|
Ordinary Decent Criminal
|
| 00:01:25 |
Morning. |
| 00:01:26 |
Lovely morning. |
| 00:01:30 |
Banks never on time, are they? |
| 00:01:32 |
No, no, they're desperate. |
| 00:01:36 |
Desperate altogether. |
| 00:01:37 |
Try another branch. |
| 00:01:45 |
Morning. |
| 00:02:02 |
Harrison will defend |
| 00:02:04 |
maybe even take the trial. |
| 00:02:06 |
But he insists on |
| 00:02:10 |
For a morning's work? |
| 00:02:11 |
Up front. |
| 00:02:13 |
I see, he doesn't trust me. |
| 00:02:15 |
Here he is now, |
| 00:02:20 |
Morning. |
| 00:02:23 |
It's nearly time. |
| 00:02:25 |
Are we in funds? |
| 00:02:27 |
Huh? |
| 00:02:28 |
Oh, the cash. |
| 00:02:31 |
No... not here, Mr. Lynch. |
| 00:02:35 |
And you will be taking that off |
| 00:02:39 |
The prosecution's claim that |
| 00:02:42 |
might leave this country |
| 00:02:43 |
is completely and totally |
| 00:02:48 |
Especially when Mr. Lynch's |
| 00:02:51 |
is having her |
| 00:02:53 |
and it would be tragic |
| 00:02:56 |
if her father were not |
| 00:03:00 |
So, Your Honour, |
| 00:03:01 |
the State can find no course |
| 00:03:06 |
why this clean-living unassuming -- |
| 00:03:11 |
teetotaler should have |
| 00:03:13 |
Mr. Lynch may remain on bail |
| 00:03:15 |
until his trial commences |
| 00:03:18 |
Mr. Lynch, how does it feel to be |
| 00:03:21 |
Do you think |
| 00:03:24 |
Mr. Lynch, you enjoy making |
| 00:03:27 |
Hold... a minute, lads... |
| 00:03:29 |
don't ever think the Gardas |
| 00:03:31 |
It'd be a big mistake. |
| 00:03:35 |
In fact, I think the Gardas are |
| 00:03:37 |
Is your name Michael Patrick Lynch? |
| 00:03:38 |
You see, right there, |
| 00:03:40 |
Excuse me, I am Mr. Lynch's attorney |
| 00:03:42 |
I'm detaining you on suspicion of |
| 00:03:44 |
under the Misuse of Drugs Act. |
| 00:03:46 |
I know what you want to do. |
| 00:03:48 |
You want to strip search me, |
| 00:03:50 |
Please, let go of him. |
| 00:03:52 |
Oh, I see, you think |
| 00:03:54 |
Oh, no...! Look at them! |
| 00:03:56 |
Look at what they do |
| 00:03:59 |
Trying to grab a feel. |
| 00:04:02 |
You dirty perverts, |
| 00:04:04 |
Drugs? What drugs? |
| 00:04:06 |
I've never done drugs in me life |
| 00:04:08 |
Show them your credentials, Mike. |
| 00:04:10 |
Find the drugs. |
| 00:04:11 |
Give us a look, get them off. |
| 00:04:15 |
Find the drugs. Come on, |
| 00:04:18 |
you poofters. |
| 00:04:19 |
Come on. |
| 00:04:21 |
Show 'em your credentials, Michael. |
| 00:04:22 |
Hey, you fucking faggots. |
| 00:04:25 |
You do it in private, |
| 00:04:33 |
Do you want any more, love? |
| 00:04:34 |
I'm grand unless there's dessert? |
| 00:04:37 |
Of course there is. |
| 00:04:38 |
Is that you in the newspaper da? |
| 00:04:44 |
Oh, can I finish that? |
| 00:04:45 |
Yeah, waste not, want not. Thanks. |
| 00:04:47 |
Oh, God, Michael, give it to me. |
| 00:04:49 |
You know the way |
| 00:04:53 |
Sorry, sorry wasn't thinking. |
| 00:04:54 |
Your father first. |
| 00:04:56 |
Da does. |
| 00:04:57 |
They're all grand. |
| 00:04:58 |
They have to learn. |
| 00:05:00 |
you just better go to bed |
| 00:05:02 |
Okay, mum. |
| 00:05:07 |
Have you got Lynch with you, lads? |
| 00:05:08 |
Check. We have him in our sights. |
| 00:05:10 |
Clothes on or off today? |
| 00:05:11 |
Fuck off. |
| 00:05:13 |
She's great. |
| 00:05:18 |
Say hello to your da. |
| 00:05:21 |
Is that them, huh? |
| 00:05:22 |
Is that the two sisters? |
| 00:05:23 |
Oh, that's them all right, boy. |
| 00:05:25 |
Bet he was glad he didn't have to |
| 00:05:28 |
Why choose |
| 00:05:31 |
Mind your mothers now. |
| 00:05:33 |
See you tonight. |
| 00:05:35 |
See you. |
| 00:05:36 |
I'll call round later, |
| 00:05:40 |
Hey, Tommy, get off the bleeding |
| 00:05:42 |
Oh, come on, can I stay on? |
| 00:05:42 |
You know I can't take you |
| 00:05:44 |
Please Auntie Lisa... |
| 00:05:47 |
Come on then, |
| 00:05:48 |
Bye, da. |
| 00:05:49 |
Wave him goodbye. |
| 00:05:55 |
Look at daddy |
| 00:05:59 |
Say goodbye. |
| 00:06:04 |
Jesus, there's no way he can |
| 00:06:08 |
So what's the point? |
| 00:06:21 |
Jesus. We're running very low |
| 00:06:25 |
Control where's |
| 00:06:27 |
Con's very worried about |
| 00:06:30 |
He's getting out. |
| 00:06:30 |
Okay, lads, |
| 00:06:32 |
We're off. |
| 00:06:37 |
Right, lads, |
| 00:06:39 |
a good ten miles away, maybe more. |
| 00:06:41 |
Oh, Jesus. |
| 00:06:42 |
North east of the Bray Road. |
| 00:06:44 |
There's an Esso on the left, |
| 00:06:47 |
Keep in touch. |
| 00:06:48 |
I don't believe this. |
| 00:06:50 |
Ah for fuck, I told you |
| 00:06:54 |
But, no, you said, |
| 00:06:57 |
Look at him. |
| 00:07:30 |
Where would you be |
| 00:07:32 |
I couldn't agree more, Michael. |
| 00:07:34 |
Tony Brady. |
| 00:07:36 |
It's the difference between eating |
| 00:07:38 |
You said it, Tony. Good luck. |
| 00:07:42 |
Later. |
| 00:07:44 |
Michael Lynch. |
| 00:07:47 |
Fine thanks. |
| 00:07:54 |
There you go. |
| 00:07:55 |
You're a gentleman |
| 00:07:56 |
Thank you. |
| 00:07:57 |
It's fellas like you |
| 00:08:05 |
Right, we've caught up with Lynch. |
| 00:08:07 |
Told you he wouldn't miss out |
| 00:08:11 |
Well, don't lose him this time. |
| 00:08:12 |
Oh, don't worry, |
| 00:08:14 |
And we've a full tank |
| 00:08:15 |
Mr. Lynch won't be getting away |
| 00:08:18 |
Right, lads, keep in touch. |
| 00:08:22 |
I'll say one thing for him, |
| 00:08:42 |
Don't fuck about. |
| 00:08:43 |
Yeah, no problem, Michael. |
| 00:08:46 |
You're a mess, little brother. |
| 00:08:59 |
Relax, we're just passing through! |
| 00:09:01 |
Fucking hell! |
| 00:09:02 |
Excuse me, ladies... |
| 00:09:03 |
say hello to my little friend. |
| 00:09:27 |
Ho... here we go. He's off. |
| 00:09:32 |
Something happening, Control. |
| 00:09:33 |
You're telling me. There's a report |
| 00:09:36 |
Oh, for fuck's sake, we're just |
| 00:09:39 |
What? |
| 00:09:40 |
Fuck it! What do we do now? |
| 00:09:47 |
I never promised you a story. |
| 00:09:49 |
You did! |
| 00:09:50 |
I did not. |
| 00:09:50 |
You did so, da! |
| 00:09:51 |
What did I tell you about lying? |
| 00:09:53 |
To lie to everyone |
| 00:09:55 |
And us. |
| 00:09:58 |
Oh, yeah, and Auntie Lisa. |
| 00:09:59 |
And the whole family. You never |
| 00:10:04 |
Tell us the story |
| 00:10:07 |
Yeah, da, |
| 00:10:12 |
Fair enough. |
| 00:10:13 |
Do you want to hear |
| 00:10:14 |
From the start. |
| 00:10:15 |
Okay. |
| 00:10:17 |
Long, long ago, |
| 00:10:20 |
and your ma and me and Auntie Lisa |
| 00:10:22 |
we all lived in a place |
| 00:10:24 |
All our grannies and grand-dads |
| 00:10:27 |
and sisters and all our pals. |
| 00:10:30 |
It was like a big hotel... |
| 00:10:33 |
built specially for us |
| 00:10:36 |
And when I was young, |
| 00:10:38 |
I used to think |
| 00:10:41 |
Putting a special glow around us |
| 00:10:44 |
Go about our business with |
| 00:10:48 |
And that it would never change. |
| 00:10:50 |
Tell us about the bailiffs, da. |
| 00:10:54 |
All right, so. |
| 00:10:56 |
Do you know what bailiffs are? |
| 00:10:57 |
They're just like gods |
| 00:11:00 |
Much worse. |
| 00:11:03 |
So... one day... |
| 00:11:07 |
I was coming home |
| 00:11:11 |
And I saw them -- the bailiffs |
| 00:11:15 |
Big bastards with hammers and |
| 00:11:18 |
But that didn't stop me |
| 00:11:20 |
I went for them. |
| 00:11:22 |
We fought for hours. |
| 00:11:23 |
But there was too many altogether. |
| 00:11:25 |
So, your ma and me and Lisa |
| 00:11:27 |
we barricaded ourselves in |
| 00:11:30 |
You're need gonna take our homes |
| 00:11:32 |
And they couldn't get in, |
| 00:11:34 |
They huffed and they puffed, |
| 00:11:38 |
And all around us... |
| 00:11:40 |
we could hear |
| 00:11:42 |
of our friends and neighbors |
| 00:11:44 |
as they tore their houses |
| 00:11:47 |
Like savages they were. |
| 00:11:49 |
They tried everything |
| 00:11:51 |
but they didn't know me. |
| 00:11:53 |
I wouldn't budge. |
| 00:11:54 |
No matter if they brought the |
| 00:11:57 |
And then the Mayor came! |
| 00:11:58 |
That's right. |
| 00:12:00 |
They were so pissed off |
| 00:12:03 |
the Lord Mayor of Dublin himself |
| 00:12:07 |
Mr. Lynch. |
| 00:12:10 |
Michael! |
| 00:12:12 |
Michael! Michael, please, |
| 00:12:16 |
Michael... |
| 00:12:20 |
Get on your knees! |
| 00:12:22 |
I'm pleading with you! |
| 00:12:23 |
I personally have been authorized |
| 00:12:25 |
to offer you these keys |
| 00:12:29 |
One for us and one for Auntie Lisa. |
| 00:12:31 |
And I made him promise... |
| 00:12:32 |
that no-one could ever take |
| 00:12:36 |
And the Mayor said... |
| 00:12:38 |
Yes, I promise! |
| 00:12:43 |
So, I graciously |
| 00:12:46 |
I won. I beat them all. |
| 00:12:49 |
The bailiff and the Mayor |
| 00:12:52 |
I was loyal. |
| 00:12:56 |
You see, the thing is... |
| 00:12:58 |
they'll never beat you... |
| 00:13:00 |
if you stick together |
| 00:13:17 |
Are they asleep? |
| 00:13:21 |
It's time |
| 00:13:29 |
See you tomorrow. |
| 00:13:31 |
'Night. |
| 00:13:51 |
Hiya, Michael. |
| 00:13:52 |
Hey, Shaun. |
| 00:14:03 |
You're late. |
| 00:14:04 |
Sorry, bedtime stories. |
| 00:14:06 |
God! The Mansions again. |
| 00:14:08 |
I bet that put 'em to sleep. |
| 00:14:20 |
Christine asked me to ask you |
| 00:14:22 |
would you mind looking |
| 00:14:25 |
She has to go into town to |
| 00:14:27 |
No problem. |
| 00:14:33 |
Are you ready for this? |
| 00:14:35 |
Oh yeah. |
| 00:14:39 |
I missed you. |
| 00:14:56 |
Fuck them! Don't answer! |
| 00:15:02 |
No, gotta call Billy, |
| 00:15:06 |
Jesus! Fuck 'em! |
| 00:15:13 |
Who was with you at the bank? |
| 00:15:14 |
It was Stevie. |
| 00:15:15 |
No, no. Did Stevie drive the car? |
| 00:15:18 |
Stevie drove the car, right? |
| 00:15:20 |
That's right. |
| 00:15:21 |
And Tony Brady was with you, yeah? |
| 00:15:23 |
You see, |
| 00:15:24 |
doing jobs |
| 00:15:27 |
And we have proof boy. |
| 00:15:30 |
All you have to do is say, |
| 00:15:38 |
You drove to the courts |
| 00:15:40 |
and then you switched |
| 00:15:42 |
Fifteen minutes, |
| 00:15:46 |
Give us an answer, |
| 00:15:47 |
All right, Con. Take it easy. |
| 00:15:49 |
Shall we start all over again, |
| 00:15:52 |
You weren't with either of |
| 00:15:55 |
we know that much. |
| 00:15:56 |
So, Michael, if you weren't |
| 00:16:00 |
don't tell me you were off |
| 00:16:29 |
I realize you're not a golfing man, |
| 00:16:31 |
but... |
| 00:16:34 |
and Superintendents Annual |
| 00:16:36 |
had to be cancelled today. |
| 00:16:37 |
Now, why do you think |
| 00:16:40 |
Well, I did mention to you, sir, |
| 00:16:42 |
that things like this usually |
| 00:16:44 |
Don't be the smart Alec with me, |
| 00:16:46 |
I haev to tell you, |
| 00:16:47 |
there's a lot of very unhappy |
| 00:16:50 |
This is vital rest and recreation |
| 00:16:53 |
Do you understand the importance |
| 00:16:55 |
Well I do now, sir. |
| 00:16:57 |
Are you trying to tell me |
| 00:16:59 |
I'll tell you someting, |
| 00:17:02 |
I will not have |
| 00:17:05 |
brought into disrepute |
| 00:17:09 |
We will not be intimidated |
| 00:17:12 |
Are you listening to me now? |
| 00:17:15 |
Christine wasn't upset, was she? |
| 00:17:17 |
No, no, she's fine. |
| 00:17:20 |
You see, every time |
| 00:17:21 |
there's dangers out there |
| 00:17:22 |
bits of glass lying in wait nails, |
| 00:17:25 |
So you have to watch out, |
| 00:17:27 |
coos otherwise they'll get you. |
| 00:17:31 |
Who? |
| 00:17:33 |
The bits of glass and that. |
| 00:17:35 |
Sooner or later, |
| 00:17:38 |
and then you get a puncture |
| 00:17:41 |
And then you fix it for me. |
| 00:17:42 |
Yeah, I do. |
| 00:17:46 |
Can I put the patch on now? |
| 00:17:49 |
Don't wrinkle it. |
| 00:17:50 |
Job's worth doing. |
| 00:17:55 |
If a job's worth doing, |
| 00:17:58 |
That's right... cool. |
| 00:18:09 |
That'll be the best way to park. |
| 00:18:10 |
Fucking brilliant parking that was. |
| 00:18:12 |
Shit! |
| 00:18:15 |
Hey, Tony, you drive like |
| 00:18:24 |
Fucking comedian... |
| 00:18:27 |
Mad fuck. |
| 00:18:40 |
Michael... |
| 00:18:42 |
...the new fella, Shay Kirby... |
| 00:18:44 |
doesn't bother you |
| 00:18:46 |
Nah, he's out a couple of years. |
| 00:18:48 |
A bit doggy though, isn't it? |
| 00:18:50 |
Look, why are you bringing him in? |
| 00:18:51 |
He's the inside man on the job |
| 00:18:53 |
Look, I understand. |
| 00:18:55 |
While I'm talking I'll make |
| 00:18:57 |
you watch how he reacts. |
| 00:18:59 |
Tommy, come on, we're going. |
| 00:19:00 |
Say goodbye to daddy. |
| 00:19:01 |
Bue-bye, da. |
| 00:19:02 |
By, chicken. |
| 00:19:03 |
Bye lads. |
| 00:19:04 |
Bye. |
| 00:19:06 |
Bye, da. |
| 00:19:08 |
All right, sitting down, lads. |
| 00:19:10 |
One more round, Michael? |
| 00:19:11 |
Little fella, sit down. |
| 00:19:13 |
All right... |
| 00:19:15 |
First, you've all met Shay Kirby. |
| 00:19:18 |
How's it going? |
| 00:19:20 |
Now, as you know... |
| 00:19:22 |
I may be a bit occupied in the |
| 00:19:26 |
Now, should go okay, |
| 00:19:28 |
So I thought maybe now is the time |
| 00:19:30 |
for a job I've been thinking about |
| 00:19:31 |
One of those impossible ones. |
| 00:19:34 |
Now, this is one the IRA |
| 00:19:36 |
but even they thought |
| 00:19:38 |
Well, lads, when I heard that |
| 00:19:41 |
we're gonna have to show |
| 00:19:44 |
about robbing |
| 00:19:47 |
Jesus Christ, Michael. |
| 00:19:48 |
Bollocks, man! |
| 00:19:50 |
What I was thinking was... |
| 00:19:52 |
we wouldn't actually try to |
| 00:19:56 |
but we'd sort of drop in. |
| 00:20:09 |
Fuck. Jesus Christ! |
| 00:20:21 |
And then sort of camp |
| 00:20:25 |
until someone arrives to let us |
| 00:20:29 |
And that someone... |
| 00:20:30 |
is Mr. Fintan Doorley |
| 00:20:32 |
Like myself, very precise man. |
| 00:20:35 |
Fintan arrives |
| 00:20:39 |
Now, as a man |
| 00:20:42 |
he will probably be |
| 00:20:53 |
Good morning, Mr. Doorley. |
| 00:20:55 |
Meet our esteemed leader. |
| 00:20:57 |
Good morning, staff. |
| 00:20:58 |
Identify yourselves. |
| 00:21:04 |
Once inside |
| 00:21:07 |
who'll invite them |
| 00:21:09 |
And lads... Politely, okay? |
| 00:21:11 |
As long as |
| 00:21:13 |
we won't do them any harm. |
| 00:21:14 |
Stop mucking around. |
| 00:21:16 |
You got that, Billy? |
| 00:21:18 |
What? |
| 00:21:19 |
Just get the people inside. |
| 00:21:20 |
Blow up the air bed, love, |
| 00:21:22 |
That's enough out of you, Billy. |
| 00:21:23 |
Give us a kiss, |
| 00:21:25 |
Yeah, yeah. Okay, Michael. |
| 00:21:38 |
So that at quarter-to-nine, |
| 00:21:41 |
And we can all relax |
| 00:21:42 |
because it will be some time before |
| 00:21:48 |
Now does everyone have a picture |
| 00:21:52 |
Because, lads, I promise... |
| 00:21:56 |
that's just the way |
| 00:22:03 |
What age are you, Alec? |
| 00:22:05 |
What, ten years younger than me? |
| 00:22:07 |
Big difference. |
| 00:22:09 |
Then Tony and Michael, |
| 00:22:12 |
Now, when they were kids |
| 00:22:14 |
Ain't that right, Michael? |
| 00:22:16 |
We had each other. |
| 00:22:16 |
True. |
| 00:22:19 |
Now, I'm that much younger |
| 00:22:21 |
but it was never the right stuff. |
| 00:22:23 |
What are you |
| 00:22:24 |
Billy, Billy knows |
| 00:22:26 |
No. |
| 00:22:28 |
For fuck's sake. |
| 00:22:29 |
What was the big thing |
| 00:22:32 |
''Star Wars'', I suppose. |
| 00:22:34 |
''Star Wars''. |
| 00:22:35 |
Now, I bet you got the proper |
| 00:22:37 |
You know, the real toys. |
| 00:22:40 |
Luke Skywalker, Darth Vader, |
| 00:22:42 |
And it was the proper thing, yeah? |
| 00:22:44 |
Yeah, so what? |
| 00:22:45 |
So, I never got that. |
| 00:22:47 |
But, sure, me da probably robbed |
| 00:22:49 |
It doesn't matter! |
| 00:22:51 |
My ma and da couldn't even rob |
| 00:22:55 |
That's a fucking tragedy, Stevie. |
| 00:22:58 |
It is a fucking tragedy. |
| 00:22:59 |
Fellas your age, |
| 00:23:03 |
And now my kids want |
| 00:23:06 |
And you're gonna use |
| 00:23:07 |
to make sure they get it. |
| 00:23:09 |
In me hole. |
| 00:23:12 |
I'm gonna make up for all the stuff |
| 00:23:14 |
I'm gonna enjoy myself. |
| 00:23:25 |
Go ahead Tom. |
| 00:23:28 |
Right, Michael. |
| 00:23:30 |
Now, the depth of this door |
| 00:23:34 |
Now, once that panel is removed |
| 00:23:37 |
nice and snug. |
| 00:23:39 |
Now, if you have enough of them, |
| 00:23:44 |
And you don't even notice |
| 00:23:46 |
when you're opening |
| 00:23:50 |
Now this couple I've lined up |
| 00:23:54 |
that's the beauty of it |
| 00:23:55 |
no extra splits. |
| 00:23:57 |
They're just |
| 00:23:59 |
Couple in their fifties |
| 00:24:02 |
And you know Customs... |
| 00:24:03 |
while they're busy searching |
| 00:24:07 |
they'll be tipping |
| 00:24:10 |
as they chugger, chugger through |
| 00:24:12 |
at their usual |
| 00:24:13 |
Then they drive all the way over |
| 00:24:16 |
They've told me all about |
| 00:24:18 |
it's so quiet and peaceful that |
| 00:24:24 |
This is how I see it all happening, |
| 00:24:26 |
It's not too far from Birmingham, |
| 00:24:29 |
so I can fly in be at their hotel |
| 00:24:31 |
They'll be there taking afternoon tea |
| 00:24:34 |
that they've a couple of |
| 00:24:36 |
worth of gold |
| 00:24:44 |
There'll be no more than, |
| 00:24:47 |
no security, so getting |
| 00:24:49 |
Bing, bang, boom. Get the gold |
| 00:24:51 |
bring it to the fence. |
| 00:24:52 |
Tom, it all sounds fine. |
| 00:24:55 |
I'll see you when you get back, so. |
| 00:24:58 |
Don't worry about it, Michael. |
| 00:25:05 |
Hi, Uncle Billy. |
| 00:25:09 |
Come here to me, chicken. |
| 00:25:14 |
Oh, look at you. |
| 00:25:15 |
My God, |
| 00:25:17 |
Isn't she gorgeous? |
| 00:25:18 |
Come here to me. Tell me this would |
| 00:25:23 |
Come here. |
| 00:25:24 |
Thank you. |
| 00:25:25 |
No problem, love. |
| 00:25:26 |
Good girl, good girl. |
| 00:25:27 |
Go on uupstairs, right, |
| 00:25:28 |
and I'll be with you |
| 00:25:29 |
All right, chicken, go on. |
| 00:25:30 |
Save us a dance, love, |
| 00:25:35 |
Who's your man there |
| 00:25:37 |
Higgins is his name. |
| 00:25:38 |
Grew up around here all right. |
| 00:25:42 |
IRA I heard. |
| 00:25:44 |
Funny thing, he looks more like you |
| 00:25:47 |
Same haircut anyway. |
| 00:25:49 |
Yeah, yeah. |
| 00:25:52 |
I'm telling you. |
| 00:25:53 |
Yeah, I know, I'm not gonna |
| 00:25:57 |
Thanks for the lift. |
| 00:25:58 |
Da, da, look what granny gave me. |
| 00:26:01 |
What is it, chicken? |
| 00:26:02 |
It's a holy book |
| 00:26:06 |
Oh, isn't that brilliant? |
| 00:26:07 |
What I'd give to |
| 00:26:11 |
That's what I'd like to know |
| 00:26:13 |
Guess. |
| 00:26:14 |
Mickey, you know that job that |
| 00:26:19 |
Yeah. |
| 00:26:21 |
What I mean, Mike, |
| 00:26:23 |
Tom was a bit of a fucking eject |
| 00:26:26 |
I mean, if you'd asked me |
| 00:26:31 |
Looks like |
| 00:26:34 |
there's no car and there's no gold. |
| 00:26:37 |
Yeah. |
| 00:26:39 |
So what do you wanna do? |
| 00:26:41 |
Why the fuck did he think |
| 00:26:44 |
It's not like him, |
| 00:26:46 |
And mind you, can you ever |
| 00:26:48 |
Yeah, you can. |
| 00:26:51 |
Wouldn't have asked him to |
| 00:26:56 |
What now? |
| 00:26:57 |
You go find him. Bring him back. |
| 00:26:59 |
Okay. |
| 00:27:00 |
Tony... |
| 00:27:01 |
Yeah? |
| 00:27:02 |
You can finish your dinner first. |
| 00:27:14 |
Jesus, are you gonna queue up? |
| 00:27:17 |
I'll have to, won't I |
| 00:27:20 |
Well, I can get you in there |
| 00:27:22 |
No, thanks, |
| 00:27:25 |
Fair enough. |
| 00:27:27 |
Got this stupid fucking court thing |
| 00:27:29 |
Enjoy yourself. |
| 00:27:30 |
I will. |
| 00:27:32 |
Course. |
| 00:27:40 |
My Lord, may I request |
| 00:27:43 |
until Wednesday? |
| 00:27:44 |
Application refused. |
| 00:27:46 |
but, my Lord, Mr. Harrison... |
| 00:27:47 |
the prosecution is ready, |
| 00:27:52 |
Your client cannot avoid |
| 00:27:57 |
Mr. McHale, are you ready to begin? |
| 00:28:00 |
Certainly, my Lord. |
| 00:28:04 |
Almost two years ago |
| 00:28:07 |
the defendant, Michael Lynch |
| 00:28:10 |
entered the premises of Superex |
| 00:28:13 |
They were armed and dangerous. |
| 00:28:15 |
They threatened the life |
| 00:28:18 |
and stole over |
| 00:28:23 |
Listen, Michael... |
| 00:28:26 |
See this? |
| 00:28:29 |
Yeah? |
| 00:28:30 |
Can I hang it up in our room? |
| 00:28:32 |
What do you want |
| 00:28:34 |
It's not a holy picture, |
| 00:28:36 |
He's about as holy as you are. |
| 00:28:38 |
Well, it looks like |
| 00:28:39 |
Can I hang it up, or can't I? |
| 00:28:41 |
Of course. |
| 00:28:42 |
And you wont' be |
| 00:28:43 |
I promise. |
| 00:28:46 |
Grand. |
| 00:28:50 |
Can I go to the toilet, da? |
| 00:28:52 |
Of course. |
| 00:28:54 |
Do you get the feeling |
| 00:28:58 |
Please, Michael... please! |
| 00:29:02 |
I mean, even if it is true, |
| 00:29:03 |
got their car door |
| 00:29:06 |
and then left it abandoned |
| 00:29:08 |
I searched, Michael. |
| 00:29:10 |
I found the car and I even |
| 00:29:14 |
I fucked up, you know, |
| 00:29:18 |
So you don't think |
| 00:29:22 |
No. |
| 00:29:23 |
No, it's not, it's not that, |
| 00:29:27 |
Please, Michael... |
| 00:29:33 |
What did you do with the gold? |
| 00:29:35 |
Oh, God... |
| 00:29:38 |
I did nothing! |
| 00:29:40 |
I never got it, I never! |
| 00:29:43 |
It's gone. You have to believe me. |
| 00:29:47 |
But you ran away, Tom. |
| 00:29:49 |
Only scumbags run away. |
| 00:29:51 |
You can't trust someone |
| 00:29:53 |
I mean, would you trust them, Tom? |
| 00:29:55 |
No, no, I wouldn't. |
| 00:30:07 |
So you see why this is a problem |
| 00:30:10 |
I mean, I can't leave it |
| 00:30:13 |
Yeah, I know... |
| 00:30:14 |
Where's the gold? |
| 00:30:15 |
I don't know. |
| 00:30:21 |
What do you think? |
| 00:30:23 |
I don't know, Michael, I... |
| 00:30:27 |
I'm not certain... |
| 00:30:31 |
I'd nearly believe him, Michael. |
| 00:30:32 |
Yeah, I think you're right. |
| 00:30:33 |
His story is so stupid |
| 00:30:37 |
All rigth, let him down. |
| 00:30:42 |
I'm sorry, Tom. |
| 00:30:45 |
Tony'll take you to the hospital. |
| 00:30:48 |
Oh, you're on the medical card, |
| 00:30:49 |
I mean this won't |
| 00:30:51 |
No. |
| 00:30:52 |
Grand, night. Lads. |
| 00:30:58 |
And will the accused sit up |
| 00:30:59 |
and let us see his face, please! |
| 00:31:04 |
The accused is a very clever man. |
| 00:31:07 |
But the extraordinary thing |
| 00:31:10 |
is that he seems unable to resist |
| 00:31:12 |
letting the rest of the world |
| 00:31:16 |
sometimes I think |
| 00:31:18 |
he's just a big show-off. |
| 00:31:32 |
How are things, Michael? |
| 00:31:33 |
Fair, Shay. |
| 00:31:35 |
No, I'm grand. |
| 00:31:38 |
Is everything all right, |
| 00:31:41 |
Yeah, fine. |
| 00:31:44 |
Oh, it's just this... |
| 00:31:49 |
he's getting on my nerves. |
| 00:31:51 |
He's prejudiced, you know. |
| 00:31:54 |
Is that right? |
| 00:31:58 |
That's his daughter's car. |
| 00:32:03 |
Consider it done. |
| 00:32:07 |
Trial's supposed to end |
| 00:32:10 |
will that give you enough time |
| 00:32:13 |
A ''frightener''? |
| 00:32:14 |
It has to be timed just right. |
| 00:32:19 |
Give me the keys, love. |
| 00:32:21 |
Thanks for the lunch, sir... |
| 00:32:22 |
and a very stimulating |
| 00:32:27 |
Bye, dad. Hope we didn't |
| 00:32:30 |
Not at all, Moira. |
| 00:32:31 |
Mind you, he does like the osund of |
| 00:32:33 |
You're one to talk. |
| 00:32:42 |
In conclusion... |
| 00:32:44 |
whatever the jury's feelings |
| 00:32:46 |
as to what seems |
| 00:32:51 |
I must remind you that... |
| 00:32:53 |
if the available evidence is not |
| 00:32:59 |
then... |
| 00:33:02 |
you must not convict. |
| 00:33:08 |
This is another disaster |
| 00:33:11 |
Mr. Lynch has been found not guilty. |
| 00:33:12 |
That is not to say that the Gardai |
| 00:33:14 |
are pursuing anyone else |
| 00:33:18 |
It's also not to say that |
| 00:33:19 |
the Gardai will |
| 00:33:21 |
in the activities |
| 00:33:23 |
Do you think the justice system is |
| 00:33:25 |
Michael, how can you afford such |
| 00:33:27 |
Are you back on the dole, Michael? |
| 00:33:28 |
Now that you're innocent, |
| 00:33:31 |
Daddy. |
| 00:33:32 |
There's daddy |
| 00:33:34 |
That's right. |
| 00:33:35 |
Da, why are you wearing |
| 00:33:36 |
Cos, I don't want them to see me. |
| 00:33:37 |
...that Mr. Michael Lynch |
| 00:33:40 |
All right, now, kids, who is he? |
| 00:33:42 |
A Garda. |
| 00:33:43 |
Is he a pig, da? |
| 00:33:44 |
You're both right, |
| 00:33:45 |
Pay attention to him, |
| 00:33:46 |
and never trust him |
| 00:33:48 |
Come on, play it, Michael. |
| 00:33:51 |
It's just a little bit |
| 00:33:52 |
it's in the, the beginning... |
| 00:33:53 |
Hey, that's us.We're famous. |
| 00:33:55 |
We're not the stars of the show, |
| 00:33:57 |
We'd only be like extras, you know. |
| 00:34:00 |
Will you go and play outside, |
| 00:34:02 |
Are you going home? |
| 00:34:03 |
We've gotta go home in a minute. |
| 00:34:04 |
All right, come on, |
| 00:34:05 |
Get your coats. |
| 00:34:13 |
But it does seem that the Gardai |
| 00:34:16 |
the spiral of crime |
| 00:34:17 |
Does it? |
| 00:34:32 |
Billy. |
| 00:34:33 |
Billy! |
| 00:34:34 |
Billy, how are you? |
| 00:34:37 |
God, you're looking well tonight. |
| 00:34:38 |
I like the suit there, big fella. |
| 00:34:40 |
Right, fine. |
| 00:34:42 |
Lisa and Christine, isn't it? |
| 00:34:44 |
Sorry, I'm not sure which is which. |
| 00:34:47 |
Who's that? |
| 00:34:48 |
It's Jerome Higgins. |
| 00:34:50 |
Jerome Higgins? |
| 00:34:53 |
Since when yhave you become |
| 00:34:55 |
little fella? |
| 00:34:56 |
Talk to him, will you? |
| 00:34:57 |
A few minutes, |
| 00:34:59 |
it's no trouble or anything. |
| 00:35:03 |
What's the problem, Michael? |
| 00:35:04 |
I don't like being told what to do, |
| 00:35:10 |
It's grand. |
| 00:35:14 |
I won't be long. Okay? |
| 00:35:16 |
Billy. |
| 00:35:19 |
Conversing with the riff-raff. |
| 00:35:22 |
Glad our man, Shay Kirby, |
| 00:35:23 |
was able to help you out |
| 00:35:25 |
Shay doesn't work with you |
| 00:35:27 |
But his training, Michael. |
| 00:35:30 |
What are you looking for? |
| 00:35:31 |
Well, I was just saying |
| 00:35:33 |
that I think |
| 00:35:34 |
in a bit of co-operation |
| 00:35:37 |
Well, I don't. |
| 00:35:38 |
Billy wouldn't agree with you there |
| 00:35:40 |
and we've done a few favours |
| 00:35:43 |
Now, I suppose you know that |
| 00:35:44 |
we had our eye on |
| 00:35:48 |
Tough shite. |
| 00:35:48 |
Because we thought a reasonable |
| 00:35:51 |
Two million, I believe, would be |
| 00:35:55 |
Call it a symbol |
| 00:35:58 |
How about a symbol |
| 00:36:01 |
You've neither the fucking brains |
| 00:36:02 |
or the gumption |
| 00:36:03 |
so you think |
| 00:36:05 |
and squeeze an ordinary |
| 00:36:06 |
who knows something about his job. |
| 00:36:08 |
Fuck off and double fuck off, |
| 00:36:13 |
Night, little fella. |
| 00:36:15 |
Excuse me. |
| 00:36:18 |
Oh, and, |
| 00:36:20 |
God loves a trier |
| 00:36:21 |
and keep your eye on the papers, |
| 00:36:23 |
cos that'll be the first place |
| 00:36:25 |
when it's all over the front pages. |
| 00:36:26 |
The biggest yet. |
| 00:36:29 |
What job are you talking about, |
| 00:36:30 |
Don't ask me, I'm making it up |
| 00:36:49 |
M, it's me. |
| 00:36:55 |
Hi, Michael. |
| 00:36:57 |
Look, I'm really sorry about that |
| 00:37:00 |
Christine! |
| 00:37:03 |
So, you got caught dealing and |
| 00:37:08 |
You fucking spaz. |
| 00:37:10 |
I want you out of Dublin, fast, |
| 00:37:12 |
England, the States, |
| 00:37:14 |
But keep away from them |
| 00:37:23 |
I'm sorry, Michael. |
| 00:37:58 |
Mostly he enede up |
| 00:38:01 |
but that's only cos that's |
| 00:38:04 |
Cardinals and Bishops were |
| 00:38:07 |
to paint scenes from the Bible. |
| 00:38:08 |
And Lords, of course, trying to |
| 00:38:12 |
He had to do a runner out of Rome |
| 00:38:15 |
Bit of a fucking headcase, |
| 00:38:20 |
Michael, this isn't right. |
| 00:38:22 |
Excuse me, my, my wife, |
| 00:38:45 |
See Jesus and Judas... |
| 00:38:47 |
Caravaggio used fellas |
| 00:38:50 |
He hung around bars and |
| 00:38:53 |
picked out someone interesting |
| 00:38:57 |
I think he got a kick out of that, |
| 00:38:59 |
having Cardinals on their knees... |
| 00:39:02 |
praying away to some painting |
| 00:39:06 |
What are you laughing at? |
| 00:39:08 |
Oh, nothing. |
| 00:39:11 |
I was just thinking about |
| 00:39:13 |
and who gets the benefit. |
| 00:39:15 |
I mean, your man who painted this |
| 00:39:16 |
he never saw any of the money |
| 00:39:19 |
But he gets the reputation though |
| 00:39:21 |
I mean, people remember who he is. |
| 00:39:23 |
And that's the thing, isn't it? |
| 00:39:26 |
You're afraid no-one'll |
| 00:39:29 |
I think |
| 00:39:31 |
Why? So I'll be remembered? |
| 00:39:33 |
Nah. So you could do the kitchen. |
| 00:39:53 |
Hello, yeah? |
| 00:39:54 |
Father Grogan? |
| 00:39:55 |
Paul Grogan, yes, that's me. |
| 00:39:57 |
My name's Christine. |
| 00:39:59 |
I phoned you about the Caravaggio. |
| 00:40:00 |
Oh, yes, of course. |
| 00:40:02 |
Come in, you're welcome. |
| 00:40:04 |
Oh, the painting was hanging |
| 00:40:08 |
looking down at everyone |
| 00:40:11 |
and no-one took any notice of it. |
| 00:40:14 |
Getting dirtier and dirtier. |
| 00:40:17 |
Then one day I was celebrating Mass |
| 00:40:23 |
remind me to show it to you |
| 00:40:25 |
Anyway, this morning |
| 00:40:30 |
account of Veronica |
| 00:40:33 |
And I thought, we must have |
| 00:40:37 |
No idea |
| 00:40:40 |
a Caravaggio... |
| 00:40:42 |
I mean, a priceless original. |
| 00:40:43 |
It was a pity for us in a way, |
| 00:40:45 |
because it was lovely to |
| 00:40:48 |
But, well... |
| 00:40:51 |
we knew it couldn't stay here. |
| 00:40:53 |
I mean any half decent thief |
| 00:40:57 |
The gallery made us |
| 00:40:59 |
Same size and all? |
| 00:41:00 |
Oh, yes, an absolute replica. |
| 00:41:03 |
Oh, I couldn't tell the difference. |
| 00:41:05 |
What about an art expert? |
| 00:41:07 |
Well, he or she |
| 00:41:10 |
If it really is |
| 00:41:11 |
why didn't you sell it |
| 00:41:13 |
rather than giving it to them? |
| 00:41:14 |
Well, not blowing |
| 00:41:17 |
but I suppose we just thought |
| 00:41:40 |
Won't be long, |
| 00:41:42 |
Okay, lads, good luck. |
| 00:42:21 |
What the bloody hell's he doing? |
| 00:43:00 |
Get out of the car. |
| 00:43:01 |
Get out of the fucking car! |
| 00:43:14 |
Yes! |
| 00:43:16 |
Did you see their fucking faces? |
| 00:43:19 |
Raferty van, that's it, that's it. |
| 00:43:21 |
Get after him, Con. |
| 00:43:23 |
Shut up. I'm, like, doing it. |
| 00:43:24 |
Oh their tail. |
| 00:43:26 |
Would you, for fuck's sake, |
| 00:43:46 |
Okay, we're up on them. |
| 00:43:47 |
Right, steady as you go, Con, |
| 00:43:49 |
Nice and handy. |
| 00:43:50 |
Fuck! |
| 00:43:51 |
The door's open, now's your chance. |
| 00:43:53 |
What's the fucking matter with you? |
| 00:43:55 |
Jesus Christ! |
| 00:44:06 |
I knew we were a country |
| 00:44:10 |
Yes. |
| 00:44:12 |
You never mind if there's bastards |
| 00:44:15 |
They're only satisfied |
| 00:44:17 |
keep you poor, put you away. |
| 00:44:19 |
They don't count. Not with us. |
| 00:44:21 |
In fact, I think we can give them |
| 00:44:24 |
cos they're only eejits. |
| 00:44:25 |
Mentioning no names like. |
| 00:44:27 |
And this thing of me becoming |
| 00:44:30 |
I want you all to know |
| 00:44:31 |
it's not gonna change me |
| 00:44:36 |
Come on, |
| 00:44:38 |
We're top of the ratings, lads. |
| 00:44:40 |
They might even give us |
| 00:44:41 |
...valuable painting Caravaggio, |
| 00:44:46 |
was stolen in broad daylight |
| 00:44:46 |
by an unknown criminal gang |
| 00:44:50 |
And none of them have |
| 00:44:55 |
Oh, you wanna see the bum shot? |
| 00:44:57 |
What the fuck is a bum shot? |
| 00:45:02 |
Oh, Jesus. |
| 00:45:05 |
Look at that arse on you, man. |
| 00:45:08 |
Michael, the painting, |
| 00:45:10 |
It's all sussed. |
| 00:45:13 |
Alec is going to Amsterdam |
| 00:45:14 |
Let him make us an offer. |
| 00:45:16 |
But the crack is, in the meantime |
| 00:45:19 |
we can just sit back |
| 00:45:21 |
make a pig's mickey of it. |
| 00:45:23 |
I'll drink to that. |
| 00:45:25 |
Michael, any idea how much we'll |
| 00:45:28 |
Like, just cos |
| 00:45:30 |
We'll get enough to get rich, |
| 00:45:32 |
The point is, we've won. |
| 00:45:34 |
I mean, you see ths, |
| 00:45:38 |
Think about what it means. |
| 00:45:41 |
We're number one, |
| 00:45:43 |
not the IRA, not anyone else. |
| 00:45:46 |
The whole country is in awe of us. |
| 00:45:49 |
Because of a little divine |
| 00:45:51 |
we're bigger than Riverdance. |
| 00:45:54 |
One day at a time... |
| 00:45:57 |
sweet Jesus, |
| 00:46:04 |
Just give me the strength to |
| 00:46:11 |
Yesterday's gone sweet Jesus |
| 00:46:16 |
And tomorrow may never be mine |
| 00:46:28 |
I think this is the signal. |
| 00:46:29 |
Watch... see? |
| 00:46:30 |
Spot on. |
| 00:46:32 |
Well, it's the signal itself |
| 00:46:34 |
Well, you're right, |
| 00:46:36 |
he's imitating the painting, sir. |
| 00:46:38 |
Same as your man Judas there. |
| 00:46:40 |
Oh, right, very clever, but... |
| 00:46:41 |
Yeah, it's smart. |
| 00:46:43 |
Obviously someone that likes a gag. |
| 00:46:47 |
That's what made me realise |
| 00:46:49 |
We can't get a positive ID |
| 00:46:51 |
but I did body size and shape |
| 00:46:55 |
Heads, heights, everything, |
| 00:46:57 |
Very interesting, Noel, well doen. |
| 00:46:59 |
Good to see the gizmos being |
| 00:47:01 |
but it's a coincidence. |
| 00:47:04 |
Your nose alone |
| 00:47:05 |
Lynch is not capable of |
| 00:47:07 |
I went back over |
| 00:47:10 |
from the art gallery, sir. |
| 00:47:11 |
Lynch and his wife Christine |
| 00:47:15 |
I know it's not |
| 00:47:16 |
but what the fuck |
| 00:47:18 |
at a seventeenth century |
| 00:47:20 |
My wife went to that exhibition! |
| 00:47:22 |
I'm sorry, but we'd look like fools |
| 00:47:25 |
presenting that idea |
| 00:47:27 |
If my training with the FBI |
| 00:47:30 |
it's these specialist robberies |
| 00:47:32 |
are the preserve of |
| 00:47:34 |
Germans, Dutch, art thieves that |
| 00:47:38 |
Come on, Noel, admit it. |
| 00:47:39 |
Lynch just isn't in that league. |
| 00:47:47 |
Behave yourself. |
| 00:47:54 |
Oh, charge it to room 764, please. |
| 00:47:56 |
No... Peter. In fairness you've |
| 00:47:59 |
You have to let me pay this time. |
| 00:48:01 |
Hey, you know it's no problem. |
| 00:48:03 |
You'll be paying |
| 00:48:04 |
Hey, Alec, he's right. |
| 00:48:05 |
So we will. |
| 00:48:06 |
Hey, I like your style, Peter. |
| 00:48:09 |
Smart fella there. |
| 00:48:10 |
Oh phone call. Won't be long. |
| 00:48:12 |
Hey, Peter, I think that slapper |
| 00:48:15 |
What's a slapper? |
| 00:48:16 |
Yeah... no, yeah, no, |
| 00:48:18 |
No... I'll be there, yeah... |
| 00:48:20 |
It's certainly not the MO |
| 00:48:23 |
Which suggests very strongly that |
| 00:48:25 |
it's a very clever |
| 00:48:28 |
You've probably come to that |
| 00:48:31 |
Oh yes, oh, indeed, aye. |
| 00:48:35 |
Well, of course we're |
| 00:48:37 |
that this is the work of |
| 00:48:41 |
Now, I'm personally familiar |
| 00:48:43 |
and though normally art theft |
| 00:48:46 |
this particular robbery seems to |
| 00:48:50 |
If you know who you're dealing with |
| 00:48:52 |
it will make a recovery operation |
| 00:48:56 |
We know that someone here in Dublin |
| 00:48:59 |
has made contact with a fence |
| 00:49:02 |
Let us call him Peter. |
| 00:49:04 |
Peter had made contact with us |
| 00:49:06 |
to offer his co-operation. |
| 00:49:33 |
Good afternoon, lads. |
| 00:49:35 |
All set? |
| 00:49:36 |
All ready, sir. |
| 00:49:36 |
Noel... |
| 00:49:38 |
Yes, sir? |
| 00:49:39 |
Get to work. |
| 00:49:40 |
Right away, sir. |
| 00:49:48 |
Whatever you do, |
| 00:49:49 |
don't say anything to him |
| 00:49:50 |
or mention anything |
| 00:49:52 |
Okay. |
| 00:49:53 |
Not a word. |
| 00:49:55 |
I mean it. Good luck. |
| 00:49:56 |
See you there, Michael. |
| 00:49:58 |
Do you like art, generally? |
| 00:50:00 |
What do you think of the painting? |
| 00:50:03 |
Oh, I couldn't give a shite, man, |
| 00:50:06 |
Well, it's a beautiful Caravaggio, |
| 00:50:12 |
Well, of course I realize, |
| 00:50:14 |
well, I suppse that |
| 00:50:20 |
I can tell you, |
| 00:50:22 |
you have no interest |
| 00:50:24 |
Not true. I love a good chat, man. |
| 00:50:28 |
So, these are the beautiful |
| 00:50:31 |
Spotter plane. |
| 00:50:32 |
They've got it, sir. |
| 00:50:34 |
All right. |
| 00:50:36 |
Let's hope |
| 00:50:38 |
especially if |
| 00:50:48 |
Where do you want it? |
| 00:50:49 |
The Caravaggio? |
| 00:50:51 |
Upright somewhere. |
| 00:50:52 |
Lean it against the tree there. |
| 00:50:53 |
It's so strange to be standing on |
| 00:50:54 |
looking at one of the great |
| 00:51:00 |
''The Taking Of Christ'', |
| 00:51:07 |
What are you shouting for? |
| 00:51:13 |
Oh, sorry, was I? |
| 00:51:15 |
A little excited perhaps. |
| 00:51:22 |
Right. So, tell me, are you happy |
| 00:51:25 |
Yes, very happy. |
| 00:51:28 |
Right then, lads, follow me. |
| 00:51:33 |
Back to Roundwood okay? |
| 00:51:36 |
Roundwood. Got him. |
| 00:51:38 |
Units 2,3 and 6, Roundwood. |
| 00:51:40 |
I want a complete roadblock. |
| 00:51:46 |
All units to Roundwood... |
| 00:51:49 |
Copy that, control. |
| 00:51:52 |
Unit 5, how far away are you? |
| 00:51:55 |
Isn't the scenery around here |
| 00:51:57 |
Of course, you've no mountains |
| 00:52:01 |
No, very flat Holland. |
| 00:52:07 |
I love your country very much. |
| 00:52:09 |
Same here, Peter. |
| 00:52:11 |
Ireland's a great place to live, |
| 00:52:14 |
Are we near Roundwood yet? |
| 00:52:16 |
About half a mile. |
| 00:52:17 |
As soon as we get off this road |
| 00:52:19 |
Fantastic. |
| 00:52:21 |
Are you thirsty? |
| 00:52:23 |
The cheek of the man. |
| 00:52:28 |
Are they in position yet? |
| 00:52:29 |
I want that roadlock rock solid |
| 00:52:32 |
Mothing repeat, |
| 00:52:34 |
Unit 6, call in, where are you? |
| 00:52:37 |
I know the very best pub |
| 00:52:40 |
Lovely log fire. |
| 00:52:43 |
and they serve a great pint. |
| 00:52:46 |
Are you sure he said Roundwood? |
| 00:52:48 |
Sir, the surveillance plane can't |
| 00:52:50 |
anywhere near Roundwood. |
| 00:52:51 |
What? |
| 00:52:52 |
He says they're not in the area. |
| 00:52:53 |
Well, they have to be. |
| 00:52:54 |
Are you sure it's Roundwood? |
| 00:52:55 |
Maybe they're not |
| 00:53:01 |
Here we go. That's Roundwood |
| 00:53:04 |
Supposed to be the highest village |
| 00:53:07 |
Wouldn't mind living aroung here, |
| 00:53:09 |
A lovely quiet spot. |
| 00:53:11 |
Yes, yes, very tranquil. |
| 00:53:14 |
They're just |
| 00:53:16 |
Well, the surveillance plane |
| 00:53:19 |
Well, what's going on? |
| 00:53:21 |
Oh, fuck... God forgive me. |
| 00:53:24 |
No sign of them. Nothing at all. |
| 00:53:37 |
What an awful |
| 00:53:39 |
What's he talking about now? |
| 00:53:41 |
I hope the Government will pay |
| 00:53:44 |
It's the least they can do. |
| 00:53:45 |
Please, don't. |
| 00:53:48 |
Jesus Christ, Michael, |
| 00:53:50 |
Here, Tony, Stevie, |
| 00:53:53 |
I bet the Gardas are sitting there |
| 00:53:55 |
''What the fuck are we |
| 00:53:57 |
''There is no way |
| 00:54:00 |
''they're untouchable.'' |
| 00:54:32 |
You knew all along, didn't you? |
| 00:54:35 |
How do you mean? |
| 00:54:36 |
Like, explain it to me. |
| 00:54:38 |
What the fuck |
| 00:54:40 |
if you knew Peter was a fake? |
| 00:54:42 |
They're gonna feel so stupid. |
| 00:54:45 |
The Gardas are gonna think |
| 00:54:49 |
Yeah, maybe. |
| 00:54:51 |
I just wouldn't try that one |
| 00:54:54 |
Stevie? Fuck him |
| 00:55:34 |
On the night, He was betrayed. |
| 00:55:35 |
He took bread and gave you thanks |
| 00:55:39 |
and praise. He broke the bread |
| 00:55:43 |
''Take this all of you nd eat it |
| 00:55:48 |
''which will be given up for you.'' |
| 00:56:10 |
May He make us an everlasting gift |
| 00:56:13 |
and enable us to share |
| 00:56:17 |
with Mary, |
| 00:56:20 |
with the Apostles... |
| 00:56:45 |
Right, Michael, |
| 00:56:49 |
Michael... |
| 00:56:51 |
Take a look at |
| 00:56:53 |
What? |
| 00:56:54 |
Look! |
| 00:57:00 |
What the fuck... |
| 00:57:19 |
Hi, cunts. |
| 00:57:20 |
Shut your fucking mouth, |
| 00:57:22 |
What the fuck are you |
| 00:57:24 |
I'll fucking shut it for you. |
| 00:57:26 |
Alec, come here. I'll fucking |
| 00:57:36 |
Lads. It's Christine. |
| 00:57:38 |
How are you all? |
| 00:57:42 |
Bastards. |
| 00:57:44 |
Come on. Let's see what they're at. |
| 00:57:48 |
we just ignore 'em, |
| 00:57:50 |
Right, lads? |
| 00:57:52 |
Alec... |
| 00:57:53 |
They don't exist. |
| 00:57:54 |
I wouldn't fucking touch them. |
| 00:57:55 |
Then again I might have to |
| 00:57:59 |
Your escorts. Here boys, |
| 00:58:02 |
You fucking wanker, |
| 00:58:03 |
That baldy fuck's supposed to be |
| 00:58:07 |
You must be joking |
| 00:58:09 |
just a thick gobshite |
| 00:58:10 |
Well, he's fucked now. |
| 00:58:12 |
Hey, Lynch, |
| 00:58:14 |
Can you feel it, can you? |
| 00:58:15 |
You might as well give up now. |
| 00:58:17 |
Cos we're gonna be glues |
| 00:58:19 |
Yeah, like flies on shite. |
| 00:59:08 |
Hey, girls, you got a minute? |
| 00:59:10 |
What's up with you? |
| 00:59:11 |
Oh, nothing. |
| 00:59:12 |
Fucking Gardas, you know, |
| 00:59:15 |
Listen, I need one of you |
| 00:59:18 |
So where are the Gardas gonna be? |
| 00:59:19 |
Are you gonna fucking hlep me |
| 00:59:22 |
Yeah. |
| 00:59:25 |
Keep your hair on. |
| 00:59:37 |
Why can't you cops |
| 00:59:40 |
How can they keep this up? |
| 00:59:42 |
How many of them are there? |
| 00:59:43 |
How are we supposed to work |
| 00:59:46 |
I don't recognize any of them. |
| 00:59:47 |
Would somebody call the Gardas, |
| 00:59:50 |
They're never around |
| 00:59:52 |
It's just no fun any more, |
| 00:59:55 |
time's up and I think you know it. |
| 00:59:57 |
I've had a contact about |
| 00:59:59 |
Yeah? |
| 01:00:00 |
An offer. From the IRA |
| 01:00:02 |
Not great, I know, |
| 01:00:05 |
but it's better than |
| 01:00:06 |
Their man Higgins said, |
| 01:00:08 |
it would be okay about Billy. |
| 01:00:09 |
Sorry? |
| 01:00:10 |
Like, if he comes to Dublin, |
| 01:00:12 |
You talked to Higgins about Billy? |
| 01:00:14 |
Look, let's do the deal |
| 01:00:16 |
so thowe fuckers go after the IRA |
| 01:00:17 |
Fucking sure anyway, it's not |
| 01:00:20 |
this art shite. |
| 01:00:21 |
Let the IRA deal with it, man. |
| 01:00:22 |
Look at all these Gardas... |
| 01:00:25 |
we've dragged them |
| 01:00:27 |
They're acting like criminals now. |
| 01:00:28 |
I'm their worst fucking nightmare. |
| 01:00:30 |
And now you're telling me |
| 01:00:32 |
the thing we'll be remembered for. |
| 01:00:35 |
You think |
| 01:00:37 |
Yeah. |
| 01:00:37 |
Like fuck he will. |
| 01:00:39 |
Can't you see |
| 01:00:41 |
It's not about the money, |
| 01:00:43 |
It's about splitting us. |
| 01:00:45 |
Michael, we're robbers. |
| 01:00:48 |
I'm not making a living any more. |
| 01:00:49 |
Yeah, I know, you need things. |
| 01:00:53 |
Michael, they're coming. |
| 01:00:55 |
Will you have a think about it |
| 01:00:58 |
Will you, Michael? |
| 01:01:00 |
Tell Higgins I'll let him know. |
| 01:01:03 |
And I'll let him know too. |
| 01:01:04 |
And I hope we're talking about |
| 01:01:08 |
See you later, Michael. |
| 01:01:11 |
D'you fancy a pint, copper? |
| 01:01:19 |
Look at the time, |
| 01:01:31 |
Michael Lynch. |
| 01:01:35 |
What's this? |
| 01:01:37 |
Your benefits have been rescinded. |
| 01:01:41 |
Try that one again. |
| 01:01:43 |
It's the Government. |
| 01:01:45 |
I just got the order. |
| 01:01:46 |
You see, |
| 01:01:57 |
So I have to... |
| 01:01:59 |
you know, I, I, I can't... |
| 01:02:01 |
You think |
| 01:02:03 |
You're off your fucking head. |
| 01:02:07 |
Would you stop for a minute |
| 01:02:09 |
Can't you see |
| 01:02:12 |
Only the one way... |
| 01:02:13 |
You've been prison twenty years |
| 01:02:15 |
Me, Lisa, the kids... |
| 01:02:16 |
No, no, I wouldn't |
| 01:02:18 |
Michale Lynch, Norman here, good morning |
| 01:02:23 |
Tell you the news about donor |
| 01:02:25 |
I'd say |
| 01:02:28 |
You ugly bag os shite. |
| 01:02:32 |
You're losing it, Lynch, so fast. |
| 01:02:36 |
As long as you live... |
| 01:02:37 |
Stop it... |
| 01:02:38 |
we'll be here watching you. |
| 01:02:40 |
No escape. |
| 01:02:41 |
Fuck off, Michael. |
| 01:02:43 |
Christine, did we wake you? |
| 01:02:47 |
Do you really think they'll ever |
| 01:02:49 |
All right. |
| 01:02:50 |
after all you did? |
| 01:02:51 |
All right, you're right, |
| 01:02:52 |
but they're never gonna |
| 01:02:53 |
you hear me, no matter |
| 01:02:55 |
They're out to get you. |
| 01:02:56 |
What can I do about it? |
| 01:02:57 |
I'll tell you |
| 01:02:59 |
Christine... |
| 01:03:01 |
Sorry for the disturbance, |
| 01:03:11 |
Bastards. |
| 01:03:17 |
I never thought |
| 01:03:26 |
Hey, Lynch... |
| 01:03:27 |
What's so, what? |
| 01:03:29 |
Show us your ugly mug. |
| 01:03:30 |
If they were me down, |
| 01:03:32 |
I'll lose everything. |
| 01:03:36 |
You... Lisa... the kids. |
| 01:03:51 |
What about the painting? |
| 01:03:53 |
I wasn't in it for the money. |
| 01:03:55 |
In it for the crack. |
| 01:03:57 |
I got a few good laughs |
| 01:04:02 |
You know what you are? |
| 01:04:06 |
That good, yeah? |
| 01:04:07 |
Wouldn't be everyone's cup of tea, |
| 01:04:33 |
That is disgusting. |
| 01:04:34 |
Hey, keep the noise down, Lynch. |
| 01:05:15 |
How are you, Michael? |
| 01:05:18 |
You got me offer? |
| 01:05:20 |
So what do you think? |
| 01:05:23 |
Last time we spoke |
| 01:05:26 |
Things have changed a bit |
| 01:05:29 |
That's right, Michael. |
| 01:05:30 |
I mean, all these lads, following |
| 01:05:32 |
one has to face facts. |
| 01:05:34 |
You cut your cloth, Michael. |
| 01:05:36 |
So I suppose |
| 01:05:38 |
when I tell you |
| 01:05:40 |
I'd tear up that painting |
| 01:05:42 |
before I let you near it. |
| 01:05:45 |
It's too late for you, Michael. |
| 01:05:47 |
There's no Lord Mayors begging to |
| 01:05:50 |
That's long gone. |
| 01:05:52 |
I've a picture in me head of you |
| 01:05:53 |
sitting with your grandchild |
| 01:05:55 |
A bit of drool |
| 01:05:58 |
Talking shite. |
| 01:06:00 |
Michael who? |
| 01:06:22 |
We have a show. Tony. |
| 01:06:33 |
Michael. |
| 01:06:34 |
Tony. |
| 01:06:36 |
I've been fucking you around, |
| 01:06:39 |
Yeah, you have, Michael. |
| 01:06:42 |
I'm sorry. |
| 01:06:44 |
Well, it's to be expected |
| 01:06:47 |
Yeah, but whatever Stevie's up to, |
| 01:06:48 |
he's gonna make things worse. |
| 01:06:50 |
No, I don't |
| 01:06:52 |
Get us back to where we were. |
| 01:06:54 |
Oh, you think that's what |
| 01:06:55 |
What choice do we have? |
| 01:07:01 |
Do you think |
| 01:07:04 |
You'd be amazed the skills |
| 01:07:10 |
You're fantastic lads. |
| 01:07:14 |
Do you know that? |
| 01:07:17 |
He's got a crack. |
| 01:07:19 |
For Christ sake, Michael. |
| 01:07:21 |
Tell me then. What's next? |
| 01:07:25 |
Stevie's gonna try to get |
| 01:07:28 |
With or without me. |
| 01:07:32 |
Come on, we all know that, Tony. |
| 01:07:35 |
So how's he gonna |
| 01:07:39 |
It's a good plan. |
| 01:07:41 |
Fair enough. |
| 01:07:46 |
Come on, trust me with it, |
| 01:07:49 |
You know Copeland Grove? |
| 01:07:51 |
Yeah. |
| 01:07:52 |
It's a cul-de-sac, right. |
| 01:07:54 |
Yeah, leading up to Summerhill. |
| 01:07:55 |
You're gonna drive up there. |
| 01:07:58 |
How? All together? |
| 01:08:00 |
No. |
| 01:08:01 |
No... a car each, |
| 01:08:03 |
Not bad, if you can pull it off. |
| 01:08:05 |
Don't see why we can't. |
| 01:08:07 |
A car will be waiting for you? |
| 01:08:08 |
Van. |
| 01:08:09 |
Of course, for the painting. |
| 01:08:11 |
Alec can move that out |
| 01:08:14 |
Yeah. Once we get shot of |
| 01:08:16 |
Hold on a minute. |
| 01:08:18 |
That's where it'll happen. |
| 01:08:19 |
What? |
| 01:08:21 |
Oh, you'll get rid of the Gardas |
| 01:08:24 |
Easily. |
| 01:08:27 |
Cos I think they'll be tipped off. |
| 01:08:29 |
Which is better for Higgins? |
| 01:08:31 |
To buy some painting |
| 01:08:32 |
or to get all of Michael Lynch's |
| 01:08:34 |
Leaving just me for him to |
| 01:08:38 |
Think about it... |
| 01:08:40 |
Higgins or Stevie... |
| 01:08:42 |
who would the smart money be on? |
| 01:08:49 |
Look, all I'm saying... |
| 01:08:53 |
I promise... I'll be waiting. |
| 01:09:14 |
Come and get me. |
| 01:09:24 |
oh, you'll get rid of |
| 01:09:27 |
Easily. |
| 01:09:28 |
Cos Higgins will |
| 01:09:30 |
The way me and Higgins see it is, |
| 01:09:32 |
if we're reasonable, |
| 01:09:34 |
Co-operate, let each other know |
| 01:09:37 |
that kind of thing, so as we |
| 01:09:38 |
Yeah. |
| 01:09:39 |
While the cops are looking for us, |
| 01:09:41 |
Higgins is robbing the bank |
| 01:09:43 |
I can't believe what I'm hearing. |
| 01:09:44 |
I thought we were doing one thing... |
| 01:09:46 |
unloading the painting |
| 01:09:47 |
to try and get everything |
| 01:09:49 |
Yeah, normal that means no Michael. |
| 01:09:52 |
Cos he's not normal any more, |
| 01:09:54 |
Alec, pull up here. |
| 01:09:56 |
If anything goes against us... |
| 01:10:02 |
Yeah? |
| 01:10:03 |
It's Tony, you were right, Michael. |
| 01:10:05 |
Stevie's gone over to Higgins. |
| 01:10:07 |
Okay... Are you free? |
| 01:10:09 |
Nah, not a Garda in sight. |
| 01:10:11 |
Jesus, yes. Right. |
| 01:10:12 |
Liten, have you found out anything? |
| 01:10:14 |
Where's Higgins picking up |
| 01:10:15 |
It's Stevie |
| 01:10:17 |
Apparently while he's |
| 01:10:20 |
Higgins is planning to rob a bank. |
| 01:10:22 |
I think it's some plan |
| 01:10:25 |
Do you know where? |
| 01:10:26 |
The Metro Bank in Dame Street, |
| 01:10:29 |
Jut before mid-day. |
| 01:10:31 |
All right, here's what you do... |
| 01:10:33 |
you get there now, fast, |
| 01:10:34 |
And make sure |
| 01:10:35 |
Yeah. |
| 01:10:36 |
Ring me in fifteen minutes. |
| 01:10:37 |
Okay. |
| 01:10:38 |
Oh, and Tony... |
| 01:10:40 |
What are you wearing by the way? |
| 01:10:46 |
Well? |
| 01:10:47 |
What? |
| 01:10:48 |
Have you two kissed and made up? |
| 01:10:50 |
Me and Tony? Oh, yeah, sure. |
| 01:10:52 |
Good. |
| 01:10:53 |
Can't be falling out with friends |
| 01:11:02 |
Listen girls... |
| 01:11:05 |
I think I'm gonna be able to |
| 01:11:07 |
so you wont' be |
| 01:11:09 |
Tony and me have come up |
| 01:11:12 |
something very tasty. |
| 01:11:17 |
Listen, I gotta go, okay? |
| 01:11:18 |
Don't worry. It's grand, Michael. |
| 01:11:21 |
Go on so. |
| 01:11:23 |
Wish me luck, girls, there's |
| 01:11:29 |
Hi, da. |
| 01:11:30 |
Nothing yet, Michael. |
| 01:11:31 |
Maybe Stevie was bullshitting. |
| 01:11:32 |
I don't thinkso. |
| 01:11:35 |
All right, now are you listening? |
| 01:11:36 |
Here's how it's gonna happen. |
| 01:11:38 |
You hang around inside the bank. |
| 01:11:51 |
There'll be the usual Gardas |
| 01:11:53 |
But not so many. |
| 01:11:55 |
Remember... |
| 01:11:57 |
At last we can make |
| 01:12:00 |
So most of the armed units |
| 01:12:01 |
will be chasing him and Alec |
| 01:12:11 |
Now once Higgins' boys arrive... |
| 01:12:34 |
I'm disappointed in you, Shay. |
| 01:12:37 |
Mother of Christ. |
| 01:12:42 |
That's Shay Kirby. |
| 01:12:44 |
Let's check it out. |
| 01:12:47 |
Good morning. |
| 01:12:53 |
Thank you. |
| 01:12:55 |
How's it going, Shay? |
| 01:12:56 |
Put it down. Drop it. |
| 01:12:57 |
Put it down, now. Drop it. |
| 01:12:58 |
Take it easy, Shay. |
| 01:13:00 |
Put it down! |
| 01:13:02 |
Put it down! |
| 01:13:06 |
Stand up! Turn around! |
| 01:13:08 |
Against the wall. |
| 01:13:09 |
Fuck! |
| 01:13:12 |
Alec, watch the fucking painting. |
| 01:13:17 |
Don't move a fucking muscle. |
| 01:13:21 |
Fuck me. What the fuck |
| 01:13:23 |
Right, |
| 01:13:25 |
Right, right, |
| 01:13:27 |
Why? |
| 01:13:28 |
Keep behind the fucking painting! |
| 01:13:29 |
Right, right. |
| 01:13:30 |
Right. |
| 01:13:31 |
Shite! |
| 01:13:35 |
Go... |
| 01:13:40 |
Drop the guns! |
| 01:13:44 |
Drop the guns! |
| 01:13:47 |
What the fuck are we gonna do? |
| 01:13:48 |
Drop the fucking picture! |
| 01:14:12 |
Everybody... |
| 01:14:20 |
Get down. |
| 01:14:22 |
You're a fucking arsehole. |
| 01:14:25 |
Michael would never have gotten us |
| 01:14:27 |
Cara-fucking-vaggio. |
| 01:14:40 |
Fuck art! |
| 01:14:46 |
All right, Liam, he's safe. |
| 01:14:47 |
We need back-up. |
| 01:14:48 |
This is foxtrot one calling... |
| 01:14:49 |
we request immediate |
| 01:14:52 |
We've got a situation here. |
| 01:14:53 |
All armed units are |
| 01:14:55 |
Fucking bollocks! |
| 01:14:57 |
What the fuck are you looking at? |
| 01:14:59 |
All right let's move. |
| 01:15:01 |
Right, stay there. |
| 01:15:04 |
You'll have to sign for that boys. |
| 01:15:13 |
Drop the gun. |
| 01:15:19 |
Don't... don't fucking shoot me! |
| 01:15:20 |
Drop the gun. |
| 01:15:24 |
Michael Lynch is involved. This is |
| 01:15:27 |
We're doing our best, but we've |
| 01:15:30 |
For fuck's sake, |
| 01:15:39 |
Holy shit. |
| 01:15:41 |
Hope they dont' take that |
| 01:15:44 |
Sorry, Noel, |
| 01:15:46 |
There's an armed robbery going on |
| 01:15:49 |
They're still inside, |
| 01:15:56 |
Fuck! |
| 01:15:58 |
How the fuck did he... |
| 01:15:59 |
I've no idea. |
| 01:16:03 |
Tell them to keep him there. |
| 01:16:05 |
Whatever they do, keep him there. |
| 01:16:06 |
Right, Noel. |
| 01:16:07 |
Come on, lads, out of here. |
| 01:16:09 |
Luke, get on to Control. |
| 01:16:12 |
And get those guys out of the bank. |
| 01:16:15 |
Michael Lynch talking. |
| 01:16:18 |
I'm coming out. |
| 01:16:22 |
What do you want me to do? |
| 01:16:23 |
Die, you motherfucker. |
| 01:16:25 |
Put your hands clearly in the air |
| 01:16:29 |
Okay. Here I come, lads. |
| 01:16:34 |
Keep walking towards us |
| 01:16:37 |
You fellas are gonna be famous |
| 01:16:40 |
Shoot the fucker. |
| 01:16:41 |
Put your gun down. |
| 01:16:46 |
Walk away from it. |
| 01:16:48 |
You're dead, Lynch, |
| 01:16:51 |
Shut up. |
| 01:16:56 |
All right, everyone stand up. |
| 01:16:58 |
Go, move... |
| 01:17:01 |
What the...? |
| 01:17:02 |
How are you doing? |
| 01:17:07 |
Shoot the fucker! |
| 01:17:11 |
Get down... |
| 01:17:12 |
Lynch is still in there. |
| 01:17:18 |
Keep Lynch there |
| 01:17:21 |
Repeat, keep Lynch there. |
| 01:17:22 |
What the fuck now? |
| 01:17:27 |
Lynch, come out. |
| 01:17:31 |
Lynch! |
| 01:17:43 |
Rifle. |
| 01:17:53 |
What's going on? |
| 01:17:54 |
Haven't a clue. |
| 01:17:56 |
But Lynch is still in there. |
| 01:17:58 |
Good. |
| 01:18:03 |
Are you out there, Noel? |
| 01:18:06 |
I know I've been messing |
| 01:18:09 |
and they're probably a bit annoyed. |
| 01:18:12 |
But this is it. |
| 01:18:13 |
You have me for real this time. |
| 01:18:17 |
I'm coming out. |
| 01:18:22 |
Put the gun down. |
| 01:18:27 |
Put the fucking weapon down. |
| 01:19:02 |
Noel... that's it? |
| 01:19:06 |
Tell his wife to come |
| 01:19:08 |
Okay. |
| 01:19:26 |
Where's Michael? |
| 01:19:29 |
Tony? |
| 01:20:00 |
Are you Michael Lynch's wife |
| 01:20:07 |
And you are his sister-in-law |
| 01:20:14 |
Right. |
| 01:20:18 |
Would you formally |
| 01:20:20 |
as that of your husband |
| 01:20:25 |
A nod'll do. |
| 01:20:31 |
Oh God. |
| 01:20:40 |
Sure they'd never recognise him |
| 01:20:45 |
I think they will. |
| 01:20:46 |
What? |
| 01:20:53 |
Oh yes, of course, right enough. |
| 01:21:00 |
So, is that him then, girls? |
| 01:21:09 |
Yes... |
| 01:21:26 |
Right... |
| 01:21:27 |
it's over... well done. |
| 01:21:40 |
Take it |
| 01:21:52 |
Give me the fucking mask |
| 01:22:06 |
Good morning, Jero |
| 01:22:10 |
Before we go our separate ways, |
| 01:22:12 |
let us take leave of |
| 01:22:14 |
May our farewell express |
| 01:22:17 |
May it ease our sadness |
| 01:22:24 |
Lynch would love this send off. |
| 01:22:28 |
He's probably up there somewhere |
| 01:22:30 |
having a good laugh at the idea |
| 01:22:51 |
It was the right thing to do, Noel. |
| 01:22:54 |
Fuck it, he's dead. |
| 01:23:00 |
Something between me and him, Ger. |
| 01:23:03 |
It's the way |
| 01:23:10 |
Now, that's what your mummy |
| 01:23:12 |
Yeah, she'll pay you tomorrow. |
| 01:23:13 |
Grand. Mind yourself |
| 01:23:15 |
Okay. |
| 01:23:16 |
Bye. |
| 01:23:17 |
Bye. |
| 01:23:19 |
Hiya. |
| 01:23:20 |
Hello there. |
| 01:23:24 |
It certainly is. |
| 01:23:27 |
And how are you today? |
| 01:23:29 |
Well, now... |
| 01:23:32 |
Let's see now. |
| 01:23:35 |
Is that tins of corned beef |
| 01:23:37 |
Yep, ''John West''. |
| 01:23:41 |
I'll tell you what, |
| 01:23:44 |
I'll collect it |
| 01:23:45 |
Save me lugging it |
| 01:23:48 |
Well, of course. |
| 01:23:51 |
I wish I had your speed. |
| 01:23:55 |
Well, gets me around, you know. |
| 01:24:02 |
Good luck. |
| 01:24:04 |
Bye. |
| 01:25:00 |
Michael, you just can't live |
| 01:25:29 |
Bless us, oh, Lord. |
| 01:25:31 |
And these thy gifts, |
| 01:25:33 |
we are about to receive |
