|
Picnic at Hanging Rock
|
| 00:01:25 |
What we see... |
| 00:01:28 |
...and what we seem... |
| 00:01:31 |
...are but a dream. |
| 00:01:36 |
A dream within a dream. |
| 00:02:59 |
'Meet me, love, when day is ending. ' |
| 00:03:04 |
'I love thee for thy highborn grace, |
| 00:03:08 |
'Thy deep and lustrous eye, |
| 00:03:11 |
'For the sweet meaning of thy brow, |
| 00:03:15 |
'and for thy bearing so high. ' |
| 00:03:18 |
Six |
| 00:03:20 |
and seven |
| 00:03:22 |
and eight |
| 00:03:25 |
and nine |
| 00:03:28 |
and ten |
| 00:03:30 |
and eleven. |
| 00:03:34 |
'I love thee |
| 00:03:36 |
'Not because thou art fair, |
| 00:03:38 |
'Softer than down, smoother than air, |
| 00:03:42 |
'Nor for the cupids that do lie |
| 00:03:45 |
'In either corner of thine eye. |
| 00:03:48 |
'Wouldst thou then know |
| 00:03:52 |
'Tis I love thee 'cause thou lov'st me. ' |
| 00:04:55 |
⪠See the little horse, |
| 00:04:59 |
⪠My little horse, |
| 00:05:03 |
⪠Trotting down the paddock |
| 00:05:08 |
⪠Black horse, white horse, |
| 00:05:12 |
⪠Brown horse, grey |
| 00:05:15 |
⪠Trotting down the paddock |
| 00:05:23 |
Someday, Sara, you shall have to |
| 00:05:27 |
To Queensland. |
| 00:05:29 |
And meet my sweet, funny family |
| 00:05:34 |
Would you like that? |
| 00:05:43 |
You must learn to love... |
| 00:05:45 |
...someone else apart from me, Sara. |
| 00:05:52 |
I won't be here much longer. |
| 00:06:02 |
What do you think? |
| 00:06:04 |
Miranda, somebody had the nerve to send |
| 00:06:08 |
covered with tiny sums. |
| 00:06:14 |
Girls! Girls! |
| 00:06:17 |
Unless you all deport yourselves |
| 00:06:20 |
and considerably less noise, |
| 00:06:22 |
Mrs Appleyard will see to it that |
| 00:06:25 |
Bonjour, Miss Lumley. |
| 00:06:27 |
Good morning, Mademoiselle de Poitiers. |
| 00:06:33 |
I believe Mrs Appleyard has decided |
| 00:06:39 |
That makes two of us. |
| 00:06:43 |
Off you go! |
| 00:06:46 |
To St Valentine! |
| 00:07:10 |
⪠Frère Jacques, Frère Jacques, |
| 00:07:23 |
Tais-toi, Irma. |
| 00:07:26 |
- She wants algebra today. |
| 00:08:01 |
- Good morning, girls. |
| 00:08:04 |
Well, young ladies, |
| 00:08:06 |
we are indeed fortunate in the weather |
| 00:08:09 |
I have instructed Mademoiselle |
| 00:08:11 |
that as the day is likely to be warm, |
| 00:08:15 |
once the drag has passed through Woodend. |
| 00:08:18 |
You will partake of luncheon |
| 00:08:21 |
Once again let me remind you that |
| 00:08:26 |
and you are therefore forbidden any tomboy |
| 00:08:31 |
even on the lower slopes. |
| 00:08:32 |
I also wish to remind you the vicinity |
| 00:08:38 |
and poisonous ants of various species. |
| 00:08:40 |
It is, however, a geological marvel, |
| 00:08:43 |
on which you will be required to write |
| 00:08:48 |
That is all. |
| 00:08:49 |
Have a pleasant day, |
| 00:08:52 |
in a manner to bring credit |
| 00:08:54 |
Mr Hussey! |
| 00:08:59 |
I shall expect you back, Miss McCraw |
| 00:09:03 |
for a light supper. |
| 00:09:04 |
Come, girls. |
| 00:09:38 |
This we do for pleasure |
| 00:09:40 |
so that we may shortly be at the mercy of |
| 00:09:46 |
How foolish can human creatures be? |
| 00:10:44 |
There she is, ladies. Hangin' Rock. |
| 00:10:51 |
The mountain comes to Mohammed. |
| 00:10:58 |
More than 500 feet high she is. Volcanic, |
| 00:11:04 |
A million years old, Mr Hussey, |
| 00:11:08 |
Yes, well, of course that'd be right. |
| 00:11:12 |
Thousands, millions. |
| 00:11:14 |
Devil of a long time, anyway, |
| 00:11:18 |
Only a million years ago. |
| 00:11:25 |
The rocks all around |
| 00:11:28 |
must be all of 350 million years old. |
| 00:11:34 |
Siliceous lava... |
| 00:11:37 |
...forced up from deep down below. |
| 00:11:41 |
Soda trachytes extruded in |
| 00:11:47 |
building the steep-sided mametons |
| 00:11:54 |
And quite young, geologically speaking. |
| 00:12:00 |
Waiting a million years... just for us. |
| 00:12:34 |
More cake, Michael? |
| 00:12:37 |
No, thank you, Aunt. lâm... |
| 00:12:40 |
I think I'll just, um, |
| 00:12:43 |
Oh, don't go too far... and be careful. |
| 00:12:46 |
There could be snakes. |
| 00:13:25 |
- How's it goin'? |
| 00:13:30 |
They finished eating, have they? |
| 00:13:33 |
Pardon? |
| 00:13:36 |
The colonel and the missus. |
| 00:13:38 |
- They finished eating, have they? |
| 00:13:43 |
Expect me up there in a minute, I suppose. |
| 00:13:52 |
- Can't be more'n midday. |
| 00:13:59 |
I thought it was a little early |
| 00:14:02 |
Yeah. |
| 00:14:06 |
Drink? |
| 00:14:07 |
Thank you. |
| 00:14:15 |
You know, they always allow an hour |
| 00:14:20 |
and then they got 'ere straight away. |
| 00:14:23 |
Thanks. |
| 00:14:31 |
Ta! |
| 00:14:34 |
Not that they got anything else to do. |
| 00:14:36 |
I mean, they never go for |
| 00:14:54 |
Get on! Come on! |
| 00:15:40 |
To St Valentine! |
| 00:16:04 |
I hope you have learned |
| 00:16:08 |
Sit up straight, child. |
| 00:16:09 |
Hold your shoulders back. |
| 00:16:13 |
Well, have you got your lines by heart? |
| 00:16:17 |
Well, have you? |
| 00:16:19 |
I can't. It doesn't make sense. |
| 00:16:22 |
Sense? You little ignoramus! |
| 00:16:25 |
Evidently you don't know |
| 00:16:27 |
that Mrs Felicia Heymans is considered |
| 00:16:33 |
I know another piece of poetry by heart. |
| 00:16:35 |
It has ever so many verses, much more |
| 00:16:39 |
Would that do? |
| 00:16:41 |
What is the name of this poem? |
| 00:16:43 |
'An Ode to St Valentine'. |
| 00:16:45 |
lâm not acquainted with it. |
| 00:16:48 |
I didn't find it. I wrote it. |
| 00:16:50 |
You wrote it? |
| 00:16:54 |
'Love abounds, love surrounds' |
| 00:16:57 |
Oh, no thank you, Sara. Strange as it |
| 00:17:02 |
Give me your book and proceed to |
| 00:17:07 |
Your book, please, Sara. |
| 00:17:10 |
Thank you. |
| 00:17:13 |
Go on. |
| 00:17:15 |
I can't. |
| 00:17:18 |
Not one line? |
| 00:17:22 |
I shall leave you now, Sara. |
| 00:17:24 |
I expect you to be word perfect when |
| 00:17:29 |
Otherwise, lâm afraid I shall have to |
| 00:17:32 |
instead of letting you stay up until |
| 00:17:49 |
Bertie! Bertie! |
| 00:17:53 |
Jesus, where are you? |
| 00:17:59 |
Oh, Miranda! |
| 00:18:10 |
I like this one. |
| 00:18:11 |
'Shall I compare thee to a summer's day? |
| 00:18:17 |
'Thou art more lovely and |
| 00:18:21 |
'Rough winds do shake |
| 00:18:25 |
'And summer's lease hath |
| 00:18:35 |
That's funny! |
| 00:18:38 |
Blowed if me watch hasn't stopped. |
| 00:18:43 |
Dead on 12.00. |
| 00:18:49 |
That's real funny. |
| 00:18:53 |
C'est très jolie, n'est-ce pas? |
| 00:18:57 |
You wouldn't have the time, |
| 00:19:04 |
Ah, Miranda, your pretty |
| 00:19:08 |
Don't wear it any more. |
| 00:19:10 |
Can't stand the ticking above my heart. |
| 00:19:15 |
If it were mine I'd wear it always, |
| 00:19:21 |
Would you, Mr Hussey? |
| 00:19:29 |
Stopped at twelve. |
| 00:19:33 |
Never stopped before. |
| 00:19:34 |
Must be something magnetic. |
| 00:19:36 |
Well after two, I'd say. |
| 00:19:39 |
We'd better be careful. |
| 00:19:41 |
I promised Mrs Appleyard I'd have |
| 00:19:50 |
Except for those people down there, |
| 00:19:53 |
we might be the only living creatures |
| 00:20:13 |
- Excuse me, Mam'selle. |
| 00:20:16 |
I should like to make a few measurements |
| 00:20:19 |
With Miranda and Irma. |
| 00:20:23 |
Oh, please, Mam'selle. |
| 00:20:27 |
We'll be back long before tea. |
| 00:20:31 |
Et bien. Allez! |
| 00:20:36 |
May I come too, please? |
| 00:20:37 |
So long as you don't complain. |
| 00:20:40 |
I won't. I promise. |
| 00:20:42 |
And don't worry about us, Mam'selle. |
| 00:21:08 |
Now I know. |
| 00:21:11 |
What do you know? |
| 00:21:15 |
I know that Miranda is a Botticelli angel. |
| 00:21:44 |
Wait! |
| 00:21:57 |
Can you manage it, Edith? |
| 00:22:02 |
I don't want to get my feet wet. |
| 00:22:11 |
Oh! |
| 00:22:20 |
Thought the little fat one |
| 00:22:26 |
Some of them are real lookers. |
| 00:22:30 |
Have a look at the shape of |
| 00:22:34 |
Built like an hourglass. |
| 00:22:39 |
And 'ave a go at the last one! |
| 00:22:42 |
Oh, she'd have a decent pair a' legs. |
| 00:22:46 |
All the way up to her bum. |
| 00:22:49 |
lâd rather you didn't say |
| 00:22:53 |
I say the crude things. |
| 00:22:57 |
Miranda! |
| 00:22:59 |
Take my word for it. |
| 00:23:01 |
The Sheilas are all alike |
| 00:23:05 |
Doesn't matter if it's a bloody |
| 00:23:08 |
or the Ballarat Orphanage where |
| 00:23:12 |
Didn't know you were an orphan. |
| 00:23:14 |
Geez! I haven't thought of that |
| 00:23:35 |
Miranda! |
| 00:23:46 |
I think I'll just, er... stretch my legs |
| 00:25:03 |
Look! |
| 00:25:06 |
Not down at the ground, Edith. |
| 00:26:41 |
Why can't we just sit on this log and |
| 00:26:49 |
It's nasty here! |
| 00:26:51 |
I never thought it would be so nasty, |
| 00:27:55 |
We can't go much further. |
| 00:27:58 |
We promised Mam'selle... |
| 00:28:02 |
...we wouldn't be long away. |
| 00:28:22 |
If only we could stay out all night... |
| 00:28:29 |
Blanche said Sara writes poetry |
| 00:28:33 |
She found one there on the floor |
| 00:28:38 |
She's an orphan. |
| 00:28:46 |
Sara reminds me of a little deer |
| 00:28:52 |
I looked after it... |
| 00:28:55 |
...but it died. |
| 00:28:59 |
Mama always said it was doomed. |
| 00:29:03 |
Doomed? What's that mean, Irma? |
| 00:29:07 |
Doomed to die, of course. |
| 00:29:09 |
'The boy stood on the burning deck, |
| 00:29:14 |
I forget the rest. |
| 00:29:16 |
I think I must be doomed. |
| 00:29:20 |
I don't feel at all well. |
| 00:29:23 |
I do wish you'd stop talking for once. |
| 00:29:27 |
Poor Edith. We'll go back soon. |
| 00:30:50 |
Irma! Look at them! |
| 00:30:56 |
Where in the world are they going? |
| 00:30:59 |
Without their shoes! |
| 00:31:03 |
Irma, wait! Wait for me! Please wait! |
| 00:31:08 |
Wait, Irma, wait! |
| 00:31:17 |
Whatever can those people |
| 00:31:21 |
Like a lot of ants. |
| 00:31:24 |
Surprising the number of human beings |
| 00:31:29 |
Although it is probable they're performing |
| 00:31:48 |
Everything begins and ends... |
| 00:31:54 |
...at exactly the right time and place. |
| 00:31:59 |
Look! |
| 00:33:58 |
Oh, Miranda, I feel awful |
| 00:34:07 |
Miranda, I feel perfectly awful. |
| 00:34:10 |
When are we going home? |
| 00:34:23 |
Miranda? |
| 00:34:28 |
Miranda! |
| 00:34:33 |
Miranda! |
| 00:34:36 |
Miranda, don't go up there! |
| 00:35:14 |
I've gotta go. That's Mrs Appleyard. |
| 00:35:17 |
Let someone else go. |
| 00:35:19 |
They won't. No. lâm on. |
| 00:35:21 |
What time is it? |
| 00:35:30 |
What've you got to do? |
| 00:35:36 |
- Mrs Appleyard'll skin me. |
| 00:35:50 |
You'd better go. |
| 00:36:22 |
Why are they so late? |
| 00:36:54 |
God be praised! |
| 00:37:06 |
Mademoiselle, why are you so late? |
| 00:37:10 |
Madame... something terrible has happened. |
| 00:37:15 |
What? |
| 00:37:17 |
What do you mean? |
| 00:37:18 |
I can't... |
| 00:37:20 |
And where in heaven's name is |
| 00:37:23 |
We left her behind |
| 00:37:25 |
at the rock. |
| 00:37:27 |
You left her behind? |
| 00:37:30 |
Has everyone taken leave |
| 00:37:33 |
Miss Lumley, get these girls to |
| 00:37:36 |
And Cook, Cook! |
| 00:37:42 |
Mrs Appleyard... |
| 00:37:45 |
Very well. |
| 00:37:54 |
Straight up the stairs, girls. |
| 00:37:58 |
Cook, I asked you for hot soup! |
| 00:38:13 |
Well, ma'am... ma'am, |
| 00:38:16 |
the strength of it is this. |
| 00:38:21 |
Three of your young ladies... |
| 00:38:24 |
...and, er... Miss McCraw... |
| 00:38:29 |
...are m-missing... |
| 00:38:32 |
...on the rock. |
| 00:38:36 |
What happened? |
| 00:38:39 |
Well, now, Mrs Appleyard. |
| 00:38:42 |
That's just the trouble. |
| 00:38:45 |
Nobody knows what happened. |
| 00:38:51 |
How soon after the girls |
| 00:38:54 |
Don't know. No one knows. |
| 00:38:59 |
No one saw her leave. We were asleep. |
| 00:39:04 |
And the little one? |
| 00:39:06 |
Edith Horton. |
| 00:39:11 |
Like I told ya, |
| 00:39:14 |
she come tearin' out of the bushes, |
| 00:39:19 |
screamin' fit to... |
| 00:39:24 |
Well, after we'd shushed her screamin', |
| 00:39:29 |
she'd left the other three |
| 00:39:36 |
That's about all I can tell ya. |
| 00:39:41 |
Miranda! |
| 00:39:52 |
Marion! |
| 00:39:58 |
Irma! |
| 00:40:29 |
Go on, get out of it. |
| 00:40:33 |
Ah, stop it! |
| 00:40:38 |
Come on. |
| 00:40:42 |
Miranda! |
| 00:41:01 |
Try to remember, Edith... |
| 00:41:07 |
...what it was that frightened you |
| 00:41:15 |
Think carefully, darling. Carefully! |
| 00:41:19 |
Did you speak to anyone? |
| 00:41:23 |
There must have been something. |
| 00:41:27 |
Was there a man? |
| 00:41:36 |
Her legs were quite severely scratched. |
| 00:41:39 |
From running through the brambles, |
| 00:41:47 |
Nothing else? |
| 00:41:53 |
Nothing I could detect. |
| 00:42:02 |
She hadn't been... |
| 00:42:05 |
...molested? |
| 00:42:06 |
No, no, nothing like that. |
| 00:42:09 |
I have examined her. |
| 00:42:12 |
She is quite intact. |
| 00:42:27 |
Since you won't tell me all the details, |
| 00:42:33 |
There are no details. |
| 00:42:35 |
People just don't disappear, my dear. |
| 00:42:38 |
Not without good reason. |
| 00:42:42 |
There's talk, is there? |
| 00:42:44 |
Not just gossip. |
| 00:42:45 |
People have... |
| 00:42:47 |
...theories. |
| 00:42:48 |
Go on. |
| 00:42:50 |
Well, it couldn't be local. |
| 00:42:54 |
What couldn't? |
| 00:42:55 |
No one around here would |
| 00:43:00 |
lâve just told you, Sergeant. |
| 00:43:01 |
I simply noticed these three young ladies |
| 00:43:04 |
What did they look like? |
| 00:43:08 |
The girls. Describe them to me. |
| 00:43:13 |
The first one was tall and dark. |
| 00:43:19 |
... then there was the little dumpy one. |
| 00:43:22 |
... then a girl with glasses... |
| 00:43:24 |
...and... |
| 00:43:26 |
...the last one was... slim and fair. |
| 00:43:30 |
That's four. |
| 00:43:35 |
Pardon? |
| 00:43:36 |
A few minutes ago you said |
| 00:43:39 |
Oh, oh, yes. |
| 00:43:41 |
That's because the... dumpy one |
| 00:43:47 |
Then they... er... moved off |
| 00:43:50 |
and that's the last we saw of them. |
| 00:43:56 |
Perhaps we could go a little higher. |
| 00:44:01 |
I was tired. |
| 00:44:05 |
I sat down on a log. |
| 00:44:07 |
Which log, Edith? This one? |
| 00:44:09 |
Look around you, darling. |
| 00:44:11 |
Maybe you can see it now. |
| 00:44:13 |
Is that the one? You went that way? |
| 00:44:16 |
I don't know. |
| 00:44:18 |
I was tired. lâm tired now. |
| 00:44:28 |
There is one thing I remember. |
| 00:44:30 |
What do you remember, Edith? Tell us. |
| 00:44:32 |
It was when I was coming down, |
| 00:44:37 |
It was a cloud. |
| 00:44:39 |
What sort of a cloud? |
| 00:44:42 |
It was red. |
| 00:44:45 |
I remember it clearly. |
| 00:44:51 |
Who did you say you saw? |
| 00:44:53 |
Miss McCraw. She was going up the hill |
| 00:44:58 |
Did she stop? |
| 00:45:01 |
Did you speak? |
| 00:45:02 |
No. She was too far away. |
| 00:45:04 |
She was about as far away as those |
| 00:45:13 |
She was funny. |
| 00:45:15 |
Funny? |
| 00:45:19 |
How? |
| 00:45:21 |
lâd rather not say. |
| 00:45:22 |
You must, Edith. |
| 00:45:26 |
Itâs rude. |
| 00:45:40 |
Les pantalons. |
| 00:45:43 |
She had no skirt. Just les pantalons. |
| 00:45:47 |
Drawers? |
| 00:45:49 |
You mean she was just |
| 00:46:32 |
One last go. |
| 00:46:35 |
For the bloodhound. |
| 00:46:44 |
Miranda. |
| 00:47:11 |
Hello! |
| 00:47:49 |
Why didn't you tell us |
| 00:47:54 |
Because... |
| 00:47:58 |
...I didn't exactly follow them. |
| 00:48:00 |
I just jumped across the creek and |
| 00:48:08 |
I was curious. |
| 00:48:13 |
In England young ladies like that wouldn't |
| 00:48:19 |
Not alone, anyway. |
| 00:48:21 |
But they'd gone by the time |
| 00:48:24 |
so I turned back. |
| 00:48:32 |
As the girls were jumping the creek... |
| 00:48:38 |
...what were you thinking of? |
| 00:49:12 |
Ah, Michael! |
| 00:49:55 |
Oh, Michael! |
| 00:50:20 |
The old man hired me |
| 00:50:23 |
lâm buggered if lâm gonna be a lackey |
| 00:50:29 |
That's what I bloody well told 'im. |
| 00:50:32 |
More or less. |
| 00:50:46 |
Had the bloodhound out the other day. |
| 00:50:56 |
I wake up every night in a cold sweat. |
| 00:51:00 |
Just wondering if they're still alive. |
| 00:51:05 |
Yeah, well, the way I look at it is this. |
| 00:51:07 |
If the bloody cop and the bloody abo |
| 00:51:11 |
well, no one bloody can. |
| 00:51:15 |
People have been bushed before today, |
| 00:51:17 |
and as far as lâm concerned, |
| 00:51:20 |
Well, it's not the end of it |
| 00:51:25 |
They may be out there... |
| 00:51:27 |
...dying of thirst on... |
| 00:51:30 |
...on that infernal rock and... |
| 00:51:33 |
...you and I are sitting here |
| 00:51:40 |
That's where you and me's different. |
| 00:51:49 |
If you want my advice, the sooner |
| 00:51:52 |
Well, I can't forget it, and I never will. |
| 00:52:04 |
lâm not great shakes on music, but I |
| 00:52:11 |
Your auntie'll give you hell |
| 00:52:13 |
Albert. |
| 00:52:18 |
I want to go back to the rock. |
| 00:52:23 |
To look for them. |
| 00:52:27 |
Will you come with me? |
| 00:52:43 |
Beautiful birds, them swans. |
| 00:52:49 |
A week in the bush. |
| 00:52:54 |
They'd be dead by now. |
| 00:52:58 |
Then I'll go alone. |
| 00:55:15 |
Hello? |
| 00:55:33 |
Mike! |
| 00:55:37 |
Michael! |
| 00:56:09 |
We'll have to be goin' soon. |
| 00:56:11 |
Dark before we get back. |
| 00:56:15 |
lâm staying here. |
| 00:56:18 |
You're what? |
| 00:56:21 |
lâm staying here. |
| 00:56:23 |
- Here? On the rock? |
| 00:56:26 |
What the hell for? |
| 00:56:30 |
- You're mad. |
| 00:56:32 |
But lâm still staying, |
| 00:56:34 |
Just because you lot are Australians... |
| 00:56:36 |
You're a funny bugger. |
| 00:56:40 |
What the hell am I gonna tell 'em |
| 00:56:43 |
You can tell 'em what you like. |
| 00:56:48 |
...What? Woodend? |
| 00:56:52 |
The Victoria, sir. |
| 00:56:57 |
Mr Michael's pretty knocked out, sir. |
| 00:57:01 |
He's sleepin' there. |
| 00:57:04 |
The pub. |
| 00:57:06 |
Yeah. Yeah. |
| 00:57:09 |
lâm dashed if I know |
| 00:57:15 |
Yeah. |
| 00:57:25 |
All right. Carry on, Crundall. |
| 00:57:26 |
Thank you, sir. |
| 00:59:49 |
Stopped at twelve. |
| 00:59:55 |
Everything begins and ends... |
| 01:00:00 |
...at exactly the right time. |
| 01:00:02 |
Waiting a million years just for us. |
| 01:00:06 |
Look! Way up there in the sky! |
| 01:00:09 |
Now I know! |
| 01:00:11 |
What do you know? |
| 01:00:13 |
Surprising the number of |
| 01:00:18 |
...although it is probable... |
| 01:00:21 |
...they are performing some function |
| 01:00:25 |
Everything begins and ends... |
| 01:00:29 |
...at exactly the right time and place. |
| 01:00:43 |
Miranda. |
| 01:00:56 |
Miranda! |
| 01:01:41 |
Jesus! |
| 01:01:52 |
Coo-ee! |
| 01:03:24 |
Let me have him now, son. |
| 01:03:26 |
lâve had 30 years' experience |
| 01:03:28 |
puttin' them in so they don't fall out |
| 01:03:32 |
Eh, now lean back. |
| 01:03:39 |
Take her quietly, Sergeant. |
| 01:05:27 |
Oh, Jesus! Jesus! |
| 01:05:43 |
Help me! |
| 01:05:57 |
Help me! |
| 01:06:03 |
Mademoiselle, they found Irma. |
| 01:06:05 |
What did you say? |
| 01:06:06 |
They found Irma, and she's still alive. |
| 01:06:15 |
No one else? |
| 01:06:18 |
No. |
| 01:06:36 |
Now go home. |
| 01:06:38 |
There's nothing you can do. |
| 01:06:43 |
Go on, now. Go home! |
| 01:06:45 |
This is a police matter. |
| 01:06:52 |
Well, go on. |
| 01:07:10 |
We've got a bloody right to know. |
| 01:07:14 |
He's right. |
| 01:07:17 |
We simply want something |
| 01:07:22 |
Where's Bumpher? |
| 01:07:26 |
What we should do is go to |
| 01:07:31 |
We've got our own self-respect |
| 01:07:34 |
He's right, there. |
| 01:07:35 |
Get Bumpher out here. |
| 01:07:38 |
Come out, Bumpher! |
| 01:07:43 |
Go back. |
| 01:07:44 |
Go on, go home. |
| 01:07:46 |
The bloody lot of you. |
| 01:07:48 |
Nothing you can do. |
| 01:08:01 |
We can thank the Lord for this merciful |
| 01:08:07 |
and pray that Marion and Miranda |
| 01:08:09 |
and our beloved Miss McCraw |
| 01:08:12 |
It has been seen fit |
| 01:08:14 |
that Irma should convalesce at the home |
| 01:08:19 |
Although you'll be delighted |
| 01:08:22 |
I would ask you to remember, please, |
| 01:08:25 |
that of the three remaining lost members |
| 01:08:30 |
Would you come with me to my study, |
| 01:08:33 |
You may carry on, Mademoiselle. |
| 01:08:57 |
Wonderful news, Mrs Appleyard. |
| 01:09:00 |
Don't be so foolish, woman! |
| 01:09:03 |
If all of them had been found |
| 01:09:05 |
This makes it worse. |
| 01:09:09 |
This tragedy is little more |
| 01:09:12 |
and already three - three, mark you - |
| 01:09:16 |
advising me that their daughters |
| 01:09:19 |
Now the newspapers have something |
| 01:09:24 |
Newspapers all over the world have |
| 01:09:27 |
I mean, you realise that, I suppose. |
| 01:09:30 |
The three who have been withdrawn, plus |
| 01:09:35 |
Two, Mrs Appleyard, only two now. |
| 01:09:39 |
That makes six, Miss Lumley... |
| 01:09:46 |
In addition, there are several sets of |
| 01:09:51 |
Sara Waybourne, for instance. |
| 01:09:56 |
Most inconsiderate, if I may say so, |
| 01:10:00 |
Yes. |
| 01:10:04 |
Well, I... |
| 01:10:06 |
I expect we shall see |
| 01:10:10 |
Don't let me detain you, Miss Lumley, you |
| 01:10:13 |
Senior needlework. |
| 01:10:16 |
Just ask the Waybourne girl |
| 01:10:19 |
After luncheon will be convenient. |
| 01:10:22 |
Yes, Mrs Appleyard. |
| 01:10:25 |
Oh, and Miss Lumley. |
| 01:10:27 |
Do your best to forbid any |
| 01:10:30 |
- about this whole wretched business. |
| 01:11:42 |
Remarkable. Hmm. |
| 01:11:47 |
A week out in the bush and nothing more |
| 01:11:55 |
Extraordinary! |
| 01:11:58 |
No bones broken. |
| 01:12:01 |
Some cuts and bruises |
| 01:12:07 |
To the hands especially. |
| 01:12:14 |
Quite scratched. |
| 01:12:18 |
The fingernails are all torn and broken. |
| 01:12:22 |
There are several other |
| 01:12:26 |
Her head is quite badly bruised. |
| 01:12:30 |
Probable concussion. |
| 01:12:34 |
A blow, maybe? |
| 01:12:37 |
Or a fall? |
| 01:12:40 |
But then if she fell... |
| 01:12:43 |
...why is the rest of the body unmarked? |
| 01:12:48 |
Itâs quite unblemished. |
| 01:12:51 |
And the feet, too, are quite unmarked, |
| 01:12:57 |
as she was not wearing shoes or stockings |
| 01:13:01 |
We found no trace of 'em up on the rock. |
| 01:13:07 |
She's quite intact. |
| 01:13:12 |
lâd give my head to know what really |
| 01:13:20 |
She's quite intact. |
| 01:13:27 |
What is it, my girl? |
| 01:13:29 |
Well, ma'am, it's Miss Irma. |
| 01:13:32 |
Yes? |
| 01:13:34 |
Well, it's about her clothing. |
| 01:13:37 |
What is it, my dear? |
| 01:13:39 |
Well, I didn't know whether |
| 01:13:43 |
There's... there's no corset. |
| 01:13:46 |
Miss Irma's corset. Itâs missing. |
| 01:13:50 |
You did right, my dear. |
| 01:13:58 |
⪠The north wind brings me no rest. ⪠|
| 01:14:04 |
Any number of unsolved murders |
| 01:14:09 |
Take... Take Jack the Ripper, |
| 01:14:22 |
The police are up there again, naturally. |
| 01:14:24 |
Thick as flies. |
| 01:14:28 |
Someone reported seein' a light |
| 01:14:32 |
on a place about a mile from the rock. |
| 01:14:34 |
There's some questions got answers |
| 01:14:43 |
No. There'll be a solution |
| 01:14:52 |
A kidnappin'. |
| 01:14:55 |
Or, you know, something like that. |
| 01:15:02 |
They might have fallen down a hole. |
| 01:15:09 |
No, no. There's a solution |
| 01:15:14 |
There's gotta be. |
| 01:15:17 |
Come over here. |
| 01:15:18 |
Come on. Over here. |
| 01:15:25 |
Did you know, lad, there are some plants |
| 01:15:31 |
No. |
| 01:15:57 |
Miss Lumley said you wanted to see me, |
| 01:16:00 |
That is correct. |
| 01:16:02 |
Come in. |
| 01:16:06 |
Close the door, please. |
| 01:16:20 |
I have written several letters to your |
| 01:16:24 |
but I have not been favoured |
| 01:16:30 |
In fact, it is all of six months since |
| 01:16:35 |
...or a cheque. |
| 01:16:38 |
I, therefore, have no alternative |
| 01:16:43 |
This means that, as of today, |
| 01:16:45 |
you can no longer partake in |
| 01:16:50 |
And unless all your outstanding fees |
| 01:16:54 |
lâm afraid we shall have to make |
| 01:17:00 |
You know what that means, |
| 01:17:06 |
You will have to go away. |
| 01:17:10 |
There are places for girls |
| 01:17:13 |
Institutions. |
| 01:17:22 |
Now off you go. |
| 01:17:26 |
Sara. |
| 01:17:51 |
Sara! What's wrong with you? |
| 01:17:57 |
Are you feeling ill? |
| 01:18:01 |
People don't sit on cold steps in the dark |
| 01:18:09 |
You heard the bell. |
| 01:18:19 |
Aren't you hungry? |
| 01:18:24 |
Then you'd best go straight to bed. |
| 01:18:34 |
Quickly. |
| 01:18:42 |
Tell Mam'selle I don't want it. |
| 01:18:46 |
But you must eat. |
| 01:18:50 |
lâm sick already. |
| 01:18:55 |
Nonsense. Now come on, Miss Sara. |
| 01:18:58 |
Do you know what, Minnie? |
| 01:19:00 |
No. What? |
| 01:19:03 |
I was in an orphanage once. |
| 01:19:05 |
Were you, Sara? |
| 01:19:12 |
I had a brother then... |
| 01:19:15 |
...called Bertie. |
| 01:19:25 |
I told the matron I wanted to be |
| 01:19:30 |
on a white horse in a spangled dress. |
| 01:19:37 |
She was afraid lâd run away, |
| 01:19:43 |
I bit her arm. It bled. |
| 01:19:49 |
So she painted my head |
| 01:20:05 |
⪠All through the forest |
| 01:20:09 |
⪠The north wind brings me no rest |
| 01:20:14 |
⪠And death is in the sky |
| 01:20:21 |
⪠I love you, Minnie. ⪠|
| 01:20:28 |
I love you, darlin'. |
| 01:20:32 |
I feel sorry for them kids. |
| 01:20:39 |
The ones on the rock, you mean? |
| 01:20:41 |
Yeah, them too. |
| 01:20:46 |
I was thinkin' of them other poor |
| 01:20:54 |
Them. They're all right. |
| 01:20:59 |
Rollin' in cash, most of them. |
| 01:21:01 |
Or at least their mothers and fathers are. |
| 01:21:04 |
Some of them are orphans, |
| 01:21:06 |
or wards or... |
| 01:21:11 |
You know. |
| 01:21:41 |
Now I know. |
| 01:21:45 |
What do you know? |
| 01:21:51 |
I know that Miranda is a Botticelli angel. |
| 01:22:27 |
Hold it right there, thanks, gentlemen. |
| 01:22:29 |
That's it. |
| 01:22:31 |
Smile, please. Come on. Big smile. |
| 01:22:35 |
Thank you, thank you. |
| 01:22:43 |
Get those women |
| 01:22:47 |
Now they crossed the creek |
| 01:22:50 |
The rope. |
| 01:22:53 |
Give me that rope |
| 01:22:55 |
What about |
| 01:22:58 |
Ah, tea. |
| 01:23:03 |
Hello! |
| 01:23:14 |
Good, good. |
| 01:23:17 |
As if looking up. Right up. |
| 01:23:19 |
That's it. Looking for a cave |
| 01:23:22 |
Little more expression in the face, sir. |
| 01:23:33 |
Hello, Irma. |
| 01:23:39 |
Madame Fitzhubert showed me in. |
| 01:23:46 |
How do you feel? |
| 01:23:53 |
Oh, Irma! Oh, Irma. |
| 01:23:58 |
We thought you had gone for ever. |
| 01:24:07 |
Let me look at you, chérie. |
| 01:24:13 |
You are so pale |
| 01:24:16 |
but prettier than ever. |
| 01:24:23 |
Has the nephew paid you a visit yet? |
| 01:24:26 |
The one who found you? |
| 01:24:29 |
Yes. |
| 01:24:32 |
And then the policeman. |
| 01:24:37 |
And you couldn't... |
| 01:24:42 |
I, I remember... |
| 01:24:45 |
...nothing. |
| 01:24:46 |
Nothing! I remember nothing! |
| 01:27:29 |
Morning. |
| 01:27:33 |
Send that reporter packing. |
| 01:27:35 |
Girls, girls, get inside at once! |
| 01:27:40 |
There you are, |
| 01:27:42 |
You like these best. |
| 01:27:46 |
Mr Whitehead gave them to me, |
| 01:27:49 |
My dear... |
| 01:27:51 |
...my sweet Miranda. |
| 01:28:04 |
She likes daisies best of all. |
| 01:28:08 |
Oh, Sara! Oh, Sara! |
| 01:28:13 |
You do know that Miranda |
| 01:28:24 |
Miranda knows lots of things |
| 01:28:29 |
Secrets. |
| 01:28:39 |
She knew she wouldn't come back. |
| 01:28:51 |
Fanny, you are ridiculously out of step. |
| 01:29:18 |
Excuse me, Miss Lumley. |
| 01:29:21 |
Voilà , mes enfants! |
| 01:29:24 |
Our dear Irma is with us |
| 01:29:28 |
She is leaving soon |
| 01:29:36 |
Alors, mes enfants. For ten minutes, |
| 01:29:40 |
If you approve, Miss Lumley. |
| 01:30:10 |
- Tell us, Irma! Tell us! |
| 01:30:13 |
- Tell us, Irma! Tell us! |
| 01:30:17 |
- You know what happened. Tell us! |
| 01:30:22 |
Tell us, Irma! |
| 01:30:24 |
- Why won't you tell us, Irma? |
| 01:30:27 |
Just tell us, Irma, tell us. |
| 01:30:31 |
They're dead! All dead and gone, Irma! |
| 01:30:36 |
She's going to you know where! |
| 01:30:40 |
You are a liar and a fool! |
| 01:31:09 |
Mam'selle? |
| 01:31:13 |
Itâs for her own good! |
| 01:31:15 |
To cure her terrible stooping! |
| 01:31:36 |
Come in. |
| 01:31:46 |
Well? Come in. |
| 01:32:02 |
My notice, ma'am. |
| 01:32:52 |
Have we an invalid in the house? |
| 01:32:55 |
Miss Sara's supper, ma'am. |
| 01:32:57 |
Mademoiselle asked me, |
| 01:33:03 |
Minnie. |
| 01:33:06 |
Kindly tell Miss Sara not to put her light |
| 01:33:10 |
Yes, ma'am. |
| 01:33:21 |
This is not |
| 01:33:39 |
You recall our recent discussion, Sara. |
| 01:33:45 |
Answer me when I address you, child. |
| 01:33:49 |
Yes. |
| 01:33:51 |
I have considered your situation |
| 01:33:54 |
and I have searched my mind and |
| 01:34:00 |
But this is not a charitable institution. |
| 01:34:05 |
And as your fees have not been |
| 01:34:08 |
...been forced to make certain |
| 01:34:14 |
You will be returned to the orphanage. |
| 01:34:57 |
God, help me! |
| 01:35:54 |
You still thinking about that bloody rock? |
| 01:35:56 |
I can't help it. |
| 01:35:58 |
It comes back at night in dreams. |
| 01:36:03 |
I had a funny dream last night. |
| 01:36:06 |
There was this smell. Real strong. |
| 01:36:11 |
It was like... like I was wide awake. |
| 01:36:14 |
Dead quiet. |
| 01:36:16 |
Pansies. That's what it smelt like. |
| 01:36:18 |
And the whole place was all lit up, |
| 01:36:25 |
Pitch black outside. |
| 01:36:28 |
And there she is. |
| 01:36:30 |
Who? |
| 01:36:31 |
Who was it? |
| 01:36:33 |
It was only a bloody dream! |
| 01:36:38 |
My kid sister. |
| 01:36:40 |
Haven't seen her since the orphanage. |
| 01:36:43 |
She always liked pansies. |
| 01:36:47 |
And she went... all sort of... |
| 01:36:50 |
...misty-like. |
| 01:36:54 |
I calls out, |
| 01:36:56 |
'Sara, don't go yet. ' |
| 01:37:01 |
'Goodbye, Bertie,' she says. |
| 01:37:03 |
'lâve come a long way to see ya, |
| 01:37:09 |
And she went. |
| 01:37:13 |
Clear through that wall over there. |
| 01:37:25 |
- Sit down, please, Mademoiselle. |
| 01:37:28 |
We were speaking last night |
| 01:37:32 |
You expressed concern over |
| 01:37:36 |
Yes, Madame. |
| 01:37:37 |
We have been relieved of |
| 01:37:41 |
Her guardian, Mr Cosgrove, arrived |
| 01:37:51 |
But... |
| 01:37:52 |
But was she fit enough to travel? |
| 01:37:55 |
Apparently. |
| 01:37:58 |
I should have been here |
| 01:38:01 |
I, myself, helped Sara put a few things |
| 01:38:04 |
into her little covered basket. |
| 01:38:06 |
Mr Cosgrove was in a hurry to get away. |
| 01:38:08 |
I shall not be coming |
| 01:38:11 |
Kindly tell them not to lay |
| 01:38:13 |
Nor for Sara? |
| 01:38:16 |
Nor for Sara. |
| 01:38:22 |
Is that rouge I see on your cheek, |
| 01:38:27 |
Powder, Madame. I find it becoming. |
| 01:38:35 |
Oh, God! |
| 01:38:54 |
Thank you very much for |
| 01:38:57 |
Bye-bye! Au revoir! Bye-bye! |
| 01:39:01 |
Hope you have a nice holiday! |
| 01:39:11 |
Au revoir, mes enfants. |
| 01:39:13 |
⪠Frère Jacques, Frère Jacques |
| 01:39:18 |
Au revoir! |
| 01:39:57 |
Arthur, my late husband, and I, |
| 01:40:01 |
always took our annual holidays |
| 01:40:06 |
Mmm. Itâs a delightful place. |
| 01:40:11 |
Nothing changed. Ever. |
| 01:40:14 |
For 40 years. |
| 01:40:17 |
The pier, the sands and the people. |
| 01:40:21 |
And that guest house. So dependable. |
| 01:40:27 |
Completely and utterly dependable. |
| 01:40:35 |
A little more, Mam'selle? |
| 01:40:38 |
No, Madame. |
| 01:40:39 |
As you wish. |
| 01:40:51 |
I came to depend so much |
| 01:40:55 |
So much masculine intellect. |
| 01:40:59 |
I came to rely on that woman. Trust her. |
| 01:41:04 |
How could she allow herself |
| 01:41:07 |
Lost. |
| 01:41:11 |
Raped. |
| 01:41:12 |
Murdered in cold blood |
| 01:41:17 |
...wretched Hanging Rock. |
| 01:41:28 |
Will Sara Waybourne be coming back |
| 01:41:33 |
.... Now where was I? |
| 01:41:38 |
Oh, yes! Bournemouth. |
| 01:41:42 |
What a delightful place! |
| 01:41:46 |
Nothing changed. Ever. |
| 01:41:53 |
Dirty kids. |
| 01:42:48 |
Sara! |
| 01:43:09 |
The body of Mrs Arthur Appleyard, |
| 01:43:14 |
was found at the base of Hanging Rock |
| 01:43:19 |
Although the exact circumstances |
| 01:43:23 |
it is believed she fell while |
| 01:43:27 |
A search for the missing schoolgirls |
| 01:43:30 |
continued spasmodically for |
| 01:43:35 |
To this day, their disappearance |
