Parasomnia
|
00:03:21 |
Danny? |
00:03:29 |
Okay, so you've heard of, |
00:03:31 |
Yeah, sure. |
00:03:34 |
Yeah, but did you know he was in |
00:03:37 |
- before then called "The Bossmen"? |
00:03:40 |
Sort of pseudo-Beatles? |
00:03:42 |
I've got original 45's of "Take a Look" |
00:03:46 |
Oh, yeah? Well... |
00:03:47 |
I'm guessing you don't have the single |
00:03:50 |
and "Wait and See" on it? |
00:03:51 |
Nobody's got that. That's the only Record |
00:03:55 |
I've got the Plagues... |
00:03:57 |
The Sheffields, The Five Emprees, |
00:04:02 |
You know what? It just so happens |
00:04:06 |
doing a piece of paper, and who do you |
00:04:11 |
- Who'd you run into, Phil? |
00:04:14 |
- the Bossmen's drummer. |
00:04:16 |
And he's got extra copies |
00:04:19 |
- Danny? |
00:04:20 |
It's past lunch time. |
00:04:23 |
Oh, shit! |
00:04:25 |
I was supposed |
00:04:30 |
See you later, man. |
00:04:32 |
Phil! |
00:04:33 |
I've got to hear |
00:04:35 |
- Get me that record? |
00:04:50 |
Hey, Danny. |
00:04:51 |
Hey, Sara. |
00:04:53 |
I was just wondering |
00:04:55 |
No, why? |
00:05:00 |
I saw your sofa in the alley |
00:05:38 |
Hi. I'm looking for a patient. |
00:05:41 |
William Dornboss? |
00:05:45 |
Drug rehab. |
00:05:55 |
- What are you doing? |
00:05:58 |
- Where did you get all this stuff? |
00:06:04 |
So what happened, Danny? |
00:06:07 |
So what happened what? |
00:06:08 |
"What happened what?" What happened |
00:06:12 |
Well, who said anything happened? |
00:06:15 |
Danny, |
00:06:18 |
I can smell it from over here. |
00:06:20 |
she dumped you, man. |
00:06:23 |
Hell, I've seen that look |
00:06:27 |
Oh, man, fuck it, you know? |
00:06:29 |
She had no taste. She would gather up |
00:06:33 |
She'd look like a Wal-Mart |
00:06:36 |
She did you a favor, man. |
00:06:39 |
Well, she was pretty... |
00:06:43 |
nice. |
00:06:44 |
"Nice." What are you gonna do |
00:06:46 |
What can you do with "nice"? |
00:06:47 |
And she was pretty, but you know what? |
00:06:50 |
Pretty things always have a tragic end |
00:06:53 |
It only serves to make them more |
00:06:57 |
- Sometimes you scare me. |
00:07:05 |
I gotta go. I gotta... |
00:07:09 |
When are you getting out |
00:07:13 |
Two days. |
00:07:14 |
Hey, listen, Danny. |
00:07:16 |
Before you go, you should check out |
00:07:19 |
It's very entertaining. They've got |
00:07:22 |
He's got this black hood over his head |
00:07:26 |
It's very creepy. |
00:07:29 |
- Take care of yourself. |
00:09:03 |
You're really not supposed to be |
00:09:08 |
I'm a relative. |
00:09:10 |
She doesn't have any relatives |
00:09:13 |
I'm sorry. I... |
00:09:15 |
I was just curious. |
00:09:18 |
- What, rehab? |
00:09:19 |
Yeah, I can guess who. |
00:09:21 |
Would you ask Mister Dornboss |
00:09:26 |
and the locks to the doors? |
00:09:30 |
It really is something |
00:09:32 |
and in some cases hazardous |
00:09:35 |
Now, will you excuse us? |
00:09:38 |
No, I'll leave. I was just... |
00:09:41 |
wondering... I mean she... |
00:09:44 |
she looks healthy. |
00:09:46 |
Well, there's really nothing wrong |
00:09:51 |
She has a condition known as |
00:09:54 |
accompanied by cataplexy. |
00:09:58 |
- Are you a medical student? |
00:10:00 |
Oh, thank God. |
00:10:04 |
Have you ever heard |
00:10:06 |
Yeah, that's where |
00:10:08 |
Yeah, well, in Miss Baxter's case, |
00:10:14 |
It's the result |
00:10:17 |
before she was born. |
00:10:19 |
And she doesn't wake up? |
00:10:21 |
Oh, no, she wakes occasionally |
00:10:23 |
we never really know when |
00:10:25 |
It's an interesting phenomena... |
00:10:30 |
it's rare. |
00:10:33 |
She's really only lived |
00:10:38 |
- Will you excuse us? |
00:10:40 |
- Thank you. |
00:12:15 |
And that is, like, '66 or '67, is it? |
00:12:20 |
that's Alan "House of the |
00:12:23 |
My god, I don't even think |
00:12:26 |
I mean, they made this after... |
00:12:30 |
Yeah, I wonder what |
00:12:31 |
Why leave a hit group, with huge chart |
00:12:36 |
Well, from what I heard, |
00:12:39 |
He was just not gonna get on a plane. |
00:12:42 |
It's kinda hard to have a music career |
00:12:46 |
Well, that is life, you don't take the |
00:12:51 |
I gotta get out of here, but, |
00:12:55 |
and he's gonna send me |
00:12:57 |
And if you don't pull any more |
00:13:01 |
- Bye! |
00:13:39 |
- Yes? |
00:13:42 |
I'm Mrs. Sloan, your |
00:14:22 |
Hi. My name is Danny. |
00:14:46 |
Mom? |
00:14:49 |
Mom? |
00:14:51 |
Mom! |
00:15:41 |
I'll bet you're glad to be |
00:15:44 |
I don't know, I was starting to like |
00:15:47 |
- Really? |
00:15:49 |
There's a lot of really intense |
00:15:53 |
I'd like to go and paint some |
00:15:55 |
you know what I mean? Speaking of which, |
00:15:59 |
Yeah... the, guy in the, |
00:16:02 |
- Yeah, creepy, huh? |
00:16:04 |
One of the orderlies told me his story. |
00:16:08 |
He was arrested after |
00:16:11 |
and ordered her to jump off |
00:16:14 |
And at trial, he got the prosecutor to |
00:16:19 |
twenty-three people dead, |
00:16:22 |
- No, that's not true. |
00:16:25 |
Don't you remember that train |
00:16:28 |
- Yeah. |
00:16:30 |
Apparently, he's got these crazy eyes |
00:16:33 |
You know I saw them? |
00:16:35 |
- You saw the crazy eyes? |
00:16:37 |
you know, if he's so crazy, |
00:16:40 |
Yeah, some kind of conflicting |
00:16:45 |
They say he's some kind |
00:16:46 |
Well, if he's such a genius, |
00:16:49 |
He's too smart. |
00:16:52 |
- Stupid people? |
00:16:54 |
- Ugly people? |
00:16:55 |
Too smart or too beautiful, you draw too |
00:17:00 |
if you're a little thick and your face |
00:17:03 |
by a Mack truck, you can just sit back |
00:17:06 |
like a tennis match. |
00:17:10 |
It's beautiful. |
00:17:13 |
Speaking of which, |
00:17:16 |
What do you mean? |
00:17:17 |
That hot little "cream puff' |
00:17:23 |
You went in there? |
00:17:24 |
Yeah, I went in there and apparently |
00:17:29 |
Weird about her though, |
00:17:32 |
Being asleep all the time. |
00:17:35 |
Gotta be the perfect girl, though, |
00:17:37 |
I mean, women, they're mostly decorative |
00:17:41 |
they're too much trouble. |
00:17:42 |
I would like to see what she'd have |
00:17:45 |
Just stay away from her, okay? |
00:17:48 |
Hey, Danny. |
00:17:50 |
What have you gotten |
00:17:52 |
It's just... |
00:17:54 |
you know, it's nothing. |
00:17:56 |
they say you have to be careful |
00:18:00 |
Well... |
00:18:02 |
I won't corrupt her. She's all yours. |
00:18:06 |
She's all yours |
00:18:09 |
What do you mean? |
00:18:10 |
I heard some shrinks talking. |
00:18:14 |
gonna make some kind of experiment |
00:19:01 |
A poem by Byron Volpe. |
00:19:03 |
"The wanderer stopped |
00:19:07 |
The rock gave way... |
00:19:09 |
and what was below |
00:19:13 |
Leave her alone, pussycat. |
00:19:16 |
She's mine in time in time, |
00:19:19 |
Tick, tick, tick. |
00:19:23 |
Tick, tick, tick, tick. |
00:19:26 |
Tick, tick, tick, tick. |
00:19:30 |
Hi, Laura. It's Danny, |
00:19:41 |
Classical music is the best, |
00:19:48 |
I wish you would wake up. |
00:19:52 |
There's a lot that |
00:19:57 |
Life just must seem like a... |
00:20:00 |
a big dream to you. |
00:20:06 |
I wonder if you have |
00:20:09 |
You know, I do. |
00:20:11 |
I dream that I'm... |
00:20:14 |
back at home. |
00:20:17 |
With Mom and Dad... |
00:20:20 |
before Dad died and... |
00:20:24 |
I'm in bed |
00:20:28 |
cool. |
00:20:32 |
And then I wake up... |
00:20:34 |
and I'm here. |
00:21:09 |
Jesus Christ. |
00:21:22 |
We can take normalized readings |
00:21:25 |
You may only have a few minutes. |
00:21:27 |
The duration of her waking state |
00:21:29 |
- to sometimes almost an hour. |
00:21:33 |
- I thought she has no relatives. |
00:21:35 |
Young man, you have to leave. |
00:21:37 |
- I was about to tell him. |
00:21:39 |
Is there any reason why we can't take |
00:21:43 |
I just want to point out |
00:21:46 |
I don't want her wake up |
00:21:48 |
She doesn't know |
00:21:49 |
Hey, listen, don't worry, |
00:21:51 |
- Hey, just... just let me talk to her. |
00:21:54 |
- Get him out of here. |
00:21:55 |
We have to get this done. |
00:21:56 |
Now, you're gonna have to leave |
00:21:57 |
Son, listen. |
00:21:59 |
Hey, you're gonna have to go now. |
00:22:02 |
We're just gonna have to move her |
00:22:04 |
That's a lie. You're just gonna |
00:22:07 |
- Nurse... |
00:22:09 |
Okay, okay. I'll go. |
00:22:38 |
Dr. Bhyle, |
00:22:40 |
I know that you're going to ask me |
00:22:41 |
Look, that was just |
00:22:44 |
We had no idea that he had a pre-existing |
00:22:49 |
What about the allegations |
00:22:51 |
We've always treated our research |
00:24:57 |
He's here! |
00:24:58 |
And he's taking her! |
00:25:16 |
Okay... |
00:25:45 |
You are? |
00:25:47 |
I'm... |
00:25:50 |
I'm from the Bhyle Center |
00:25:54 |
I'm transferring this patient... |
00:25:56 |
from room 1169? |
00:26:00 |
And a... |
00:26:02 |
Laura Baxter. |
00:26:04 |
This... |
00:26:10 |
Yeah. |
00:26:14 |
Everything okay? |
00:26:16 |
Yeah. |
00:26:18 |
You know, I heard some |
00:26:21 |
Yeah, our guy in the rubber room |
00:26:26 |
thinks someone's stealing |
00:26:30 |
- You're lucky he didn't get loose. |
00:26:33 |
- Okay. |
00:26:35 |
She's mine! |
00:27:09 |
What? |
00:27:13 |
No! |
00:27:15 |
What? |
00:27:17 |
Fingers, things? |
00:27:19 |
What? |
00:27:20 |
Window? |
00:27:22 |
The car? |
00:27:26 |
What... |
00:27:28 |
you've never been driving? |
00:27:30 |
Out! |
00:27:32 |
- Okay. |
00:27:41 |
What are you doing, babe? |
00:27:45 |
You wanna get in the car? |
00:27:52 |
Hi. |
00:27:53 |
You're showing |
00:27:59 |
Oh, you don't know |
00:28:02 |
Honey, don't put that... |
00:28:04 |
She's into nature. |
00:28:07 |
Honey, let's get in the car. |
00:28:09 |
Sorry. |
00:28:14 |
Oh, no, don't eat that. |
00:28:19 |
She does this a lot. |
00:28:23 |
And... |
00:28:26 |
Let's go. |
00:28:34 |
Kinda heavy. |
00:28:35 |
It's the medication |
00:28:38 |
She had pneumonia |
00:29:10 |
No. It's okay. |
00:29:12 |
Nothing's gonna hurt you. |
00:29:19 |
It's okay. |
00:29:23 |
Nothing's going to hurt you. |
00:29:33 |
We are going... |
00:29:35 |
to hospital? |
00:29:39 |
No. |
00:29:43 |
We're going home. |
00:29:46 |
Home... home? |
00:29:48 |
Yeah. |
00:29:49 |
We're going to my home... |
00:29:51 |
it's where I live. |
00:29:56 |
Is... is that okay? |
00:30:04 |
Okay. |
00:30:28 |
Tick, tick, tick, |
00:30:31 |
So, I was hoping you might remember |
00:30:35 |
He just seemed like a good kid. |
00:30:37 |
I think that's a quote |
00:30:40 |
Any idea where he lives? |
00:30:41 |
- Did you check with the main desk? |
00:30:44 |
but the name and number |
00:30:46 |
What's up with that guy? |
00:30:48 |
Delusional, psychopathic, |
00:30:52 |
Tick, tick, tick. |
00:30:55 |
The bad guy. |
00:30:57 |
What's he saying? |
00:30:59 |
"Tick... |
00:31:01 |
Tick... |
00:31:03 |
tick." |
00:31:05 |
He just says it over and over. |
00:31:07 |
Who does he think he is, |
00:31:11 |
Why is he like that? |
00:31:14 |
He's convinced that the girl, |
00:31:19 |
He shattered both legs |
00:31:21 |
who was trying to restrain him. |
00:31:24 |
And then he took |
00:31:26 |
and he tried to shove it up |
00:31:29 |
almost killed him. |
00:31:32 |
No, that's the best arrangement |
00:31:35 |
Volpe? |
00:31:38 |
The most soulless person |
00:31:42 |
I remember this case. |
00:31:45 |
- Uncanny ability with it. |
00:31:48 |
Hypnosis is bullshit. |
00:31:50 |
Tell that to his wife. |
00:31:52 |
She died trying to get away |
00:31:56 |
Who knows how many people |
00:31:59 |
I was on that case. |
00:32:00 |
We never found all the bodies, |
00:32:04 |
- the ones that looked like a suicide. |
00:32:08 |
Thanks, Doctor. |
00:32:10 |
Oh, Detective. |
00:32:13 |
The young man who came to visit I think |
00:32:17 |
It was a court-ordered |
00:32:22 |
A speed-freak named Dornboss. |
00:32:25 |
We can check the records. |
00:32:27 |
Yeah. I'd like. |
00:32:31 |
Lovely clientele you got here. |
00:34:51 |
It's strawberry. |
00:34:56 |
Cold... |
00:34:57 |
No, it's gonna fall. |
00:35:10 |
You're actually supposed |
00:35:13 |
cone. |
00:35:18 |
It's so beautiful. |
00:35:27 |
I just got you cleaned up. |
00:35:32 |
Now I'm gonna have to give you |
00:35:36 |
I mean, uh... |
00:35:41 |
I'm gonna get a napkin. |
00:35:49 |
Laura? |
00:36:07 |
Tick, tick, tick, |
00:36:10 |
Tick, tick, tick, |
00:36:39 |
This is not my world... |
00:36:51 |
I don't belong here... |
00:37:03 |
Back... |
00:37:04 |
Take me back. |
00:37:05 |
I wanna go back. |
00:37:07 |
Just take me back. |
00:37:09 |
Laura? |
00:37:10 |
You are my blood. |
00:37:13 |
You have nothing to fear from me. |
00:37:27 |
Okay, Laura, you gotta wake up. |
00:37:29 |
I don't have any feeding tubes. |
00:37:33 |
Okay, good job. |
00:37:37 |
there you go. |
00:37:42 |
Okay, good job. |
00:37:46 |
Okay? |
00:37:47 |
Shit. |
00:37:49 |
I'm just gonna set this here. |
00:37:52 |
If you get hungry you can |
00:37:56 |
TV. |
00:37:58 |
If you get bored, |
00:38:01 |
A lot of fun this year. |
00:38:04 |
A.U. Over fourteenth-ranked |
00:38:06 |
- The two clubs, well... |
00:38:12 |
Hey. |
00:38:13 |
- Sara. |
00:38:14 |
Good. |
00:38:15 |
Did I see you come in last night |
00:38:19 |
Uh, yeah. |
00:38:20 |
She's a... |
00:38:22 |
She's hot. You wouldn't want |
00:38:25 |
I could come over, we could party. |
00:38:29 |
You know, I'm kinda busy, but... |
00:38:34 |
Oh, this... |
00:38:36 |
rock video, high school theme thing, |
00:38:40 |
Hey, I gotta get to work but... |
00:38:44 |
Yeah. Let me know |
00:39:05 |
In other news, the police |
00:39:07 |
Iooking for a young woman |
00:39:10 |
who has disappeared |
00:39:12 |
Ms. Baxter suffers from a sleep |
00:39:15 |
which renders her helpless |
00:39:18 |
Authorities are afraid that |
00:39:20 |
As you can see |
00:39:22 |
it's difficult to see |
00:39:25 |
They believe the man to be |
00:39:27 |
who had come to see Ms. Baxter |
00:39:30 |
The Public is asked to help |
00:39:33 |
Fuck! |
00:39:34 |
Fucking unbelievable. |
00:39:37 |
Sturdy lock on the fucking door. |
00:39:40 |
- Sara, what's the matter? |
00:39:42 |
I think they took a bunch of shit. |
00:39:45 |
- Did you call the cops? |
00:39:47 |
But I'm not gonna wait for them to come. |
00:39:51 |
- I'm sorry to hear that. |
00:40:21 |
Laura? |
00:40:23 |
Laura! |
00:40:30 |
Give me an "A"! |
00:40:32 |
Give me a "C"! |
00:40:34 |
Give me a "Z"! |
00:40:36 |
Give me an "R"! |
00:40:38 |
Give me a... |
00:40:41 |
a... |
00:40:43 |
a "P"! |
00:40:46 |
What's that spell? |
00:40:49 |
I don't think it spells anything. |
00:41:00 |
Home... |
00:41:02 |
it spells home. |
00:41:42 |
It is there |
00:41:48 |
That is the home |
00:41:59 |
I will love you. |
00:42:01 |
I will save you from him. |
00:42:18 |
But there are things |
00:43:14 |
Tick, tick, tick, tick. |
00:43:17 |
Tick, tick. |
00:43:19 |
Laura? |
00:44:25 |
In time, she's mine. |
00:44:28 |
In time, she's mine. |
00:46:08 |
Hospital? |
00:46:09 |
No... |
00:46:11 |
no hospital. |
00:46:15 |
Home. |
00:46:22 |
Did I do wrong? |
00:46:24 |
No, I did. |
00:46:37 |
Please, don't leave me! |
00:47:49 |
Copy that, we're going to the scene. |
00:47:54 |
Attention, cars. |
00:47:55 |
A group of boys |
00:47:59 |
The receptionist's car was attacked |
00:48:31 |
Oh, boy. |
00:48:33 |
It was my plan. |
00:48:40 |
Nah. |
00:48:43 |
Anybody touch anything? |
00:48:45 |
No, sir. |
00:48:53 |
So what does that mean? |
00:48:56 |
That means |
00:48:59 |
I swear to God. |
00:49:01 |
Why is it always Monday? |
00:49:03 |
Why can't they stretch |
00:49:06 |
'Cause you're supposed to suffer. |
00:49:07 |
'Cause this is purgatory |
00:49:11 |
Hank, what in the hell are you doing |
00:49:15 |
I am on vacation. |
00:49:20 |
So I'm guessing this is not |
00:49:27 |
No, no, no. |
00:49:30 |
I know what you're thinking. |
00:49:32 |
How do you know? |
00:49:33 |
Because I was at the hospital |
00:49:36 |
when I got the call to come over here |
00:49:39 |
Yeah, being locked up |
00:49:41 |
For all we know, he coulda got |
00:49:44 |
Who Squeaky Fromme? |
00:49:45 |
I'm just saying. |
00:49:47 |
Look, hope that you're right. |
00:49:48 |
This guy only cares about two things |
00:49:52 |
Three things. |
00:49:53 |
- What? |
00:49:55 |
- Who? |
00:49:57 |
- Oh, the sleeping one, yeah. |
00:49:59 |
All right. Three things. |
00:50:02 |
- Where's Clark? |
00:50:03 |
Clark! |
00:50:04 |
Yes, sir. |
00:50:06 |
- You got that list of tenants for me? |
00:50:09 |
- Thanks, Clark. |
00:50:10 |
Which apartments do you want |
00:50:14 |
- Odd. |
00:50:38 |
Just a minute! |
00:50:54 |
Yeah. |
00:50:55 |
Daniel Sloan? |
00:50:57 |
Yes. |
00:50:58 |
Detective Conroy. |
00:51:01 |
Can I come in? I have a few questions |
00:51:05 |
What about? |
00:51:06 |
Lt'll only take a minute. |
00:51:29 |
That's odd... |
00:51:40 |
Tick, tick, tick. |
00:51:42 |
Tick, tick, tick. |
00:53:03 |
Danny? |
00:53:12 |
Danny? |
00:53:50 |
Find out who lives here. |
00:53:53 |
Yes, sir. |
00:54:31 |
Danny! What the fuck |
00:54:36 |
Half the fucking planet's |
00:54:39 |
The cops were just here. |
00:54:42 |
I told 'em I haven't seen you |
00:54:44 |
but I don't think |
00:54:46 |
Jesus, they think you're the next |
00:54:49 |
Did anyone see you |
00:54:51 |
Oh, I don't know. |
00:54:53 |
Man... |
00:54:59 |
all right, well, |
00:55:02 |
You're really fucked. |
00:55:04 |
I'll get you a beer. |
00:55:07 |
Here, have a cold one. |
00:55:12 |
Yeah, you need to open it, Danny. |
00:55:14 |
You really fucked up, Danny. |
00:55:23 |
There was blood everywhere. |
00:55:26 |
Who killed who, Danny? |
00:55:43 |
I tried to wake her up, |
00:55:46 |
You know, we can't have homeless people |
00:55:50 |
You have to pay more attention |
00:55:55 |
Hello? |
00:55:58 |
Young lady, |
00:56:00 |
Maybe she's dead. |
00:56:02 |
She's not dead. |
00:56:07 |
That's just about the craziest fucking |
00:56:10 |
but there's... a woman involved, |
00:56:13 |
I mean, no one will ever accuse you of |
00:56:15 |
certainly not in the women |
00:56:24 |
You know, it's funny... |
00:56:27 |
as I've been telling you this story |
00:56:32 |
Oh, yeah, what's that? |
00:56:34 |
I love her. |
00:56:37 |
Great. |
00:56:38 |
Of course... |
00:56:39 |
No, no, no. |
00:56:41 |
I really love her, like I've never loved |
00:56:45 |
that's what been wrong with me. |
00:56:50 |
from the first day I saw her. |
00:56:52 |
Danny, she killed two people |
00:56:57 |
and she tried to kill you. |
00:56:58 |
No. No, she didn't kill anyone. |
00:57:03 |
Volpe killed the people. |
00:57:05 |
Well, that's a great story, Danny, |
00:57:08 |
- any luck convincing anyone of that. |
00:57:12 |
I have to help her. |
00:57:15 |
Danny, for once in your fucking life, |
00:57:19 |
Now, I'm the last person to tell |
00:57:24 |
but I think you're out of options, man. |
00:57:27 |
- No. |
00:57:29 |
that you did not kill these people, that |
00:57:32 |
No, I can't do that, |
00:57:35 |
Danny, what are we taking |
00:57:37 |
She'll just fall sleep again. |
00:57:39 |
She's already has a life sentence. |
00:57:46 |
Then I've got to set her free |
00:57:50 |
Danny? |
00:57:53 |
Danny, what are you gonna |
00:57:58 |
Billy, if they... |
00:58:01 |
I was... I was never here. |
00:58:09 |
Go, fine, go. |
00:59:52 |
I've got a 2-15 |
00:59:55 |
They positively I.D.'ed the woman |
00:59:59 |
She's being returned |
01:00:01 |
What's my status, over? |
01:00:03 |
Give it another hour, |
01:01:01 |
Hey, buddy. Excuse me. |
01:01:05 |
- hey, don't I know you? |
01:01:09 |
- Your Grandmother? |
01:01:11 |
No, not on my floor. |
01:01:14 |
Hey, can I see some I. D? |
01:01:18 |
Yeah. |
01:01:26 |
You wait right here, okay? |
01:01:28 |
- Can I help you? |
01:01:30 |
and I'm here to pick up a patient |
01:01:33 |
Now, if you'll be good enough |
01:01:34 |
Bhyle? Oh, shit! |
01:02:49 |
Welcome. |
01:02:51 |
I see the clock is running down, |
01:02:55 |
A willing partner |
01:02:59 |
The Clouded Man approaches, |
01:03:03 |
Which is really much less Shakespearean |
01:03:07 |
We really must elevate |
01:03:10 |
Have you ever read "Great Expectations"? |
01:03:14 |
I think you should really should think |
01:03:17 |
the old benefactor. |
01:03:19 |
Shut up! |
01:03:20 |
You're to save |
01:03:23 |
My dear "Pip", |
01:03:26 |
She's an orphan, |
01:03:29 |
She's not going to be fixed. |
01:03:31 |
I'll help her. |
01:03:34 |
She's mine only... |
01:03:36 |
and I've have had her many times |
01:03:42 |
A bit of advice for the future... |
01:03:45 |
never assume. |
01:03:52 |
Shit. |
01:03:57 |
Freeze! |
01:03:58 |
You move again, |
01:04:00 |
And you, too, motherfucker! |
01:04:01 |
I just wanted to thank you. |
01:04:05 |
Oh, shit. Hey! |
01:04:09 |
- Shit. |
01:04:12 |
Nothing really. |
01:04:26 |
Call "Nine-one-one". Tell 'em |
01:04:31 |
Tick, tick. |
01:09:13 |
I'll see if our ride |
01:09:49 |
Miranda? |
01:10:09 |
What is it? |
01:10:29 |
Stop! |
01:14:52 |
Freeze! |
01:14:58 |
Detective Garrett, |
01:15:01 |
Turn around. |
01:15:02 |
I said turn around. |
01:15:06 |
Come on. |
01:15:07 |
Here. |
01:15:09 |
And now... |
01:15:10 |
you and I, we're gonna have |
01:15:13 |
Alright, alright. I know what you think, |
01:15:16 |
- Where's your I. D? |
01:15:18 |
Well, it's not there now. |
01:15:19 |
- What's your name? |
01:15:22 |
Danny what? |
01:15:24 |
Danny Sloan. |
01:15:26 |
Well, well, well. |
01:15:28 |
How about that? |
01:15:29 |
Mister Daniel Sloan. |
01:15:32 |
I've been looking for you, son. |
01:15:38 |
Here. |
01:15:41 |
You and I are gonna have |
01:15:46 |
- I didn't do anything. I swear. |
01:15:49 |
'cause there's a dead cop |
01:15:52 |
- I didn't kill him. |
01:15:56 |
Well, that's okay, son. |
01:16:00 |
Because you're gonna tell me... |
01:16:02 |
eventually. |
01:16:05 |
Then what are you doing here? |
01:16:07 |
What's Volpe to you? |
01:16:10 |
Nothing, I swear. |
01:16:13 |
You came here to what? |
01:16:15 |
Finish it. |
01:16:17 |
I came here to find Laura. |
01:16:21 |
Laura who? |
01:16:25 |
Laura Baxter. |
01:16:27 |
Wait. |
01:16:29 |
The "sleeping girl"? |
01:16:33 |
Oh, I get it. |
01:16:36 |
You're the one who kidnapped her. |
01:16:39 |
What were you doing there? |
01:16:41 |
Are you in this with Volpe? |
01:16:43 |
No! |
01:16:44 |
No. I went there to... |
01:16:46 |
To what? |
01:16:48 |
You went there to what? |
01:16:51 |
I went there to kill him. |
01:16:53 |
Kill him? |
01:16:55 |
Why? |
01:16:56 |
Because of Laura. |
01:17:00 |
I love her. |
01:17:04 |
Son... |
01:17:06 |
you're not making a whole lot |
01:17:09 |
We have to help her. |
01:17:11 |
Volpe's got her. |
01:17:12 |
I think he's gonna kill her. |
01:17:16 |
Please, we don't have much time! |
01:17:24 |
You expecting a call? |
01:17:27 |
That's all right, I'll get it. |
01:17:33 |
Detective Garrett, |
01:17:37 |
Detective Garrett. |
01:17:41 |
What a pleasant surprise. |
01:17:45 |
Someone a bit younger. |
01:17:48 |
Who is this? |
01:17:51 |
Volpe? |
01:17:53 |
Please call me Byron. |
01:17:56 |
You don't happen to have a young man |
01:18:03 |
I see. |
01:18:04 |
May I talk to him? |
01:18:06 |
You can talk to me. |
01:18:08 |
Very well. |
01:18:11 |
I know who you are. |
01:18:15 |
I know the dark places |
01:18:19 |
I know what you do |
01:18:22 |
I know your dreams. |
01:18:25 |
Dreams? |
01:18:27 |
Don't listen to him. |
01:18:29 |
It's time to share your dreams. |
01:18:51 |
It's time. |
01:19:24 |
Please. |
01:19:30 |
Don't open the door, Billy! |
01:19:41 |
Billy? |
01:19:46 |
Billy? |
01:20:05 |
It's too bad about Mister Dornboss. |
01:20:08 |
I liked him. |
01:20:09 |
We shared a lot of the same views. |
01:20:11 |
I even liked his art. |
01:20:15 |
Well, some of it anyway. |
01:20:16 |
- Where's Laura? |
01:20:20 |
Besides, |
01:20:24 |
Detective? |
01:20:27 |
I spoke with your mother. |
01:20:30 |
My mother? |
01:20:33 |
She told me about the little girl |
01:20:37 |
Corrine. |
01:20:39 |
Corrine. |
01:20:41 |
Corrine. Corinne's mother knows |
01:20:45 |
It was terrible |
01:20:47 |
- It was an accident. I'm sorry. |
01:20:52 |
I don't think I'm sorry |
01:20:56 |
You need to make amends. |
01:21:00 |
Yes. |
01:21:11 |
Yes. |
01:21:12 |
Where is she? |
01:21:14 |
We have a problem. |
01:21:17 |
We both want the same thing. |
01:21:22 |
Why don't you just use |
01:21:23 |
and kill me |
01:21:25 |
But she won't, you see. |
01:21:28 |
she'll dream of you |
01:21:31 |
I can't have any martyrs. |
01:21:34 |
I need to erase you, |
01:21:37 |
no twinges of something lost |
01:21:43 |
I need to erase you |
01:21:46 |
Why? Why Laura? |
01:21:48 |
Well, because she is the most perfect, |
01:21:53 |
And I... |
01:21:55 |
I'm the most corrupt. |
01:21:58 |
How could it be otherwise? |
01:22:31 |
I'm not afraid of you! |
01:22:48 |
You're not Danny. |
01:22:58 |
Now I'll show you the truth. |
01:25:10 |
Ah, well, if Mister Dornboss |
01:25:13 |
I would recommend "The Modern Engineer", |
01:25:17 |
"Issues of Reliability |
01:25:21 |
Sorry about the |
01:25:24 |
I have to stay focused |
01:25:29 |
Ladies... |
01:25:31 |
the piece that you've been |
01:25:54 |
Lovely. |
01:26:04 |
Now to business. |
01:26:06 |
Don't do that. |
01:26:08 |
I'd hate to have to do something |
01:26:11 |
You must embrace your fate... |
01:26:17 |
Brave of you to look me |
01:26:19 |
Not many who've done |
01:26:21 |
Gaze into the abyss too enough |
01:26:26 |
Tick, tick, tick... |
01:26:31 |
tick, tick. |
01:26:33 |
Now... |
01:26:34 |
"Paradise Lost." |
01:26:39 |
Our exquisite, lost angel. |
01:26:56 |
The only things worthwhile in life |
01:27:00 |
And what could be more dangerously |
01:27:11 |
Laura... |
01:27:13 |
it's time to join me. |
01:27:18 |
Stand. |
01:27:20 |
Stand. |
01:27:23 |
Stand. |
01:27:25 |
Stand. |
01:28:09 |
Danny. |
01:28:20 |
It's all right. |
01:28:21 |
You're finally see clearly now. |
01:28:24 |
You'll know the truth and |
01:28:28 |
I've always protected you. |
01:28:54 |
Laura, open your eyes. |
01:28:58 |
This is your "Clouded Man"... |
01:29:02 |
This is the thing that haunts you, |
01:29:06 |
Don't you think that you should say |
01:29:08 |
Tell her what you really think of her. |
01:29:10 |
Tell her what's in your heart. |
01:29:13 |
Share it so we'll all know. |
01:29:21 |
You... |
01:29:24 |
you are... |
01:29:25 |
nothing to me. |
01:29:33 |
I took you because you were easy. |
01:29:38 |
You were a stupid doll |
01:29:43 |
could dress up. |
01:29:45 |
How do you think I could... |
01:29:48 |
care for... |
01:29:50 |
some... |
01:29:52 |
some... somebody... |
01:29:56 |
you? |
01:29:58 |
I'm done with you. |
01:30:01 |
I despise you. |
01:30:03 |
The sight of you makes... |
01:30:05 |
me ill. |
01:30:14 |
Oh, don't cry. |
01:30:17 |
I'll be here for you always. |
01:30:19 |
"If he loved you with all the depth |
01:30:22 |
she couldn't love you as much as |
01:30:27 |
Emily Bronte, |
01:30:37 |
You will love me. |
01:30:41 |
I will make you. |
01:30:47 |
Then you will only... |
01:30:49 |
be loving... |
01:30:51 |
yourself! |
01:31:25 |
Is that it? |
01:31:27 |
I thought you had more |
01:31:30 |
I'll still have her. |
01:31:31 |
They'll patch me up |
01:31:34 |
and I'll make sure "Sleeping Beauty" |
01:31:38 |
just like last time. |
01:31:57 |
No, you won't! |
01:32:00 |
No, you won't! |
01:32:02 |
No, you won't! |
01:32:16 |
I'm staying... |
01:32:17 |
right here... |
01:32:20 |
in this dream, forever... |
01:32:22 |
and ever... |
01:32:23 |
and ever. |
01:32:51 |
That was good... |
01:32:53 |
that was the one. |
01:32:59 |
We're not done here. |
01:34:00 |
Tick, tick, |
01:34:03 |
Tick, tick, |
01:34:08 |
No! |
01:34:29 |
No. |
01:34:36 |
No. |
01:34:40 |
No. |
01:34:42 |
Please. |
01:34:44 |
I love you. |
01:34:56 |
Please. |
01:35:06 |
Come on... |
01:35:08 |
we can dream. |
01:35:14 |
We can stay right here... |
01:35:16 |
and let's dream. |
01:35:25 |
Please. |
01:35:48 |
Danny? |
01:35:50 |
Danny? |
01:35:53 |
Danny... |
01:35:57 |
the police are here. |
01:35:59 |
We have to go. |
01:36:01 |
Attention, we're coming in. |
01:36:13 |
Understand. Proceed. |
01:36:19 |
- Dispatch calling. |
01:36:24 |
Fires were shot. |
01:36:36 |
Here's clean. |
01:36:47 |
It's a beautiful day. |
01:37:08 |
And Volpe. |
01:37:13 |
Oh, yes. He's quite dead. |
01:37:16 |
And what about the girl, |
01:37:23 |
Maybe it would be easier |
01:37:55 |
She's here. |
01:37:59 |
In a morgue? |
01:38:00 |
Oh, she's alive. |
01:38:03 |
keep her from prying eyes, |
01:38:07 |
It's part of a new therapy. |
01:38:09 |
What about Danny Sloan? |
01:38:14 |
They're both alive. |
01:38:26 |
I thought |
01:38:28 |
What's with the liquid? |
01:38:30 |
Well, it prevents bed sores, |
01:38:33 |
Will they ever wake up? |
01:38:35 |
He's in a coma. |
01:38:37 |
She hasn't awoken |
01:38:41 |
Maybe she doesn't want to. |
01:38:46 |
Would it be okay |
01:38:50 |
Sure. |
01:39:03 |
I always keep a promise. |
01:39:14 |
It's The Bossmen |
01:39:55 |
It is a beautiful day. |
01:40:19 |
SUBTITLE OMNICAPTION |