |
Go on. And make sure you've |
| 00:08:40 |
I have to talk to the principal. |
| 00:08:42 |
I'm sure you know what it is. |
| 00:08:45 |
Dad's going to live elsewhere. |
| 00:08:51 |
Until winter, for example. |
| 00:08:53 |
Right. To continue: |
| 00:08:56 |
that seek to lead me |
| 00:08:59 |
Mary! |
| 00:09:04 |
You'll see dad on weekends and holidays. |
| 00:09:08 |
Anyway, it's not for long. |
| 00:09:10 |
Have we committed a strange act? |
| 00:09:13 |
It's not that we don't love |
| 00:09:18 |
On the contrary. |
| 00:09:20 |
But if he stays here we'll quarrel. |
| 00:09:25 |
There's no cause to worry. |
| 00:09:29 |
Believe me, you can trust me. |
| 00:09:43 |
Why don't you want us to go to Capri? |
| 00:09:48 |
Because you're an ass. |
| 00:09:54 |
You scare me, Paul. |
| 00:09:56 |
I've arrived earlier than I predicted. |
| 00:09:58 |
Don't just stand there, answer me! |
| 00:10:00 |
No, not necessary. |
| 00:10:02 |
I'll just take two or three things. |
| 00:10:19 |
I'm in a hurry, Mary. |
| 00:10:25 |
You go to Capri, Paul. |
| 00:10:29 |
See you Saturday, |
| 00:10:30 |
OK? |
| 00:11:10 |
Tell me... |
| 00:11:13 |
...about when I was little. |
| 00:11:15 |
Again! |
| 00:11:16 |
Go ahead. |
| 00:11:18 |
You seem especially fond of hearing that. |
| 00:11:23 |
You're right. |
| 00:11:25 |
It's the strongest memory of love. |
| 00:11:33 |
It's hard to recover that strength |
| 00:11:38 |
without going backward. |
| 00:11:46 |
It is thus. |
| 00:11:53 |
You just have to be able |
| 00:11:58 |
I'll prepare something to eat. |
| 00:12:05 |
Dry your hair well. |
| 00:12:33 |
Mary! |
| 00:12:34 |
Hello. |
| 00:12:36 |
Hello. |
| 00:12:38 |
What's up? |
| 00:12:39 |
I'm taking a train. |
| 00:12:40 |
Where are you going? |
| 00:12:42 |
To see my father. |
| 00:12:44 |
Doesn't he live here? |
| 00:12:45 |
Not right now. |
| 00:12:47 |
- Your folks divorced? |
| 00:12:50 |
- Is it your bear? |
| 00:12:52 |
In any case... |
| 00:12:53 |
I am glad my parents are not divorced. |
| 00:12:56 |
You have no luck. |
| 00:12:57 |
That's enough. |
| 00:13:21 |
Hello, Mimi. |
| 00:13:23 |
My name's not Mimi, it's Mary. |
| 00:13:25 |
Where you going, Mimi? |
| 00:13:27 |
To see my father. |
| 00:13:28 |
That's right, he's gone away. |
| 00:13:31 |
It's good for him, a little... |
| 00:13:33 |
It's no big deal. |
| 00:13:34 |
Of course not. |
| 00:13:35 |
and you can travel with your bear, |
| 00:13:39 |
It's not a bear, it's a panther. |
| 00:13:41 |
Certainly, you're right. |
| 00:13:43 |
I'm a dumbbell about animals, |
| 00:13:47 |
And where do you go? |
| 00:13:49 |
Passing the time. I'm on relief. |
| 00:13:53 |
I'm not working these days. |
| 00:13:55 |
I stay at home. |
| 00:13:59 |
I like my place to be clean, |
| 00:14:02 |
- Get bored? |
| 00:14:05 |
I study my own case. |
| 00:14:08 |
And I have my afternoons programmed. |
| 00:14:11 |
...on my bike, my moped, |
| 00:14:16 |
It takes me everywhere. |
| 00:14:17 |
I get back at 7 or 9 in the evening. |
| 00:14:20 |
If the weather is good, I tike my time, |
| 00:14:23 |
I stop where I please. |
| 00:14:30 |
Forever damned be |
| 00:14:34 |
who, in his stupidity, first strove, |
| 00:14:38 |
enamored of an insoluble |
| 00:14:42 |
to mix honesty with love. |
| 00:15:21 |
Have you studied triangles? |
| 00:15:23 |
We've just started. |
| 00:15:25 |
I have to know the 4 types for Monday. |
| 00:15:31 |
Know what a jagged line is? |
| 00:15:34 |
One that changes direction. |
| 00:15:37 |
Yes, but how? |
| 00:15:40 |
By forming angles. |
| 00:15:42 |
And an angle? |
| 00:15:43 |
It's when the lines close. |
| 00:15:46 |
And when they meet? |
| 00:15:48 |
That's the vertex. |
| 00:15:52 |
Also called an intersection. |
| 00:15:55 |
An angle's like this. |
| 00:15:57 |
Yes, but also like this. |
| 00:15:59 |
No, it's like this. |
| 00:16:01 |
To get that, you first need this. |
| 00:16:06 |
All right. |
| 00:16:07 |
There are 4 kinds of triangles. |
| 00:16:13 |
The right-angle triangle, |
| 00:16:15 |
It looks like this. |
| 00:16:18 |
The side opposite the right angle |
| 00:16:24 |
The equilateral triangle |
| 00:16:27 |
is the one that has three equal sides. |
| 00:16:31 |
The isosceles triangle |
| 00:16:35 |
You listening, Mary? |
| 00:16:38 |
The isosceles has two equal sides |
| 00:16:41 |
and the scalene has three unequal sides. |
| 00:16:44 |
Draw them, helps you |
| 00:17:05 |
Are you hungry? |
| 00:17:07 |
Yes, terribly. |
| 00:17:23 |
Want a bite? |
| 00:17:40 |
That the concerto I liked so much? |
| 00:17:42 |
Yes, that's the one. |
| 00:17:45 |
Don't recognize it? |
| 00:17:46 |
Oh, yes. |
| 00:17:47 |
No, not really, in fact. |
| 00:17:53 |
Sounds like talk, don't you think? |
| 00:17:57 |
People in a discussion. |
| 00:18:03 |
Agreeing or disagreeing? |
| 00:18:06 |
A bit of both. |
| 00:18:08 |
Changes of mod, icy, exasperated, |
| 00:18:12 |
I demand. |
| 00:18:13 |
fire, fire, attention, error, horror, suffering... |
| 00:18:17 |
Hey, calm down. |
| 00:18:24 |
There's a Mahler symphony I can't find. |
| 00:18:27 |
Ask mom for it next time. |
| 00:18:29 |
OK. |
| 00:18:42 |
Mary, bring your pajamas, too. |
| 00:18:51 |
and don't forget your toothbrush again. |
| 00:19:03 |
We've got to go now. It's time. |
| 00:19:05 |
You ready? |
| 00:19:42 |
What? |
| 00:23:55 |
Mary. |
| 00:24:03 |
Come, Mary. |
| 00:24:05 |
Are you dead or just tired? |
| 00:24:11 |
I am dead. |
| 00:24:15 |
But everything that happens |
| 00:24:19 |
You are so curious. |
| 00:24:21 |
You surprise me. |
| 00:24:23 |
It's not like before. |
| 00:24:25 |
Nothing can stay the same. |
| 00:24:29 |
It becomes, |
| 00:24:32 |
It becomes, |
| 00:24:34 |
It becomes different. |
| 00:24:38 |
When a thing stops moving, |
| 00:24:41 |
it's dead. |
| 00:24:44 |
You must have confidence, Mary. |
| 00:24:46 |
Sure, still, it's not like before. |
| 00:24:52 |
In French, Mary is "Marie". |
| 00:24:55 |
What? |
| 00:24:57 |
A-I-M-E-R : to love. |
| 00:25:02 |
Ah, yes. |
| 00:25:23 |
You're beautiful! |
| 00:25:30 |
We'll be late. We must be going. |
| 00:25:33 |
The hairdo becomes you. |
| 00:25:35 |
Think so? It's not my favourite. |
| 00:25:38 |
You're darling, really. |
| 00:25:40 |
I'll leave you the number. |
| 00:25:44 |
If something comes up, call. |
| 00:25:48 |
Don't forget tomorrow. |
| 00:25:51 |
I haven't forgotten. |
| 00:25:53 |
We should've gone already. |
| 00:25:56 |
I have to go, dear. |
| 00:25:58 |
Don't watch TV too late. |
| 00:26:03 |
I'll kiss you when I come in. |
| 00:26:07 |
Good bye. |
| 00:26:33 |
It would be killing the unification |
| 00:26:38 |
This business must be smothered, |
| 00:26:41 |
in the egg. |
| 00:26:42 |
Can't make an omelet |
| 00:26:46 |
So I don't know. |
| 00:26:50 |
I don't know what to say. |
| 00:26:53 |
Get lost! |
| 00:26:55 |
It's the only way. |
| 00:27:05 |
AT THAT Time |
| 00:27:27 |
HAIL MARY |
| 00:28:26 |
Out of my mouth is shit. |
| 00:28:28 |
Stop talking. |
| 00:28:29 |
Then you stop eating. |
| 00:28:35 |
AT THAT TIME |
| 00:28:37 |
With you, silence can be unbearable. |
| 00:28:49 |
We can get married, if you like. |
| 00:28:55 |
I'm not afraid. |
| 00:29:07 |
Maybe that could help us. |
| 00:29:21 |
I wonder... |
| 00:29:27 |
What? |
| 00:29:33 |
All women want something unique. |
| 00:29:40 |
Can't you see Im not listening? |
| 00:29:48 |
You know, |
| 00:29:50 |
Men think they enter a woman. |
| 00:30:04 |
AT THAT TIME |
| 00:30:07 |
How are you doing with Mary? |
| 00:30:10 |
That's my business. |
| 00:30:42 |
That's my business. |
| 00:30:42 |
Listen Mary, |
| 00:30:42 |
when there's a break-out, move fast. |
| 00:31:04 |
I wondered if some event |
| 00:31:30 |
I've had only the shadow of love, |
| 00:31:35 |
in fact, the shadow of a shadow, |
| 00:31:39 |
like the reflection of |
| 00:31:43 |
not quite, but shaken |
| 00:31:47 |
so that even the reflection |
| 00:31:52 |
Nevertheless, |
| 00:31:53 |
So the sun, visible at last, |
| 00:31:56 |
began to shine on the primeval oceans |
| 00:31:59 |
and then, it's said, life appeared |
| 00:32:04 |
There was hydrogen, nitrogen... |
| 00:32:22 |
AT THAT TIME |
| 00:32:23 |
What if it wasn't chance? |
| 00:32:28 |
100 times that of the universe? |
| 00:32:33 |
What does that mean? |
| 00:32:36 |
That there was never time. |
| 00:32:38 |
chance had no time. |
| 00:32:42 |
Since life hadn't time to appear |
| 00:32:44 |
On earth! |
| 00:32:48 |
then it came from elsewhere, |
| 00:32:51 |
from space. |
| 00:32:55 |
We wonder what an |
| 00:32:59 |
Go to a mirror and look at yourself. |
| 00:33:03 |
OK, |
| 00:33:05 |
It's just a hypothesis, but... |
| 00:33:08 |
Look at this dip. |
| 00:33:12 |
It can only be explained... |
| 00:33:14 |
...by something in this cloud |
| 00:33:17 |
...at a specific wavelength. |
| 00:33:20 |
There's a bacteria, |
| 00:33:22 |
of a very common sort, |
| 00:33:25 |
that absorbs light at 3,4 microns. |
| 00:33:30 |
That's its signature. |
| 00:33:32 |
Any body, inert or alive, |
| 00:33:34 |
leaves its special mark |
| 00:33:39 |
In my opinion, |
| 00:33:41 |
this establishes |
| 00:33:43 |
a very strong presumption |
| 00:33:46 |
that life exists in space. |
| 00:33:49 |
We're from there. |
| 00:33:53 |
We are extraterrestrials. |
| 00:33:56 |
we weren't born in |
| 00:33:58 |
suddenly, by chance. |
| 00:34:01 |
No deal, |
| 00:34:02 |
The figures say "no". |
| 00:34:04 |
What if it wasn't chance? |
| 00:34:07 |
Exactly. |
| 00:34:09 |
The astonishing truth is |
| 00:34:12 |
that life was |
| 00:34:16 |
willed, |
| 00:34:18 |
desired, anticipated, organized, |
| 00:34:26 |
Eve, stand behind Pascal. |
| 00:34:28 |
My name's Eva. |
| 00:34:30 |
Yes, stand behind Pascal |
| 00:34:33 |
They say it'd take |
| 00:34:37 |
to find the solution blindfolded, but |
| 00:34:41 |
if there's someone beside you |
| 00:34:44 |
and says no to every wrong move, |
| 00:34:47 |
and yes to every move |
| 00:34:51 |
at the rate of one move per second, |
| 00:34:54 |
how long is needed? |
| 00:34:56 |
2 minutes. |
| 00:34:59 |
From 1.35 trillion years to 2 minutes. |
| 00:35:04 |
That's what happened. |
| 00:35:10 |
Memory! |
| 00:35:12 |
Yes. |
| 00:35:13 |
Yes. |
| 00:35:15 |
Yes. |
| 00:35:17 |
Yes. |
| 00:35:18 |
No. |
| 00:35:19 |
Yes. |
| 00:35:21 |
Yes. |
| 00:35:22 |
No. No. |
| 00:35:25 |
Yes. |
| 00:35:27 |
Yes. |
| 00:35:28 |
Yes, yes. |
| 00:35:30 |
Yes, yes. No. Yes. |
| 00:35:45 |
Were you exiled for these ideas? |
| 00:35:48 |
These... and others. |
| 00:35:51 |
See you Monday. |
| 00:35:52 |
Is the law of falling bodies |
| 00:35:56 |
Yes, good bye. |
| 00:35:57 |
Well! |
| 00:35:58 |
Coming! |
| 00:35:59 |
Like a drink at my |
| 00:36:04 |
That's another story. |
| 00:37:34 |
Your shoe, your shoe! |
| 00:37:54 |
The question is if this creature |
| 00:38:05 |
The man as he appears in legends... |
| 00:38:07 |
...is nothing more than a figment |
| 00:38:28 |
While there are Bourbons in Spain |
| 00:38:32 |
That's not your line, Uncle Gabriel! |
| 00:38:34 |
Right! |
| 00:38:37 |
- Straight ahead! |
| 00:38:39 |
Here's $500. |
| 00:38:50 |
No, it's closed. |
| 00:38:53 |
How about there? |
| 00:38:54 |
No, there should be a house alongside. |
| 00:38:57 |
What are you looking for? |
| 00:38:59 |
Here! |
| 00:39:01 |
Stop at this station. |
| 00:39:02 |
No, no. |
| 00:39:03 |
Here's $500, for God's sake. |
| 00:39:21 |
We'll be back! |
| 00:39:29 |
You've a daughter, Mary? |
| 00:39:32 |
- What's it about? |
| 00:39:37 |
She's here! |
| 00:39:38 |
For God's sake! |
| 00:39:39 |
Mary, help! |
| 00:39:43 |
- Mary! |
| 00:39:54 |
Why are you here? We said Saturday. |
| 00:39:56 |
Don't, dad, it's Joseph. |
| 00:40:00 |
They brought me here. |
| 00:40:07 |
I'm sick of your tricks. |
| 00:40:10 |
Forget it! |
| 00:40:20 |
OK, what is it? |
| 00:40:21 |
It's you, Mary. |
| 00:40:32 |
It's you, Mary. |
| 00:40:34 |
What do you want? |
| 00:40:36 |
and you? |
| 00:40:37 |
and you? |
| 00:40:49 |
What do you want? |
| 00:40:52 |
What do you want? |
| 00:40:55 |
And you, my lady? |
| 00:41:04 |
Your fiancée? |
| 00:41:05 |
What's it to you? |
| 00:41:06 |
We couldn't care less. |
| 00:41:11 |
By whom? |
| 00:41:14 |
- You'll have a baby. |
| 00:41:17 |
Mary, shit, |
| 00:41:18 |
who are these people? |
| 00:41:20 |
Go on! Straight ahead! |
| 00:41:23 |
By whom? |
| 00:41:24 |
It won't be his, never! |
| 00:41:26 |
By whom? |
| 00:41:27 |
Don't play innocent! |
| 00:41:31 |
By whom? |
| 00:41:33 |
Mary. |
| 00:41:34 |
Mary, be pure, be rough. |
| 00:41:40 |
My way! |
| 00:41:42 |
but the voice or the word? |
| 00:41:44 |
Don't be silly! |
| 00:41:46 |
I know where you're going |
| 00:41:52 |
Don't forget! |
| 00:41:53 |
Don't forget, what goes in, goes out. |
| 00:41:56 |
And what goes out, goes in! |
| 00:42:17 |
I am tired, shall we stop? |
| 00:42:36 |
We each go on, |
| 00:42:38 |
and each of us attains |
| 00:42:42 |
It's the last verse written by Hölderlin. |
| 00:42:45 |
The last verse of earth. |
| 00:42:47 |
Gracious. |
| 00:42:48 |
Those ants are strictly |
| 00:42:54 |
I swear it was here! |
| 00:42:55 |
You never find ants near water. |
| 00:42:58 |
Wrong. Some ants seek gold. |
| 00:43:00 |
I read Scientific American too. |
| 00:43:04 |
What about these ants? |
| 00:43:06 |
Olivier found an anthill. |
| 00:43:07 |
He rigged wiring to warm |
| 00:43:11 |
He wanted to keep them awake, |
| 00:43:14 |
in winter, |
| 00:43:15 |
hoping they'd use that leisure time, |
| 00:43:19 |
- to invent things. |
| 00:43:20 |
Music, maybe. |
| 00:43:37 |
There's no escape. |
| 00:44:05 |
What's this? Miracles don't exist. |
| 00:44:08 |
Kiss me. |
| 00:44:12 |
What's it all these? What's it? |
| 00:44:17 |
There's no escape... |
| 00:44:20 |
...for us. |
| 00:44:22 |
AT THAT TIME |
| 00:44:24 |
Let's go on with our story; |
| 00:44:26 |
Imagine... |
| 00:44:28 |
...our descendants in |
| 00:44:32 |
Their wisdom and knowledge |
| 00:44:35 |
They suddenly notice |
| 00:44:38 |
that the supposedly fixed |
| 00:44:43 |
is subtly changing. |
| 00:44:55 |
Won't our descendants try |
| 00:45:01 |
Kiss me. |
| 00:45:04 |
I kiss you, I do. |
| 00:45:05 |
- Just once, Mary. |
| 00:45:31 |
A prior intelligence programmed life. |
| 00:45:35 |
It struggled to exist |
| 00:45:37 |
in a pitiless universe. |
| 00:45:41 |
AT THAT TIME |
| 00:45:42 |
How'd you think of it? |
| 00:45:45 |
Because of computers. |
| 00:45:47 |
When I think about it, |
| 00:45:49 |
that computer intelligence stuns me. |
| 00:46:02 |
If our distant descendants |
| 00:46:07 |
decided to encode, |
| 00:46:12 |
life as they know it |
| 00:46:17 |
in a message of magnesium, |
| 00:46:20 |
or boron, |
| 00:46:23 |
or God knows what, |
| 00:46:27 |
wouldn't they try to transmit the secret |
| 00:46:31 |
of Creation? |
| 00:46:36 |
Maybe the message has |
| 00:46:39 |
Yes, that voice deep in our consciences |
| 00:46:42 |
whispers, if we listen: |
| 00:46:45 |
you're born of something, |
| 00:46:49 |
Seek and you will find more |
| 00:46:51 |
than you dream of. |
| 00:47:20 |
Come to see the princess? |
| 00:47:22 |
You can't fall any lower. |
| 00:47:24 |
Who asked you? |
| 00:47:28 |
Do I tell him to come? |
| 00:47:30 |
Leave me alone. |
| 00:47:36 |
Mary! |
| 00:47:38 |
Why not tell the truth? |
| 00:47:39 |
I am telling it! |
| 00:47:41 |
Maybe the words come out wrong, |
| 00:47:43 |
or it's my voice, |
| 00:47:45 |
but it's the truth. |
| 00:47:47 |
It'd be simpler if you said |
| 00:47:49 |
you've seen other men. |
| 00:47:55 |
I sleep with no one. |
| 00:47:57 |
So where's the child from? |
| 00:48:06 |
Where'll it come from? |
| 00:48:11 |
Answer me. |
| 00:48:19 |
Look at me! |
| 00:48:21 |
I'm looking at you. |
| 00:48:24 |
Child must come from somewhere |
| 00:48:29 |
For two years now |
| 00:48:32 |
- Kiss me! |
| 00:48:35 |
By God! It's incredible. |
| 00:48:41 |
Call or stop by the theatre. |
| 00:48:43 |
- Please kiss me. |
| 00:48:47 |
I do kiss you, really. |
| 00:48:52 |
You must be sleeping around. |
| 00:48:55 |
Guys with big cocks! |
| 00:49:08 |
We're through, Mary, |
| 00:49:10 |
Ciao. |
| 00:49:20 |
Hi, you here too? |
| 00:49:24 |
I keep dreaming. |
| 00:49:27 |
Last night, before I went home, |
| 00:49:29 |
I dreamed I had to paint |
| 00:49:32 |
I thought: that'll take time. |
| 00:49:34 |
That'll take time. I couldn't sleep. |
| 00:49:38 |
Must be a reason. |
| 00:49:41 |
Yes, but I can't write, so I draw. |
| 00:49:45 |
If it's a picture, you can't forget. |
| 00:49:49 |
I must learn to write, |
| 00:49:51 |
if I want to forget. |
| 00:49:52 |
- That's it. Your dad well? |
| 00:49:54 |
Yes, thanks. |
| 00:49:56 |
Still pumping gas? |
| 00:49:58 |
He wants out. |
| 00:50:00 |
You getting married soon? |
| 00:50:06 |
Broken up with Joseph? |
| 00:50:08 |
He seemed serious. |
| 00:50:11 |
Esther, the dossier of madam Malignon. |
| 00:50:19 |
What's wrong, Mary? |
| 00:50:21 |
I've got a pain! |
| 00:50:24 |
In the belly. |
| 00:50:26 |
We'll have a look. |
| 00:50:28 |
Take her blood pressure, Esther. |
| 00:50:31 |
Go next door and undress. |
| 00:50:37 |
Yes? |
| 00:50:39 |
No. |
| 00:50:40 |
Yes. No, not and no. |
| 00:50:48 |
If you put on weight, |
| 00:50:52 |
you'll be fine. |
| 00:51:04 |
Does the soul have a body? |
| 00:51:07 |
What do you mean, young lady, |
| 00:51:11 |
I thought it was the opposite. |
| 00:51:19 |
Doctor! |
| 00:51:22 |
Doctor, I must be pregnant. |
| 00:51:25 |
When was your last period? |
| 00:51:29 |
Take off your panties |
| 00:51:33 |
It's no use. |
| 00:51:41 |
What? |
| 00:51:42 |
I didn't hear you. |
| 00:51:44 |
I've always wondered what |
| 00:51:48 |
and I found that all you can know |
| 00:51:52 |
is what a man already knew. |
| 00:51:56 |
There's a mystery there. |
| 00:52:00 |
Do you want this child? |
| 00:52:11 |
Is it with Joseph? |
| 00:52:15 |
It wasn't with anybody. |
| 00:52:18 |
Some song and dance! Lie down. |
| 00:52:20 |
It's no song and dance. I'm happy. |
| 00:52:23 |
Now tell about your period. |
| 00:52:27 |
I must examine you, |
| 00:52:29 |
It came normally, very intense. |
| 00:52:32 |
- When? |
| 00:52:33 |
Then quit being stupid. It's nothing. |
| 00:52:37 |
See for yourself! |
| 00:52:42 |
I touch no one. |
| 00:52:48 |
Nobody caresses me. |
| 00:52:52 |
I want you to see if |
| 00:52:58 |
You're hiding something from us. |
| 00:53:00 |
I'm not, I tell you. |
| 00:53:02 |
You see. |
| 00:53:06 |
I'm going to have a baby and |
| 00:53:12 |
Joseph won't believe it. |
| 00:53:15 |
You tell him. |
| 00:53:16 |
Lie still! |
| 00:53:21 |
Will you hurt me? |
| 00:53:23 |
Don't be afraid.. |
| 00:53:25 |
I was there when you were born. |
| 00:53:32 |
Being a virgin should mean |
| 00:53:36 |
being available |
| 00:53:40 |
or free, |
| 00:53:43 |
not being hurt. |
| 00:53:49 |
Well, do you believe me? |
| 00:53:51 |
do you believe me? |
| 00:53:57 |
It's true that it's true. |
| 00:54:06 |
Tell Joseph. |
| 00:54:12 |
Esther! |
| 00:54:16 |
May I get dressed? |
| 00:54:19 |
It must be mine. |
| 00:54:44 |
where to now? |
| 00:54:46 |
Paradise villa, Hermance road. |
| 00:54:48 |
I quit work at 5 p.m. |
| 00:54:49 |
Sure, that's OK. |
| 00:54:53 |
Is it in France? |
| 00:54:54 |
It's very close, you'll see. |
| 00:54:57 |
It's as pretty as Czechoslovakia. |
| 00:55:08 |
Well? |
| 00:55:11 |
Well! |
| 00:55:50 |
Yet I rejoiced in giving |
| 00:55:54 |
of Him who has become |
| 00:56:00 |
and glanced |
| 00:56:01 |
at this wonderful being. |
| 00:56:04 |
For in truth, He was that, |
| 00:56:08 |
not for his looks nor what he did, |
| 00:56:11 |
but in the silent power of what he was, |
| 00:56:13 |
the power gathered up in him, |
| 00:56:15 |
as unamontañaque raises haciael sky |
| 00:56:18 |
that you can't measure or name, |
| 00:56:23 |
but only feel. |
| 00:56:31 |
Tonight? |
| 00:56:34 |
No, Ive a practice session. |
| 00:56:36 |
OK, i'll go jump in the lake! |
| 00:56:38 |
Oh, jump in the lake? |
| 00:56:41 |
Ophelia's no role for you. |
| 00:56:44 |
What are you talking about? |
| 00:56:47 |
"To be or not to be..." |
| 00:56:49 |
I had to quit school when I was 12. |
| 00:56:55 |
Sorry. |
| 00:56:58 |
I must go. |
| 00:56:59 |
OK, i'll go jump in the lake! |
| 00:57:02 |
No, stop it! |
| 00:57:16 |
Yes? |
| 00:57:18 |
Andrea. |
| 00:57:29 |
What's on your mind? |
| 00:57:30 |
Night changes its own look |
| 00:57:35 |
Heidegger, "Three Lectures... |
| 00:57:38 |
in the Bavarian Akademie". |
| 00:57:40 |
- Winter of 59. |
| 00:57:44 |
Know whay he wasn't shot? |
| 00:57:48 |
As soon as we talk politics, you clam up. |
| 00:57:52 |
It's OK, Andrea, you can leave. |
| 00:57:57 |
It'certain, isn't it? |
| 00:58:01 |
I think politics today... |
| 00:58:05 |
must be the voice of horror. |
| 00:58:07 |
The voice, but the way or the word? |
| 00:58:11 |
The voice of horror, |
| 00:58:16 |
Can I put this on? |
| 00:58:18 |
what's it? |
| 00:58:21 |
You can't find that in Prague. |
| 00:58:47 |
You OK? |
| 00:58:50 |
A smoke, a sax solo, |
| 00:58:56 |
I often wonder that in music... |
| 00:59:01 |
What? |
| 00:59:04 |
We marvel at a new phrase, but, |
| 00:59:08 |
really, there could be nothing. |
| 00:59:23 |
This is the time. |
| 00:59:26 |
And the place. |
| 00:59:40 |
Yes? |
| 00:59:41 |
No, not tonight. |
| 00:59:44 |
Not tonight. |
| 00:59:59 |
I think the spirit acts on the body, |
| 01:00:04 |
veils it to make it fairer than it is. |
| 01:00:08 |
For what is flesh... |
| 01:00:09 |
...alone? |
| 01:00:13 |
I habe business. I'll be in late. |
| 01:00:17 |
Yes, dad. |
| 01:00:20 |
What is flesh... |
| 01:00:26 |
...alone? |
| 01:00:30 |
You may see it and feel only disgust. |
| 01:00:35 |
You may see it in the gutter, drunken, |
| 01:00:39 |
or in the coffin, dead. |
| 01:00:43 |
The world is as full of flesh |
| 01:00:47 |
is full of candles at the start of winter. |
| 01:00:50 |
But not until you've brought |
| 01:00:53 |
and lit it |
| 01:00:55 |
can it give you comfort. |
| 01:01:47 |
Come on. |
| 01:01:56 |
Don't you like my body? |
| 01:01:58 |
That's not it. |
| 01:01:59 |
Then what? |
| 01:02:04 |
Joseph! |
| 01:02:08 |
It's because of her. |
| 01:02:09 |
I don't know. |
| 01:02:15 |
It's making me sick. I don't know. |
| 01:02:17 |
I know, it's her. |
| 01:02:24 |
It always is... |
| 01:02:30 |
Mary. |
| 01:02:33 |
I'm a real woman, too. |
| 01:02:34 |
Yes. |
| 01:02:37 |
I'd like to love you, |
| 01:02:40 |
Let's go home. |
| 01:02:41 |
Come on. |
| 01:02:53 |
I'm comimg. |
| 01:03:04 |
You're complicating things, |
| 01:03:10 |
don't you think? |
| 01:03:11 |
If God exists, nothing's allowed. |
| 01:03:13 |
- How? |
| 01:03:15 |
is allowed. |
| 01:03:16 |
What are you doing with that tramp? |
| 01:03:18 |
No, uncle Gabriel. |
| 01:03:20 |
When he's around, I forget |
| 01:03:23 |
He's a real nothing. Got the list? |
| 01:03:27 |
What list? |
| 01:03:31 |
He wants to know everything. |
| 01:03:33 |
Like everyone. |
| 01:03:34 |
He doesn't even know |
| 01:03:38 |
Like everyone. |
| 01:03:39 |
He's scared of the hole. |
| 01:03:40 |
Like everyone. |
| 01:03:42 |
He has no taste in ties. |
| 01:03:44 |
- Yes, zero equals zero. |
| 01:03:47 |
That's no fault. |
| 01:03:48 |
What's the common denominator |
| 01:03:53 |
Mary's body. |
| 01:03:54 |
- Answer, nitwit. |
| 01:03:56 |
He wears blind man's glasses, |
| 01:03:59 |
Try and follow the movement... |
| 01:04:02 |
Not with your hand, your eyes! |
| 01:04:05 |
She'll make a fool of me! |
| 01:04:06 |
Look me in the eyes. |
| 01:04:07 |
- If some guy's knocked her up... |
| 01:04:09 |
I don't get it. |
| 01:04:10 |
Have trust! |
| 01:04:13 |
Trust! |
| 01:04:14 |
I have none left. |
| 01:04:15 |
And love, you jerk! |
| 01:04:21 |
Love... |
| 01:04:27 |
I'm going, ciao. |
| 01:05:19 |
I've come. |
| 01:05:23 |
What's wrong? Your eyes again? |
| 01:05:26 |
- What's the book? |
| 01:05:32 |
Into the maze of life goes |
| 01:05:34 |
with the best horse, the finest armour |
| 01:05:37 |
to be knight, lord, a great prince, |
| 01:05:42 |
But someone unseen awaits him |
| 01:05:49 |
Thanks a lot. |
| 01:05:50 |
Don't want it? |
| 01:05:51 |
I prefer mine. |
| 01:05:53 |
Would've been a change. |
| 01:05:55 |
I'll pass it up. |
| 01:05:56 |
He's funny, he calls the rain "Sister Rain", |
| 01:06:01 |
and the fire, "Brother Fire". |
| 01:06:03 |
And the body? |
| 01:06:06 |
What about the body? |
| 01:06:09 |
The body... |
| 01:06:12 |
The body... |
| 01:06:18 |
The body, "Brother Donkey". |
| 01:06:25 |
Why does my body repel you? |
| 01:06:28 |
I'm scared, too. |
| 01:06:44 |
All this doen't happen every day. |
| 01:06:49 |
So I am a bit scared. |
| 01:06:54 |
One's better as a pair... |
| 01:07:03 |
Whay don't you believe the |
| 01:07:06 |
I believe the opposite. |
| 01:07:10 |
That scares me. |
| 01:07:15 |
At least say you don't love me. |
| 01:07:20 |
I can't stand this silence. |
| 01:07:25 |
Brother Silence. |
| 01:07:34 |
I know you love me. |
| 01:07:38 |
You don't care if we see each other, |
| 01:07:41 |
Am I alive? |
| 01:07:45 |
Maybe I can only harm you. |
| 01:07:48 |
I don't understand,. |
| 01:07:51 |
I don't understand it. |
| 01:07:56 |
Mary. |
| 01:07:59 |
Are a great secret, |
| 01:08:02 |
It's a big secret. |
| 01:08:17 |
My love... |
| 01:08:19 |
we don't know how to say it, |
| 01:08:22 |
So immense |
| 01:08:26 |
that all is consumed |
| 01:08:32 |
and you'll leave me. |
| 01:08:34 |
Anyway, I must know. |
| 01:08:36 |
Know what? |
| 01:08:50 |
The hand of god is upon me |
| 01:08:55 |
What now? |
| 01:09:08 |
I must go home. |
| 01:09:09 |
There was no point in coming. |
| 01:09:11 |
You body's not the snag, |
| 01:09:15 |
Why can't I want the child to be mine? |
| 01:09:17 |
Tell me who you did it with, |
| 01:09:19 |
I don't care, if you stay with me, |
| 01:09:22 |
if I stay with you, sleep with you, |
| 01:09:28 |
And Juliette? |
| 01:09:30 |
I don't love her. I love you. |
| 01:09:43 |
Very well. |
| 01:09:46 |
Look. |
| 01:09:54 |
Give me your hand. |
| 01:09:56 |
Come on, by God. |
| 01:09:58 |
There, feel. |
| 01:10:30 |
You see, Im sleeping with no one. |
| 01:10:35 |
But i'll still have a child. |
| 01:10:40 |
I'll only be your shadow. |
| 01:10:45 |
God's shadow... |
| 01:10:48 |
...for a woman who loves her man. |
| 01:10:58 |
Let the soul be body... |
| 01:11:01 |
Then no one can say the body is soul, |
| 01:11:24 |
Thy will be done... |
| 01:12:19 |
Yes, she's married. |
| 01:12:20 |
Then excuse me. Good bye, lady. |
| 01:12:24 |
Lady... |
| 01:12:27 |
Who is it? I received your letter. |
| 01:12:36 |
So basketball's like that. |
| 01:12:39 |
Fatigue, victory, |
| 01:12:42 |
fatigue. |
| 01:12:49 |
What did you mean by : |
| 01:12:55 |
"That's not enough". |
| 01:13:03 |
You said you could see I loved you. |
| 01:13:08 |
Yes. |
| 01:13:14 |
I see it. |
| 01:13:16 |
But you said that's not enough. |
| 01:13:18 |
You'll find something. |
| 01:13:20 |
What do you do all day now? |
| 01:13:23 |
Talk to me. |
| 01:13:27 |
It's unbelievable, he never comes. |
| 01:13:33 |
I've waited for 4 days, |
| 01:13:37 |
I fixed the motor, put in |
| 01:13:42 |
It's all working. |
| 01:13:47 |
He phones to say he's coming |
| 01:13:55 |
Rich folks are weird. |
| 01:13:57 |
AT THAT TIME |
| 01:13:59 |
- Which one is it? |
| 01:14:02 |
AN THAT TIME |
| 01:14:03 |
- Can I go see it? |
| 01:14:10 |
We're getting married, |
| 01:14:16 |
...just once. |
| 01:14:18 |
I'll only loook. |
| 01:14:23 |
Yes... |
| 01:14:27 |
You'll look. |
| 01:14:55 |
It's been ages since Ive had a... |
| 01:14:57 |
...normal conversation. |
| 01:14:59 |
Yet nature prevails. |
| 01:15:03 |
I want to talk, like others. |
| 01:15:05 |
Because, though I hide it, |
| 01:15:09 |
Even a bit more. |
| 01:15:34 |
They'll wrest from me that |
| 01:15:42 |
You'll act chastely with me. |
| 01:15:45 |
Don't take from someone |
| 01:15:50 |
To be chaste is to know |
| 01:15:54 |
without ever straying. |
| 01:15:57 |
That's an impossible task. |
| 01:16:01 |
To acomplist it, one has to admit... |
| 01:16:06 |
that the stars we see at night |
| 01:16:07 |
are vast worlds located |
| 01:16:12 |
and everybody knows |
| 01:16:15 |
that the stars are just lamps |
| 01:16:17 |
most of which are very close to us. |
| 01:16:25 |
For us may be the best explanation |
| 01:16:26 |
of our origins is this idea |
| 01:16:31 |
located farther in space. |
| 01:16:34 |
It is only, he said, |
| 01:16:36 |
a legendary deformation of |
| 01:16:40 |
whose dogs knew of it |
| 01:16:46 |
Go, Arthur. |
| 01:16:49 |
The time has come. |
| 01:16:52 |
I'll go see the boss lady. |
| 01:16:58 |
This time I think we've won. |
| 01:17:18 |
I no longer wish to understand. |
| 01:17:30 |
Does it matter what I am or am not? |
| 01:17:34 |
No, not already. |
| 01:17:46 |
We can't escape one another |
| 01:17:50 |
...we can escape him. |
| 01:18:34 |
Mary, what are you doing? |
| 01:18:43 |
Mary stop it! |
| 01:18:51 |
Joseph. |
| 01:18:55 |
Joseph. |
| 01:18:58 |
Joseph. |
| 01:19:02 |
Tell me you love me. |
| 01:19:04 |
- I love you! |
| 01:19:12 |
I love you. |
| 01:19:15 |
No. |
| 01:19:17 |
No. |
| 01:19:21 |
- I love you. |
| 01:19:28 |
But Maria, I love you. |
| 01:19:30 |
No, no, no. |
| 01:19:42 |
But why? |
| 01:19:44 |
Why? |
| 01:19:48 |
Because! |
| 01:19:57 |
Because it is law. |
| 01:20:07 |
- Got it? |
| 01:20:10 |
I will sacrifice myself. |
| 01:20:11 |
Asshole! |
| 01:20:14 |
First, a hole is not a hole. |
| 01:20:16 |
And second: Taboo wipes out sacrifice. |
| 01:20:21 |
But why? |
| 01:20:22 |
Because he is the rule!. |
| 01:20:40 |
Joseph, |
| 01:20:43 |
I love you. |
| 01:20:46 |
Mary. |
| 01:20:47 |
No. |
| 01:21:02 |
Yes. |
| 01:21:04 |
Is that, I love you? |
| 01:21:08 |
Yes. |
| 01:21:15 |
Are that it? |
| 01:21:19 |
- That? |
| 01:21:25 |
I love you. |
| 01:21:27 |
Yes. |
| 01:21:48 |
Suddenly a light shone in my heart, |
| 01:21:50 |
warm and gentle as a glowing fire... |
| 01:21:55 |
What on earth, or even heaven, |
| 01:21:57 |
beats knowing you please the one you love, |
| 01:22:04 |
I remember what he said about sin |
| 01:22:06 |
as we watched the dragonflies: |
| 01:22:10 |
if you thought of it rightly, |
| 01:22:13 |
It disappears like the covers of dragonflies |
| 01:22:17 |
when they fight for their freedom. |
| 01:22:25 |
We are speaking |
| 01:22:26 |
His word. |
| 01:22:28 |
Mary. |
| 01:22:29 |
How else can we be close... |
| 01:22:31 |
to his word than by speaking it? |
| 01:22:42 |
Mary. |
| 01:22:47 |
Yes, what? |
| 01:22:49 |
We're speaking |
| 01:22:51 |
and we're speaking of the word |
| 01:22:55 |
What we're speaking of, the word, |
| 01:23:19 |
Then you won't leave me? |
| 01:23:23 |
I'll stay. |
| 01:23:33 |
I'll never touch you. |
| 01:23:42 |
I'll stay. |
| 01:23:55 |
Don't believe the dollar will drop. |
| 01:23:58 |
Don't believe the vacation will be fun. |
| 01:24:05 |
You can believe rain falls downward. |
| 01:24:08 |
It's a law of nature. |
| 01:24:10 |
The world is too sad! |
| 01:24:12 |
It isn't sad, it's big. |
| 01:24:16 |
I must go. |
| 01:24:19 |
Don't I count for you? |
| 01:24:21 |
My wife and son count too. |
| 01:24:23 |
Now that Ive a visa, I must go see |
| 01:24:28 |
Undestand? |
| 01:24:38 |
Till how much do your wife |
| 01:24:41 |
I don't get it. |
| 01:24:43 |
Bastard! |
| 01:24:49 |
I'm sorry. |
| 01:24:50 |
Doesn't matter. |
| 01:24:51 |
You say your wife's in jail, |
| 01:24:54 |
- Eve, please. |
| 01:24:57 |
It's all over with Eve. |
| 01:25:04 |
Give me back my 32,000 francs. |
| 01:25:06 |
I'll send it to you. |
| 01:25:09 |
You really are a nothing. |
| 01:25:58 |
What makes a soul is its pain. |
| 01:26:02 |
He'll be the first to hear |
| 01:26:07 |
And he told me: |
| 01:26:08 |
Daughter, Im suffocating |
| 01:26:18 |
God's a creep, a coward who |
| 01:26:21 |
on ass alone, that is, on a |
| 01:26:25 |
an excess of ingress. |
| 01:26:28 |
I want no carnal joy: |
| 01:26:30 |
I don't want to wear out |
| 01:26:34 |
or my soul, in one go. |
| 01:26:36 |
Even pain won't get me in one gone. |
| 01:26:39 |
and I will not disappear |
| 01:26:41 |
into it, |
| 01:26:42 |
but it will disappear with me. |
| 01:27:23 |
It will always be horrible |
| 01:27:25 |
for me to be the master, |
| 01:27:27 |
but there'll be no more sexuality in me. |
| 01:27:30 |
I'll know the true smile of the soul, |
| 01:27:33 |
not from outside, |
| 01:27:41 |
but from inside. |
| 01:27:44 |
Like a pain that's always deserved. |
| 01:28:17 |
It's not a matter of experience, |
| 01:28:20 |
and not of morality or dignity. |
| 01:28:41 |
It's necessary |
| 01:28:42 |
that the Father and Mother must fuck |
| 01:28:46 |
Then Lucifer will die, |
| 01:28:49 |
and we'll see... |
| 01:28:51 |
We'll see who's weariest, |
| 01:28:56 |
him, |
| 01:28:58 |
or me. |
| 01:29:04 |
Earth and sex are in us. |
| 01:29:06 |
Outside there are only stars. |
| 01:29:16 |
Wanting isn't expanding by force. |
| 01:29:20 |
It's recoiling into oneself |
| 01:29:23 |
from level... |
| 01:29:26 |
...to level, for eternity. |
| 01:29:33 |
You don't need a mouthhole to eat with... |
| 01:29:37 |
and an asshole to swallow infinity. |
| 01:29:40 |
Your ass must go in your head |
| 01:29:42 |
and so descend to ass level, |
| 01:29:46 |
then go left, |
| 01:29:50 |
or right, to rise higher. |
| 01:29:57 |
God is a vampire who suffered me in him... |
| 01:30:00 |
...because I suffered and he didn't, |
| 01:30:03 |
and he profited from my pain. |
| 01:30:33 |
Mary is a body fallen from a soul, |
| 01:30:36 |
I am a soul imprisoned by a body. |
| 01:30:42 |
My soul makes me sick at heart, |
| 01:30:46 |
I am a woman... |
| 01:30:48 |
...though I don't beget my man |
| 01:31:02 |
I am joy. |
| 01:31:05 |
I am she who is joy,and |
| 01:31:10 |
or be tempted, |
| 01:31:12 |
but to gain an added joy. |
| 01:31:44 |
I am not resigned, |
| 01:31:46 |
resignation is sad. |
| 01:31:50 |
How can one be resigned |
| 01:31:53 |
Are we resigned to being loved? |
| 01:31:56 |
This seemed clear to me. |
| 01:31:59 |
Too clear. |
| 01:32:37 |
AT THAT TIME |
| 01:35:19 |
AT THAT TIME |
| 01:35:34 |
oh, Mary, what a strange road... |
| 01:35:36 |
...I had to take to reach you. |
| 01:35:39 |
Now what's wrong? |
| 01:35:45 |
Here thay are! |
| 01:35:48 |
Do you believe it now? |
| 01:35:51 |
Will he call Joseph "dad"? |
| 01:35:56 |
What'll you do? |
| 01:36:01 |
Tell him later that's not his father? |
| 01:36:05 |
That's life. |
| 01:36:07 |
Joseph. |
| 01:36:09 |
I came about the station. |
| 01:36:11 |
We'll talk about it. |
| 01:36:13 |
I figured it out, |
| 01:36:20 |
Sure. |
| 01:36:30 |
- Yes. |
| 01:36:32 |
Dad, Joseph. |
| 01:36:34 |
Thank you very much, Mary. |
| 01:36:36 |
And why? |
| 01:36:39 |
For every woman. |
| 01:37:39 |
How did he look? |
| 01:37:43 |
There are no looks... |
| 01:37:45 |
...in love, no outward seeming, |
| 01:37:48 |
no likeness. |
| 01:37:49 |
No, only our hearts will |
| 01:37:52 |
I can't describe him |
| 01:37:55 |
but I can tell you how the women |
| 01:38:00 |
Come with me. |
| 01:38:05 |
Come with me. |
| 01:38:10 |
What's your name? |
| 01:38:11 |
Fabian. |
| 01:38:12 |
Now you name's Peter. |
| 01:38:16 |
Florent. |
| 01:38:17 |
From now on your name's James. |
| 01:38:19 |
What's my name? |
| 01:38:23 |
Where's my coffee? I'm late. |
| 01:38:25 |
Where's my coffee. |
| 01:38:36 |
Juniors'd be better be nice this morning. |
| 01:38:45 |
Or we won't play whale tonight. |
| 01:38:48 |
Please, mom, |
| 01:38:50 |
let's play whale! |
| 01:38:52 |
What's that called? |
| 01:38:56 |
The hedgehog, or the lawn. |
| 01:38:59 |
What's that called? |
| 01:39:03 |
Bells. |
| 01:39:04 |
What's that called? |
| 01:39:09 |
Loaves, bread... |
| 01:39:12 |
He's too old to see you naked now. |
| 01:39:17 |
"Quia respexit", Joseph. |
| 01:39:19 |
Some day, you know, |
| 01:39:22 |
he who is your father may forget you. |
| 01:39:26 |
Then you'll regret Im not around. |
| 01:39:41 |
Look at me! |
| 01:39:45 |
I am He who is. |
| 01:39:48 |
Quit clowning! Get in! |
| 01:39:49 |
No! |
| 01:39:50 |
I must tend to my father's affairs. |
| 01:39:55 |
By God, we'll see about that. |
| 01:39:58 |
Stop it! |
| 01:40:01 |
Stop it! |
| 01:40:03 |
He'll be back. |
| 01:40:17 |
When? |
| 01:40:18 |
At Easter. |
| 01:40:19 |
or Trinity Sunday. |
| 01:40:51 |
Lady... |
| 01:40:57 |
Hello, lady! |
| 01:40:59 |
What is it? |
| 01:41:01 |
Nothing. Hail, Mary. |
| 01:42:28 |
I am of the Virgin, |
| 01:42:31 |
and I didn't want this being. |
| 01:42:33 |
I only left my imprint on |
| 01:42:36 |
That's all. |
