Palermo Shooting
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00:01:34 |
What day is it? |
00:01:36 |
I don't have a clue. |
00:01:39 |
Time never used to go by this way... |
00:01:46 |
As a child, |
00:01:50 |
Everything lasted so marvelously long! |
00:01:54 |
But now... |
00:01:58 |
I don't sleep much anymore. |
00:02:00 |
As soon as I fall into a dream, |
00:02:05 |
As if every sleep was a "little death". |
00:03:24 |
You can do it! |
00:03:26 |
Don't think about it, just do it! |
00:03:28 |
Take a deep breath... |
00:03:30 |
And then jump! |
00:03:34 |
One... |
00:03:37 |
two... |
00:03:40 |
and three! |
00:03:45 |
It worked last time. |
00:03:47 |
You're lucky |
00:03:50 |
It'll spare you some embarrassment. |
00:03:56 |
My Mom's fault! |
00:03:58 |
She was afraid of water. |
00:04:00 |
So I was, too... |
00:04:04 |
Never was a problem then. But now it is. |
00:04:50 |
How's it going, boys? |
00:04:53 |
This one is coming along. |
00:04:56 |
In the foreground, left and right, |
00:04:58 |
we added a couple of buildings. |
00:05:00 |
It makes it more dense. |
00:05:04 |
Back here |
00:05:08 |
Here, too. |
00:05:11 |
And the horizon is more distant |
00:05:13 |
and more multi-layered. |
00:05:19 |
No, I have another idea for the sky. |
00:05:24 |
Somehow... |
00:05:30 |
time has to come into play here. |
00:05:34 |
We'll put the sunrise from |
00:05:38 |
The Arizona clouds in the middle |
00:05:40 |
and on the right, |
00:05:43 |
From Western Australia? |
00:05:45 |
That one. Exactly. |
00:05:48 |
Pay attention to all the details. |
00:05:50 |
The balcony glass |
00:05:53 |
And the pool should reflect the clouds. |
00:05:55 |
Easy. |
00:05:57 |
But here's the best part: |
00:06:01 |
From here on, |
00:06:05 |
it should gradually turn to night. |
00:06:58 |
You can stay in the house, Frances, |
00:07:00 |
but not forever. |
00:07:05 |
You were the one who suggested it! |
00:07:08 |
You can't just throw me out! |
00:07:11 |
I have as much right to it as you do! |
00:07:14 |
It's not my problem any more. |
00:07:56 |
That's what lawyers are for. |
00:08:01 |
Frances is driving me crazy. |
00:08:07 |
Don't get drawn into it! |
00:08:10 |
Don't be so nice. |
00:08:12 |
It won't work with her. |
00:08:13 |
Throw her out, cut off her money! |
00:08:17 |
That won't make it better. |
00:08:20 |
It's me. So? |
00:08:23 |
Are you ready? |
00:08:24 |
I can't tonight, Sylvie. |
00:08:28 |
I have to work all night. |
00:08:33 |
I know. |
00:08:34 |
I'm really sorry. |
00:08:36 |
I was looking forward to seeing you. |
00:08:38 |
It's been like that for a while. |
00:08:44 |
We'll spend |
00:08:46 |
- When would that be? |
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I think of you. Bye! |
00:08:54 |
Who was that? |
00:08:56 |
Duisburg. |
00:09:03 |
Come, let's mingle with the crowd! |
00:09:07 |
We need to talk |
00:09:11 |
You can't leave it empty so long. |
00:09:13 |
Three galleries have called. |
00:09:16 |
By the way... |
00:09:17 |
I changed the code to 4712. |
00:09:21 |
You idiot. |
00:09:22 |
In case you need the office again... |
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It's not cool |
00:09:32 |
It won't be for long. |
00:09:34 |
You should try it. |
00:09:35 |
It feels like lost time. |
00:10:10 |
How often do I stand here |
00:10:13 |
Yesterday, day before yesterday, |
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all like and the same endless day! |
00:10:20 |
Money's growing on trees again. |
00:10:22 |
Photography's booming. |
00:10:25 |
The fashion shoots will ruin |
00:10:28 |
- Did Harry tell you that? |
00:10:36 |
Julian, you're up early. |
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We'll say hi to Milla. |
00:11:17 |
UFOs farther left! |
00:11:24 |
Come forward, Mars man! |
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Hans! Go tell him! |
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Don't just stand around! |
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The whole boat! More dynamic! |
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Stay out of this! |
00:12:01 |
Water, water. |
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Reflector up! |
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When should we do it? |
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No, today is bad. |
00:12:32 |
Hand off the support, please! |
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It'll have to do! |
00:12:40 |
Don't forget |
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Steelworker, come closer. |
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Keep it quiet! |
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You're not the only ones |
00:14:16 |
So you think |
00:14:19 |
Exactly. |
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That's enough about our photos, |
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Now it's my turn. |
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I want to tell you |
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Fire away. |
00:14:38 |
You found my picture so "empty." |
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I'd like to know what you feel |
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Nothing. |
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It's not hard to understand. |
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If there's nothing to unveil, |
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We don't need to do a thing. |
00:15:00 |
We may as well just get drunk |
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Or better yet, just die. |
00:15:08 |
This is still too sharp. |
00:15:11 |
São Paolo is hazier. |
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We haven't adjusted the contrast yet. |
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Get a move on! |
00:15:26 |
Can I take a picture of us? |
00:15:36 |
Can I have an autograph? |
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What's your name? |
00:18:07 |
I could be dead now. |
00:18:09 |
But I'm not. |
00:18:12 |
I could feel twice as alive. |
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But I don't. |
00:20:23 |
I have such a yearning |
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Everything, if you ask me... |
00:22:21 |
How do you know you're dead? |
00:22:24 |
When you don't dream any more? |
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Or when all you do is dream? |
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Lovely, isn't it? |
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The Rhine. |
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The meadows. |
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The morning. |
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Are those your sheep? |
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These? Oh no. |
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And the old man? |
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Did he stop? |
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He's sleeping it off... |
00:23:00 |
And I pay him well for it. |
00:23:02 |
You pay to do his work? |
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Of course. |
00:23:05 |
I'm an early riser anyway. |
00:23:07 |
The Tokyo stock exchange! |
00:23:10 |
The dog does all the work. |
00:23:12 |
I just walk along. |
00:23:16 |
Why do you do it? |
00:23:19 |
Shepherding... |
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For the peace of mind, or what? |
00:23:28 |
I enjoy how time passes. |
00:23:33 |
And how does it pass? |
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Slowly! |
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Very slowly... |
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It all depends on how much time |
00:23:46 |
I tell you, |
00:23:51 |
Time doesn't care about us. |
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Look at my tree. |
00:23:57 |
I've known it since I was five. |
00:24:00 |
How can you slow it down? |
00:24:08 |
Don't you ever imagine things |
00:24:11 |
that you believe |
00:24:29 |
I don't want to be nosey, |
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but have you ever |
00:24:39 |
My mother. |
00:24:42 |
I'm sorry. |
00:24:48 |
Your mother... |
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"Palermo." |
00:24:57 |
It comes from Greek. |
00:25:00 |
It was originally called "Panormos." |
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"Great harbor." |
00:25:11 |
Did you ever imagine |
00:25:16 |
to see her house for the last time? |
00:25:18 |
Her last time at the hairdresser? |
00:25:22 |
There is always a last time, eventually. |
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But we don't usually know. |
00:25:29 |
So you need to do everything |
00:25:35 |
My last morning with the sheep. |
00:25:37 |
The last stranger I look in the eye. |
00:25:41 |
Your tear just now, |
00:25:44 |
You have to take everything |
00:25:47 |
Just not yourself! |
00:26:35 |
Take care! |
00:27:00 |
Of course Milla will come. |
00:27:02 |
You have to tell her right away. |
00:27:04 |
How can we organize it so fast? |
00:27:08 |
No, no big team. |
00:27:11 |
- How can I get you all on a flight? |
00:27:14 |
- Ask him to loan it to us for a day. |
00:27:18 |
Harry shares the plane. |
00:27:21 |
Yes. This afternoon... to Palermo. |
00:27:23 |
Palermo? |
00:27:24 |
Giovanni has all the connections. |
00:27:26 |
Any idea where you want |
00:27:28 |
No, I was never there. |
00:30:38 |
What's missing? |
00:30:42 |
What's missing in my life is... |
00:30:45 |
What is missing, anyway? |
00:32:47 |
Pack everything up |
00:35:09 |
"23 calls in your absence" |
00:35:16 |
When was I really present lately? |
00:35:20 |
Actually "there"? |
00:38:09 |
Take it from me: |
00:38:12 |
it's a shitty feeling when |
00:42:54 |
Don't move. |
00:42:57 |
Do you mind if... |
00:43:00 |
...if I finish my drawing? |
00:43:21 |
German? |
00:43:29 |
"Little Hans went alone..." |
00:46:41 |
Julian! How's it going? |
00:46:43 |
Good. You on vacation? |
00:46:46 |
The new photos of Milla are great! |
00:46:48 |
They bought them, but did you |
00:46:51 |
I think we did. |
00:46:53 |
When are you coming back? |
00:46:55 |
Don't know yet. |
00:46:57 |
It's the right place right now. |
00:47:03 |
Do you know what Palermo means? |
00:47:05 |
No idea. |
00:47:06 |
- The Mafia Capital? |
00:47:09 |
It means "big harbor", |
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Call if you need anything. |
00:47:17 |
See you. |
00:48:20 |
"Alley of Death." |
00:48:37 |
Such a nice camera! |
00:48:46 |
40 years, this one. |
00:48:52 |
I also have a Leica. |
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Are you a photographer? |
00:49:02 |
I photograph Palermo. |
00:49:04 |
Life. Death. |
00:49:07 |
You photograph death? |
00:49:10 |
There's a lot of death in Palermo. |
00:49:17 |
To honor the dead, to remember them. |
00:49:20 |
So their memory won't be lost. |
00:49:23 |
Tell me of your work, |
00:49:28 |
My work? |
00:49:31 |
How do you say... |
00:49:40 |
I am... |
00:49:43 |
lost. |
00:49:48 |
I understand what happens. |
00:49:59 |
Isn't it beautiful? |
00:50:01 |
That mountain! |
00:50:04 |
Yes, it is beautiful. |
00:57:00 |
So that was it... |
00:57:03 |
The coup de grâce |
00:57:05 |
has finally come... |
00:57:58 |
He fell in! |
00:58:15 |
There's no projectile. |
00:58:19 |
Look, he's faking it. |
00:58:22 |
He has to go to the hospital anyway. |
01:01:22 |
Frances, it's me. |
01:01:25 |
You can keep the house |
01:01:27 |
as long as you want. |
01:01:30 |
Eat some blackberries in the garden |
01:01:34 |
Take care. |
01:02:03 |
"The Triumph of Death" in Palermo. |
01:11:05 |
Spare me that meaningful look, painter. |
01:11:10 |
You weren't hit by an arrow. |
01:11:13 |
The stuff you painted, I lived it! |
01:13:47 |
How are you? |
01:13:48 |
Wonderful, and you? |
01:17:12 |
It is condemned. |
01:17:15 |
You can't come in here! |
01:36:50 |
How much time has passed? |
01:36:53 |
A couple of days? |
01:36:55 |
A week, or two? |
01:36:59 |
For me an eternity. |
01:37:09 |
For the first time in a long while |
01:37:13 |
now is just... |
01:37:15 |
now! |
01:37:19 |
Maybe everything |
01:37:24 |
Maybe |
01:37:27 |
I can see you better... now. |
01:37:32 |
and you me... |