Point Blank
|
00:00:32 |
Cell? |
00:00:35 |
Prison cell? |
00:00:38 |
How'd I get here? |
00:00:40 |
What do you want, son? |
00:00:48 |
Walker, let's get out of here. |
00:00:51 |
I want to talk to you. It's important. |
00:00:54 |
Come on, Walker! Come on! |
00:01:00 |
- Now you listen to me! |
00:01:03 |
I need your help! |
00:01:04 |
Don't you understand? I need your help! |
00:01:07 |
What are you doing? |
00:01:11 |
Walker, they use the prison. |
00:01:15 |
You know, it's closed. |
00:01:16 |
We just wait. |
00:01:18 |
We wait till they get it. |
00:01:20 |
And then we take it from them. |
00:01:25 |
You take the stuff, I'll get the lights. |
00:01:28 |
You're my friend, Walker. |
00:01:32 |
I can't make it on my own. |
00:01:34 |
Help, my friend. |
00:01:35 |
- Trust me! Please! |
00:01:39 |
Help me! |
00:01:40 |
I hear it. |
00:01:42 |
Early. |
00:01:45 |
Hit them! |
00:01:58 |
I owe a bundle to some guys, Walker. |
00:02:00 |
They're going to kill me if I don't get it. |
00:02:02 |
They're going to kill me if I don't get it! |
00:02:28 |
We just hit them on the head, that's it. |
00:02:30 |
It's simple, |
00:02:53 |
It's my show, Walker! |
00:02:58 |
- We made it. |
00:03:06 |
We blew it. |
00:03:10 |
And? $20s? |
00:03:12 |
$24,000. $2,000 in $20s. |
00:03:15 |
Come on, let's get out of here. |
00:03:16 |
Will you shut up? I'm trying to count! |
00:03:21 |
You coming, Lynne? |
00:03:24 |
The boat won't be here for an hour. |
00:03:26 |
Lynne? |
00:03:30 |
- Darling? |
00:03:34 |
Is it less than we need? |
00:03:38 |
You'd better take care of your husband. |
00:03:44 |
How'd we get into this mess? |
00:03:52 |
I don't know. |
00:04:20 |
Lynne... |
00:04:24 |
come here. |
00:04:39 |
Take me away. |
00:04:54 |
Did it happen? |
00:04:57 |
A dream? |
00:05:00 |
A dream. |
00:06:54 |
As we get closer to Alcatraz... |
00:06:56 |
notice the treacherous currents |
00:06:59 |
rendering it virtually escape-proof. |
00:07:02 |
The water temperature is usually |
00:07:06 |
In its 29 years as a federal penitentiary... |
00:07:10 |
the one thing that obsessed its prisoners |
00:07:15 |
In 1936, the first escape attempt... |
00:07:18 |
was made by a prisoner |
00:07:20 |
before he was discovered. |
00:07:22 |
In 1937, two prisoners |
00:07:27 |
Because of the dense fog |
00:07:30 |
it's assumed |
00:07:33 |
There has never been |
00:07:36 |
On June 12, 1962... |
00:07:38 |
three men dug their way |
00:07:43 |
They left dummies, which they had |
00:07:47 |
and managed to get off the island. |
00:07:48 |
They have never been heard of since. |
00:07:51 |
How did you make it, Walker? |
00:07:53 |
In 1946... |
00:07:54 |
the historic Battle of Alcatraz took place. |
00:07:58 |
Two convicts had managed |
00:08:01 |
and took over the main cellblock... |
00:08:03 |
releasing those prisoners |
00:08:07 |
They had nine hostages. |
00:08:09 |
During the two days of siege, |
00:08:11 |
Using the Rock... |
00:08:15 |
for a drop. |
00:08:17 |
Fuzz? |
00:08:20 |
I'm Yost. |
00:08:22 |
- Are you making a charge? |
00:08:27 |
I want something else. |
00:08:28 |
... a utility corridor... |
00:08:29 |
that the police riddled |
00:08:33 |
After the 48- hour break... |
00:08:35 |
two officers |
00:08:39 |
I want the Organization. |
00:08:42 |
Excuse me. |
00:08:43 |
The last escape attempt from Alcatraz... |
00:08:45 |
Your friend Reese... |
00:08:48 |
he's in the big time now. |
00:08:50 |
Come on, dear. |
00:08:52 |
Suits. |
00:08:56 |
Penthouses. |
00:08:59 |
He bought his way back in... |
00:09:06 |
with the money he stole from you. |
00:09:08 |
... never heard from again. |
00:09:10 |
And all indications point |
00:09:13 |
out through the Golden Gate |
00:09:17 |
Alcatraz, often called 'the Rock, ' |
00:09:21 |
$93,000, wasn't it? |
00:09:23 |
$93,000. |
00:09:27 |
You want Reese... |
00:09:30 |
and I want the Organization. |
00:09:32 |
Workmen were supposed |
00:09:34 |
You understand? |
00:09:36 |
... to afford protection to ships |
00:09:38 |
I'm going to help you. |
00:09:41 |
The island was eventually sold... |
00:09:44 |
That's your wife's address in Los Angeles. |
00:09:46 |
... for the sum of $5,000... |
00:09:48 |
Reese lives there, too. |
00:09:50 |
In 1854, the United States Army |
00:12:02 |
Walker, Reese isn't here. |
00:12:04 |
He's gone. |
00:12:07 |
Three months ago. |
00:12:09 |
Gone. Cold. |
00:12:12 |
Moved out. |
00:12:16 |
Walker? |
00:12:18 |
I'm glad you're not dead. |
00:12:21 |
It's true. I really am. |
00:12:24 |
You ought to kill me. |
00:12:28 |
I can't sleep. |
00:12:30 |
Haven't slept. |
00:12:33 |
Keep taking pills. |
00:12:36 |
Dream about you. |
00:12:39 |
How good it must be... |
00:12:42 |
being dead. |
00:12:45 |
Is it? |
00:12:48 |
No. |
00:12:50 |
No, I can't. |
00:12:53 |
Never had the courage. |
00:12:58 |
This? |
00:13:01 |
Payoff, I guess. |
00:13:05 |
I don't know where he is, I really don't. |
00:13:17 |
Money? |
00:13:20 |
A guy brings it the first of every month. |
00:13:23 |
$1,000. |
00:13:29 |
Always a different guy. |
00:13:36 |
Just couldn't make it with you, Walker. |
00:13:41 |
With him, it was... |
00:13:44 |
kind of fun. |
00:13:48 |
Just drifted into it. |
00:13:52 |
That night on Alcatraz... |
00:13:56 |
I knew it was you I really wanted. |
00:14:01 |
I found out too late. |
00:14:17 |
Do you remember... |
00:14:20 |
when we met? |
00:14:23 |
The rain? |
00:14:38 |
You were a little drunk. |
00:14:41 |
So was I. |
00:14:45 |
You were funny when you were drunk. |
00:14:52 |
Strange. |
00:14:54 |
I don't remember very much, but... |
00:14:58 |
suddenly... |
00:15:01 |
we were together. |
00:15:03 |
It was wonderful at first. |
00:15:08 |
I loved you. |
00:15:10 |
Then Mal happened. |
00:15:14 |
You talked a lot about Mal. |
00:15:21 |
Mal Reese. |
00:15:23 |
He was very real for me. |
00:15:25 |
Until I met him. |
00:15:27 |
That night at the reunion... |
00:15:30 |
when you found Mal again |
00:15:37 |
The two of you together. |
00:15:41 |
Then, it was the three of us... |
00:15:44 |
laughing. |
00:15:46 |
It was... |
00:15:49 |
It was perfect. |
00:15:52 |
And... |
00:15:55 |
I think I was happier then |
00:15:59 |
I seemed to be floating... |
00:16:00 |
between the two of you. |
00:16:03 |
Suddenly, I began to drift toward Mal. |
00:16:07 |
And I just went with it. |
00:21:52 |
Lynne... |
00:21:53 |
come here. |
00:22:02 |
Come on, I've got something nice for you. |
00:22:06 |
Hey, who... Listen... |
00:22:20 |
Only Miss Walker, they said. |
00:22:23 |
- I got to call them. |
00:22:26 |
- No, I can't. |
00:22:29 |
Because they'll kill me. |
00:22:32 |
They'll kill you? |
00:22:33 |
- Big John will kill me. |
00:22:37 |
John Stegman. Big John's Car Lot. |
00:22:39 |
This guy's got a car lot. |
00:22:44 |
Stegman. |
00:22:47 |
- What's the dog's name? |
00:22:49 |
- Lola? |
00:22:51 |
The dog's name is Lola? |
00:22:54 |
Miss Stewart. |
00:22:55 |
Miss Stewart, |
00:22:58 |
I like it very much. |
00:22:59 |
- It's a good buy. |
00:23:00 |
A one-owner car, a lady from Beverly Hills |
00:23:03 |
- Mr. Stegman? |
00:23:05 |
An old lady from Beverly Hills? |
00:23:06 |
That's me. |
00:23:08 |
I'm looking for a car. |
00:23:10 |
Take your pick, friend. |
00:23:13 |
What about that model? |
00:23:14 |
What'd you say? |
00:23:15 |
- It has power steering. |
00:23:17 |
What about this one? |
00:23:19 |
Beautiful car. |
00:23:22 |
It costs a lot of money. |
00:23:23 |
I've got a lot of money. |
00:23:25 |
Why does every pretty girl think so? |
00:23:29 |
What kind of a car do you want? |
00:23:30 |
Did somebody recommend you? |
00:23:32 |
Mal Reese. |
00:23:33 |
We're asking $2,950 for this one... |
00:23:36 |
- Good. You want to take a spin? |
00:23:42 |
I think I would... |
00:23:44 |
Aren't you going to introduce this lady |
00:23:46 |
Yes, sir. This is my boss. |
00:23:48 |
- Well, hello. |
00:23:54 |
You ready to go for a little spin? |
00:23:58 |
- She's already committed herself. |
00:24:00 |
Anywhere you say. |
00:24:01 |
See the scenery. |
00:24:02 |
- Let's go to the beach. |
00:24:05 |
Why don't you go with us? |
00:24:06 |
I've got something to do. |
00:24:09 |
- Good. |
00:24:10 |
Don't go away. |
00:24:11 |
Don't worry. |
00:24:13 |
- I'll be right back. |
00:24:21 |
Fallen in love? |
00:24:23 |
Yeah. Pretty nice rig, huh? |
00:24:28 |
You don't really need that. |
00:24:30 |
Most accidents happen |
00:24:32 |
True. |
00:24:34 |
What do you want for it? |
00:24:36 |
See if you like it, |
00:24:43 |
Most people like that headliner. |
00:24:46 |
Take a look right up that line. |
00:24:50 |
Mind if I hear my commercial? |
00:24:52 |
No, go right ahead. |
00:24:55 |
- Stereo. Pretty good, huh? |
00:24:58 |
How's the power steering work? |
00:25:00 |
Get it over. |
00:25:03 |
Are you crazy? |
00:25:09 |
- Where can I find Reese? |
00:25:11 |
What're you doing to my car? |
00:25:13 |
What I did to your delivery boy. |
00:25:14 |
- What are you talking about? |
00:25:16 |
I can't tell you! |
00:25:22 |
Stop it. |
00:25:44 |
Who the hell are you, anyway? |
00:25:45 |
My name's Walker. Where do I find Reese? |
00:25:47 |
I've got nothing to do with Reese! |
00:25:56 |
I know about you, Walker. |
00:26:03 |
- She's dead. |
00:26:05 |
Chris? What about her? |
00:26:14 |
She's with Reese now! |
00:26:21 |
How does that grab you? |
00:26:23 |
Where's Reese? |
00:26:28 |
Big John loves cars. Come on in. |
00:26:30 |
Get up. |
00:26:31 |
... four-door sedan and only... |
00:26:33 |
Where's Chris? |
00:26:35 |
She runs a club. |
00:26:37 |
A place called the Movie House. |
00:26:42 |
You'll love my guarantee. |
00:26:43 |
Come on in to Big John's Car Lot. |
00:26:46 |
Remember, Big John loves cars. |
00:26:48 |
You'll love my guarantee. |
00:27:33 |
Did I exaggerate? |
00:27:36 |
- He did that, huh? |
00:27:39 |
- You sure it was him? |
00:27:41 |
- Tall? Big man? |
00:27:48 |
- You didn't tell him anything? |
00:27:51 |
Would I tell him anything? |
00:27:53 |
You're sure you told him nothing? |
00:27:55 |
This says I didn't. |
00:27:57 |
- Then why didn't he kill you? |
00:28:00 |
You didn't give him something? |
00:28:02 |
- A name? |
00:28:06 |
Smart boy. |
00:28:09 |
Just don't hold out on me. |
00:28:12 |
You can trust me, Mal. |
00:28:16 |
You had him and you let him go. |
00:28:19 |
- Find him? |
00:28:23 |
- Mal, come on. |
00:28:27 |
Now, you find him. |
00:28:29 |
And you finish him. |
00:29:27 |
How are you, Sandy? |
00:29:29 |
Walker, are you still alive? |
00:29:31 |
Are you? |
00:29:44 |
Where's Chris? |
00:29:46 |
She's off tonight. |
00:29:48 |
Write down her address for me, huh? |
00:29:52 |
Thought I'd see you. |
00:29:54 |
Why? |
00:29:56 |
Some guy. Asking for you. |
00:30:04 |
Is there another way out of this joint? |
00:30:06 |
Back of the stage. |
00:30:09 |
Sandra, see you around, huh? |
00:30:15 |
Do come. |
00:33:38 |
Walker? |
00:33:42 |
Where's Reese? |
00:33:48 |
You're supposed to be dead. |
00:33:50 |
She's dead. |
00:33:53 |
Lynne? |
00:33:55 |
- You? |
00:33:58 |
- Those. |
00:34:03 |
I heard you're running with Reese. |
00:34:04 |
Well, you heard wrong. |
00:34:06 |
Does he want you? |
00:34:09 |
- Sure he does. |
00:34:12 |
He makes my flesh crawl. |
00:34:14 |
I want him. |
00:34:18 |
You were always the best thing |
00:34:20 |
Why don't you want him? |
00:34:25 |
I don't want any of them. |
00:34:29 |
I was going with a guy. |
00:34:32 |
Owned a club, jazz club... |
00:34:34 |
Yeah, the Movie House. |
00:34:35 |
It was different then. |
00:34:39 |
It was a good jazz club. |
00:34:41 |
The Organization wanted to... |
00:34:44 |
become his partner. |
00:34:49 |
- And? |
00:34:53 |
killed him. |
00:34:57 |
I run it. I run the club now. |
00:35:01 |
Oh, boy! Do I pay. |
00:35:06 |
You know, I loved him. |
00:35:07 |
Why? |
00:35:10 |
Pay? |
00:35:12 |
Got to make a living. |
00:35:15 |
The Organization? |
00:35:17 |
And Mal Reese. |
00:35:26 |
What do you want from me? |
00:35:31 |
Reese. |
00:35:33 |
He owes me money. |
00:35:35 |
Lynne and money. |
00:35:42 |
You fix your face. |
00:35:47 |
I've got an extra room, |
00:35:49 |
Reese. |
00:35:52 |
I'll get him for you. |
00:36:10 |
- Well? |
00:36:13 |
I got guys out all night looking for him. |
00:36:15 |
Not a sign of him. |
00:36:20 |
Everything humanly possible, Mal. |
00:37:08 |
- See you at noon. |
00:37:13 |
Don't get lost. |
00:37:25 |
Yes, Mr. Carter. |
00:37:28 |
You can go in now, Mr. Reese. |
00:37:42 |
The usual formalities, Mr. Reese. |
00:37:47 |
There you go. |
00:37:53 |
Three copies to them |
00:37:58 |
Three copies to Santa Barbara? |
00:38:00 |
I said two. |
00:38:07 |
What the hell |
00:38:10 |
There's a lot at stake, Mr. Carter. |
00:38:13 |
- That's why I must... |
00:38:16 |
I'd be grateful for anything you could do. |
00:38:19 |
You're trouble. I've always thought so. |
00:38:24 |
I was against taking you back in, |
00:38:28 |
Wherever you go, trouble finds you out. |
00:38:32 |
I certainly would appreciate |
00:38:37 |
What's his name? |
00:38:39 |
Walker. |
00:38:41 |
What's his first name? |
00:38:42 |
He never called himself anything but that. |
00:38:46 |
Not even his wife. |
00:38:48 |
Wife have something to do |
00:38:52 |
Yeah. |
00:38:55 |
Figures. |
00:39:00 |
You know, that mess you got us into |
00:39:05 |
That's what Walker's here for, isn't it? |
00:39:08 |
Only $93,000 belonged to him. |
00:39:10 |
Only $93,000? |
00:39:13 |
What's the story? |
00:39:15 |
A job, Mr. Carter. |
00:39:18 |
You remember the Alcatraz run? |
00:39:21 |
The one I brought into the Organization. |
00:39:23 |
Walker was one of the men you held up? |
00:39:26 |
No, he was with me. |
00:39:30 |
You took his share, too, is that it? |
00:39:32 |
I needed all of it to pay you back. |
00:39:35 |
You left with Walker's share and his wife. |
00:39:39 |
- She still with you? |
00:39:42 |
You shouldn't have left him alive. |
00:39:45 |
Does he know where you are? |
00:39:47 |
No, but he's looking. |
00:39:51 |
Fine. I'll tell you what we'll do. |
00:39:56 |
We'll let him know where you are. |
00:39:59 |
He'll come for you, won't he? |
00:40:08 |
They're waiting. |
00:40:10 |
It's a setup. |
00:40:11 |
They're spreading the word now. |
00:40:15 |
Where is he? |
00:40:16 |
The Huntley. |
00:40:22 |
- Where would he be? |
00:40:28 |
He always uses it. |
00:40:30 |
What's it like? |
00:40:32 |
Fort Knox. |
00:40:35 |
You've been there? |
00:40:39 |
Once. To see Lynne. |
00:40:54 |
- What's that? An apartment house? |
00:40:59 |
Residential. |
00:41:09 |
That goes up to the top? |
00:41:11 |
There's another elevator inside the lobby. |
00:41:15 |
They got two? |
00:41:19 |
- What's the roof like? |
00:41:26 |
Look at it. Men everywhere. |
00:41:29 |
You're going to have a lot of trouble |
00:41:32 |
but you'll never get out. |
00:42:00 |
- He has to come out sometime. |
00:42:05 |
How bad does he want you, Chris? |
00:42:09 |
I don't know. |
00:42:10 |
- Who knows? |
00:42:15 |
Pretty bad, I guess. |
00:42:22 |
Bad enough to let you through, |
00:42:29 |
Why should I? |
00:42:32 |
It's up to you. |
00:43:09 |
- Mr. Reese, please. |
00:43:17 |
This way to Heaven. |
00:44:07 |
We have a saying in Brazil. |
00:44:10 |
He says to go on up. |
00:44:13 |
It says... |
00:44:15 |
Which means, ''God is Brazilian.'' |
00:44:17 |
So you see, |
00:44:20 |
- Of course, you have to worry some. |
00:44:23 |
That's the way of life. |
00:44:29 |
Hello, Mal. |
00:44:32 |
Go on in, honey. |
00:44:46 |
Are these all right? |
00:44:47 |
Yeah, that'll do fine. |
00:44:58 |
No, not individually, together. |
00:45:09 |
Well, Cinderella... |
00:45:12 |
I was beginning to think |
00:45:15 |
Here I am. |
00:45:20 |
What made you change your mind? |
00:45:22 |
It's a woman's privilege. |
00:45:27 |
All good things come to those who wait. |
00:45:33 |
Then, I win first prize. |
00:45:36 |
Scotch? |
00:45:39 |
Scotch is fine. |
00:45:42 |
Do you know how long |
00:45:49 |
The first time I saw you with Lynne. |
00:46:01 |
I've some business to settle here first. |
00:46:06 |
- You take empty bags. |
00:46:08 |
Operator? Give me the police. |
00:46:11 |
Wait till they answer. |
00:46:14 |
Sir, help me, please. I'm being attacked. |
00:46:18 |
Ferguson, yes. 2291, Western. |
00:46:22 |
Across from the Huntley. Second floor. |
00:46:27 |
- Is that all right? |
00:46:38 |
Have you seen Lynne lately? |
00:46:41 |
You know about her and me. |
00:46:45 |
You girls ought to kiss and make up. |
00:46:48 |
I haven't seen her. |
00:46:56 |
You ever meet Walker? |
00:47:00 |
A couple of times. |
00:47:03 |
Didn't he die or something? |
00:47:07 |
About a year ago. |
00:47:53 |
- What's going on? |
00:47:56 |
It's across the way. |
00:48:18 |
- What goes? |
00:48:22 |
It's all right! |
00:48:48 |
- What do we do? |
00:48:55 |
Who died? Who was attacked? |
00:49:01 |
- Mike. |
00:49:03 |
- A couple of clowns got held up. |
00:49:19 |
Mal, could we close the curtains? |
00:49:23 |
Sure. |
00:49:29 |
It's a great view from up here. |
00:50:51 |
Get up! |
00:51:14 |
You okay, Mal? |
00:51:16 |
Yeah. |
00:51:20 |
- What're you going to do? |
00:51:23 |
- What for? |
00:51:31 |
You don't stand a chance. |
00:51:35 |
Wake up. |
00:51:37 |
Wake up. Don't go to sleep. Come on. |
00:51:40 |
On your feet. Let's go. |
00:51:43 |
- Let me get dressed. |
00:51:46 |
- My money. |
00:51:48 |
- Who has it? |
00:51:50 |
If you go high, there's always one man. |
00:51:52 |
No, it's not like that. It's a big operation! |
00:51:56 |
Names, Mal. |
00:51:59 |
Fairfax. |
00:52:02 |
Brewster. |
00:52:05 |
Carter. Come on, kill me. |
00:52:07 |
Who do you work for? |
00:52:09 |
Carter. Come on, Walker, kill me. |
00:52:12 |
Where do I find him? |
00:52:13 |
It won't do you any good. |
00:52:16 |
Where do I find him? |
00:52:18 |
- I can't remember. |
00:52:22 |
- I remember now. |
00:52:23 |
Stuart Building. |
00:52:25 |
He's got offices there. |
00:52:26 |
It's called the Multiplex Company. |
00:52:30 |
What's to keep me from getting him? |
00:52:32 |
No one gets in there |
00:52:34 |
Stop worrying about me. |
00:52:39 |
I'll tell you what I'll do. I'll get it for you. |
00:52:41 |
But you've got to trust me. |
00:52:42 |
Trust me, Walker. Trust me! |
00:52:46 |
You... |
00:52:47 |
You're my friend, Walker. |
00:52:50 |
I'm taking you to Carter. |
00:52:54 |
Sure we will, Walker! We'll live forever! |
00:52:58 |
Mal? |
00:53:52 |
Drop it! |
00:53:58 |
Don't shoot! |
00:54:00 |
Save me! |
00:54:03 |
Don't shoot us! |
00:54:06 |
What's the trouble here? |
00:54:08 |
My leg! My knee! Stop! |
00:54:15 |
Take it easy! |
00:54:22 |
My knee! |
00:54:48 |
What's happened? |
00:54:51 |
Come on. |
00:55:37 |
I saw it, the ambulance, and everything. |
00:55:39 |
Yeah, he fell. |
00:55:41 |
You let him fall? You should've killed him. |
00:55:44 |
This money belonged to your sister. |
00:55:49 |
You died at Alcatraz, all right. |
00:55:52 |
- Goodbye, Walker. |
00:56:02 |
Yes, I'd like the number |
00:56:05 |
That's in Los Angeles. |
00:56:07 |
If you're looking for Carter, |
00:56:20 |
Fred? Helen? |
00:56:23 |
- Did I interrupt you? I'm so sorry. |
00:56:25 |
Mr. Carter, I want something from you. |
00:56:28 |
- What's that? |
00:56:31 |
- Yeah? |
00:56:34 |
- Fred, call me in the morning. |
00:56:37 |
I haven't got time to turn around. |
00:56:40 |
I'm getting fat as a pig. |
00:56:41 |
Reese owed us a sum, he paid it back. |
00:56:43 |
Any debt he has to you is his problem. |
00:56:45 |
It's your problem now. |
00:56:47 |
Why don't you move over? |
00:56:48 |
- You don't own the place, you know. |
00:56:51 |
Over here. |
00:56:53 |
Don't monopolize him. |
00:56:56 |
- Let me tell you about Reese. |
00:56:59 |
They're scraping his body up |
00:57:03 |
- Then his debt died with him, I'm afraid. |
00:57:07 |
No business corporation in the world |
00:57:10 |
If you don't, I'll kill you. |
00:57:14 |
...one jump ahead of these |
00:57:17 |
You must be stark, staring mad. |
00:57:20 |
- You don't know who you're dealing with. |
00:57:23 |
I want my money in 12 hours. |
00:57:25 |
I'll tell you where to make the drop. |
00:57:27 |
If you don't, you are dead. |
00:57:32 |
I said nobody was to go up there! |
00:57:35 |
He could've done without a girl |
00:57:38 |
- Mal told us to let her through. |
00:57:41 |
Is that what I should tell our friends? |
00:57:43 |
You know what this is gonna cost me |
00:57:45 |
That girl was Walker's sister-in-law! |
00:57:48 |
We didn't know that. |
00:57:49 |
Well, he did. How the hell did he know? |
00:57:52 |
- She was the Trojan horse. |
00:57:55 |
I said she was the Trojan horse. |
00:57:59 |
Trojan horse. |
00:58:02 |
You're a smart boy, Stegman. |
00:58:05 |
Come on, I wanna talk to you. |
00:58:09 |
- Get rid of them and bring the stuff. |
00:58:12 |
The door is this way. |
00:58:13 |
Do you know |
00:58:16 |
You're going to have him... |
00:58:18 |
- Wrong. |
00:58:19 |
Killing Walker is no longer |
00:58:23 |
What about the principle? |
00:58:25 |
Profit is the only principle. Come in. |
00:58:29 |
What are you gonna to do? |
00:58:31 |
Nothing. You're gonna do it. |
00:58:34 |
You're gonna pay Walker off. |
00:58:36 |
Is this money? |
00:58:37 |
Ever been so close to so much? |
00:58:40 |
I made an agreement with Walker |
00:58:44 |
The storm drain here. |
00:58:47 |
An open storm drain. |
00:58:49 |
You go down and wait. Walker will collect. |
00:58:53 |
- But why? |
00:58:55 |
- Why me? |
00:59:00 |
Sure. |
00:59:02 |
When do you want me to go? |
00:59:04 |
Now, Stegman. |
00:59:07 |
- Use that door. |
00:59:11 |
- Stegman. |
00:59:14 |
You will give Walker his money, |
00:59:17 |
Yes. |
00:59:18 |
Good. You wouldn't try what Reese did, |
01:00:16 |
Can I help you? |
01:00:31 |
- Which door is he? |
01:00:35 |
Okay, the buzzer. |
01:00:56 |
What are you doing in here? |
01:00:57 |
- What do you want? |
01:01:01 |
I don't understand. |
01:01:08 |
You're crazy, Walker. |
01:01:11 |
Let's go. |
01:01:18 |
Because I want you to pay me personally. |
01:01:22 |
You can't take me out of here in daylight. |
01:02:07 |
Things aren't done this way. |
01:02:09 |
It's a setup. |
01:02:10 |
- I assure you, I always... |
01:02:37 |
- Can you authorize the payoff? |
01:02:40 |
- Then you're the top man. |
01:02:41 |
- What about Brewster? |
01:02:43 |
Reese talked! |
01:02:45 |
Two of us run things, Brewster and I. |
01:02:47 |
- Nobody else? |
01:02:48 |
Nobody? |
01:02:49 |
- There's a money man. |
01:02:51 |
- Makes no difference. |
01:02:52 |
Fairfax! |
01:02:56 |
I'm a businessman. A man of my word. |
01:02:59 |
You go get it for me. |
01:03:04 |
No, it's all right! |
01:03:07 |
It's all right, it's Carter! |
01:05:28 |
- With that little thing? |
01:05:33 |
Carter, Brewster, Fairfax. |
01:05:36 |
- Brewster's next. |
01:05:39 |
- He's out of town. |
01:05:43 |
- Tomorrow morning, he's got a meeting. |
01:05:49 |
We can fix that. |
01:05:51 |
- Where's the meeting? |
01:05:55 |
Where's his house? |
01:05:59 |
We're here. This is it. |
01:06:04 |
I said alone. |
01:06:08 |
Take it easy. You'll last longer. |
01:06:59 |
Hello, Walker. |
01:07:03 |
They really got to you, huh? |
01:07:06 |
I got well paid for fingering Reese. |
01:07:16 |
The place is like a morgue. |
01:07:20 |
This guy you were going around with, |
01:07:25 |
spend some time here? |
01:07:27 |
Yes. |
01:07:30 |
A lot of this stuff was his. |
01:07:34 |
What're you going to do now? |
01:07:36 |
I don't know. What about you? |
01:07:46 |
Are you asking me out? |
01:08:23 |
Walker? |
01:08:41 |
Come on in. |
01:08:50 |
Whose is it? |
01:08:53 |
Brewster's. It belongs to the Organization. |
01:08:56 |
Nobody lives in it, that's for sure. |
01:08:59 |
Brewster? How do you know |
01:09:02 |
He will, that's why we're here. |
01:09:04 |
What am I doing here? |
01:09:06 |
I thought you'd be safer with me |
01:09:09 |
And when do we expect our host? |
01:09:12 |
Anytime. Maybe not until morning. |
01:09:15 |
You'll ask him for the money, |
01:09:18 |
Something like that. |
01:09:23 |
- Forget it. |
01:10:22 |
Good morning, Stevey. |
01:10:28 |
It wasn't Lois'idea, or Mrs. Jenkins'. |
01:10:34 |
What am I supposed to do? |
01:10:36 |
and be grateful to you |
01:10:39 |
You figure this will get me over |
01:10:43 |
- Get out of here. |
01:10:53 |
The most fabulous things happen |
01:10:56 |
when she tries Pond's |
01:10:59 |
All I did... |
01:11:01 |
was cream twice each night for a week |
01:12:39 |
You're a pathetic sight, Walker, |
01:12:42 |
Chasing shadows. |
01:12:45 |
You're played out. It's over. |
01:12:49 |
It's finished. |
01:12:50 |
What would you do with the money |
01:12:53 |
Wasn't yours in the first place. |
01:12:56 |
Why don't you just lie down and die? |
01:16:25 |
- Going to work? |
01:16:33 |
- Welcome back, boss. |
01:16:38 |
- What do you want? |
01:16:40 |
What for? |
01:16:41 |
- For Stegman. |
01:16:46 |
Bill, the briefcase. |
01:16:51 |
I did. |
01:16:54 |
You did, huh? What happened? |
01:16:59 |
Carter set it up. |
01:17:03 |
- You don't care, do you? |
01:17:06 |
That leaves you in a spot. |
01:17:07 |
You killed the man |
01:17:09 |
- Who pays me? |
01:17:20 |
- What about Walker? |
01:17:22 |
Walker's still around. |
01:17:25 |
The Organization will take care of Walker. |
01:17:27 |
It'll never happen. He's a pro. |
01:17:30 |
Walker's beautiful. |
01:17:35 |
- You coming with me? |
01:17:41 |
I'll wait for Fairfax. He'll pay me. |
01:17:45 |
All right. And if he doesn't, |
01:18:38 |
Hey. |
01:18:44 |
What's my last name? |
01:18:51 |
What's my first name? |
01:19:18 |
Look at that hillside. |
01:19:21 |
Nobody did any watering or anything. |
01:19:27 |
You tell people to do things around here, |
01:19:30 |
Just a minute. |
01:19:37 |
It's ice-cold, Bill. |
01:20:06 |
Walker? |
01:20:09 |
You're a very bad man. |
01:20:11 |
Why do you run around doing things |
01:20:14 |
I want my money. |
01:20:16 |
I want my $93,000. |
01:20:17 |
$93,000? |
01:20:20 |
You threaten a financial structure like this |
01:20:23 |
I don't believe you. |
01:20:26 |
I really want my money. |
01:20:27 |
I want my money. |
01:20:29 |
I'm not gonna give you any money, |
01:20:38 |
Who runs things? |
01:20:40 |
Carter and I run things. I run things. |
01:20:43 |
What about Fairfax? Will he pay me? |
01:20:45 |
Fairfax is a man who signs checks. |
01:20:48 |
No, cash. |
01:20:50 |
Fairfax isn't going to give you anything. |
01:20:52 |
Fairfax is dead, |
01:20:54 |
Somebody's got to pay. |
01:21:03 |
- Make a phone call. |
01:21:13 |
All right. |
01:21:17 |
I'm just getting a cigar out of here, |
01:21:30 |
Cash. |
01:21:32 |
You think I can go |
01:21:35 |
take out $93,000, and peel it off for you? |
01:21:41 |
- Operator. |
01:21:44 |
Get me Mr. Fairfax, will you? |
01:21:45 |
Let me tell you something |
01:21:48 |
This is a corporation, |
01:21:50 |
We deal in millions, we never see cash. |
01:21:55 |
- How are you? |
01:21:58 |
How's the weather up there? |
01:21:59 |
It's all right. |
01:22:03 |
I got a man named Walker with me. |
01:22:12 |
Are you going to say anything? |
01:22:13 |
What do you want me to say? |
01:22:20 |
He says he's going to shoot me |
01:22:24 |
Brewster, you know me better than that. |
01:22:30 |
Want to say a word? |
01:22:32 |
How much is Brewster |
01:22:35 |
Threatening phone calls don't impress me. |
01:22:41 |
Fairfax, I think he's getting ready |
01:22:44 |
- Yes or no? |
01:23:03 |
- What's happened? |
01:23:07 |
- I'm with him. |
01:23:18 |
Walker, it occurred to me that... |
01:23:25 |
we might still be able |
01:23:28 |
I mean, get you the money you want. |
01:23:32 |
But not here in Los Angeles. |
01:23:35 |
There's still one setup where |
01:23:38 |
It's up in San Francisco. |
01:23:41 |
The Alcatraz run. |
01:23:42 |
You remember it, with Reese. |
01:23:45 |
It' s still there. Once a week. Every week. |
01:23:48 |
Alcatraz. |
01:23:51 |
The drop's changed, |
01:23:55 |
If you wanna go up to San Francisco... |
01:24:01 |
Her, too, if you want her. |
01:24:03 |
Anything you want. |
01:24:07 |
You can trust me, Walker. |
01:24:25 |
There's supposed to be a light |
01:24:29 |
I don't know exactly where it is, |
01:24:37 |
Is that it? |
01:24:48 |
All right, good. |
01:24:50 |
Just stay in the light. |
01:24:53 |
- What do you mean? |
01:24:57 |
No, nothing's gonna happen, |
01:25:00 |
We're gonna make the exchange |
01:25:07 |
The whole thing's just a routine. |
01:25:19 |
What are you looking for? |
01:25:21 |
There's nobody else here. |
01:25:27 |
Walker? |
01:25:58 |
There it is. |
01:26:11 |
It's coming in. |
01:26:14 |
Safe as a church. Your money. |
01:26:18 |
What about your friend, Fairfax? |
01:26:22 |
Fairfax is dead. Or he will be tomorrow. |
01:26:25 |
It is tomorrow. |
01:26:26 |
- Will you help me carry the box up? |
01:27:25 |
Here's your money. |
01:27:36 |
Why did you do that? |
01:27:44 |
Walker didn't shoot you. |
01:27:51 |
Fairfax? |
01:27:56 |
This is Fairfax, Walker! |
01:28:00 |
Kill him! |
01:28:02 |
You should've stayed an accountant. |
01:28:10 |
Our deal is done, Walker! |
01:28:13 |
Brewster was the last one! |
01:28:18 |
He thought he could take over from me. |
01:28:34 |
Come on in with me. |
01:28:37 |
I've been looking years |
01:28:46 |
Come and get your money then! |
01:28:52 |
Come on and get it! |
01:28:59 |
I pay my debts! |
01:29:35 |
Well? |
01:29:47 |
This is the last time! |
01:30:00 |
How do you like that? |
01:30:04 |
I like it. |
01:30:12 |
Leave it. |
01:31:46 |
English |