Perfect Murder A
|
00:01:10 |
Subtitle Corrected and Added By MohammaD [SHoCk] |
00:02:45 |
There you are. |
00:02:48 |
And how was your day? |
00:02:51 |
l'm working on it. |
00:02:55 |
So l guess you changed |
00:02:57 |
Not really. Told you |
00:03:01 |
What happened with that dinner |
00:03:03 |
You made it sound so unavoidable. |
00:03:05 |
lt was. |
00:03:06 |
Fortunately, they missed their plane. |
00:03:11 |
Here's to... |
00:03:13 |
...stolen moments. |
00:03:21 |
You look so handsome, |
00:03:48 |
Nobody home? |
00:03:49 |
l left some Security Council |
00:03:53 |
Anything earth-shattering? |
00:03:56 |
No, it's just important enough |
00:04:01 |
You look incredible. |
00:04:04 |
Yeah, but we have to hurry. |
00:04:22 |
l prefer this one. |
00:04:27 |
Right. |
00:04:55 |
Can l have a picture, please? |
00:04:57 |
This way. This way, please. |
00:05:03 |
Hold it! One more. |
00:05:09 |
There's Andrew, good to see him. |
00:05:13 |
Steven, it's so nice to see you. |
00:05:14 |
Nice to see you. |
00:05:16 |
lKeep up the good work, all right? |
00:05:18 |
That's Steven Taylor and his wife Emily. |
00:05:22 |
Well, at last. |
00:05:23 |
The beautiful people have arrived. |
00:05:25 |
-Fantastic dress! |
00:05:29 |
l didn't expect to see you tonight, |
00:05:31 |
Why is that? |
00:05:33 |
l thought you'd be up to your ass |
00:05:35 |
Rumors of my death have been |
00:05:39 |
All l need is her phone number. |
00:05:41 |
Absolutely. l have to go see about |
00:05:44 |
Lovely. Thank you, darling. |
00:05:46 |
Bulk of the temple's hieroglyphics |
00:05:50 |
...to the gods of fertility. |
00:05:51 |
l do believe l know his work. |
00:05:54 |
Perhaps we could come along |
00:05:57 |
...and have a look around. |
00:06:26 |
You said he wasn't coming. |
00:06:27 |
He changed his mind. |
00:06:30 |
What are we going to do? |
00:06:33 |
Nothing. |
00:06:35 |
Just relax. |
00:06:37 |
He doesn't know who l am, right? |
00:06:38 |
No. |
00:06:41 |
You're a peach. |
00:06:44 |
Lunch tomorrow? |
00:06:46 |
And tomorrow... |
00:06:48 |
...and tomorrow. |
00:06:50 |
So l leave you alone for 30 seconds |
00:06:54 |
Steven, l'd like to |
00:06:57 |
-Pleasure. |
00:06:59 |
David is a painter. |
00:07:01 |
l saw some of his pieces downtown |
00:07:04 |
What brings you uptown to our |
00:07:07 |
Actually, Emily was kind enough |
00:07:11 |
Me too. |
00:07:14 |
So, tell me about your work... |
00:07:17 |
...David? |
00:07:18 |
A couple small galleries |
00:07:21 |
And you studied formally? |
00:07:22 |
Berkeley, Cal Arts. |
00:07:24 |
Almost formally graduated too. |
00:07:28 |
Too much studying can pollute |
00:07:31 |
He's wonderful. |
00:07:32 |
l'd love to see your pieces, |
00:07:36 |
Whenever you want. |
00:07:37 |
Emily has your number? |
00:07:40 |
No. The gallery can get ahold of me. |
00:07:45 |
Yes. |
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And if you're as good |
00:07:49 |
...l'll be glad to pass the word on |
00:07:53 |
Thanks. That's very generous. |
00:07:55 |
lt's very nice to meet you. |
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You too. |
00:07:58 |
Pleasure to see you. |
00:08:22 |
We cannot be held accountable... |
00:08:25 |
...for the actions of others |
00:08:30 |
...from the inadvertent displacement |
00:08:33 |
Madame Ambassador. |
00:08:35 |
This is the same speech he gave in |
00:08:44 |
Showoff. |
00:08:47 |
Good morning. How are you? |
00:08:48 |
Fine, thank you. |
00:08:50 |
Steven, spreads are blowing out. |
00:08:53 |
The way things look in Europe, |
00:08:56 |
-So what are we talking? |
00:09:00 |
The Bundesbank will have to tag along. |
00:09:02 |
Your yen and mark positions |
00:09:05 |
So what's our exposure? |
00:09:07 |
Based on my preliminary trend model? |
00:09:09 |
Yes. No frills. |
00:09:11 |
Think Chernobyl. |
00:09:23 |
Greenpoint, next stop. |
00:09:51 |
What you got there? |
00:09:52 |
lt's a little surprise. |
00:09:54 |
Come on up. |
00:10:01 |
Here's your fortune. |
00:10:04 |
''You have a deep interest |
00:10:09 |
lt's true. |
00:10:13 |
You didn't have to get |
00:10:16 |
Well, you need a little civilizing. |
00:10:22 |
What do you need? |
00:10:28 |
What do you need? |
00:10:37 |
You know, we could be in Belize this |
00:10:41 |
Belize. |
00:10:43 |
You ever been there? |
00:10:46 |
You'd think you'd died |
00:10:48 |
But l already think that. |
00:11:02 |
You look so pretty today. |
00:12:17 |
Hey, it's David. Leave one. |
00:12:22 |
David, hi. It's Steven Taylor. |
00:12:26 |
I thought I might come by |
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Say about six. |
00:12:32 |
If that flies with you, call me |
00:12:37 |
... 1-8-1-7. |
00:12:40 |
I look forward to seeing you. |
00:12:45 |
What are you going to do? |
00:12:50 |
l guess l'll call him. |
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Be kind of weird if l didn't, |
00:12:56 |
You're playing with fire, David. |
00:13:01 |
lf you're so upset about it, |
00:13:06 |
l didn't. |
00:13:28 |
Mr. Taylor? |
00:13:30 |
Hi. Here, sit down. |
00:13:34 |
That was stupid. Sorry about that. |
00:13:40 |
Thanks very much. |
00:13:42 |
Drink? |
00:13:44 |
No, l'm okay. |
00:13:46 |
Unless you want another one. |
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l just had us meet here because |
00:13:51 |
Like an illegal loft space? |
00:13:54 |
That's one way to put it. |
00:13:57 |
l feel like l'm knee-deep |
00:14:00 |
Lead on. |
00:14:12 |
How's Emily? |
00:14:13 |
She's fine, thank you. |
00:14:16 |
Well, be sure and say ''hi.'' |
00:14:19 |
l will. |
00:14:22 |
One more. |
00:14:25 |
Building's over 1 00 years old now. |
00:14:33 |
Watch your step. |
00:14:52 |
Well, l can certainly see |
00:14:56 |
Yeah? What's that? |
00:14:58 |
Your work. lt's... |
00:15:00 |
...very trashy... |
00:15:02 |
...but potent. |
00:15:04 |
Trashy? |
00:15:05 |
ls that what she said? |
00:15:12 |
Your anger... |
00:15:14 |
...it's very controlled. |
00:15:16 |
You think l'm angry? |
00:15:19 |
The anger in your work. |
00:15:22 |
The color of despair. |
00:15:25 |
Wonder where that comes from. |
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l don't know. |
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lnside, l guess. |
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lnside... |
00:15:34 |
...indeed. |
00:15:38 |
Nowhere to sit but the goddamned bed. |
00:15:51 |
You know, l envy you. |
00:15:53 |
You envy me? |
00:15:55 |
You should be... |
00:15:56 |
...flattered. |
00:15:59 |
lt's a pathetic emotion. |
00:16:03 |
Sneaks up on you like cancer. |
00:16:06 |
l've got it and you know why. |
00:16:10 |
No. |
00:16:11 |
Oh, of course you do. |
00:16:14 |
One of life's legitimately |
00:16:20 |
...utterly complete. |
00:16:22 |
What? |
00:16:24 |
Fucking my wife. |
00:16:29 |
Mr. Taylor, l don't know-- |
00:16:31 |
l think it's about time |
00:16:37 |
We're in love, sir. |
00:16:41 |
That's it? |
00:16:43 |
That's it? |
00:16:45 |
You steal the crown jewel |
00:16:49 |
...and your only excuse is some |
00:16:54 |
Even if it was true, |
00:16:57 |
lf what were true? |
00:16:59 |
She is in love. |
00:17:00 |
You, buddy... |
00:17:02 |
...you're in business. |
00:17:03 |
What the hell are you saying? |
00:17:05 |
l'm saying you did not meet |
00:17:09 |
l'm saying |
00:17:14 |
l'm saying you learned to paint while |
00:17:19 |
...for relieving a widow |
00:17:24 |
Your second conviction... |
00:17:26 |
...if l'm not mistaken. |
00:17:30 |
Your real name is Winston Lagrange, |
00:17:34 |
Born to pure trailer trash |
00:17:38 |
Ward of the courts |
00:17:40 |
You went from pickpocket to car thief |
00:17:44 |
...that you had a way |
00:17:48 |
No doubt looking for that mother |
00:17:52 |
A life made up completely |
00:17:55 |
...until now. |
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Where'd you get all that? |
00:17:58 |
All that is for sale. |
00:18:02 |
...half-bad with a brush. |
00:18:05 |
Called rehabilitation. |
00:18:06 |
lt's called a con and my wife |
00:18:09 |
But you set your sights |
00:18:13 |
She loves me. |
00:18:14 |
She loves David Shaw, |
00:18:17 |
Not that it matters, because you've |
00:18:21 |
Play it out. |
00:18:22 |
Love conquers all. |
00:18:24 |
Emily divorces me. She marries you. |
00:18:29 |
Given your history, her advisors |
00:18:34 |
You might storm the castle... |
00:18:36 |
...but you ain't getting the keys |
00:18:39 |
l don't care about that. |
00:18:41 |
The swindler doesn't care about a |
00:18:45 |
Why don't you cut the shit! |
00:18:47 |
You care, or we would not be having |
00:18:51 |
The only thing that stops you from |
00:18:59 |
Now what? |
00:19:01 |
Choices. |
00:19:03 |
l can tell Emily exactly who you are... |
00:19:05 |
...and life will imitate art. You |
00:19:11 |
Or? |
00:19:13 |
Or you can cash out. |
00:19:15 |
Cash out? |
00:19:17 |
Half a million dollars. |
00:19:19 |
Tax-free. |
00:19:24 |
Just for walking away from her? |
00:19:27 |
l said tax-free. l didn't say free. |
00:19:33 |
What's 500 grand for? |
00:19:36 |
lKilling my wife. |
00:19:47 |
Emily? |
00:19:49 |
lmagine my embarrassment |
00:19:52 |
One hundred thousand now... |
00:19:54 |
...four hundred thousand after, |
00:20:04 |
You're out of your mind. |
00:20:06 |
Not really. |
00:20:10 |
Why? |
00:20:11 |
l appreciate your curiosity, but my |
00:20:18 |
l guess l'll just go straight |
00:20:22 |
Well, that would be |
00:20:26 |
...Winston. |
00:20:27 |
And what if l call the cops? |
00:20:32 |
Have you ever been |
00:20:39 |
There was a lady there who was |
00:20:44 |
He was a hell of a tennis player. |
00:20:46 |
Anyway, when the affair ended... |
00:20:48 |
...he disappeared... |
00:20:50 |
...along with the lady's bearer bonds. |
00:20:55 |
You sure you've never been there? |
00:20:58 |
Not that l recall. |
00:21:01 |
An acquaintance of mine has |
00:21:07 |
All they need is a name... |
00:21:10 |
...as in, strike three. |
00:21:14 |
1 5 years. |
00:21:16 |
No parole. |
00:21:19 |
You think you got a box big enough |
00:21:26 |
Why don't you come by the apartment |
00:21:30 |
...unless you have a previous |
00:21:36 |
l assume you know where l live. |
00:22:33 |
This is crazy. l don't understand. |
00:22:37 |
...goes by and you don't say one thing? |
00:22:39 |
Are you going to leave Steven? |
00:22:41 |
Talk to me. |
00:22:42 |
l will, if you shut up for one second. |
00:22:45 |
All right, l'm waiting. |
00:22:48 |
l didn't tell you |
00:22:51 |
You cried at our wedding, |
00:22:53 |
-l cry at every wedding. |
00:22:57 |
You like the idea of us. |
00:22:59 |
Everybody does. |
00:23:01 |
But you have no idea who he is. |
00:23:04 |
-l know Steven. |
00:23:07 |
You don't know that every single |
00:23:12 |
Okay? You don't know that he has |
00:23:23 |
What are you going to do? |
00:23:25 |
l don't know. |
00:23:27 |
l'm going to figure out a way |
00:23:31 |
What makes you think he doesn't know? |
00:23:33 |
Because there's no way. |
00:23:35 |
l mean, he knows that something's |
00:23:41 |
Does David have a last name? |
00:23:44 |
Shaw. David Shaw. |
00:23:46 |
And he knows about your family? |
00:23:49 |
What do you mean? |
00:23:51 |
What do you think l mean? |
00:23:53 |
Come on. You know we don't talk |
00:23:56 |
ln six months, |
00:23:58 |
No! |
00:23:59 |
Believe me, okay? |
00:24:02 |
David has absolutely no interest |
00:24:07 |
...and me. |
00:24:09 |
And you. |
00:24:12 |
ls that why you're not wearing |
00:24:19 |
Oh, my God! |
00:24:22 |
What? |
00:24:23 |
l left it at David's. |
00:24:35 |
Working late? |
00:24:38 |
No, l was having a drink with Raquel. |
00:24:40 |
And how is the Castilian femme fatale? |
00:24:47 |
By the way, l saw your friend |
00:24:50 |
Really? |
00:24:52 |
He honored me with a visit |
00:24:55 |
You're kidding! |
00:24:57 |
And where's that? |
00:24:59 |
Greenpoint, Brooklyn. |
00:25:01 |
How'd you get his number? |
00:25:03 |
l called some of those obscure |
00:25:07 |
...dropped your name. |
00:25:10 |
You're right. |
00:25:11 |
He's very talented. |
00:25:15 |
Did you buy anything? |
00:25:17 |
l made him an offer. |
00:25:25 |
And? |
00:25:27 |
And he's chewing on it. |
00:25:49 |
Good morning. |
00:26:09 |
-Hi, it's me. |
00:26:12 |
-l left my wedding ring. |
00:26:14 |
I put it away before he got here. |
00:26:16 |
Thank God! |
00:26:20 |
What did you guys talk about? |
00:26:24 |
He wasn't here that long. |
00:26:28 |
He didn't have a clue. |
00:26:32 |
He said that he made you an offer. |
00:26:34 |
Matter of fact, he did. |
00:26:35 |
What piece? |
00:26:37 |
lt's one you haven't seen. |
00:26:40 |
l thought l'd seen all of them. |
00:26:42 |
Well, almost. |
00:26:44 |
Listen, turns out l got to take |
00:26:48 |
-Why? What's wrong? |
00:26:51 |
Some people down here |
00:26:54 |
...and it would be a good commission. |
00:26:57 |
You sound funny. |
00:26:58 |
Do l? |
00:27:00 |
Yeah. |
00:27:02 |
l guess it's called |
00:27:06 |
Tomorrow, then. |
00:27:08 |
Reservation for two. |
00:27:10 |
Quiet table, in back. |
00:27:13 |
Very quiet. |
00:27:17 |
You know l love you. |
00:27:18 |
l know. |
00:27:20 |
Bye. |
00:28:09 |
-ls that by...? |
00:28:12 |
People with money |
00:28:16 |
And what are those? |
00:28:19 |
Anything, everything, as long |
00:28:23 |
Don't worry. None of this would've |
00:28:27 |
Everything you see here it's mine. |
00:28:30 |
Why don't you drop that |
00:28:39 |
That's nice. |
00:28:45 |
There was a robbery |
00:28:48 |
Probable means of entrance... |
00:28:51 |
...was this driveway gate. |
00:28:53 |
That granite facade creates a blind |
00:28:57 |
lt was never corrected, |
00:28:59 |
How do you know that? |
00:29:01 |
l'm on the board. |
00:29:07 |
You enter as l leave at 8 p.m. |
00:29:10 |
l'm not going to pull |
00:29:14 |
The gate takes 5 seconds to close. |
00:29:17 |
...as l drive by. |
00:29:19 |
Then you enter the stairs |
00:29:23 |
The key to the front door also works |
00:29:35 |
l'm going to take the key from |
00:29:39 |
...and l'm going to put it in this... |
00:29:40 |
...and hide it here... |
00:29:42 |
...right behind the pipe. |
00:29:45 |
-Where're you going to be? |
00:29:49 |
Why don't you leave me your key? |
00:29:50 |
My key implicates me. |
00:29:53 |
lt could've been lost or stolen. |
00:29:55 |
ln any case, she's not going |
00:29:59 |
Why don't you make me |
00:30:01 |
lt's two loose ends, |
00:30:05 |
This door is always bolted. She |
00:30:10 |
You'll be in the stairwell at 9:30. |
00:30:13 |
By that time, Emily |
00:30:16 |
She will? How do you know? |
00:30:18 |
Because that's what she does |
00:30:22 |
Why not do it in the tub? |
00:30:25 |
Because that'll look like |
00:30:28 |
lt has to appear that |
00:30:32 |
All right? |
00:30:35 |
This is a separate telephone line. |
00:30:37 |
Exactly 1 0 p.m., l will call here. |
00:30:41 |
Emily will answer the phone. |
00:30:44 |
You will enter. |
00:30:47 |
A tragic confrontation will ensue. |
00:30:51 |
lt should appear to be... |
00:30:53 |
...stupid... |
00:30:55 |
...and spur-of-the-moment. |
00:30:58 |
l've always thought that ''bludgeon'' |
00:31:03 |
Maybe you could use one of these. |
00:31:07 |
Rifle the jewelry in the bedroom. |
00:31:10 |
Disable the service entrance lock. |
00:31:14 |
Put the key back under the pipe, |
00:31:19 |
And what happens |
00:31:22 |
lt won't. |
00:31:41 |
So when is this card game of yours? |
00:31:44 |
-Tomorrow night. |
00:31:45 |
No fucking way! |
00:31:47 |
A man with your résumé should |
00:31:50 |
1 00 thousand. |
00:31:55 |
A man with my résumé should |
00:31:57 |
Bet you 400 thousand more you don't. |
00:32:48 |
Yes, l understand that. |
00:32:49 |
But if we can't get numbers |
00:32:52 |
...then we can't position |
00:32:55 |
Okay, great. l'll tell her to expect |
00:33:24 |
That's not happiness to see me, is it? |
00:33:27 |
Try surprise. |
00:33:29 |
l had an unexpected hole in my schedule |
00:33:32 |
...lunch with my beautiful |
00:33:36 |
But l guess you have other plans. |
00:33:37 |
-What makes you say that? |
00:33:40 |
lt's just errands. |
00:33:41 |
Like shopping for a new wedding ring. |
00:33:44 |
One of the settings felt a bit loose... |
00:33:46 |
...so l just took it in, |
00:33:49 |
And what if there were no tomorrow? |
00:33:52 |
What does that mean? |
00:33:53 |
Wouldn't you regret not having |
00:33:58 |
Of course. |
00:34:31 |
-Enjoy your meal and bon appétit. |
00:34:47 |
l've got to get back to Francesca |
00:34:50 |
All right, we'll go out-- |
00:34:54 |
l got to break this up. |
00:35:59 |
Hey, it's David. Leave one. |
00:36:03 |
David, are you there? |
00:36:07 |
He was waiting for me outside... |
00:36:09 |
...to take me to lunch. |
00:36:10 |
I had no idea. |
00:36:16 |
You know what? |
00:36:18 |
l can't do this anymore. |
00:36:23 |
Hi, l'm here. l'm here. |
00:36:26 |
l'm really sorry. |
00:36:28 |
lt's okay. |
00:36:29 |
He's never done that before. |
00:36:32 |
No, he doesn't. |
00:36:34 |
Don't let your mind |
00:36:38 |
l cannot live like this anymore. |
00:36:40 |
lt's not right. lt's not fair to him. |
00:36:43 |
Tell him what, exactly? |
00:36:46 |
Tell him everything, tonight. |
00:36:48 |
Look... |
00:36:50 |
...we've waited this long. |
00:36:53 |
...so we can figure it out together. |
00:36:55 |
You know? So l can help you. |
00:36:59 |
l don't know. |
00:37:00 |
l do. |
00:37:03 |
l do know. |
00:37:06 |
Honey, don't panic. |
00:37:25 |
Good night, Mr. Taylor. |
00:37:27 |
l'm on my way. |
00:37:29 |
Everything's prepared for you. |
00:37:33 |
Give my best to Mrs. Taylor. |
00:38:07 |
So how was the rest of your day? |
00:38:11 |
Fairly brutal. |
00:38:14 |
l'm sorry to hear about that. |
00:38:19 |
l don't want you to go tonight. |
00:38:23 |
What's wrong? |
00:38:27 |
l'd like to talk to you. |
00:38:32 |
lt's too late. |
00:38:34 |
They'll never get anybody to fill in. |
00:38:37 |
Besides, l beat them pretty bad last |
00:40:24 |
You scared me. |
00:40:27 |
l just wanted to say goodbye. |
00:40:40 |
l'll call you later. |
00:40:44 |
l might run down to Nick's for a burger |
00:40:50 |
l won't, |
00:40:53 |
Why is that? |
00:40:55 |
l had Janice make |
00:40:58 |
Really? |
00:41:01 |
Thought we could eat before the game. |
00:41:04 |
Wish me luck. |
00:41:06 |
Good luck. |
00:42:56 |
-$ 1 ,000 to you, George. |
00:43:03 |
-Call. |
00:43:05 |
Last one, gentlemen. |
00:43:14 |
-Got to have more than that. |
00:43:51 |
-Gentlemen, same game. |
00:44:04 |
l'm out. |
00:44:26 |
Must be morning in Hong lKong. |
00:44:50 |
There's my cards. |
00:44:52 |
Let's have a better hand this time. |
00:45:32 |
You've got to be kidding me. |
00:46:02 |
That's a serious bet. |
00:46:12 |
Who is this? |
00:47:33 |
New game, new winner, all right? |
00:47:41 |
l'm in. |
00:47:42 |
Put your money up. Here we go. |
00:47:46 |
Different winner this time, |
00:47:49 |
l liked the last one. |
00:49:23 |
Oh, my God. |
00:49:28 |
-What happened? |
00:49:32 |
He's in the kitchen. |
00:49:33 |
Mrs. Taylor, please stay on the line. |
00:49:36 |
Ma'am? Ma'am? |
00:49:45 |
Oh, Jesus. |
00:51:05 |
Police! Open up! |
00:51:16 |
Open up! |
00:51:19 |
-Mr. Taylor? |
00:51:21 |
He's in the kitchen. |
00:51:37 |
You didn't hear any... |
00:51:39 |
...strange sounds... |
00:51:43 |
...prior to your entering the kitchen? |
00:51:47 |
No, just the phone call. |
00:51:49 |
But before that, nothing unusual? |
00:52:00 |
-How you guys doing? |
00:52:04 |
l want you to dust the elevator cage... |
00:52:06 |
...and the banister. |
00:52:08 |
Mo, be out of here in 1 5, 20 minutes. |
00:52:13 |
Maybe. |
00:52:22 |
Detective lKaraman. |
00:52:23 |
Steven Taylor. |
00:52:24 |
Pleasure, sir. |
00:52:27 |
No, not at all. |
00:52:29 |
l noticed what l assume |
00:52:31 |
...in the blood around the deceased. |
00:52:34 |
-Can l assume those are yours? |
00:52:36 |
May l ask what you were doing? |
00:52:39 |
Making sure he was dead. |
00:52:43 |
Was he? |
00:52:44 |
Appeared to be, yes. |
00:52:46 |
Take his pulse? |
00:52:48 |
No. |
00:52:50 |
You see right there? |
00:52:53 |
Did you lean over him for something? |
00:52:55 |
l tried to determine whether |
00:52:59 |
-Was he? |
00:53:02 |
Let's take a look. |
00:53:27 |
Something wrong? |
00:53:31 |
Aside from a dead man |
00:53:35 |
For a moment, |
00:53:37 |
l don't think so. |
00:53:39 |
Why's that? |
00:53:41 |
l never forget a face. |
00:53:43 |
Anything else? |
00:53:44 |
Not this second. |
00:53:45 |
Your wife will have to come down |
00:53:48 |
When? |
00:53:49 |
As soon as she's ready. |
00:53:51 |
Mr. Taylor... |
00:53:52 |
...are you aware of anyone |
00:53:55 |
My wife has no enemies. |
00:53:59 |
Thanks, Detective. |
00:54:12 |
l know, baby, l know. |
00:54:15 |
lt's okay. |
00:54:19 |
You're going to be all right. |
00:54:29 |
What do you think? |
00:54:31 |
l believe her. |
00:54:33 |
What about him? |
00:54:38 |
l couldn't say. |
00:54:44 |
You know, Mo... |
00:54:47 |
...rich people are different |
00:54:50 |
How? |
00:54:51 |
They got a fuck of a lot more money, |
00:54:55 |
Very good, Bobby. |
00:55:50 |
Hey, Mo, you going to turn it up, |
00:55:58 |
l like it like this. |
00:56:00 |
You had said before... |
00:56:03 |
...that they did not speak. |
00:56:06 |
They didn't. |
00:56:07 |
They listened. |
00:56:08 |
What about background noise? |
00:56:10 |
-Did you hear anything else? |
00:56:13 |
Maybe you should let your wife |
00:56:16 |
She's been through enough tonight. |
00:56:20 |
We're almost through, Mrs. Taylor. |
00:56:22 |
There's just a couple more things |
00:56:26 |
Remember what time you got home, |
00:56:31 |
1 1 , 1 1 :30. Came from my regular |
00:56:40 |
You'll love this. |
00:56:47 |
We've l.D.'d the man |
00:56:51 |
May l? |
00:56:52 |
Sure. |
00:56:56 |
This man is a career criminal. |
00:56:58 |
You couldn't dream up a better |
00:57:03 |
Your wife's on three. |
00:57:26 |
How old is your boy? |
00:57:32 |
One month. |
00:57:34 |
ls he ill? |
00:57:35 |
Colic. |
00:57:37 |
May God watch over your son |
00:57:40 |
And you as well. |
00:57:43 |
l'm glad we got that cleared up. |
00:57:46 |
l'm going to ask you |
00:57:50 |
But she is. |
00:57:51 |
We're going to her mother's house. |
00:57:55 |
Wait. Hold on. |
00:57:56 |
Why? She hasn't been charged. |
00:57:59 |
So it's really just a matter |
00:58:01 |
Courtesy on our part. |
00:58:04 |
lf you happen to think |
00:58:10 |
l don't know what else |
00:58:12 |
Probably nothing. |
00:58:15 |
May you go in safety. |
00:58:17 |
And you as well. |
00:59:13 |
My baby. |
00:59:34 |
l'm just down the hall, baby. |
01:00:17 |
Here you go. |
01:00:21 |
By tomorrow, this will all seem |
01:00:31 |
And what if there were no tomorrow? |
01:00:41 |
You know better than that. |
01:00:47 |
Sleep well. |
01:01:08 |
Please tell me. |
01:01:10 |
How could something like this happen? |
01:01:12 |
Sandra, l don't know. |
01:01:14 |
l've gone over it |
01:01:18 |
The world's gone crazy. |
01:01:51 |
Roger's prepared a statement. |
01:01:54 |
...so l'll probably |
01:01:57 |
...and l'll come back |
01:01:59 |
...if she's all right. |
01:02:05 |
It's me. |
01:02:08 |
l just wanted to tell you |
01:02:13 |
And I'm not in the city, |
01:02:19 |
I love you. |
01:02:27 |
l don't want her to be rushed. |
01:02:45 |
No, of course not. |
01:02:47 |
l don't want her to be rushed either. |
01:02:49 |
l'm going to check on our patient. |
01:03:22 |
Sorry, David. |
01:03:26 |
But I think you and I've |
01:04:02 |
Who was he? |
01:04:05 |
Somebody l met at Berkeley. |
01:04:09 |
Can he be connected to you? |
01:04:12 |
Not anymore. |
01:04:20 |
You got any idea |
01:04:25 |
Yeah. |
01:04:27 |
You're the guy who hired me |
01:04:29 |
...because you couldn't |
01:04:32 |
Well, neither could l. |
01:04:37 |
So how do you know |
01:04:40 |
Ron was a good man. |
01:04:42 |
Not quite good enough. |
01:04:51 |
Okay. |
01:04:54 |
So what's plan B? |
01:04:57 |
lt's a little coincidental |
01:05:00 |
Gee, you think? |
01:05:05 |
So we wait. |
01:05:07 |
For what? |
01:05:10 |
l'll let you know. |
01:05:21 |
Do l keep fucking your wife |
01:05:37 |
Thank you, Charles. |
01:05:43 |
Steven called while you were asleep. |
01:05:46 |
He's getting everything ready |
01:05:49 |
He wants to send the car |
01:05:52 |
l'm not going home. |
01:05:55 |
l'm going to move in with Raquel |
01:06:00 |
Em, what's going on? |
01:06:04 |
l'm leaving Steven. |
01:06:40 |
They've started liquidating |
01:06:44 |
Which ones? |
01:06:45 |
DMG and Barclays. |
01:06:47 |
Why didn't anybody tell me? |
01:06:49 |
We tried, Steven. |
01:06:53 |
l said no calls! |
01:07:29 |
Albert. |
01:07:30 |
-May l please have our house key? |
01:07:35 |
What happened to yours? |
01:07:36 |
l've absolutely no idea. |
01:07:40 |
Did my husband change the locks? |
01:07:43 |
No, not that l know of. |
01:08:28 |
Who is this? |
01:09:01 |
Emily, it's me. |
01:09:03 |
l didn't hear you come in. |
01:09:04 |
Because you left |
01:09:10 |
Don't. |
01:09:14 |
l'm your husband. |
01:09:18 |
Oh, God! l can't stay here. |
01:09:21 |
lt's all right. |
01:09:25 |
l can't stay with you, Steven. |
01:09:27 |
l can't stay with you anymore. |
01:09:30 |
Raquel's waiting for me downstairs. |
01:09:48 |
Okay, there are fresh towels |
01:09:50 |
...and you can have anything |
01:09:52 |
...including your favorite yogurt. |
01:09:55 |
Let me ask you a question. |
01:09:58 |
What do you think Steven would do |
01:10:08 |
Screwing around is the second oldest |
01:10:12 |
Really? And what would be the first? |
01:10:15 |
Money, honey. |
01:10:22 |
But Steven's already rich and you with |
01:10:31 |
Tell me you had a prenup. |
01:10:34 |
He offered. l said no. |
01:10:38 |
So if you die he gets, like... |
01:10:42 |
...a hundred million bucks? |
01:10:44 |
Something like that. |
01:10:49 |
Lucky guy. |
01:11:09 |
l assume you have a very good reason |
01:11:14 |
We'll sure miss you around here. |
01:11:18 |
Come. |
01:11:20 |
Come and see me on your way out. |
01:11:24 |
This is Robert Harrington. |
01:11:26 |
Bobby is the Deputy Director |
01:11:30 |
Please. |
01:11:33 |
Take all the time that you need. |
01:11:43 |
Mrs. Taylor... |
01:11:45 |
...passing this kind of information, |
01:11:48 |
...is unethical. |
01:11:49 |
l understand. |
01:11:53 |
Your husband has been buying U.S. |
01:11:57 |
...and using those securities |
01:12:01 |
That's illegal. |
01:12:02 |
ln fact, his company's been under |
01:12:07 |
Some months ago... |
01:12:08 |
...U.S. interest rates started |
01:12:11 |
He should've gotten some horrific |
01:12:14 |
...but the banks he's in bed with |
01:12:17 |
...hoping that things |
01:12:20 |
lt isn't happening. |
01:12:22 |
Sooner or later... |
01:12:24 |
...those margin calls will come. |
01:12:27 |
And when they do, |
01:12:30 |
...wiped out. |
01:12:56 |
Yep, where's the subpoena? |
01:12:58 |
But l can't get |
01:13:01 |
l've waited two days. |
01:13:06 |
Just get back to me. |
01:13:09 |
Detective. |
01:13:11 |
Please sit down. |
01:13:15 |
To what do l owe the pleasure, |
01:13:21 |
l have some information |
01:13:23 |
Concerning? |
01:13:26 |
lt seems that he's in serious |
01:13:30 |
...and he was hiding it from me. |
01:13:33 |
And l thought that... |
01:13:36 |
...might be a possible reason... |
01:13:38 |
...a possible reason for him to.... |
01:13:40 |
Hire someone to kill you? |
01:13:43 |
Yes. |
01:13:47 |
l know what you're worth, |
01:13:52 |
...and that kind of money |
01:13:54 |
Do you mean he's already a suspect? |
01:13:56 |
Was. |
01:13:58 |
Until we traced a cell phone call |
01:14:02 |
The trace led us to an automated |
01:14:06 |
lt lasted from five minutes |
01:14:11 |
That has to be one of the cleaner |
01:14:15 |
l took your case apart |
01:14:17 |
...then l put it back together again. |
01:14:19 |
There was always one piece |
01:14:22 |
... 1 ike a screw that didn't quite fit. |
01:14:23 |
The dead man had a wallet, |
01:14:27 |
...membership card |
01:14:30 |
...not a single key. |
01:14:33 |
Not one. |
01:14:35 |
Not even to his apartment. |
01:14:41 |
ln case you forgot, Elliot, |
01:14:43 |
l just don't think you've got |
01:14:45 |
This time tomorrow, neither of us |
01:14:49 |
Just don't panic. |
01:14:50 |
You're damn right I am. |
01:14:51 |
So what's it to you? |
01:14:53 |
You know how fast 50 can become 500? |
01:14:56 |
Not now. What's the spot rate? |
01:14:58 |
You look at it. |
01:15:00 |
You're telling me, |
01:15:02 |
l said not now! |
01:15:04 |
I'm sorry, but I have a caller |
01:15:08 |
He says it concerns Emily. |
01:15:12 |
-Who is it? |
01:15:19 |
Who is this? |
01:15:21 |
A tragic confrontation will ensue. |
01:15:25 |
It should appear to be... |
01:15:28 |
...stupid and... |
01:15:29 |
...spur-of-the-moment. |
01:15:32 |
I've always thought that ''bludgeon'' |
01:15:35 |
Maybe you could use one of these. |
01:15:43 |
Meet me at the diner at the corner |
01:15:47 |
Right now. |
01:15:55 |
He was a con named Ronald Diggs. |
01:15:57 |
Fresh from state prison in California. |
01:16:21 |
Must be hard for you. |
01:16:56 |
Mr. Taylor. |
01:16:58 |
You didn't get those |
01:17:00 |
...walking over here, did you? |
01:17:02 |
What do you want? |
01:17:04 |
The rest of my money. |
01:17:06 |
You didn't fulfill your end |
01:17:11 |
So? |
01:17:12 |
So what do l get? |
01:17:15 |
You get this superfine thing. |
01:17:17 |
Hell, you might even call it.... |
01:17:20 |
What was that? |
01:17:21 |
''Legitimately sublime.'' |
01:17:24 |
What exactly is this superfine thing? |
01:17:28 |
You're looking at it. |
01:17:29 |
lt's called time outside of prison, |
01:17:32 |
You can't beat it with a stick. |
01:17:38 |
Exactly how much time does $400,000 |
01:17:45 |
Whatever the market will bear. |
01:17:51 |
lt'll take me a few days. |
01:17:54 |
You got four hours. |
01:17:56 |
That's impossible and you know it. |
01:18:00 |
Come on, Steve. |
01:18:01 |
Your ought to be able to |
01:18:09 |
Where? |
01:18:10 |
My place. |
01:18:12 |
You don't show up with the cash... |
01:18:16 |
...l'll do a mailing of Steven's |
01:18:20 |
l understand. |
01:18:27 |
Make fucking sure you do. |
01:19:01 |
What are you doing here? |
01:22:18 |
That's not happiness to see me, |
01:22:24 |
Try surprise. |
01:22:30 |
The key to the dead man's |
01:22:35 |
Someone put it there |
01:22:37 |
...and there's only one person |
01:22:42 |
Me. |
01:22:44 |
Why? |
01:22:46 |
To protect you. |
01:22:47 |
From what? |
01:22:51 |
Your lover. |
01:22:54 |
Unless somebody else |
01:23:15 |
Oh, my God! |
01:23:18 |
Amazing how you can tell two people |
01:23:22 |
He called me here in the office |
01:23:24 |
...bragged about how hard |
01:23:27 |
l've shelled out over |
01:23:30 |
...but he wants a lot more. |
01:23:32 |
For what? |
01:23:33 |
For breaking it off. |
01:23:37 |
l don't believe you. |
01:23:42 |
Did he mention Belize? |
01:23:46 |
That's where he took |
01:23:50 |
This guy was quite an aphrodisiac |
01:23:55 |
As you can see, he learned to paint |
01:23:58 |
...not at Berkeley. |
01:24:15 |
l don't know where we go from here. |
01:24:17 |
l don't even know if ''we'' |
01:24:21 |
l do know that l have done everything |
01:24:25 |
...career criminal... |
01:24:27 |
...that you've let crawl into our bed. |
01:24:30 |
Why didn't you tell me? |
01:24:34 |
l was sure you were in love with him. |
01:24:37 |
Are you? |
01:24:40 |
l thought that l was. |
01:24:46 |
Oh, my God! l can only imagine |
01:24:55 |
ls this why your business |
01:24:58 |
Trouble? |
01:25:00 |
The banks, margin calls. |
01:25:04 |
How did you know...? |
01:25:06 |
lt hasn't helped, no. |
01:25:08 |
But it's true, isn't it? |
01:25:10 |
Yes, it's true. |
01:25:11 |
But l can always make money. |
01:25:13 |
There's a goddamn sea of it out there. |
01:25:16 |
But there's only one of you. |
01:25:20 |
But why did you put his key |
01:25:26 |
David threatened violence |
01:25:29 |
When l saw the body in the kitchen, |
01:25:33 |
None of the doors had been forced |
01:25:37 |
But when? l had just used it |
01:25:41 |
Are you sure you used your key? |
01:25:45 |
...the door was wide open. |
01:25:49 |
Maybe. |
01:25:50 |
ln which case, he could've taken |
01:25:55 |
Did you see him the day before? |
01:25:58 |
Yes. |
01:26:00 |
So l went through his pockets, |
01:26:04 |
...and l reacted. l grabbed |
01:26:08 |
l put it back in his pocket, then |
01:26:11 |
...and put it on your key chain. |
01:26:14 |
Baby, l am so sorry |
01:26:19 |
But it was the only thing l could do. |
01:26:22 |
Can you ever forgive me? |
01:26:25 |
Honey, l already have. |
01:26:34 |
We have to go to the police. |
01:26:39 |
Why? l don't know if this is really |
01:26:43 |
l've tampered with evidence... |
01:26:45 |
...in a homicide. |
01:26:46 |
l paid off a blackmail. |
01:26:49 |
Just think it through! David could |
01:26:54 |
He could say that |
01:26:56 |
Or he could say he blackmailed us, |
01:26:59 |
lt would appear we killed that poor |
01:27:02 |
All depends |
01:27:04 |
What about the man that l killed? |
01:27:07 |
You think |
01:27:09 |
Well, it must! |
01:27:11 |
Do you have any idea how many |
01:27:16 |
l don't think so. |
01:27:23 |
What are we going to do now? |
01:27:25 |
We're going to have to disentangle |
01:27:31 |
ls there anything in his loft that |
01:27:36 |
My ring. |
01:27:38 |
l thought you told me |
01:27:41 |
That was a lie. |
01:27:46 |
Anything else? |
01:27:48 |
lsn't that enough? |
01:27:53 |
l'll get it. |
01:28:12 |
Will you be home when l get back? |
01:28:15 |
Yes. |
01:29:29 |
l'm on my way. |
01:29:31 |
I'm calling for Mr. Shaw. |
01:29:34 |
Speaking. |
01:29:36 |
This is Truman Travel confirming |
01:29:40 |
Thank you. |
01:30:02 |
Excuse me, sir. |
01:30:03 |
Could you spare 400 grand? |
01:30:05 |
l don't see why not. |
01:30:13 |
Don't think l won't count it |
01:30:15 |
Naturally. |
01:30:19 |
Think of that |
01:30:30 |
Nice doing business with you, Steve. |
01:30:37 |
You take care. |
01:31:57 |
This is the last call for boarding |
01:32:01 |
...departing on track number 1 6. |
01:32:13 |
Right this way. |
01:32:22 |
Here we are, sir. |
01:32:25 |
That's for you. |
01:32:27 |
Thank you, sir. |
01:33:12 |
Just wanted to let you know |
01:33:15 |
Closes at 1 0 sharp. |
01:33:24 |
Okay, everything's fine. |
01:33:40 |
Attention, please. |
01:33:42 |
This is the last call for train 32 |
01:34:00 |
How's that for wet work? |
01:34:06 |
You should thank me. |
01:34:08 |
Artists are always appreciated |
01:34:20 |
You lose. |
01:34:22 |
l'm sorry, you got to speak up. |
01:34:26 |
You're dying. |
01:34:35 |
Steven's... |
01:34:36 |
...greatest hits. |
01:35:04 |
Excuse me. l got an emergency here. |
01:35:07 |
What do you think you're doing? |
01:35:08 |
-This'll make it a little easier. |
01:35:11 |
9 1 st and Fifth. |
01:35:22 |
Good evening. Has there been |
01:35:24 |
Just one. lt came by messenger, |
01:36:52 |
l didn't know you were here. |
01:36:54 |
l was out on the terrace. |
01:37:09 |
Welcome home. |
01:37:18 |
lt's time for a new start. |
01:37:23 |
What do you say we go out for dinner |
01:37:27 |
Just the two of us, |
01:37:30 |
...in the neighborhood. |
01:37:32 |
Like that? |
01:37:36 |
l'll be right back. |
01:39:18 |
Honey? |
01:39:19 |
Yeah? |
01:39:21 |
Let's stay home tonight. |
01:39:27 |
That's sweet of you. Yeah. |
01:39:30 |
l won't. |
01:39:34 |
Before l forget, l think we should |
01:39:46 |
Why? |
01:39:48 |
Because l still can't find my key. |
01:39:54 |
That's a good idea. |
01:39:59 |
Better be safe than sorry. |
01:40:01 |
Thanks. |
01:40:04 |
See you soon. Hurry back. |
01:40:43 |
Must have put it back on his way in. |
01:40:47 |
Didn't plan on that, did you? |
01:40:57 |
Young David... |
01:40:59 |
...he was very unpredictable. |
01:41:02 |
Maybe you'll share a cell. |
01:41:05 |
Why? |
01:41:07 |
Because of this? |
01:41:11 |
l just found the key you lost. |
01:41:14 |
You left it for him. |
01:41:16 |
You mean the man that you killed. |
01:41:18 |
-Sorry, l never met the gentleman. |
01:41:20 |
l think they'll have a hard time |
01:41:23 |
The blackmail proves it. |
01:41:26 |
What blackmail? |
01:41:27 |
There's only one letter... |
01:41:29 |
...and l'm afraid that's vanished. |
01:41:33 |
The thing is, Emily, |
01:41:36 |
...trying to work things out. |
01:41:39 |
Work it out? |
01:41:41 |
Work it out? |
01:41:44 |
Because that's what she does |
01:41:47 |
Like the combination to the safe? |
01:41:50 |
lt's our wedding day, Steven. |
01:41:53 |
Work it out? You work it out |
01:42:02 |
l'll tell you when it's over. |
01:42:25 |
The only way you leave me... |
01:42:27 |
...is dead. |
01:43:28 |
I always thought that ''bludgeon'' |
01:43:34 |
Maybe you can use one of these. |
01:43:39 |
Rifle the jewelry in the bedroom. |
01:43:41 |
Disable the service entrance lock. |
01:43:45 |
Put the key back under the pipe... |
01:43:47 |
...then leave |
01:43:51 |
And what happens |
01:43:56 |
It won't. |
01:44:08 |
He said he was going to kill me. |
01:44:11 |
So l tried to run. |
01:44:13 |
And then he attacks you? |
01:44:18 |
Yes. |
01:44:22 |
What else could you do? |
01:44:35 |
And you as well. |
01:44:40 |
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