Payback
|
00:01:26 |
GSW. |
00:01:29 |
That's what the hospitals call it. |
00:01:32 |
Gunshot wound. |
00:01:35 |
Doctor has to report it |
00:01:39 |
That makes it hard |
00:01:43 |
..."quality health care." |
00:01:51 |
Not many men know |
00:01:54 |
I do. |
00:01:56 |
Seventy grand. |
00:02:01 |
And that's what |
00:02:29 |
They say, "Time heals all wounds." |
00:02:33 |
You'd think, after five months |
00:02:37 |
...l'd give up |
00:02:40 |
Just be a nice guy, call it a day. |
00:02:45 |
Nice guys are fine. You got to have |
00:02:50 |
But they always finish last. |
00:02:58 |
Help a cripple. |
00:03:01 |
Help a Vietnam vet walk again. |
00:03:06 |
Help a cripple. |
00:03:09 |
What the fuck you doing? |
00:03:12 |
Shut up. I cured you. |
00:03:17 |
Cocksucker. |
00:03:24 |
- What do I owe you? |
00:03:45 |
Son of a... |
00:04:21 |
Sorry, sorry. Pardon me. |
00:04:59 |
Thank you. |
00:05:05 |
One hundred... |
00:05:07 |
...two hundred... |
00:05:08 |
...three hundred. |
00:05:10 |
Have a nice day, Mr. Johnson. |
00:05:12 |
Excellent fit, sir. |
00:05:15 |
And how will you be paying? |
00:05:49 |
I'll give you $900. |
00:05:52 |
Let me see that Magnum. |
00:05:57 |
That's it. |
00:06:22 |
$400 and the gun. |
00:06:27 |
I'll need to see I.D. |
00:06:29 |
Of course. |
00:06:44 |
I'm sorry, Mr. Johnson, |
00:06:48 |
Impossible. |
00:06:50 |
Do you have another form |
00:06:53 |
Try it again. |
00:08:04 |
Old habits die hard, I guess. |
00:08:08 |
If you don 't kick them, |
00:08:14 |
Ain 't marriage grand? |
00:08:44 |
Porter. |
00:08:46 |
You're not dead. |
00:08:51 |
What are you going to do? |
00:10:01 |
Not now. |
00:10:07 |
You're cleaning up. |
00:12:37 |
Val still wants to talk to you. |
00:12:42 |
Sorry, babe. |
00:12:45 |
Shall I tell him |
00:12:49 |
No, I'll talk to him. |
00:12:58 |
Yep, same as always. You? |
00:13:01 |
Yeah, good, good. |
00:13:04 |
Why? Are you there now? |
00:13:09 |
Don't sweat it, Val. |
00:13:15 |
Same crew. The Chows. |
00:13:18 |
Tuesday and Friday, between 11 and 12. |
00:13:22 |
Chinese money laundry. |
00:13:28 |
How much in the case? |
00:13:30 |
Anywhere between 340 and half a mill. |
00:13:38 |
How much do you need? |
00:13:41 |
We split it 40-40. |
00:13:43 |
I mean, how much do you need |
00:13:51 |
Into the syndicate. |
00:13:53 |
How much? |
00:13:55 |
- The Outfit? |
00:13:57 |
Jesus. You know everything. |
00:14:00 |
Hi, sweetie. |
00:14:03 |
130 grand. |
00:14:13 |
The Chows won't go to the cops. |
00:14:18 |
They don't feel pain. |
00:14:21 |
You notice anything about those guys? |
00:14:23 |
They look nasty. |
00:14:27 |
- Did I miss something? |
00:14:33 |
We'll hit them on Friday. |
00:14:50 |
Hubba, hubba, hubba! |
00:15:36 |
Lookie here. |
00:15:47 |
How's that pileup taste? |
00:15:53 |
Daddy brought home the bacon, baby. |
00:16:04 |
Val! |
00:16:05 |
What? |
00:16:22 |
After kicking a Chow's ass, |
00:16:46 |
140 grand. |
00:16:48 |
140 apiece. |
00:16:50 |
Total. |
00:16:53 |
Total? |
00:16:58 |
That's 70 grand? |
00:17:02 |
Is for me. |
00:17:06 |
I'm up short. Sixty short. |
00:17:10 |
Should have hit them Tuesday. |
00:17:13 |
Fuck! |
00:17:15 |
We got away clean. |
00:17:18 |
And got something to show for it. |
00:17:20 |
Be grateful for what you get, |
00:17:27 |
Yeah, rule number one. |
00:17:39 |
What? |
00:17:47 |
Everything's cool. |
00:17:50 |
Just not enough! All right? |
00:17:52 |
Never is, Val. |
00:17:55 |
Baby, just put the money |
00:18:09 |
I can't fucking believe it. |
00:18:15 |
This is funny. |
00:18:16 |
This will kill you. |
00:18:20 |
It's always 140. |
00:18:28 |
Someone ought to give me a Ph.D. |
00:18:36 |
Jesus! Wait till I'm out |
00:18:51 |
Everything's cool, baby. |
00:19:01 |
You were great. |
00:19:06 |
Okay, keep the gun. |
00:19:08 |
That's it. Everything's cool. |
00:19:13 |
Come on. |
00:19:17 |
There we go. |
00:19:30 |
I bet you got a lot of questions |
00:19:39 |
Lynn did not understand. |
00:19:43 |
I don't know. |
00:19:44 |
Wives get funny |
00:19:51 |
What? |
00:19:53 |
I didn't get that. |
00:19:56 |
You got it. |
00:20:30 |
Come on, Miss Porter. |
00:20:55 |
Is Miss Porter here? |
00:20:57 |
Mrs. Porter. |
00:21:02 |
Yeah, whatever. |
00:21:07 |
Motherfucker! |
00:21:13 |
Get up. Turn around. |
00:21:15 |
Come on. |
00:21:21 |
What have we got here? |
00:21:25 |
How much in here? |
00:21:28 |
Two grand. |
00:21:29 |
- What's in here? |
00:21:31 |
What do you think it is? |
00:21:42 |
Shit. Oh, shit. |
00:21:46 |
Val Resnick. |
00:21:49 |
Where is he? |
00:21:51 |
You want to know where he is? |
00:21:54 |
He's right here. |
00:21:55 |
Look. Fuck you. |
00:21:58 |
Wrong answer. |
00:22:01 |
God! You motherfucker! |
00:22:04 |
- Fuck! |
00:22:08 |
I never heard of him, man. |
00:22:10 |
Where'd you get the shit? |
00:22:13 |
Come on. |
00:22:21 |
What do you think I'll do? |
00:22:25 |
Oh, come on. Okay, okay. |
00:22:29 |
Stegman, man. |
00:22:33 |
Where is he? |
00:22:36 |
South End Taxi. |
00:22:39 |
Farragut Road, man. |
00:22:44 |
Thanks. |
00:22:46 |
You're welcome. |
00:23:11 |
I'm looking for Arthur Stegman. |
00:23:15 |
He ain't here. |
00:23:18 |
No, you can't. Where is he? |
00:23:21 |
I don't know. |
00:23:26 |
Take a guess. |
00:23:28 |
What? |
00:23:31 |
Take a guess about where he is. |
00:23:44 |
Is he at home? |
00:23:49 |
Go fuck yourself. |
00:23:55 |
Here we go. |
00:23:56 |
- This one's mine. |
00:23:58 |
Wait, that was mine. |
00:24:08 |
There's somebody here to see you. |
00:24:13 |
I'm looking for Stegman. |
00:24:21 |
Who are you? |
00:24:25 |
I'm Porter. |
00:24:27 |
Porter, that looks like assault to me. |
00:24:33 |
He looks like he likes |
00:24:41 |
Fuck! Not in here. |
00:24:42 |
Jesus! He wants to talk. |
00:24:45 |
Am I right? Did I call it? |
00:24:51 |
Are you Stegman? |
00:24:54 |
Maybe. What do you want? |
00:24:59 |
Your boy didn't make his delivery. |
00:25:05 |
Why don't we talk outside? |
00:25:08 |
You're a dealer? |
00:25:10 |
Just forget about it, all right? |
00:25:13 |
Don't touch my money either. |
00:25:16 |
This is heroin? |
00:25:19 |
This is heroin. |
00:25:21 |
Don't worry about it. |
00:25:25 |
Let's talk. |
00:25:27 |
What are you looking at? |
00:25:30 |
And you're bleeding |
00:25:33 |
Come on! |
00:25:40 |
Steggie's been holding out on us. |
00:25:44 |
I'll check it out. |
00:25:46 |
Val Resnick. |
00:25:50 |
- What about him? |
00:25:52 |
Even if I knew, |
00:25:56 |
- Where'd you meet up with my boy? |
00:25:59 |
Is he dead? |
00:26:00 |
No, but she is. |
00:26:04 |
So? What do you care? |
00:26:07 |
I'm her husband. |
00:26:10 |
You won't fucking kill me? |
00:26:16 |
Not in front of these kids. |
00:26:19 |
Where is he? |
00:26:25 |
I don't know! |
00:26:27 |
That's the truth. |
00:26:29 |
It got delivered to me last night. |
00:26:35 |
Why all the trouble? |
00:26:38 |
He's afraid of the girl. |
00:26:41 |
...of Mrs. Porter. |
00:26:43 |
I mean, that's how it looks to me. |
00:26:54 |
I don't know nothing. |
00:26:56 |
I know Val from the old days. |
00:26:59 |
Three months ago he asks me |
00:27:01 |
I make an extra grand a month. |
00:27:05 |
Now you threaten to kill me? |
00:27:10 |
He's in the city. |
00:27:13 |
How do you know that? |
00:27:16 |
- He said so. |
00:27:18 |
When he came. Said he squared |
00:27:22 |
Said he was back |
00:27:25 |
He was very excited. |
00:27:27 |
You tell him that Porter is back too. |
00:27:30 |
And he wants his money. |
00:27:33 |
I'll come back for you |
00:27:39 |
When would I tell him this? |
00:28:03 |
Talk to me. |
00:28:04 |
There's a young lady to see you. |
00:28:08 |
She's got two very bad habits. |
00:28:10 |
Right now I'm only interested |
00:28:14 |
Send her up. |
00:28:19 |
Apartment 718, ma'am. |
00:28:42 |
Send her up. |
00:28:43 |
It's Haskell. |
00:28:47 |
Don't be sorry. |
00:28:49 |
I got a call from a cab guy |
00:28:53 |
- What is it? |
00:28:55 |
Shit. Hold on a second. |
00:29:06 |
On your knees, bitch. |
00:29:10 |
I'm on the phone, Pearl. |
00:29:16 |
It's "Mistress Pearl." |
00:29:19 |
I'm on the fucking phone! |
00:29:25 |
Make it quick. |
00:29:27 |
This guy Stegman calls. |
00:29:29 |
He sounded all nervous, |
00:29:34 |
He had to talk to you. |
00:29:38 |
- What was it about? |
00:29:43 |
He said some guy wanted you. |
00:29:48 |
I thought you ought to know. |
00:29:50 |
You did right. |
00:29:53 |
Who, Stegman? |
00:29:55 |
No, President Nixon. |
00:29:58 |
Tell him Varrick's, by the bridge. |
00:30:01 |
Make it... |
00:30:04 |
Make it 20 minutes. |
00:30:07 |
I'm working here! |
00:30:16 |
Can't you see I'm working here? |
00:30:22 |
Put it on my tab. |
00:30:24 |
I'm looking for a girl. |
00:30:26 |
She goes by the name of Rosie. |
00:30:33 |
She worked by telephone, |
00:30:37 |
Probably connected |
00:30:39 |
Out of my league. |
00:30:45 |
Maybe you know somebody who would. |
00:30:53 |
- Why you looking for her? |
00:30:56 |
I got cancer. |
00:31:05 |
You two look close. |
00:31:10 |
Got a cigarette? |
00:31:17 |
Your sister sounds expensive. |
00:31:20 |
Try Michael, |
00:31:24 |
That wasn't the name |
00:31:28 |
The only one I got. |
00:31:58 |
I tried to call you, but you |
00:32:03 |
I never gave you my original number. |
00:32:07 |
What did this guy look like? |
00:32:10 |
He had dark hair, blue eyes. |
00:32:15 |
If Lynn's dead, he did us a favor. |
00:32:18 |
I know, except I'm out |
00:32:21 |
We can work something out. |
00:32:24 |
Did you get a name? |
00:32:26 |
He said he was Porter. |
00:32:31 |
He said he was there for Porter? |
00:32:34 |
No, he said he was Porter. |
00:32:42 |
I wouldn't want that guy |
00:32:45 |
- I know how you must feel. |
00:32:50 |
I've got friends. |
00:32:53 |
I pick up a phone |
00:32:56 |
And he stays dead! |
00:32:58 |
Try to keep it down. |
00:33:01 |
It's okay. |
00:33:04 |
What'd he say? |
00:33:05 |
He said you owed him money. |
00:33:08 |
Nothing else? |
00:33:10 |
Nothing. Why? |
00:33:13 |
None of your business. |
00:33:16 |
I just got the feeling |
00:33:20 |
Oh, Christ! |
00:33:22 |
Porter. |
00:33:30 |
What'd you tell him? |
00:33:32 |
Nothing! |
00:33:33 |
- What could I tell? |
00:33:37 |
He had it with him! |
00:33:41 |
Nothing else? |
00:33:42 |
I don't know nothing else! |
00:33:44 |
You gave him something. A name. |
00:33:49 |
I swear on my mother... |
00:33:52 |
Fuck your mother! |
00:33:54 |
- That's not nice. Take it easy. |
00:33:58 |
Val, don't. |
00:33:59 |
Not again. Don't do that, man. |
00:34:04 |
Come on. Not again. |
00:34:06 |
Don't. |
00:34:07 |
- Forget it. |
00:34:10 |
We're just leaving. |
00:34:13 |
You know what? |
00:34:16 |
You see me reaching for my wallet? |
00:34:23 |
Sorry. He just got a promotion, |
00:34:29 |
Is there a Michael here? |
00:34:31 |
That's him over yonder. |
00:34:37 |
You're the man to see |
00:34:40 |
I'm looking for a girl named Rosie. |
00:34:43 |
Prostitution is illegal |
00:34:51 |
Usually these matters are conducted |
00:34:59 |
Be discreet now. |
00:35:06 |
What was her name? |
00:35:07 |
Rosie. |
00:35:08 |
- Who's looking for her? |
00:35:21 |
Rosie? |
00:35:22 |
Give me the phone. |
00:35:26 |
Take care of that. |
00:35:30 |
Who the hell is this? |
00:35:32 |
Porter. |
00:35:33 |
Try again, honey. |
00:35:36 |
I used to drive for you. |
00:35:41 |
Porter? |
00:35:56 |
Why pour salt on old wounds? |
00:36:00 |
I didn 't need to. |
00:36:04 |
I guess I had a soft spot for her. |
00:36:31 |
Come in. |
00:36:34 |
You look pretty good |
00:36:42 |
How'd you hear about it? |
00:36:45 |
People were talking. |
00:36:47 |
Plus I heard your wife |
00:36:51 |
She's dead. |
00:36:54 |
I'm sorry, Porter. |
00:36:57 |
Why? |
00:37:00 |
Jesus. Surly Porter. |
00:37:08 |
This doesn't look like you. |
00:37:11 |
Yeah, well, people change. |
00:37:14 |
Stay. |
00:37:16 |
It's okay. |
00:37:19 |
Meet the nastiest dog |
00:37:25 |
What's his name? |
00:37:27 |
Porter. |
00:37:29 |
He took your job after you left. |
00:37:32 |
He's just as tough, |
00:37:44 |
I need a favor. |
00:37:46 |
A favor? |
00:37:48 |
Maybe you're not the same as ever. |
00:37:54 |
I'm looking for a syndicate boy. |
00:37:58 |
It's the "Outfit." |
00:37:59 |
- We don't say syndicate anymore. |
00:38:02 |
Don't get touchy. |
00:38:07 |
Val Resnick. |
00:38:11 |
That son of a bitch. |
00:38:15 |
You know him? |
00:38:17 |
I met up with him once |
00:38:21 |
He can't use Star's service. |
00:38:25 |
He almost killed one. |
00:38:27 |
You? |
00:38:33 |
Does it matter? |
00:38:41 |
Would you know where he might be? |
00:38:46 |
I suppose he's at the hotel. |
00:38:49 |
- Which one? |
00:38:53 |
The address? |
00:38:57 |
We're friends, right? |
00:38:59 |
I mean, we used to be. |
00:39:04 |
The Outfit wouldn't like me |
00:39:08 |
How strong are you? |
00:39:10 |
Personally, I think you are |
00:39:14 |
But I wonder if it's enough. |
00:39:16 |
For what? |
00:39:18 |
You want this guy |
00:39:22 |
I'm going to kill him. |
00:39:27 |
That's something he won't like. |
00:39:32 |
What if they grab you and ask you |
00:39:36 |
You know I wouldn't turn you in. |
00:39:39 |
- I wouldn't talk. |
00:39:44 |
I'll say it was |
00:39:51 |
The Oakwood Arms, Union and 17th. |
00:40:26 |
Hi, Val. |
00:40:29 |
Where's my money? |
00:40:37 |
I took your gun. |
00:40:39 |
It's back here. |
00:40:42 |
Keep your mouth shut |
00:40:48 |
My 70 grand. I want it. |
00:40:52 |
I don't have it right now. |
00:40:55 |
- Where is it? |
00:41:00 |
I gave it all to them. |
00:41:04 |
Tell them you gave them money that |
00:41:09 |
I can't do that. |
00:41:14 |
You'll kill me |
00:41:18 |
All right, I'll get the money. |
00:41:20 |
Just give me a few days. |
00:41:25 |
Noon. Tomorrow. |
00:41:27 |
Say it. |
00:41:28 |
All right. |
00:41:30 |
This may sound crazy, |
00:41:34 |
I did what I had to do. |
00:41:37 |
I appreciate that, you... |
00:41:39 |
No, no! Don't. |
00:41:42 |
Please. |
00:41:44 |
Allow me. |
00:41:53 |
Jesus! |
00:42:03 |
You bitch! |
00:42:07 |
Let her work. |
00:42:22 |
Me love you, baby. |
00:42:26 |
Me love you long time. |
00:42:35 |
No, no, wait. |
00:42:43 |
Tomorrow. |
00:42:44 |
Noon. |
00:42:46 |
You and the money be at |
00:42:56 |
Where'd you get this? |
00:42:59 |
Some hooker had it. |
00:43:01 |
I swiped it in case I could use it. |
00:43:04 |
Did you hurt her? |
00:43:07 |
The hooker, |
00:43:09 |
What does that have to do |
00:43:20 |
I've got a few minutes. |
00:43:23 |
So go boil an egg. |
00:43:32 |
Phillip says you have a problem |
00:43:37 |
Yes, sir. |
00:43:39 |
Is it your problem... |
00:43:40 |
...who breached our security |
00:43:44 |
He breaks into my apartment... |
00:43:46 |
There's an old expression |
00:43:50 |
"Do not shit where you eat." |
00:43:54 |
Or "live." |
00:43:56 |
"Do not shit where you live." |
00:43:58 |
I like that better. |
00:44:00 |
I'm sorry, Mr. Carter. |
00:44:01 |
There are three ways |
00:44:04 |
One: We help you. |
00:44:10 |
Three: We have you replaced. |
00:44:17 |
We have an investment in you, Resnick, |
00:44:23 |
So assisting you would be... |
00:44:25 |
...in a way, protecting our investment. |
00:44:29 |
That is good business policy. |
00:44:32 |
Yes, sir, Mr. Carter. |
00:44:34 |
Thank you. |
00:44:40 |
According to Phillip, |
00:44:45 |
He's alone and he's |
00:44:49 |
Yes, sir. He does payroll jobs, |
00:44:54 |
- What's his name? |
00:44:58 |
What's his first name? |
00:45:05 |
I don't know. He never called |
00:45:21 |
Where did you get the $130,000? |
00:45:29 |
That's why this man is in town? |
00:45:32 |
The $130,000 you paid us back. |
00:45:35 |
Yes, sir. |
00:45:38 |
We never asked you where you got it. |
00:45:43 |
Now it appears |
00:45:50 |
Here's his file, Mr. Carter. |
00:45:59 |
Do you understand your value |
00:46:06 |
You're a sadist, you lack compunction. |
00:46:11 |
But now, an area of your personal life |
00:46:19 |
A man in our organization needs |
00:46:25 |
Were you to handle this problem |
00:46:30 |
...there would be no doubt... |
00:46:34 |
...you're the man we want. |
00:46:36 |
I want to. |
00:46:37 |
I want to handle it myself. |
00:46:40 |
Great. |
00:46:42 |
Until it is handled, I want you |
00:46:48 |
I don't have a place... |
00:46:50 |
No more unpleasantness at the hotel. |
00:46:55 |
Yes, sir. |
00:47:05 |
It might be easier |
00:47:11 |
I thought about that. |
00:47:14 |
I'm not worried about Resnick. |
00:47:16 |
He wouldn't last two minutes |
00:47:20 |
It's that other mutt |
00:47:22 |
- What's his name? |
00:47:26 |
Takes a lot of moxie to walk in |
00:47:32 |
Either that or he's shit nuts. |
00:47:35 |
Frankly, I don't understand it |
00:47:39 |
It was $70,000, his share. |
00:47:42 |
That's even worse. |
00:47:44 |
I don't want |
00:47:48 |
He'll think I'm getting soft. |
00:47:50 |
His principle has always been: |
00:47:52 |
"If you don't understand it, |
00:47:56 |
A stitch in time, so to speak. |
00:48:01 |
Stitch this mutt up, Phil. |
00:48:08 |
Any Polaroids or trophies? |
00:48:10 |
No, not this time. |
00:48:15 |
They cut me loose, Pearl. |
00:48:19 |
Hold on one second. |
00:48:21 |
Shut up! |
00:48:35 |
Yes? |
00:48:37 |
Did your friends make it to town? |
00:48:40 |
Last night, baby. |
00:48:42 |
Did you tell them |
00:48:45 |
I did. |
00:48:47 |
And they want retribution. |
00:48:49 |
All right. Here's what we do. |
00:49:53 |
Yeah, that's Porter. |
00:49:58 |
Shit. |
00:50:25 |
Shit! |
00:50:31 |
Next time, Porter. |
00:50:36 |
Porter's made some new friends. |
00:50:59 |
- Easy, mister. |
00:51:01 |
- Who were they? |
00:51:05 |
It's you guys. |
00:51:07 |
Stegman says you got |
00:51:10 |
240 grand, to be exact. |
00:51:13 |
Seventy. |
00:51:16 |
Come on, man, get off of me! |
00:51:18 |
What do you take us for? |
00:51:22 |
Nobody'd do this shit for 70 grand. |
00:51:24 |
You look like a whole bunch |
00:51:27 |
We found a dead girl full of heroin. |
00:51:29 |
There were signs of a struggle. |
00:51:33 |
We got a witness. |
00:51:36 |
Remember him? |
00:51:38 |
Don't worry. |
00:51:41 |
Room to operate, |
00:51:44 |
All you got to do is get the money. |
00:51:47 |
We can't help you, though. |
00:51:49 |
- It would be against the law. |
00:51:54 |
- It's my money. |
00:51:59 |
It's our money. |
00:52:00 |
You be a good boy, we give you a piece. |
00:52:04 |
It'll be easy, Porter. |
00:52:06 |
You got it? |
00:52:08 |
- He's got it. |
00:52:11 |
- We'll be in touch. |
00:52:14 |
What a dope! |
00:52:17 |
Fuck. |
00:52:18 |
Crooked cops. |
00:52:20 |
Do they come any other way? |
00:52:23 |
If I'd been just a little dumber, |
00:53:00 |
Jesus Christ, |
00:53:04 |
- It's going to sting. |
00:53:08 |
You hold it there. |
00:53:23 |
I'll do it. |
00:53:30 |
Tell me something, Porter. |
00:53:35 |
When did you decide to leave? |
00:53:40 |
No. |
00:53:43 |
The next day, |
00:53:51 |
You could've asked me to quit. |
00:53:58 |
You could've asked me |
00:54:15 |
Hubba, hubba, hubba. |
00:54:25 |
Thanks. |
00:54:27 |
Does it fit? |
00:54:29 |
Like it was made for me. |
00:54:34 |
It'll look great in your casket. |
00:54:47 |
You know what I think? |
00:54:49 |
I think that all those stories |
00:54:54 |
You're too thickheaded to admit it. |
00:55:26 |
God, I missed you. |
00:55:28 |
I miss you. |
00:55:38 |
Don't, don't, don't... |
00:55:41 |
I can't. I got... |
00:55:46 |
...stuff to do. |
00:56:40 |
Where is he? |
00:56:45 |
Porter. Where is he? |
00:56:48 |
He's in the bedroom. |
00:57:05 |
Is he hurt bad? |
00:57:08 |
The doctor should be here any minute. |
00:57:11 |
That's bullshit. |
00:57:29 |
Here I come, pally. |
00:57:33 |
Goddamn! |
00:57:37 |
Goddamn! |
00:57:45 |
Get in here! |
00:57:53 |
Where is he? |
00:57:55 |
He's gone, he's gone. |
00:57:58 |
Gone? |
00:58:03 |
I know you. |
00:58:09 |
How do you know him? |
00:58:12 |
He used to drive me. |
00:58:18 |
I'm driving you now, honey. |
00:58:22 |
You know what you are? |
00:58:24 |
Educate me. |
00:58:25 |
An ugly pig who beats up women... |
00:58:28 |
...who can't get it up because |
00:58:32 |
Is that right? |
00:58:33 |
Is that right? |
00:58:35 |
Then you must be the lucky girl. |
00:58:40 |
Hubba, hubba, hubba! |
00:58:46 |
I am going to fuck you |
00:59:18 |
I forgot my cigarettes. |
00:59:31 |
All right, Val. |
00:59:33 |
This Outfit, or whatever you call it, |
00:59:38 |
Who? |
00:59:40 |
They'll kill me. |
00:59:42 |
What do you think I'll do? |
00:59:47 |
Names. Come on. |
00:59:49 |
Fairfax and Carter. |
00:59:54 |
Where do I find them? |
00:59:57 |
Fairfax isn't in town. |
00:59:59 |
What about Carter? |
01:00:03 |
Porter, it won't do you any good. |
01:00:06 |
They're going to... |
01:00:10 |
Frederick Carter Investments. |
01:00:16 |
Thanks. |
01:00:20 |
All right! |
01:00:22 |
All right! |
01:00:26 |
You're fucking nuts going up |
01:00:31 |
But I'm going to help you out. |
01:00:34 |
Here. Keep talking. |
01:00:38 |
Thanks. |
01:00:41 |
I can get you in. |
01:00:45 |
How many guys? |
01:00:47 |
It's tighter than hell. |
01:00:49 |
Only one guy on the outside. |
01:00:56 |
You are crazy! |
01:00:58 |
You're a crazy son of a bitch! |
01:01:01 |
That's why I love you. |
01:01:03 |
You got a light? |
01:01:06 |
You got a light? |
01:01:13 |
Then what good are you? |
01:01:14 |
Check my pocket! |
01:01:44 |
Is your name on the lease? |
01:01:50 |
The Outfit pays for everything. |
01:01:54 |
Gather up everything you need. |
01:02:24 |
It's okay. |
01:02:26 |
It's okay, puppy. |
01:02:28 |
He'll live. How are you? |
01:02:37 |
Yeah, I know. |
01:02:39 |
It's not much, but you'll be safe. |
01:02:42 |
Nobody knows I'm here. |
01:03:00 |
What? |
01:03:03 |
Nobody has this number. |
01:03:49 |
Somebody does know I'm here. |
01:03:56 |
He's probably fucking her. |
01:03:58 |
- He's taking long enough. |
01:04:03 |
You think so? |
01:04:06 |
Give it a minute. |
01:04:34 |
Okay, let's give him another bell. |
01:04:46 |
Shit. |
01:04:48 |
He's behind us. |
01:05:23 |
It's notjust anybody that gets... |
01:05:26 |
...a hit put on him by a firm |
01:05:29 |
I was moving up in the world. |
01:05:33 |
Maybe it was time |
01:05:36 |
Carter wouldn 't be expecting that. |
01:05:39 |
And who knows? |
01:06:13 |
I told you he'd show. |
01:06:14 |
Give me my goddamn money, please. |
01:06:19 |
- Give me my money. |
01:06:21 |
Yeah, come on. |
01:06:24 |
Thank you very much. |
01:06:28 |
What you up to, buddy? |
01:06:30 |
Well, our money's in there. |
01:06:33 |
Still interested? |
01:06:35 |
Not in the dough, |
01:06:41 |
What's he doing here? |
01:06:44 |
It's a ride-along, Porter. |
01:06:46 |
Your piece of the pie |
01:06:49 |
But don't worry, |
01:06:54 |
What are you waiting for? |
01:06:56 |
Go get our money. |
01:07:00 |
Do me a favor? |
01:07:02 |
We're here to help. |
01:07:04 |
They'll frisk me when I go in. |
01:07:11 |
Just for a little while. |
01:07:15 |
Sure, Porter. |
01:07:22 |
Nice balance. |
01:07:27 |
Douche bag. |
01:07:40 |
Can I help you? |
01:07:43 |
- I want to see Mr. Carter. |
01:07:46 |
I'm the guy that whacked Val Resnick. |
01:07:49 |
I'm sorry, I don't... |
01:07:52 |
Didn't copy. Repeat. |
01:07:58 |
Right. |
01:08:00 |
Mr. Carter will see you. |
01:08:29 |
Bravo. Sit down. |
01:08:37 |
My compliments. |
01:08:40 |
They lull too easy. |
01:08:51 |
You want something from me. |
01:08:54 |
Val Resnick gave you $130,000. |
01:08:58 |
He paid us. |
01:09:00 |
$70,000 of it is mine. |
01:09:05 |
I'm sorry, but I seem to have |
01:09:09 |
Porter. |
01:09:10 |
Porter. Right. |
01:09:12 |
I won't forget it again. |
01:09:15 |
The Outfit is not unreasonable. |
01:09:18 |
But no corporation would agree |
01:09:22 |
Will Fairfax give me my money? |
01:09:27 |
Resnick told you quite a bit. |
01:09:31 |
We're not authorized |
01:09:34 |
Who is? |
01:09:36 |
A committee would, in this case. |
01:09:39 |
You go high enough, you always come |
01:09:55 |
Mr. Bronson, |
01:09:58 |
Put him through. |
01:10:01 |
Go ahead, sir. |
01:10:02 |
Carter, how's business? |
01:10:04 |
- Good till now. |
01:10:06 |
Hang on, Carter. |
01:10:09 |
Look in that green box, Johnny. |
01:10:25 |
Are you kidding me? |
01:10:28 |
Is it the convertible? |
01:10:29 |
You thought I forgot. |
01:10:34 |
Happy birthday, son. |
01:10:35 |
This car? And Nick's got us ringside |
01:10:40 |
It'll be a good one. |
01:10:41 |
My money's on Rankin. |
01:10:43 |
No, Hicks is favored. |
01:10:45 |
- That's got nothing to do with it. |
01:10:50 |
Thanks. |
01:10:51 |
Happy birthday. |
01:10:53 |
- Drive safe. |
01:10:57 |
Sorry. What is it? |
01:10:59 |
I have a problem. There's a man |
01:11:04 |
...who says he'll kill me |
01:11:07 |
...$130,000 that one of our guys |
01:11:11 |
It's 70. How much is |
01:11:15 |
What do you mean? |
01:11:16 |
Either I get my money |
01:11:19 |
Are you threatening me? |
01:11:21 |
I'm not threatening you. |
01:11:25 |
An audacious man. Who are you? |
01:11:31 |
My money, yes or no? |
01:11:33 |
No. |
01:11:39 |
Carter? |
01:11:47 |
What's going on there? |
01:11:49 |
You just don't get it, |
01:11:54 |
Carter, talk to me. |
01:11:59 |
Call Fairfax and tell him |
01:12:02 |
And he's next. After that, |
01:12:07 |
Are you out of your mind? |
01:12:09 |
You just dug your own grave. |
01:12:20 |
- I don't see any cash. |
01:12:23 |
I have to go and see another guy. |
01:12:26 |
Last one. |
01:12:27 |
Then we got a dead woman and assault |
01:12:31 |
That means more paperwork. |
01:12:35 |
Damn shame, Porter. |
01:12:37 |
But don't let the bastards |
01:12:40 |
That's right. Don't give up. |
01:12:46 |
Can I have my piece? |
01:12:58 |
Nice roscoe. |
01:13:00 |
Heavy enough to be a nutcracker. |
01:13:02 |
We'll be in touch, Rocky. |
01:13:06 |
Keep up the good work. |
01:13:10 |
Nobody likes a monkey on their back. |
01:13:15 |
And they were cramping my style. |
01:13:17 |
I was going to |
01:13:58 |
Where have you been? |
01:13:59 |
I was taking care of business. |
01:14:04 |
They won't stop until they kill us, |
01:14:10 |
No. |
01:14:16 |
I'm sorry. |
01:14:19 |
I'm sorry I got you involved. |
01:14:24 |
So why did you? |
01:14:28 |
You're a clever guy. |
01:14:34 |
So why did you? |
01:14:38 |
Yeah, you're right. |
01:14:42 |
When I came back, |
01:14:49 |
No life. No hope. |
01:14:54 |
You were the only good thing |
01:15:00 |
I couldn't stay away. |
01:15:04 |
I had to see you to make sure |
01:15:10 |
So why don't we get out of here? |
01:15:13 |
- We can't. |
01:15:15 |
They won't stop until they bury us. |
01:15:21 |
So? |
01:15:23 |
So we bury them first. |
01:16:11 |
I should have quit. |
01:16:20 |
I should have driven you |
01:17:14 |
That's me! |
01:17:31 |
Happy birthday, Johnny. |
01:17:38 |
- You are the man! |
01:17:49 |
I'm your birthday present. |
01:17:52 |
- Who's that? |
01:17:55 |
We didn't do it. |
01:17:58 |
Dude, she's so hot. |
01:18:00 |
Oh, man, she's so fine. |
01:18:03 |
Look at this guy! |
01:18:06 |
Boy, you are cute, aren't you? |
01:18:11 |
You must have some pretty |
01:18:15 |
Wealthy too, because I'm not cheap. |
01:18:22 |
Don't wait up, boys. |
01:18:25 |
I promise he won't be home |
01:18:31 |
See you! |
01:18:34 |
Damn! |
01:18:48 |
That's a good boy. |
01:18:52 |
Yeah, right there. |
01:19:06 |
Relax. |
01:19:08 |
Who's the professional here? |
01:19:11 |
So go with it. |
01:19:13 |
I promise you won't regret it. |
01:19:17 |
There, baby. |
01:19:34 |
Relax, kid. |
01:19:40 |
Get hurt? |
01:19:59 |
Glad to have you back, Mr. Fairfax. |
01:20:02 |
I wish I was glad. I was swimming |
01:20:08 |
Easy! It's genuine alligator. |
01:20:12 |
Sorry, Mr. Fairfax. |
01:20:16 |
How's it going, Charlie? |
01:20:19 |
Porter and Fairfax. |
01:20:28 |
Between us and our neighborhood cops, |
01:20:35 |
Walter, wake up. |
01:20:41 |
Wake up! |
01:20:43 |
Keep those bags up, boys. |
01:20:45 |
Come on. |
01:20:47 |
Who are you? |
01:20:50 |
I'm the reason you're home early. |
01:20:54 |
You're Porter? |
01:20:56 |
That's it. Keep them up |
01:21:04 |
What will you have me do? |
01:21:10 |
I want you to do me a favor. |
01:21:13 |
See what we can do |
01:21:18 |
He let Carter die. |
01:21:21 |
That poor bastard's |
01:21:25 |
He'd probably let me die too. |
01:21:27 |
With Carter, |
01:21:31 |
Try him. He might be more |
01:21:37 |
All right. |
01:21:39 |
You two are fired. |
01:21:46 |
Well, it's like this. |
01:21:48 |
I'm in my living room. |
01:21:51 |
...who says that |
01:21:57 |
Of course. |
01:21:59 |
He wants to talk to you. |
01:22:01 |
Put on the speaker. |
01:22:07 |
- This is Porter. |
01:22:10 |
You've proven to be a pain |
01:22:15 |
To get rid of you, |
01:22:19 |
It's not a hund... |
01:22:23 |
- What the hell are you doing? |
01:22:26 |
It's all right. He's just |
01:22:29 |
...and shooting holes in my suits. |
01:22:32 |
That's mean, man! |
01:22:34 |
You aren't listening. |
01:22:37 |
No, you listen. |
01:22:38 |
You'll get your money, |
01:22:42 |
You let me worry about that. |
01:22:44 |
I want you to deliver |
01:22:48 |
You're one hell of an optimist. |
01:22:50 |
What makes you think |
01:22:54 |
If you don't, |
01:22:58 |
He didn 't come home last night. |
01:23:01 |
He's good-looking, |
01:23:04 |
I told him so. |
01:23:06 |
Bullshit. You haven't got him. |
01:23:09 |
- You're not that stupid. |
01:23:13 |
I had to steal my first one. |
01:23:16 |
Nice inscription on the key chain. |
01:23:19 |
A little sappy. |
01:23:21 |
You're dead. |
01:23:25 |
You hear me? |
01:23:27 |
You're a dead man. |
01:23:29 |
That's Johnny, unless you |
01:23:34 |
Is that a yes? |
01:23:37 |
What? Cat got your crotch? |
01:23:40 |
Some decisions are hard. |
01:23:43 |
Where? |
01:23:45 |
I'll let you know. |
01:23:47 |
I'll be in touch. |
01:23:55 |
You just signed your |
01:23:58 |
I don't get that. What is it? |
01:24:01 |
The principle? |
01:24:05 |
Stop it, I'm getting misty. |
01:24:10 |
Seventy? |
01:24:13 |
Only 70,000? |
01:24:16 |
My suits are worth more than that! |
01:24:22 |
Listen to this: |
01:24:26 |
Icemaker. Camper canvas. |
01:24:30 |
Vacuum-flush head. |
01:24:36 |
He ain't going to have it. |
01:24:38 |
You want to bet? |
01:24:40 |
No, I don't want to bet. |
01:24:45 |
140 ain't getting my damn boat. |
01:24:48 |
He better come down with something. |
01:24:52 |
Hicks. Leary. |
01:24:54 |
We're Holland and Van Owen. |
01:25:00 |
Back off. |
01:25:04 |
Step out of the car. |
01:25:06 |
What for? |
01:25:07 |
Step out of the car, detectives. |
01:25:23 |
What the hell's going on? |
01:25:25 |
I don't know. |
01:25:27 |
Is this your badge? |
01:25:29 |
The one you reported missing? |
01:25:33 |
Where'd you find it? |
01:25:35 |
Where did you lose it? |
01:25:41 |
Does this belong to you? |
01:25:48 |
It's Porter. Follow him. |
01:25:51 |
I got that motherfucker. |
01:26:14 |
Get in. |
01:26:22 |
Close the door. |
01:26:27 |
Set the roscoe on the floor. |
01:26:32 |
Slow! |
01:26:37 |
I'm going to turn you in |
01:26:42 |
Maybe they'll ask me to join, |
01:26:47 |
Medical. Dental. |
01:26:50 |
I'm going to walk you right in. |
01:26:52 |
Porter on the hoof. |
01:26:56 |
Unless you get rambunctious. |
01:27:04 |
Are you going to kill me? |
01:27:14 |
Let him go! |
01:27:17 |
Now. |
01:27:24 |
Hubba, hubba, hubba. |
01:28:56 |
Who are you? |
01:28:58 |
Fat boy! |
01:29:00 |
Yeah, I'm talking to you. |
01:29:31 |
Stop it. Stop it. |
01:29:34 |
I hate this. I hate it! |
01:29:40 |
Look at this stinking place! |
01:29:45 |
Tell us where he is |
01:29:48 |
Come on. |
01:29:59 |
Too late now. |
01:30:04 |
He doesn't want to say anything. |
01:30:07 |
He just wants to get beat up, |
01:30:15 |
Here it is. |
01:30:17 |
130,000. |
01:30:23 |
That's as close as |
01:30:25 |
I'll make you a deal. |
01:30:28 |
Tell me where John is, |
01:30:31 |
You won't have to find out |
01:30:38 |
But if there's even a bruise on him, |
01:30:44 |
I'll give you a blood transfusion |
01:30:52 |
Where is he? |
01:31:25 |
I'm waiting. |
01:31:32 |
This piggy went to the market. |
01:31:48 |
I'm listening. |
01:32:01 |
This piggy stayed home. |
01:32:07 |
It's looking like roast beef. |
01:32:13 |
Eight to go. |
01:32:15 |
Then it's your knees. |
01:32:17 |
You can guess where we go from there. |
01:32:20 |
Where is he? |
01:32:34 |
Twenty-four... |
01:32:36 |
Twenty-four Fielding. |
01:32:40 |
Apartment 11. |
01:32:45 |
You'll understand |
01:32:50 |
Put him in the trunk. |
01:32:54 |
Let's go, tough guy. |
01:33:24 |
You two watch the front. |
01:33:38 |
Fuck! Come on, Porter. |
01:33:48 |
Hey, give me a light. |
01:35:10 |
- What the hell's going on? |
01:35:40 |
Help me. |
01:35:44 |
Get out! |
01:36:27 |
Come on, Porter. |
01:36:31 |
Get back here! |
01:36:32 |
You bitch! |
01:36:34 |
Come on, Porter. |
01:36:36 |
What took you so long? |
01:36:40 |
Come on, Porter. |
01:36:45 |
Get in. |
01:36:46 |
Good boy. |
01:36:52 |
What happened? |
01:36:54 |
I got hammered. |
01:36:56 |
You okay? |
01:37:08 |
You got it. |
01:37:10 |
Piece of cake. |
01:37:16 |
Where to? |
01:37:20 |
Just drive, baby. |
01:37:26 |
We were going for breakfast... |
01:37:29 |
...in Canada. |
01:37:32 |
We made a deal: |
01:37:34 |
If she'd stop hooking... |
01:37:37 |
...l'd stop shooting people. |
01:37:41 |
Maybe we were aiming high. |
01:41:06 |
English Subtitles by |
01:41:29 |
He's been done bad by, so of course... |
01:41:31 |
...here's a primary place |
01:41:36 |
...in order to desire retribution. |
01:41:39 |
So he's out for some payback. |
01:41:43 |
He just wants what's his. |
01:41:47 |
...hell or high water. |
01:41:48 |
It's kind of a perverted |
01:41:52 |
It's a perverse set of morals. |
01:41:55 |
Misguided. |
01:41:58 |
His code is, I think, just a |
01:42:02 |
Mean what you say, and say |
01:42:07 |
And he's not... |
01:42:11 |
...he's not, what I'd call... |
01:42:13 |
...the shining beacon of civility |
01:42:18 |
He kills people at a drop of a hat. |
01:42:20 |
But he does stay on course. |
01:42:24 |
He doesn't switch horses. |
01:42:27 |
Back-story. He was a marine. |
01:42:29 |
He just was a grunt. |
01:42:31 |
He's a kind of blue-collar guy. |
01:42:35 |
Got a weakness for women. |
01:42:37 |
Likes money. Likes to go on holidays. |
01:42:40 |
He has a certain street nous. |
01:42:43 |
And he knows how to... |
01:42:45 |
...plot things out |
01:42:49 |
A whole world is created here. |
01:42:54 |
...in this world, somebody like |
01:42:57 |
...because by virtue of not being |
01:43:02 |
...it makes him the hero. |
01:43:06 |
It's a bizarre and absurdist world. |
01:43:10 |
It's reminiscent of a lot of those |
01:43:16 |
The Dirty Harrys and the Getaways |
01:43:22 |
It would have been ideal |
01:43:25 |
Scratchy 16mm black and white. |
01:43:29 |
But you can't do that, and sell it. |
01:43:32 |
People want a color image. |
01:43:37 |
The way that the film was shot was |
01:43:42 |
It's still in color, but it's got |
01:43:45 |
...which is nice. Gives a lot of |
01:43:50 |
There's Maria Bello, of course... |
01:43:52 |
...and there's Gregg Henry, who's... |
01:43:57 |
...insane and funny and sick. |
01:44:00 |
And there's Lucy Liu, of course... |
01:44:03 |
...who looks great in a leather |
01:44:08 |
...and also provides a lot of laughs. |
01:44:13 |
So, you know, it was well cast. |
01:44:16 |
There's some very talented |
01:44:19 |
And they knew that their job was... |
01:44:22 |
...not to take themselves |
01:44:30 |
The character I play, |
01:44:33 |
She is a woman from Porter's past. |
01:44:38 |
Crazy things happened in his life. |
01:44:44 |
I'm the only person he can |
01:44:47 |
...to carry out this bit of a |
01:44:51 |
Porter's looking for justice. |
01:44:54 |
He just wants things... |
01:44:56 |
...to be even and equal... |
01:45:00 |
...and all the odds are straight, |
01:45:05 |
I help Porter find |
01:45:09 |
...Val Resnick, the whole nine yards. |
01:45:12 |
But I think, more than that... |
01:45:13 |
...Rosie really helps Porter... |
01:45:16 |
...to see his humanness again. |
01:45:19 |
Because she knows that side of him. |
01:45:27 |
I play Pearl, and her relationship |
01:45:31 |
...is that she basically |
01:45:34 |
That's her kind of trajectory in life. |
01:45:38 |
And her relationship to Mel is that |
01:45:43 |
Gregg Henry is basically |
01:45:46 |
Kind of the villain in the film. |
01:45:52 |
Especially for Pearl, her character... |
01:45:56 |
...can be seen as being |
01:45:59 |
...because she has |
01:46:05 |
When everyone has heightened their |
01:46:09 |
...to a degree that's over the top, |
01:46:14 |
...and it just brings it down to earth. |
01:46:17 |
I think it's really important. |
01:46:20 |
If he has a serious scene, |
01:46:24 |
He doesn't need to be rude to you. |
01:46:27 |
He can go right into it. He's |
01:46:32 |
I think he's extremely brave |
01:46:36 |
Of course, when I first met him, |
01:46:40 |
...I think the day I started working. |
01:46:43 |
He was so warm and open and |
01:46:48 |
...that it made it so much easier |
01:46:54 |
A lot of my scenes are with him |
01:46:59 |
I had a blast. I felt so lucky |
01:47:03 |
It just made it so much more fun. |
01:47:06 |
Time flew by. We had such a |
01:47:11 |
Everyone got along. |
01:47:14 |
That made it easier. |
01:47:17 |
I didn't have to work every day |
01:47:22 |
Even on my days off, |
01:47:25 |
But when I was working, I was |
01:47:33 |
His ex-partner... |
01:47:36 |
...stole some money from him, gave it |
01:47:41 |
...and it was his money. |
01:47:45 |
So I'm here and he's... |
01:47:48 |
The old Doheny mansion, we're using |
01:47:53 |
So I'm here to kind of facilitate |
01:47:58 |
Well, he shoots holes in my genuine... |
01:48:02 |
...my genuine alligator bags... |
01:48:05 |
...filled with suits that, of course, |
01:48:11 |
See how nasty he is? |
01:48:15 |
Mel's a ball to work with. |
01:48:19 |
He's always coming back with stuff. |
01:48:23 |
We worked in Maverick. It was |