Oxford Murders The
|
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Go! |
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Go! |
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What's that? |
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It's a man! |
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- What? Is he dead? |
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He's writing! |
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Repeat! |
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He's writing, |
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sir, he's writing in a notebook! |
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That man was not mad. |
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with shrapnel whistling round him |
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The contents of that notebook |
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to write it down later. |
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He had to do it |
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he couldn't put it off |
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What was so important that |
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What was he writing that |
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and running, like any other man |
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The "Tractatus |
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the most influential philosophical |
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That soldierwas called |
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the man who set the limits |
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The enigma that |
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was the following: |
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Can we know the truth? |
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All the great thinkers |
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have sought a single certainty, |
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something which |
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like "two and two make four". |
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In orderto find that truth, |
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Wittgenstein used, in fact, |
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mathematical logic. What better |
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than an immutable language, |
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He advanced slowly, |
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with impeccable method, |
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a terrifying conclusion. |
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There is no such truth |
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outside of mathematics. |
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There is no way of finding |
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a single absolute truth, |
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an irrefutable argument |
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which might help answer |
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Philosophy, |
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Because "Whereof we cannot speak, |
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thereof we must be silent." |
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Don't touch that, please. |
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This is an Enigma machine! |
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Just a copy. The original's in |
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Sorry to sneak in like that... |
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Of course it was open. You surely |
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and let you in |
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I'm... |
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Martin, our new overseas |
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- This man in the photo with you... |
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That's Turing, Alan Turing, |
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the man who deciphered |
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Thanks to him, we won the war. |
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Poor man died |
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a poisoned apple, like Snow White. |
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And the one on the left? |
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My husband, Harry. |
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Harry Eagleton. He developed the |
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He deserved a bloody Nobel prize, |
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to politicians. |
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He never had many friends. |
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He had one at least. |
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Poor boy. He spent day |
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after day in the house, |
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He'd go without lunch or dinner, |
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Eagleton tutored his doctoral thesis |
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- wasn't it? |
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I know everything there is |
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In fact, Mrs. Eagleton, |
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In Oxford, I mean. |
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I know what you mean. |
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Every prize, |
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he's received overthe years |
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Careful, mother, or |
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What secret? |
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After daddy died, |
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How dare you! |
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He's always been |
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Only because there was no chance |
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Beth! |
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There's no doubt |
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but there's one area |
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He likes young girls. |
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Beth, darling, couldn't you stop |
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Sorry, mother. |
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Take no notice of us. |
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Thank you, mother, fortarring me |
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I'm sorry, |
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you are? |
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I sent a fax a few weeks ago, |
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Ah, our overseas student. |
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Why don't you |
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If I'd known, |
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You look stunning. |
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My daughter has |
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A concert? |
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I play the cello |
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- It's the local amateur orchestra. |
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We're not quite |
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I... I love the cello. |
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Me too. Maybe it's because |
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- these days. |
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Please. |
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Mother. |
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My daughter's suitors |
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around very long. |
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Difficult character, you know. |
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Having an old lady hovering in the |
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Are you calling me a busybody? |
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No, mother. You just want |
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Of course. |
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My mother has this theory |
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that unless a man lived |
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he's not to be trusted. |
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My daughter |
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thinks I've gone a bit |
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gaga, but she knows |
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I'm right. |
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The Nazis changed the wheels |
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on that damned machine |
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that altered the code, and we |
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There were no computers |
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calculations were done by hand. |
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You must have been very young. |
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Time for me to go. |
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Fancy a game of Scrabble? |
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Well, this is your study. |
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I trust you'll be comfortable. |
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It's perfect. |
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You should also be thinking |
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foryourthesis. |
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I've had one in mind |
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Your parents? |
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Yeah. |
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Very American. |
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Not at all. |
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It actually happens to be my home. |
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Really? Lovely. |
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Anyway... |
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all the studies are shared. |
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Your colleague is |
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I'm sure we'll get on fine. |
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By the way, |
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I think you'll find Professor Seldom |
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I know, but the college told me that |
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Who told you that? |
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I've got a fax... |
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here. |
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I see. |
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I'm sorry to say Mrs. Keeman |
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was being rather over-optimistic. |
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she no longerworks here. |
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But there must be some way, |
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You're free to talk |
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of course, but I must |
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is not one for |
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If you take my advice, |
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I suggest you approach your studies |
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I'm sure you'll find some excellent |
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who will more than understand |
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- Don't take it out on the wall. |
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Don't talk to me about walls. That's |
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Sorry, just letting off |
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Well, at least they come in |
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These? I was just trying to save |
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See, I'm trying to calculate |
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depending on where |
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and what height it makes contact |
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with my racquet. |
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Makes it easier. Here. |
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See? It works. |
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Yeah, and what would happen |
00:11:03 |
There would be more variables |
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but it would still be possible |
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Please. |
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Give me time. |
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I have to rethink my calculations. |
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Okay. |
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Thanks forthe beating. |
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Do you want to continue |
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on your own |
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Wednesday, same time? |
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Yes. Bring a proper squash racquet. |
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Okay. |
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I see you're picking up |
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I try my best. |
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Maybe she can help you |
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since uncle Arthur |
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- Can nothing be done? |
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And if you're suggesting my mother |
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I wasn't suggesting anything. |
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Do you really expect me to believe |
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No, not by chance, no. |
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Nothing happens by chance. |
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I wanted to meet |
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but I never planned to use her. |
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There's no need to apologize. |
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I like people who |
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I wish I was more like you. |
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You're not missing much, |
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Oh, really? |
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You come here from another country, |
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and no sooner do you get here |
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With two, I hope. |
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- until a moment ago. |
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You're happy, |
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you only have to look at |
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I try to be. |
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How do you do it? |
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It's easy. |
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It's a case of going |
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And what if it goes badly? |
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I'd rather make mistakes |
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I'd rather mess up |
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It works for me. |
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You should try it. |
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Just a minute! |
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I thought you might |
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Seldom is giving a lecture |
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at Merton College on the 24th! |
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There's your big chance! |
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There is no way |
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absolute truth, an irrefutable |
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the questions of mankind. |
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Philosophy, |
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Because "Whereof we cannot speak, |
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thereof we must be silent." |
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Oh, it seems that |
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It appears you are not |
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That means eitheryou have found |
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of the Tractatus, oryou have an |
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I believe in the number Pi. |
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I'm sorry, |
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What was it |
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In the number Pi, in the Golden |
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The essence of nature |
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There is a hidden meaning |
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Things are organized following |
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Even the tiny snowflake |
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includes a numerical basis |
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if we manage to discover |
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we will know |
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Impressive! |
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Translating his words into |
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the Queen's English, |
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we find ourselves |
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rousing defence of mathematics, |
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were pre-existing ideas in reality. |
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Anyway, this is nothing new. |
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Since man is incapable |
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he tends to confer |
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because he cannot bearthe notion |
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only exists in our brain. |
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The beauty and harmony |
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How sweet! |
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The butterfly |
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that flutters its wings |
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and causes a hurricane |
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We've been hearing about |
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but who has been able |
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Nobody! |
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Tell me something... |
00:17:04 |
Where is the beauty |
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What makes a cell |
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suddenly decide to turn itself |
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and destroy the rest of |
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Does anyone know? |
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No. |
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Because we'd ratherthink |
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and butterflies than of pain, |
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war |
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orthat book. |
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Why? |
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Because we need to think |
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that everything |
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and not by mere chance. |
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If I write 2 then 4 then 6, |
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that next comes 8. |
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We can foresee it, |
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we are not in the hands |
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of destiny. |
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Unfortunately, however, |
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this has nothing to do with truth. |
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Don't you agree? |
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This... |
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is only fear. |
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Sad... |
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but there you go. |
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You must |
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be Martin. |
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At last we meet. |
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But, I don't get it, |
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Yes, I'm leaving. It was a mistake. |
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Things have not turned out |
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No, they haven't. |
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I hope the hastiness |
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has nothing to do with |
00:19:00 |
Professor Seldom. |
00:19:02 |
News travels fast in Oxford. |
00:19:04 |
We are a little village of gossips. |
00:19:08 |
Anyway, I think you are wrong |
00:19:12 |
He was the best in his day, but... |
00:19:14 |
now he just wants to sell books. |
00:19:17 |
A real Seldom fan, eh? |
00:19:20 |
I have a framed photo |
00:19:22 |
So he refused you too? |
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I would rather jump out of |
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I want nothing to do |
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I preferthe Reader's Digest. |
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Taxi! |
00:20:26 |
Hello. |
00:20:27 |
Ah, we've got |
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There. |
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Fucking hell! |
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What are you doing here? |
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I live here. |
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I came to visit an old friend. |
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I'm sorry about before. |
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No, don't apologize. |
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I tend to overact |
00:22:35 |
The truth is I just wanted |
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You succeeded. |
00:22:49 |
Septemberthe 24th, |
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1993. Inspector Petersen, |
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Investigating the murder |
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According to this report, |
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discovered the body... |
00:23:04 |
Yes, we entered |
00:23:07 |
Are you one of |
00:23:10 |
No. |
00:23:12 |
- Do you work for him? |
00:23:15 |
Can you explain |
00:23:17 |
No. |
00:23:20 |
To tell you the truth, I can't. |
00:23:23 |
I was also surprised |
00:23:25 |
So it was pure coincidence? |
00:23:28 |
Everything seems to point |
00:23:33 |
And was this the first time |
00:23:37 |
Not exactly. I was at |
00:23:42 |
I asked him a few questions. |
00:23:44 |
What sort of questions? |
00:23:46 |
Mathematical ones. |
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It's not by chance that I went |
00:23:59 |
to Mrs. Eagleton's house |
00:24:01 |
I went there because |
00:24:03 |
The murdererwarned you? |
00:24:05 |
Yes, I received a note |
00:24:09 |
What did it say? |
00:24:11 |
Just one sentence: |
00:24:13 |
"The first of the series," |
00:24:15 |
written in capital letters. |
00:24:18 |
Mrs. Eagleton's address |
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and the time. |
00:24:22 |
Can we see it? |
00:24:24 |
No. |
00:24:26 |
Why? |
00:24:28 |
I threw it away. |
00:24:30 |
You threw away |
00:24:35 |
Yes, well, let me explain. |
00:24:39 |
Afterthe conference, |
00:24:41 |
I signed a number of copies. |
00:24:45 |
And that is when I realized |
00:24:49 |
was familiar |
00:24:51 |
but honestly, I... |
00:24:53 |
it just never occurred to me that |
00:24:58 |
Of course, when I got there, |
00:25:14 |
We should call the police. |
00:25:16 |
You're right. |
00:25:18 |
Call them. |
00:25:22 |
999. |
00:25:24 |
Hello, |
00:25:25 |
I'm calling to report a death. |
00:25:28 |
3 Cunliffe Close. |
00:25:32 |
It's an old woman. |
00:25:34 |
Thank you. |
00:25:37 |
What do you think happened? |
00:25:39 |
I don't know. |
00:25:41 |
We should wait outside. |
00:25:43 |
I shouldn't have |
00:25:45 |
Try to etch on your memory |
00:25:48 |
This moment is crucial. |
00:25:51 |
She was playing Scrabble |
00:25:53 |
Was she playing on her own? |
00:25:55 |
Yes, she has both |
00:25:58 |
You don't think she's been killed? |
00:26:01 |
I can't see any other alternative. |
00:26:07 |
Whoever did this obviously |
00:26:10 |
with the cushion |
00:26:11 |
She wakes up, puts up a struggle, |
00:26:13 |
he presses down harder, |
00:26:16 |
breaks her nose, hence the blood. |
00:26:19 |
Or it could have been a woman, |
00:26:20 |
using her knee |
00:26:24 |
When the killer removes |
00:26:26 |
he drops it on the carpet |
00:26:28 |
to put anything back in its place. |
00:26:30 |
Scared, probably. |
00:26:34 |
In the book |
00:26:35 |
that I based my conference on, |
00:26:39 |
compare logical series |
00:26:43 |
And since its publication |
00:26:45 |
dozens of totally absurd letters, |
00:26:47 |
which is why I attached |
00:26:49 |
And you're sure you destroyed it? |
00:26:52 |
Well, no, I threw it away |
00:26:55 |
Where? |
00:26:59 |
Well, somewhere near |
00:27:01 |
Scott, get on to it, |
00:27:04 |
The road sweepers |
00:27:06 |
It doesn't matter. We'll search |
00:27:10 |
Now is there anything else? Anything |
00:27:14 |
Oh, uh, underthe text |
00:27:17 |
there was a hand-drawn circle, |
00:27:21 |
a perfect circle, |
00:27:24 |
also in black. |
00:27:27 |
About... |
00:27:31 |
this size, |
00:27:35 |
approximately. |
00:27:38 |
A circle? |
00:27:40 |
Like a signature? |
00:27:41 |
Oh no, I'm almost convinced |
00:27:44 |
the first element |
00:27:47 |
Well, excuse my ignorance, |
00:27:49 |
I must have been off school |
00:27:52 |
logical series. |
00:27:54 |
A logical series |
00:27:55 |
is a group of elements |
00:27:57 |
following a particular rule. |
00:27:59 |
Could be 1, 2, 3, 4... |
00:28:00 |
or even numbers, 2, 4, 6, 8... |
00:28:03 |
Or of course it could be |
00:28:06 |
Fibonacci? |
00:28:08 |
A 12th-century mathematician. |
00:28:09 |
Each element is the sum of the two |
00:28:14 |
- 8, 13... |
00:28:17 |
the relationship between |
00:28:20 |
I'm sorry. In my book I sustain |
00:28:24 |
for intellectual reasons |
00:28:28 |
In general, the patterns |
00:28:31 |
are crude, monotonous |
00:28:35 |
cases that can be analyzed |
00:28:38 |
So you think the murderer is |
00:28:43 |
Yes, sadly, I believe |
00:28:46 |
Murdererwants to prove me wrong. |
00:28:48 |
He wants to show that |
00:28:50 |
and that he can beat me |
00:28:51 |
at my own game. |
00:28:55 |
with Mrs. Eagleton, |
00:28:58 |
How about this circle? |
00:29:01 |
Oh, a circle's a good way |
00:29:04 |
There's no symbol |
00:29:06 |
Could mean almost anything. |
00:29:07 |
So you mean there's gonna be |
00:29:12 |
I'm afraid so. |
00:29:15 |
And if we don't |
00:29:17 |
could be many more. |
00:29:19 |
Okay, we are going to change |
00:29:21 |
some notes please in part 12. |
00:29:24 |
We knew she was going |
00:29:27 |
but never like this. |
00:29:29 |
The doctors gave her 6 months |
00:29:32 |
Thanks to Beth's nursing |
00:29:36 |
like a blessing from heaven. |
00:29:39 |
Maybe that's why |
00:29:42 |
How do you mean? |
00:29:43 |
If he is trying to demonstrate |
00:29:46 |
maybe the deaths in themselves |
00:29:49 |
Maybe his aim is to inflict |
00:29:52 |
He chose someone |
00:29:54 |
He probably knew Mrs. Eagleton |
00:29:56 |
She went every week |
00:29:59 |
He could have found out about her |
00:30:03 |
the perfect victim for him. |
00:30:05 |
Go on. |
00:30:07 |
If he hadn't broken her nose, |
00:30:09 |
it would have looked |
00:30:11 |
In that case, only you |
00:30:14 |
The police would never |
00:30:15 |
It would have been |
00:30:18 |
A murderthat almost isn't a murder. |
00:30:20 |
That makes sense. |
00:30:23 |
What do you think |
00:30:25 |
I suppose he'll try |
00:30:28 |
He'll commit another murder |
00:30:32 |
An imperceptible murder... |
00:30:40 |
Excuse me. |
00:30:46 |
Excuse me, officers, |
00:30:49 |
to Miss Eagleton first, |
00:30:50 |
to her, if that's all right. |
00:30:59 |
You have a C, |
00:31:01 |
B flat, and C sharp. |
00:31:04 |
Excuse me, please, |
00:31:06 |
Yes, so |
00:31:09 |
you have a C, B flat, |
00:31:10 |
and C sharp. |
00:31:13 |
Oh, no, no, no. You have a B, |
00:31:17 |
Oh, okay, |
00:31:19 |
let's do a break, please. |
00:31:56 |
The police told me that you |
00:31:58 |
Forgive me, Beth. |
00:32:00 |
They asked me to try |
00:32:02 |
It's no problem. |
00:32:08 |
It must have been difficult |
00:32:11 |
Two hours of interrogation. |
00:32:14 |
It's logical, though, bearing |
00:32:17 |
Did they tell you that? |
00:32:18 |
No. No, they didn't have to. |
00:32:22 |
You don't need to be |
00:32:24 |
that I'm the one who |
00:32:26 |
But you looked after her |
00:32:30 |
Five years... |
00:32:32 |
Five years of waiting |
00:32:36 |
Forgive me for being |
00:32:38 |
but if anyone wanted this |
00:32:44 |
Do you know what it is |
00:32:46 |
wondering when you're going |
00:32:50 |
I couldn't abandon her, |
00:32:53 |
She had cancer but it was supposed |
00:32:59 |
You want this person you're supposed |
00:33:02 |
and at the same time you know |
00:33:03 |
there's something evil in you |
00:33:07 |
You hate yourself |
00:33:08 |
forthe thoughts |
00:33:11 |
It's like being rotten inside. |
00:33:12 |
Beth, you've no need to worry. |
00:33:16 |
Seldom got a note. |
00:33:17 |
Someone warned him of |
00:33:20 |
- and is threatening to do it again. |
00:33:22 |
No one knows. |
00:33:32 |
They made me go to the morgue |
00:33:35 |
Her eyes were still open. |
00:33:37 |
Don't think about it. |
00:33:44 |
I don't think I can sleep |
00:33:47 |
Is it okay |
00:34:01 |
I'm sorry. |
00:34:03 |
Don't be... it's okay. |
00:34:05 |
I don't know what you must |
00:34:09 |
Beth, please. Don't go. |
00:34:26 |
Congratulations! Your name |
00:34:30 |
Knock off the old lady |
00:34:33 |
Not so fast! |
00:34:36 |
Yourfriend is lucky. |
00:34:38 |
Always close to death, |
00:34:43 |
Didn't you know? |
00:34:45 |
Thirty years ago, |
00:34:46 |
- were travelling together. |
00:34:49 |
Mrs. Eagleton's husband |
00:34:53 |
And guess who was driving. |
00:34:56 |
And now the old lady is dead. |
00:34:59 |
Three down, one to go. |
00:35:04 |
This is Miss Scarlet |
00:35:06 |
and she is in the dining room. |
00:35:09 |
took place in the dining room, |
00:35:10 |
don't we? And that the victim |
00:35:12 |
but since we don't have |
00:35:13 |
a cushion, we'll use |
00:35:17 |
Now I'll stick |
00:35:18 |
my neck out and say that |
00:35:20 |
in the living room, |
00:35:24 |
What do you think? |
00:35:25 |
Clue didn't figure |
00:35:27 |
Cleudo! |
00:35:30 |
It's recommended reading |
00:35:33 |
In the papers, |
00:35:35 |
Beth appears as the chief suspect. |
00:35:38 |
But the police know all the facts. |
00:35:41 |
Ah, I forgot that I was talking |
00:35:46 |
Thank you. |
00:35:47 |
You and the police think that it's |
00:35:51 |
On the basis |
00:35:52 |
of certain axioms |
00:35:54 |
you can reach a valid conclusion, |
00:35:57 |
As sure as today is Wednesday. |
00:35:59 |
And what if I say, |
00:36:04 |
True, false |
00:36:07 |
All right. There are |
00:36:09 |
that can neither be proved |
00:36:12 |
Indeterminable propositions. |
00:36:14 |
Exactly, Godel's |
00:36:17 |
So, even in yourworld |
00:36:20 |
there are things |
00:36:22 |
Yes, but that is not the case here. |
00:36:25 |
There is a gap, |
00:36:28 |
there is a gulf between |
00:36:32 |
We can never be sure |
00:36:33 |
of all the facts about a phenomenon, |
00:36:35 |
and to lack just one, could change |
00:36:38 |
that the murder |
00:36:39 |
took place in the dining room |
00:36:42 |
and that Miss Scarlet was there |
00:36:45 |
and that herfingerprints |
00:36:47 |
were on the knife, |
00:36:49 |
affirm with absolute certainty |
00:36:52 |
Oh, come on! It's |
00:36:57 |
That's not absolute certainty, |
00:37:00 |
We could have absolute certainty |
00:37:02 |
if we trusted the word |
00:37:03 |
orwe saw it with our own eyes. |
00:37:08 |
No comment. |
00:37:10 |
Things are here, under our noses. |
00:37:12 |
These paving stones. They exist! |
00:37:15 |
Or do you refute that |
00:37:17 |
Are you sure? Heisenberg |
00:37:20 |
The physicist? |
00:37:22 |
Yes, well, he tried to make |
00:37:24 |
but he wasn't famous forthat. |
00:37:26 |
What is this? An exam? Heisenberg's |
00:37:29 |
Bingo! Miss Scarlet |
00:37:33 |
And you're looking at her |
00:37:35 |
or a particle accelerator, |
00:37:37 |
And every time you look at her, |
00:37:38 |
Miss Scarlet will have |
00:37:42 |
her position. |
00:37:44 |
Because the very fact |
00:37:46 |
alters her atomic state. |
00:37:48 |
Don't try to confuse me with tricks. |
00:37:50 |
Beth is not an electron, |
00:37:53 |
So, do you really think |
00:37:56 |
is more reliable |
00:37:58 |
There are evident, |
00:38:01 |
For Christ's sake, |
00:38:02 |
can you turn that bloody thing |
00:38:11 |
Unfortunately, the police |
00:38:14 |
Consequently, we have |
00:38:17 |
Not a thing! |
00:38:19 |
Lmagine if that bloody psychopath |
00:38:21 |
gets the wind up |
00:38:24 |
Beth will be declared guilty. |
00:38:30 |
I'd love to know |
00:38:35 |
Myself. |
00:38:38 |
I read the news in the papers. |
00:38:41 |
The worst thing is... |
00:38:43 |
This is embarrassing... |
00:38:45 |
Thanks to that |
00:38:48 |
I've just had lunch |
00:38:50 |
Before, he didn't |
00:38:53 |
I'm sorry about what |
00:38:55 |
has happened but at the same time, |
00:39:00 |
Never, in my life, have I |
00:39:04 |
One hourwith Seldom is like |
00:39:08 |
Well, you know, |
00:39:10 |
there's nothing embarrassing |
00:39:13 |
Are you sure about that? |
00:39:20 |
Spend an hourwith me? |
00:39:51 |
You have something to drink? |
00:39:53 |
- No. |
00:40:30 |
- Are you okay? |
00:40:45 |
What's wrong? |
00:40:46 |
Nothing, it's... Sorry. |
00:40:49 |
It's Seldom. |
00:40:50 |
Just strange that you should |
00:40:52 |
- Anurse interested in mathematics. |
00:40:56 |
It was the authorwho interested me. |
00:41:00 |
- You know Seldom? |
00:41:02 |
- See him almost every day. |
00:41:06 |
He visits a friend |
00:41:08 |
a terminal patient. |
00:41:11 |
One day we began to chat and... |
00:41:13 |
And what? |
00:41:15 |
And he gave me the book. |
00:41:17 |
- That's all? |
00:41:20 |
He could be yourfather... Your |
00:41:24 |
Yeah. |
00:41:26 |
I just like mystery novels, |
00:41:29 |
he was here for a while, |
00:41:31 |
I gave him a couple of my books |
00:41:34 |
- Is that a crime? |
00:41:41 |
Can you get him out of your mind, |
00:41:44 |
please? |
00:41:45 |
I just don't understand why |
00:41:50 |
What do you want? |
00:41:51 |
A list of all the people |
00:41:54 |
- No. |
00:43:02 |
Everything you read |
00:43:07 |
Did you know that? |
00:43:09 |
No, uh... |
00:43:10 |
- Have you read the Bible? |
00:43:13 |
Jesus died on the cross |
00:43:17 |
But in body and soul, |
00:43:19 |
at least so they say. |
00:43:21 |
He ate fish and spoke to Peter. |
00:43:24 |
That's how he spent forty days. |
00:43:26 |
Forty days! |
00:43:28 |
He must have been green, |
00:43:32 |
Hey, wait, wait. |
00:43:33 |
Jesus was a terrorist. |
00:43:38 |
All his life. |
00:43:40 |
A revolutionary who kicked |
00:43:46 |
Do you know why |
00:43:48 |
- No, theoretically... |
00:43:51 |
came back to life to avenge |
00:43:54 |
Like in a horror movie. |
00:43:57 |
Of course, that's not nice. |
00:44:02 |
You can go in now, |
00:44:04 |
- is expecting you. |
00:44:10 |
What are you doing here? |
00:44:12 |
I had the urge to see you, |
00:44:16 |
You're lying. |
00:44:17 |
How do you know? |
00:44:18 |
I didn't, I do now. |
00:44:21 |
You're here to see |
00:44:23 |
You should have seen the look |
00:44:26 |
And how are you going to explain |
00:44:29 |
I'll tell him I came to see you. |
00:44:31 |
You swine. |
00:44:46 |
Who is that guy? |
00:44:49 |
Well, you would be too |
00:44:51 |
and you couldn't find a donor. |
00:44:53 |
There were two people |
00:44:55 |
but theirfamilies refused. |
00:44:57 |
Now I get it. |
00:44:58 |
You know, he thought |
00:45:00 |
in orderto give her his lungs. |
00:45:02 |
That's ridiculous. |
00:45:04 |
Giving your life for someone |
00:45:10 |
His name is Kalman, |
00:45:12 |
one of my most brilliant students. |
00:45:13 |
He was quick in his conclusions, |
00:45:15 |
clear in his exposition. |
00:45:17 |
He designed intelligence tests. |
00:45:20 |
into the study of logical series. |
00:45:22 |
He was meticulous, |
00:45:24 |
He marked the tests himself, |
00:45:26 |
one by one, and discovered |
00:45:28 |
something really curious: |
00:45:29 |
Some of the tests were perfect; |
00:45:32 |
But there was a third group. |
00:45:35 |
The answers were absurd, |
00:45:37 |
illogical, random, |
00:45:39 |
the sort of thing |
00:45:41 |
Kalman interviewed |
00:45:42 |
the pupils of this third category. |
00:45:44 |
The answers that |
00:45:46 |
were, in fact, |
00:45:49 |
and perfectly valid |
00:45:50 |
to continue the series, |
00:45:51 |
only with an infinitely |
00:45:54 |
The intelligence |
00:45:57 |
went beyond |
00:45:59 |
much more far-reaching. |
00:46:04 |
It was then that I had |
00:46:08 |
Wittgenstein's paradox |
00:46:11 |
Kalman found in practice |
00:46:13 |
what Wittgenstein |
00:46:15 |
The series 2, 4, 8, |
00:46:17 |
could obviously be followed |
00:46:18 |
by 16, but also by 10 |
00:46:21 |
or 7004. |
00:46:24 |
It's always possible |
00:46:26 |
a justification which allows |
00:46:28 |
a series to be continued |
00:46:31 |
It all depends on |
00:46:33 |
Suddenly, he realized |
00:46:36 |
the two times table. |
00:46:37 |
His whole life was being |
00:46:40 |
of meaningless numbers. |
00:46:42 |
Normal thought seems to be |
00:46:45 |
etched into our brain |
00:46:47 |
which impede |
00:46:49 |
and jumping it like the chosen few |
00:46:50 |
who are able to think |
00:46:53 |
Kalman decided |
00:46:56 |
He began to try out his tests |
00:46:57 |
in psychiatric hospitals, |
00:47:00 |
There was a remarkable similarity |
00:47:02 |
between those symbols |
00:47:04 |
and the results of the tests |
00:47:06 |
of the highly-gifted subjects. |
00:47:07 |
He was in the presence |
00:47:10 |
without grooves, |
00:47:12 |
but he couldn't understand it. |
00:47:14 |
was his own brain. |
00:47:16 |
He saw everything from the outside. |
00:47:19 |
those symbols, he had |
00:47:21 |
There was only one way of |
00:47:26 |
The idea might seem grotesque, |
00:47:28 |
but not to a person |
00:47:30 |
that he's suffering |
00:47:32 |
His bones were rotting like wood |
00:47:34 |
infested with woodworm. |
00:47:36 |
All he had to look forward to |
00:47:38 |
was the amputation |
00:47:41 |
He was euphoric, he laughed, |
00:47:45 |
to discover something incredible |
00:47:48 |
It was then |
00:47:49 |
that I realized that my friend |
00:47:53 |
He wanted to lobotomize himself. |
00:47:55 |
His only problem |
00:47:57 |
that the brain damage |
00:48:00 |
He had to perforate |
00:48:02 |
the brain, with something like |
00:48:03 |
a small harpoon. |
00:48:06 |
He asked for my help |
00:48:08 |
although I did promise I would try |
00:48:11 |
from the other side. |
00:48:13 |
He used a nail gun. |
00:48:19 |
What does he write? |
00:48:21 |
The symbols are becoming |
00:48:23 |
In all this time he's never drawn |
00:48:27 |
So what are they, then? |
00:48:29 |
Four letters that |
00:48:34 |
A woman's name. |
00:48:49 |
Where were you last night? |
00:48:51 |
Beth, what are you doing here? |
00:48:53 |
I was waiting foryou. |
00:48:56 |
I'm sorry. I was out and... |
00:48:57 |
I thought you felt |
00:49:02 |
More than pity, |
00:49:04 |
but I was wrong. |
00:49:06 |
Of course I feel something |
00:49:08 |
I want to help you, but... |
00:49:10 |
"We're friends, |
00:49:13 |
That's worse than saying |
00:49:15 |
- Beth, please. |
00:49:20 |
The kinderyou try to be, |
00:49:22 |
the more humiliated I feel. |
00:49:24 |
Beth, I don't mean to humiliate you. |
00:49:26 |
Then treat me like a woman. You all |
00:49:31 |
Maybe this isn't the time for... |
00:49:32 |
Now is the fucking |
00:49:37 |
What's the matter? |
00:49:40 |
You're embarrassed to be seen |
00:49:42 |
Don't worry. |
00:49:44 |
I'm just making sure |
00:49:46 |
Be quiet! |
00:49:49 |
Beth, wait! |
00:50:00 |
Found your killeryet? |
00:50:28 |
Lorna? It's me, Martin. Do you know |
00:50:32 |
Kalman? |
00:50:34 |
He's been murdered. |
00:50:37 |
No... Wait a second. |
00:50:51 |
Sorry, Sherlock, |
00:50:53 |
Are you sure? |
00:50:55 |
Yes, he's right in front of me. |
00:50:56 |
If it's not him, then who? |
00:51:00 |
It would have looked like |
00:51:03 |
if we hadn't discovered |
00:51:06 |
It's an intravenous injection, |
00:51:08 |
and he wasn't receiving |
00:51:11 |
What sort of poison |
00:51:12 |
We don't know. We'll have to wait |
00:51:15 |
We know the time of death? |
00:51:17 |
Exactly as it said on the note: |
00:51:18 |
Quarter past two. |
00:51:20 |
- on the wristband. |
00:51:22 |
In the ward, |
00:51:25 |
All of these people |
00:51:28 |
Well, it's only to be expected. |
00:51:32 |
At least a couple |
00:51:34 |
according to |
00:51:35 |
He knew my movements, |
00:51:38 |
to commit the crime here. |
00:51:39 |
If he had meant to harm me, |
00:51:42 |
Or he could have seen you |
00:51:43 |
enterthe ward and didn't know |
00:51:46 |
A terminal patient |
00:51:47 |
on the point of death. |
00:51:49 |
A murderthat wouldn't have been |
00:51:51 |
- forthe note. |
00:51:55 |
And might I know what |
00:52:00 |
The second sign gives the clue as to |
00:52:04 |
It could be |
00:52:06 |
or could be semantic or syntactic, |
00:52:10 |
Can you translate that? |
00:52:13 |
The professor means the signs |
00:52:14 |
could represent things |
00:52:17 |
or not represent anything, |
00:52:21 |
The second symbol |
00:52:23 |
being so schematic, |
00:52:25 |
It could be a game of symmetry, |
00:52:30 |
Soup, |
00:52:32 |
fish, |
00:52:34 |
dessert. |
00:52:36 |
Martin, show some respect |
00:52:38 |
forthe inspector, please. |
00:52:39 |
No possibility deserves |
00:52:43 |
Let me propose a puzzle. |
00:52:45 |
What is the fourth |
00:52:47 |
symbol... |
00:52:49 |
in this other series? |
00:52:57 |
No idea. |
00:52:58 |
Did you miss class that day, too? |
00:53:01 |
You just have to know how to look. |
00:53:03 |
is very simple, I assure you. |
00:53:04 |
It's called the idiot series. |
00:53:07 |
Anyone who can't work it out... |
00:53:08 |
Thank you, professor. |
00:53:10 |
However, I incline to the idea that |
00:53:14 |
ratherthan gastronomy. |
00:53:16 |
So, you think |
00:53:18 |
It's possible, someone who seeks |
00:53:23 |
or someone who's not |
00:53:25 |
A student? |
00:53:26 |
That's unlikely. |
00:53:27 |
Could you take |
00:53:29 |
the second lieutenant out, Martin? |
00:53:31 |
No, I haven't taught |
00:53:32 |
Well, can you tell us |
00:53:34 |
what the third symbol |
00:53:37 |
will be? |
00:53:39 |
No. |
00:53:40 |
Fartoo many options. |
00:53:43 |
He's putting us to the test, |
00:53:46 |
Okay, let's see |
00:53:50 |
We are going to wait |
00:53:53 |
because we can't decipher |
00:53:58 |
Tricky situation, isn't it? |
00:54:01 |
- Could I get those there? |
00:54:05 |
Good evening. |
00:54:27 |
Seldom! |
00:54:28 |
Martin? |
00:54:30 |
Why are you following me? |
00:54:31 |
I'm not following anybody, |
00:54:34 |
So what are you doing here? |
00:54:36 |
I'm going to that restaurant. |
00:54:38 |
Do you find it so odd that |
00:54:39 |
That's where I'm going, too. |
00:54:41 |
Why, that's absurd. |
00:54:45 |
I'm sorry. |
00:54:47 |
I should have told you |
00:54:49 |
Excuse me, Lorna, |
00:54:51 |
by the presence at ourtable |
00:54:54 |
Good-for-nothing? |
00:54:55 |
You couldn't see a joke if it stood |
00:54:59 |
You're fartoo serious |
00:55:00 |
- foryour age. |
00:55:03 |
just thought it would be best to |
00:55:04 |
Forget it, I'm not bothered by it. |
00:55:09 |
Even if you had, |
00:55:11 |
You're like two kids |
00:55:13 |
- And you're the ball? |
00:55:15 |
your bottoms |
00:55:17 |
Please. |
00:55:19 |
I talked with the forensic expert. |
00:55:21 |
And? |
00:55:22 |
Nothing. |
00:55:25 |
Not a trace of |
00:55:27 |
Whatever he was injected with |
00:55:29 |
Air, maybe? |
00:55:30 |
No! |
00:55:32 |
Let her speak, please. |
00:55:33 |
He's right, it's unlikely. |
00:55:37 |
they would have spotted it |
00:55:40 |
Howeverthere is another |
00:55:43 |
they extract from |
00:55:46 |
Muscaria. But there are |
00:55:49 |
So it's a sort of secret among |
00:55:51 |
- forensic pathologists. |
00:55:53 |
Lorna has a knack |
00:55:58 |
Her house is littered |
00:55:59 |
but I imagine |
00:56:01 |
Yes, I do. |
00:56:04 |
What surprises me |
00:56:06 |
to worm all the information |
00:56:10 |
Martin is a good guy. |
00:56:12 |
what you orthe police |
00:56:14 |
Well, he does right |
00:56:16 |
After all, you're still |
00:56:18 |
Me? |
00:56:19 |
Well, don't look so surprised. |
00:56:21 |
Both murders are closely linked |
00:56:23 |
You could have gone |
00:56:25 |
that substance which, curiously, |
00:56:26 |
only you and the forensic |
00:56:28 |
That's ridiculous. |
00:56:31 |
Of all the vast mountains of |
00:56:35 |
Martin, this slope is one |
00:56:40 |
Don't even go there, Arthur. |
00:56:46 |
Let it suffice to say |
00:56:48 |
that our relationship |
00:56:52 |
and when it ended, |
00:56:54 |
she took it anything but sportingly. |
00:56:56 |
If you don't shut up |
00:56:58 |
There, you see? |
00:57:01 |
Has she or has she not got a motive? |
00:57:04 |
You are so obnoxious. |
00:57:07 |
You enjoy playing with people. |
00:57:15 |
Now do you understand? |
00:57:17 |
Any formulation |
00:57:19 |
because we can always find |
00:57:23 |
Heart on a line, |
00:57:29 |
now you give me the fourth. |
00:57:37 |
Ah, well, well, young man. |
00:57:41 |
One, two, three, four. |
00:57:46 |
- This was easy. |
00:57:48 |
is infinitely more complex. |
00:57:52 |
Tell me what the third symbol is. |
00:57:55 |
Circle, fish... |
00:57:58 |
What's the third? |
00:58:00 |
I'm sorry, I can't say. |
00:58:03 |
- Why not? Don't you trust me? |
00:58:06 |
implicitly but |
00:58:07 |
If I tell you, |
00:58:10 |
You might come up |
00:58:12 |
than mine. |
00:58:13 |
No, there's something else. You |
00:58:17 |
Forthem, anything |
00:58:20 |
You're right. |
00:58:22 |
But there's a good reason |
00:58:24 |
I'm scared. |
00:58:26 |
Scared? |
00:58:27 |
This whole business terrifies me. |
00:58:30 |
We're playing |
00:58:32 |
but behind it all |
00:58:34 |
do you understand? |
00:58:37 |
If we make a mistake in an equation, |
00:58:41 |
But where life is concerned, |
00:58:44 |
there's no turning back. |
00:58:46 |
In the real world any decision, |
00:58:48 |
however insignificant, |
00:58:51 |
At least, that's |
00:58:56 |
You're very young. |
00:58:59 |
I've already paid |
00:59:17 |
Keep this. |
00:59:19 |
What is it? |
00:59:21 |
It's the third symbol of the series. |
00:59:23 |
You can do one of two things: You |
00:59:26 |
oryou can work out |
00:59:29 |
and prove you're not an idiot. |
00:59:58 |
Thank you very much. |
00:59:59 |
We're finished. |
01:00:01 |
Thanks. |
01:00:05 |
I'm glad to see you. |
01:00:06 |
That was spectacular. |
01:00:08 |
You should see it |
01:00:10 |
- and everything... |
01:00:11 |
No. It's just a rehearsal |
01:00:14 |
Guy Fawkes? |
01:00:15 |
Remember, remember |
01:00:17 |
No, sorry, I don't remember. |
01:00:19 |
And... |
01:00:20 |
it'll be my last concert. |
01:00:22 |
I'm taking your advice |
01:00:23 |
This "marvellous" city |
01:00:25 |
It's too dismal. |
01:00:27 |
I want to go somewhere |
01:00:30 |
Spain or... |
01:00:33 |
Beth, I want to apologize |
01:00:36 |
It was my fault. |
01:00:39 |
a little affection, you gave it |
01:00:42 |
You were going through |
01:00:45 |
You're very sweet. |
01:00:48 |
I'll be there. |
01:00:58 |
Martin! |
01:01:01 |
There's something else |
01:01:04 |
I spoke with Petersen and maybe |
01:01:07 |
Why? |
01:01:09 |
He began to ask me |
01:01:12 |
Me? |
01:01:14 |
He wanted to know |
01:01:15 |
why you chose |
01:01:18 |
What did you tell him? |
01:01:19 |
The truth. |
01:01:20 |
That you're obsessed with everything |
01:01:23 |
You told him what? |
01:01:24 |
I didn't think it was important. |
01:01:26 |
I'm sure you're not going to deny |
01:01:28 |
What are you talking about? |
01:01:31 |
He also asked me... |
01:01:34 |
if... there was any relationship |
01:01:37 |
- And you said... |
01:01:40 |
What happened? |
01:01:41 |
Exactly, that's what |
01:01:45 |
Okay, okay... You'd have been better |
01:01:48 |
I know, and... |
01:01:50 |
as soon as I said it |
01:01:53 |
I was angry |
01:01:54 |
the first thing |
01:01:56 |
What else did you tell him, Beth? |
01:01:58 |
I told him that I... |
01:02:00 |
I had a feeling that |
01:02:05 |
and that you preferred |
01:02:06 |
Oh, bloody hell! |
01:02:08 |
I'm sorry. |
01:02:12 |
You don't think they'll take |
01:02:15 |
They take everything |
01:02:18 |
Well, I don't think it's going |
01:02:21 |
It's absurd that the police should |
01:02:27 |
Does the perfect crime exist? |
01:02:29 |
Foryears, writers |
01:02:33 |
and murderers too. |
01:02:34 |
Some even managed to put |
01:02:37 |
Like the case |
01:02:40 |
Green was a humble tailor, |
01:02:43 |
well-considered socially. |
01:02:44 |
He kept a diary which |
01:02:48 |
In the diary, he analyzed |
01:02:50 |
in great detail |
01:02:51 |
fourteen ways of murdering |
01:02:53 |
his wife, forwhom he professed |
01:02:57 |
hatred. Some of |
01:02:58 |
the procedures were ridiculous, |
01:03:00 |
others brutal, one ortwo |
01:03:02 |
really brilliant. |
01:03:04 |
But what Green understood at once |
01:03:06 |
was that the main danger |
01:03:08 |
was not the possible investigation |
01:03:11 |
but the problems that |
01:03:13 |
might arise in the future. |
01:03:15 |
Every alibi contains an element |
01:03:19 |
can be discovered. |
01:03:20 |
His conclusion was that |
01:03:25 |
is not the one that remains |
01:03:29 |
which is solved |
01:03:32 |
Does he kill her in the end? |
01:03:34 |
No, she kills him. |
01:03:37 |
One night she found the diary. |
01:03:40 |
She ended up stabbing him with |
01:03:42 |
the kitchen scissors. |
01:03:44 |
The jury, horrified |
01:03:47 |
judge the murderto have been |
01:03:49 |
in self-defence |
01:03:53 |
Julia Green, |
01:03:54 |
you have been found |
01:03:59 |
I don't understand. |
01:04:01 |
It was discovered recently |
01:04:03 |
that the handwriting in the diaries |
01:04:06 |
So, who wrote them? |
01:04:07 |
His wife's lover, |
01:04:11 |
The murderer is 30/35 years old. |
01:04:14 |
Born into a lower middle class |
01:04:18 |
of a big city. |
01:04:19 |
He's got the characteristics |
01:04:23 |
And probably |
01:04:24 |
some form of physical defect. |
01:04:27 |
He imagines that his talents |
01:04:29 |
triumph and that he can destroy |
01:04:33 |
Then his big chance arrives: |
01:04:35 |
To leave his environment and put |
01:04:39 |
And it is here that something |
01:04:44 |
For some, probably |
01:04:47 |
from the place that he considers |
01:04:51 |
And he finds himself |
01:04:54 |
of having to return to the world |
01:04:56 |
Goodness, sounds like |
01:05:00 |
That's crazy, she has no basis. |
01:05:03 |
In any case, we're not talking |
01:05:05 |
there are no elements of cruelty. |
01:05:07 |
In fact, we could say |
01:05:10 |
Exactly. The psychologist |
01:05:15 |
The murderer is seeking |
01:05:16 |
vengeance and admiration. |
01:05:18 |
The murders are, in a sense, |
01:05:21 |
There's a mixture |
01:05:24 |
and the much stronger desire |
01:05:27 |
to yourworld. He wants you |
01:05:31 |
He's trying to please you, |
01:05:32 |
as if he was in the first stages |
01:05:35 |
The psychologist |
01:05:36 |
thinks the murderer is a repressed |
01:05:42 |
Bad cut. |
01:05:44 |
I don't know what the hell... |
01:05:46 |
At least you didn't tip a pot of |
01:05:51 |
I'm an expert |
01:05:54 |
If you want, |
01:05:57 |
Yes, that might be an idea. |
01:06:02 |
Don't you think |
01:06:03 |
The police are open |
01:06:06 |
Right now any formulation |
01:06:09 |
You sound like Seldom. |
01:06:10 |
He's right, for God's sakes. |
01:06:13 |
Yeah, like me. |
01:06:15 |
Yes, like you, like everyone. |
01:06:20 |
Don't let Seldom |
01:06:23 |
Cuz once he's in there, |
01:06:25 |
That's what happened to you, isn't |
01:06:30 |
That's not funny. |
01:06:33 |
Sorry. |
01:06:35 |
It's as if Seldom was everywhere, |
01:06:38 |
There's nothing I've done |
01:06:40 |
and apparently much better |
01:06:41 |
than me. |
01:06:42 |
What do you want me to do? |
01:06:44 |
I preferyou and you fuck |
01:06:46 |
No. I want you to lie |
01:06:52 |
Go to hell. |
01:06:53 |
You know what pissed me off? |
01:06:55 |
What pissed me off was knowing |
01:06:56 |
that I wasn't the only one |
01:07:01 |
That was so long ago. |
01:07:03 |
When you were thirteen, right? |
01:07:05 |
and you go running |
01:07:07 |
and all so he can |
01:07:10 |
Yeah, that's how I am. |
01:07:13 |
Exactly like you. |
01:07:16 |
Martin, I think |
01:07:18 |
And until all this is over, |
01:07:20 |
I really don't want to know |
01:07:25 |
You are a shit |
01:07:28 |
We are mediocre, |
01:07:29 |
and all mediocre people can do is... |
01:07:32 |
get drunk and forget. |
01:07:35 |
Leave me alone. |
01:07:45 |
To the mediocre of this world! |
01:07:48 |
To vulgarity |
01:07:50 |
and stupidity! |
01:07:52 |
Cambridge has kicked us |
01:07:56 |
What? |
01:07:58 |
What are you looking at? |
01:08:02 |
It's true, isn't it? |
01:08:04 |
You should give up maths |
01:08:07 |
- instead! |
01:08:08 |
- Let's get out of here. |
01:08:10 |
the Mad Hatterwill come |
01:08:13 |
- the lot of you! |
01:08:20 |
What are you talking about? |
01:08:21 |
What planet are you from, |
01:08:23 |
If you'd stopped |
01:08:25 |
and paid a bit of attention, |
01:08:31 |
Henry Wilkins? |
01:08:33 |
He's Kennedy's assassin, |
01:08:36 |
He's solved Bormat's Last Theorem? |
01:08:39 |
At least that is the rumour. |
01:08:42 |
a demonstration |
01:08:44 |
in the theory of numbers |
01:08:46 |
He's solved |
01:08:48 |
mathematics problem |
01:08:50 |
And you know who should be there, |
01:08:54 |
Me! |
01:08:58 |
You have a demonstration |
01:09:00 |
No, of course I don't! |
01:09:02 |
But I would have it, if yourfriend |
01:09:06 |
Ah, so that's it... |
01:09:07 |
It was me who deduced |
01:09:10 |
could not be solved without |
01:09:13 |
For every modularform, |
01:09:15 |
and for every elliptic curve |
01:09:18 |
You're drunk. |
01:09:19 |
Yes, I'm drunk! |
01:09:23 |
I went to Seldom, |
01:09:25 |
explained to him, |
01:09:27 |
get into the theory |
01:09:29 |
and, do you know what |
01:09:33 |
"It's absurd." |
01:09:35 |
"It's absurd"! |
01:09:38 |
And now, thanks to this |
01:09:42 |
Henry Wilkins |
01:09:44 |
will go down in history. |
01:09:46 |
Apparently, he's been working |
01:09:48 |
on Bormat in secret |
01:09:51 |
- for seven years. |
01:09:54 |
What do you mean why? |
01:09:55 |
Because they stole it from me! |
01:09:58 |
But I tell you something: |
01:10:00 |
There's a mistake in their approach. |
01:10:03 |
But it hasn't been proved yet. |
01:10:05 |
Don't contradict me. |
01:10:08 |
You're on their side, aren't you? |
01:10:10 |
You are all against me! |
01:10:13 |
You won't read my mind! |
01:10:15 |
Help me! I'm being robbed! |
01:10:17 |
They're trying to kill me! |
01:10:19 |
If you don't shut up, |
01:10:25 |
Easy, easy. |
01:10:27 |
Bastards! |
01:10:30 |
Fucking English and |
01:10:33 |
When they fuck you, |
01:10:35 |
they really fuck you. |
01:11:14 |
Welcome to the party. |
01:11:17 |
I gather nobody told you |
01:11:26 |
Good old Guy Fawkes |
01:11:29 |
He tried to blow up Parliament |
01:11:31 |
with the king, the lords and |
01:11:33 |
Since then, every November 5th, |
01:11:38 |
where we burn his image, |
01:11:41 |
although nowadays |
01:11:43 |
whether it's to commemorate |
01:11:48 |
Talking of conspirators... |
01:11:51 |
No, don't look now, be discreet. |
01:11:53 |
Sitting behind me, |
01:11:55 |
a few rows back, is a tall black |
01:12:02 |
Yes. |
01:12:03 |
He's been following me for 3 days |
01:12:06 |
Is Petersen here as well? |
01:12:07 |
Sitting to our right, |
01:12:08 |
just there, |
01:12:12 |
There's something |
01:12:14 |
It might be... |
01:12:36 |
- Did you see him? |
01:12:37 |
Podorov. |
01:12:38 |
He had something under his cape. |
01:13:06 |
We're following a suspect |
01:13:08 |
I want all available men |
01:13:15 |
Podorov! |
01:13:21 |
He's going up to the roof! |
01:13:23 |
What are you doing here? |
01:14:04 |
- I only want... |
01:14:06 |
and stay on the ground. |
01:14:07 |
What the hell's this? |
01:14:11 |
Martin, you traitor. |
01:14:15 |
"Bastards". |
01:14:16 |
This guy's just a fucking |
01:14:17 |
clown. |
01:14:19 |
Scott, what the hell are you |
01:14:22 |
I'm on to it. |
01:15:03 |
Let me through, please. |
01:15:08 |
You okay? |
01:15:13 |
This man is dead. |
01:15:21 |
Seems the cause |
01:15:23 |
How could they have choked him, |
01:15:26 |
According to the doctor |
01:15:28 |
it was a spontaneous |
01:15:30 |
I've just spoken to Beth. |
01:15:32 |
Apparently, the man's state |
01:15:34 |
He was operated on a few years ago |
01:15:37 |
By rights he should |
01:15:41 |
With that problem, |
01:15:43 |
you'd be dead |
01:15:45 |
We have no evidence to indicate |
01:15:48 |
Yes, we do. |
01:15:56 |
The third symbol is a triangle! |
01:15:57 |
Where did you find this? |
01:15:59 |
It was found on the conductor's |
01:16:02 |
tore the words |
01:16:05 |
from the program notes. |
01:16:06 |
The circle, the fish, |
01:16:09 |
and the triangle. |
01:16:12 |
I've had enough of this. |
01:16:15 |
I want you to tell me right now |
01:16:17 |
Otherwise, I'm gonna have |
01:16:19 |
to consideryou |
01:16:20 |
it's obvious that |
01:16:23 |
I only have a rudimentary idea |
01:16:27 |
So what is it, |
01:16:28 |
for Christ's sake? |
01:16:30 |
Well, I think maybe this is |
01:16:33 |
not the best time. |
01:16:35 |
I don't believe it. |
01:16:36 |
Fine, fine. |
01:16:39 |
- Do you mind, Martin? |
01:16:41 |
I could use a walk. |
01:16:42 |
Just don't walk |
01:16:51 |
Bastards. |
01:16:54 |
In Cambridge preparations |
01:16:56 |
to celebrate one of the crowning |
01:16:59 |
If the rumours are true, thanks to |
01:17:03 |
famous last theorem could cease to |
01:17:08 |
Hundreds of mathematicians |
01:17:10 |
will meet today |
01:17:13 |
live, the public demonstration |
01:17:14 |
that Professor Wilkins will give |
01:17:16 |
in the university's |
01:17:19 |
For centuries mathematicians |
01:17:21 |
have tried in vain |
01:17:23 |
Will the mystery be resolved? |
01:17:29 |
I'm sorry about yesterday, |
01:17:33 |
Yeah, that I should think |
01:17:37 |
Though I haven't been |
01:17:40 |
Tomorrow the paperwill publish |
01:17:44 |
In it I explain everything I know. |
01:17:46 |
Everything? |
01:17:48 |
The police think that |
01:17:50 |
and we give our solution to the 4th |
01:17:54 |
What interests him is that |
01:17:55 |
I recognize his intelligence. |
01:17:59 |
Do you think it will work? |
01:18:00 |
It's the best |
01:18:03 |
So I have 12 hours |
01:18:06 |
That just about sums it up, right? |
01:18:08 |
You're not an idiot, |
01:18:11 |
You know it, Martin, |
01:18:14 |
After all, you belong to the sect. |
01:18:25 |
- I know what you're thinking. |
01:18:27 |
It could be the biggest mistake |
01:18:30 |
I don't believe you. |
01:18:31 |
I think you're lying. |
01:18:32 |
You're right. |
01:18:35 |
but if I distract you long enough, |
01:18:39 |
be too late. |
01:20:24 |
You know, these are a bit |
01:20:26 |
but after a while |
01:20:29 |
My spaghetti |
01:20:31 |
No, spaghetti |
01:20:33 |
So are mystery novels. |
01:20:35 |
You know, they make sense. |
01:20:37 |
There's something to find out and |
01:20:40 |
In life, nobody |
01:20:42 |
I don't want to speak |
01:20:45 |
or conjectures, or anything else. |
01:20:47 |
Outside this room nothing exists. |
01:20:51 |
Only you, me |
01:20:54 |
and this spaghetti. |
01:20:59 |
I know what it meant |
01:21:02 |
It was worth it. |
01:21:04 |
It's only just begun. |
01:21:08 |
Look what you've done. |
01:21:10 |
Mad about you. |
01:21:25 |
You've got some there. |
01:21:28 |
This moment is perfect... |
01:21:31 |
unique. |
01:21:32 |
"The unshaken heart |
01:21:36 |
Come again? |
01:21:39 |
It's from Parmenides, |
01:21:43 |
He said that reality |
01:21:46 |
and the only thing that exists |
01:21:48 |
is a single unchanging God. |
01:21:51 |
Wow, you're doing it again. |
01:21:53 |
What? |
01:21:54 |
Talking like |
01:21:56 |
- Well, I guess we can't help it. |
01:22:00 |
Now I understand |
01:22:01 |
why girls go out with musicians |
01:22:05 |
That's what he said. |
01:22:07 |
Really? He knew |
01:22:10 |
No, no, no, no. |
01:22:13 |
"You should know. |
01:22:16 |
- What? |
01:22:18 |
No, no, no. |
01:22:20 |
What's wrong? |
01:22:21 |
I have to discover it before |
01:22:23 |
What? |
01:22:25 |
Oh my God, it's Seldom. |
01:22:26 |
You just have to go along |
01:22:28 |
Yes, I do! It's all |
01:22:30 |
- Beth was right. |
01:22:32 |
You're in love with |
01:22:34 |
- turns you on more than I do! |
01:22:37 |
Just this once, that's all I ask. |
01:22:39 |
When this nightmare's over, |
01:22:41 |
- of here. |
01:22:43 |
Wherever. Outside these walls, |
01:22:46 |
where people don't know |
01:22:55 |
- Shit! |
01:22:58 |
It's too early, |
01:23:01 |
What now? |
01:23:03 |
Bookstore! |
01:23:11 |
- Hey, we're closed. |
01:23:18 |
At least tell me |
01:23:22 |
Ah, here it is. |
01:23:24 |
The sect of the Pythagoreans... |
01:23:26 |
The fathers of mathematics. |
01:23:27 |
They were forbidden |
01:23:29 |
They functioned like |
01:23:32 |
were sacred to them, |
01:23:35 |
No, it's not here. |
01:23:39 |
I'm sorry but you'll have |
01:23:41 |
There's no one on the cash register. |
01:23:42 |
Don't worry. |
01:23:44 |
Well, I think |
01:23:45 |
Oh, give us a moment. |
01:23:48 |
If you consult our catalogue, |
01:23:50 |
I think you'll find everything |
01:23:52 |
Will you shut up for a minute! |
01:23:55 |
I'm sorry, |
01:23:56 |
but you give me no option |
01:23:58 |
Fine, call security. |
01:24:00 |
Just leave. |
01:24:04 |
It's got to be mentioned |
01:24:07 |
a diagram, or something. |
01:24:16 |
Kind of like that? |
01:24:17 |
That's it. Perfect. |
01:24:19 |
One, |
01:24:20 |
the beginning of all things. |
01:24:24 |
The fish. |
01:24:25 |
That's what we thought. The Vesica |
01:24:27 |
this one's much earlier. |
01:24:29 |
It's simply two, the intersection |
01:24:32 |
duality, the war |
01:24:35 |
Three, the triad, |
01:24:36 |
the synthesis of opposites. |
01:24:40 |
And the fourth symbol? |
01:24:42 |
The Tetraktys, the quaternary. |
01:24:45 |
One plus two, plus three, |
01:24:48 |
Totality, the Demiurge. |
01:24:50 |
It was their divine number. |
01:24:55 |
One, two, three, four. |
01:24:58 |
That simple. |
01:25:00 |
How could I not see it? |
01:25:03 |
Any enigma is easy |
01:25:07 |
What are you looking for? |
01:25:08 |
The only thing I know about these |
01:25:13 |
understanding of medicine. |
01:25:16 |
intelligence was |
01:25:18 |
then the mentally retarded |
01:25:22 |
They used them as guinea pigs |
01:25:25 |
for medical experiments. |
01:25:28 |
They even tried organ transplants... |
01:25:56 |
Oh shit. |
01:26:14 |
Thanks very much, |
01:26:18 |
- Thank you. |
01:26:20 |
Come on! |
01:26:22 |
Hey! |
01:26:23 |
Come here! |
01:26:25 |
Come back here! |
01:26:27 |
You two! |
01:26:28 |
Where do you think |
01:26:31 |
I know who the murderer is. |
01:26:32 |
It's okay, John. |
01:26:35 |
Look, I know I fucked up |
01:26:37 |
but now you have to believe me. |
01:26:38 |
This time it could be worse, he |
01:26:41 |
Relax. |
01:26:42 |
This time he got in touch with us |
01:26:47 |
The tetraktys... |
01:26:48 |
Exactly. The message |
01:26:50 |
He told us to send ambulances there. |
01:26:52 |
A road? |
01:26:53 |
The A421. Just past |
01:26:55 |
That's the road to Cambridge. |
01:26:57 |
There's a flyover |
01:26:59 |
Petersen's already on his way. |
01:27:01 |
He'll try to stop the bus |
01:27:08 |
Have you located the bus yet? |
01:27:10 |
It's three miles from where |
01:27:12 |
you are, sir. |
01:27:14 |
in under a minute. |
01:27:17 |
Petersen here, to all units. |
01:27:18 |
The murderer may be travelling |
01:27:21 |
with them, so keep your heads |
01:27:48 |
Where are they? |
01:27:52 |
- Right in front of you, sir. |
01:27:54 |
Now! |
01:27:55 |
Now! |
01:28:05 |
Jesus! |
01:28:22 |
Turn off the engine! |
01:28:28 |
We made it in time. |
01:28:29 |
They've stopped the bus. |
01:28:31 |
Seldom and the other |
01:28:33 |
Seldom? What have you done? |
01:29:02 |
Hello? |
01:29:03 |
Seldom, you have to speak with |
01:29:06 |
What are you talking about? |
01:29:07 |
It's the girl's father! |
01:29:09 |
What girl? |
01:29:17 |
Martin? |
01:29:19 |
Martin, can you hear me? |
01:29:21 |
The girl in the hospital, |
01:29:24 |
He wants to kill |
01:29:42 |
Sir? |
01:29:44 |
Excuse me, sir. |
01:29:47 |
- That bus has to be stopped! |
01:29:49 |
They're going to be killed! |
01:29:52 |
Sir, one of the professors |
01:29:55 |
He's completely |
01:30:14 |
Oh what the hell? |
01:30:31 |
You. |
01:30:34 |
Did you fucking know about this? |
01:30:37 |
You and yourfucking equations! |
01:30:51 |
I don't know anything. |
01:30:58 |
Nothing. |
01:31:49 |
Five of the victims |
01:31:53 |
Five organs offer a fair chance. |
01:31:56 |
They're rushing them off |
01:31:58 |
That's why he sent the ambulances. |
01:31:59 |
That's right. |
01:32:02 |
The petrol tank |
01:32:04 |
He wanted to cause |
01:32:06 |
only this time |
01:32:10 |
Why all these? |
01:32:12 |
He didn't plan |
01:32:14 |
His idea was to jump in time |
01:32:18 |
How do you know? |
01:32:20 |
When the bus crashed, |
01:32:24 |
And what about the other deaths? |
01:32:26 |
Well, if only the children |
01:32:28 |
he would have been |
01:32:30 |
Making us believe |
01:32:32 |
took the spotlight off him. |
01:32:34 |
Only he miscalculated |
01:32:38 |
So, he didn't really want |
01:32:40 |
- he just needed an alibi? |
01:32:44 |
Shame we didn't work it out sooner. |
01:32:47 |
So much |
01:32:48 |
for logic. |
01:33:37 |
You were just a pawn in his game. |
01:33:40 |
You have nothing |
01:33:52 |
You don't know what you're saying. |
01:34:16 |
You don't need to get on a plane. |
01:34:19 |
Sorry? |
01:34:21 |
I said, you don't need to get on |
01:34:25 |
I was just thinking... |
01:34:26 |
Really? |
01:34:32 |
Ok. |
01:34:34 |
we are just two tourists |
01:34:35 |
in an airport with the heaviest |
01:34:40 |
What did you pack in here anyway? |
01:34:42 |
Oh, you know, just the essentials. |
01:34:45 |
for making spaghetti |
01:34:47 |
- and a couple of otherthings. |
01:34:48 |
you didn't pack a single |
01:34:50 |
Of course not! |
01:34:51 |
No mystery novels, |
01:34:54 |
We had a deal, remember? |
01:34:56 |
You gonna be able to live like this? |
01:34:59 |
Yes. |
01:35:00 |
Just you and me. |
01:35:07 |
Come on. |
01:35:16 |
Thank you. |
01:35:27 |
Can I have your |
01:35:29 |
He didn't know! |
01:35:30 |
Martin? |
01:35:32 |
That old fuckertricked me! |
01:35:35 |
He didn't know |
01:35:46 |
My God! |
01:35:48 |
You've got the pictures with you? |
01:35:51 |
What is this? |
01:35:53 |
"Kreis". |
01:35:58 |
What is that? |
01:36:09 |
She spent 3 years |
01:36:12 |
Excuse me, sir, |
01:36:13 |
Of course! |
01:36:14 |
Kreis is German for circle. |
01:36:17 |
He came up with it on the spot! |
01:36:58 |
Have you been here before? |
01:37:01 |
I never had a chance. |
01:37:05 |
It would be a pity to leave the |
01:37:10 |
This is the largest |
01:37:11 |
collection of fakes in the world. |
01:37:14 |
Not even Michelangelo |
01:37:16 |
can distinguish |
01:37:19 |
Trajan's column |
01:37:24 |
but we are sure |
01:37:28 |
plaster copy. |
01:37:32 |
I feel at ease here. |
01:37:34 |
No one tries to deceive me. |
01:37:37 |
In effect, Martin, |
01:37:39 |
that contains the most truth |
01:37:43 |
We have an absolute truth: |
01:37:47 |
Everything is fake. |
01:37:51 |
Outside of these walls |
01:37:53 |
nobody is sure of anything. |
01:37:58 |
You took a big risk in giving me |
01:38:05 |
That was important. |
01:38:08 |
what the sign was when, at |
01:38:12 |
I knew you wouldn't |
01:38:14 |
Your pride wouldn't let you open |
01:38:17 |
until you had |
01:38:18 |
and that, if I might say, |
01:38:23 |
There was no serial killer. |
01:38:25 |
It was an invention, |
01:38:29 |
But it wasn't |
01:38:31 |
It was yours. |
01:38:33 |
You invented a series of killings |
01:38:37 |
The death of Mrs. Eagleton. |
01:38:40 |
just as the police had suspected |
01:38:47 |
Beth hated her life. |
01:38:50 |
with that woman any more |
01:38:52 |
That's when she sent you a note |
01:38:54 |
asking for help. |
01:38:56 |
I couldn't look her in the face. |
01:38:59 |
It was my fault that herfather |
01:39:02 |
30 years ago. |
01:39:05 |
I couldn't let her down again. |
01:39:07 |
We both met at the door. |
01:39:09 |
You'd come to get rid |
01:39:10 |
but I was there, in the way, |
01:39:15 |
You had to come up with |
01:39:17 |
just moments before the police |
01:39:20 |
"circle" in German |
01:39:22 |
and that gave you the idea. |
01:39:24 |
A series with |
01:39:26 |
But you needed a second death |
01:39:28 |
to convince the police |
01:39:30 |
And unwittingly, I helped you. |
01:39:34 |
I gave you the idea of how |
01:39:38 |
An imperceptible murder. |
01:39:39 |
A murdererwho only kills |
01:39:41 |
someone who is at |
01:39:42 |
death's door. You only had |
01:39:43 |
to wait forthe occasion |
01:39:46 |
That's when you sent |
01:39:50 |
You still didn't know |
01:39:52 |
The possibilities of continuing |
01:39:56 |
You had to wait for |
01:39:58 |
And that could take weeks, months. |
01:40:00 |
There was no hurry. |
01:40:02 |
You probably had a different plan |
01:40:05 |
but that triangle player suddenly |
01:40:09 |
- and you had your solution. |
01:40:12 |
Too many people, too operatic. |
01:40:14 |
Don't lie. |
01:40:15 |
You couldn't waste |
01:40:16 |
a chance like that. |
01:40:18 |
What's more, there was a triangle. |
01:40:22 |
Beautiful... It was as if |
01:40:25 |
were on your side. |
01:40:27 |
It was perfect, |
01:40:30 |
it was totally inoffensive. |
01:40:32 |
Until the madman appeared. |
01:40:35 |
Any one of our acts can have |
01:40:38 |
That's what you most feared. |
01:40:41 |
Who was to know that poor devil |
01:40:42 |
was going to read |
01:40:44 |
He was looking for a solution |
01:40:47 |
while every day he drove to school |
01:40:50 |
with perfect lungs |
01:40:53 |
Why did they deserve to live |
01:40:56 |
Mathematicians are not the only ones |
01:41:00 |
You gave him his solution |
01:41:03 |
He also wanted to hide his crime. |
01:41:06 |
He only had to make |
01:41:20 |
So... |
01:41:23 |
you think I'm the killer. |
01:41:25 |
No. |
01:41:27 |
You haven't killed anyone, |
01:41:29 |
but you're guilty of provoking the |
01:41:34 |
You're guilty of arrogance, |
01:41:36 |
of using us all like |
01:41:40 |
Who the hell do you think you are? |
01:41:45 |
I hope my failure has, at least, |
01:41:50 |
Yes, one thing. |
01:41:53 |
One very painful thing. |
01:41:56 |
Numbers also lie. |
01:41:58 |
The truth is not mathematical, |
01:42:02 |
It's absurd, confused, random, |
01:42:04 |
disorderly, and deeply unpleasant. |
01:42:08 |
I'm glad that finally we can agree |
01:42:12 |
Just one thing has escaped you. |
01:42:19 |
The real culprit. |
01:42:22 |
The one who triggered off |
01:42:26 |
Who? |
01:42:27 |
You, Martin. |
01:42:30 |
Don't make me laugh. |
01:42:31 |
If you don't believe me, |
01:42:34 |
She was in love with you, |
01:42:37 |
orweren't you aware of that? |
01:42:40 |
She remembered |
01:42:44 |
"You should try it." |
01:42:46 |
"You should try it," |
01:42:50 |
inside her head, like a hammer. |
01:42:53 |
"You should be free, like me." |
01:42:58 |
That's what she understood, |
01:43:01 |
and that's what she did. |
01:43:04 |
Put an end to what |
01:43:10 |
her own mother. |
01:43:13 |
The butterfly |
01:43:16 |
that flutters its wings |
01:43:19 |
on the other side of the world. |
01:43:23 |
Sound familiar? |
01:43:28 |
Are you that butterfly, Martin? |