|
Paap
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# Subtitles By * $habbaMech$tar * |
| 00:02:31 |
The wait... |
| 00:02:47 |
the anticipation... |
| 00:02:57 |
my mornings have... |
| 00:03:00 |
of your evenings |
| 00:03:03 |
"That which my evenings |
| 00:03:10 |
"That which my nights wait |
| 00:03:16 |
"That which my sleep waits to be |
| 00:03:22 |
"That which my feelings |
| 00:03:29 |
"Anticipation of a few |
| 00:03:36 |
of a few beautiful sins |
| 00:03:42 |
"the wait, the anticipation..." |
| 00:04:33 |
"The wait for my sweetheart, |
| 00:04:39 |
"for my heart-throb, I wait" |
| 00:04:46 |
"Flowers make the path |
| 00:04:52 |
"my heart however, withers away |
| 00:04:59 |
"A sea of tears |
| 00:05:05 |
My heart lies barren |
| 00:05:11 |
"For those few gusts |
| 00:05:17 |
for those wet nights... |
| 00:05:24 |
I wait |
| 00:05:37 |
For the cloudburst |
| 00:05:40 |
For those showers |
| 00:05:43 |
"For my very own rain, |
| 00:05:50 |
"For my heart-beat, |
| 00:05:56 |
"to come alive, I wait" |
| 00:06:54 |
"A rain-cloud shall one day |
| 00:07:00 |
"and my thirst of ages shall |
| 00:07:07 |
"Having restored you |
| 00:07:13 |
"time shall come to a standstill, |
| 00:07:19 |
"For the prayers that might |
| 00:07:26 |
"for those sanctuaries that are mine |
| 00:07:32 |
I wait |
| 00:07:45 |
"For you to arrive, |
| 00:07:51 |
"so that you never return... |
| 00:08:31 |
Kaaya... |
| 00:08:33 |
Kaaya... |
| 00:08:48 |
Where have you been? |
| 00:08:50 |
"Like a mad girl, you go around |
| 00:08:55 |
What do you really do? |
| 00:08:59 |
What are you hiding? |
| 00:09:03 |
Let me see! |
| 00:09:07 |
You've started writing poetry again? |
| 00:09:12 |
And what's this...? |
| 00:09:16 |
The Wait! For whom? |
| 00:09:21 |
An idle mind is |
| 00:09:23 |
No wonder you keep thinking |
| 00:09:26 |
"If there is anything in life, |
| 00:09:31 |
So that you may have a wonderful |
| 00:09:36 |
"A life which has |
| 00:09:40 |
which has only joy to offer |
| 00:09:43 |
I keep following |
| 00:09:46 |
so that they make you |
| 00:09:48 |
And you secretly go around writing |
| 00:09:57 |
Kaaya! Where are you going? |
| 00:10:01 |
It's very important |
| 00:10:10 |
"When He wishes to punish us, |
| 00:10:18 |
I remember the dreams you used |
| 00:10:25 |
"Of flying higher than the clouds, |
| 00:10:30 |
of gathering all the stars |
| 00:10:33 |
Of grabbing the rainbow |
| 00:10:37 |
I really wish to take you |
| 00:10:41 |
"Will you do something for us, child? |
| 00:10:46 |
Kaaya's the one I'm asking. |
| 00:10:52 |
"Will you do something |
| 00:10:56 |
"Yes, of course. |
| 00:11:00 |
The Rimpochek has had a dream |
| 00:11:03 |
Our spiritual leader is in Delhi |
| 00:11:07 |
He has had a reincarnation |
| 00:11:11 |
He's now there in |
| 00:11:16 |
You will bring him here from Delhi |
| 00:11:18 |
Because this monastery |
| 00:11:24 |
Lama Dorji shall accompany you |
| 00:11:28 |
"After that, you will return here |
| 00:12:29 |
"It's him, all right" |
| 00:12:32 |
May you have a long life |
| 00:12:34 |
Be careful how you |
| 00:12:36 |
Because that is where he belongs |
| 00:12:39 |
"Kaaya, it's now your responsibility |
| 00:12:49 |
The hotel coach will drop you |
| 00:12:52 |
"Your flight to Manali |
| 00:12:58 |
Come |
| 00:13:05 |
Over there. Let's go |
| 00:13:10 |
Go on! |
| 00:15:06 |
"Hurry up, sir!" |
| 00:15:09 |
Can't you see...? |
| 00:17:11 |
Who saw the body first? |
| 00:17:26 |
What work do you |
| 00:17:28 |
"Relax, Madam. I'm a police officer" |
| 00:17:30 |
I need to have a word with the child. |
| 00:17:35 |
Lama. But he knows |
| 00:17:38 |
We have nothing to do |
| 00:17:42 |
We've got to get home. We've got |
| 00:17:47 |
There will be more flights |
| 00:17:50 |
"Lama, carefully listen |
| 00:17:54 |
That man who got killed |
| 00:17:58 |
It's my job to find his killers |
| 00:18:02 |
So tell me whatever you saw |
| 00:18:08 |
I... |
| 00:18:14 |
Don't be afraid |
| 00:18:15 |
I saw him |
| 00:18:18 |
Whom did you see? |
| 00:18:26 |
I saw the one who killed him |
| 00:18:32 |
What was he to look like? |
| 00:18:36 |
Yes? Speak up |
| 00:18:39 |
He... |
| 00:18:45 |
Speak up |
| 00:18:46 |
One moment |
| 00:18:49 |
I wish to say something to you. |
| 00:18:54 |
We have nothing to do |
| 00:18:57 |
Please think about the child |
| 00:19:00 |
Can't you see how scared he is? |
| 00:19:02 |
He's the reincarnation of a |
| 00:19:06 |
It's very necessary for him to |
| 00:19:10 |
"What did you say? A reincarnation? |
| 00:19:18 |
I'm sorry. He could be a |
| 00:19:21 |
"for us, he's just a witness" |
| 00:19:24 |
You can't leave this place until |
| 00:19:28 |
It's a legal matter |
| 00:19:30 |
We have nothing to do with your |
| 00:19:34 |
Why don't you understand? |
| 00:19:37 |
You now have something |
| 00:19:39 |
Whether you like it or not |
| 00:19:41 |
And those that don't come to the |
| 00:19:47 |
go straight to jail |
| 00:19:49 |
Which do you prefer? |
| 00:19:51 |
"Let's go, Zakir" |
| 00:20:00 |
Where are you taking us? |
| 00:20:06 |
"Shiven, let's drop them |
| 00:20:08 |
Are you out of your mind? |
| 00:20:11 |
"Let's put them up at a hotel then. |
| 00:20:15 |
How can we leave them alone? |
| 00:20:17 |
Take them to your house. |
| 00:20:21 |
You're going to have me killed! |
| 00:20:26 |
We just got rid of the guests |
| 00:20:29 |
She needs a break |
| 00:20:34 |
Why don't you take them |
| 00:20:39 |
She even has an air-conditioner |
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They're folks from the hills. |
| 00:20:44 |
All right. I don't have a choice |
| 00:20:48 |
I'll have to do |
| 00:21:13 |
Listen to me! |
| 00:21:22 |
You dare hit my sister! |
| 00:21:25 |
"My sister, you hit...?" |
| 00:21:31 |
We still aren't divorced! |
| 00:21:35 |
"If you were a husband, you wouldn't |
| 00:21:39 |
"The next time I see you here, |
| 00:21:42 |
"Take him away, Zakir!" |
| 00:21:48 |
"Okay, move it" |
| 00:21:54 |
It's late in the night. |
| 00:21:58 |
Where are the kids? |
| 00:22:01 |
They're upstairs and you still |
| 00:22:03 |
Don't tell me how to |
| 00:22:06 |
"If you love them so much, get married |
| 00:22:10 |
And this is my personal affair. |
| 00:22:13 |
It's for the law! |
| 00:22:24 |
We can discuss this tomorrow... |
| 00:22:33 |
My guests |
| 00:22:35 |
They'll spend the night here |
| 00:22:38 |
I had no choice |
| 00:22:50 |
Please come |
| 00:22:51 |
I'm sorry but we seem to have |
| 00:22:58 |
"If there's anything you need, |
| 00:23:03 |
Okay |
| 00:23:23 |
Who on earth are they? |
| 00:23:25 |
The sight of the picture on the wall |
| 00:23:33 |
It's cold |
| 00:23:35 |
Let me heat it up for you |
| 00:23:39 |
"Heat it up! You're showing |
| 00:23:45 |
That kid... he's the reincarnation |
| 00:23:51 |
A reincarnation? |
| 00:23:54 |
"He's born again. |
| 00:24:03 |
"One life, you can barely lead" |
| 00:24:07 |
And you'll have to lead another |
| 00:24:17 |
Put that hand down! |
| 00:24:19 |
"And you, are you at a bloody wedding? |
| 00:24:23 |
Watch how you stand! |
| 00:24:38 |
Take a careful look and tell me |
| 00:24:43 |
that you saw in the toilet |
| 00:25:08 |
Relax. Take another look. |
| 00:25:11 |
I'm here with you |
| 00:25:29 |
Take them away |
| 00:25:40 |
This plane's for you |
| 00:25:53 |
"I'm sorry the kid has to do all this, |
| 00:25:59 |
You're not sorry at all |
| 00:26:01 |
You're actually happy |
| 00:26:09 |
What are we going to do? |
| 00:26:12 |
We've got to eat. |
| 00:26:16 |
I'll take them out to lunch. |
| 00:26:22 |
Let's go |
| 00:26:41 |
Why did you change tables? |
| 00:26:44 |
"What happened, Lamo? |
| 00:28:21 |
Where's the boss? |
| 00:28:23 |
"Papa, Shiven is here" |
| 00:28:33 |
We're going to win this time! |
| 00:28:37 |
What's up...? |
| 00:28:41 |
"Bad news, sir" |
| 00:28:44 |
It was Raj Mehra |
| 00:28:53 |
I couldn't even dream Raj |
| 00:28:57 |
But this is the truth |
| 00:29:00 |
"You aren't making |
| 00:29:02 |
"I wouldn't have been here, |
| 00:29:12 |
"I've got to know |
| 00:29:14 |
Raj killed seven gangsters in |
| 00:29:17 |
and all seven of them belonged |
| 00:29:20 |
And in the three raids Raj |
| 00:29:24 |
not even one gangster was shot. |
| 00:29:28 |
"I've been looking up the Intelligence |
| 00:29:31 |
Raj has bought lots of property |
| 00:29:35 |
And his lifestyle is far too opulent |
| 00:29:41 |
What are you getting at? |
| 00:29:44 |
"although Raj wears the police uniform, |
| 00:29:49 |
It's such a shame! It's such a shame |
| 00:29:57 |
What would you need to clear |
| 00:30:02 |
The help of the people |
| 00:30:05 |
"Because they're the ones who can |
| 00:30:10 |
All right. I'll make arrangements |
| 00:30:15 |
"Tell me something, Shiven. Who else |
| 00:30:21 |
"No one, sir" |
| 00:30:24 |
Don't even tell anyone. |
| 00:30:27 |
Your life could be in danger |
| 00:30:31 |
"I'm with you. |
| 00:31:32 |
"What do you think you're doing, ass? |
| 00:32:18 |
Kaaya... wake up |
| 00:32:20 |
Shiven's here. He says you must |
| 00:32:23 |
Bring Lamo along too. C'mon |
| 00:32:29 |
"Listen, park my car in your garage |
| 00:32:34 |
"What's happening, Shiven? |
| 00:32:37 |
I just took your car and told you |
| 00:32:41 |
You know nothing about |
| 00:32:44 |
Neither have you seen them nor |
| 00:32:47 |
"Do you understand? |
| 00:32:53 |
Can't you do a thing |
| 00:32:55 |
Just do as I say! |
| 00:33:05 |
Listen carefully to me |
| 00:33:09 |
Steal the file pertaining to |
| 00:33:13 |
It contains the name of the girl |
| 00:33:18 |
Destroy the file. |
| 00:33:22 |
What's happening? |
| 00:33:24 |
I'm going away for a few days. |
| 00:33:29 |
But what the hell is going on? |
| 00:33:31 |
D.C.P. Sushil Mathur is |
| 00:33:35 |
There could be others too |
| 00:33:39 |
I'll explain everything |
| 00:33:42 |
"You're listening, aren't you?" |
| 00:33:44 |
"Yes, I'm listening. |
| 00:33:51 |
What's happening? You yourself said |
| 00:33:56 |
And I was wrong! |
| 00:34:38 |
They don't call me an |
| 00:34:44 |
A bullet has struck him |
| 00:35:06 |
"With thunder and lightning, |
| 00:35:22 |
"Thunder and lightning |
| 00:35:39 |
"On what unknown paths |
| 00:35:47 |
"Come, let's enjoy the |
| 00:35:55 |
"With thunder and lightning, |
| 00:36:12 |
"Come to me, my love..." |
| 00:36:20 |
give me the lethal poison... |
| 00:36:23 |
or pray for me to live |
| 00:36:28 |
What ties are these...? |
| 00:36:32 |
That bind breath together? |
| 00:36:36 |
Heed the cry of my heart... |
| 00:37:23 |
"Shiven, what's happening to you?" |
| 00:37:30 |
I happened to doze off |
| 00:37:32 |
Know what? Sit with me |
| 00:37:35 |
Wake me up if I doze off again |
| 00:37:38 |
Are you all right? |
| 00:37:41 |
"Life shall be immersed |
| 00:37:48 |
"This lovely evening, |
| 00:37:56 |
"Let there be some exchange |
| 00:38:05 |
How much longer? |
| 00:38:16 |
"With thunder and lightning, |
| 00:38:30 |
Take some rest. I'll fetch |
| 00:38:33 |
No. I've got to go |
| 00:38:38 |
When will you come to take Lama |
| 00:38:41 |
There will be no case |
| 00:38:57 |
Duck! |
| 00:39:36 |
What are you doing...? |
| 00:39:38 |
What are you doing? |
| 00:39:46 |
Blood! I must take you |
| 00:39:49 |
No! No hospitals! |
| 00:39:52 |
No doctors! |
| 00:39:55 |
It's a bullet injury. |
| 00:39:59 |
and they'll eventually find me |
| 00:40:01 |
But Shiven... |
| 00:40:04 |
"If they can get to me, |
| 00:40:08 |
They'll kill Lama. |
| 00:40:19 |
Where did the gunfire come from? |
| 00:40:21 |
"Who's this man? |
| 00:40:26 |
Why's he bleeding? |
| 00:40:34 |
His body temperature is rising |
| 00:40:47 |
The bullet went right through |
| 00:40:51 |
He has lost much blood |
| 00:40:56 |
"Kaaya, I'm no doctor" |
| 00:40:59 |
I can't treat him |
| 00:41:02 |
Let's take him to the army hospital |
| 00:41:04 |
"No, we can't take him to the hospital" |
| 00:41:07 |
Can't take him to the hospital? |
| 00:41:11 |
"If he dies here, |
| 00:41:14 |
We'll be charged |
| 00:41:18 |
We'll pray for him. |
| 00:41:21 |
we'll find some way out. |
| 00:41:24 |
it's a question of someone's life |
| 00:41:27 |
It's a responsibility |
| 00:41:30 |
I know everything |
| 00:41:32 |
But you don't know that this man |
| 00:41:36 |
to help us reach here |
| 00:41:38 |
If the people who shot him |
| 00:41:41 |
they will do the same |
| 00:41:44 |
We have no choice. |
| 00:41:48 |
It's all right |
| 00:41:50 |
Do you have linseed oil? |
| 00:41:52 |
Mix three parts of linseed oil with |
| 00:41:59 |
I'm going home. |
| 00:42:02 |
Let him drink it |
| 00:42:05 |
Pray for the best |
| 00:42:08 |
If he survives the night... |
| 00:42:11 |
he might live |
| 00:42:13 |
"Thank you, Lama Norbu" |
| 00:42:15 |
Thank you very much |
| 00:42:18 |
Kaaya! What's this? |
| 00:42:22 |
There's no room |
| 00:42:24 |
"I know, father. When he leaves, |
| 00:43:33 |
Relax |
| 00:43:36 |
Don't touch the kid |
| 00:43:41 |
Don't touch the girl |
| 00:44:25 |
Shiven... |
| 00:45:29 |
I have told you |
| 00:45:32 |
I have nothing more to say |
| 00:45:34 |
"Look Anna, Shiven is in trouble" |
| 00:45:39 |
He has been accused |
| 00:45:42 |
A bribe? Shiven? |
| 00:45:46 |
"Nobody is going to believe it. |
| 00:45:49 |
Same with you. |
| 00:45:54 |
There are allegations against him |
| 00:45:57 |
"He must come here and explain things, |
| 00:46:01 |
"As of now, step back, please. |
| 00:46:15 |
Look Anna... |
| 00:46:17 |
I don't want to take you |
| 00:46:22 |
I told you! |
| 00:46:26 |
You are Shiven's sister |
| 00:46:29 |
Your brother must've told you |
| 00:46:33 |
About his travel plans... |
| 00:46:40 |
Didn't he? |
| 00:46:47 |
Anna knows nothing |
| 00:46:51 |
Wonder who stole the report |
| 00:46:55 |
Now how am I going to trace them? |
| 00:46:59 |
How am I going to trace the girl? |
| 00:47:01 |
"You will, you will" |
| 00:47:07 |
"They can run, but they can't hide" |
| 00:47:28 |
Who are they? |
| 00:47:30 |
They are monks from the monastery |
| 00:47:33 |
They are here to look you up |
| 00:47:35 |
And this is our Lama Norbu |
| 00:47:39 |
He's the one who saved your life |
| 00:47:41 |
Who else knows about my whereabouts? |
| 00:47:44 |
Only them |
| 00:47:48 |
How long have I been here? |
| 00:47:55 |
I must go |
| 00:47:57 |
You can't go anywhere. |
| 00:48:00 |
I have lots to do |
| 00:48:05 |
"If your body seeks rest, |
| 00:48:10 |
Hereabouts they say that... |
| 00:48:12 |
"When there's a solution to a problem, |
| 00:48:17 |
"If there's no solution, |
| 00:48:21 |
"So, stop worrying" |
| 00:48:25 |
And have the herbal tea |
| 00:48:39 |
Ask the monk |
| 00:48:43 |
You can ask him |
| 00:48:48 |
"Kaaya, a bullet wound |
| 00:48:51 |
"Lama Norbu has no doubt cured him, |
| 00:48:56 |
He must go back |
| 00:49:00 |
Didn't you see? |
| 00:49:04 |
He will go as soon as he gets well |
| 00:49:09 |
How soon will he get well? |
| 00:49:12 |
Maybe sooner. |
| 00:50:18 |
What are you writing? |
| 00:50:21 |
A poem |
| 00:50:23 |
Poem? |
| 00:50:25 |
Yes |
| 00:50:26 |
The valley is so quiet |
| 00:50:30 |
"When I try to pen something, |
| 00:50:34 |
and breaks the silence |
| 00:50:37 |
It's really quiet out here |
| 00:50:40 |
I can hear my heartbeats |
| 00:50:46 |
Let me hear. |
| 00:50:48 |
No |
| 00:50:50 |
Please |
| 00:50:53 |
Let me feel the chaos |
| 00:50:59 |
Shall I...? |
| 00:51:12 |
Open your eyes |
| 00:51:15 |
Lend me your ears |
| 00:51:17 |
I have much to offer |
| 00:51:20 |
But I wish to offer |
| 00:51:24 |
A ray of sunlight... |
| 00:51:26 |
a droplet of sky... |
| 00:51:29 |
half a cuckoo's call... |
| 00:51:31 |
and some fantasies |
| 00:51:35 |
"If you like it, |
| 00:51:39 |
For all that I have to offer... |
| 00:51:41 |
I wish to offer something |
| 00:51:46 |
A mirror like the sky... |
| 00:51:49 |
a tinful of butterflies... |
| 00:51:53 |
a spoonful of waves... |
| 00:51:56 |
and a fistful of life |
| 00:52:03 |
"If you like it, |
| 00:52:06 |
For all that I have to offer... |
| 00:52:09 |
I wish to offer something |
| 00:52:31 |
Time to give you medication. |
| 00:52:34 |
Kaaya... |
| 00:52:44 |
Nothing |
| 00:56:05 |
"What's on your mind, my child?" |
| 00:56:08 |
Nothing |
| 00:56:10 |
"I was feeling scared inside, |
| 00:56:22 |
One must have a grip |
| 00:56:26 |
You never know |
| 00:56:30 |
The greatest joy is |
| 00:56:35 |
"Everything else is a waste, dear" |
| 00:56:37 |
Everything |
| 00:57:57 |
No! |
| 00:57:59 |
Give it to me |
| 00:58:02 |
Give it to me |
| 00:58:05 |
Give it here |
| 00:58:08 |
Don't touch it again |
| 00:58:19 |
Want to play? |
| 00:58:22 |
You can play now |
| 00:58:25 |
I'll let you play this time |
| 00:58:28 |
Never again |
| 00:58:33 |
Lamo! What's going on? |
| 00:58:42 |
"Lamo, go outside. |
| 00:58:49 |
It was empty |
| 00:58:51 |
He was just playing with it |
| 00:58:55 |
"I thought, the gun was..." |
| 00:58:57 |
Out of question! It is about you |
| 00:59:03 |
"Let alone play, Lamo is not even |
| 00:59:06 |
"In fact, none of us is" |
| 00:59:12 |
And listen... as long as |
| 00:59:16 |
I would like you... |
| 00:59:18 |
to respect our traditions |
| 00:59:24 |
I apologise |
| 00:59:42 |
Keep this |
| 01:00:02 |
"Deputy Commissioner of Police, Delhi, |
| 01:00:07 |
"We need a little help from you, sir" |
| 01:00:09 |
"Sure, sir. |
| 01:00:13 |
Tell me... what can I do |
| 01:00:18 |
I'm looking for a girl |
| 01:00:22 |
She is connected |
| 01:00:26 |
"Sir, there are lots |
| 01:00:30 |
Which area are you talking about? |
| 01:00:33 |
"I don't know, sir. |
| 01:00:38 |
Kaaya |
| 01:00:40 |
Well... her full name? |
| 01:00:43 |
"No idea, sir" |
| 01:00:45 |
Whereabouts? |
| 01:00:46 |
I wouldn't call you |
| 01:00:49 |
"I mean, which street? Lane? |
| 01:00:53 |
"No sir, nothing. |
| 01:00:56 |
the folks in my department |
| 01:01:00 |
"her name, and that she is |
| 01:01:06 |
We have lots of monasteries here. |
| 01:01:08 |
"One monastery here, one there, |
| 01:01:13 |
where do we go looking for her? |
| 01:01:15 |
To go looking for her is like trying |
| 01:01:21 |
It concerns a death of a policeman. |
| 01:01:27 |
One of us has died |
| 01:01:29 |
"Won't you help us out, sir?" |
| 01:01:32 |
Won't you make a call |
| 01:01:35 |
"Sir, were there |
| 01:01:39 |
I would've surely called |
| 01:01:42 |
Really? Thank you |
| 01:01:45 |
I have gained much general knowledge |
| 01:01:49 |
Now please hang up |
| 01:02:07 |
What's that? |
| 01:02:08 |
Your clothes are still bloodstained |
| 01:02:11 |
I have given them for a wash |
| 01:02:13 |
Until then you can wear these |
| 01:02:16 |
Another thing. In these clothes |
| 01:02:22 |
Is there a telephone nearby? |
| 01:02:24 |
"You will find one at the army camp, |
| 01:02:27 |
No. I need a public telephone |
| 01:02:31 |
There's one in the village |
| 01:02:33 |
But you are not in a state |
| 01:02:36 |
I need to go |
| 01:02:38 |
No. Lama Norbu has asked... |
| 01:02:46 |
"All right, father will |
| 01:02:50 |
"You will have to tread alone further. |
| 01:02:59 |
Thanks for saving my life |
| 01:03:02 |
Thanks for what? |
| 01:03:05 |
I have only repaid you in kind |
| 01:03:29 |
Is he coming? |
| 01:04:02 |
What's the matter? |
| 01:04:04 |
"What makes you laugh? |
| 01:04:08 |
There's surely something |
| 01:04:11 |
Tell me. |
| 01:04:14 |
Just thinking. For all the load |
| 01:04:19 |
he gets beaten up |
| 01:04:21 |
The Creator made humans |
| 01:04:26 |
Then why is it that |
| 01:04:30 |
but an ass can't ride on humans? |
| 01:04:34 |
I see |
| 01:04:37 |
"So you feel for the ass, eh?" |
| 01:04:41 |
"Get off, and walk" |
| 01:04:45 |
"There's the city, |
| 01:04:49 |
Get off |
| 01:04:50 |
C'mon |
| 01:04:59 |
What makes you laugh again? |
| 01:05:01 |
Nothing. |
| 01:05:04 |
"When you are angry, |
| 01:05:42 |
Are you all right? |
| 01:05:43 |
I'm coming over... |
| 01:05:45 |
to do what I left incomplete |
| 01:05:47 |
Have things cooled down? |
| 01:05:49 |
"No, it's heated up like never before" |
| 01:05:51 |
Don't come back |
| 01:05:53 |
Don't come to Delhi... |
| 01:05:56 |
How long will I continue to hide? |
| 01:05:58 |
I have to return one day |
| 01:06:00 |
"For my sake, Shiven!" |
| 01:06:02 |
"Don't make this mistake, |
| 01:06:05 |
"Look, the Commissioner has set |
| 01:06:10 |
Have patience. |
| 01:06:15 |
And listen... |
| 01:06:17 |
keep calling me |
| 01:06:20 |
I'll inform you as soon |
| 01:06:26 |
"Zakir, I'm so fortunate" |
| 01:06:30 |
"In such times, |
| 01:06:57 |
When are you going back? |
| 01:07:00 |
Bear with me for a few days more |
| 01:07:07 |
What are you upto? |
| 01:07:09 |
"As long as I'm here, I think |
| 01:07:14 |
I'll cook food today |
| 01:07:17 |
Where did you learn to cook? |
| 01:07:21 |
Loneliness is a teacher |
| 01:07:26 |
Just watch. I'm going |
| 01:07:29 |
that you folks are going |
| 01:07:48 |
"Wonderful. |
| 01:07:57 |
"Shiven cooked the fare, today" |
| 01:08:06 |
It's a bit salty |
| 01:08:30 |
Looks like you are |
| 01:08:33 |
No wonder you are fixing your car |
| 01:08:35 |
"And you are cooking, too" |
| 01:08:38 |
Which means you can |
| 01:08:41 |
"Why not, sir? |
| 01:08:43 |
Not now. Tomorrow morning |
| 01:08:46 |
Got to milk the churu |
| 01:08:49 |
Churu...? |
| 01:08:51 |
"Yes, churu. A yak" |
| 01:08:56 |
Ever seen one? |
| 01:08:58 |
I think I've seen it in a picture |
| 01:09:01 |
"So, get introduced tomorrow morning" |
| 01:09:17 |
Get up |
| 01:09:22 |
It's four. Time to milk the yak |
| 01:09:35 |
Come on |
| 01:09:43 |
C'mon... |
| 01:09:45 |
get cracking |
| 01:09:56 |
Do what? |
| 01:09:57 |
Do what? |
| 01:10:00 |
"Hold, press, pull... and draw milk" |
| 01:10:09 |
Well young man? |
| 01:10:11 |
"Your hands don't shiver |
| 01:10:16 |
Hold it |
| 01:10:38 |
Milking is really a terrible job |
| 01:11:23 |
What are you watching? |
| 01:11:26 |
Sunrise |
| 01:11:29 |
"In the city, we hardly |
| 01:11:35 |
I want to hold this beauty... |
| 01:11:39 |
"in my fists, for ever" |
| 01:11:45 |
"Nothing is for ever, Shiven" |
| 01:11:49 |
"We believe that, |
| 01:11:53 |
We don't hold on to things |
| 01:11:56 |
That is why we keep statues |
| 01:12:00 |
In the afternoon |
| 01:12:03 |
the butter statues begin to melt |
| 01:12:07 |
It reminds us that |
| 01:12:12 |
perishes |
| 01:12:16 |
Nothing is for ever |
| 01:12:32 |
It's time for meditation. |
| 01:12:35 |
How many times do you meditate |
| 01:12:37 |
"Thrice, as of now" |
| 01:12:40 |
I'll meditate six times a day |
| 01:12:44 |
"Gompa... you mean, monastery?" |
| 01:12:48 |
When are you leaving? |
| 01:12:50 |
Soon after you leave |
| 01:13:32 |
I've fallen in love with you |
| 01:13:34 |
My heart goes out to you |
| 01:13:45 |
Across streets and lanes... |
| 01:13:48 |
my heart seeks you |
| 01:13:51 |
"Across streets and lanes, |
| 01:13:54 |
My eyes pine without you |
| 01:13:57 |
My heart's fallen for you |
| 01:14:17 |
"Come to me, my love" |
| 01:14:24 |
My heart... |
| 01:14:30 |
seeks you |
| 01:14:37 |
It looks for a trace of you |
| 01:14:43 |
I've fallen in love with you |
| 01:15:49 |
What I return to you... |
| 01:15:53 |
always belonged to you |
| 01:15:58 |
What have I to lose? |
| 01:16:04 |
Of my own... |
| 01:16:07 |
I have nothing |
| 01:16:13 |
Every thing belongs to you |
| 01:16:18 |
"Without you, |
| 01:16:24 |
is like the terrified deer... |
| 01:16:31 |
is like the hysteric breeze |
| 01:16:37 |
I've fallen in love with you |
| 01:16:39 |
My heart goes out to you |
| 01:18:24 |
What's that? |
| 01:18:27 |
A gift for you |
| 01:18:31 |
A hawk? |
| 01:18:35 |
There's a story behind the hawk. |
| 01:18:45 |
"On a stormy night like this one, |
| 01:18:51 |
To save its loved ones |
| 01:18:54 |
this hawk took off to fly |
| 01:19:00 |
One of its loved ones |
| 01:19:04 |
And she didn't even get to know |
| 01:19:07 |
That hawk went and fell |
| 01:19:14 |
And it started growing up |
| 01:19:17 |
and started thinking it |
| 01:19:21 |
Whenever it looked up |
| 01:19:23 |
it felt a desire to touch them |
| 01:19:28 |
But it thought it couldn't fly; |
| 01:19:33 |
It gave up thinking about |
| 01:19:35 |
and started pecking around |
| 01:19:40 |
"One day, there came there a beggar" |
| 01:19:43 |
He could easily see that there |
| 01:19:47 |
that had forgotten its identity |
| 01:19:49 |
He tried to reason with |
| 01:19:52 |
To forsake the ground |
| 01:19:56 |
But the eagle wouldn't agree |
| 01:20:00 |
The beggar then picked it up. |
| 01:20:05 |
But the beggar wouldn't listen |
| 01:20:09 |
He took the bird to the peak of |
| 01:20:14 |
The eagle began to fall... |
| 01:20:18 |
"gradually, it spread its wings..." |
| 01:20:22 |
and it could fly |
| 01:20:40 |
This is you |
| 01:20:44 |
Your place is there in the skies |
| 01:20:52 |
You must find your place |
| 01:21:09 |
Go to your room immediately! |
| 01:21:13 |
"Go away, I say!" |
| 01:21:34 |
What's happening here? |
| 01:21:36 |
"What were you doing in his room, |
| 01:21:39 |
"I have done nothing wrong, father. |
| 01:21:42 |
You've only been doing wrong! First |
| 01:21:47 |
"He brought with himself a gun, |
| 01:21:51 |
There will be gunfire in this sacred |
| 01:21:56 |
And you hold such a man's hand in the |
| 01:22:01 |
Talking to someone is not a sin. |
| 01:22:05 |
"But you will, |
| 01:22:07 |
I can see it clearly in your eyes! |
| 01:22:12 |
"Love, marriage, worldly pleasures |
| 01:22:16 |
You've got to join the monastery |
| 01:22:20 |
I know that. |
| 01:22:24 |
You're straying from your path! |
| 01:22:28 |
I'm so ashamed! |
| 01:23:24 |
"Sir, I have something |
| 01:23:26 |
What will you tell me? |
| 01:23:33 |
I've never seen anyone |
| 01:23:38 |
You have taken advantage |
| 01:23:44 |
"Sir, we haven't done |
| 01:23:46 |
Do you take me for a fool? |
| 01:23:50 |
You think I was born yesterday? |
| 01:23:53 |
I know Kaaya inside-out |
| 01:23:57 |
"When she coughs, I get to know |
| 01:24:02 |
Can you look me in the eye |
| 01:24:06 |
that you don't love her? |
| 01:24:10 |
"Yes, I love her" |
| 01:24:15 |
I never had this feeling |
| 01:24:20 |
I want to give her |
| 01:24:24 |
And what is that? |
| 01:24:27 |
I know the world you |
| 01:24:31 |
"Consumed by greed and avarice, |
| 01:24:35 |
is a fiend all his life |
| 01:24:40 |
You perhaps forget. I was once |
| 01:24:44 |
I used to be a very big officer. |
| 01:24:50 |
Kaaya was a little child |
| 01:24:55 |
Her death had left me shattered |
| 01:24:59 |
The sorrow I went through after |
| 01:25:03 |
"I didn't want Kaaya to go through |
| 01:25:08 |
"Shiven, every love story |
| 01:25:11 |
And I don't want sorrow and grief |
| 01:25:16 |
But sir... |
| 01:25:19 |
You say you're in love with her? |
| 01:25:22 |
You are a police officer. |
| 01:25:26 |
"Suppose you're shot dead tomorrow, |
| 01:25:29 |
Have you ever considered that? |
| 01:25:32 |
"No, why must you think of that? |
| 01:25:37 |
Even if Kaaya has to weep |
| 01:25:42 |
Must we stop smiling for |
| 01:25:46 |
Must we stop forging relations? |
| 01:25:49 |
Because death is inevitable... |
| 01:25:55 |
However much you love |
| 01:25:59 |
you can't shield them from |
| 01:26:04 |
"Neither you, nor I. |
| 01:26:10 |
Kaaya will have to bear |
| 01:26:15 |
"We can't do anything about it. |
| 01:26:18 |
Should we kill our desires |
| 01:26:22 |
we can escape grief and sorrow |
| 01:26:26 |
The desire to escape grief and sorrow |
| 01:26:32 |
The only difference is that you |
| 01:26:38 |
and look down upon my desire |
| 01:26:45 |
Let Kaaya decide now... |
| 01:26:48 |
which one among us |
| 01:26:52 |
"You, or me?" |
| 01:27:19 |
"Kaaya, your father has done |
| 01:27:24 |
He has made me face the truth. |
| 01:27:31 |
I want you to go with me... |
| 01:27:34 |
but your father has |
| 01:27:38 |
You have to decide now |
| 01:27:45 |
I'll wait for your decision |
| 01:28:06 |
She can come to the monastery anytime |
| 01:28:11 |
We have made a very big mistake |
| 01:28:14 |
It has now become very important |
| 01:28:17 |
Does she love him? |
| 01:28:22 |
All I know is that it would be best |
| 01:28:26 |
Certainly. But the walls of |
| 01:28:31 |
for people to hide |
| 01:28:35 |
Neither is this a prison |
| 01:28:38 |
Let Kaaya decide when she |
| 01:28:41 |
Why will she? I will! |
| 01:28:44 |
"When a child is ill, the parents |
| 01:28:48 |
Will one stranger come and change |
| 01:28:52 |
I will not let that happen |
| 01:29:15 |
"Zakir, which era do you belong to?" |
| 01:29:20 |
"In the 21st century, you're talking |
| 01:29:24 |
"Now speak up. |
| 01:29:29 |
Also tell us what conspiracies |
| 01:29:34 |
Speak up! |
| 01:29:36 |
Speak |
| 01:29:39 |
Will you be a good friend |
| 01:30:25 |
Turn around a bit... that's okay! |
| 01:30:31 |
Look at that tall Lama! Come! |
| 01:30:36 |
"Dance with me, c'mon" |
| 01:30:39 |
"What's up, feller? |
| 01:30:41 |
And what a body! Solid build! |
| 01:30:45 |
A filmi hero all the way! |
| 01:30:47 |
Like to work in the movies? |
| 01:30:50 |
"Give me a snap, with your phone |
| 01:30:55 |
Hurry up |
| 01:30:56 |
What happened? No photographs? |
| 01:31:01 |
I'll take a picture immediately. |
| 01:31:06 |
I'll shove the camera up yours |
| 01:31:41 |
Sister-in-law...? |
| 01:31:44 |
"Give the phone to Zakir, please" |
| 01:31:50 |
"Can you hear me, sister-in-law? |
| 01:31:57 |
Sister-in-law? |
| 01:32:01 |
What happened? |
| 01:32:05 |
Zakir is dead. |
| 01:32:27 |
I'll take it |
| 01:32:29 |
Megha and her calls! |
| 01:32:32 |
"Do you get as many as her? |
| 01:32:45 |
"You're a smart chap, Shiven. |
| 01:32:50 |
so it cannot be tapped |
| 01:32:54 |
"How have you been? |
| 01:32:59 |
Killing Zakir is going |
| 01:33:03 |
Raj has simply got the name |
| 01:33:07 |
People also say about him |
| 01:33:12 |
"But about you, he was off the mark" |
| 01:33:18 |
"Else, you wouldn't have been |
| 01:33:21 |
"Get one thing clear, sir" |
| 01:33:24 |
There isn't a bullet |
| 01:33:27 |
I'm going to lead a very long life |
| 01:33:30 |
Better you understand that and |
| 01:33:35 |
"Oh sure. I will, of course" |
| 01:33:40 |
But listen to something I say |
| 01:33:44 |
Heed my advise |
| 01:33:47 |
Come here |
| 01:33:50 |
You're all alone out there |
| 01:33:52 |
What will you do? |
| 01:34:00 |
We can sort it out |
| 01:34:03 |
"I'm coming, sir. Having |
| 01:34:07 |
I'll have to meet the two of you. |
| 01:34:12 |
Your house will soon echo with |
| 01:34:16 |
I just heard in my friend's house |
| 01:34:33 |
What did you say? |
| 01:34:36 |
Go on. Do it... |
| 01:34:39 |
What? |
| 01:34:41 |
"I thought I'd make a hero out of you, |
| 01:34:44 |
Speak! |
| 01:34:48 |
Speak! |
| 01:34:50 |
He won't speak like that |
| 01:35:30 |
I feel as if we've |
| 01:35:34 |
Where was the need for this? |
| 01:35:40 |
It's ages since... |
| 01:35:43 |
My job following me here |
| 01:35:45 |
"Go on, Ratan Singh. |
| 01:35:49 |
"has beaten up some tourists, sir. |
| 01:35:51 |
We've got his location |
| 01:36:01 |
Congratulations on the |
| 01:36:28 |
He's going back tomorrow morning |
| 01:36:30 |
Going back? What for? |
| 01:36:33 |
What for? Because he's sensible. |
| 01:36:40 |
He has finally admitted |
| 01:36:45 |
And it's time you admitted |
| 01:36:54 |
"Make preparations. You're going to |
| 01:37:30 |
"If this is a sin, |
| 01:38:08 |
That's it. |
| 01:38:16 |
"You can go away now, |
| 01:38:22 |
With the memory of this moment... |
| 01:38:43 |
"What will happen of you, Kaaya?" |
| 01:38:47 |
You refuse to live moments |
| 01:38:50 |
And you talk of spending a lifetime |
| 01:38:55 |
You can't go with me... |
| 01:38:58 |
you can't live without me |
| 01:39:01 |
what will happen of you? |
| 01:39:05 |
You think you're doing |
| 01:39:10 |
by killing your love |
| 01:39:14 |
Wrong. You are |
| 01:39:19 |
A sin |
| 01:39:23 |
"When I leave this place tomorrow, |
| 01:39:28 |
I will erase your memories |
| 01:39:34 |
"There is place for you |
| 01:39:37 |
But not for your dead memories |
| 01:39:43 |
And let me tell you one last thing. |
| 01:39:48 |
"this is the life for me, |
| 01:39:53 |
You can spurn this moment and |
| 01:39:57 |
And turn this world |
| 01:40:00 |
But I will live this life. |
| 01:40:07 |
With you |
| 01:40:11 |
Or without you |
| 01:41:36 |
"Whenever you miss me, sit on |
| 01:41:50 |
Don't be afraid. |
| 01:41:55 |
Search the nearby places |
| 01:42:01 |
"Calm down. As I said, |
| 01:42:08 |
We haven't come here to inconvenience |
| 01:42:15 |
I only want Shiven |
| 01:42:19 |
Tell me. Where is he? |
| 01:42:47 |
Over there! Go and look! |
| 01:43:16 |
"From here, go straight to the |
| 01:43:23 |
Go! |
| 01:43:42 |
His gun is with us! |
| 01:46:28 |
Ratan Singh... |
| 01:47:51 |
You aren't escaping now! |
| 01:47:53 |
"I'll do to you |
| 01:48:02 |
Wait there! |
| 01:48:11 |
Where the hell are you? |
| 01:48:16 |
"Come on out, you coward!" |
| 01:48:55 |
Where? |
| 01:49:20 |
Who are they...? Who? |
| 01:49:24 |
Go and stop them! |
| 01:49:39 |
Move it! |
| 01:49:48 |
Don't get closer! |
| 01:50:00 |
Well? Why don't you shoot? |
| 01:50:04 |
Kill me! |
| 01:50:06 |
You know who this man is...? |
| 01:50:12 |
I have a warrant against him! |
| 01:50:15 |
Don't get closer. |
| 01:50:23 |
Kill me |
| 01:50:26 |
"You're the one who made me |
| 01:50:29 |
So you might as well kill me now |
| 01:50:33 |
What then? |
| 01:50:37 |
You want to kill her? |
| 01:50:41 |
Him? |
| 01:50:44 |
If you're still not satisfied... |
| 01:50:49 |
will you kill this little child? |
| 01:50:51 |
Are you going to |
| 01:51:03 |
How many people will you kill? |
| 01:51:06 |
Aren't you tired of it all? |
| 01:51:13 |
Enough. You've done enough |
| 01:51:22 |
Enough. Not anymore |
| 01:51:25 |
Not anymore! |
| 01:52:40 |
Are you crying? |
| 01:52:44 |
The Lama does not cry |
| 01:53:21 |
Thank you very much |
| 01:53:25 |
For all that you did for me |
| 01:53:42 |
So long then. |
| 01:54:15 |
"Kaaya, everything |
| 01:54:21 |
And the ending has an end too |
| 01:54:25 |
The moment you were so |
| 01:54:28 |
I was scared to face... |
| 01:54:30 |
is now looking us in the face |
| 01:54:35 |
I have come to accept |
| 01:54:39 |
"Till now, I kept thrusting my ideals |
| 01:54:44 |
And today I realise |
| 01:54:48 |
And this realisation |
| 01:54:52 |
From Shiven |
| 01:54:55 |
"As they say, the enemy is |
| 01:55:00 |
He's the one who teaches you |
| 01:55:03 |
I have come to love Shiven |
| 01:55:05 |
I don't regret the fact that |
| 01:55:09 |
That we're wiped out |
| 01:55:12 |
"What I regret is that we stop loving, |
| 01:55:22 |
I had stopped loving you |
| 01:55:26 |
Which is why I snatched from you |
| 01:55:31 |
Your freedom |
| 01:55:35 |
Today... |
| 01:55:38 |
I return to you what is |
| 01:55:43 |
You may now decide |
| 01:59:52 |
# Subtitles By | * $habbaMech$tar * | |
