Original Sin
|
00:01:22 |
"You cannot walk away from love." |
00:01:25 |
That was the advertisement |
00:01:29 |
And that is how he found her. |
00:01:34 |
She was a young woman |
00:01:38 |
He was a man who wanted a wife. |
00:02:01 |
Too late to talk sense to him now. |
00:02:03 |
You can't marry her. |
00:02:05 |
I meet her today. The boat from America |
00:02:09 |
...by 10:00, I'm back at work. |
00:02:11 |
Ridiculous. This is ridiculous. |
00:02:14 |
A man needs a wife, isn't that what |
00:02:18 |
From America. |
00:02:19 |
What does she look like? |
00:02:23 |
Comes a day in every man's life |
00:02:26 |
...and he's the only one who can hear it. |
00:02:31 |
I love you, woman. |
00:02:33 |
She is not beautiful. |
00:02:35 |
She is not meant to be beautiful... |
00:02:37 |
...just kind, true and young enough |
00:02:42 |
Go on. The sun will be up any minute. |
00:02:48 |
But what about love, Luis? |
00:02:53 |
Love is not for me, Alan. |
00:02:55 |
Love is for those people who believe in it. |
00:02:59 |
Let's go. |
00:03:01 |
Why are you laughing at me? |
00:03:05 |
Never mind. You go! Go on! |
00:04:25 |
No, this is not a love story. |
00:04:28 |
Butitis a story aboutlove, |
00:04:34 |
The power to heal or destroy. |
00:04:46 |
and this is where the story begins. |
00:05:05 |
Mr. Vargas? |
00:05:08 |
Luis Vargas? |
00:05:11 |
You don't recognize me, do you? |
00:05:17 |
Miss Russell? |
00:05:20 |
Yes. |
00:05:25 |
Julia Russell? |
00:05:28 |
But this, this picture-- |
00:05:30 |
I've deceived you. |
00:05:35 |
I was unsure. You see... |
00:05:38 |
...l didn't want you interested in me |
00:05:43 |
So I sent another woman's photograph |
00:05:50 |
I see. |
00:05:52 |
I hope you forgive me. |
00:05:56 |
But my courage failed me. So l.... |
00:06:05 |
And.... |
00:06:11 |
Now I stand before you as I am, |
00:06:15 |
No, no. |
00:06:17 |
Not the worst at all. |
00:06:20 |
Only, not what I was expecting. |
00:06:24 |
If my deception has altered |
00:06:28 |
...if you're not satisfied-- |
00:06:29 |
No, it isn't that. |
00:06:31 |
...l am determined to make my way back |
00:06:34 |
-If you say so, I will. |
00:06:38 |
Miss Russell... |
00:06:43 |
...you have been honest with me. |
00:06:46 |
I will be honest with you, too. |
00:06:50 |
I will admit to a deception of my own. |
00:06:56 |
You are exactly the image |
00:06:59 |
Yes, I am. |
00:07:01 |
But I wrote to you that I am a clerk... |
00:07:04 |
...in a coffee export house. I am not. |
00:07:10 |
I own the house. |
00:07:12 |
The business is my own. |
00:07:19 |
You did not want me |
00:07:22 |
...just because you owned |
00:07:26 |
Yes. |
00:07:31 |
Then we have something in common. |
00:07:34 |
We are both not to be trusted. |
00:07:41 |
Of course, if my deception |
00:07:48 |
...if you are not interested |
00:07:53 |
No, I think I could manage. |
00:07:58 |
If you could manage |
00:08:03 |
I'll make the effort. |
00:08:20 |
Miss Russell. |
00:08:24 |
Mr. Vargas. |
00:08:27 |
Now we have all the time in the world |
00:08:31 |
No, not all the time. |
00:08:35 |
We are going to be married at 9:00. |
00:08:39 |
Then we'd better hurry. |
00:08:53 |
"Take this ring... |
00:08:56 |
"...as a sign of my love... |
00:09:00 |
"...and fidelity... |
00:09:02 |
"...to you." |
00:09:27 |
Music! |
00:09:29 |
Music! |
00:09:39 |
Ladies and gentlemen, a toast! |
00:09:43 |
To our groom and his beautiful... |
00:09:46 |
...enchanting bride! |
00:09:54 |
Will you dance with me? |
00:09:56 |
Dance? |
00:09:59 |
I don't dance. |
00:10:01 |
I say you do. |
00:10:08 |
May their life together be like this dance, |
00:10:12 |
Dance for life never ending and-- |
00:10:15 |
Alan, enough is enough. |
00:10:17 |
I'm almost through. |
00:10:18 |
You're through now. Sit down. |
00:11:12 |
-Good luck to you. |
00:11:46 |
Would you like to see the house? |
00:11:47 |
Oh, no. I can see it tomorrow. |
00:11:54 |
You must give me a few moments. |
00:11:58 |
I will give you as many moments, |
00:12:05 |
When you want me to come to you... |
00:12:08 |
...l will. |
00:12:11 |
Not before. |
00:12:17 |
You would do that for me? |
00:12:21 |
If you say so, yes. |
00:12:30 |
Then... |
00:12:32 |
...l will say good night. |
00:12:39 |
The room is there, to the right. |
00:12:42 |
I think I'll find it. |
00:13:57 |
Awake at last. |
00:14:01 |
The day is half-gone. |
00:14:05 |
I'm sorry. I'm not dressed. |
00:14:07 |
I could wait outside, |
00:14:10 |
No, it's all right. |
00:14:12 |
If someone brought me my coffee |
00:14:16 |
...l would be very happy. |
00:14:18 |
It would change the day. |
00:14:20 |
But... |
00:14:22 |
...you only drink tea. |
00:14:24 |
I do? No. |
00:14:26 |
When I wrote I worked in a coffee |
00:14:30 |
That was my sister. |
00:14:33 |
She believed coffee to be a sinful |
00:14:37 |
She read all my letters to you, |
00:14:45 |
All the more reason to forget them. |
00:14:51 |
What do you think? |
00:14:55 |
About what? |
00:14:59 |
Do you believe as my sister does... |
00:15:02 |
...that pleasure could ever be sinful? |
00:16:04 |
Why did you choose an American wife? |
00:16:09 |
Here, we are the past. |
00:16:12 |
There, you are the future. |
00:16:17 |
Why did you choose to leave it? |
00:16:21 |
To escape the future. |
00:16:25 |
To become someone else, I think. |
00:16:30 |
I am someone else with you. |
00:16:36 |
Someone more like... |
00:16:38 |
...myself. |
00:16:58 |
There, in his arms... |
00:17:00 |
...she became someone else. |
00:17:04 |
Someone more like herself. |
00:18:49 |
I'm telling you, I've never been happier. |
00:18:52 |
There's no such thing as happily married. |
00:18:55 |
It's an oxymoron, like "happily dead". |
00:18:59 |
I thought you'd be finding your way |
00:19:03 |
Seeing a little "Creole" time. |
00:19:05 |
Not anymore. |
00:19:06 |
You've had her for yourself long enough. |
00:19:09 |
When do we get to see her again? |
00:19:11 |
We're going to the theatre next week. |
00:19:13 |
An American touring company |
00:19:15 |
Join us. |
00:19:24 |
Soon comes the morning |
00:19:28 |
...to take my living breath. |
00:19:31 |
Come, come, the night is almost done. |
00:19:37 |
Satan is near! |
00:19:40 |
The shrieking, grim and... |
00:19:42 |
...hideous brim of hell to uncover. |
00:19:45 |
Come, or you will share her wretched end. |
00:19:49 |
Hellhound! Abominable monster! |
00:19:52 |
Would that I had never been born! |
00:19:59 |
Wonderful. |
00:20:01 |
Disgusting. |
00:20:03 |
Cheap melodrama. |
00:20:06 |
Was it we who forced our way to you? |
00:20:11 |
I... |
00:20:13 |
...or you? |
00:20:15 |
What evil thing has risen from the ground? |
00:20:19 |
Father, let angels now have charge of me... |
00:20:24 |
...encamped around heavenly company. |
00:20:27 |
She is condemned to die. |
00:20:30 |
She is redeemed on high! |
00:20:33 |
Hither, to me! |
00:20:46 |
Julia, my dear, you look flushed. |
00:20:50 |
-Are you all right? |
00:20:53 |
I love it... |
00:20:55 |
...even the cheap melodrama. |
00:20:59 |
Will you excuse me? |
00:21:07 |
Does she suffer from fevers? |
00:21:09 |
She suffers from a little too much rouge. |
00:21:12 |
Nonsense. A lady does not wear rouge. |
00:21:16 |
No, a lady doesn't. |
00:21:18 |
And a lady does not wander through |
00:21:24 |
Excuse me. |
00:21:30 |
Perhaps you will find the second act |
00:22:27 |
Excuse me, sir! |
00:22:30 |
Don't touch me, sir. |
00:22:32 |
That is my wife, damn it! |
00:22:34 |
Luis, you've come to my rescue... |
00:22:37 |
...just like a play.... |
00:22:40 |
What are you doing here? |
00:22:42 |
Isn't it exciting? |
00:22:47 |
-Who was that man? |
00:22:51 |
You made my heart stop. |
00:22:53 |
Feel my heart. Feel how fast it's beating? |
00:23:01 |
Christ. |
00:23:02 |
You'll be the death of me. |
00:23:08 |
I hope so. |
00:23:13 |
Places, please. |
00:23:15 |
Ladies and gentlemen, places for act two. |
00:23:26 |
Take me home now. |
00:23:38 |
My own dearestsister. |
00:23:40 |
I can't understand why you treat me thus. |
00:23:46 |
In all that time, no word from you |
00:23:50 |
...whetheryou met Mr. Vargas, |
00:23:55 |
What am I to think? |
00:23:57 |
I have contacted the embassy in Havana... |
00:24:00 |
...and the authorities there in Santiago. |
00:24:02 |
I know how you feel about her, but... |
00:24:06 |
...you have to write. |
00:24:10 |
You have to, |
00:24:13 |
You're right. I've been unkind to her. |
00:24:16 |
Although she has never been kind to me. |
00:24:21 |
Just do it. |
00:24:24 |
Do it, and then it's done. |
00:24:27 |
No, no, no! |
00:24:31 |
It's all right. It's me, Luis. |
00:24:35 |
You were dreaming. |
00:24:39 |
Are you all right? |
00:24:44 |
That's it. |
00:24:47 |
You were just dreaming. |
00:24:52 |
It's all right. |
00:24:56 |
It was just a dream. |
00:24:58 |
A bad one, that's all. |
00:25:09 |
It was just a dream. |
00:25:11 |
You okay? You need something? |
00:25:13 |
You. |
00:25:15 |
I'm sorry. |
00:25:17 |
You are here with me. Secure. |
00:25:19 |
You're all right. |
00:25:21 |
Will you stay? |
00:25:23 |
Of course. |
00:25:26 |
Of course. |
00:25:29 |
It's all right. |
00:26:02 |
Luis, don't go. |
00:26:06 |
How is the queen of the house |
00:26:14 |
Look. See? I've done it. |
00:26:18 |
This is for the best. Thank you. |
00:26:21 |
-I'll have Sara post it this morning. |
00:26:25 |
I haven't addressed it. |
00:26:27 |
I have the address at the office. |
00:26:40 |
What will you do today? |
00:26:42 |
I'm going to an English dressmaker |
00:26:48 |
You'll need money. |
00:26:51 |
Sign here, Señora. |
00:26:55 |
Is this for both your personal |
00:26:59 |
Yes, thank you. |
00:27:01 |
I want my wife to have free use |
00:27:04 |
There you are. |
00:27:05 |
Should I sign using my Christian name? |
00:27:08 |
No, your married name. |
00:27:10 |
You must remember to repeat |
00:27:14 |
...each time you draw a check. |
00:27:16 |
I will try. |
00:27:28 |
Oh, man! |
00:27:39 |
So, Luis, is it love after all... |
00:27:42 |
...or is it just lust? |
00:27:45 |
Is there a difference? |
00:27:46 |
Oh, yes. |
00:27:48 |
To love someone is to give |
00:27:52 |
And lust? |
00:27:54 |
What is lust, Alan? |
00:27:56 |
Lust is to take and then take more. |
00:27:59 |
To devour, to consume. |
00:28:03 |
So...give, take. |
00:28:06 |
Which is it? |
00:28:08 |
Both. |
00:28:12 |
I want to give her everything. |
00:28:16 |
And I want to take everything from her. |
00:28:19 |
Oh, Luis. You are a lost man. |
00:28:23 |
No, no. |
00:28:27 |
She is the one who seems to be lost. |
00:28:30 |
How, why, I don't know. |
00:28:34 |
I can change that. |
00:28:43 |
Mr. Vargas? |
00:28:47 |
Walter Downs. |
00:28:49 |
-That's okay. |
00:28:52 |
-How can I help? |
00:28:54 |
Hardly worth your trouble. |
00:28:57 |
You mean, Julia? |
00:28:58 |
No, Emily. Julia's sister. |
00:29:01 |
In Delaware. |
00:29:02 |
I'm a private investigator. |
00:29:04 |
I just arrived from Wilmington. |
00:29:07 |
I understand. |
00:29:11 |
But we wrote to her several weeks ago. |
00:29:15 |
I'm sure when she receives the letter, |
00:29:19 |
Then Miss Julia is all right? |
00:29:22 |
More than all right. |
00:29:25 |
She's Señora Vargas, my wife. |
00:29:27 |
So you are married? |
00:29:31 |
-That's good news. |
00:29:33 |
I can see that. |
00:29:35 |
What a mystery a happy marriage is. |
00:29:39 |
The bloom in the cheek, |
00:29:42 |
-It shows, I guess. |
00:29:44 |
Miss Russell will be pleased to hear of it. |
00:29:47 |
I'd appreciate if you'd tell her. |
00:29:49 |
I will indeed. |
00:29:52 |
And I'll be even more convincing |
00:29:59 |
Yes, yes. |
00:30:01 |
Why not? |
00:30:06 |
We will be home Sunday afternoon. |
00:30:08 |
You want to come by for a coffee? |
00:30:11 |
Yes, I will. |
00:30:12 |
Convey to your wife |
00:30:27 |
Outside, please. On the terrace. |
00:30:30 |
Do as she says. |
00:30:35 |
Just in time. |
00:30:38 |
This is for Sunday paseo, |
00:30:41 |
Fine, fine. |
00:30:45 |
And the rest? |
00:30:46 |
This one I like. |
00:30:49 |
What do you mean? |
00:30:53 |
Is there nothing in your trunk? |
00:30:55 |
Nothing good. Anyway, I've lost the key. |
00:30:59 |
We'll get a locksmith. |
00:31:03 |
...l'll do it myself. |
00:31:06 |
No, I want to show you something. Come. |
00:31:10 |
You must leave now. |
00:31:13 |
Then we're going to take a bath. |
00:31:33 |
What do I smell? |
00:31:35 |
My perfume. |
00:31:37 |
No. |
00:31:40 |
A cigar. |
00:31:43 |
I tried one. |
00:31:46 |
One of my cigars? |
00:31:49 |
I wanted the taste of you in my mouth. |
00:31:55 |
You have no shame at all. |
00:31:58 |
There is no shame in loving each other. |
00:32:01 |
Do you love me? Julia? |
00:32:04 |
Do you love me? |
00:32:06 |
Or are you not the loving kind? |
00:32:49 |
I forgot to tell you. |
00:32:52 |
We have a visitor coming on Sunday. |
00:32:56 |
We do? |
00:32:59 |
Yes... |
00:33:00 |
...a genuine private investigator... |
00:33:04 |
...all the way from Delaware. |
00:33:07 |
So, Emily sent him. |
00:33:10 |
Yeah. Detective Downs. |
00:33:13 |
Detective Downs, did you say? |
00:33:15 |
Don't worry, |
00:33:19 |
...and happy and truly my wife. |
00:33:23 |
-Then this nonsense is over. |
00:33:29 |
Julia. |
00:33:36 |
Careful, it's coming. |
00:33:53 |
Oh, no. |
00:34:00 |
Don Luis, look. He's dead. |
00:34:04 |
He was just singing. |
00:34:06 |
He's not singing now, is he? |
00:34:09 |
Looks like he got his little neck broken. |
00:34:13 |
Take him away. |
00:35:10 |
How does a person die on this instrument? |
00:35:15 |
I believe that... |
00:35:18 |
...the turning of the wheel |
00:35:23 |
And if it doesn't? |
00:35:25 |
Does one then strangle? |
00:35:29 |
Are you afraid? |
00:35:34 |
No. |
00:35:36 |
Julia is not afraid. |
00:35:40 |
But Bonny is. |
00:35:43 |
I don't understand. Who is Bonny? |
00:35:52 |
Who is Bonny? |
00:35:56 |
I'm looking for Mr. Vargas. |
00:35:57 |
Thatis a question |
00:36:06 |
Mr. Vargas? |
00:36:08 |
My name is Russell. |
00:36:10 |
Emily Russell. |
00:36:12 |
I am Julia's sister. |
00:36:15 |
So you understand how upset I was |
00:36:21 |
Upset? |
00:36:22 |
But...l thought you would be pleased |
00:36:28 |
This letter, sir... |
00:36:30 |
...written in answer to the one I last sent... |
00:36:34 |
...and which is signed in her name... |
00:36:36 |
...is not from Julia. |
00:36:41 |
Of course it is. |
00:36:43 |
I mailed it myself. |
00:36:45 |
It was not written by my sister. |
00:36:47 |
Miss Russell. |
00:36:54 |
I'm sorry. |
00:36:56 |
Don't be upset. I swear to you-- |
00:36:59 |
Swear as much as you like. |
00:37:05 |
That is not Julia's handwriting. |
00:37:09 |
That is the handwriting of a stranger. |
00:37:12 |
A person unknown. |
00:37:15 |
At least to me. |
00:37:45 |
-Where is she? |
00:37:48 |
Where is she? |
00:37:51 |
Go away. Get out! |
00:38:04 |
Where did she go? |
00:38:05 |
I don't know. She sent me to |
00:38:49 |
She's not coming back, is she, Sara? |
00:38:52 |
She never was here. |
00:38:56 |
You've been married to a dream. |
00:38:59 |
A dream that stole your soul. |
00:39:27 |
Luis! What is it? |
00:39:34 |
Your wife appeared at five minutes to |
00:39:39 |
As you instructed, |
00:39:45 |
Your balance at closing was... |
00:39:47 |
...51 American dollars and 40 cents |
00:39:51 |
...ten dollars in the other. |
00:39:58 |
As I explained to your wife, |
00:40:01 |
...your signature |
00:40:10 |
I'm sorry. |
00:40:40 |
Don Luis? |
00:41:14 |
God must have been angry with you |
00:41:17 |
...he let you look in that woman's face. |
00:41:33 |
I want her back. Sara... |
00:41:38 |
...l want her back. |
00:41:43 |
No, cariño. What for? |
00:41:48 |
What for you want her back again? |
00:42:26 |
No, this is not a love story. |
00:42:30 |
Butitis a story aboutlove. |
00:42:35 |
about those who give in to it, |
00:42:42 |
and those who run away from it |
00:42:47 |
...or because they do not believe |
00:42:53 |
She ran away. |
00:42:56 |
He gave in. |
00:42:57 |
Mr. Vargas? |
00:43:01 |
Walter Downs. |
00:43:06 |
What a happy coincidence. |
00:43:09 |
Oh, yeah. |
00:43:12 |
I remember you. |
00:43:19 |
And the authorities here could do nothing? |
00:43:26 |
After all... |
00:43:30 |
...there was no crime. |
00:43:33 |
She was my wife. |
00:43:40 |
Your money. |
00:43:44 |
And your love. |
00:43:48 |
And you did not suspect? |
00:43:55 |
It seems that I know a lot less |
00:44:01 |
And I know too much. |
00:44:02 |
Consequently, I've not much use for them... |
00:44:05 |
...apart from the necessities. |
00:44:08 |
For real intercourse, |
00:44:12 |
Listen to me. |
00:44:15 |
Could you find her? |
00:44:21 |
Perhaps. |
00:44:24 |
But I am, at the moment... |
00:44:27 |
...engaged to find the real Julia, |
00:44:34 |
Have you found her? |
00:44:36 |
Have you found her? |
00:44:41 |
Not yet. |
00:44:42 |
If you do...if you do... |
00:44:44 |
...she might lead you to the Julia I married. |
00:44:49 |
Perhaps. |
00:44:52 |
And vice versa. |
00:44:56 |
As much as you want I will pay, |
00:45:01 |
That's all I want. |
00:45:03 |
Then I assume you have made up |
00:45:07 |
As much as you want, I will pay, I said it. |
00:45:10 |
I will pay. |
00:45:12 |
Yes, I believe you would. |
00:45:15 |
And if I did find your Julia? |
00:45:17 |
If I brought her to you... |
00:45:21 |
...or you to her... |
00:45:24 |
...what good would it possibly do you? |
00:45:27 |
Money's gone. |
00:45:30 |
The love... |
00:45:32 |
...ruined. |
00:45:35 |
What could you possibly want with her? |
00:45:39 |
What could you possibly want? |
00:45:47 |
I want to kill her. |
00:46:11 |
Yes, I do recall this lady. |
00:46:14 |
Slim and dark and very.... |
00:46:17 |
I remember, coming along the deck |
00:46:21 |
She was coming towards me. |
00:46:23 |
She quickly held it down with her hand |
00:46:29 |
I believe she was traveling |
00:46:32 |
...touring the island. |
00:46:34 |
Oh, yes, I remember. |
00:46:36 |
She rolled up some lettuce in her napkin. |
00:46:40 |
I thoughtit was strange. |
00:46:44 |
She was traveling with a bird. |
00:46:47 |
Oh, yes. I remember her. |
00:46:50 |
A lady with a birdcage... |
00:46:54 |
...but this doesn'tlook like her. |
00:46:56 |
She was young and very pretty. |
00:47:00 |
Yes, that's her. |
00:47:03 |
and the real Julia never appears, because... |
00:47:07 |
...she is dead. |
00:47:12 |
-You mean murder. |
00:47:15 |
She could have had an accomplice. |
00:47:17 |
These women often have an accomplice. |
00:47:20 |
Someone she might use and then discard. |
00:47:23 |
Someone who might even now be |
00:47:30 |
This is where it happened. |
00:47:32 |
Here in Havana. |
00:48:35 |
This way, gentlemen. Welcome to Havana. |
00:48:37 |
Mr. Downs will be in room 37... |
00:48:40 |
...and Mr. Vargas will be just down the hall |
00:48:46 |
I'll hook myself up |
00:48:50 |
...and see if any dead bodies |
00:48:53 |
You're welcome to join me. |
00:48:57 |
No, thank you. |
00:49:00 |
Havana is a very accommodating city, |
00:49:05 |
I suggest the Opera Restaurant. |
00:49:11 |
It's very popular with American tourists. |
00:49:19 |
Why don't you do something |
00:49:23 |
Treat yourself to a good dinner, |
00:49:29 |
I prefer to be alone. |
00:49:37 |
So I'll leave you on your own, then. |
00:50:41 |
Here you are. |
00:50:42 |
Privacy, and a view of the room. |
00:50:46 |
...or anyone who interests you, let me |
00:51:09 |
If I could have my coffee every morning |
00:51:14 |
It would change the day. |
00:51:18 |
I would be very happy. |
00:51:20 |
It would change the day. |
00:51:23 |
Then that is what you shall have. |
00:51:25 |
When we are married, |
00:51:31 |
Married? Your wife might have |
00:51:34 |
This way, Colonel, s'il vous plaît. |
00:51:36 |
S'il vous plaît indeed, |
00:51:39 |
-You're about as French as my asshole! |
00:00:05 |
I thought I saw an old friend of mine. |
00:00:08 |
Colonel.... |
00:00:09 |
-Colonel Worth? |
00:00:11 |
Oh, yes. This way. |
00:00:13 |
No, no, no. |
00:00:15 |
I wouldn't bother him now. |
00:00:18 |
Is he staying at the hotel? |
00:00:20 |
No, he's at home in Havana. |
00:00:24 |
I believe his fiancée is at the hotel. |
00:00:28 |
Fiancée? |
00:00:29 |
Yes, Miss Castle. |
00:00:33 |
Yes, yes. |
00:00:35 |
I see. Thank you. |
00:01:01 |
My dear, I don't have that kind of money. |
00:01:03 |
But, my dear, you do. |
00:01:05 |
Your annual expenditures |
00:01:10 |
How do you know that? |
00:01:11 |
Because, under favorable conditions, |
00:01:14 |
...at least 1.5 million pounds of sugar |
00:01:19 |
Five cents a pound-- |
00:01:20 |
No, don't. |
00:01:28 |
I've been waiting for this all night. |
00:01:40 |
Now, don't watch. |
00:01:43 |
Be kind, my dove. |
00:01:45 |
Be kind to an old man. |
00:01:46 |
I am kind. |
00:01:48 |
Kind as I have ever been. |
00:02:00 |
Will you undo my dress, please? |
00:02:03 |
Oh, yes. |
00:02:05 |
Let me have thatpleasure. |
00:02:12 |
That's enough. Thank you. |
00:02:14 |
Thank you... |
00:02:17 |
...for a wonderful evening. Good night. |
00:02:19 |
-No. |
00:02:20 |
I'll behave. I'll only sit and watch you. |
00:02:24 |
You see... |
00:02:26 |
...l sit... |
00:02:28 |
...and I watch. |
00:02:30 |
Is that what you want? |
00:02:33 |
You are very tiresome and I am very tired. |
00:02:38 |
-Good night. |
00:02:41 |
-No. |
00:02:44 |
No. |
00:02:46 |
Mayn't I stay? Please, let me stay. |
00:02:54 |
Darling dove, I'm weeping. |
00:02:57 |
My heart is pudding. |
00:03:02 |
I'll go. |
00:03:04 |
But my pudding is all broken. |
00:03:08 |
Good night... |
00:03:10 |
...my little dove. |
00:03:13 |
Good night. |
00:03:16 |
"Parting is such sweet sorrow." |
00:04:08 |
It's only me, Julia. |
00:04:14 |
You haven't forgotten me, have you? |
00:04:22 |
Who's Billy? |
00:04:25 |
Just a fellow. |
00:04:29 |
There must be quite a few |
00:04:33 |
Billy... |
00:04:35 |
...me... |
00:04:37 |
...the Colonel. |
00:04:40 |
Did you marry all of them? |
00:04:42 |
-No, just you. |
00:04:46 |
Liar. |
00:04:51 |
Liar. |
00:05:01 |
Well, what is it, then? |
00:05:03 |
What is it? |
00:05:05 |
What are your plans for me? |
00:05:07 |
My plans? |
00:05:10 |
I just came here to kill you. |
00:05:21 |
My God. |
00:05:26 |
All right, do it. |
00:05:36 |
There. There's my heart. Don't hesitate. |
00:05:39 |
Your money's gone. Do it. |
00:05:42 |
Gone. |
00:05:44 |
Like the woman you murdered? |
00:05:48 |
What? No. |
00:05:50 |
You were with her on that boat! |
00:05:58 |
-I wasn't alone. |
00:06:01 |
No! |
00:06:03 |
I told him! |
00:06:05 |
The next day, he told me she'd had |
00:06:11 |
Another man? |
00:06:13 |
Accomplice? |
00:06:15 |
Friend? Lover? |
00:06:16 |
An accomplice-- |
00:06:19 |
You saw us together, |
00:06:24 |
My friend, my accomplice and... |
00:06:27 |
...yes, yes, my lover. |
00:06:29 |
He was an actor, like myself. |
00:06:34 |
I told him that night I didn't want |
00:06:39 |
Why not? |
00:06:41 |
Because! |
00:06:42 |
Because I was.... |
00:06:45 |
Damn it. |
00:06:47 |
Again. Liar. |
00:06:52 |
I could have bought him off! |
00:06:56 |
But you made me write her sister |
00:06:59 |
Whore! |
00:07:00 |
Thief! |
00:07:03 |
It's how I live. It's all I know. |
00:07:06 |
I took the money and I gave it to him. |
00:07:11 |
Then I ran. |
00:07:19 |
What does it matter? |
00:07:21 |
What does it matter? |
00:07:23 |
It's over. |
00:07:27 |
Whore! |
00:07:28 |
Liar! Thief! |
00:07:30 |
Yes! |
00:07:31 |
Don't you see... |
00:07:34 |
...that I cannot breathe without you? |
00:07:37 |
I cannot live without you! |
00:07:39 |
Don't you see that? |
00:07:48 |
I'm sorry. |
00:08:26 |
Where am l? |
00:08:32 |
Who are you? |
00:08:37 |
Really. |
00:08:39 |
My name is Bonny. |
00:08:42 |
Bonny Castle. |
00:08:46 |
Bonny Castle. |
00:08:52 |
Is that your Christian name? |
00:08:54 |
It would be... |
00:08:56 |
...if I were Christian. |
00:08:59 |
But I'm not. |
00:09:02 |
I was never baptized. |
00:09:05 |
I was a foundling. |
00:09:09 |
So was Billy. |
00:09:21 |
We were raised in an orphanage |
00:09:26 |
He gave me my name. |
00:09:29 |
He saw it on a picture postcard |
00:09:32 |
It had a drawing on it, |
00:09:38 |
When we were 14, we ran away together. |
00:09:43 |
Like brother, sister, father, daughter, |
00:09:47 |
-He was my salvation. |
00:09:54 |
I don't want to know. |
00:09:57 |
Not now. |
00:10:01 |
You are Julia Russell |
00:10:08 |
You were born... |
00:10:10 |
...the day you stepped off that boat... |
00:10:13 |
...and became my wife. |
00:10:20 |
But then... |
00:10:21 |
...l am not Julia Russell at all, am l? |
00:10:27 |
I'm simply your wife. |
00:11:22 |
-Who is it? |
00:11:24 |
It's Edwin, my dear. |
00:11:27 |
Am I too early? |
00:11:29 |
Don't hurry. |
00:11:32 |
Nothing gives me more pleasure than |
00:11:38 |
Unless, of course, you were to let me in. |
00:11:55 |
-Colonel Worth. |
00:11:58 |
-May I help you, sir? |
00:12:01 |
No, I am not. |
00:12:03 |
I am engaged at the moment |
00:12:06 |
A function for which clothes |
00:12:10 |
A private function? |
00:12:11 |
Yes, sir. |
00:12:12 |
With Bonny? A private function? |
00:12:15 |
Good God, man! |
00:12:17 |
But I am being rude. Please come in. |
00:12:21 |
No, sir. Are you mad? |
00:12:23 |
Mad? No. |
00:12:25 |
I am only curious to know |
00:12:34 |
Your wife? |
00:12:36 |
Did you say, "wife"? |
00:12:38 |
Edwin, be careful. |
00:12:41 |
He has a fearful temper. |
00:12:44 |
I beg your pardon, sir. I do. |
00:12:47 |
I beg your pardon. |
00:12:49 |
I am an old fool. |
00:12:52 |
I didn't know. |
00:12:56 |
I'm sorry. |
00:13:04 |
Good morning to you, sir. |
00:13:07 |
Good morning. |
00:13:16 |
You see? |
00:13:19 |
You have no past. |
00:13:22 |
It is gone. Finished. |
00:13:25 |
Disappeared. |
00:13:29 |
You have only me now. |
00:13:52 |
There you are. You weren't in your room. |
00:13:55 |
I have some very interesting news. |
00:13:58 |
So do l. |
00:14:07 |
"A woman's body found." |
00:14:09 |
"Foul play suspected." How's my Spanish? |
00:14:14 |
Julia Russell? |
00:14:17 |
Stabbed in the neck with a small knife, |
00:14:21 |
Probably the work of a man, |
00:14:24 |
The blade of the knife |
00:14:29 |
And so your wife... |
00:14:32 |
...is now officially a fugitive. |
00:14:35 |
Not only are we pursuing her, |
00:14:39 |
Cheer up. This is good news. |
00:14:41 |
It won't be long until she's caught. |
00:14:44 |
She... |
00:14:46 |
...didn't do this. |
00:14:51 |
I believe you still love her. |
00:14:58 |
Of course. |
00:14:59 |
How could you hate her so much if you |
00:15:06 |
Trust me, my friend. |
00:15:09 |
Only misguided feelings and emotions. |
00:15:12 |
It was my knife. He used my knife. |
00:15:16 |
-It wasn't me, I promise you. |
00:15:19 |
No one else will believe I'm innocent. |
00:15:22 |
Listen to me. |
00:15:23 |
No one else matters. Not to me. |
00:15:38 |
What are you thinking? |
00:15:41 |
Of you. |
00:15:50 |
Welcome to Cardenas. |
00:15:52 |
Right this way. This is the entrance. |
00:15:57 |
...in a very good part of town. |
00:15:59 |
Mostly Americans and tourists |
00:16:04 |
I think you'll find all the furnishings |
00:16:08 |
a bedroom... |
00:16:10 |
...a sitting room, a very good kitchen. |
00:16:16 |
Here in Cardenas, |
00:16:20 |
...but very far away. |
00:16:23 |
We are known for the waters |
00:17:03 |
Vargas. |
00:17:06 |
What a happy accident. |
00:17:08 |
Yes, indeed. |
00:17:11 |
What brings you to Cardenas? |
00:17:14 |
Not a rest cure, I assure you. |
00:17:17 |
No, of course not. |
00:17:19 |
There were reports of a woman |
00:17:23 |
She was seen boarding an eastbound train. |
00:17:25 |
You haven't seen or heard anything, |
00:17:29 |
I've lost my taste for women |
00:17:33 |
Glad to hear of it. |
00:17:37 |
Listen... |
00:17:40 |
...can I offer you a piñales? |
00:17:42 |
What's that? |
00:17:44 |
A drink. |
00:17:47 |
There's a cafe down the street. |
00:17:54 |
The sun is warm. |
00:17:56 |
Your face, for instance, is quite moist. |
00:18:08 |
The body was positively identified |
00:18:13 |
Very sad, but very accurate. |
00:18:16 |
Two moles high on the inner thigh... |
00:18:20 |
...and a gold crown on a back tooth. |
00:18:22 |
And on her left hand, a small, round scar. |
00:18:27 |
Very interesting. |
00:18:31 |
Will you excuse me? |
00:18:34 |
By all means. |
00:18:38 |
Do as you must. |
00:19:13 |
Julia? |
00:19:18 |
Come upstairs. We.... |
00:19:22 |
Ah, Luis. |
00:19:24 |
I am disappointed. |
00:19:29 |
And yet full of admiration. |
00:19:35 |
Where is she? |
00:19:37 |
Who? No. |
00:19:39 |
-She's not here. |
00:19:40 |
You have no business here. |
00:19:42 |
Downs, please. Be smart and leave. |
00:19:46 |
She's mine, Luis. |
00:19:47 |
Give her up, before it's too late. |
00:19:50 |
You are aiding a criminal! |
00:19:53 |
And you are close |
00:19:56 |
Come to your senses. |
00:19:59 |
You saw it. She's not here. Now, please. |
00:20:02 |
Don't lie to me, Mr. Vargas. |
00:20:05 |
I can smell her on you. |
00:20:07 |
Her perfume, stinking on your clothing. |
00:20:11 |
You just left her, didn't you? |
00:20:13 |
That's it. Get out. |
00:20:17 |
Did she throw her arms around you? |
00:20:21 |
Did she rub her cheek against yours, |
00:20:24 |
Did she kiss you on the mouth? |
00:20:27 |
If I kiss you now, will I taste her on you? |
00:20:44 |
You would do this for her? |
00:20:48 |
Wait! |
00:20:50 |
Wait. |
00:20:52 |
Speak of the devil, and she appears. |
00:21:03 |
My God. What have you done? |
00:21:05 |
What have you done? |
00:21:07 |
It's him. |
00:21:10 |
It's the detective. |
00:21:13 |
He came here for you. |
00:21:24 |
What are you doing? Don't touch him. |
00:21:26 |
Don't touch him! |
00:21:35 |
-Did he come here alone? |
00:21:38 |
No one saw him come in? |
00:21:42 |
I don't know. |
00:21:44 |
Christ, Julia. |
00:21:47 |
I've killed a man. |
00:21:49 |
You need to go to the train station. |
00:21:51 |
Buy two seats on the morning train east, |
00:21:57 |
I will contact the estate agent |
00:22:00 |
...and there's been an emergency. |
00:22:05 |
Julia. |
00:22:08 |
Yes, what? |
00:22:11 |
I've just killed a man. |
00:22:15 |
And I just bought a hat. |
00:22:20 |
But I don't dwell on it. I don't say |
00:22:26 |
"I just bought a hat." It doesn't matter. |
00:22:30 |
It's done. Help me. |
00:22:34 |
God. |
00:22:47 |
-That should do it. |
00:22:51 |
No, go to the station |
00:22:55 |
Come here. Put these on. |
00:22:57 |
Yes, I'll hurry. |
00:22:58 |
No. Don't hurry. |
00:23:00 |
Go slowly, enjoy the walk |
00:23:04 |
-Understand? |
00:23:40 |
Billy. |
00:23:43 |
You finally got what you deserved. |
00:23:59 |
-Jesus! |
00:24:01 |
Aren't you glad |
00:24:04 |
Should I be? |
00:24:05 |
I got very good notices |
00:24:08 |
Or don't you remember? |
00:24:10 |
Let go of me, Billy. |
00:24:12 |
You thought I was... |
00:24:15 |
...really dead... |
00:24:18 |
...didn't you? |
00:24:30 |
Did you think |
00:24:33 |
You think they were real |
00:24:38 |
I couldn't risk his putting out your lights, |
00:24:44 |
-Let go of me, Billy. |
00:24:46 |
-Not till you come back to the game. |
00:24:48 |
The skin game, darling. |
00:24:50 |
There is no game. |
00:24:52 |
Yes. I see it so clearly. |
00:24:54 |
No, no. |
00:24:56 |
What do you see? |
00:25:00 |
I see him running out of money. |
00:25:04 |
I see him doing the only thing he can do. |
00:25:06 |
I see him going to Santiago, |
00:25:10 |
I see him coming back with money. |
00:25:13 |
I see us... |
00:25:14 |
...finishing what we started. |
00:25:17 |
You and me together. |
00:25:18 |
We're going to make you a rich widow. |
00:25:27 |
He's worth a hell of a lot more |
00:25:30 |
And he's such an easy mark, |
00:25:34 |
Bound together as you are |
00:25:39 |
...misdemeanors. |
00:25:42 |
-Let go of me. |
00:25:44 |
-Please, let go! |
00:25:49 |
It tickles my dick when you beg. |
00:25:54 |
He says he loves me. |
00:26:00 |
No one loves you, Bonny. |
00:26:02 |
No one could. |
00:26:03 |
Except for me. |
00:26:07 |
He does. |
00:26:09 |
I think he does. |
00:26:10 |
Not enough to live the life of a fugitive. |
00:26:15 |
Back alleys, cheap hotels.... |
00:26:17 |
It won't be like that. |
00:26:19 |
How then? Happily ever after? |
00:26:21 |
A nice, respectable couple, |
00:26:24 |
Sunday dinners, |
00:26:28 |
Christ, what's he done to you? |
00:26:31 |
Who do you think you are? |
00:26:34 |
Who does he think you are? |
00:26:37 |
You're a whore, Bonny. |
00:26:39 |
If a man puts his hands on you, you're wet. |
00:26:44 |
True or not? |
00:26:50 |
You were born one and you'll die one. |
00:26:52 |
Sooner than later |
00:26:58 |
You wouldn't do that to me. |
00:27:00 |
I was your first man, Bonny. |
00:27:04 |
And I will be... |
00:27:06 |
...your last. |
00:27:09 |
One way or another. |
00:27:14 |
There's no future with him, darling. |
00:27:17 |
Face the truth. |
00:27:20 |
You can't live his life. |
00:27:22 |
And he certainly... |
00:27:24 |
...can't live yours. |
00:27:28 |
Let him go. |
00:27:32 |
No. |
00:27:33 |
Let him go. |
00:27:36 |
Let him go. |
00:28:27 |
I was so hungry. |
00:28:32 |
What about him? |
00:28:35 |
No, it's done. |
00:28:38 |
It's done? |
00:28:42 |
You mean you did it yourself? |
00:28:45 |
I packed all our things, as well. |
00:28:50 |
You get the tickets? |
00:28:53 |
-The tickets? Yes. |
00:28:55 |
We go tomorrow in the morning. |
00:28:57 |
Back to Havana. 7:00. |
00:29:01 |
What an adventure. |
00:29:06 |
Come to bed. |
00:29:09 |
You must be exhausted. |
00:29:11 |
I know I am. |
00:29:12 |
Wait, wait, wait. |
00:29:15 |
Have you no conscience at all? |
00:29:18 |
I mean.... |
00:29:21 |
Of course I do. |
00:29:22 |
But you see, |
00:29:27 |
It's just something that happened. |
00:29:31 |
And when something has to be done, |
00:29:33 |
So, here's to us. |
00:29:43 |
Good night. |
00:29:49 |
Listen to her talk. |
00:29:51 |
Listen to the words |
00:29:54 |
You mean Bonny? |
00:29:56 |
Yes, Bonny. |
00:30:01 |
Did you have no control over her? |
00:30:05 |
No one had control over her. |
00:30:08 |
No one did. |
00:30:12 |
No one, except for Billy. |
00:30:17 |
and he wanted the rest of the money. |
00:30:22 |
They found a house |
00:30:26 |
Bonny said they would go unnoticed there, |
00:30:30 |
Many things would go unnoticed |
00:30:36 |
all she had to do |
00:30:40 |
...and it would all be over. |
00:30:48 |
No, you don't understand. |
00:30:52 |
-We've run out? |
00:30:55 |
I'll take the first train in the morning. |
00:31:00 |
What will you do there? |
00:31:02 |
We need money, don't we? |
00:31:06 |
Whatever you say. |
00:31:24 |
I don't want you to go to Santiago. |
00:31:29 |
I have to go. |
00:31:30 |
I don't want you to go. |
00:31:32 |
I have no choice. |
00:31:34 |
You do. You have a choice. |
00:31:38 |
Once again. |
00:31:39 |
-When my hand strays to my breast.... |
00:31:42 |
-My left eardrop. |
00:31:44 |
-My right eardrop. |
00:31:47 |
-My throat. |
00:31:48 |
-Little finger of my left hand. |
00:31:51 |
-Little finger of my right hand. |
00:31:54 |
When I do this, |
00:31:56 |
Right. |
00:32:00 |
-King, queen, jack. |
00:32:03 |
Yes. |
00:32:06 |
You're a natural. |
00:32:08 |
-Listen-- |
00:32:10 |
This is the only way. This is our way. |
00:32:12 |
This is you and me, together. |
00:32:17 |
Please. |
00:32:22 |
Now... |
00:32:23 |
...tell me what I'm holding. |
00:32:40 |
Would you like more whiskey? |
00:32:44 |
Too rich for me. |
00:32:48 |
Yes. Why not? |
00:32:51 |
Why not, indeed? All right. |
00:32:55 |
He wins again. |
00:32:57 |
I'm sorry, gentlemen. |
00:32:59 |
More champagne. |
00:33:06 |
Does the lady mind if I remove my coat? |
00:33:09 |
No, do and say as you please. |
00:33:11 |
Try and forget that I am even here. |
00:33:14 |
Easier said than done. |
00:33:20 |
Can I get you another drink? |
00:33:56 |
Will you ask the lady to retire, sir? |
00:34:01 |
What do you mean? |
00:34:02 |
Do you have to be told? |
00:34:05 |
Take your hand from my wife. Please, sir. |
00:34:10 |
Gladly. |
00:34:12 |
The only thing lower |
00:34:16 |
...is a man who will use a woman to do |
00:34:54 |
Julia? |
00:35:02 |
Well, my dear... |
00:35:06 |
...let's see |
00:35:37 |
Are you all right? |
00:35:39 |
Yes. |
00:35:41 |
Should l.... |
00:35:43 |
Should I call someone? |
00:35:50 |
You are so kind. |
00:35:54 |
You are so young and innocent and kind. |
00:36:00 |
No. |
00:36:02 |
No one is innocent. |
00:36:10 |
You have a story as well. |
00:36:14 |
Will you tell me... |
00:36:17 |
...if there's time? |
00:36:21 |
I have no story. |
00:36:25 |
Not like yours. |
00:36:27 |
Well, it was Bonny's story now. |
00:36:32 |
and look whatshe had done. |
00:36:37 |
He could notlive in her world. |
00:36:39 |
and she would never fitinto his. |
00:36:42 |
She would never be worthy of him. |
00:36:48 |
She had to let him go. |
00:36:51 |
She would be Bonny. |
00:36:54 |
Pure, hard and simple. |
00:37:00 |
Luis would go to Santiago. |
00:37:04 |
She would survive. |
00:37:36 |
Dearalan: |
00:37:38 |
Congratulations. |
00:37:40 |
You havejustpurchased my share |
00:37:46 |
The price I have settled on |
00:37:50 |
...which I believe is very much |
00:37:55 |
Luis! Wait! |
00:37:57 |
I'm sorry I couldn't wait |
00:38:01 |
But as you may know, |
00:38:05 |
More than that, I cannotsay. |
00:38:08 |
What are you talking about? |
00:38:10 |
Murder. |
00:38:13 |
I have done murder. |
00:38:15 |
-No. |
00:38:17 |
I did it for her. |
00:38:20 |
And the truth is... |
00:38:23 |
...that I would do it again. |
00:38:28 |
Good luck to you. |
00:38:30 |
Thank you for having once been my friend. |
00:38:35 |
Go on. |
00:38:43 |
God help you. |
00:39:56 |
Will you light me a cigar? |
00:40:01 |
I'll make us some coffee. |
00:40:11 |
Damn! |
00:40:12 |
-What happened? |
00:40:15 |
-A rat? |
00:40:19 |
Do you see it? |
00:40:21 |
No. |
00:40:28 |
-I didn't see it. |
00:40:30 |
What are you doing? |
00:40:31 |
Going to the pharmacist. |
00:40:33 |
-At this hour? |
00:40:35 |
-It's 9.00. It's closed. |
00:40:38 |
-What are you doing? Wait. |
00:42:38 |
You can't save him, darling. |
00:42:41 |
Why not? Why can't we just go? |
00:42:44 |
I have two tickets for us on the train. |
00:42:47 |
Tonight, midnight. We have the money. |
00:42:50 |
Leave him. |
00:42:51 |
Bonny, it doesn't suit you, |
00:42:56 |
How could I trust you? |
00:43:00 |
Why hurt him? |
00:43:02 |
He's a part of you that must die. |
00:43:04 |
You need to kill it, |
00:43:09 |
What are you doing? Billy? |
00:43:11 |
I'm going back with you, |
00:43:14 |
-You'll have the police all over us. |
00:43:18 |
Do it now. |
00:43:30 |
-Say it. |
00:43:31 |
Say you're mine. You're mine. Say it. |
00:43:34 |
Yes, what? |
00:43:35 |
Yes, I'm yours. |
00:44:20 |
You startled me. |
00:44:23 |
You took a long time. |
00:44:29 |
What are you doing in the dark? |
00:44:31 |
Thinking. |
00:44:33 |
What are you thinking? |
00:44:37 |
I was thinking that if I ever lost you, |
00:44:42 |
There would be nothing left for me. |
00:44:46 |
Except to die. |
00:44:51 |
Don't say such things. |
00:44:55 |
Did you find what you were looking for? |
00:44:57 |
Yes, I did. |
00:44:59 |
I had to go all the way across town. |
00:45:06 |
I'm going to go change. |
00:45:20 |
Wash your hands and go to bed. |
00:45:51 |
There you are. |
00:46:08 |
How do they die, you think? |
00:46:13 |
From the poison? |
00:46:16 |
I don't know. |
00:46:23 |
Does it take a long time? |
00:46:27 |
I suppose it depends on |
00:46:30 |
That's right. |
00:46:35 |
Is it painful? |
00:46:37 |
I really don't want to think about it. |
00:46:42 |
No, of course not. |
00:46:44 |
We don't want our conscience |
00:46:51 |
It's something that has to be done. |
00:46:55 |
And when something has to be done... |
00:46:58 |
...you do it. |
00:47:00 |
Is your coffee too hot? |
00:47:03 |
I saw him. |
00:47:07 |
Who? |
00:47:11 |
I followed you. |
00:47:13 |
You saw who? Where? |
00:47:16 |
Julia. |
00:47:19 |
Shall we play the game... |
00:47:21 |
...or just speak the truth? |
00:47:26 |
The truth is best. |
00:47:28 |
All right, then. |
00:47:32 |
Is he here? |
00:47:35 |
Yes. |
00:47:37 |
Where? |
00:47:39 |
Outside, waiting. |
00:47:43 |
When I am dead? |
00:47:46 |
Yes. |
00:47:52 |
I led him to you in Havana, didn't l? |
00:47:55 |
Yes. |
00:47:58 |
How'd he know I wouldn't kill you? |
00:48:02 |
He put blank cartridges in your gun. |
00:48:14 |
Like a play. |
00:48:17 |
All of it. |
00:48:21 |
Lies. |
00:48:23 |
From the moment I met you. |
00:48:26 |
Not all of it, no. |
00:48:28 |
Do you laugh at me behind my back, |
00:48:34 |
Do you laugh at me |
00:48:39 |
How blind? |
00:48:43 |
No. |
00:48:45 |
Laugh now when I tell you this. |
00:48:50 |
I loved you, Julia. |
00:48:52 |
Julia is not here. Julia is dead. |
00:48:55 |
Laugh when I tell you that I still love you. |
00:49:00 |
No. |
00:49:02 |
No, not me. |
00:49:03 |
You don't love me. |
00:49:05 |
Yes. |
00:49:07 |
Yes, you. |
00:49:11 |
Not Julia Russell. Not... |
00:49:15 |
...Bonny Castle. |
00:49:17 |
You. |
00:49:20 |
I love you as I know you. |
00:49:22 |
Because I know you. |
00:49:26 |
As you are. |
00:49:30 |
Good and bad. |
00:49:32 |
Better and worse. |
00:49:37 |
I told you this already, |
00:49:42 |
Tonight you will. |
00:49:46 |
To us. |
00:49:50 |
A short life and an exciting life. |
00:49:54 |
Don't do this. |
00:49:56 |
No other one. |
00:50:03 |
No other love but you. |
00:50:10 |
From first to last. |
00:50:14 |
Start to finish. |
00:50:20 |
Don't change, Julia. Don't ever change. |
00:50:52 |
Hold on. |
00:51:48 |
Let's go. |
00:52:43 |
You disappoint me, Bonny. |
00:52:49 |
What do you think? |
00:52:51 |
Do you think those are real bullets? |
00:53:12 |
-Do you speak English? |
00:53:15 |
He needs a doctor. |
00:53:17 |
What about him? |
00:53:31 |
He's dead. He needs a doctor. |
00:53:33 |
All right. I'm calling the police. |
00:53:43 |
Stay, stay. |
00:53:46 |
I love you. |
00:53:49 |
I love you. Do you hear me? |
00:53:53 |
-Say it. Say it again. |
00:53:58 |
I love you, Luis. |
00:54:07 |
You hold on! Hold on! |
00:54:11 |
Don't go! Stay! |
00:54:13 |
Please hold on. |
00:54:34 |
And this is where the story ends, |
00:54:42 |
Even though he is alive now... |
00:54:45 |
...how could I get to him? |
00:54:52 |
Do you believe in forgiveness? |
00:54:56 |
Yes. |
00:54:58 |
And redemption for the human soul? |
00:55:09 |
Yes. |
00:55:11 |
Even for someone like me? |
00:55:15 |
Yes. |
00:55:18 |
I believe so. |
00:55:21 |
I will see him in heaven, won't l? |
00:55:32 |
Yes. |
00:55:37 |
Will you hand me my shawl, please? |
00:55:38 |
Yes, of course. |
00:55:47 |
Now pray with me. |
00:55:50 |
Yes. |
00:55:55 |
I wore this on my wedding day. |
00:55:59 |
But my heart was not in it then. |
00:56:53 |
I'm sorry, ma'am. It is time. |
00:57:07 |
If I may? |
00:57:12 |
What the hell! |
00:57:14 |
-It's the priest. |
00:57:17 |
I saw him. |
00:57:18 |
Guards! |
00:57:57 |
I must say, it is a pleasure to be in such |
00:58:03 |
The pleasure is all mine. |
00:58:05 |
Thank you, gentlemen, |
00:58:13 |
And you, sir, may I say, it's a lucky man |
00:58:21 |
Yes, I am. |
00:58:25 |
Perhaps, later on... |
00:58:28 |
...l will tell you the story |
00:58:31 |
It is an interesting tale. |
00:58:37 |
Some of it is even true. |
00:58:40 |
But for now, all I can say... |
00:58:43 |
...is that from the moment I saw her... |
00:58:47 |
...l loved her. |
00:58:52 |
And no matter the price... |
00:58:55 |
...you cannot walk away from love. |
00:59:01 |
Four. |