|
Anything Else
|
| 00:01:01 |
You'd be |
| 00:01:04 |
So easy to love |
| 00:01:08 |
So easy to ldollze |
| 00:01:11 |
All others above |
| 00:01:14 |
So worth the yearnlng for |
| 00:01:20 |
So swell to keep |
| 00:01:27 |
We'd be |
| 00:01:30 |
So grand at the game |
| 00:01:34 |
So carefree together |
| 00:01:37 |
Does seem a shame |
| 00:01:41 |
That you can't see |
| 00:01:44 |
Your future wlth me |
| 00:01:46 |
'Cause you'd be |
| 00:01:49 |
There's great wisdom in jokes, Falk, really. |
| 00:01:52 |
There's an old joke |
| 00:01:56 |
He's getting his brains beat out. |
| 00:01:59 |
And his mother's in the audience, |
| 00:02:03 |
There's a priest next to her |
| 00:02:09 |
And the priest says, ''l will, |
| 00:02:13 |
There's more insight in thatjoke, |
| 00:02:16 |
into what l call the Giant So What |
| 00:02:21 |
than most books on philosophy. |
| 00:02:23 |
Women. |
| 00:02:26 |
Camus said that women are all |
| 00:02:32 |
of paradise on earth. |
| 00:02:34 |
ln your case, Falk, |
| 00:02:38 |
that Henny Youngman used to tell |
| 00:02:42 |
lt sums it up perfectly |
| 00:02:46 |
Guy comes into a doctor's office. |
| 00:02:47 |
He says, ''Doc, it hurts when l do this.'' |
| 00:02:51 |
The doctor says, ''Don't do it.'' |
| 00:02:54 |
Think about that. |
| 00:02:58 |
That's Davld Dobel, |
| 00:03:01 |
We spent many afternoons walklng |
| 00:03:04 |
Dld l know when l flrst met hlm |
| 00:03:07 |
We met at the office of some so-called |
| 00:03:12 |
We were comedy writers trying |
| 00:03:16 |
by writing nightclub routines for comics. |
| 00:03:18 |
The difference was, |
| 00:03:22 |
He wants truisms. |
| 00:03:26 |
We can't afford the crazy prices |
| 00:03:30 |
Let me say this, if l may. |
| 00:03:33 |
l can't speak for David Dobel |
| 00:03:37 |
ln fact, Jerry and l just met him now. |
| 00:03:40 |
But l've handled Jerry Falk |
| 00:03:45 |
you get top-quality goods for your money. |
| 00:03:48 |
You can buy a suit and get |
| 00:03:51 |
as you can in an expensive fabric. |
| 00:03:56 |
a quality fabric, at affordable prices. |
| 00:04:01 |
Who is that piece goods salesman |
| 00:04:04 |
Harvey? Don't ask. |
| 00:04:07 |
l'd love to dump him, |
| 00:04:11 |
You pay that troll |
| 00:04:13 |
20. Actually, 25. |
| 00:04:17 |
He was there for me |
| 00:04:20 |
Your... don't tell me |
| 00:04:23 |
You thought it would be exciting. |
| 00:04:27 |
and you dumped her. |
| 00:04:29 |
You are not. She left me. |
| 00:04:33 |
lt's my main problem in analysis. |
| 00:04:37 |
- You're in analysis already? |
| 00:04:40 |
l turned down some TV jobs |
| 00:04:43 |
because my shrink felt |
| 00:04:46 |
You chose psychoanalysis over real life? |
| 00:04:49 |
Are you learning disabled? |
| 00:04:51 |
[Falk:] Obviously, you're not familiar |
| 00:04:54 |
Wrong. l'm completely familiar with it. |
| 00:04:57 |
Similar hustlers tried to fob it |
| 00:05:01 |
- You were in Payne Whitney? |
| 00:05:04 |
l was in the psycho ward |
| 00:05:07 |
a vacation l don't look back on |
| 00:05:10 |
Really? |
| 00:05:12 |
Relax. |
| 00:05:14 |
Oh, no. l'm not suggesting |
| 00:05:18 |
But l was violent. |
| 00:05:22 |
You were in a straitjacket? |
| 00:05:24 |
l'm not going to take an ax |
| 00:05:27 |
- Don't be scared. |
| 00:05:30 |
What happened? |
| 00:05:32 |
l broke up with this girl, |
| 00:05:34 |
and they put me |
| 00:05:38 |
''Why did you get so depressed, |
| 00:05:42 |
''and do all those things you did?'' |
| 00:05:47 |
And he said, |
| 00:05:50 |
And l said, ''There's nothing to look into. |
| 00:05:53 |
And he said, ''Well, why are you feeling |
| 00:05:58 |
And l said, ''Cause l want the girl.'' |
| 00:06:02 |
And l said, ''Nothing.'' |
| 00:06:04 |
He said, ''l'll have to |
| 00:06:06 |
l said, ''l don't want medication. |
| 00:06:09 |
And he said, |
| 00:06:12 |
So, l took a fire extinguisher |
| 00:06:16 |
and struck him across |
| 00:06:18 |
And before l knew it, |
| 00:06:21 |
had jumper cables in my head |
| 00:06:26 |
Why are you in analysis? |
| 00:06:28 |
You're afraid to sleep alone. |
| 00:06:31 |
Fear of death. |
| 00:06:33 |
That's funny. l have that, too. |
| 00:06:36 |
lt's very common to living creatures. |
| 00:06:38 |
And l have rough patches |
| 00:06:41 |
- You have a girlfriend? |
| 00:06:43 |
Really? |
| 00:06:44 |
Yes, with the most beautiful, |
| 00:06:49 |
- But there are rough patches. |
| 00:06:52 |
But there are painful conflicts. |
| 00:06:56 |
She can be difficult. |
| 00:06:59 |
- A knockout, but impossible. |
| 00:07:03 |
- You did. |
| 00:07:05 |
Now she's difficult. |
| 00:07:09 |
She's very supportive of my goals. |
| 00:07:13 |
l want to write a novel. |
| 00:07:15 |
A novel about man's fate |
| 00:07:18 |
No god, no hope, just human suffering |
| 00:07:23 |
Stick to jokes, that's where the money is. |
| 00:07:26 |
No, l'm okay. |
| 00:07:29 |
Today is our anniversary. |
| 00:07:32 |
You know, maybe next week, |
| 00:07:36 |
we could drive out to watch |
| 00:07:39 |
parade his amphigories for us. |
| 00:07:44 |
Sure. That'd be great. |
| 00:07:46 |
lt's funny. l was once in a cab... |
| 00:07:51 |
And l was pouring my heart out |
| 00:07:54 |
about all the stuff |
| 00:07:57 |
life, death, the empty universe, |
| 00:08:00 |
the meaning of existence, |
| 00:08:03 |
And the cab driver said to me: |
| 00:08:06 |
''You know, it's like anything else.'' |
| 00:08:10 |
Think about that. |
| 00:08:12 |
He was a teacher who lived on |
| 00:08:16 |
Too frightened to quit |
| 00:08:20 |
as he said, |
| 00:08:24 |
''Amphigories''? |
| 00:08:27 |
Meanwhile, l'm on my way |
| 00:08:30 |
l'll be on time, she'll be late. |
| 00:08:33 |
She's late, she's disorganized. |
| 00:08:36 |
lncidentally, that's not our big problem. |
| 00:08:38 |
She drives me crazy, |
| 00:08:42 |
She is adorable. |
| 00:09:02 |
- Jerry. |
| 00:09:05 |
- Am l late? |
| 00:09:08 |
Can you pay for the cab? |
| 00:09:11 |
Pay for the cab? |
| 00:09:16 |
You know, we did say 7:30. |
| 00:09:19 |
Sorry. |
| 00:09:23 |
lt was pretty tough to get a reservation. |
| 00:09:27 |
- What's the matter? |
| 00:09:30 |
- l can see. Why? |
| 00:09:34 |
You always think you did badly. |
| 00:09:37 |
l felt so confident until l got up to read, |
| 00:09:41 |
Don't obsess. |
| 00:09:44 |
l'm my own worst enemy. |
| 00:09:49 |
l know you can. |
| 00:09:51 |
We'll go have a good dinner. |
| 00:09:56 |
l got to tell you about this character l met. |
| 00:10:00 |
Don't be mad at me, but l ate. |
| 00:10:06 |
You ate? |
| 00:10:08 |
l was starving when l got back |
| 00:10:12 |
so l had a little sliver |
| 00:10:16 |
Then l had another one. |
| 00:10:20 |
Pretty soon, l'd eaten the whole cake. |
| 00:10:22 |
You ate the whole |
| 00:10:26 |
Then l figured, what the hell. |
| 00:10:30 |
ate that last lobster tail |
| 00:10:34 |
ls there any furniture |
| 00:10:37 |
l'm so fat, it's disgusting. |
| 00:10:41 |
How could you eat before dinner? |
| 00:10:43 |
l'm sorry. l was so angry at myself |
| 00:10:46 |
l couldn't help it. |
| 00:10:49 |
l reserved a corner booth. |
| 00:10:51 |
lt's okay. You can order and l'll get |
| 00:10:56 |
l can't take their best booth |
| 00:11:00 |
lt's not nice. |
| 00:11:02 |
- lt's fine. |
| 00:11:04 |
lt's dinner hour. |
| 00:11:07 |
How does it look? |
| 00:11:10 |
Why do you always care |
| 00:11:14 |
lt's embarrassing |
| 00:11:17 |
Okay. l'll order a meal |
| 00:11:21 |
l can't do that. |
| 00:11:23 |
So order me a steak, |
| 00:11:25 |
and it'll be my insomnia snack. |
| 00:11:27 |
What kind of anniversary dinner is that? |
| 00:11:30 |
''Can l have one dinner, and can you |
| 00:11:34 |
l thought we'd sit over some wine |
| 00:11:38 |
and l'd look in your eyes and |
| 00:11:42 |
l'm not beautiful. l'm fat. |
| 00:11:44 |
Okay, l'll cancel the reservation. |
| 00:11:49 |
Let's go home. l'll make myself |
| 00:11:53 |
There are no more eggs. |
| 00:11:57 |
[Amanda:] What are you doing? |
| 00:11:59 |
l made myself a sandwich. |
| 00:12:04 |
Thank God she hasn't learned how to use |
| 00:12:07 |
My mother's moving in with us. |
| 00:12:09 |
- What? |
| 00:12:12 |
Wait a minute. |
| 00:12:15 |
She left her boyfriend. |
| 00:12:17 |
What happened? |
| 00:12:21 |
What happened is she's Madame Bovary. |
| 00:12:24 |
She's married to a Park Avenue doctor |
| 00:12:28 |
Then there's Tom, |
| 00:12:31 |
and Perry, the travel agent guy. |
| 00:12:35 |
More? More what? |
| 00:12:37 |
l'm sure she doesn't know. |
| 00:12:42 |
Her youth back. |
| 00:12:45 |
She wants to ''fulfill her life |
| 00:12:48 |
- Those are her words. |
| 00:12:52 |
She has no money. |
| 00:12:55 |
Amanda, we have no room. |
| 00:12:59 |
l figured we'll put a bed in the office. |
| 00:13:02 |
ln the office, Amanda? |
| 00:13:05 |
That's where l create. |
| 00:13:09 |
You can create in the living room. |
| 00:13:11 |
ln the...? No, Amanda. |
| 00:13:15 |
That's my space. |
| 00:13:18 |
All of my rituals |
| 00:13:22 |
- l can't... |
| 00:13:24 |
- She's not staying in a shelter. |
| 00:13:27 |
- l didn't want to ruin your dinner. |
| 00:13:32 |
You're making matters worse, okay? |
| 00:13:37 |
[phone rings] |
| 00:13:38 |
l'll only be a minute. |
| 00:13:44 |
He said the baby-sitter routine |
| 00:13:49 |
There are no laughs. |
| 00:13:53 |
People are sitting with stone faces. |
| 00:13:56 |
The routine is fine. |
| 00:14:00 |
That's what l told him. l said, ''Danny, |
| 00:14:05 |
''You think there's a reason |
| 00:14:09 |
No tact. |
| 00:14:11 |
l said to him, ''Danny, a man buys a suit. |
| 00:14:16 |
''He says he's happy with it. |
| 00:14:19 |
''Then he sees another suit. |
| 00:14:21 |
Suddenly he doesn't want |
| 00:14:24 |
''He wants a new suit. |
| 00:14:28 |
Right, yeah. |
| 00:14:31 |
Can l ring you back? |
| 00:14:33 |
l was up to NBC. |
| 00:14:37 |
Not right now. |
| 00:14:40 |
Right now they're not equal. |
| 00:14:45 |
l need a business thing done. |
| 00:14:47 |
l got a business thing to discuss. |
| 00:14:50 |
What kind of business? |
| 00:14:54 |
There's nothing to get anxious about. |
| 00:14:57 |
Good-bye. |
| 00:15:01 |
Jerry, do you think l'm fat? |
| 00:15:04 |
l think you're amazing-looking. |
| 00:15:07 |
You're just used to the losers |
| 00:15:09 |
Losers? Not all of them were losers. |
| 00:15:13 |
What is behind your back? |
| 00:15:16 |
- This is for you. Happy anniversary. |
| 00:15:18 |
You have to forgive the wrapping. |
| 00:15:22 |
l lost my temper |
| 00:15:24 |
l can tell. Not exactly a work of art, |
| 00:15:28 |
Open, open. |
| 00:15:29 |
- l think l know what these are. |
| 00:15:33 |
These are the earrings from downtown. |
| 00:15:35 |
l couldn't not get them for you. |
| 00:15:37 |
You look so good |
| 00:15:41 |
Do l? |
| 00:15:43 |
Beautiful. |
| 00:15:45 |
- Thank you. |
| 00:15:49 |
You're the only one l've ever dated |
| 00:15:53 |
lt's because you have |
| 00:15:57 |
''No Exit'' and ''The Flies.'' |
| 00:16:00 |
That's amazing. Thank you. |
| 00:16:03 |
lt was between that and O'Neill. |
| 00:16:04 |
l couldn't decide whose |
| 00:16:07 |
l think it was Tennessee Williams |
| 00:16:10 |
who said that the opposite of death |
| 00:16:15 |
[Falk:] And l desired you |
| 00:16:18 |
l could live down here. |
| 00:16:22 |
lt is. lt's very pretty. |
| 00:16:26 |
l like to visit, but l like to go home |
| 00:16:31 |
You wouldn't consider it? |
| 00:16:36 |
Why is marriage so important? |
| 00:16:40 |
Just because we get |
| 00:16:44 |
You moved in with me. |
| 00:16:46 |
Yes, we moved in together. |
| 00:16:50 |
l guess l'm old-fashioned. |
| 00:16:52 |
l know. All your girlfriends |
| 00:16:56 |
- Falk, what's up? |
| 00:16:59 |
Bob, this is Brooke. |
| 00:17:02 |
- How's it going? |
| 00:17:04 |
This is Amanda. |
| 00:17:07 |
This is Brooke. |
| 00:17:10 |
So, what are you guys doing down here? |
| 00:17:12 |
She just bought her dad |
| 00:17:15 |
You think it's ridiculous. |
| 00:17:19 |
Let them see it. |
| 00:17:21 |
- Oh, that's a... |
| 00:17:25 |
You knew that. |
| 00:17:26 |
Wait. lt's complete |
| 00:17:30 |
- lsn't it wonderful? |
| 00:17:33 |
[Bob:] Just what he needs, |
| 00:17:36 |
l always thought you had |
| 00:17:38 |
Ha ha. |
| 00:17:39 |
Hey. We're going to a great |
| 00:17:42 |
We want to invite you. |
| 00:17:44 |
- You can only disappoint. |
| 00:17:47 |
- Are we busy tomorrow night? |
| 00:17:50 |
But that was tentative, l thought. |
| 00:17:53 |
- You hate lndian food. |
| 00:17:57 |
l've wanted to give it a second chance |
| 00:18:00 |
since l realized how much you... |
| 00:18:04 |
- Come on. lt'll be fun. |
| 00:18:07 |
What l love about Bogart |
| 00:18:11 |
The cigarette, |
| 00:18:16 |
Always in some seedy nightclub. |
| 00:18:18 |
Didn't l say that exact same thing |
| 00:18:23 |
Exactly. l even used the term. |
| 00:18:26 |
Where did you go to school? |
| 00:18:28 |
Ethical culture. Fieldston. |
| 00:18:32 |
One of her professors |
| 00:18:36 |
lt was terrible. |
| 00:18:39 |
lt was way too much pressure |
| 00:18:42 |
ln addition to acting, |
| 00:18:47 |
l try to sing, but then l hear someone |
| 00:18:52 |
She's your favorite. |
| 00:18:54 |
But you can't listen to the CD's, right? |
| 00:18:58 |
Didn't l say that? |
| 00:19:02 |
lt totally sterilizes... |
| 00:19:05 |
Actually, someone told me |
| 00:19:09 |
that has all of her old recordings |
| 00:19:13 |
l'd love to know about it. |
| 00:19:18 |
lt's early. |
| 00:19:21 |
Diana Krall is playing. |
| 00:19:25 |
l'll get so discouraged, |
| 00:19:30 |
- Great. |
| 00:19:33 |
Yeah, but l did most of my stuff |
| 00:19:37 |
- Should we? What do you... |
| 00:19:40 |
Hide your heart from sight |
| 00:19:44 |
Lock your dreams at night |
| 00:19:48 |
lt could happen to you |
| 00:19:55 |
Don't count stars |
| 00:20:02 |
Someone drops a sigh |
| 00:20:05 |
And down you tumble |
| 00:20:10 |
Keep an eye on spring |
| 00:20:14 |
Run when church bells ring |
| 00:20:19 |
lt could happen to you |
| 00:20:25 |
She's so moving. |
| 00:20:30 |
l agree. She's totally moving. |
| 00:20:34 |
Absolutely. |
| 00:20:41 |
[applause] |
| 00:20:46 |
What was l saying? |
| 00:20:48 |
l'd love to take one of those boats |
| 00:20:51 |
lt's supposed to be so beautiful. |
| 00:20:53 |
Not tonight? |
| 00:20:57 |
Of course not tonight. |
| 00:21:03 |
But how thrilling that would be. |
| 00:21:08 |
You hate heat. |
| 00:21:10 |
l hate malaria. lt's malaria, remember? |
| 00:21:16 |
l want to see the parrots |
| 00:21:20 |
l've seen pictures in National Geographic. |
| 00:21:24 |
Giant, huge... |
| 00:21:28 |
Monkeys? |
| 00:21:32 |
Do you like snakes? |
| 00:21:34 |
Do l like snakes? |
| 00:21:36 |
Some people get queasy around them, |
| 00:21:40 |
The way they move... |
| 00:21:43 |
So sen... l love snakes. |
| 00:21:48 |
- Pythons. |
| 00:21:50 |
Garters. Rattlesnakes. |
| 00:21:53 |
- l cannot believe l'm hearing this. |
| 00:21:57 |
l've often said, often, that there's |
| 00:22:03 |
- l've said this. |
| 00:22:05 |
- That's not true. |
| 00:22:07 |
there's supposed to be |
| 00:22:09 |
We should rent a car |
| 00:22:12 |
- We could walk on the beach... |
| 00:22:15 |
Nobody hates the ocean. |
| 00:22:17 |
She's up for anything. |
| 00:22:22 |
Don't you have an audition tomorrow? |
| 00:22:25 |
''My candle burns at both ends, |
| 00:22:29 |
Millay. Edna Millay. |
| 00:22:33 |
Don't l quote her all the time? |
| 00:22:39 |
Amanda's pretty, isn't she? |
| 00:22:42 |
- She's okay, l suppose. |
| 00:22:46 |
l was looking at her face |
| 00:22:48 |
and she has this offbeat sexual quality. |
| 00:22:53 |
Yeah, l guess. |
| 00:22:57 |
if you find that crippling sense |
| 00:23:00 |
of passionate heat |
| 00:23:05 |
- Huh? |
| 00:23:07 |
- Nothing. |
| 00:23:10 |
l got the whole story while you were |
| 00:23:13 |
l'm fine. |
| 00:23:15 |
She moved in with him |
| 00:23:19 |
he is dying to marry her. |
| 00:23:21 |
- Oh, yeah? |
| 00:23:25 |
He's charming and very attractive. |
| 00:23:27 |
Are you okay? |
| 00:23:29 |
Yeah. |
| 00:23:49 |
Amanda? Hey, it's Jerry Falk. |
| 00:23:52 |
Good, good. You? |
| 00:23:54 |
Listen, l was just about to go to |
| 00:23:59 |
l know you were interested |
| 00:24:03 |
l'm actually vaguely near your house, |
| 00:24:08 |
l mean, if you and Bob are busy... |
| 00:24:13 |
Right. Of course. He would be at work. |
| 00:24:18 |
l could be there pretty soon. |
| 00:24:23 |
Great. l'll meet you in front |
| 00:25:16 |
These are great. |
| 00:25:18 |
Let me get you this Diana Krall record |
| 00:25:23 |
since l know how big of a fan you are. |
| 00:25:26 |
- Wasn't she great the other night? |
| 00:25:29 |
l love that you appreciate old songs. |
| 00:25:32 |
l'd love to hear you sing sometime. |
| 00:25:35 |
l can't sing publicly. |
| 00:25:38 |
- Fat? l'm sorry. Did you say fat? |
| 00:25:43 |
They take away your appetite, |
| 00:25:49 |
ls that how you met Bob? |
| 00:25:52 |
From his record company? |
| 00:25:55 |
No. He picked me up |
| 00:25:58 |
Oh, how funny. |
| 00:25:59 |
And you guys got... |
| 00:26:03 |
No. He'd like to, but... |
| 00:26:07 |
l can't commit. |
| 00:26:09 |
l have a problem with commitment. |
| 00:26:11 |
l dream of meeting someone |
| 00:26:16 |
where l'd be the one |
| 00:26:18 |
But it hasn't happened yet. You? |
| 00:26:22 |
Me neither. |
| 00:26:24 |
Um, unfortunately, same here. |
| 00:26:28 |
Brooke and l are in |
| 00:26:32 |
- Really? |
| 00:26:34 |
- She didn't give me that impression. |
| 00:26:37 |
Well, that's strange, because that's |
| 00:26:42 |
Oh. Look at this, uh, record. |
| 00:26:46 |
This is a fantas... |
| 00:26:50 |
Let me get you this as a little present. |
| 00:26:54 |
l was actually listening to this last night, |
| 00:27:00 |
You were listening to Cole Porter |
| 00:27:04 |
You must really have a crush on me. |
| 00:27:07 |
l do? |
| 00:27:10 |
l'd say it's fatal. |
| 00:27:24 |
l'm sorry. |
| 00:27:28 |
Don't apologize. |
| 00:27:31 |
You did? |
| 00:27:33 |
Yes. l've had a crush on you |
| 00:27:37 |
Couldn't you tell, |
| 00:27:40 |
Well, there was something |
| 00:27:46 |
l thought you were sweet |
| 00:27:53 |
And l could tell you liked me, too. |
| 00:27:58 |
l can't believe |
| 00:28:02 |
l don't want anyone to get hurt. |
| 00:28:08 |
Where were you? |
| 00:28:11 |
Where? |
| 00:28:16 |
- You smell from alcohol. |
| 00:28:18 |
My God, your tongue is black. |
| 00:28:20 |
lt is? Well, um... |
| 00:28:23 |
that's because l had some wine. |
| 00:28:25 |
Wine? Why? |
| 00:28:28 |
No. Uh, to celebrate. |
| 00:28:32 |
What deal? |
| 00:28:34 |
l have to tell you, um, it looks like |
| 00:28:38 |
to work for, for, um, a very, |
| 00:28:40 |
very funny, uh, puppet. |
| 00:28:43 |
lt's, uh... remember l... |
| 00:28:46 |
ls this a woman's hair? |
| 00:28:54 |
ls this... |
| 00:28:58 |
l mean, it could be... |
| 00:29:02 |
l suppose. |
| 00:29:04 |
Possibly from, uh, the taxi. |
| 00:29:06 |
lt was... l mean, l think, you know, |
| 00:29:11 |
l probably sat up in... |
| 00:29:13 |
l guess, the woman's hair. |
| 00:29:17 |
She asked me if l still love her. |
| 00:29:20 |
Why can't l tell her the truth? |
| 00:29:24 |
Why can't l tell her it's over? |
| 00:29:28 |
Tell me about your dream. |
| 00:29:29 |
The Cleveland lndians gotjobs |
| 00:29:32 |
Yeah. So what can it possibly mean? |
| 00:29:35 |
Look, l can't keep wasting my hour here |
| 00:29:39 |
l have a date with Amanda. |
| 00:29:42 |
l can't keep running around town |
| 00:29:46 |
Amanda can handle it, |
| 00:29:49 |
What do l do? l have to |
| 00:29:53 |
lt'll break her heart. |
| 00:30:00 |
The guy will not talk. |
| 00:30:03 |
What comes to mind |
| 00:30:05 |
See? This is what l get. |
| 00:30:08 |
and he wants me to free-associate |
| 00:30:14 |
[Amanda:] l love doing it in hotels. |
| 00:30:18 |
Check yourself for shoulder-length hairs |
| 00:30:22 |
l have to decide how to |
| 00:30:26 |
There's no rush. |
| 00:30:30 |
Bob wasn't upset when you told him? |
| 00:30:32 |
He was disappointed. |
| 00:30:37 |
Naturally, l didn't tell him |
| 00:30:45 |
Brooke... |
| 00:30:46 |
Don't give me that. |
| 00:30:49 |
Those are bite marks on your back. |
| 00:30:54 |
What are you thinking about? |
| 00:30:57 |
Everything. |
| 00:30:59 |
When we first met, |
| 00:31:03 |
Remember that? Or when we checked |
| 00:31:09 |
Or how we made love everywhere. |
| 00:31:13 |
When l think of all the risky places |
| 00:31:16 |
that lust overcame the two of us, |
| 00:31:21 |
You know Fireside Memorial Chapel |
| 00:31:23 |
Fascinating. |
| 00:31:43 |
Don't. |
| 00:31:45 |
- Why not? |
| 00:31:46 |
What do you mean? |
| 00:31:49 |
We never sleep with each other. |
| 00:31:51 |
l told you l'm going |
| 00:31:54 |
l'll say. |
| 00:31:57 |
l said you could sleep |
| 00:31:59 |
l don't love other women. |
| 00:32:02 |
l don't want to sleep |
| 00:32:04 |
What did l do to turn you off? |
| 00:32:08 |
Nothing. You did nothing. |
| 00:32:12 |
- You have such an ego. |
| 00:32:15 |
What do you want me to do? |
| 00:32:19 |
hold myself stiff |
| 00:32:21 |
lt's getting to the point |
| 00:32:26 |
Sometimes l think it's because |
| 00:32:30 |
You once told me you thought your father |
| 00:32:35 |
That's not the part of him |
| 00:32:37 |
lt's not? |
| 00:32:41 |
You know, his professional manner. |
| 00:32:44 |
Sweet and supportive. |
| 00:32:47 |
Gee, l'm sorry l have so many |
| 00:32:58 |
Sleep with other women. |
| 00:33:02 |
- Do you love me? |
| 00:33:05 |
Just because l pull away |
| 00:33:10 |
[Dobel:] ''Just because l pull away |
| 00:33:12 |
- Falk, give me a break. |
| 00:33:17 |
Meanwhile, you haven't consummated |
| 00:33:20 |
lt's unbelievable. l have a theory |
| 00:33:27 |
She encourages me |
| 00:33:29 |
Well, do it. For God's sakes. |
| 00:33:32 |
There must be a million women who'd |
| 00:33:36 |
Maybe not a million, |
| 00:33:38 |
but l'm sure you could find one, |
| 00:33:41 |
lt doesn't matter. |
| 00:33:44 |
- See, even my first wife was... |
| 00:33:50 |
A bitter story. |
| 00:33:53 |
l should have known something |
| 00:33:57 |
when her family danced around my table |
| 00:34:03 |
Oh, boy. l had a rough day. |
| 00:34:07 |
l got up, put on a shirt |
| 00:34:12 |
Then l went to the car to open the door, |
| 00:34:16 |
Now l'm afraid |
| 00:34:22 |
What did you do? |
| 00:34:26 |
- No, you didn't. |
| 00:34:29 |
l was grabbing the check. |
| 00:34:31 |
Never trust a guy |
| 00:34:34 |
He who wants to get the check, |
| 00:34:36 |
As you go through life, when you |
| 00:34:41 |
- Well, l was planning on getting it. |
| 00:34:44 |
Did you hear what that guy said? |
| 00:34:46 |
Three people were coming in |
| 00:34:49 |
The swarthy guy? |
| 00:34:52 |
Yeah. Dark. |
| 00:34:55 |
- l didn't hear him. |
| 00:34:57 |
and said to the other guy: |
| 00:35:01 |
- Did you hear that? |
| 00:35:02 |
Yes, absolutely. He presumably |
| 00:35:08 |
but it was really for our benefit. |
| 00:35:12 |
l don't think it was for my benefit |
| 00:35:18 |
l know who you're talking about. |
| 00:35:21 |
but l didn't hear anything |
| 00:35:25 |
Because you were obsessed with |
| 00:35:29 |
running around. |
| 00:35:31 |
Let me tell you, Falk. |
| 00:35:34 |
You got to keep alert for these things. |
| 00:35:37 |
You don't want your life to wind up |
| 00:35:40 |
scored by a cello in a minor key. |
| 00:35:49 |
- Hey. |
| 00:35:51 |
- How are you? |
| 00:35:54 |
lt's exactly like Dobel says. |
| 00:35:56 |
There is truly a paucity |
| 00:36:01 |
When will l meet this polymath? |
| 00:36:02 |
He is unbelievable. |
| 00:36:05 |
He plays music. |
| 00:36:09 |
l've read some of his poems... |
| 00:36:12 |
Cancer and shock treatments |
| 00:36:15 |
And his vocabulary is astounding. |
| 00:36:20 |
lt's rare you're so taken with somebody. |
| 00:36:23 |
Hey, Mrs. Chase. |
| 00:36:24 |
l told you not to call me Mrs. Chase. |
| 00:36:27 |
Mrs. Chase makes me sound ancient. |
| 00:36:32 |
- ln fact, l'm just starting to live it. |
| 00:36:35 |
And l need some help from you. |
| 00:36:37 |
Mom, could you talk about this tomorrow? |
| 00:36:41 |
What, are we six years old? |
| 00:36:45 |
lt's okay. lt's only 1 :30. |
| 00:36:47 |
l decided to put some songs together |
| 00:36:51 |
Mother, the scene has really changed |
| 00:36:56 |
- Why are you so discouraging? |
| 00:36:59 |
l don't want you to get hurt. |
| 00:37:02 |
How? l could always sing. |
| 00:37:03 |
Of course you can sing. |
| 00:37:07 |
But things change. |
| 00:37:10 |
Can't you be more supportive? |
| 00:37:13 |
l am not. |
| 00:37:16 |
[Falk:] Please. |
| 00:37:19 |
l thought l'd put a few songs together |
| 00:37:23 |
and you could write |
| 00:37:26 |
- l've never done that sort of thing. |
| 00:37:30 |
l couldn't tell a joke if my life |
| 00:37:33 |
The truth is, |
| 00:37:36 |
Oh, God. |
| 00:37:40 |
Jerry, you could do it. |
| 00:37:44 |
- You just said this is a fool's errand. |
| 00:37:47 |
lt's an expression. |
| 00:37:50 |
l know. l tried to dissuade her, |
| 00:37:55 |
l'm trying to finish my book. |
| 00:37:59 |
- l've taken deposits from them. |
| 00:38:02 |
Okay. l never said l wouldn't do it. |
| 00:38:05 |
l just have to fit it in. |
| 00:38:07 |
lt won't be arduous. |
| 00:38:10 |
l'm even having a piano delivered. |
| 00:38:12 |
- [Falk:] Here? |
| 00:38:15 |
- l had to rehearse. |
| 00:38:18 |
Because you don't maximize your space. |
| 00:38:21 |
l was an interior decorator. |
| 00:38:26 |
l know this is a real pain, |
| 00:38:31 |
You mean like our lovemaking? |
| 00:38:33 |
Could you not be gross? |
| 00:38:38 |
[Falk:] As the days passed, |
| 00:38:41 |
After he finished school, |
| 00:38:45 |
He'd usually expound on something. |
| 00:38:48 |
[Dobel:] You think quantum physics |
| 00:38:51 |
l mean, what purpose |
| 00:38:55 |
that time and space |
| 00:38:58 |
l ask a guy what time it is, |
| 00:39:02 |
What the hell is that? |
| 00:39:03 |
Falk, if a guy comes out onstage |
| 00:39:08 |
you can always find some people |
| 00:39:12 |
Years ago, a very wonderful comedy writer |
| 00:39:15 |
wrote a very funny book |
| 00:39:21 |
lt was called |
| 00:39:26 |
You would be amazed how many people |
| 00:39:29 |
do exactly that, and worse. |
| 00:39:33 |
- [Dobel:] Do you masturbate, Falk? |
| 00:39:35 |
l mean, given the circumstances |
| 00:39:40 |
This is not... stop squirming. |
| 00:39:43 |
l'm not. l don't know. |
| 00:39:47 |
When is now and then? |
| 00:39:50 |
l don't really enjoy it. |
| 00:39:52 |
Are you doing it right? |
| 00:39:54 |
l happen to think it's |
| 00:39:58 |
Really? l prefer it to the real thing. |
| 00:40:00 |
Last night, l was home by myself |
| 00:40:03 |
and l conjured up a threesome with me, |
| 00:40:10 |
lt was very erotic. |
| 00:40:13 |
ln fact, if l'm not mistaken, |
| 00:40:15 |
those two great actresses |
| 00:40:18 |
- lt sounds nice, but... |
| 00:40:23 |
is because l think |
| 00:40:26 |
you learn to depend only on yourself. |
| 00:40:29 |
You know? |
| 00:40:33 |
A gun? |
| 00:40:35 |
A gun qualifies as a firearm, yes. |
| 00:40:37 |
- No. Why would l? |
| 00:40:40 |
Against who? |
| 00:40:43 |
Against those who conspire to harm you. |
| 00:40:45 |
Harm me? |
| 00:40:46 |
Don't ask what you did to deserve it. |
| 00:40:52 |
You know, come with me to New Jersey. |
| 00:41:01 |
Falk, l took the liberty a few weeks ago |
| 00:41:06 |
What? |
| 00:41:07 |
They're having a sale here |
| 00:41:12 |
What? |
| 00:41:13 |
Suppose you're home one night |
| 00:41:18 |
and some guys break in. |
| 00:41:21 |
l'd dial 91 1 . |
| 00:41:24 |
Have you ever dialed 91 1? |
| 00:41:27 |
Come on. |
| 00:41:31 |
l don't need a rifle. l'll probably |
| 00:41:35 |
What is wrong with you? |
| 00:41:38 |
you can't keep a firearm without |
| 00:41:43 |
- l don't need a weapon. |
| 00:41:45 |
What does that mean? |
| 00:41:47 |
lt means the day will come |
| 00:41:49 |
Why exactly? |
| 00:41:51 |
Why? |
| 00:41:54 |
l want to get you some of this stuff, too. |
| 00:41:57 |
- What for? |
| 00:42:00 |
l have a perfect survival kit. |
| 00:42:04 |
Last week l got some great fishhooks, |
| 00:42:06 |
and a waterproof matchbox that floats. |
| 00:42:10 |
What are you preparing for, |
| 00:42:13 |
l have to know if l'm alone in the wilds, |
| 00:42:17 |
Dobel, you're a madman. |
| 00:42:18 |
That's what they said in Germany. |
| 00:42:21 |
There were actually groups |
| 00:42:25 |
They were deluded. |
| 00:42:29 |
Never trust a naked bus driver. |
| 00:42:34 |
By the time l got out of bed |
| 00:42:37 |
- the damage would be done. |
| 00:42:40 |
l should keep a loaded gun in the house? |
| 00:42:43 |
Why would you keep |
| 00:42:46 |
Do you keep a loaded gun in the house? |
| 00:42:48 |
l have a loaded weapon |
| 00:42:52 |
Within reach, Falk. |
| 00:42:55 |
Just how crazy are you? |
| 00:42:57 |
Do you hear voices on the radio |
| 00:43:01 |
You are a member of one of the most |
| 00:43:06 |
The rifle's on me. |
| 00:43:11 |
This makes me nervous. |
| 00:43:14 |
You have to learn to take it apart |
| 00:43:18 |
You may have to do it in the dark. |
| 00:43:20 |
You expecting Nazis and a blackout? |
| 00:43:23 |
lncidentally, while you were rummaging |
| 00:43:27 |
l got you a couple of items. |
| 00:43:30 |
l got you a flashlight that floats |
| 00:43:33 |
if you drop it in the ocean |
| 00:43:35 |
When the hell am l near the ocean? |
| 00:43:38 |
l want you to build a survival kit. |
| 00:43:43 |
l live in Manhattan. |
| 00:43:47 |
This flare gun. |
| 00:43:50 |
fishhooks, water-purifying tablets. |
| 00:43:53 |
This all sounds a little excessive to me. |
| 00:43:56 |
And don't pull the trigger. |
| 00:43:59 |
Squeeze it. Squeeze the trigger. |
| 00:44:01 |
That's right. |
| 00:44:04 |
[gun clicking] |
| 00:44:05 |
Sorry. Sorry, sorry. |
| 00:44:08 |
Dobel was showing me how to use a rifle. |
| 00:44:12 |
- Why? |
| 00:44:15 |
- From who? |
| 00:44:18 |
- Dobel, tell her. |
| 00:44:20 |
Hi. |
| 00:44:24 |
Burglars, rapists, the Gestapo. |
| 00:44:27 |
lt was my idea that, |
| 00:44:30 |
perhaps it would be prudent |
| 00:44:32 |
for young Falk to own |
| 00:44:36 |
Have you had a mental breakdown? |
| 00:44:39 |
- l know it seems weird. |
| 00:44:42 |
This is all very important. |
| 00:44:48 |
and that's a flashlight that floats. |
| 00:44:50 |
Let's say you drop it in the ocean. |
| 00:44:53 |
Are you joining the Boy Scouts? |
| 00:44:55 |
- lt's all very necessary. |
| 00:44:58 |
They're called rounds. Right? |
| 00:45:02 |
Falk, l don't mean to incite |
| 00:45:05 |
Amanda, it's all very safe. |
| 00:45:10 |
what l do is take a pliers |
| 00:45:12 |
and l remove the lead part |
| 00:45:17 |
Then l have the empty... |
| 00:45:20 |
And what l do is l put this now |
| 00:45:25 |
in the rifle, okay? |
| 00:45:27 |
So then if a shot's taken, |
| 00:45:30 |
Not until the second round |
| 00:45:33 |
The chamber. |
| 00:45:35 |
lnto the chamber. |
| 00:45:37 |
l am not living in the house |
| 00:45:41 |
You don't trust me to keep a firearm |
| 00:45:44 |
- Am l an imbecile? |
| 00:45:47 |
Dobel, would you say something? |
| 00:45:50 |
lt's his feeling that as the economy slumps, |
| 00:45:54 |
And rape... rape has risen. |
| 00:45:59 |
And he's not convinced that |
| 00:46:03 |
is enough to satisfy the anti-Semitic |
| 00:46:07 |
- You said this. |
| 00:46:10 |
l put it more succinctly when l... |
| 00:46:12 |
[door closing] |
| 00:46:13 |
Don't worry, Mother. |
| 00:46:18 |
- [Paula:] What's happening? |
| 00:46:21 |
A rifle?. l'm not living |
| 00:46:25 |
- Don't worry, Mom. lt's leaving. |
| 00:46:29 |
Perhaps we should rethink |
| 00:46:33 |
Mrs. Chase, is it unreasonable |
| 00:46:36 |
though you'll probably never use it? |
| 00:46:37 |
Stop calling me Mrs. Chase. |
| 00:46:41 |
l'm not your goddamn schoolteacher. |
| 00:46:44 |
Falk, urgent business in Tierra Del Fuego |
| 00:46:49 |
so l'll be leaving. |
| 00:46:50 |
Sir, would you mind |
| 00:46:53 |
- Me? |
| 00:46:55 |
Would you take these when you go? |
| 00:46:58 |
l don't care who he is. |
| 00:47:01 |
That's because it's too crowded. |
| 00:47:04 |
Meaning what? |
| 00:47:06 |
Don't be so dramatic. |
| 00:47:10 |
Are you going to help me? |
| 00:47:12 |
l live to serve. |
| 00:47:15 |
- Pivot. Pivot. |
| 00:47:17 |
Did l get you at a bad time? |
| 00:47:19 |
l just want to set the date |
| 00:47:24 |
How's Friday? |
| 00:47:26 |
Friday. |
| 00:47:29 |
l have steamers in the fridge |
| 00:47:33 |
No. l make it a practice |
| 00:47:37 |
that have been dead more than 72 hours. |
| 00:47:40 |
Christ, l need a drink. |
| 00:47:42 |
What are these? |
| 00:47:45 |
[Amanda:] Water-purifying tablets. |
| 00:47:47 |
What for? |
| 00:47:49 |
Thursday's better. |
| 00:47:52 |
The who, the what and the wherefore. |
| 00:47:57 |
- Right. Bye. |
| 00:48:00 |
- Just pivot it. |
| 00:48:03 |
l have it under control. |
| 00:48:05 |
with 12 stevedores and some oxen. |
| 00:48:08 |
- Paula, where do you want this? |
| 00:48:12 |
- l'll help you do it. |
| 00:48:15 |
Mom, here you go. |
| 00:48:17 |
[Paula:] Jesus, what a butterfingers. |
| 00:48:20 |
Watch your hands |
| 00:48:23 |
- [Amanda:] These things happen. |
| 00:48:31 |
l don't understand why those people |
| 00:48:35 |
after the dinner party |
| 00:48:37 |
- What'd you think? |
| 00:48:38 |
Yeah, l agree. |
| 00:48:40 |
Listen, l'm sorry about my mother. |
| 00:48:43 |
- l know she's been out of control. |
| 00:48:47 |
She is a little tough, |
| 00:48:48 |
but nevertheless, l will gladly |
| 00:48:52 |
You are a sweetheart. |
| 00:48:56 |
l've got a great idea. |
| 00:48:58 |
lnstead of going home, |
| 00:49:01 |
Let's check into a hotel. |
| 00:49:03 |
Maybe away from everything |
| 00:49:05 |
in a completely different atmosphere, |
| 00:49:10 |
We used to check into hotels |
| 00:49:12 |
- lt was exciting and fun. |
| 00:49:17 |
But it won't be different. |
| 00:49:19 |
Come on, it'll be great. |
| 00:49:28 |
Hi. How are you? |
| 00:49:31 |
We're interested in a single room. |
| 00:49:34 |
- A single room is $200 a night. |
| 00:49:38 |
lt's amazing how even |
| 00:49:41 |
Let's not get a single. |
| 00:49:45 |
We're trying to be romantic. |
| 00:49:47 |
You're right. |
| 00:49:51 |
- A small suite? |
| 00:49:53 |
Let me check. |
| 00:50:04 |
Wow. |
| 00:50:06 |
- Look at this place. |
| 00:50:14 |
Thank you. |
| 00:50:16 |
- How much did you give him? |
| 00:50:19 |
Not five? |
| 00:50:20 |
Five? |
| 00:50:23 |
We have no luggage. |
| 00:50:27 |
lt doesn't matter. |
| 00:50:31 |
This is fun, isn't it? |
| 00:50:35 |
Should we order caviar? |
| 00:50:37 |
Caviar? You just had |
| 00:50:41 |
Plus the peppermints |
| 00:50:45 |
l know. |
| 00:50:48 |
l can't believe how much they charge |
| 00:50:51 |
lt's not what l expected. |
| 00:50:54 |
- ls that what you're thinking about? |
| 00:50:57 |
No, l'm thinking of you |
| 00:51:04 |
- l need another. |
| 00:51:09 |
- lt's too bright. |
| 00:51:13 |
Okay, well, l can fix that, l guess. |
| 00:51:18 |
- ls that better? |
| 00:51:21 |
Really? |
| 00:51:24 |
Maybe it's because of this room. |
| 00:51:29 |
- There. ls that better? |
| 00:51:33 |
You used to like making love |
| 00:51:36 |
Or in a sunny room in front of mirrors. |
| 00:51:39 |
- Can we start with the lights off? |
| 00:51:45 |
There we go. How's that? |
| 00:51:48 |
Thank you. |
| 00:51:50 |
Come here. |
| 00:51:56 |
Here... let's take off your sweatshirt. |
| 00:51:59 |
l'll take my pants off here. |
| 00:52:02 |
[coins falling] |
| 00:52:04 |
[Amanda:] Christ. |
| 00:52:05 |
l had all this change from the movie house |
| 00:52:11 |
l can't do this. |
| 00:52:14 |
That's crazy. |
| 00:52:17 |
lt's not about should. |
| 00:52:20 |
Okay, l'm sorry. |
| 00:52:22 |
l'm sorry, but l can't. |
| 00:52:25 |
We'll start again, okay? |
| 00:52:30 |
We got this room. |
| 00:52:33 |
We'll just start over, okay? |
| 00:52:35 |
[kissing] |
| 00:52:40 |
See? lt's nothing we haven't |
| 00:52:48 |
Jerry? |
| 00:52:51 |
What do you mean? |
| 00:52:54 |
- l can't... |
| 00:52:56 |
l can't breathe. |
| 00:52:59 |
- Your throat's not swelling. |
| 00:53:03 |
Why don't you sit down? |
| 00:53:07 |
You want me to get you some water? |
| 00:53:10 |
- No. l feel nauseous. |
| 00:53:13 |
- l am. |
| 00:53:16 |
Amanda, do you want me |
| 00:53:20 |
Maybe you need some fresh air. |
| 00:53:25 |
Are you serious? |
| 00:53:26 |
[wheezing] |
| 00:53:30 |
You don't need a doctor. |
| 00:53:34 |
l'm really dizzy. |
| 00:53:38 |
All right. |
| 00:53:40 |
Just, um, breathe |
| 00:53:43 |
Come on. |
| 00:53:47 |
[Amanda:] Leave a tip for the maid. |
| 00:53:49 |
[Dr. Reed:] So, if l push |
| 00:53:54 |
[Amanda:] Well, it's right under |
| 00:53:58 |
- Your left breast? |
| 00:54:05 |
Have you ever had a reaction |
| 00:54:07 |
Yes. |
| 00:54:09 |
Do you have any allergies? |
| 00:54:11 |
l hope not. |
| 00:54:13 |
l'm just checking |
| 00:54:18 |
- You take all these pills? |
| 00:54:22 |
Then l have my antidepressants |
| 00:54:25 |
But they have opposite effects. |
| 00:54:27 |
l don't take them all |
| 00:54:30 |
You had a few vodkas, you say? |
| 00:54:33 |
Hold. Let it go. |
| 00:54:37 |
Why do you use diet pills? |
| 00:54:39 |
l have some trouble |
| 00:54:41 |
You're not overweight. |
| 00:54:45 |
Lean back. |
| 00:54:47 |
No. |
| 00:54:48 |
- You're a very beautiful young woman. |
| 00:54:51 |
Yeah, breathe. Good. |
| 00:54:54 |
The doctor had better sex examining her |
| 00:54:58 |
She has this wayward appeal. |
| 00:55:02 |
What do l do? |
| 00:55:06 |
What do l do? |
| 00:55:11 |
Our time is up. |
| 00:55:13 |
Suppose we continue |
| 00:55:15 |
Mr. Falk, l would like to say that |
| 00:55:18 |
l will stop treating you if you |
| 00:55:22 |
- What? Why? |
| 00:55:26 |
And it's more to your advantage |
| 00:55:29 |
But Dobel thinks in the end, |
| 00:55:32 |
l'm afraid our time is up. |
| 00:55:34 |
lf you don't get rid of the rifle, |
| 00:55:43 |
- Jerry. |
| 00:55:46 |
l'm good. |
| 00:55:50 |
l'm having lunch |
| 00:55:53 |
That Harry Wexler clown? |
| 00:55:55 |
Harvey. Yeah, yeah. |
| 00:55:58 |
Nobody understands |
| 00:56:00 |
- Lose Harvey? |
| 00:56:03 |
- Oh, yeah? |
| 00:56:05 |
l'm telling you this as a friend. |
| 00:56:09 |
You don't need a character |
| 00:56:11 |
Thanks. l'll certainly think about it. |
| 00:56:15 |
- How's your girlfriend? |
| 00:56:18 |
She's studying |
| 00:56:20 |
Promise me one thing. |
| 00:56:22 |
You guys ever break up, |
| 00:56:25 |
Just kidding. |
| 00:56:28 |
We're not breaking up. |
| 00:56:30 |
- Good to see you. |
| 00:56:40 |
Sorry l'm late. |
| 00:56:42 |
l thought l'd be late. |
| 00:56:46 |
So, you want to discuss...? |
| 00:56:48 |
No big deal. |
| 00:56:52 |
then we can eat |
| 00:56:54 |
A coffee, please. |
| 00:56:56 |
l'm fine. |
| 00:56:58 |
Now... |
| 00:57:01 |
our original contract |
| 00:57:05 |
lt's almost up. |
| 00:57:07 |
My game plan for you |
| 00:57:11 |
A lot of people laughed at me |
| 00:57:16 |
And a kid, too. |
| 00:57:19 |
lt's like a clothing store |
| 00:57:21 |
that specializes in |
| 00:57:27 |
All the other managers in town, |
| 00:57:31 |
predicted that you would dump me |
| 00:57:36 |
l said, ''You do not know Jerry Falk.'' |
| 00:57:40 |
''Jerry Falk and l have |
| 00:57:43 |
''lt goes way beyond the contract. |
| 00:57:46 |
''We are very close. |
| 00:57:48 |
''l was at his wedding. |
| 00:57:51 |
''We are this close. |
| 00:57:54 |
''you couldn't even write |
| 00:57:57 |
[coughing] |
| 00:58:00 |
[tapping table] |
| 00:58:02 |
What's this? |
| 00:58:04 |
Our new agreement. |
| 00:58:08 |
You don't have to read it now. |
| 00:58:11 |
lt's not that complicated. |
| 00:58:14 |
except it's for seven years |
| 00:58:16 |
l figured, why burden you with |
| 00:58:21 |
Especially since we're gonna |
| 00:58:27 |
You can't sign that, Falk. |
| 00:58:30 |
l can't not sign it. |
| 00:58:34 |
The guy's an idiot. |
| 00:58:37 |
He should be pushing a rack |
| 00:58:40 |
He put in the tough work |
| 00:58:43 |
He's not a bad guy, he's just... |
| 00:58:46 |
l can't figure you out. |
| 00:58:49 |
yet you're too guilty to say good-bye |
| 00:58:51 |
to the inept homunculus |
| 00:58:55 |
lncidentally, my shrink says |
| 00:58:58 |
- What? |
| 00:59:02 |
What kind of charlatan would want you |
| 00:59:06 |
- He's not a charlatan. |
| 00:59:11 |
You know, since the beginning of time, |
| 00:59:14 |
people have been frightened and unhappy |
| 00:59:19 |
and scared to death |
| 00:59:22 |
and there have always been |
| 00:59:27 |
to tell them ''l know you're frightened, |
| 00:59:31 |
''Of course, it'll cost you a few bucks.'' |
| 00:59:34 |
But they can't help you, |
| 00:59:38 |
Hey, what did you think of Amanda? |
| 00:59:43 |
15 minutes under pretty |
| 00:59:46 |
but she has a great quality, doesn't she? |
| 00:59:49 |
She's cheating on you, |
| 00:59:51 |
- What are you talking about? |
| 00:59:55 |
- How do you know? |
| 00:59:58 |
How do you know? |
| 01:00:01 |
- No. |
| 01:00:04 |
No. |
| 01:00:04 |
Then why would you say |
| 01:00:09 |
l can tell by her eyes. |
| 01:00:11 |
- Her eyes? Her eyes. |
| 01:00:15 |
Dobel, you have a certain brilliance. |
| 01:00:20 |
You're a sweet guy |
| 01:00:23 |
but you are a deeply, |
| 01:00:27 |
Falk, l'm telling you, |
| 01:00:30 |
and you're too typhlotic to see it. |
| 01:00:33 |
Typhlosis, Falk. |
| 01:00:38 |
[music plays] |
| 01:00:56 |
ls she cheating on me? |
| 01:01:00 |
Dobel has poisoned the well. |
| 01:01:02 |
How the hell would he know? |
| 01:01:05 |
Not at all. He's a simple, |
| 01:01:09 |
[Falk:] ''Jews start all wars.'' |
| 01:01:13 |
Amanda's cheating on me |
| 01:01:16 |
Bull. And yet... |
| 01:01:18 |
Jerry? This is Connie. |
| 01:01:22 |
[Falk:] Nice to meet you. |
| 01:01:23 |
- Connie is a brilliant actress. |
| 01:01:27 |
Ray. Come with me. |
| 01:01:30 |
Amanda tells me you're a writer. |
| 01:01:35 |
A novel. |
| 01:01:38 |
About what? |
| 01:01:39 |
The absolute terror |
| 01:01:43 |
l just finished |
| 01:01:46 |
lsn't Dostoyevsky the most amazing, |
| 01:01:51 |
[Falk:] Who cares about Dostoyevsky |
| 01:01:55 |
She always talks about Ray Polito. |
| 01:01:57 |
Such a hotshot new actor. |
| 01:02:01 |
This generation's Brando. |
| 01:02:05 |
She's so sexy. |
| 01:02:10 |
All verbs. |
| 01:02:11 |
- Have l...? |
| 01:02:14 |
Oh, yes. |
| 01:02:17 |
l found it surprisingly neoteric. |
| 01:02:21 |
- Modern. Very modern. |
| 01:02:25 |
- Would you excuse me just a second? |
| 01:02:35 |
Jerry, hi. |
| 01:02:38 |
- Nice to see you. |
| 01:02:41 |
Good. You? |
| 01:02:43 |
l was telling Ray about how you have |
| 01:02:48 |
He says he has a great source. |
| 01:02:51 |
My buddy, Jay Binns, |
| 01:02:54 |
He'd be happy to show them |
| 01:02:56 |
Thanks. Yeah, maybe sometime, sure. |
| 01:02:59 |
- We could rent a car and drive out tonight. |
| 01:03:01 |
Connie? You should come, too. |
| 01:03:05 |
- Who's Doug? |
| 01:03:06 |
My buddy lives in Montauk. |
| 01:03:10 |
- At this hour, there's no traffic. |
| 01:03:14 |
Montauk at midnight? |
| 01:03:17 |
- l can't. |
| 01:03:19 |
- lt's just too late. |
| 01:03:22 |
You know l work best |
| 01:03:25 |
But we'll walk on the beach, |
| 01:03:28 |
Ray'll play his guitar. |
| 01:03:30 |
- You play guitar? |
| 01:03:32 |
l'd rather eat rat poison |
| 01:03:34 |
than watch this guy |
| 01:03:40 |
- [Falk:] You're so quiet. |
| 01:03:43 |
- [Falk:] What's wrong? |
| 01:03:45 |
[Falk:] Don't say, ''nothing.'' |
| 01:03:48 |
Are you crushed because we didn't drive |
| 01:03:52 |
and hear this guy play his guitar? |
| 01:03:54 |
Shhh. |
| 01:03:56 |
That road company James Dean |
| 01:03:59 |
like you were |
| 01:04:02 |
Are you in love with Connie? |
| 01:04:04 |
Connie? |
| 01:04:06 |
Don't pretend you can't |
| 01:04:08 |
l wouldn't have even looked at Connie |
| 01:04:13 |
l thought you'd like her. |
| 01:04:15 |
She's smart and beautiful |
| 01:04:19 |
A literate actress? |
| 01:04:23 |
Most men find her seductive. |
| 01:04:26 |
lf you wanted to go off with Ray Polito, |
| 01:04:30 |
You didn't need to |
| 01:04:32 |
Please. l thought you'd want to see |
| 01:04:36 |
l have no interest in Connie. |
| 01:04:40 |
You can sleep with other women. |
| 01:04:44 |
l'm not sleeping with her. |
| 01:04:47 |
[Paula:] Jesus Christ. |
| 01:04:51 |
l can't sleep. |
| 01:04:53 |
l'm sorry, Mother. |
| 01:04:57 |
- l need a sleeping pill. |
| 01:05:01 |
- l want to show you something. |
| 01:05:03 |
Come here. Jerry. |
| 01:05:07 |
This goddamn ballad is driving me crazy. |
| 01:05:12 |
[playing piano] |
| 01:05:18 |
Don't cry |
| 01:05:23 |
There'll be another spring |
| 01:05:29 |
l know our hearts |
| 01:05:32 |
Will dance again |
| 01:05:34 |
And sing again |
| 01:05:38 |
So wait for me |
| 01:05:41 |
Till then |
| 01:05:44 |
Be glad |
| 01:05:48 |
The bird is on the wing |
| 01:05:54 |
Another chance to love |
| 01:05:59 |
And laugh with me |
| 01:06:03 |
Just wait and see |
| 01:06:07 |
l love you now |
| 01:06:13 |
And l'll love you forever |
| 01:06:18 |
Oh, don't |
| 01:06:20 |
Be sad |
| 01:06:24 |
We'll surely be |
| 01:06:26 |
Together |
| 01:06:29 |
For the sky |
| 01:06:32 |
ls bluer overhead |
| 01:06:38 |
lf you will just |
| 01:06:41 |
Believe in me |
| 01:06:45 |
There'll be |
| 01:06:48 |
Another |
| 01:06:51 |
Spring |
| 01:06:54 |
lf life is meaningless, |
| 01:06:59 |
Dobel says we don't choose, |
| 01:07:03 |
What does it all add up to if l die? |
| 01:07:06 |
Freud says sex and work. |
| 01:07:09 |
Dobel says work |
| 01:07:13 |
and sex gives |
| 01:07:16 |
[Paula singing] |
| 01:07:18 |
She's going to practice now? |
| 01:07:22 |
Hey, Paula? l'm trying to clarify |
| 01:07:27 |
l just need... |
| 01:07:28 |
l have some ideas for dialogue |
| 01:07:31 |
Could we talk about it later? |
| 01:07:34 |
l am so nervous. l don't know why |
| 01:07:38 |
- Where does Amanda keep her Valium? |
| 01:07:42 |
l just need a little bit of quiet, |
| 01:08:02 |
[Falk:] l went to the bathroom |
| 01:08:07 |
Because Dobel made me |
| 01:08:10 |
l couldn't resist the impulse |
| 01:08:14 |
to see if it was there, |
| 01:08:18 |
Why does she need her diaphragm? |
| 01:08:23 |
And what's wrong with me? |
| 01:08:25 |
Why should the thought |
| 01:08:29 |
be both excruciating and exciting? |
| 01:08:32 |
l feel like committing suicide, |
| 01:08:34 |
but l have so many problems, |
| 01:08:37 |
What should l do? |
| 01:08:41 |
Huh? |
| 01:08:44 |
lf it was me, Falk, |
| 01:08:47 |
Why do you put these paranoid thoughts |
| 01:08:49 |
Why does she wear a diaphragm? |
| 01:08:53 |
lt's hormonal. |
| 01:08:56 |
The pill makes her crazy? |
| 01:09:00 |
The Pentagon should use her hormones |
| 01:09:03 |
l don't get it. Where is it? |
| 01:09:07 |
Well, you know, l can imagine. |
| 01:09:09 |
l've never followed anyone. |
| 01:09:11 |
lt's not rocket science, Falk. |
| 01:09:14 |
The trick is not to be seen. |
| 01:09:18 |
- Acting class. |
| 01:09:19 |
Christ, don't say that. |
| 01:09:24 |
She wouldn't miss that. |
| 01:09:27 |
And that's where she sees |
| 01:09:31 |
Look, l'm not good at following. |
| 01:09:36 |
l can't. |
| 01:09:39 |
to the Caravaggio exhibit |
| 01:09:42 |
l give them a little culture now and then |
| 01:09:44 |
so they don't beat each other to death |
| 01:09:48 |
l'm too nervous to follow her. |
| 01:09:51 |
There's nothing to it, you know. |
| 01:09:53 |
You're worried about what you're |
| 01:09:58 |
You are a writer. |
| 01:10:00 |
You should have a girlfriend |
| 01:10:06 |
not some mercurial little jitterbug |
| 01:10:11 |
- to keep her in mood elevators. |
| 01:10:15 |
What you don't know will kill you. |
| 01:10:17 |
What you don't know won't hurt you, |
| 01:10:20 |
Like if they tell you |
| 01:10:24 |
but they turn out not to be showers. |
| 01:11:02 |
Ray Polito. |
| 01:11:49 |
[Amanda:] Where were you? |
| 01:11:52 |
Paula, could you excuse us? |
| 01:11:56 |
My God, Jerry. |
| 01:11:59 |
Fine with me. |
| 01:12:01 |
[Amanda:] What? You have a date? |
| 01:12:05 |
l must confess. |
| 01:12:08 |
- Where? |
| 01:12:10 |
- Great. An alcoholic. |
| 01:12:14 |
He's the alcoholic's friend, the enabler. |
| 01:12:16 |
Even better. |
| 01:12:18 |
- He's a horse whisperer. |
| 01:12:22 |
- What are you looking for, your keys? |
| 01:12:24 |
- They're over here. |
| 01:12:27 |
Fabulous. You're going out |
| 01:12:31 |
- [Falk:] Amanda, could l talk to you? |
| 01:12:33 |
- Would you really care if l got a tattoo? |
| 01:12:38 |
- We'll discuss it later. |
| 01:12:40 |
- We'll discuss it. |
| 01:12:43 |
Mom, your keys. |
| 01:12:45 |
- Thanks. |
| 01:12:49 |
- Where were you today? |
| 01:12:51 |
No, l mean after. |
| 01:12:53 |
At a girlfriend's apartment, |
| 01:12:56 |
No. No, you weren't |
| 01:12:58 |
because l know you were in |
| 01:13:03 |
That's right. l saw you. |
| 01:13:05 |
- How? |
| 01:13:08 |
- Spying? |
| 01:13:12 |
You, your acting teacher |
| 01:13:15 |
Your diaphragm. lt's not here, |
| 01:13:19 |
There's no such thing |
| 01:13:23 |
l was there, Amanda. |
| 01:13:26 |
Okay. Okay, l slept with Ron Keller. |
| 01:13:29 |
But l didn't do it |
| 01:13:32 |
No? What then? |
| 01:13:35 |
l had to find out |
| 01:13:40 |
l can't sleep with you, |
| 01:13:44 |
l had to know if l was |
| 01:13:49 |
l had to know if l could even get |
| 01:13:54 |
And can you? |
| 01:13:56 |
Yeah. lt's good news. |
| 01:13:58 |
Okay. l want out of this relationship. |
| 01:14:02 |
Jerry, don't say that. |
| 01:14:06 |
Need me? How can you need me |
| 01:14:08 |
when all these positive feelings |
| 01:14:12 |
Not everybody. |
| 01:14:16 |
He reminds me of my father. |
| 01:14:19 |
l remind you of your father. |
| 01:14:21 |
You remind me of the good parts. |
| 01:14:24 |
l figured l should try everything. |
| 01:14:27 |
You know, to figure out |
| 01:14:30 |
How did l get to be the good father? |
| 01:14:34 |
lt is a maddening problem. |
| 01:14:39 |
Where's the rifle? |
| 01:14:42 |
Don't be so middle-class. |
| 01:14:47 |
Oh, thank you. For me? |
| 01:14:52 |
Well, it worked. |
| 01:14:54 |
Now l know that l can get excited. |
| 01:14:58 |
Passionate. |
| 01:15:01 |
Like the ones l had |
| 01:15:04 |
You know? Multiple ones, |
| 01:15:08 |
l'm so happy to hear this, Amanda. |
| 01:15:10 |
This is just music to my ears. |
| 01:15:13 |
l don't need the rifle. |
| 01:15:17 |
Jerry, don't be mad. |
| 01:15:21 |
And don't be mad at Ron. |
| 01:15:24 |
Ron? How could l be upset at Ron? |
| 01:15:28 |
ln fact, l'll put him |
| 01:15:31 |
if l can figure out |
| 01:15:34 |
Jerry... |
| 01:15:38 |
[sniffles] Please. |
| 01:15:42 |
l need you. |
| 01:15:45 |
Jerry, please? |
| 01:15:48 |
That's bullshit, Falk. |
| 01:15:52 |
She says she did it therapeutically. |
| 01:15:55 |
That's the kind of therapy they advertise |
| 01:15:59 |
She wanted to make sure |
| 01:16:02 |
Well, l'm glad to hear |
| 01:16:06 |
You know, it's not in vlno verltas. |
| 01:16:11 |
lt's in eros verltas. |
| 01:16:14 |
l don't know what to do, Dobel. |
| 01:16:18 |
You said it. You're afraid to sleep alone. |
| 01:16:22 |
You surround yourself |
| 01:16:26 |
this loving-disabled sex kitten |
| 01:16:31 |
the Jew manager, you know? |
| 01:16:34 |
Let me tell you, |
| 01:16:38 |
but that guy who handles you |
| 01:16:40 |
is a member of one of the lost tribes |
| 01:16:46 |
And you got this shrink who, like God, |
| 01:16:51 |
There's nothing wrong with being afraid. |
| 01:16:57 |
That's why you have to build |
| 01:17:01 |
Do you have a little time now? |
| 01:17:07 |
lt's just a joint, |
| 01:17:12 |
We're in luck. |
| 01:17:18 |
Let me speak to you about something. |
| 01:17:22 |
l have an acquaintance |
| 01:17:28 |
and he's doing some |
| 01:17:31 |
l know they're looking |
| 01:17:34 |
lf l told them that you and l were a team, |
| 01:17:39 |
ln California? |
| 01:17:40 |
Yeah. All the action is out there. |
| 01:17:44 |
l don't know what Amanda would say. |
| 01:17:46 |
Though her mother's always wanted |
| 01:17:48 |
Can l explain something? |
| 01:17:53 |
Me with the Board of Education, |
| 01:17:57 |
With that fish peddler, |
| 01:18:01 |
with your shrink and with that little girl |
| 01:18:05 |
l can'tjust leave... |
| 01:18:08 |
Not go by yourself. Go with me. |
| 01:18:10 |
We'd go together so you can't |
| 01:18:13 |
l've given it a lot of thought, Falk, |
| 01:18:16 |
and l know for me, it's now or never. |
| 01:18:20 |
[car starting] |
| 01:18:23 |
Think about it. |
| 01:18:35 |
Hey. |
| 01:18:41 |
Hey, l was waiting |
| 01:18:44 |
l was here for five minutes, waiting... |
| 01:18:47 |
You got a problem with me parking here? |
| 01:18:50 |
You been waiting? Too bad. |
| 01:18:53 |
- l'm a busy man. l have things to do. |
| 01:18:56 |
What, are you high on crack |
| 01:18:59 |
- l was waiting here for five minutes. |
| 01:19:03 |
Do you? Get out of here. |
| 01:19:05 |
Go home, old man. |
| 01:19:08 |
Go, before l kick you in the ass. |
| 01:19:10 |
Get in your car and go home. |
| 01:19:15 |
ldiots. |
| 01:19:22 |
My God, Dobel. |
| 01:19:24 |
Either one of those guys |
| 01:19:27 |
ls it so important you insist? |
| 01:19:29 |
Life's unfair. |
| 01:19:31 |
Those guys have the muscles |
| 01:19:35 |
Later on, in the quiet and safety |
| 01:19:39 |
we can write a biting satire |
| 01:19:43 |
and have a great, big laugh. |
| 01:19:47 |
[Falk:] But in the meantime, |
| 01:19:50 |
[brakes squealing] |
| 01:19:54 |
Why are you parking? |
| 01:19:58 |
Why are we back here? |
| 01:20:07 |
Oh, my God. Dobel. |
| 01:20:13 |
Dobel. |
| 01:20:21 |
Dobel, let's go. My god. |
| 01:20:24 |
You're sick in the head, |
| 01:20:27 |
[engine sputtering] |
| 01:20:30 |
Start the car. |
| 01:20:32 |
What are you doing? |
| 01:20:43 |
[typing] |
| 01:20:50 |
l had mixed feelings over the day. |
| 01:20:52 |
On the one hand, l was convinced |
| 01:20:57 |
On the other hand, l had |
| 01:21:00 |
l would have just slinked away, bullied. |
| 01:21:04 |
But he wouldn't let the injustice rest. |
| 01:21:07 |
There are always some people |
| 01:21:10 |
And, as he says, |
| 01:21:42 |
He's nuts. |
| 01:21:47 |
And yet the thought |
| 01:21:51 |
and starting fresh in California, |
| 01:21:56 |
Why do l get so scared? |
| 01:22:00 |
The one time Amanda |
| 01:22:04 |
lt all happened too fast. |
| 01:22:08 |
lt was a whirlwind and right away, |
| 01:22:12 |
l think we'd both benefit |
| 01:22:15 |
l don't need time apart. |
| 01:22:17 |
Well, l do. |
| 01:22:19 |
l can't think. |
| 01:22:21 |
l get these migraines and sometimes, |
| 01:22:26 |
l feel trapped and suffocated. |
| 01:22:29 |
Maybe if we slept |
| 01:22:32 |
- l'll move in with April. |
| 01:22:35 |
l told you, shrinks don't work for me. |
| 01:22:38 |
Just all that talk about |
| 01:22:43 |
and marriage, l... |
| 01:22:47 |
She moved out. |
| 01:22:50 |
Eating moo goo gai pan |
| 01:22:53 |
having dreams of death. |
| 01:22:56 |
l tried dating, but it was hard |
| 01:23:05 |
Why don't you come |
| 01:23:08 |
The door locks. |
| 01:23:13 |
The wine has put me, um, |
| 01:23:18 |
Okay. l'll count to 30 |
| 01:23:24 |
Meet me where? |
| 01:23:26 |
l'm sorry. |
| 01:23:28 |
My mind was somewhere else. |
| 01:23:31 |
[Falk.:] Then, a few weeks later, |
| 01:23:35 |
Amanda returned. |
| 01:23:36 |
[Amanda:] l'm back. |
| 01:23:40 |
You're back? |
| 01:23:43 |
l couldn't be without you. |
| 01:23:48 |
You didn't move in with |
| 01:23:53 |
l found out you went to Naples |
| 01:23:57 |
Well, you can understand. |
| 01:23:59 |
He wanted me to go with him |
| 01:24:02 |
lt sounded so romantic. |
| 01:24:05 |
Those are places l've dreamed of. |
| 01:24:10 |
But l missed you too much. |
| 01:24:13 |
But of course you made love with him. |
| 01:24:15 |
Yes, but l thought of you. |
| 01:24:18 |
You were really the person l was |
| 01:24:22 |
and Venice, on the airplane |
| 01:24:26 |
Okay. Enough. |
| 01:24:27 |
Oh, yeah... and at the Vatican. |
| 01:24:31 |
All l could think about |
| 01:24:34 |
was how much |
| 01:24:37 |
So l'm back. |
| 01:24:41 |
l can't live without you. |
| 01:24:45 |
[Falk.:] We made love that nlght. |
| 01:24:49 |
lf only certaln moments ln llfe |
| 01:24:52 |
just stay frozen, |
| 01:25:01 |
[typing] |
| 01:25:17 |
[door opens, woman laughing] |
| 01:25:22 |
Paula, would you keep it down? |
| 01:25:27 |
Jerry, you haven't met Ralph. |
| 01:25:30 |
Can you keep it down? |
| 01:25:32 |
we saw Elaine Stritch |
| 01:25:35 |
She was magnificent. |
| 01:25:36 |
Unbelievable. |
| 01:25:39 |
- You can. |
| 01:25:40 |
l mean, l have a voice. |
| 01:25:42 |
l just need some snappy dialogue |
| 01:25:45 |
Absolutely. l'm sorry. |
| 01:25:49 |
[Paula:] Ralph, don't give me much. |
| 01:25:52 |
- Okay, just a little. |
| 01:25:55 |
- ls that, uh...? |
| 01:25:57 |
Blow? What are you doing with blow? |
| 01:26:02 |
You're such a stick in the mud. |
| 01:26:04 |
- You can partake. |
| 01:26:07 |
- What is going on? |
| 01:26:10 |
Mother, you know how |
| 01:26:13 |
l took two sleeping pills tonight. |
| 01:26:16 |
We saw Elaine Stritch on Broadway. |
| 01:26:19 |
No, we don't want any cocaine, Amanda. |
| 01:26:25 |
- l've never tried it. |
| 01:26:27 |
- Bungee jumping, alligator wrestling. |
| 01:26:30 |
- You don't know what you're doing. |
| 01:26:34 |
Ralph knows exactly what he's doing. |
| 01:26:35 |
- Nothing to worry about. |
| 01:26:40 |
[Paula:] You are so goddamn prissy. |
| 01:26:42 |
Thank you very much, Paula. |
| 01:26:44 |
She has a point. |
| 01:26:47 |
l'm up for things that |
| 01:26:50 |
- What is that supposed to mean? |
| 01:26:54 |
- [snorting] |
| 01:26:57 |
l'm a nice, square Jewish boy, okay? |
| 01:27:01 |
l'm not putting anything up my nose. |
| 01:27:04 |
- Are you kidding me? |
| 01:27:07 |
lt'll make you feel sexy, Jerry. |
| 01:27:09 |
Does it? |
| 01:27:12 |
- [Ralph:] Sexy. |
| 01:27:15 |
Some people it makes feel sexy. |
| 01:27:19 |
With my luck, you'll take a knife to me. |
| 01:27:20 |
[Ralph:] Come on, just do a line. |
| 01:27:23 |
You know what this does to your |
| 01:27:27 |
- Just do some with me. |
| 01:27:30 |
Maybe it'll turn me on. |
| 01:27:33 |
Darling, have a drink. |
| 01:27:35 |
l have to talk to Dobel. |
| 01:27:37 |
[Paula:] lt's just a social thing. |
| 01:27:41 |
They snorted cocaine. |
| 01:27:44 |
My mother fed me Cheerios. |
| 01:27:48 |
By the way, it did not |
| 01:27:52 |
l was not making eyes |
| 01:27:57 |
God, you're so paranoid. |
| 01:28:00 |
Why would l be interested |
| 01:28:02 |
who lives in Topanga Canyon |
| 01:28:07 |
and stupid German Shepherds |
| 01:28:11 |
How do you know |
| 01:28:14 |
Well, he was interesting to talk to. |
| 01:28:18 |
So you're saying you're on the defensive |
| 01:28:23 |
lt's not the cocaine. |
| 01:28:27 |
- What principle? |
| 01:28:30 |
l mean, l am too rigid and disciplined. |
| 01:28:36 |
- What is this? |
| 01:28:39 |
What is it, a monologue |
| 01:28:45 |
who thinks to be offensive |
| 01:28:49 |
l wish it were. |
| 01:28:53 |
- What is it? |
| 01:28:58 |
- Unsigned, of course. |
| 01:29:02 |
lf l don't re-up with him, |
| 01:29:07 |
- He'll commit suicide. |
| 01:29:09 |
No, l understand completely. |
| 01:29:11 |
What are you doing? |
| 01:29:15 |
- What is wrong with you?. |
| 01:29:18 |
What did you do?. |
| 01:29:19 |
- At lsabella's. What did you do? |
| 01:29:23 |
Tell him you and l are going |
| 01:29:28 |
Are you insane? |
| 01:29:30 |
Because you're not spending |
| 01:29:34 |
much less seven years |
| 01:29:37 |
who robs you blind with a sliding scale. |
| 01:29:40 |
l can't tell him it's over, Dobel. |
| 01:29:43 |
l'll go with you. |
| 01:29:46 |
l'll give you moral support. |
| 01:29:49 |
Once you tergiversate, you're lost. |
| 01:30:04 |
l'm sorry l'm late. |
| 01:30:07 |
My mom has this hyperactive thyroid. |
| 01:30:10 |
Sorry. |
| 01:30:14 |
l ran into Dick Mallory. |
| 01:30:16 |
He's working with a comic |
| 01:30:19 |
l naturally told him your price. |
| 01:30:22 |
l said, you know, what you get. |
| 01:30:26 |
The kid works dirty. |
| 01:30:29 |
l said, ''Look, Jerry Falk is a professional. |
| 01:30:33 |
''lf what you need are bathroom jokes, |
| 01:30:39 |
Harvey? |
| 01:30:41 |
- What's wrong with your voice? |
| 01:30:45 |
Yeah. That's the way l am. |
| 01:30:47 |
l always like to settle business |
| 01:30:51 |
This way, you can relax |
| 01:30:55 |
You brought the contract, right? |
| 01:30:59 |
Harvey... |
| 01:31:01 |
there's no question that you were there |
| 01:31:05 |
And if you think it's easy |
| 01:31:08 |
it's a jungle out there. |
| 01:31:11 |
And, and you've done |
| 01:31:15 |
And l've paid you... |
| 01:31:19 |
You know, even though |
| 01:31:22 |
Now... now l see myself |
| 01:31:26 |
moving in a whole new direction. |
| 01:31:28 |
Meaning? |
| 01:31:29 |
Basically, l'm interested |
| 01:31:34 |
A novel, maybe some plays, |
| 01:31:40 |
The dollars are in the jokes. |
| 01:31:45 |
l mean, you know, as a hobby, |
| 01:31:49 |
someday, if you want to try a book... fine. |
| 01:31:53 |
Although... the young kids are not readers. |
| 01:31:57 |
Harvey... |
| 01:31:58 |
What? You're all flushed. |
| 01:32:03 |
l'm not going to re-sign with you. |
| 01:32:06 |
What? |
| 01:32:07 |
Now l know this may be a little, |
| 01:32:12 |
but l'm moving to California |
| 01:32:16 |
- You're what? |
| 01:32:26 |
You're not re-signing with me? |
| 01:32:28 |
lt's not the end of the world. |
| 01:32:30 |
- You're dumping me? |
| 01:32:35 |
l'm changing my goals. |
| 01:32:38 |
No. My life... |
| 01:32:41 |
My life is over. |
| 01:32:46 |
Harvey, calm down. |
| 01:32:48 |
But my future. My plans. |
| 01:32:51 |
The humiliation. |
| 01:32:55 |
You're overreacting. |
| 01:32:57 |
You ungrateful, |
| 01:33:00 |
phony, two-timing... |
| 01:33:04 |
Folks, this is not what you think. |
| 01:33:06 |
- l've invested all my dreams in you. |
| 01:33:10 |
- What have l done wrong?. |
| 01:33:13 |
- How have l failed you?. |
| 01:33:15 |
Can we discuss this elsewhere? |
| 01:33:17 |
This is the loyalty l get |
| 01:33:21 |
Harvey, not everybody |
| 01:33:24 |
The room is turning black. |
| 01:33:29 |
Air. Air. |
| 01:33:35 |
Dobel. Dobel. |
| 01:33:38 |
He's firing me. |
| 01:33:41 |
- l'm out. |
| 01:33:43 |
- Pains in my chest. |
| 01:33:46 |
Please reconsider. |
| 01:33:49 |
l'll go home and think about it. |
| 01:33:51 |
Listen to me. |
| 01:33:55 |
He's moving on. |
| 01:33:58 |
[people gasping] |
| 01:34:02 |
Everybody, stand back. |
| 01:34:04 |
Oh, my God. |
| 01:34:06 |
[Dobel:] There seems to be |
| 01:34:08 |
- [Falk:] What have l done? |
| 01:34:11 |
An ambulance? What have l done? |
| 01:34:13 |
Relax. The paramedics |
| 01:34:16 |
l killed him. |
| 01:34:19 |
Sometimes the victim comes back. |
| 01:34:24 |
Well, maybe not, |
| 01:34:27 |
Relax. lf he dies because |
| 01:34:31 |
then you should have |
| 01:34:34 |
Harvey? |
| 01:34:37 |
[Falk.:] Harvey dld not dle. |
| 01:34:42 |
l walked around ln the clty, |
| 01:34:45 |
Whenever l'm unsure or troubled, |
| 01:34:49 |
Walklng ln New York clears my head. |
| 01:34:51 |
l couldn't deny lt. |
| 01:34:53 |
There was a feellng of freedom, |
| 01:34:57 |
[Falk:] Hey. |
| 01:34:59 |
- Hi. |
| 01:35:01 |
Jerry, you remember Connie. |
| 01:35:03 |
- Connie, nice to see you. |
| 01:35:06 |
- You're cooking? |
| 01:35:08 |
l'm making spaghetti. |
| 01:35:11 |
He makes fun of me |
| 01:35:13 |
to make spaghetti for eight people. |
| 01:35:16 |
l can't change |
| 01:35:19 |
So tonight we'll be having |
| 01:35:23 |
[Falk:] l have news. |
| 01:35:27 |
Oh. |
| 01:35:29 |
The spaghetti for eight is terrific. |
| 01:35:31 |
Let me explain what happened. |
| 01:35:33 |
There l am, having a nice time, |
| 01:35:35 |
l have two drinks and l'm ready |
| 01:35:39 |
l start to see what it is about Connie |
| 01:35:44 |
She was very charming |
| 01:35:48 |
l started to get the feeling |
| 01:35:53 |
l've never found conventionally |
| 01:35:57 |
l much prefer faces with character. |
| 01:36:00 |
l've fallen for some pretty |
| 01:36:05 |
[Falk.:] After dlnner, l found myself |
| 01:36:09 |
and wantlng to touch her. |
| 01:36:11 |
l say thls because lt was the flrst tlme |
| 01:36:16 |
l'd even looked at another woman. |
| 01:36:18 |
And l began to feel that |
| 01:36:22 |
to pack up and start over |
| 01:36:26 |
l'm terminating our sessions and |
| 01:36:30 |
There's a job waiting for us. |
| 01:36:32 |
l'll miss New York, |
| 01:36:36 |
l can return and work on |
| 01:36:40 |
What do you think about my decision? |
| 01:36:43 |
What do you think about it? |
| 01:36:49 |
l told them l'm leaving. |
| 01:36:53 |
l've saved some money. |
| 01:36:56 |
The kids are wonderful. Bright. |
| 01:36:59 |
You should see the creative ways |
| 01:37:02 |
they smuggle weapons |
| 01:37:06 |
- Now you have to tell Amanda. |
| 01:37:08 |
And don't tergiversate. |
| 01:37:09 |
Did l tergiversate with Harvey? |
| 01:37:13 |
l don't even know what the hell |
| 01:37:15 |
so how can l tergiversate? |
| 01:37:18 |
Ahh, she'll die. |
| 01:37:22 |
Amanda? |
| 01:37:26 |
- Hi. |
| 01:37:28 |
- l want to talk about something. |
| 01:37:31 |
l think l should go first, |
| 01:37:35 |
Me, too. |
| 01:37:38 |
- Can we sit down? |
| 01:37:46 |
- l'm moving to Los Angeles. |
| 01:37:49 |
What? |
| 01:37:50 |
l want to be totally honest |
| 01:37:53 |
l've met someone and developed |
| 01:37:57 |
- You met someone? |
| 01:38:00 |
- Have you been having an affair? |
| 01:38:04 |
l can't do all that lying |
| 01:38:07 |
- Well, where did you meet him? |
| 01:38:10 |
You must have spent time with him |
| 01:38:14 |
We've had a few drinks, nothing heavy. |
| 01:38:18 |
So you have been seeing someone. |
| 01:38:20 |
l've had a couple |
| 01:38:22 |
You slept with him? |
| 01:38:24 |
My God, Jerry. |
| 01:38:27 |
- Have you? |
| 01:38:30 |
l had to see if we were |
| 01:38:33 |
l refused to let myself have an affair. |
| 01:38:36 |
That's why l'm being so honest. |
| 01:38:40 |
l'm at a loss for words. |
| 01:38:46 |
l don't know what to say. |
| 01:38:49 |
l'll be moving out. |
| 01:38:53 |
Mom will stay here |
| 01:38:56 |
- Phil? |
| 01:38:59 |
until Phil's divorce comes through. |
| 01:39:01 |
No. Your mother's not staying here. |
| 01:39:06 |
- l won't be here. |
| 01:39:10 |
Did you get a job out there? |
| 01:39:11 |
Yes. Dobel and l, on a TV show. |
| 01:39:16 |
That's wonderful. |
| 01:39:20 |
ldiots who are total losers in New York |
| 01:39:25 |
God, this is so much better this way. |
| 01:39:28 |
lt was unfair, the way we were living, |
| 01:39:31 |
you having to put up with my stupid |
| 01:39:36 |
and me hating myself all the time. |
| 01:39:40 |
This is sad, but it's for the best. |
| 01:39:46 |
You know what would be |
| 01:39:50 |
lf we were to make love, |
| 01:39:53 |
- For old times' sake. |
| 01:39:57 |
Everything's different now. |
| 01:40:02 |
Who knows? |
| 01:40:13 |
[Falk:] l did it. l did it. |
| 01:40:17 |
l feel free and exhilarated |
| 01:40:19 |
like l'm falling through space. |
| 01:40:22 |
l feel confident |
| 01:40:25 |
but also like l'm buried alive. |
| 01:40:29 |
l'm sure once we get to L.A. |
| 01:40:31 |
Speaking of which, |
| 01:40:34 |
What's wrong? |
| 01:40:38 |
Where? Now? |
| 01:40:40 |
l don't think l know where that spot |
| 01:40:45 |
All right. l'll find it. |
| 01:41:00 |
- You're late. |
| 01:41:03 |
- Did anyone follow you? |
| 01:41:06 |
- Wait until l tell you what Amanda said. |
| 01:41:11 |
Due to circumstances, |
| 01:41:14 |
get away to a less conspicuous venue. |
| 01:41:20 |
- What are you talking about? |
| 01:41:23 |
- l'm not going. |
| 01:41:25 |
You have the job. lt's there |
| 01:41:29 |
No, no, no. |
| 01:41:33 |
We go as a team, Dobel. |
| 01:41:36 |
You're grown up. |
| 01:41:38 |
l don't understand. |
| 01:41:41 |
You don't want to know. |
| 01:41:42 |
You can't cop out |
| 01:41:46 |
l've changed my whole life around. |
| 01:41:50 |
Just some nonsense, Falk. |
| 01:41:54 |
The other night, |
| 01:41:58 |
Don't ask me where. |
| 01:42:00 |
l was trying to sell my car |
| 01:42:03 |
to a potential buyer as a preamble |
| 01:42:07 |
And l was coming home, |
| 01:42:11 |
What's the fun of having a car like that |
| 01:42:16 |
And l was stopped |
| 01:42:20 |
They were exceptionally nasty, |
| 01:42:25 |
They made some remarks |
| 01:42:27 |
and l made some remarks, |
| 01:42:31 |
and the next thing l knew, |
| 01:42:38 |
which l found in poor taste. |
| 01:42:39 |
Religion? You're an atheist. |
| 01:42:42 |
Yes, l'm an atheist, but... |
| 01:42:45 |
but l resented the fact, |
| 01:42:49 |
that they implied Auschwitz |
| 01:42:53 |
Anyhow, a little bloodied, |
| 01:42:56 |
and got one of my many weapons, |
| 01:43:02 |
Don't you dare tell me you shot them. |
| 01:43:06 |
l couldn't find both of them, |
| 01:43:09 |
As fate turned out, l located |
| 01:43:13 |
How serious? |
| 01:43:15 |
ln a satirical mood, |
| 01:43:20 |
if l shot him in the ass, |
| 01:43:25 |
and, you know, |
| 01:43:30 |
[Falk sighs] Dobel. |
| 01:43:32 |
Dobel. |
| 01:43:34 |
My God. |
| 01:43:36 |
l always knew l would use |
| 01:43:41 |
lt's just for a period of time |
| 01:43:47 |
God. Oh, Dobel. |
| 01:43:53 |
Dobel. |
| 01:44:12 |
[Falk.:] l never knew |
| 01:44:14 |
orjust a plece of flctlon |
| 01:44:18 |
l never saw or heard from hlm agaln. |
| 01:44:22 |
For all l know, he's lce flshlng |
| 01:44:25 |
l thought a lot about that strange, |
| 01:44:30 |
and remembered very fondly |
| 01:44:34 |
[Dobel:] ln life, they'll be no shortage |
| 01:44:39 |
They'll have all the answers... |
| 01:44:42 |
Don't argue with them. |
| 01:44:47 |
and do what you want. |
| 01:44:48 |
Whenever you write, |
| 01:44:52 |
but if you have to steal, |
| 01:44:55 |
And if you take very good care |
| 01:44:59 |
and dry it after every shave, |
| 01:45:01 |
it'll last longer than most |
| 01:45:04 |
[Falk.:] The semlnal joke about Dobel |
| 01:45:07 |
That even a clock that's broken |
| 01:45:12 |
Dobel had a real sense of lrony |
| 01:45:16 |
that l got one last, |
| 01:45:18 |
adventltlous gllmpse of Amanda |
| 01:45:40 |
The doctor. |
| 01:45:44 |
l knew that doctor was hot for her. |
| 01:45:46 |
[cab driver:] What'd you say? |
| 01:45:48 |
l was just saying how strange life is, |
| 01:45:52 |
how full of inexplicable mystery. |
| 01:45:56 |
[driver:] Well, you know, |
| 01:46:01 |
You'd be |
| 01:46:05 |
So easy to love |
| 01:46:08 |
So easy to ldollze |
| 01:46:12 |
All others above |
| 01:46:15 |
So worth the yearnlng for |
| 01:46:21 |
So swell to keep |
| 01:46:28 |
We'd be |
| 01:46:31 |
So grand at the game |
| 01:46:35 |
So carefree together that lt |
| 01:46:38 |
Does seem a shame |
| 01:46:41 |
That you can't see |
| 01:46:45 |
Your future wlth me |
| 01:46:46 |
'Cause you'd be |
