|
Peur sur la ville Fear Over the City
|
| 00:01:23 |
Hello? |
| 00:01:29 |
Who is this... What do you want? |
| 00:05:41 |
Don't leave your phone off the hook ever again. |
| 00:05:44 |
How did you get my new number?! |
| 00:05:51 |
I've had enough of you... DO YOU HEAR? ENOUGH! |
| 00:05:56 |
Say "I won't hang up again". |
| 00:06:01 |
I'm tired... My god you are sick. |
| 00:06:06 |
You should get help, you know. |
| 00:06:09 |
Say "I won't hang up again". |
| 00:06:13 |
I... I won't hang up again. |
| 00:06:16 |
Why did you change your number? |
| 00:06:21 |
How did you find it... Hey? |
| 00:06:27 |
It was noted down in your blue book, right next to your phone. |
| 00:06:33 |
WHAT?! |
| 00:06:37 |
You were in here, weren't you?! |
| 00:06:39 |
It's a nice place you have, especially your bed. |
| 00:06:43 |
it has a temperature of great precision... |
| 00:06:44 |
I tried it, soft, supple, perfect for love... |
| 00:06:49 |
A bed that must remind you of a lover, |
| 00:06:50 |
and of your poor husband who is now dead! Right, Norah? |
| 00:06:56 |
You were... a friend of Pierre, is that it? |
| 00:07:01 |
No, nothing like that. But you can tell me about |
| 00:07:06 |
NO!!!. |
| 00:07:07 |
See you in a moment. |
| 00:07:31 |
"Police Headquarter" |
| 00:07:53 |
"Police Headquarter" |
| 00:08:19 |
Hello? |
| 00:08:21 |
Hello, Mr Merclin? |
| 00:08:23 |
This is Norah Elmer, someone is threatening me... |
| 00:08:28 |
-Threatened?! |
| 00:08:31 |
-Please do let ANYONE up! |
| 00:08:35 |
But you know you can go up from the parking... |
| 00:08:41 |
You should call the police. |
| 00:08:43 |
I tried but there's no answer, |
| 00:08:48 |
At night, you have to call the local station. |
| 00:08:51 |
Let me give you the number. |
| 00:08:53 |
Thank you... Go ahead. |
| 00:08:56 |
DEF-44-52 |
| 00:08:59 |
Don't worry madam, we're used to these |
| 00:09:03 |
Psychos turned on by the fear they cause. |
| 00:09:07 |
They all pretend to be coming over, |
| 00:09:12 |
But if he DOES show up, what should I do? |
| 00:09:14 |
Call us back and we'll be there in less than 5 minutes |
| 00:09:19 |
-Goodnight, madam. |
| 00:10:41 |
Help! |
| 00:11:05 |
Well! We thought you'd never show up! |
| 00:11:09 |
I think I might have scared your neighbor. |
| 00:11:15 |
147 Georges Melies ave, |
| 00:11:19 |
she jumped from the 17th floor. |
| 00:11:23 |
Summary identification: Norah Elmer. |
| 00:11:26 |
The fall is probable cause of death. |
| 00:11:29 |
Claimed to have been threatened over the phone. |
| 00:11:31 |
We are staying here until forensic arrives. |
| 00:11:33 |
10-4 |
| 00:11:45 |
Hello, 7th brigade? 147 Georges Melies ave |
| 00:11:52 |
Window jump. Victim's name: Norah Elmer. |
| 00:11:54 |
I'm alerting criminal investigation. |
| 00:11:58 |
Hello... Z-2 calling AV-108. Z-2 calling AV-108. |
| 00:12:06 |
Hello... Z-2 calling AV-108. Z-2 calling AV-108. |
| 00:12:53 |
Who's that? |
| 00:12:57 |
Lazlo Pap |
| 00:13:00 |
Good. |
| 00:13:02 |
And that? |
| 00:13:04 |
Max Cohen. |
| 00:13:06 |
Very Good. And that... He's an actor, right? |
| 00:13:11 |
Jean Gabin! |
| 00:13:13 |
Very Good. |
| 00:13:17 |
And him? |
| 00:13:23 |
Him... I don't know.. |
| 00:13:29 |
He's not an actor... |
| 00:13:32 |
He's not a boxer... |
| 00:13:49 |
What's down there? |
| 00:13:51 |
Nothing... Just a cellar. |
| 00:13:54 |
Just bottles, old junk piling up just like |
| 00:14:22 |
Don't shoot! |
| 00:14:39 |
What the hell is this? |
| 00:14:48 |
He didn't want to hurt you, boss. |
| 00:14:50 |
He got scared. |
| 00:14:53 |
-You're ok? |
| 00:14:55 |
Let him go. |
| 00:15:00 |
He didn't want to hurt you, boss. |
| 00:15:03 |
Alright. |
| 00:15:05 |
Where from? |
| 00:15:06 |
Africa. Mali. |
| 00:15:09 |
And you live in "this"? |
| 00:15:11 |
-Yes boss. |
| 00:15:14 |
Forty. |
| 00:15:16 |
How much does it cost? |
| 00:15:19 |
30 fr. each, monthly. |
| 00:15:22 |
He's really milking that cellar! |
| 00:15:28 |
Knife. |
| 00:15:42 |
Well, we owe you an apology. |
| 00:15:44 |
You were right. |
| 00:15:50 |
Quite your average cellar. |
| 00:15:53 |
With old bottles, "things" piling up. |
| 00:15:58 |
Nothing special. |
| 00:16:01 |
Hey! Look at you! You're bleeding. |
| 00:16:05 |
Well, I am! |
| 00:16:08 |
Isn't that a knife wound? |
| 00:16:12 |
Now that you mention it... |
| 00:16:14 |
Who could have knifed you? |
| 00:16:17 |
-There's no one in the cellar... |
| 00:16:20 |
There's no one in the bistro. |
| 00:16:25 |
Who could have done it? |
| 00:16:32 |
What, are you crazy?! |
| 00:16:34 |
Knifing a police office, isn't THAT crazy? |
| 00:16:37 |
I didn't knife anyone! |
| 00:16:39 |
And this? |
| 00:16:41 |
That's not mine! |
| 00:16:48 |
Yes, well your prints are on it now. |
| 00:16:54 |
So... he's not an actor... |
| 00:16:58 |
-He's not a boxer... |
| 00:17:01 |
The bank hold-up at Niere, rings a bell? |
| 00:19:26 |
I'll give you 5 seconds... You hear? |
| 00:19:29 |
5 seconds. |
| 00:19:32 |
You knifed my partner. |
| 00:19:36 |
I gun you down. |
| 00:19:39 |
Self-Defense. |
| 00:19:45 |
It's Marcucci! |
| 00:19:47 |
He was here a month ago. |
| 00:19:49 |
Haven't seen him since, I swear! |
| 00:19:56 |
-If Marcucci ever comes back... |
| 00:20:03 |
Just don't wait too long. |
| 00:20:08 |
If you want this to heal. |
| 00:20:23 |
"Z-2 calling AV-108" |
| 00:20:30 |
"Z-2 calling AV-108" |
| 00:20:33 |
AV-108, Roger. |
| 00:20:34 |
Where the hell were you? I've been calling for an hour! |
| 00:20:37 |
We stopped for peanuts. |
| 00:21:15 |
17 floors. |
| 00:21:17 |
She called her local police station, |
| 00:21:21 |
She was worried someone was coming... |
| 00:21:24 |
Who? A man, a woman? |
| 00:22:21 |
Good evening, chief. |
| 00:22:22 |
Bertrand: identification dept. |
| 00:22:28 |
When you rang, you didn't hear any screams |
| 00:22:32 |
I heard her scream, nothing else. |
| 00:22:35 |
A woman screams for help during the night |
| 00:22:37 |
And you calmly spend the evening with your friends? |
| 00:22:40 |
She didn't "scream for help", she just screamed. |
| 00:22:44 |
It's the first time I come here |
| 00:22:47 |
-I see. |
| 00:22:51 |
I asked the neighbors, they didn't hear anything. |
| 00:22:54 |
But there was lots of noise, a birthday party. |
| 00:22:57 |
-You knew the victim? |
| 00:23:01 |
According to the watchman she was very discreet. |
| 00:23:05 |
Call up the local police station for me. |
| 00:23:07 |
You're the watchman? |
| 00:23:09 |
Eugene Merclin, 45, single. |
| 00:23:12 |
At what time did Mrs Elmer come in tonight? |
| 00:23:14 |
I was watching the news... It must have been 8pm. |
| 00:23:18 |
Yes, about 8pm. |
| 00:23:21 |
And how was she? |
| 00:23:24 |
I think she had nylon pants. |
| 00:23:29 |
That looked like jeans. |
| 00:23:31 |
That's not what we're asking you, buddy. |
| 00:23:33 |
Was she troubled, worried, anxious? |
| 00:23:35 |
Oh, sorry. Not more than usual. |
| 00:23:38 |
She'd just lost her husband in a car accident! |
| 00:23:42 |
-Is that him? |
| 00:23:45 |
WAS Mr Elmer. |
| 00:23:48 |
She lived on her own since? |
| 00:23:51 |
Even before! He was always away on business trips. |
| 00:23:54 |
And who's that? |
| 00:23:59 |
I don't know... Seems familiar but... |
| 00:24:04 |
Ah! I think I saw him in the building. |
| 00:24:07 |
She had many visitors? |
| 00:24:10 |
How should I know, there's 48 floors on this fucking tower! |
| 00:24:14 |
Show these fucking gentlemen to the fucking door, |
| 00:24:16 |
Well send them a fucking subpoena. |
| 00:24:25 |
Letellier, criminal investigations. |
| 00:24:26 |
Did you get a call from a "Norah Elmer"? |
| 00:24:29 |
Indeed, she complained about a "phone maniac". |
| 00:24:32 |
-Did you send someone over? |
| 00:24:36 |
-This time you should have |
| 00:24:39 |
Because she won't bother you anymore. |
| 00:24:43 |
I'm going through her mail. |
| 00:24:46 |
Condolences from friends, co-workers, relatives. |
| 00:24:54 |
But here, we have something else. |
| 00:24:56 |
My darling, I know this will upset you |
| 00:25:02 |
Forgive me, safekeep my memory, my heart is bleeding, |
| 00:25:07 |
Signed: Julio Cortes. |
| 00:25:13 |
You must see a lot of action with all these towers. |
| 00:25:15 |
-People must drop like flies. |
| 00:25:19 |
What a nice job we have, people jump, we pick 'em up. |
| 00:25:24 |
Nice, isn't it? |
| 00:25:26 |
-You know what I'd like to do? |
| 00:25:29 |
I want to jump too. |
| 00:25:31 |
You'll tell people that passionate about this case, |
| 00:25:34 |
I tried a live simulation. |
| 00:25:39 |
Something the matter with him? |
| 00:25:42 |
Marcucci. |
| 00:25:44 |
Inspector Letellier... But of Course! |
| 00:25:46 |
A civilian shot after that bank robbery... |
| 00:25:51 |
That's him. |
| 00:25:53 |
But, wasn't he exonerated of all charges, |
| 00:25:54 |
After they discovered it was one of Marcucci's bullet |
| 00:25:58 |
Yeah, but Marcucci is still on the run. |
| 00:26:03 |
Find me the address of this Julio Cortes, |
| 00:26:08 |
So anxious to leave the country. |
| 00:26:28 |
Police! Open up! |
| 00:28:25 |
'You ok? |
| 00:28:26 |
Yes, fine. |
| 00:28:31 |
He really does have a bleeding heart! |
| 00:28:38 |
Call for an ambulance! |
| 00:28:39 |
What did you say? |
| 00:28:41 |
-I didn't say anything |
| 00:28:47 |
Thank you. |
| 00:28:55 |
About time we get to take a break! |
| 00:28:59 |
Can't you see I'm bleeding to death? |
| 00:29:03 |
-What did he say? |
| 00:29:08 |
Tell him I don't care. |
| 00:29:10 |
He doesn't care. |
| 00:29:12 |
Call an... ambulance.... God... |
| 00:29:16 |
Why did you shoot? |
| 00:29:24 |
Talk first, then we call the ambulance. |
| 00:29:27 |
And if I die... you'll be responsible. |
| 00:29:32 |
You think we can get over the remorse? |
| 00:29:34 |
Won't be easy. |
| 00:29:38 |
Let him die and see how we survive the shock. |
| 00:29:46 |
Come back! |
| 00:29:49 |
You called us? |
| 00:29:52 |
The suitcase. |
| 00:29:55 |
Hidden compartment. |
| 00:30:40 |
The ambulance... |
| 00:30:43 |
Hurry... |
| 00:30:53 |
Norah Elmer, rings a bell? |
| 00:30:54 |
What? |
| 00:30:58 |
My darling, I know this will upset you but I must leave France.. |
| 00:31:02 |
You never intended to call an ambulance, just wanted to kill me... |
| 00:31:06 |
What was that? |
| 00:31:08 |
I gave you the drugs, I'm dying and you're reading me love letters! |
| 00:31:14 |
Go away. |
| 00:31:16 |
She's dead. |
| 00:31:21 |
Norah? |
| 00:31:26 |
-YOU killed her! |
| 00:31:31 |
Tell us the truth and you're in a hospital in 5 minutes. |
| 00:31:34 |
Why would have I killed Norah? |
| 00:31:43 |
I think we can forget it, call him an ambulance. |
| 00:31:57 |
Hello? This is inspector chief Letellier. |
| 00:32:01 |
Yeah, send me a... hold on for a second. |
| 00:32:08 |
Say, while were at it, who supplied you with dope? |
| 00:32:14 |
Oh, shit... |
| 00:32:17 |
I would get a phone call, then deal at a bar called |
| 00:32:22 |
It was never the same guy. |
| 00:32:24 |
Well there you go! |
| 00:32:36 |
What's going on, are we closed today? |
| 00:32:39 |
Where could they be? |
| 00:32:59 |
We're not bothering you, are we? |
| 00:33:03 |
Happy birthday, boss! |
| 00:33:07 |
No way... |
| 00:33:09 |
He came back? |
| 00:33:10 |
Your new source, the "peanut salesman", just called |
| 00:33:15 |
To Paris. |
| 00:33:29 |
Here, give me another shot. |
| 00:33:40 |
Aside from that, we got the pathologist report |
| 00:33:45 |
She might have died before hitting the ground. |
| 00:33:47 |
The doctor noted cardiac fibrillation. |
| 00:33:51 |
They can be caused by intense fear, a provoke a heart attack. |
| 00:33:56 |
We close the case? |
| 00:33:58 |
Moissac, I want a 3 men stakeout in front of "Peanut's" bistro, |
| 00:34:01 |
-Day and night, understood? |
| 00:34:03 |
What about Norah Elmer, chief? |
| 00:34:05 |
If Marcucci shows up, don't touch him, call me. |
| 00:34:11 |
Thanks for the champagne. |
| 00:34:14 |
And he wanted to get sparkling wine, that idiot! |
| 00:34:22 |
Inspector Letellier? He's busy at the moment, |
| 00:34:27 |
I want to speak with Inspector chief Letellier, |
| 00:34:36 |
Inspector Letellier speaking. |
| 00:34:40 |
Justice is done. Last night, Norah Elmer paid |
| 00:34:45 |
She was a despicable whore who tarnished even the most |
| 00:34:50 |
From now on, I will be the arm of a justice that |
| 00:34:54 |
all the harlots that will flood the world |
| 00:34:59 |
Who are you? |
| 00:35:00 |
"I'll tell you inspector..." |
| 00:35:02 |
Allow me to hang up first, in case you |
| 00:35:06 |
Shit! |
| 00:35:12 |
What the hell was that? |
| 00:35:27 |
Chief Inspector Letellier, go ahead. |
| 00:35:29 |
Have you read Dante's inferno, Inspector? |
| 00:35:33 |
Well, I am "Minos", after each of my sentencing, |
| 00:35:38 |
A double will be sent to the press with the name |
| 00:35:45 |
You will assemble them like a puzzle to one day |
| 00:35:53 |
But until then, the world will tremble! |
| 00:35:57 |
Chief... |
| 00:36:18 |
"I kiLleD NoraH ElmeR - Minos" |
| 00:36:24 |
"I killed Norah Elmer... |
| 00:36:26 |
Or so says an anonymous correspondent in a letter signed Minos. |
| 00:36:38 |
It's not the first time a lunatic claims |
| 00:36:42 |
And that write to newspapers and call, aren't |
| 00:36:51 |
As for Norah Elmer, nothing proves its a murder. |
| 00:37:02 |
Well, not much to worry about. |
| 00:37:08 |
Letellier! |
| 00:37:12 |
You've studied Karate, haven't you? |
| 00:37:15 |
Yes? |
| 00:37:17 |
Judo too? |
| 00:37:19 |
Yes? |
| 00:37:21 |
What about rapid fire exercises? |
| 00:37:24 |
Hold it right there, they gave me that speech in the army... |
| 00:37:26 |
"Speak English? Yes? Toilet Cleaning!" |
| 00:37:29 |
I want the list of every women that requested a |
| 00:37:33 |
And also the reason why they asked for that change. |
| 00:37:38 |
Sorry to have cut off your ending, sir. |
| 00:37:41 |
Letellier. |
| 00:37:44 |
You can't imagine how many cases were cracked |
| 00:37:56 |
"Minos, "Dante's Inferno"... Insane Asylum is more like it! |
| 00:38:31 |
First, I hear him breath, a sort of huffing, rasping... |
| 00:38:38 |
-And does he talk? |
| 00:38:42 |
At first I hung up but he just calls back, |
| 00:38:44 |
of night emergencies, but he calls at any hour. |
| 00:38:48 |
I can't sleep... It can't go on like this! |
| 00:38:53 |
-Hey, Pierre! |
| 00:38:56 |
They're policemen, they're here about the calls. |
| 00:38:59 |
I see, well excellent. |
| 00:39:02 |
Listen, you have to do something, she's |
| 00:39:07 |
We'll put a tap on her, that's all we can do for now. |
| 00:39:21 |
What the hell is that, yours? |
| 00:39:24 |
No. |
| 00:39:25 |
Open it. |
| 00:39:27 |
I liked this car. Got used to it. |
| 00:39:30 |
-Hun? |
| 00:39:38 |
"Dante's Inferno" |
| 00:39:40 |
Your buddy's starting to get on my nerves. |
| 00:39:42 |
As a matter of fact this whole case is. |
| 00:39:44 |
780 requests for phone number changes, 260 women. |
| 00:39:48 |
We saw 7 this morning and I |
| 00:39:51 |
-Don't read when I talk to you. |
| 00:39:53 |
The lady who's number closely matches that of the taxi central, |
| 00:39:58 |
The call-girl who changed profession, |
| 00:40:04 |
The nurse, woken up every night by a maniac. |
| 00:40:08 |
All of little interest. Will you stop reading?! |
| 00:40:12 |
Listen: "Minos is the terrible voice |
| 00:40:15 |
Of a judging consciousness which sentences vile acts". |
| 00:40:21 |
-Doesn't this guy worry you? |
| 00:40:25 |
He's pulling our leg and I don't have time to waste. |
| 00:40:27 |
So, the next one's name is Germaine Doizon, |
| 00:40:29 |
and there's no reason we should both get bored, |
| 00:40:30 |
So we'll flip a coin on it. |
| 00:40:34 |
Face I go, tail you go. |
| 00:40:38 |
No need to, I'll lose... |
| 00:40:50 |
Who is it? |
| 00:40:51 |
Police. |
| 00:40:53 |
Police? |
| 00:40:58 |
Ah yes! Just a minute. |
| 00:41:04 |
Inspector... Please won't you come in? |
| 00:41:12 |
Tell me about those calls you're getting? |
| 00:41:16 |
Say, we must have flipped thousands of coins together. |
| 00:41:21 |
-You never one. |
| 00:41:25 |
-You threw it yesterday. |
| 00:41:28 |
You're screwed. |
| 00:41:31 |
You're the one that's married. |
| 00:41:33 |
Then shit. |
| 00:41:36 |
come on, lean back, maybe that Germaine Doizon |
| 00:41:48 |
My husband was a jeweler, he has a gun permit. |
| 00:41:52 |
Loaded? |
| 00:41:54 |
Of course! |
| 00:41:55 |
That scumbag often threatens to come, I'm waiting for him! |
| 00:41:58 |
I wanted to tell you... Cigarette? |
| 00:42:00 |
No thanks. |
| 00:42:04 |
Why "scumbag"? |
| 00:42:06 |
You're right, I should say that sicko! |
| 00:42:09 |
Probably just acting on impulse. |
| 00:42:12 |
But he's making my life so miserable |
| 00:42:17 |
Something to drink, inspector? |
| 00:42:21 |
-A cup of coffee |
| 00:42:24 |
You're sure? |
| 00:42:26 |
Why a "sicko"? |
| 00:42:28 |
Well... He's obviously not a normal person! |
| 00:42:34 |
You don't think it's normal to stigmatize |
| 00:42:38 |
What? |
| 00:42:40 |
It's easier to call him a madman, isn't it? |
| 00:42:42 |
It allows us to close our eyes on ourselves |
| 00:42:47 |
I'm afraid I don't follow you at all. |
| 00:42:51 |
I was just trying to understand him. a sensible |
| 00:42:57 |
There's no understanding that one, he's just insane! |
| 00:43:01 |
-And probably impotent. |
| 00:43:03 |
To say all those nasty things... He must |
| 00:43:08 |
Oh yes, surely impotent. |
| 00:43:12 |
And how do you picture him? From his voice? |
| 00:43:17 |
I can't imagine him with a normal face, like yours or mine. |
| 00:43:23 |
Or even a body, it's... |
| 00:43:26 |
not a monster either, but rather something |
| 00:43:31 |
I must admit I'm half asleep when he calls me, |
| 00:43:36 |
And when he starts about my private life, |
| 00:43:44 |
And of course, your private life is spotless. |
| 00:43:48 |
Absolutely! I do sleep around, inspector. |
| 00:43:53 |
I've been a window for 5 years and I'm perfectly |
| 00:43:57 |
Pardon my frankness, but I fuck around and |
| 00:44:03 |
I will take that coffee after all... |
| 00:44:05 |
Sure, right away. |
| 00:44:07 |
You drink it strong? |
| 00:44:10 |
As a matter of fact, we have a good idea |
| 00:44:14 |
Really? |
| 00:44:19 |
He's not a heinous caterpillar. |
| 00:44:21 |
He's rather good looking, enough to arouse |
| 00:44:28 |
And strong enough, not to give in to her! |
| 00:44:50 |
TV-105 calling TV-108, we're at "peanut's" bistro, |
| 00:44:56 |
Don't leave the car, even to stretch your legs |
| 00:44:59 |
If Marcucci spots you, you're both back |
| 00:45:03 |
Roger. |
| 00:45:05 |
I don't need the car. Take it, |
| 00:45:09 |
You sure? |
| 00:45:11 |
Sure, I'll take the bus. |
| 00:45:14 |
They're already 3 sitting on the place. |
| 00:45:23 |
You have a smoke? |
| 00:45:28 |
No, all done. |
| 00:45:30 |
Say, this thing's gibberish! |
| 00:45:34 |
Yep, tough to read! |
| 00:45:37 |
If that wacko read the whole thing, |
| 00:45:40 |
Well, I'll see Germaine... |
| 00:45:45 |
Have a good one! |
| 00:45:47 |
You're getting high-brow... |
| 00:45:49 |
I'll go with you. |
| 00:45:51 |
So SMILE. |
| 00:45:56 |
-I'll catch up |
| 00:46:31 |
-Damn |
| 00:46:33 |
Surely not! She just asked me to get her |
| 00:46:36 |
-You're the concierge? |
| 00:46:38 |
-You got a double key? |
| 00:46:40 |
-Then go get it. |
| 00:46:42 |
Police. |
| 00:46:50 |
What's your name, hun? |
| 00:46:53 |
I know, Cat. |
| 00:46:56 |
Or Alley. |
| 00:46:58 |
You're not that cute. |
| 00:47:01 |
Not cute, but nice. |
| 00:47:02 |
Oh and you purr! |
| 00:47:05 |
You're happy? |
| 00:47:47 |
Oh! Oh my God... |
| 00:48:00 |
lock the building's entrance! |
| 00:51:09 |
Don't worry, we'll pay for it. |
| 00:57:24 |
Duviel just called, Marcucci is at Peanut's. |
| 00:57:28 |
When did he call? |
| 00:57:34 |
TV-108, go ahead. |
| 00:57:36 |
We're on Marcucci's tail, chief. |
| 00:57:38 |
We are on the West highway near the Thai exit. |
| 00:57:42 |
He's in a thunderbird, license plate 7199MB75. |
| 00:57:47 |
-Duviel, if you lose him... |
| 00:58:03 |
We're catching up! |
| 00:58:31 |
Duviel, what's happening? |
| 00:58:34 |
I just ran a red light. But Marcucci didn't spot me. |
| 00:58:37 |
At least I hope so. |
| 00:58:38 |
We just took the Muette exit. |
| 00:58:55 |
We're now at Henri Martin st. Corner of La Pompe. |
| 00:59:00 |
Heading for the Trocadero. |
| 01:00:09 |
We're taking Clevere, heading for L'etoile. |
| 01:00:12 |
What should I do, chief? |
| 01:00:15 |
Chief? What do i do?! |
| 01:00:17 |
What the hell is he doing?! |
| 01:00:20 |
TV-105 calling TV-108, what should I do, chief? |
| 01:00:27 |
I'm dropping Minos, I'm on my way! |
| 01:00:39 |
I suppose you know what you're doing? |
| 01:00:41 |
Shut up. |
| 01:00:55 |
He coming to the roundabout. |
| 01:01:08 |
Duviel, I'm at the roundabout, I'll cut him |
| 01:01:18 |
I think he spotted me! He just took the side alley. |
| 01:01:31 |
He's cutting through Les Champs Elysees, |
| 01:01:36 |
I'm through, chief, stuck in traffic. |
| 01:01:46 |
There! That's him! |
| 01:01:48 |
Duviel, forget it, I got him. |
| 01:04:34 |
Police! I just want to take a look. |
| 01:04:44 |
Which line in that one bottom right? |
| 01:04:47 |
Nation, by Denfer. |
| 01:05:49 |
This is commend center calling Nation 603, come in. |
| 01:05:57 |
This is Nation 603, over. |
| 01:06:01 |
Do not make any other stops. Keep rolling |
| 01:06:07 |
The preceding train is 6 minutes ahead of you. |
| 01:06:13 |
Roger, command center. Over and out. |
| 01:07:24 |
Nation 603, you are now 5 minutes from the preceding train. |
| 01:08:51 |
Please stop! |
| 01:09:06 |
For the first time in criminal history, a man accuses the |
| 01:09:11 |
In a letter sent to our newspaper, |
| 01:09:13 |
Minos, the strangler of single women, claims: |
| 01:09:18 |
when he abandoned pursuit." |
| 01:09:19 |
And in the Figaro: "Minos snitches on the police." |
| 01:09:23 |
"If I kill again tomorrow, police chief Letellier |
| 01:09:29 |
"Trigger-happy cops prefers to settle |
| 01:09:34 |
"Between Minos the strangler and Marcucci the thief, |
| 01:09:38 |
Etc, etc. |
| 01:09:53 |
I spent the morning listing to the Minos |
| 01:09:57 |
So? |
| 01:10:00 |
According to him, we are dealing with a |
| 01:10:03 |
-Aie! |
| 01:10:08 |
Between 2 attacks, we are looking at an average man, |
| 01:10:12 |
lost in a crowd. |
| 01:10:15 |
And this man, who is probably well-regarded |
| 01:10:19 |
Suddenly becomes a bloodthirsty madman |
| 01:10:21 |
Condemning all those who do not share his morals. |
| 01:10:26 |
Minos, it's a great case. |
| 01:10:28 |
Any cop would beg for it. |
| 01:10:33 |
Not I. |
| 01:10:36 |
Marcucci, I would have eventually caught in 5 or 10 years, |
| 01:10:41 |
But that schizo-thing with paranoid tendencies, |
| 01:10:46 |
I don't measure up. And so, Mr Commissioner, |
| 01:10:53 |
There. |
| 01:10:56 |
Letellier! |
| 01:11:00 |
Aren't you going a little far? |
| 01:11:03 |
There's no-brainer and there's no-brain, all muscle. |
| 01:11:07 |
What ARE muscles, really? |
| 01:11:09 |
A few grams of hard gelatin conveniently placed. |
| 01:11:14 |
Sometimes useful to keep cops alive. |
| 01:11:16 |
Letellier you are the criminal brigade's chief, |
| 01:11:21 |
That you prefer westerns to psychology |
| 01:11:25 |
But we don't always do what we want. |
| 01:11:28 |
Minos snitched on you, Letellier, |
| 01:11:31 |
He got you good! |
| 01:11:33 |
And you have a score to settle with HIM now. |
| 01:11:35 |
The schizo-thing with paranoid tendencies, |
| 01:11:40 |
And if you don't try to pull out, |
| 01:11:46 |
Pardon me, Mr director. |
| 01:11:50 |
Am I excused? |
| 01:11:56 |
Take this to the lab. |
| 01:11:58 |
Spend the night if necessary, |
| 01:12:02 |
Alright. |
| 01:12:05 |
Where did you pick that up? |
| 01:12:07 |
On a roof, Minos dropped it and it broke. |
| 01:13:21 |
Are you gonna jump like that all night? |
| 01:13:25 |
We've been together 2 nights and every time |
| 01:13:30 |
You should be used to it! |
| 01:13:31 |
-Don't take that glass. |
| 01:13:34 |
It's chipped. |
| 01:13:35 |
If it's chipped, why do you keep it? |
| 01:13:41 |
I wouldn't keep it. |
| 01:13:48 |
Please don't jump now, It's just me! |
| 01:13:55 |
You should get to bed. |
| 01:13:58 |
No. |
| 01:14:00 |
Stop shaking you head! You've been |
| 01:14:16 |
Helene? |
| 01:14:17 |
Yes? |
| 01:14:18 |
Am I waking you up? |
| 01:14:19 |
No, I'm with a policeman, for the reason you know. |
| 01:14:24 |
And? |
| 01:14:26 |
Still nothing. |
| 01:14:28 |
I'll see you tomorrow, goodnight. |
| 01:14:30 |
Goodnight. |
| 01:14:45 |
Tell that clown not to call anymore at night. |
| 01:14:47 |
He calls because he worries about me. |
| 01:14:50 |
And he's not a clown! |
| 01:14:51 |
I know! |
| 01:14:53 |
He's head nurse, married, father of 2. |
| 01:14:55 |
Sorry if you wanted to keep that liaison a secret. |
| 01:14:58 |
but you're on a tap, we verify every call. |
| 01:15:02 |
And I read the newspapers every morning. |
| 01:15:04 |
They've dragged your name in mud for days, |
| 01:15:09 |
Between the nighttime emergencies and Minos, |
| 01:15:12 |
Well, go to bed! |
| 01:15:14 |
-I'm not asking you to stay. |
| 01:15:17 |
You got here at an ungodly hour, |
| 01:15:23 |
Do-not-scream! |
| 01:15:25 |
Leave. |
| 01:15:35 |
Oh my God, Pierre! |
| 01:15:37 |
You forgot, didn't you? |
| 01:15:39 |
Was it tonight? |
| 01:15:40 |
It was. |
| 01:15:42 |
You know commissioner Letellier? |
| 01:15:44 |
Yes... |
| 01:15:45 |
We met at the hospital. |
| 01:15:47 |
Goodnight, commissioner! |
| 01:15:49 |
Goodnight. |
| 01:15:51 |
You wanted me to get the police involved, well |
| 01:15:55 |
It's much better this way, we'll go to the |
| 01:15:59 |
Goodnight, Helene, see you tomorrow. |
| 01:16:01 |
Goodnight, Pierre. |
| 01:16:03 |
-Goodbye, commissioner! |
| 01:16:05 |
Goodbye... |
| 01:16:15 |
"The gangbuster commissioner acts like a |
| 01:16:20 |
If I had caught Marcucci last year I |
| 01:16:33 |
Principal chief at the gangbuster unit. |
| 01:16:36 |
Stuck behind a phone waiting for a loonie's call... |
| 01:16:40 |
Jesus Christ. |
| 01:16:43 |
And, how I imagined being a cop would be when I was a kid! |
| 01:16:47 |
Yes? |
| 01:16:49 |
Yes... |
| 01:16:51 |
And how did you imagine it? |
| 01:16:53 |
On the whole police thing. |
| 01:16:58 |
One thing had hit me. |
| 01:17:00 |
An image. |
| 01:17:03 |
American G-Men escorting presidential cars. |
| 01:17:06 |
Walking with their hands on the hood, |
| 01:17:09 |
guiding the car's path, |
| 01:17:12 |
with a piercing gaze! |
| 01:17:15 |
They were looking for a guy on the roofs, |
| 01:17:17 |
Or ambushed behind a window. |
| 01:17:24 |
I was just a kid. |
| 01:17:26 |
And when I saw those guys... |
| 01:17:29 |
Those "G-Men", |
| 01:17:31 |
I would say "THAT's a cop"! |
| 01:17:39 |
I don't think I've ever told that to anyone. |
| 01:17:42 |
-Fortunately! |
| 01:17:45 |
It's fortunate you never told that story to anyone. |
| 01:17:49 |
Why? |
| 01:17:51 |
Because it's pathetic. |
| 01:17:53 |
What does that mean? |
| 01:17:55 |
It means that Commissioner Letellier's |
| 01:18:00 |
Excuse me for finding it incredibly stupid! |
| 01:18:04 |
I expected as much from the newspapers I read: |
| 01:18:08 |
I expected an idiot. |
| 01:18:12 |
But to that extent! |
| 01:18:14 |
The mindset of a 12 y old, even my |
| 01:18:17 |
I might not be very evolved, but neither are you. |
| 01:18:20 |
You read the newspapers, I listened to your calls. |
| 01:18:24 |
Your soap opera affair with that doctor... How smart is that. |
| 01:18:27 |
She loves him, but he's married with two kids. |
| 01:18:32 |
Stay tuned! |
| 01:18:34 |
Him: "Hello, darling, I'm sorry I can't see you" |
| 01:18:40 |
"an unannounced visit from a foreign colleague" |
| 01:18:46 |
Him: "You know there's nothing between my wife and I |
| 01:18:49 |
Her: "Then why don't you divorce her!". |
| 01:18:51 |
Him: "The kids wouldn't understand, my love". |
| 01:18:55 |
Me: I might play the cow-boy, but I'm not playing |
| 01:19:11 |
Happy? |
| 01:19:14 |
Tired. |
| 01:19:20 |
Take off your shirt. |
| 01:19:23 |
Excuse me? |
| 01:19:25 |
Go on, take it off and come over here. |
| 01:19:33 |
I do physiotherapy, you seriously need some. |
| 01:19:37 |
Come lie down. |
| 01:20:06 |
Good? |
| 01:20:07 |
Fantastic! |
| 01:20:17 |
You know when I said you weren't smart, |
| 01:20:26 |
And when I called you an idiot... |
| 01:20:29 |
I meant it. |
| 01:20:45 |
Hello? |
| 01:20:46 |
Who's this? |
| 01:20:48 |
"You know very well, Helene" |
| 01:20:51 |
"You saw your lover again, haven't you?" |
| 01:20:53 |
"You saw him, say it!" |
| 01:20:57 |
I'm free to do whatever I want! |
| 01:21:01 |
"You have the LEGAL right, the church chooses |
| 01:21:07 |
"but my justice, for there must be one, has |
| 01:21:15 |
Keep going! |
| 01:21:16 |
When you called, I was about to make love to a man. |
| 01:21:21 |
With a real man's body, and real man's hands. |
| 01:21:26 |
You probably don't know what making love is, Minos, |
| 01:21:31 |
He was close to me, almost naked. |
| 01:21:33 |
We were having a great time. |
| 01:21:35 |
"Whore! Bitch! You're tracing my call!" |
| 01:21:44 |
You shouldn't have provoked him like that. |
| 01:21:48 |
You're the one I was provoking. |
| 01:21:50 |
He won't be happy! |
| 01:21:54 |
Not happy at all! |
| 01:21:57 |
-Hello? |
| 01:21:59 |
Yes? |
| 01:22:00 |
This is Trinity hospital. |
| 01:22:02 |
We have an emergency. We need you |
| 01:22:07 |
On my way. |
| 01:22:11 |
I'll go with you. |
| 01:22:14 |
Someone should let Minos know that it's becoming really |
| 01:22:45 |
Bye, cowboy. |
| 01:22:47 |
Idiotic and retarded cowboy, of course. |
| 01:22:49 |
I don't know. |
| 01:22:51 |
But I can assure you if you had Einstein's |
| 01:22:57 |
How old did you say you brother is? |
| 01:22:58 |
9. |
| 01:22:59 |
Well I'm still going to try to catch up. |
| 01:23:02 |
Oh, if you must stay home for a while, I'll buy you a razor. |
| 01:23:07 |
Electric! |
| 01:23:08 |
With a brush and very foamy soap! |
| 01:23:55 |
Oh, it's you Pierre! |
| 01:23:57 |
Well, well, we DID end up together tonight... |
| 01:24:05 |
You made love to Letellier? |
| 01:24:10 |
Well now, Pierre... |
| 01:24:15 |
A man's body... A man's hands... |
| 01:24:56 |
"I killed HeleNe GrAmmOnt. -Minos" |
| 01:25:12 |
You got Minos' voice recordings? |
| 01:25:13 |
Yes chief. |
| 01:25:17 |
I want to listen to them in a studio, with a |
| 01:25:21 |
The best of it's kind. |
| 01:25:24 |
"I will be the arm of a justice that will judge |
| 01:25:30 |
"all the harlots that will flood the world of their sexual mud!" |
| 01:25:37 |
Again? |
| 01:25:38 |
No, the other one. |
| 01:25:46 |
"Hello? Who's this?" |
| 01:25:49 |
"You know very well, Helene" |
| 01:25:52 |
"You saw your lover again, haven't you?" |
| 01:25:56 |
"You saw him, say it!" |
| 01:25:58 |
"I'm free to do whatever I want!" |
| 01:26:02 |
"You have the LEGAL right, the church chooses |
| 01:26:08 |
"but my justice, for there must be one, has |
| 01:26:18 |
"When you called, I was about to make love to a man." |
| 01:26:20 |
"With a real man's body, and real man's hands." |
| 01:26:22 |
"You probably don't know what making love is, Minos, |
| 01:26:27 |
"He was close to me, almost naked." |
| 01:26:30 |
"We were having a great time." |
| 01:26:32 |
Go back to Minos. |
| 01:26:40 |
"You know very well, Helene" |
| 01:26:43 |
"You saw your lover again, haven't you?" |
| 01:26:47 |
"You saw him, say it!" |
| 01:26:49 |
"I'm free to do whatever I want!" |
| 01:26:52 |
"You have the LEGAL right, the church chooses |
| 01:26:59 |
"but my justice..." |
| 01:27:00 |
You know this melody? |
| 01:27:05 |
Yeah, I have it! |
| 01:27:35 |
Hello? Yes? |
| 01:27:37 |
Yes. Mr Moissac? |
| 01:27:39 |
Yes. |
| 01:27:39 |
Thanks. |
| 01:27:41 |
Moissac, here. |
| 01:27:46 |
In your archives, you have sound effects? |
| 01:27:49 |
Yes, of course! |
| 01:27:51 |
Here's the list. |
| 01:27:56 |
Weak applause, average applause, strong applause... |
| 01:28:00 |
THAT! |
| 01:28:02 |
Ok. |
| 01:28:04 |
Yes, thanks, see you later. |
| 01:28:08 |
Minos called you, right after you left. |
| 01:28:11 |
And the recording? |
| 01:28:12 |
It should be here any moment. |
| 01:28:14 |
Good. |
| 01:29:01 |
He always calls from the same phone booth. |
| 01:29:04 |
And that phone booth is in or near a fair. |
| 01:29:14 |
Chief, the recording. |
| 01:29:16 |
Put it on! |
| 01:29:17 |
I want to know how many fairs there are in Paris and its suburbs. |
| 01:29:22 |
Yes, now. |
| 01:29:24 |
Thanks, I'll wait. |
| 01:29:26 |
"Hello? Give me commissioner Letellier." |
| 01:29:29 |
"From whom?" |
| 01:29:31 |
"Tell him it's from Minos!" |
| 01:29:33 |
"Commissioner Letellier is not in his office, can you hold?" |
| 01:29:36 |
Thanks. |
| 01:29:37 |
"I'll see if..." |
| 01:29:38 |
"Tell him I will call back at 10 o' clock sharp." |
| 01:29:41 |
"He better be there. What I will announce is of prime importance!" |
| 01:29:46 |
There are 187 fairs in Paris and its suburbs. |
| 01:29:50 |
It would take the french army to watch it all. |
| 01:29:53 |
Play the end again. |
| 01:29:57 |
"Tell him I will call back at 10 o' clock sharp." |
| 01:30:01 |
"He better be there. What I will announce is of prime importance!" |
| 01:30:08 |
No background noise on that tape. |
| 01:30:11 |
Either he switched phone booths, or the fair just left. |
| 01:30:15 |
Of your 187 fairs, |
| 01:30:17 |
Which one moved this morning? |
| 01:30:22 |
We have 3 min. to reach d'enfer, it's too short. |
| 01:30:24 |
Try to hold him on the phone. |
| 01:30:26 |
"Roger" |
| 01:30:26 |
And contact the local division, they could be there before us. |
| 01:30:29 |
If we're not there on time, arrest him. |
| 01:30:31 |
"Roger that" |
| 01:30:37 |
"Chief, we have Minos on the phone!" |
| 01:30:39 |
Tell him anything, shit! Tell him you're looking for |
| 01:30:53 |
Duvielle, is the car there? |
| 01:30:56 |
Not yet, the division is far from the phone booth. |
| 01:30:58 |
They're on their way. |
| 01:31:01 |
We won't catch him. |
| 01:31:09 |
"He just hung up, chief" |
| 01:31:10 |
Shit! |
| 01:31:18 |
"The car's there. They just arrested a guy coming out of the phone booth!" |
| 01:31:22 |
Tell them we're on our way! |
| 01:32:03 |
Asshole cops! Fucking bastards! |
| 01:32:12 |
"Julien Dallas", science teacher. |
| 01:32:14 |
3 citations for public disturbances. |
| 01:32:18 |
Charges dropped. |
| 01:32:20 |
Well, let's start again. |
| 01:32:22 |
Who were you calling at 10 am from the |
| 01:32:29 |
Fuck you. |
| 01:32:37 |
"Nora Elmer", rings a bell? |
| 01:32:41 |
Fuck you. |
| 01:32:44 |
And "Germaine Doizon"? |
| 01:32:49 |
FUCK YOU. |
| 01:32:50 |
Say, for a science teacher, his vocabulary is quite limited! |
| 01:32:57 |
Using a phone booth isn't a crime. |
| 01:33:00 |
And I have nothing to say to asshole cops. |
| 01:33:03 |
That's it, push my face in, beat me up! |
| 01:33:07 |
Fucking... shit! |
| 01:33:13 |
God damnit! |
| 01:33:26 |
Ok, listen up. |
| 01:33:29 |
I don't have time to play riot police vs student with you. |
| 01:33:33 |
I'll drop my baton. Drop your brick, and let's talk. |
| 01:33:37 |
Ok? |
| 01:33:40 |
I've got 3 murders on my hands, with a 4th one on the way. |
| 01:33:45 |
We've got a loony on the loose in Paris, killing. |
| 01:33:49 |
And if you don't tell me WHO you were calling at 10 am, |
| 01:33:52 |
I'll think it's you. |
| 01:33:55 |
Don't you think that if ever there was a time you |
| 01:34:06 |
I'll think about it. |
| 01:34:09 |
That's it, think. |
| 01:34:11 |
Duvielle, take him outside. |
| 01:34:16 |
How's the mail? |
| 01:34:17 |
We've gone through 742 letters so far. |
| 01:34:20 |
27 married women suspect their husbands of being Minos. |
| 01:34:23 |
48 abandoned mistresses accuse their old lovers. |
| 01:34:26 |
We verified all leads. |
| 01:34:27 |
On my part I have 75 pretending to be Minos himself. |
| 01:34:32 |
Chief, I have a Pierre Valdeck, friend of Helene Grammont, to see you. |
| 01:34:36 |
You want him to wait? |
| 01:34:37 |
No, I'll see him. |
| 01:34:43 |
Have a seat, Mr Valdeck |
| 01:34:44 |
Thank you. |
| 01:34:49 |
I didn't want to bother you personally, Commissioner. |
| 01:34:52 |
You must be very busy with everything that's going on. |
| 01:34:57 |
She was a great girl, you know. |
| 01:35:01 |
I'm in total shock. |
| 01:35:04 |
We knew she was threatened, we couldn't do anything. |
| 01:35:08 |
Neither her friends, nor the police. |
| 01:35:11 |
It's horrible. |
| 01:35:17 |
No thanks. |
| 01:35:18 |
Yes, thanks. |
| 01:35:22 |
I thought of many things. |
| 01:35:24 |
Why her? |
| 01:35:26 |
Who could hate her? |
| 01:35:28 |
For what reasons? |
| 01:35:31 |
When I suddenly had an idea. |
| 01:35:33 |
Maybe it's completely foolish, |
| 01:35:35 |
But I thought about what linked all those murders. |
| 01:35:38 |
And I suddenly realized that it all centers around the hospital. |
| 01:35:44 |
Helene Grammont worked there, |
| 01:35:47 |
Germaine Dozion... or Doizon, I don't remember her name, |
| 01:35:51 |
Germaine Doizon. |
| 01:35:52 |
Ah yes. |
| 01:35:53 |
Sorry. |
| 01:35:56 |
Thanks. |
| 01:35:57 |
Well, she was operated in that same hospital. |
| 01:36:01 |
And if I remember, Nora Elmer's husband was brought to us too, |
| 01:36:05 |
After his car accident. |
| 01:36:13 |
It might mean nothing. |
| 01:36:16 |
Mr Valdeck if you ever need work come to see us, |
| 01:36:21 |
Sorry for taking your time, Mr commissioner. |
| 01:36:26 |
Thank you, goodbye |
| 01:36:28 |
Goodbye, sir. |
| 01:36:30 |
Come in! |
| 01:36:31 |
Good day, commissioner. |
| 01:36:33 |
The fragments you picked up on the rooftop, |
| 01:36:36 |
They come from a glass eye. |
| 01:36:38 |
Certain? |
| 01:36:40 |
We've been on it for 2 days, no doubt about it! |
| 01:36:43 |
Thanks. |
| 01:36:52 |
So, Mr Dallas? |
| 01:36:55 |
Alright, I'll tell you who I was calling. |
| 01:37:01 |
No need to. |
| 01:37:03 |
I'm free? |
| 01:37:04 |
Yes. |
| 01:37:04 |
Why? |
| 01:37:08 |
Cause you got pretty eyes. |
| 01:37:19 |
And Minos doesn't know that we know he has a glass eye. |
| 01:37:31 |
Hold your lighter the way you did when you offered it to Valdeck! |
| 01:37:35 |
What did you do after? |
| 01:37:36 |
I brought it closer to light his... |
| 01:37:44 |
Good God! |
| 01:38:02 |
Jean, look. |
| 01:38:04 |
What date? |
| 01:38:06 |
Today. |
| 01:38:07 |
Find which letters are missing, it's the name of the next victim. |
| 01:39:32 |
I think it must be that one. |
| 01:39:49 |
Stop searching, I found it. |
| 01:39:51 |
Pamela Sweet, 25th floor. |
| 01:39:54 |
"Yes?" |
| 01:39:56 |
Mrs Pamela Sweet? |
| 01:39:58 |
"Yes, who is it?" |
| 01:39:59 |
Police, ma'am. |
| 01:40:04 |
Hello? Hello?! |
| 01:40:05 |
"Listen good, Letellier!" |
| 01:40:08 |
I have enough explosive to blow up the whole block! |
| 01:40:10 |
"At your first action I will kill the whore, her pimp, |
| 01:40:18 |
Valdeck... what is it you want? |
| 01:40:23 |
I'll tell you later... |
| 01:40:25 |
I have to think. |
| 01:40:32 |
Go in the back. |
| 01:40:43 |
Get in the next room. |
| 01:40:45 |
Don't be afraid darling. |
| 01:40:46 |
It's nothing. |
| 01:41:34 |
"Police has just surrounded the building..." |
| 01:41:37 |
We just arrived at the building where Pierre Valdeck is hiding. |
| 01:41:40 |
After throwing that grenade at the movie theater |
| 01:41:49 |
You two, there. Evacuate the whole building! |
| 01:41:52 |
Moissac, with me. |
| 01:42:56 |
Greetings, Letellier. |
| 01:42:57 |
Mr Prefect. |
| 01:42:58 |
-Where you able to talk to him? |
| 01:43:00 |
So, what does he want? |
| 01:43:02 |
He says he wants to think. |
| 01:43:26 |
"Julien Remy, Europe-1. Nothing new since our last report." |
| 01:43:29 |
"Everyone's gaze here is fixed on the 2 lit windows of Pamela Sweet" |
| 01:43:33 |
"And in the thick darkness falling on this tower," |
| 01:43:35 |
"Those lights represent a hope for life". |
| 01:43:49 |
For the 4 hostages, a horrible night begins. |
| 01:43:51 |
Also a night of patience for all the police forces present here. |
| 01:43:54 |
Right now I see the Gendarmerie's Chief of staff coming in, |
| 01:44:01 |
Col. Dupre who will join commissioner Sabba, and chief commissioner |
| 01:44:11 |
That's all I can tell you for now, back in studio! |
| 01:44:15 |
"The images you are seeing now are live from Pamela Sweet's tower. |
| 01:44:20 |
"Hundreds of onlookers watch the police's every move." |
| 01:44:25 |
"On the roof, I can see the snipers, members of the |
| 01:44:28 |
"of which commissioner Letellier was part not long ago." |
| 01:44:31 |
"Led tonight by commissioner Bonselet." |
| 01:44:33 |
"Is it the start of an operation? That's what we all wonder." |
| 01:44:36 |
"Because on the police side, no one is talking." |
| 01:44:39 |
"We'll return live as soon as we have news..." |
| 01:44:41 |
Letellier! |
| 01:44:56 |
Letellier, here. |
| 01:44:58 |
Get your snipers down, immediately! |
| 01:45:00 |
If they're not down in 30 sec I kill the hostages! |
| 01:45:03 |
Valdeck, calm down. |
| 01:45:06 |
I didn't send anyone on the roofs, I promised we'd take it easy. |
| 01:45:09 |
"I'll take care of it". |
| 01:45:12 |
Once you've corrected your mistake, I'll give you my conditions. |
| 01:45:33 |
Evacuate the roofs, now! |
| 01:45:35 |
What's going on? |
| 01:45:35 |
And you guys, no initiative, understood? Wait for my orders. |
| 01:45:39 |
Everyone get down, wait in the cars. |
| 01:45:46 |
Moissac! The the press, the TV, the radio out! |
| 01:45:59 |
He's watching our every move on TV. |
| 01:46:01 |
"The police is evacuating all the media, |
| 01:46:09 |
"We don't know if it means a step forward in the negotiation process." |
| 01:46:13 |
"Well call you back once we get more on this, back in studio!" |
| 01:46:17 |
Thank you, Patrick Picard. |
| 01:46:19 |
We are happy to welcome professor Jacques Hepstein, |
| 01:46:22 |
Specialist in mental illness at the Paris faculty, |
| 01:46:24 |
and who has agreed to talk to us about the Minos case. |
| 01:46:29 |
So, the question on everyone's lips, professor. |
| 01:46:32 |
Can we negotiate with a psychopath such as Minos, |
| 01:46:36 |
and if so, will he hold his promises. |
| 01:46:40 |
You can always negotiate... |
| 01:46:44 |
But it's difficult to predict the actions of a |
| 01:46:50 |
To clarify, I propose a document, professor, |
| 01:46:54 |
A recording we made earlier of Mrs. Valdeck, Minos' mother, |
| 01:46:58 |
who owns a small restaurant called "le relais du nord", in Ardenne. |
| 01:47:01 |
And here she is. |
| 01:47:05 |
"I don't understand..." |
| 01:47:06 |
"I'm shocked..." |
| 01:47:08 |
"He was such a nice, gentle child." |
| 01:47:12 |
"He only gave us pleasant moments." |
| 01:47:16 |
"As a matter of fact, we made sure he never had bad company or reading." |
| 01:47:22 |
"Our little Pierre still asked us permission to go out at 18!" |
| 01:47:30 |
"I don't understand what happened!" |
| 01:47:32 |
"I don't understand!" |
| 01:47:39 |
There, you just heard an excerpt of Minos mother's interview. |
| 01:47:45 |
Professor Hepstein, you wrote a book called |
| 01:47:51 |
The same society you accuse of creating a multitude of |
| 01:47:58 |
You know, it was Freud who first said that |
| 01:48:04 |
Only, since they don't all carry bombs, we don't notice them! |
| 01:48:10 |
In view of the barricades which modern society erects |
| 01:48:17 |
"Some individuals will escape into neurosis." |
| 01:48:21 |
"I wouldn't be surprised if Valdeck was one of those neurotics." |
| 01:48:25 |
But these so called anti-sexual barricades, don't you |
| 01:48:33 |
Yes, of course, provided you are the right age. |
| 01:48:37 |
An official age, for the law, |
| 01:48:40 |
A so called "moral age" for decency. |
| 01:48:42 |
But the sexual appetite starts much earlier. |
| 01:48:47 |
Take Minos, for example, he must have been a healthy child. |
| 01:48:53 |
He is 12. His sexual organs have reached full maturity. |
| 01:49:01 |
It is then that we barricade them with such notions as: |
| 01:49:07 |
Indecency, shame, sin, culpability, moral, hell, etc etc |
| 01:49:18 |
These are notions we invent and use to repress him sexually. |
| 01:49:24 |
The child is then thrown into the great distress called "Puberty"! |
| 01:49:31 |
Distress from which one comes out for better, or worse. |
| 01:49:35 |
"Take these figures. In the US for example," |
| 01:49:39 |
"There's a sexual attack every 28 minutes." |
| 01:49:45 |
"In other words professor, you're preaching comprehension?" |
| 01:50:27 |
No! |
| 01:50:30 |
"Letellier!" |
| 01:50:31 |
I'm listening, Valdeck. |
| 01:50:33 |
"Listen well, Letellier." |
| 01:50:36 |
"This is the first part of my demands." |
| 01:50:40 |
"I've set for 3 o"clock an explosion so strong, |
| 01:50:48 |
At 2:45, I want a fueled car waiting in front of the building. |
| 01:50:53 |
I will come down with the mother and daughter without any intervention! |
| 01:50:57 |
The mother will drive, while I aim my gun at the child. |
| 01:51:02 |
Up to Orly, where a manned plane will wait for us! |
| 01:51:09 |
But what is he thinking? No airport will ever allow him to land, |
| 01:51:14 |
What makes you think he's got a destination? |
| 01:51:17 |
He's not asking for a plane to escape, but to give us his |
| 01:51:24 |
He will circle Paris, |
| 01:51:26 |
Until we obey his orders. |
| 01:51:28 |
WHAT orders?! The demands of a madman? Impossible! |
| 01:51:33 |
Then... |
| 01:51:39 |
What do you suggest? |
| 01:51:44 |
Bid for time. |
| 01:51:59 |
Yes? |
| 01:52:01 |
"Valdeck, I've got the official ok, but he'll take a little more time." |
| 01:52:05 |
"The car, that's easy, but the plane isn't." |
| 01:52:09 |
"Give me time to take care of it." |
| 01:52:11 |
What's the problem? |
| 01:52:13 |
Orly closes at night. |
| 01:52:15 |
I can't have a boeing in a few minutes. |
| 01:52:19 |
I'm asking you to delay the execution of your plan. |
| 01:52:22 |
"Meaning?" |
| 01:52:24 |
7 am for the car, 7:45 for the plane, I can't before. |
| 01:52:32 |
Hello? Are you there? |
| 01:52:35 |
Yes yes, I hear you. I'm thinking. |
| 01:52:47 |
I will set my bomb for 7:15! |
| 01:52:51 |
I will not change anything else, no matter what. |
| 01:53:06 |
I see only one possible solution, colonel, |
| 01:53:09 |
It depends on you, and it's very risky. |
| 01:53:12 |
I'm asking permission to try it. |
| 01:53:15 |
There are 2 men up there, I'm the only one who knows which is Minos. |
| 01:54:38 |
"Hello, Valdeck? Letellier here... Do not interrupt me!" |
| 01:54:41 |
"I will detail the whole operation to you." |
| 01:54:46 |
"The car you requested will drive in front with a tank full of gas." |
| 01:54:51 |
"He evacuated the whole police force." |
| 01:54:53 |
"In 5 minutes, you can come down with the mother and daughter." |
| 01:56:16 |
"Nobody will follow you to Orly West," |
| 01:56:19 |
"Where a boeing and its crew are waiting, ready to take off." |
| 01:58:13 |
Jean! Let go! |
| 01:58:41 |
Letellier! |
| 01:58:48 |
Bravo! |
| 01:58:49 |
What you did was fantastic! |
| 01:58:51 |
Nah! No-brainer, all muscle. |
| 01:59:13 |
Subtitles: Drone139x-CG |
