|
Pi
|
| 00:01:43 |
'9:13. Personal note. |
| 00:01:47 |
'When I was a little kid, |
| 00:01:50 |
'my mother told me |
| 00:01:53 |
'So once, when I was six, I did. |
| 00:01:56 |
'The doctors didn't know |
| 00:02:01 |
'I was terrified, |
| 00:02:04 |
'alone in that darkness. |
| 00:02:07 |
'Slowly, |
| 00:02:09 |
'daylight crept in |
| 00:02:12 |
'and I could see. |
| 00:02:15 |
'But something else |
| 00:02:19 |
'That day |
| 00:02:25 |
[Woman calls] |
| 00:02:29 |
Max, Max, can I do it? |
| 00:02:32 |
- Jenna. |
| 00:02:38 |
158,102. Right? |
| 00:02:41 |
Right! |
| 00:02:43 |
OK, 73 divided by 22? |
| 00:02:45 |
3.318...18...18... |
| 00:02:49 |
..18...18...18...18... |
| 00:03:08 |
'12:45. |
| 00:03:11 |
'One: Mathematics |
| 00:03:18 |
'Two: Everything around us |
| 00:03:20 |
'can be represented and |
| 00:03:26 |
'Three: If you graph the numbers |
| 00:03:31 |
'Therefore, there are patterns |
| 00:03:37 |
'Evidence: |
| 00:03:39 |
'The cycling |
| 00:03:42 |
'the wax and wane |
| 00:03:46 |
'sun spot cycles; |
| 00:03:49 |
'the rise and fall of the Nile. |
| 00:03:56 |
'So, what about |
| 00:03:58 |
'The universe of numbers that |
| 00:04:01 |
'Millions of hands at work, |
| 00:04:04 |
'A vast network, screaming |
| 00:04:08 |
'A natural organism. |
| 00:04:11 |
'My hypothesis: |
| 00:04:13 |
'Within the stock market, |
| 00:04:16 |
'Right in front of me, |
| 00:04:18 |
'hiding behind the numbers. |
| 00:04:21 |
'12:50, press return.' |
| 00:04:34 |
[Phone rings] |
| 00:04:41 |
Hello. |
| 00:04:43 |
[Woman] |
| 00:04:44 |
- Yeah? |
| 00:04:47 |
I'm a partner at the predictive |
| 00:04:50 |
- I told you... |
| 00:04:52 |
I hoped we could have lunch |
| 00:05:19 |
- Max, good. |
| 00:05:21 |
- I grabbed you some samosas. |
| 00:05:25 |
- Your hair! |
| 00:05:27 |
- You can't go out like that. |
| 00:05:30 |
- Don't worry. |
| 00:05:34 |
- You need a mom. |
| 00:05:37 |
Max. Here, your samosas. |
| 00:05:42 |
Thanks. |
| 00:05:46 |
'16:23. Results. |
| 00:05:50 |
'Euclid predicts |
| 00:05:52 |
'A good bet. Other anomalies: |
| 00:05:55 |
'lt predicts PRO NET settling |
| 00:05:58 |
a career high.' |
| 00:06:00 |
[Man] Am I bothering you? |
| 00:06:05 |
Name's Lenny Meyer. |
| 00:06:08 |
And you are? |
| 00:06:10 |
Max. |
| 00:06:11 |
Is that Max? Max...? |
| 00:06:14 |
- Max Cohen. |
| 00:06:20 |
It's OK. I'm a Jew too. |
| 00:06:24 |
No. I'm not interested |
| 00:06:28 |
- Did you ever hear of Kabbalah? |
| 00:06:31 |
- Jewish mysticism. |
| 00:06:34 |
I understand. |
| 00:06:37 |
But right now is a very exciting |
| 00:06:41 |
Right now is |
| 00:06:45 |
- Really? |
| 00:06:48 |
Have you ever put on Tefillin? |
| 00:06:52 |
Yeah, I know, it looks strange. |
| 00:06:56 |
It has a tremendous power. It's |
| 00:06:59 |
Mitzvahs, good deeds. |
| 00:07:02 |
Bring us closer to God. |
| 00:07:05 |
- Shit. |
| 00:07:26 |
Please. Please, a small one. |
| 00:07:31 |
'17:55. Personal note. |
| 00:07:36 |
'Administered 80 milligrams |
| 00:07:39 |
'and six milligrams |
| 00:07:41 |
'as well as one milligram |
| 00:07:44 |
'by subcutaneous injection. |
| 00:08:15 |
[Coughs and splutters] |
| 00:08:26 |
[Whimpers] |
| 00:08:54 |
[Creaking] |
| 00:09:02 |
[Rattling] |
| 00:09:09 |
[Banging] |
| 00:09:16 |
[Silence] |
| 00:09:19 |
[Phone rings] |
| 00:09:24 |
[Phone rings] |
| 00:09:32 |
- Hi. |
| 00:09:35 |
Marcy Dawson here again, |
| 00:09:38 |
I checked my schedule and I'm |
| 00:09:43 |
I'd love to stop by to meet you. |
| 00:09:46 |
It'll be worth it for us. |
| 00:09:49 |
- How did you get my address? |
| 00:09:53 |
Three it is. |
| 00:09:55 |
Wait a minute... |
| 00:10:29 |
Max. |
| 00:10:51 |
Stop thinking, Max. |
| 00:10:53 |
Just feel. Use your intuition. |
| 00:11:03 |
- What did you think of Hamlet? |
| 00:11:07 |
It's been a month. You haven't |
| 00:11:16 |
I'm so close. |
| 00:11:21 |
Have you met the new fish |
| 00:11:24 |
I named her lcarus after you, |
| 00:11:29 |
You fly too high, |
| 00:11:33 |
I look at you, |
| 00:11:36 |
My greatest pupil. |
| 00:11:42 |
But life |
| 00:11:45 |
I spent 40 years searching |
| 00:11:50 |
- I found nothing. |
| 00:11:54 |
I found things... |
| 00:11:57 |
but not a pattern. |
| 00:12:03 |
'Not a pattern. |
| 00:12:06 |
'11:22. Personal note. |
| 00:12:09 |
'Sol died a little when |
| 00:12:14 |
'It wasn't just the stroke. |
| 00:12:17 |
'He stopped caring. |
| 00:12:23 |
'How could he stop, |
| 00:12:24 |
'when he was so close to seeing |
| 00:12:34 |
'How could you stop believing |
| 00:12:37 |
'an ordered shape behind those |
| 00:12:45 |
'We see the simplicity |
| 00:12:48 |
'we see the maddening complexity |
| 00:12:50 |
'3.14 off into infinity.' |
| 00:12:54 |
# Are the stars out tonight? |
| 00:12:57 |
# I don't mind |
| 00:13:02 |
# For I only have eyes |
| 00:13:06 |
# For you, dear |
| 00:13:10 |
# I don't mind |
| 00:13:40 |
Hey, Max. |
| 00:13:42 |
Lenny Meyer. |
| 00:13:45 |
I'll put it out. |
| 00:13:48 |
So... What do you do? |
| 00:13:54 |
I work with computers. Math. |
| 00:13:58 |
Math? What kind of math? |
| 00:14:00 |
Number theory. Research mostly. |
| 00:14:02 |
No way. |
| 00:14:05 |
I mean, not traditional. |
| 00:14:12 |
Hebrew is all math. |
| 00:14:16 |
You know that? Look. |
| 00:14:18 |
Ancient Jews used Hebrew |
| 00:14:21 |
Each letter's a number. |
| 00:14:23 |
The Hebrew A, Aleph, is 1 . |
| 00:14:28 |
Understand? But look, |
| 00:14:32 |
Take the Hebrew for father, ab. |
| 00:14:34 |
Aleph, Bet. |
| 00:14:37 |
1, 2 equals 3. |
| 00:14:40 |
The word for mother, haim. |
| 00:14:42 |
Aleph, Mem. |
| 00:14:45 |
1, 40 equals 41 . |
| 00:14:51 |
Right? Now, the Hebrew word for |
| 00:14:56 |
Yelev. |
| 00:14:58 |
That's 10, 30 and 4. |
| 00:15:03 |
44. |
| 00:15:06 |
Torah is just |
| 00:15:09 |
Some say that it's a code, |
| 00:15:13 |
That's kind of interesting. |
| 00:15:15 |
That's kid's stuff, |
| 00:15:17 |
The Garden of Eden, Kadem. |
| 00:15:20 |
Numerical translation, 144. |
| 00:15:24 |
The value of tree of knowledge, |
| 00:15:27 |
Aat ha haim. 2, 33. 1, 44. 2, 33. |
| 00:15:32 |
- You can take those numbers... |
| 00:15:35 |
They're...? |
| 00:15:36 |
You know, |
| 00:15:38 |
Fibonacci? |
| 00:15:40 |
Fibonacci is an ltalian |
| 00:15:47 |
If you divide 144 into 233, |
| 00:15:50 |
- the result approaches Theta. |
| 00:15:54 |
Theta. The Greek symbol for the |
| 00:16:02 |
Wow. |
| 00:16:04 |
I never saw that before. |
| 00:16:07 |
That's like that series |
| 00:16:10 |
- Like the face of a sunflower? |
| 00:16:15 |
See, there's math everywhere. |
| 00:16:38 |
Hey, I... Max? |
| 00:16:41 |
'13:26. Restate my assumptions. |
| 00:16:45 |
'One: Mathematics |
| 00:16:49 |
'Two: Everything around us |
| 00:16:52 |
'can be represented |
| 00:16:57 |
'Three: lf you graph |
| 00:17:00 |
'patterns emerge. |
| 00:17:03 |
'Therefore, there are patterns |
| 00:17:07 |
'So what about the stock market? |
| 00:17:09 |
'A universe of numbers that |
| 00:17:12 |
'Millions of human hands |
| 00:17:15 |
'A vast network screaming |
| 00:17:18 |
'A natural organism. |
| 00:17:20 |
'My hypothesis: |
| 00:17:24 |
'there is a pattern, |
| 00:17:27 |
'playing with the numbers. |
| 00:17:30 |
'10:18, press return.' |
| 00:17:43 |
[Devi moaning faintly] |
| 00:17:48 |
[Voice whispers] Max. |
| 00:17:52 |
Max. |
| 00:18:06 |
What the...? |
| 00:18:13 |
Shit! |
| 00:18:15 |
Aaargh! God damn it! |
| 00:18:21 |
'10:28. Results. |
| 00:18:24 |
'Bullshit. Euclid predicts AAR |
| 00:18:30 |
'AAR hasn't been |
| 00:18:33 |
'Explanations for anomaly: |
| 00:20:14 |
'11:11. Results. |
| 00:20:19 |
'Failed treatments to date: |
| 00:20:21 |
'Beta blockers, calcium channel |
| 00:20:26 |
'high-dose ibuprofen, steroids, |
| 00:20:30 |
'trigger metastics, |
| 00:20:34 |
'acupuncture, marijuana, |
| 00:20:36 |
'percodan, midrin, tenormen, |
| 00:20:43 |
'No results. |
| 00:20:47 |
'No results.' |
| 00:20:52 |
[Thunderclap] |
| 00:21:05 |
Euclid crashed. |
| 00:21:07 |
- I lost all my data, hardware. |
| 00:21:11 |
Burnt. |
| 00:21:13 |
What... What's happened? |
| 00:21:14 |
First, I get |
| 00:21:17 |
then it spit out |
| 00:21:20 |
I never saw anything like it. |
| 00:21:24 |
- It crashed. |
| 00:21:26 |
- Of what? |
| 00:21:29 |
- I threw it out. |
| 00:21:32 |
I don't know, |
| 00:21:34 |
- How many? |
| 00:21:37 |
What is it, 100, 1 ,000, 216? |
| 00:21:42 |
Probably around 200. Why? |
| 00:21:45 |
I dealt with some bugs |
| 00:21:49 |
I wondered |
| 00:21:52 |
Have you met Archimedes? |
| 00:21:56 |
The one with black spots. See? |
| 00:22:00 |
You remember |
| 00:22:04 |
The king asks Archimedes |
| 00:22:08 |
he has received |
| 00:22:12 |
Unsolved problem at the time. |
| 00:22:14 |
It tortures the great Greek |
| 00:22:17 |
Insomnia haunts him and he |
| 00:22:21 |
for nights on end. Finally, |
| 00:22:26 |
forced to share a bed |
| 00:22:29 |
convinces him |
| 00:22:34 |
While he's entering the tub, |
| 00:22:40 |
Displacement - |
| 00:22:46 |
and thus a way |
| 00:22:49 |
Weight over volume. And thus |
| 00:22:55 |
He screams "Eureka!" |
| 00:22:58 |
he runs naked through the |
| 00:23:02 |
to report his discovery. |
| 00:23:05 |
Now, what is the moral |
| 00:23:11 |
That a breakthrough will come. |
| 00:23:13 |
Wrong! The point of the story |
| 00:23:18 |
Listen to your wife, |
| 00:23:20 |
Meaning, you need a break. |
| 00:23:22 |
You must take a bath |
| 00:23:26 |
There will be no order, |
| 00:23:31 |
Go home, Max, |
| 00:23:40 |
[Water dripping] |
| 00:24:09 |
Excuse me. |
| 00:24:21 |
Oh, my God. |
| 00:24:31 |
Six and a half. |
| 00:24:33 |
[Man] Hey... |
| 00:24:36 |
Hey! |
| 00:24:37 |
The paper, please. |
| 00:25:23 |
Mr Cohen? Perfect timing. |
| 00:25:29 |
- Who are you? |
| 00:25:32 |
It's really not... |
| 00:25:33 |
It's such a pleasure |
| 00:25:36 |
- I studied your paper... |
| 00:25:38 |
- Let's take my car. |
| 00:25:40 |
Mr Cohen... |
| 00:26:12 |
Yes! |
| 00:26:30 |
I just threw out something. |
| 00:26:34 |
Just a print-out. |
| 00:26:47 |
Whoa! I'm sorry. Max. |
| 00:26:51 |
- Where you going? |
| 00:26:54 |
You got five minutes? |
| 00:26:57 |
- Not now. |
| 00:27:00 |
- You got a car? |
| 00:27:06 |
- Let's go. |
| 00:27:09 |
When you said you're Max Cohen, |
| 00:27:10 |
I didn't realise |
| 00:27:13 |
Your work's revolutionary. |
| 00:27:17 |
- It has? |
| 00:27:20 |
The only difference is, we're |
| 00:27:25 |
Go ahead. |
| 00:27:27 |
We're searching for a pattern |
| 00:27:29 |
- What kind? |
| 00:27:32 |
All we know is |
| 00:27:34 |
- OK, stand up, please, Max. |
| 00:27:38 |
That's right. You've gotta |
| 00:27:42 |
- 216? |
| 00:27:45 |
Look at me, Max. Right here. |
| 00:27:50 |
There you go. |
| 00:27:55 |
All right. Now, we'll say |
| 00:27:58 |
Repeat after me: Shma Yisroel. |
| 00:28:03 |
- Shma Yisroel. |
| 00:28:05 |
- Adenoi Eloihenu. |
| 00:28:09 |
- Adenoi Echod. |
| 00:28:15 |
Now, what's up, Max? |
| 00:28:18 |
What is this 216 number, Sol? |
| 00:28:23 |
Excuse me? |
| 00:28:23 |
You asked me if I'd seen |
| 00:28:29 |
Oh, yeah. You mean the bug. |
| 00:28:32 |
I ran into it working on Pi. |
| 00:28:35 |
- What do you mean ran into it? |
| 00:28:39 |
There are these religious Jews |
| 00:28:42 |
Religious Jews? |
| 00:28:44 |
Yeah, Hasids, |
| 00:28:46 |
I know them. |
| 00:28:47 |
I know one in a coffee shop. |
| 00:28:51 |
The Torah is his data set. |
| 00:28:53 |
He says they're after |
| 00:28:57 |
Come on, it's just coincidence. |
| 00:29:00 |
There's something else, though. |
| 00:29:02 |
What? |
| 00:29:03 |
You remember those weird |
| 00:29:05 |
- Yesterday's stock picks? Yes. |
| 00:29:09 |
I got two picks on the nose. |
| 00:29:15 |
Something's going on. |
| 00:29:17 |
It has to do with that number. |
| 00:29:21 |
Max... Come with me. |
| 00:29:25 |
The ancient Japanese |
| 00:29:28 |
to be a microcosm |
| 00:29:31 |
Although, when it's empty, |
| 00:29:36 |
the possibilities of gameplay |
| 00:29:40 |
No two Go games are alike, |
| 00:29:45 |
So, the Go board |
| 00:29:49 |
an extremely complex |
| 00:29:54 |
And that's the truth |
| 00:29:58 |
It can't be |
| 00:30:01 |
There is no simple pattern. |
| 00:30:04 |
But as the game progresses, the |
| 00:30:07 |
The board takes on order. |
| 00:30:10 |
So? |
| 00:30:11 |
So maybe, even though |
| 00:30:15 |
there is a pattern, an order |
| 00:30:21 |
Maybe it's like the pattern |
| 00:30:24 |
The Torah? This 216 number? |
| 00:30:27 |
- It's insanity. |
| 00:30:30 |
- I must get that number. |
| 00:30:34 |
You have to breathe. |
| 00:30:37 |
You're connecting my computer |
| 00:30:41 |
and some religious hogwash. |
| 00:30:43 |
If you want the number 216, |
| 00:30:48 |
216 steps from your street |
| 00:30:52 |
216 seconds |
| 00:30:56 |
When your mind becomes obsessed |
| 00:30:59 |
you filter everything else out |
| 00:31:03 |
320, 450, 22, whatever. |
| 00:31:06 |
You've chosen 216 and you'll |
| 00:31:12 |
But, Max, |
| 00:31:14 |
as soon as you discard |
| 00:31:18 |
you are no longer |
| 00:31:21 |
you're a numerologist. |
| 00:31:27 |
Mr Cohen? |
| 00:31:27 |
Mr Cohen... |
| 00:31:29 |
God damn it! I'm sick |
| 00:31:31 |
I'm not interested in money. |
| 00:31:35 |
I don't deal with materialists |
| 00:31:37 |
I'm sorry. I'm very sorry. |
| 00:31:41 |
I admit |
| 00:31:43 |
But all I ask is that |
| 00:31:47 |
- As a token, accept this. |
| 00:31:51 |
The suitcase isn't filled |
| 00:31:56 |
Just silicon. A Ming Mecca chip. |
| 00:31:58 |
Ming Mecca? They're not even |
| 00:32:02 |
You're right, they're not. But |
| 00:32:07 |
Beautiful, isn't it? |
| 00:32:08 |
Do you know how rare these are? |
| 00:32:12 |
What do you...? |
| 00:32:16 |
Mr Cohen? |
| 00:32:18 |
- Are you OK? |
| 00:32:20 |
Mr Coh... Sir, are you sick? |
| 00:32:58 |
[Dripping] |
| 00:33:17 |
Hey! |
| 00:34:59 |
[Whistle blows] |
| 00:35:17 |
[Whistle blows] |
| 00:35:38 |
[Train whistle] |
| 00:35:49 |
C'mon, buddy. Get up. |
| 00:35:52 |
It's Coney lsland, last stop. |
| 00:35:55 |
Here. For your nose. |
| 00:36:49 |
[Bleeping] |
| 00:39:26 |
Jenna, come back! Jenna! |
| 00:39:31 |
Jenna, come back here. |
| 00:39:47 |
- Farrouhk? |
| 00:39:53 |
Max. Is everything all right? |
| 00:39:56 |
- Do you have any iodine? |
| 00:39:59 |
No, it's to stain a slide. |
| 00:40:01 |
Ah. Science. |
| 00:40:07 |
One second. |
| 00:40:10 |
You surprised me. |
| 00:40:15 |
Here we are. |
| 00:40:17 |
What are you examining? |
| 00:40:23 |
No. Just something |
| 00:41:22 |
- Shalom. |
| 00:41:24 |
Max. What're you doing now? |
| 00:41:26 |
I was thinking about |
| 00:41:29 |
- That's good. |
| 00:41:37 |
'4:42. New evidence. |
| 00:41:42 |
'Remember Pythagoras. |
| 00:41:44 |
'Mathematician, cult leader. |
| 00:41:50 |
'Major belief: The universe |
| 00:41:55 |
'Major contribution: |
| 00:41:57 |
'The golden ratio. |
| 00:42:02 |
'Best represented geometrically |
| 00:42:06 |
'Visually, there exists |
| 00:42:08 |
'between its length and width. |
| 00:42:11 |
'When it's squared, it leaves a |
| 00:42:16 |
'with the same unique ratio. |
| 00:42:18 |
'The squaring can continue, |
| 00:42:23 |
'to infinity. |
| 00:42:56 |
'11:18. More evidence. |
| 00:42:59 |
'Remember da Vinci. Artist, |
| 00:43:03 |
'ltaly, C15th. |
| 00:43:06 |
'Rediscovered the perfection |
| 00:43:08 |
'and pencilled it |
| 00:43:12 |
'Connecting a curve through the |
| 00:43:16 |
'You generate the mythical |
| 00:43:20 |
'Pythagoras loved this shape, |
| 00:43:23 |
'a nautilus shell, rams' horns, |
| 00:43:27 |
'our fingerprints, our DNA |
| 00:43:32 |
'9:22. Personal note. |
| 00:43:34 |
'When I was a little kid, |
| 00:43:36 |
'my mother told me |
| 00:43:39 |
'So once, I did. |
| 00:43:42 |
'At first, the brightness |
| 00:43:44 |
'but I kept looking, |
| 00:43:47 |
'And then the brightness |
| 00:43:49 |
'My pupils shrank to pinholes |
| 00:43:54 |
'And for a moment I understood. |
| 00:43:57 |
'My new hypothesis: |
| 00:44:01 |
'while living in a giant spiral, |
| 00:44:03 |
'then everything we do |
| 00:44:14 |
'10:15. |
| 00:44:16 |
'Personal note. |
| 00:44:20 |
'lt's fair to say |
| 00:44:24 |
'But I'm on the edge |
| 00:44:27 |
[Marcy Dawson] |
| 00:44:29 |
Look, what do you want |
| 00:44:32 |
You tech' guys. |
| 00:44:36 |
- I may not find anything. |
| 00:44:40 |
First, I want you |
| 00:44:43 |
Done. Anything else? |
| 00:44:44 |
Yeah, I'm a very private person. |
| 00:44:49 |
and leave the suitcase outside. |
| 00:44:53 |
- How do I know you're home? |
| 00:45:09 |
- The Torah. |
| 00:45:16 |
What is it? |
| 00:45:18 |
In Hebrew, |
| 00:45:21 |
No, the 216 number. What is it? |
| 00:45:25 |
I don't know. |
| 00:45:27 |
If you can find it, |
| 00:45:31 |
- Can you really find it? |
| 00:45:51 |
[Knocking] |
| 00:46:05 |
Max. |
| 00:46:06 |
Jenna. |
| 00:46:08 |
- Can we do it? |
| 00:46:11 |
Please, Max? |
| 00:47:19 |
Happy birthday, Euclid. |
| 00:47:48 |
'18:30. Press return. |
| 00:47:58 |
[Pulsing bleep] |
| 00:48:34 |
[Woman murmuring] |
| 00:49:14 |
'18:33. Press return. |
| 00:49:44 |
[Devi moans with pleasure] |
| 00:49:57 |
[Drilling whine] |
| 00:50:09 |
Hell! |
| 00:50:12 |
You fuck! You fuck! |
| 00:50:15 |
[Wails] |
| 00:50:26 |
Fuck! |
| 00:50:43 |
Fuck! |
| 00:50:52 |
[Wails] |
| 00:50:57 |
Fuck you! Fuck you! Fuck you! |
| 00:51:00 |
Fuck you! |
| 00:51:05 |
[Screams in pain] |
| 00:52:52 |
[Phone rings] |
| 00:52:59 |
Yes, hello? |
| 00:53:02 |
He's busy right now, I'm sorry. |
| 00:53:10 |
You were screaming. |
| 00:53:12 |
[Mrs Ovadia] Who said you could |
| 00:53:19 |
[Devi] Are you OK? |
| 00:53:26 |
You're out, you hear me? |
| 00:53:29 |
- I've had it with you! |
| 00:53:32 |
Let's go. [Phone rings] |
| 00:53:34 |
God damn it, no! You're the one |
| 00:53:38 |
Get out! |
| 00:53:39 |
Get out! Get out! |
| 00:53:41 |
Get out! |
| 00:53:46 |
Are you OK? |
| 00:53:48 |
Get out! |
| 00:53:53 |
[Phone continues to ring] |
| 00:56:17 |
You bastard. |
| 00:57:00 |
Nineteen and a half. |
| 00:57:03 |
Thirty-nine and an eighth. |
| 00:57:06 |
Six and three quarters. |
| 00:57:10 |
Seven and an eighth. |
| 00:57:13 |
Twelve and a quarter. |
| 00:57:18 |
I know these numbers. |
| 00:57:28 |
They're going down... |
| 00:57:33 |
You lied to me. |
| 00:57:37 |
You have it? |
| 00:57:43 |
OK, sit down. |
| 00:57:47 |
I gave up before I pinpointed |
| 00:57:53 |
certain problems cause computers |
| 00:57:57 |
The loop leads to meltdown, |
| 00:58:03 |
they become aware |
| 00:58:08 |
The computer has a sense |
| 00:58:13 |
and it prints out |
| 00:58:17 |
The computer becomes conscious? |
| 00:58:20 |
In... In, er...some ways... |
| 00:58:28 |
Studying the pattern |
| 00:58:32 |
It died spitting out the number. |
| 00:58:36 |
No, Max. It's only a nasty bug. |
| 00:58:39 |
- It's more than that. |
| 00:58:43 |
- There's nothing there! |
| 00:58:47 |
A door to a cliff, you're |
| 00:58:50 |
- You need to stop. |
| 00:58:53 |
- That's why you quit. |
| 00:58:56 |
- Come on. |
| 00:58:58 |
That's bullshit! It's |
| 00:59:02 |
Mathematicians |
| 00:59:05 |
- You taught me that. |
| 00:59:08 |
You can't tell me what it is. |
| 00:59:10 |
You've retreated to your Go |
| 00:59:13 |
Max, go home. |
| 00:59:14 |
- You're not satisfied. |
| 00:59:16 |
I'm gonna see it! |
| 00:59:17 |
- Get out! |
| 00:59:36 |
Hey! |
| 00:59:42 |
Hey! |
| 00:59:49 |
Hey! |
| 01:00:54 |
- Who are you working for? |
| 01:00:57 |
- Who sent you? |
| 01:01:00 |
- Gimme that. |
| 01:01:04 |
Leave me alone. |
| 01:01:18 |
- Marcy. What's the matter? |
| 01:01:25 |
I can't. I have work. |
| 01:01:28 |
We had a deal, Max. |
| 01:01:32 |
- Don't ever touch me! |
| 01:01:36 |
- Help! |
| 01:01:38 |
- Leave me alone! |
| 01:01:42 |
Max. Where're you going, Max? |
| 01:01:45 |
- Max! God damn it! |
| 01:01:50 |
Help! |
| 01:01:51 |
- Get him! |
| 01:01:53 |
Come here, Max. |
| 01:01:57 |
Get outta here. |
| 01:02:15 |
- Where'd he go? |
| 01:02:21 |
[Footsteps] |
| 01:02:32 |
Max. |
| 01:02:33 |
Leave me alone! |
| 01:02:36 |
- I got him. |
| 01:02:39 |
- Help me! Help! |
| 01:02:45 |
- Sit down and shut the hell up. |
| 01:02:49 |
Didn't your mother ever tell you |
| 01:02:53 |
The market's going to crash. |
| 01:02:55 |
I didn't do anything. |
| 01:02:59 |
Be careful where you throw out |
| 01:03:02 |
How could you do that? |
| 01:03:04 |
You gave faulty information. |
| 01:03:09 |
but only gave us |
| 01:03:12 |
Now give us the rest |
| 01:03:14 |
You bastards! |
| 01:03:17 |
Max, you just don't get it. |
| 01:03:20 |
I don't give a shit about you, |
| 01:03:25 |
If you won't help us, we'll |
| 01:03:30 |
Survival of the fittest - |
| 01:03:35 |
- Max! Come here! |
| 01:03:39 |
- Hey! |
| 01:03:43 |
Stay down! Stay down. |
| 01:03:46 |
We've been looking for you. |
| 01:03:47 |
- What's going on? |
| 01:03:50 |
What's going on? What is it? |
| 01:03:53 |
What're you doing? |
| 01:03:55 |
Where's the number? |
| 01:03:57 |
It's not on me. It's in my head. |
| 01:03:59 |
You memorised it? |
| 01:04:03 |
- Who? |
| 01:04:05 |
- What do you care? |
| 01:04:09 |
Listen. This is really big. |
| 01:04:12 |
I don't wanna hurt you. |
| 01:04:15 |
They've got part of it. Let go! |
| 01:04:18 |
Damn it! |
| 01:04:20 |
- They're using it. |
| 01:04:22 |
Shut up! Impetuous little runt! |
| 01:04:25 |
- Let go! |
| 01:05:08 |
Max. |
| 01:05:11 |
Max. |
| 01:05:14 |
Max. |
| 01:05:17 |
Max. |
| 01:05:20 |
You're all right. |
| 01:05:23 |
I'm Rabbi Cohen. |
| 01:05:28 |
I'm sorry for what Lenny did. |
| 01:05:33 |
It's not our way. Are you OK? |
| 01:05:36 |
Yeah. |
| 01:05:41 |
Max, you have |
| 01:05:47 |
What is it? |
| 01:05:54 |
The Talmud tells us |
| 01:05:57 |
when the Romans destroyed |
| 01:05:59 |
What is this? |
| 01:06:01 |
Max, you'll understand |
| 01:06:05 |
The Romans also destroyed |
| 01:06:08 |
And with their deaths, they |
| 01:06:12 |
In the centre of the temple |
| 01:06:16 |
the holy of holies. |
| 01:06:19 |
It was the earthly residence |
| 01:06:23 |
The one God. |
| 01:06:27 |
It housed the Ark |
| 01:06:29 |
which stored the original 10 |
| 01:06:32 |
which God gave to Moses. |
| 01:06:35 |
Only one man was allowed |
| 01:06:40 |
on one day, the holiest day |
| 01:06:44 |
On the Day of Atonement, |
| 01:06:46 |
all of lsrael |
| 01:06:48 |
to watch the High Priest, |
| 01:06:52 |
make his trip |
| 01:06:55 |
If the High Priest was pure, |
| 01:06:59 |
and we'd have a prosperous year. |
| 01:07:02 |
It meant we were one year closer |
| 01:07:05 |
But, if he was impure, |
| 01:07:11 |
and it meant we were doomed. |
| 01:07:15 |
The High Priest |
| 01:07:19 |
He had to intone a single word. |
| 01:07:21 |
Yeah? |
| 01:07:24 |
That word was |
| 01:07:30 |
So? |
| 01:07:31 |
The true name, |
| 01:07:35 |
was 216 letters long. |
| 01:07:43 |
Are you telling me that... |
| 01:07:46 |
That the number in my head |
| 01:07:51 |
Yes! It's the key |
| 01:07:54 |
It will take us closer |
| 01:07:57 |
As the temple burnt, |
| 01:08:00 |
the High Priest |
| 01:08:02 |
He took the key to the top |
| 01:08:05 |
the heavens opened |
| 01:08:09 |
from the priest's |
| 01:08:12 |
We have been looking |
| 01:08:15 |
And you may have found it. |
| 01:08:21 |
That's what happened. |
| 01:08:27 |
I saw God. |
| 01:08:29 |
No. You are not pure. You cannot |
| 01:08:34 |
No... I saw everything. |
| 01:08:38 |
You saw nothing, only a glimpse. |
| 01:08:43 |
We can unlock the door |
| 01:08:48 |
You're not pure. |
| 01:08:52 |
Who do you think you are? |
| 01:08:59 |
You're carrying a delivery |
| 01:09:01 |
It was given to me. |
| 01:09:04 |
It's inside of me. |
| 01:09:08 |
It's killing you! Because you |
| 01:09:16 |
It's just a number. |
| 01:09:20 |
I'm sure you've written down |
| 01:09:24 |
You've translated all of them. |
| 01:09:27 |
You've intoned them all. |
| 01:09:32 |
What's it gotten you? |
| 01:09:35 |
The number is nothing. |
| 01:09:40 |
It's the meaning. |
| 01:09:43 |
The syntax. |
| 01:09:50 |
You haven't understood it. |
| 01:09:54 |
It's because it's not for you. |
| 01:09:58 |
I've got it. I've got it! |
| 01:10:01 |
I understand it. And I'm gonna |
| 01:10:08 |
'17:13. Personal note. |
| 01:10:12 |
'You stare into space like that, |
| 01:10:16 |
'What can the eyes |
| 01:10:20 |
[Cacophonous dialogue] |
| 01:10:25 |
'14:50. |
| 01:10:30 |
'15:10. |
| 01:10:34 |
'16:55. |
| 01:10:37 |
'10:35. |
| 01:10:39 |
'Already, I'm beginning to see.' |
| 01:10:47 |
Can I help you? |
| 01:10:49 |
Sol? |
| 01:10:51 |
Were you a friend? |
| 01:10:54 |
- What do you mean? |
| 01:12:17 |
No! No! |
| 01:12:21 |
No! |
| 01:12:27 |
[Screams in agony] |
| 01:12:35 |
Three! Five! Nine! |
| 01:12:39 |
Ten! Eight! Six! Five! Two! |
| 01:12:42 |
[Screams list of numbers] |
| 01:13:17 |
Five. |
| 01:13:21 |
Eight. |
| 01:13:25 |
Nine. |
| 01:13:30 |
Seven. |
| 01:13:32 |
[Devi's voice echoes] |
| 01:13:37 |
Six. |
| 01:13:39 |
[Devi] Stay with me, Max. |
| 01:13:45 |
Max. |
| 01:13:55 |
No! |
| 01:13:56 |
[Devi whispers] It's all right. |
| 01:14:02 |
It's all right. |
| 01:15:30 |
'17:22. Personal note. |
| 01:15:35 |
'my mother told me |
| 01:15:38 |
[Electric drill whirs] |
| 01:15:41 |
'So once, when I was six, |
| 01:16:10 |
Max, Max. Look. |
| 01:16:13 |
Pretty, huh? |
| 01:16:17 |
Can we do it, Max? Can we? |
| 01:16:20 |
How about 255 times 183? |
| 01:16:25 |
I got it! What's the answer? |
| 01:16:41 |
I don't know. What is it? |
| 01:16:44 |
46,665. See? |
| 01:16:54 |
How about 748 divided by 238? |
| 01:17:00 |
[Jenna] |
| 01:17:06 |
Subtitles by werewulf (werewulf@xnet.ro) |
