|
Pontypool
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| 00:00:16 |
Mrs. Frenchie's cat is missing. |
| 00:00:19 |
The signs are posted |
| 00:00:22 |
"Have you seen Honey?" |
| 00:00:25 |
but nobody has seen "Honey" |
| 00:00:28 |
Nobody... |
| 00:00:29 |
until last Thursday morning... |
| 00:00:31 |
when Ms. Colette Piscine |
| 00:00:34 |
while she drove across the bridge. |
| 00:00:37 |
Well, this bridge, |
| 00:00:39 |
is a bit of a local treasure. |
| 00:00:41 |
and even has |
| 00:00:44 |
'Pont de flaque' |
| 00:00:47 |
Now, 'Colette'... |
| 00:00:52 |
That's 'panty' in French. |
| 00:00:53 |
And 'Piscine' means "Pool"... |
| 00:00:56 |
"Panty Pool" |
| 00:00:58 |
'Flaque' also means pool in French. |
| 00:01:01 |
So, Colette Piscine, |
| 00:01:04 |
drives across the 'Pont de flaque'... |
| 00:01:06 |
or 'Pont de Pool', |
| 00:01:07 |
to avoid hitting |
| 00:01:09 |
that's been missing in Pontypool. |
| 00:01:11 |
Pontypool... Pont de Pool... |
| 00:01:17 |
What does it mean? |
| 00:01:19 |
Well, Norman Mailer, |
| 00:01:22 |
that he used to explain the... |
| 00:01:24 |
strange coincidences |
| 00:01:26 |
of the JFK assassination: |
| 00:01:28 |
In the wake of huge events, |
| 00:01:30 |
after them and before them, |
| 00:01:32 |
physical details - |
| 00:01:35 |
They sort of unlock, |
| 00:01:36 |
and when they come back into focus, |
| 00:01:38 |
they suddenly coincide |
| 00:01:42 |
street names and birth dates |
| 00:01:44 |
all kinds of superfluous things |
| 00:01:47 |
It's a 'ripple effect' |
| 00:01:49 |
So, what does it mean? |
| 00:01:53 |
Well, it means something's |
| 00:01:56 |
Something big... |
| 00:01:58 |
But then, |
| 00:02:00 |
about to happen. |
| 00:02:14 |
No, no, nothing has got to do with you. |
| 00:02:17 |
You gotta be the worst fucking agent |
| 00:02:21 |
Come on! |
| 00:02:24 |
It's not enough, do you understand? |
| 00:02:29 |
Well, if you think it is enough, then |
| 00:02:31 |
You know what I mean? |
| 00:02:39 |
You know what, Rick? |
| 00:02:42 |
You're fired! You're fired! |
| 00:02:48 |
Good. |
| 00:02:49 |
Now we're both in the same boat... |
| 00:02:59 |
Oh, Jesus... |
| 00:03:21 |
What? |
| 00:03:26 |
Hey! |
| 00:03:27 |
Hey... |
| 00:03:28 |
Hey! |
| 00:03:29 |
Hey... |
| 00:03:31 |
Who are you? |
| 00:03:32 |
Who are you... |
| 00:03:34 |
Who are you... |
| 00:04:40 |
Okay Mazzy, |
| 00:04:43 |
Be positive. |
| 00:04:50 |
Morning Mr. Mazzy. |
| 00:04:54 |
Good morning, Laurel Ann. |
| 00:04:56 |
I loved your 'Isn't It Ironic?' |
| 00:04:58 |
Love Norman Mailer. |
| 00:05:00 |
Thanks. |
| 00:05:02 |
You know, it takes a girl with |
| 00:05:08 |
So, did you give me the good stuff? |
| 00:05:18 |
Let's make radio! |
| 00:05:21 |
Laurel Ann, do me a favor... |
| 00:05:23 |
Look up all the information you can |
| 00:05:26 |
How many in a 24h period, |
| 00:05:29 |
That sort of thing... |
| 00:05:31 |
and... thanks. |
| 00:05:34 |
Let's make radio! |
| 00:06:19 |
Good morning, Pontypool. |
| 00:06:21 |
This is Radio 660, the beacon. |
| 00:06:25 |
Down here in the dungeon, |
| 00:06:30 |
I'll be... |
| 00:06:31 |
banging the drum for you |
| 00:06:34 |
I'm Grant Mazzy |
| 00:06:36 |
I'll be takin' no prisoners. |
| 00:06:44 |
and taking a look outside... |
| 00:06:46 |
I'd say... that's our |
| 00:06:50 |
Now, I had a... a strange experience |
| 00:06:56 |
And I'd like to get some advise |
| 00:07:00 |
When do you call 911? |
| 00:07:05 |
I should mention, |
| 00:07:08 |
the lovely and talented |
| 00:07:11 |
And 'lucky' Laurel Ann Drummond... |
| 00:07:14 |
she'll be our technical cowgirl today. |
| 00:07:16 |
Now, I didn't know this, maybe you did... |
| 00:07:21 |
Laurel Ann did a tour of duty |
| 00:07:26 |
You're right, there, new guy. |
| 00:07:29 |
She was a "Grand Master" |
| 00:07:32 |
- Yesterday's news. |
| 00:07:34 |
I'm... sorry Laurel Ann. |
| 00:07:35 |
I wasn't the "Grand Master", |
| 00:07:38 |
I am sorry, I... okay? |
| 00:07:41 |
Oooh, Sydney, Sydney, Sydney! |
| 00:07:44 |
- I'm sorry! |
| 00:07:46 |
Well, you just heard an honorary |
| 00:07:49 |
She probably... owes Laurel Ann |
| 00:07:53 |
Now, in our top story today... |
| 00:07:56 |
a big, cold, |
| 00:08:00 |
empty, neverending, |
| 00:08:04 |
seasonal affective disorder... |
| 00:08:06 |
freaking 'kill-me-now' |
| 00:08:08 |
that'll last... all day. |
| 00:08:12 |
Or maybe, |
| 00:08:15 |
we'll get a little green-house |
| 00:08:19 |
'Hail Mary, Yea, though I walk'... |
| 00:08:22 |
in the 'Sunshine Chopper'. |
| 00:08:26 |
It's always brighter |
| 00:08:28 |
Hey, Ken, how're you doin'? |
| 00:08:30 |
How are things in that bird up there? |
| 00:08:34 |
Yes, Sir. |
| 00:08:37 |
Well, that can't be safe. |
| 00:08:39 |
Well, I'll be up here, Grant, |
| 00:08:42 |
watching all of the routes |
| 00:08:44 |
- Really? |
| 00:08:46 |
Okay, Ken. Boy, I wouldn't wanna be a bird, |
| 00:08:52 |
Well, folks, |
| 00:08:54 |
Don't call it bird, by the way, Grant. |
| 00:08:55 |
go slow folks, |
| 00:08:57 |
I think he's just concerned. |
| 00:08:59 |
carrying wind generator blades... |
| 00:09:00 |
along the 4-0-1. |
| 00:09:03 |
That's it from the 'Sunshine Chopper'. |
| 00:09:05 |
Remember drink that fruit, |
| 00:09:09 |
Thanks you, Ken Loney. |
| 00:09:11 |
Breaking news |
| 00:09:14 |
Come on, boy... |
| 00:09:16 |
There we go! |
| 00:09:17 |
Breaking news: |
| 00:09:19 |
The Ontario Provincial Police, |
| 00:09:24 |
of a significant grow operation |
| 00:09:29 |
Constable Howard Ing says |
| 00:09:34 |
These, uh... operations in suburban |
| 00:09:36 |
are the grow-method |
| 00:09:38 |
Do you smoke pot, Syd? |
| 00:09:40 |
Yes, I do. |
| 00:09:41 |
Don't make global warming jokes. |
| 00:09:44 |
What? I didn't make a joke, |
| 00:09:46 |
Ain't no jokes in the bible. |
| 00:09:48 |
Speaking of the Bible, |
| 00:09:51 |
Thanking you, Constable Howard Ing, |
| 00:09:57 |
You know... |
| 00:09:58 |
Our local pot growers... |
| 00:10:01 |
are engaged in a deadly |
| 00:10:04 |
Deadly, uh... |
| 00:10:07 |
protecting their operations |
| 00:10:11 |
Land mines... |
| 00:10:12 |
- in the backyards... |
| 00:10:13 |
They have vicious attack dogs and |
| 00:10:17 |
Now, these |
| 00:10:20 |
If Junior throws a ball |
| 00:10:23 |
he's just liable to trigger |
| 00:10:25 |
What are you doing? |
| 00:10:26 |
My producer says... she's talking in my ear. |
| 00:10:30 |
- Nobody cares, Grant, about your... |
| 00:10:32 |
- Maybe she's right. |
| 00:10:33 |
- after the billboard, I need you to... |
| 00:10:38 |
"Taking no prisoners"... |
| 00:10:40 |
It means full disclosure, |
| 00:10:41 |
- whatever the consequences. |
| 00:10:43 |
'School closure'. |
| 00:10:44 |
I need you to read school closures. |
| 00:10:48 |
This is Radio 6-60, |
| 00:10:50 |
Hey!... You can't just cut me off |
| 00:10:53 |
OK, you know, Grant, |
| 00:10:58 |
works better in a bigger context. |
| 00:10:59 |
Well, actually, |
| 00:11:02 |
Well, there's that to. |
| 00:11:04 |
The thing is... is that small towns, |
| 00:11:07 |
It's called "gossip" and it's |
| 00:11:10 |
No no, Sidney, |
| 00:11:12 |
I'm talking about building |
| 00:11:15 |
You know? Shaking 'em up... |
| 00:11:19 |
OK, we do news, weather, |
| 00:11:21 |
- That's what I need you to do. |
| 00:11:24 |
What the hell do you think |
| 00:11:27 |
And what it this that you think |
| 00:11:30 |
I don't know. |
| 00:11:32 |
Well... |
| 00:11:36 |
I am trying |
| 00:11:38 |
because that's how it's done... |
| 00:11:42 |
You see, a pissed off listener... |
| 00:11:44 |
is wide awake listener, |
| 00:11:47 |
In fact, he may just call his pissed off |
| 00:11:51 |
And then, his pissed off buddy, |
| 00:11:53 |
I don't know... |
| 00:11:55 |
And that, Lady Briar, is how you build |
| 00:12:03 |
Uh... okay, well, I... That all sounds |
| 00:12:08 |
Um... |
| 00:12:10 |
You know, Grant, you're first rate, |
| 00:12:14 |
but just let me |
| 00:12:16 |
Small towns, they're... they're... |
| 00:12:20 |
with... with proud people. |
| 00:12:21 |
People who need to know |
| 00:12:25 |
And so, if you come in here with your |
| 00:12:29 |
and your 'pissing everyone off' |
| 00:12:31 |
people are just gonna think |
| 00:12:36 |
Okay... Okay. |
| 00:12:39 |
I... I mean, you're going to |
| 00:12:42 |
Okay, |
| 00:12:44 |
I'm sorry, |
| 00:12:47 |
Okay, uh... Grant, |
| 00:12:48 |
- I... I want your maziness. |
| 00:12:50 |
I hired your maziness. |
| 00:12:53 |
I just need the maziness |
| 00:12:55 |
a little more 'get to know you'. |
| 00:13:00 |
Yeah, I get it. |
| 00:13:03 |
That's not what I meant. |
| 00:13:05 |
I wanted to hear |
| 00:13:08 |
Come on, he was just gonna talk |
| 00:13:12 |
Okay, Pontypool, |
| 00:13:15 |
You know, I wanna talk to you |
| 00:13:18 |
bugging me, |
| 00:13:20 |
all morning. |
| 00:13:34 |
Here's my question, Pontypool. |
| 00:13:36 |
Here... here's my story. |
| 00:13:38 |
I'm driving in to work today, I... and I |
| 00:13:43 |
and... it's 6.30 in the morning, |
| 00:13:48 |
and suddenly, this woman |
| 00:13:52 |
I didn't hear her, |
| 00:13:55 |
Suddenly... |
| 00:13:59 |
She's babbling something |
| 00:14:01 |
I can't understand her, |
| 00:14:03 |
And then... 'poof'! |
| 00:14:11 |
So, what do I do? |
| 00:14:17 |
Who do I call? |
| 00:14:19 |
No one. |
| 00:14:22 |
Our number is |
| 00:14:26 |
Let me know |
| 00:14:47 |
Good morning. |
| 00:14:49 |
Oh, where are you calling from? |
| 00:14:51 |
Uh-huh. |
| 00:14:53 |
And what would you like to say |
| 00:14:58 |
- I'm sorry, what? |
| 00:15:01 |
No. |
| 00:15:03 |
Oh, that's weird... |
| 00:15:05 |
My sister never, ever, ever, |
| 00:15:08 |
And where's Roger? |
| 00:15:11 |
What are those? |
| 00:15:12 |
Grant gave us Valentines. |
| 00:15:14 |
You know, he, uh... |
| 00:15:18 |
So, okay sweetheart, |
| 00:15:20 |
Something's coming in |
| 00:15:22 |
Roger, where are you? |
| 00:15:25 |
Yeah. Roger that. |
| 00:15:26 |
We still have a Code 48 in progress. |
| 00:15:30 |
- Sydney! Syd! |
| 00:15:32 |
requesting back-up, |
| 00:15:36 |
Roger that. |
| 00:15:38 |
- Sandy Hook and Wilmont, Code 48. |
| 00:15:43 |
It means |
| 00:15:47 |
- Please, stand by. |
| 00:15:48 |
so I'm gonna key in |
| 00:15:51 |
Really, there's nothing on the wire? |
| 00:15:53 |
Okay, so let's not do anything |
| 00:16:01 |
Fat no, |
| 00:16:03 |
Whatever you do, |
| 00:16:08 |
Oh, shit! |
| 00:16:12 |
Yeah, Grant, it's Gordon calling, uh... |
| 00:16:17 |
about the 9, uh... |
| 00:16:19 |
What if you had another number, that was, |
| 00:16:23 |
that was not for total emergencies, |
| 00:16:25 |
so if you had to... |
| 00:16:28 |
and, uh... you weren't sure whether |
| 00:16:31 |
I... I... I just have a feeling |
| 00:16:33 |
Some people might, |
| 00:16:36 |
Gord, that's a great idea. |
| 00:16:39 |
Pontypool... my Pontypool... |
| 00:16:43 |
We interrupt |
| 00:16:45 |
to bring you breaking news |
| 00:16:48 |
Out on Sandy Hook and Wilmont |
| 00:16:52 |
Two men are holding |
| 00:16:55 |
The van is apparently towing... |
| 00:16:59 |
- Sporadic gunfire has been reported. |
| 00:17:02 |
We're going to Ken Loney. |
| 00:17:05 |
No one knows as yet |
| 00:17:08 |
- or whether or not, they even know... |
| 00:17:10 |
- the people in the van. |
| 00:17:12 |
but... this being the end |
| 00:17:15 |
ice hut removal time... |
| 00:17:18 |
the chances that everyone |
| 00:17:20 |
is a very distinct reality. |
| 00:17:23 |
Drunk ice fishermen... dare I say: |
| 00:17:26 |
Drunk officers of the law. |
| 00:17:28 |
Drunk... |
| 00:17:31 |
It is not yet confirmed |
| 00:17:33 |
But, police, |
| 00:17:36 |
are reporting that the hostage situtation |
| 00:17:41 |
They have two suspects in custody. |
| 00:17:44 |
Both unarmed, as it turns out, |
| 00:17:46 |
and the three people they were |
| 00:17:50 |
One can only hope, |
| 00:17:53 |
will accompany this story |
| 00:17:56 |
There we go. |
| 00:17:57 |
Oh, the state of drunkenness |
| 00:18:00 |
to acceptable levels |
| 00:18:01 |
as 'Buddy' Bob Roseland and 'Dead Eye' |
| 00:18:05 |
- Wrap it up, Grant! |
| 00:18:09 |
We'll be back with updates, |
| 00:18:12 |
We now go to Ken Loney |
| 00:18:16 |
for a little perspective |
| 00:18:19 |
Keep an eye out for crazy ladies |
| 00:18:23 |
Wherever you're headed, |
| 00:18:35 |
Come on, you gotta learn to laugh |
| 00:18:43 |
The story is not funny. |
| 00:18:45 |
Derek McCormack |
| 00:18:48 |
Bob Roseland is an alcoholic. |
| 00:18:52 |
Oh... |
| 00:18:56 |
Derek's my brother-in-law. |
| 00:18:58 |
Ex... ex-brother-in-law. |
| 00:19:02 |
Ouch! |
| 00:19:04 |
- Grant... |
| 00:19:08 |
Ken Loney is not in a chopper. |
| 00:19:11 |
What? |
| 00:19:15 |
The 'Sunshine Chopper' |
| 00:19:18 |
He plays sound effects. |
| 00:19:23 |
Ken sits up on a hill, |
| 00:19:29 |
And... people are thrilled... |
| 00:19:31 |
to have him up there in the sky, |
| 00:19:33 |
flying around in his |
| 00:19:36 |
Oh man, I bet they are. |
| 00:19:40 |
Okay. |
| 00:19:44 |
Syd... |
| 00:19:45 |
Yeah? |
| 00:19:50 |
I hate winter. |
| 00:19:52 |
- Everybody does. |
| 00:19:56 |
These late winters, I feel like I'm living |
| 00:19:59 |
and it's so cold, |
| 00:20:04 |
Yeah... it is. |
| 00:20:07 |
Well, you're gonna... |
| 00:20:11 |
Oh, and Grant, I... I'll tell you what: when |
| 00:20:16 |
we'll bring it straight to you, |
| 00:20:19 |
And it's yours, |
| 00:20:20 |
you can do your whole... |
| 00:20:24 |
And you'll find it funny this time? |
| 00:20:26 |
I'll find it as funny as I did |
| 00:20:48 |
I was talking to Constable Roseland... |
| 00:20:52 |
I mean, he has completely freaked! |
| 00:20:54 |
Something happened |
| 00:20:56 |
and it's put them on to a state... |
| 00:21:00 |
Drop it? |
| 00:21:01 |
Now, it's probably nothing. |
| 00:21:02 |
- And probably just a hoax, |
| 00:21:04 |
Anyway, so, we've got the |
| 00:21:07 |
so we're gonna brighten up |
| 00:21:08 |
Laurel Ann here. |
| 00:21:10 |
Okay, okay. |
| 00:21:14 |
Hey, Ken! |
| 00:21:17 |
Yeah. |
| 00:21:19 |
Ken, where are you? |
| 00:21:21 |
Okay. |
| 00:21:22 |
Ken, slow down. |
| 00:21:24 |
Slow down, and... |
| 00:21:32 |
Okay, Ken, |
| 00:21:34 |
Okay, wrap up |
| 00:21:36 |
We have a big story breaking. |
| 00:21:37 |
Keep it hard, okay? |
| 00:21:40 |
Ken, just a second. |
| 00:21:43 |
Just a second, |
| 00:21:45 |
We do double bill |
| 00:21:47 |
so, I'll check it out |
| 00:21:49 |
that the're both |
| 00:21:50 |
but that's what it looks like. |
| 00:21:54 |
We have breaking news |
| 00:21:58 |
It appears, it seems that a large |
| 00:22:01 |
outside the officies of Dr. John Mendez. |
| 00:22:07 |
It appears to be a protest of some kind, |
| 00:22:10 |
and officials are describing |
| 00:22:15 |
Now, Dr. John Mendez, you may recall, |
| 00:22:18 |
He was the... he was under investigation |
| 00:22:23 |
We have an exclusive live report, |
| 00:22:26 |
from Ken Loney in the... |
| 00:22:29 |
What can you see there, Ken? |
| 00:22:32 |
Grant, I am... |
| 00:22:34 |
literally hundreds of people |
| 00:22:38 |
and it... it looks pretty odd |
| 00:22:41 |
They seem to be, uh... trying to |
| 00:22:45 |
Oh! |
| 00:22:47 |
What's happening, Ken? |
| 00:22:48 |
The side of the office... this building |
| 00:22:53 |
It... it... |
| 00:22:55 |
Oh! Ooh... |
| 00:22:56 |
Jesus! It's an explosion of... of... |
| 00:23:02 |
People are... are... |
| 00:23:05 |
These people are getting killed |
| 00:23:07 |
Oh! |
| 00:23:09 |
Ken, do you see any police? |
| 00:23:11 |
Is anybody trying to restore order, |
| 00:23:16 |
No! No... I don't see... |
| 00:23:18 |
There's a... convoy of trucks... |
| 00:23:22 |
Where did they come from? |
| 00:23:25 |
Helicopters... |
| 00:23:27 |
Uh... |
| 00:23:28 |
helicopter at my 2 o'clock |
| 00:23:31 |
Holy shit, I gotta... |
| 00:23:36 |
Okay, Ken... |
| 00:23:38 |
Now you just... |
| 00:23:41 |
The road is blocked. |
| 00:23:44 |
There's definitely fatalities here, uh... |
| 00:23:50 |
I... I don't know what the hell |
| 00:23:52 |
Well, we're, uh... we're gonna |
| 00:23:55 |
- Grant... |
| 00:23:56 |
Ken? |
| 00:24:00 |
- We got nothing on this, Grant. |
| 00:24:02 |
on what's clearly happening. |
| 00:24:04 |
- Christ, this is 5 km from here. |
| 00:24:06 |
uh... 5 km, |
| 00:24:09 |
Don't say a lot, Grant |
| 00:24:11 |
Something has happened |
| 00:24:15 |
involving a possible riot. |
| 00:24:18 |
- I can't get through to the OPP. |
| 00:24:21 |
here in Pontypool. |
| 00:24:22 |
Okay, we've lost Ken. |
| 00:24:24 |
- go to recap, Grant! |
| 00:24:26 |
what he saw, or at least |
| 00:24:33 |
You know, the french philosopher |
| 00:24:35 |
once described trauma |
| 00:24:39 |
And that, folks, is what I think |
| 00:24:49 |
Is Ken back? |
| 00:24:50 |
We're trying. |
| 00:24:51 |
We're trying in getting Ken back, |
| 00:24:53 |
Grant, we still have nothing |
| 00:24:56 |
Laurel Ann and I are gonna work the phones. |
| 00:24:59 |
We gonna try and find out something |
| 00:25:02 |
Okay, and what do you want |
| 00:25:03 |
Well, um... "Lawrence and The Arabians" |
| 00:25:11 |
You gotta be fucking kidding me. |
| 00:25:13 |
Grant, I don't need you |
| 00:25:17 |
But Sydney, Sydney, we got the hook, |
| 00:25:20 |
I just need you to do your job. |
| 00:25:22 |
These 5 people, you're gonna interview them |
| 00:25:25 |
Sydney, do you really think... |
| 00:25:27 |
that this is what our audience |
| 00:25:31 |
So Laurel Ann and I |
| 00:25:34 |
that we can put on the air. |
| 00:25:41 |
Okay. Okay, fine... |
| 00:25:45 |
Let's find out how the fuck rehersals |
| 00:25:49 |
Come on, gang! |
| 00:26:12 |
Listen to this, Rick. |
| 00:26:20 |
This is Lawrence of Arabia. |
| 00:26:29 |
Something's definitely happening, |
| 00:26:32 |
We can't go back on the air |
| 00:26:34 |
Laurel Ann, find me somebody |
| 00:26:38 |
Well, I've got Aline Freethy |
| 00:26:40 |
She's hysterical, but she seems to be |
| 00:26:42 |
Okay, see if you can calm her down, |
| 00:26:46 |
Why isn't there anything, |
| 00:26:50 |
These are prior... |
| 00:26:52 |
Grant, we're trying for eye witness... |
| 00:26:54 |
we'll have somebody for you |
| 00:26:58 |
This is Osama bin Laden. |
| 00:27:26 |
Fuck you, Rick. |
| 00:27:30 |
Okay, now that was... Tony Burgess, |
| 00:27:36 |
Jay Pullman and Colin Pullman |
| 00:27:40 |
I can't remember how it ends, |
| 00:27:46 |
How what ends, Faraj? |
| 00:27:48 |
It just keeps starting over and over... |
| 00:27:51 |
and it is not called 'The Lawrence and... |
| 00:28:13 |
Okay, folks. |
| 00:28:17 |
Ok, I've got Steve Van Denzen. |
| 00:28:20 |
and he's talking about a mob, or parade, |
| 00:28:23 |
- Have you any word from Ken? |
| 00:28:25 |
Shit! I'm gonna keep trying |
| 00:28:27 |
see if you can get any straight talk |
| 00:28:39 |
Sydney, there's something very weird |
| 00:28:43 |
Ok, you were great, Grant! |
| 00:28:47 |
Didn't you hear? |
| 00:28:48 |
Yeah, I know you really wanted to stay |
| 00:28:51 |
I needed you to buy us some time, |
| 00:28:54 |
So... I have something now, |
| 00:28:58 |
- Okay, great! What do you got? |
| 00:29:00 |
anywhere on the wire |
| 00:29:02 |
I've got ten |
| 00:29:04 |
We're going live, |
| 00:29:06 |
That's great! |
| 00:29:07 |
- Fuck the wire if we've got eyes! |
| 00:29:10 |
Girl, you got it! Hit me! |
| 00:29:14 |
Any word from Ken? |
| 00:29:16 |
Nothing. |
| 00:29:18 |
Welcome back, folks... |
| 00:29:19 |
to our developing story... |
| 00:29:21 |
where it appears that hundreds |
| 00:29:24 |
in and around the offices |
| 00:29:30 |
You heard our own Ken Loney |
| 00:29:34 |
We now go t... live, |
| 00:29:39 |
Steve? |
| 00:29:43 |
Steve? |
| 00:29:48 |
Okay, I... I'm afraid |
| 00:29:52 |
Steve Van Denzen. We'll try |
| 00:29:55 |
we have just had a report from a |
| 00:29:59 |
indeed, a mob was spotted, |
| 00:30:03 |
headed through town, headed toward |
| 00:30:08 |
Apparently they were moving... |
| 00:30:09 |
And, uh... |
| 00:30:12 |
- we're still waiting to learn exactly... |
| 00:30:14 |
what motivated this crowd, |
| 00:30:18 |
- to organize in a seemingly... |
| 00:30:20 |
- spontaneous, fashion. |
| 00:30:21 |
You know, it's... |
| 00:30:23 |
at this moment, to get a fix |
| 00:30:26 |
Well, you heard our own |
| 00:30:30 |
I don't know, Grant. I don't know, |
| 00:30:33 |
- We are still trying to, uh, get... |
| 00:30:36 |
- Ken back on the line. |
| 00:30:39 |
C.L.S.Y. |
| 00:30:44 |
Can you slow down? |
| 00:30:46 |
- C.L.S.Y.? |
| 00:30:51 |
We have also learned that some of the |
| 00:30:55 |
They're babbeling in ways |
| 00:30:57 |
and we don't know if this is a way of... of, |
| 00:31:03 |
Hello, C.L.S.Y. |
| 00:31:05 |
I'm sorry, what did you say? |
| 00:31:06 |
We still do not have |
| 00:31:10 |
- Okay, sounds good. |
| 00:31:12 |
- that up to 75 people are dead. |
| 00:31:14 |
- It is honest. |
| 00:31:15 |
- at least twice that number are injured. |
| 00:31:18 |
wanting to talk to you. |
| 00:31:19 |
We now take you to |
| 00:31:23 |
of the Pontypool unit of the OPP. |
| 00:31:26 |
Constable Roseland, |
| 00:31:30 |
At 7 o'clock this morning |
| 00:31:35 |
to the Golden Dawn facility, |
| 00:31:37 |
to discover a large number of people |
| 00:31:41 |
They seemed to be trying to get |
| 00:31:45 |
and this woman has since died, |
| 00:31:49 |
- Grant, appearently these people were... |
| 00:31:50 |
- chanting something, a little creepy... |
| 00:31:52 |
- chanting something... |
| 00:31:55 |
They were repeated things |
| 00:31:58 |
She's all senile, |
| 00:32:01 |
and some hurricane... |
| 00:32:03 |
- Crazy talk. Get off, Grant! |
| 00:32:04 |
Okay, thank you, |
| 00:32:07 |
Now, we are also hearing... |
| 00:32:14 |
Well, that's how it's been described: |
| 00:32:19 |
near the edge of the forest |
| 00:32:25 |
Where is Edenvale, Sydney? |
| 00:32:26 |
That's northwest. |
| 00:32:28 |
Now, Edenvale is northwest of us. |
| 00:32:31 |
And, also, between here and there, |
| 00:32:33 |
- in Phelpston, a couple... |
| 00:32:36 |
with their 2 young children had been trapped |
| 00:32:42 |
- A mountain of people... |
| 00:32:44 |
by Rachel Jones, |
| 00:32:45 |
- Now, this sounds strange, folks... |
| 00:32:48 |
- but this what's being reported to us. |
| 00:32:52 |
The police say they haven't been able to, |
| 00:32:57 |
- Can I put your call on hold for a sec? |
| 00:33:01 |
- Sydney, I've got BBC World on the line. |
| 00:33:03 |
There are a growing number |
| 00:33:05 |
but we still have had nothing official. No, |
| 00:33:10 |
- and we have no official statement. |
| 00:33:12 |
I've got Nigel Healing for you. |
| 00:33:14 |
What? |
| 00:33:15 |
Yes, Nigel Healing from the BBC. |
| 00:33:17 |
Listen! It's our air, their air, |
| 00:33:20 |
We're talking to Grant Mazzy, |
| 00:33:23 |
the news radio anchor from Pontypool, |
| 00:33:28 |
Mr. Mazzy, are you there? |
| 00:33:32 |
- Grant! |
| 00:33:36 |
Mr. Mazzy, is it true that French-Canadian |
| 00:33:41 |
preventing people from leaving |
| 00:33:44 |
- in rural Canada. |
| 00:33:46 |
about this, Grant. I don't think he knows |
| 00:33:48 |
And if so, does this have anything |
| 00:33:52 |
of separatist terror groups? |
| 00:33:55 |
Well, uh... |
| 00:33:58 |
Nigel, um... |
| 00:34:02 |
The military, of course, is, uh... |
| 00:34:06 |
and, of course, the police are |
| 00:34:10 |
from what we can tell |
| 00:34:14 |
nothing political, uh... cartainly not |
| 00:34:20 |
But, uh... Mr. Mazzy, this certainly |
| 00:34:26 |
Large groups of people |
| 00:34:29 |
But, if it's not organized, as you say, |
| 00:34:34 |
then can you help our viewers... |
| 00:34:37 |
uh... at home understand exactly |
| 00:34:41 |
He's good. |
| 00:34:43 |
Nigel, the honest truth is that no one |
| 00:34:49 |
Uh, we... |
| 00:34:54 |
There you have it. |
| 00:34:55 |
A series of strange riots |
| 00:34:58 |
in rural Canada, that no one, I repeat, |
| 00:35:04 |
Meanwhile, reports presist that |
| 00:35:07 |
have been called in to |
| 00:35:11 |
Fuck you, Nigel! |
| 00:35:14 |
Where are you? |
| 00:35:18 |
Okay, I'm gonna pass you |
| 00:35:21 |
- I've got Ken. |
| 00:35:23 |
That was Nigel Healing |
| 00:35:28 |
We now go to Ken Loney, |
| 00:35:32 |
Our reporter Ken Loney. |
| 00:35:34 |
Ken? Ken? |
| 00:35:38 |
Yes... |
| 00:35:39 |
Yes, I'm here. |
| 00:35:42 |
Send someone, |
| 00:35:45 |
Not safe where, Ken? |
| 00:35:46 |
Oh, don't say where he is, |
| 00:35:48 |
at the grain silo. |
| 00:35:50 |
It's a big silo, |
| 00:35:52 |
I ran here from the entrance |
| 00:35:57 |
They came after me... |
| 00:36:00 |
There's no contact |
| 00:36:01 |
There's no reaching the police. |
| 00:36:03 |
Can you tell us what heppened? |
| 00:36:07 |
I'll tell you this... |
| 00:36:09 |
I just saw... |
| 00:36:11 |
I've seen things today that are gonna ruin |
| 00:36:17 |
and I'm... I'm scared... |
| 00:36:22 |
Ken... Ken, listen to me. |
| 00:36:25 |
Uh... |
| 00:36:27 |
It sounds like you're okay, |
| 00:36:30 |
so don't move, |
| 00:36:32 |
- and we're gonna... |
| 00:36:34 |
some of them are naked, |
| 00:36:39 |
Their eyes... that look... |
| 00:36:48 |
Oh God, Grant! |
| 00:36:49 |
- Okay Ken, listen... listen... |
| 00:36:51 |
You don't understand, |
| 00:36:54 |
through a little door, there's a little door |
| 00:36:56 |
some kind a... a cat door, or something. |
| 00:37:02 |
Okay... let me move |
| 00:37:06 |
No! |
| 00:37:08 |
Look Out!... Oh God, they're... |
| 00:37:13 |
Who are they, Ken? |
| 00:37:14 |
There's a bunch of them, they're... |
| 00:37:17 |
They're... they're pulling these 2 |
| 00:37:22 |
They're... they're biting them! |
| 00:37:24 |
They're... |
| 00:37:25 |
actually carrying them |
| 00:37:33 |
I can't, oh... |
| 00:37:35 |
I can't see, they're... they're biting, |
| 00:37:39 |
a school of fish, |
| 00:37:42 |
It's almost as if, uh... |
| 00:37:45 |
It's just what it looks like... |
| 00:37:46 |
It really looks like these pople are |
| 00:37:50 |
They're so desperate, |
| 00:37:54 |
One has his entire leg and |
| 00:37:59 |
Stop this, Grant! |
| 00:38:00 |
- Now they're pulling themselves apart! |
| 00:38:03 |
Fuck! |
| 00:38:05 |
Oh shit! He heard that... |
| 00:38:08 |
He heard me. Oh, he's coming. Holy shit! |
| 00:38:17 |
Ken, get out of there. |
| 00:38:19 |
Ken? Ken, it's Grant. Are you... |
| 00:38:27 |
No. |
| 00:38:29 |
No. I'm... just lying here. |
| 00:38:35 |
It... It crashed through the wall, |
| 00:38:38 |
huh... Mary Gault's boy. |
| 00:38:41 |
- Her big teenager Jessie, or Jake... |
| 00:38:43 |
or something? It was him. |
| 00:38:46 |
- The kid had no hands... |
| 00:38:51 |
- What's he doing now? |
| 00:38:53 |
I'm not gonna listen to somebody |
| 00:38:56 |
He's looking at me... |
| 00:38:59 |
I think he can't move, uh... |
| 00:39:04 |
I can see his eyes... |
| 00:39:10 |
- I think he's... hang on... |
| 00:39:13 |
Ken, whatever you do, |
| 00:39:20 |
He's... he's whispering something. |
| 00:39:26 |
I'm gonna get closer and see if I can just |
| 00:39:29 |
No, I wouldn't do that, Ken. |
| 00:40:01 |
What the hell was that? |
| 00:40:03 |
- Ken? |
| 00:40:05 |
Ken? Do we still have Ken? |
| 00:40:07 |
- No, we've lost Ken. |
| 00:40:11 |
We are working |
| 00:40:13 |
of the message |
| 00:40:17 |
It's something about |
| 00:40:20 |
"Talk only to babies"... |
| 00:40:23 |
- however, working on a translation. |
| 00:40:27 |
It's on your screen. |
| 00:40:28 |
Okay, we have the translation. |
| 00:40:31 |
reminding our listeners that the source |
| 00:40:34 |
and early analysis has identified... |
| 00:40:37 |
this as possibly a hoax |
| 00:40:40 |
And I remind you that the source was not us, |
| 00:40:46 |
For Your Safety, Please Avoid Contacts |
| 00:40:53 |
And Restrain From The Following: |
| 00:40:55 |
All Terms Of Endearment, |
| 00:40:57 |
- Such As "Honey" Or "Sweetheart" |
| 00:41:02 |
When You Talk With Young Children, |
| 00:41:07 |
For Greater Safety, Please Avoid |
| 00:41:14 |
Please, Do Not Translate |
| 00:41:23 |
What've you got? |
| 00:41:27 |
That was Bob Roseland. |
| 00:41:33 |
Pontypool's under quarantine. |
| 00:41:35 |
Everybody's have to stay inside |
| 00:41:44 |
Did you get...? |
| 00:41:46 |
Hello. Hello. |
| 00:41:48 |
- Did you get that? |
| 00:41:50 |
I'm sending you some audio with my phone. |
| 00:41:53 |
- Thank God, Ken! Are you there? |
| 00:41:55 |
No, Ken, I didn't get that. I didn't, |
| 00:41:58 |
Okay, okay, listen, I'm gonna... |
| 00:42:03 |
and... and... and keep in mind... |
| 00:42:07 |
This is what you... you're about to hear |
| 00:42:13 |
He's lying here, in the dark, |
| 00:42:16 |
It's broken to pieces, and his wrists. |
| 00:42:20 |
They're not stumps, |
| 00:42:23 |
No, Grant! What are we doing? |
| 00:42:25 |
Listen... listen... |
| 00:42:36 |
Mommy... Mommy... |
| 00:42:45 |
Help me... Mommy... |
| 00:42:51 |
Help me please... |
| 00:42:56 |
Did you hear that? I do not even know |
| 00:43:01 |
It sounds like there's a... a child |
| 00:43:08 |
- Is this actually happening, Ken? |
| 00:43:18 |
Alright. |
| 00:43:27 |
What? |
| 00:43:28 |
That was our own Ken... |
| 00:43:32 |
- You're on the radio, ain't cha... |
| 00:43:36 |
- You are on the radio, you big... |
| 00:43:40 |
coming from Mary Galt's eldest son's |
| 00:43:46 |
Mazzy in the morning... |
| 00:43:48 |
- Grant. |
| 00:43:49 |
Grant... fish, |
| 00:43:52 |
There was a little baby... |
| 00:43:57 |
- Grant! |
| 00:44:05 |
Hey, Grant. Listen to this. |
| 00:44:12 |
He just said "Honey". He just said |
| 00:44:17 |
- What? |
| 00:44:21 |
"Honey, the missing cat", Grant? |
| 00:44:30 |
Grant? |
| 00:44:33 |
Oh, jeez. Laurel Ann, let's go out. |
| 00:44:51 |
Are you finding this funny, Syd? |
| 00:44:57 |
It's not a joke, Grant. |
| 00:44:59 |
Honey, I'm beginning to think |
| 00:45:03 |
Grant, everything that I've got |
| 00:45:07 |
The cat? |
| 00:45:09 |
Well, Nigel Healing said, |
| 00:45:11 |
"Nigel Healing said, apparently"... |
| 00:45:19 |
Don't yell at me, Grant! |
| 00:45:23 |
Oh, uh... |
| 00:45:25 |
I'm sorry... |
| 00:45:29 |
Syd... you know I'm having... |
| 00:45:37 |
I know, Grant. |
| 00:45:40 |
I mean, is somebody... |
| 00:45:43 |
like, uh... taking a piss |
| 00:45:47 |
Like it's some kinda stunt? |
| 00:45:53 |
Well, there's some dead people. |
| 00:45:56 |
A pretty big number, I think. |
| 00:46:05 |
Look, I gotta get outta here, okay? |
| 00:46:08 |
I'm having a lot of trouble believing |
| 00:46:11 |
So, uh... I'm just gonna get |
| 00:46:14 |
Grant. Grant, I just need you |
| 00:46:17 |
You stay there, okay? I need you |
| 00:46:20 |
Okay, we've got crickets. |
| 00:46:23 |
- Laurel Ann, go to pre-tape. |
| 00:46:25 |
I don't care! Anything, just go to pre-tape! |
| 00:46:39 |
Hey, um... you know, |
| 00:46:43 |
Uh... I never did this. |
| 00:46:45 |
I gotta go outside, and, uh... |
| 00:46:48 |
Grant? |
| 00:46:51 |
Grant, I can't have dead air! |
| 00:46:53 |
Sydney, does this have |
| 00:46:58 |
What are you talking about? |
| 00:46:59 |
This! I mean... why? Why are they |
| 00:47:08 |
I mean, this is me going crazy. |
| 00:47:11 |
You know, I need to feel that there's |
| 00:47:15 |
I need to... to know that there's |
| 00:47:19 |
then than what's happening |
| 00:47:24 |
Grant, come on! |
| 00:47:24 |
You! You are fucking with me! |
| 00:47:28 |
You are fucking with my head! |
| 00:47:29 |
And you! |
| 00:47:40 |
Grant! Grant, come on! |
| 00:47:43 |
It's dangerous! |
| 00:47:45 |
- Don't go, Grant! There's people dying. |
| 00:47:48 |
I gotta take a look out there. |
| 00:47:51 |
Don't go in the blizzard... |
| 00:47:55 |
Don't walk out on me, Grant! |
| 00:47:57 |
Please, I need you! |
| 00:47:59 |
Shit! |
| 00:48:00 |
Fine, just fucking fall apart! |
| 00:48:03 |
There nothing... |
| 00:48:06 |
Oh, shit! |
| 00:48:08 |
What're you looking at? |
| 00:48:09 |
Shit! Move! |
| 00:48:13 |
"Don't you walk out on me, Grant" |
| 00:48:14 |
- What was that? |
| 00:48:18 |
Laurel Ann, 'we've got an enemy'? |
| 00:48:21 |
Okay, what's going on? |
| 00:48:23 |
Those are my words... |
| 00:48:26 |
Those are my words... |
| 00:48:29 |
What is going on?! |
| 00:48:31 |
- I'm scared! |
| 00:48:33 |
I'm scared, too. |
| 00:48:36 |
- Laurel Ann, we've got a first aid kit? |
| 00:48:38 |
- What's going on? |
| 00:48:40 |
Focus. Look at me. |
| 00:48:43 |
They're with him. |
| 00:48:46 |
That's a hundred kilometers away. |
| 00:48:49 |
Oh, God. Yeah. |
| 00:48:50 |
They're safe, okay. We've got work to do. |
| 00:48:52 |
This is a hell of a shift, Sydney. |
| 00:48:54 |
Obituaries. |
| 00:48:56 |
Obituaries? |
| 00:48:58 |
Then we'll go live! |
| 00:48:59 |
Live! That's what I wanna hear. |
| 00:49:06 |
"Gwendolyn Parker... |
| 00:49:07 |
was taken from this life in her 45th year |
| 00:49:12 |
who left this world suddenly, at the hands |
| 00:49:15 |
who then died at each other's hands in their |
| 00:49:21 |
"Janice Gwynne has departed |
| 00:49:24 |
and by his own hand, |
| 00:49:27 |
Jack Gwynne survived long enough |
| 00:49:31 |
Paul Hieghton, 43, |
| 00:49:34 |
Brenda Hieghton, 12, |
| 00:49:37 |
to a list of passages before himself |
| 00:49:43 |
"Greg Olan, 56, has been killed |
| 00:49:47 |
who also removed Frieda Olan, 81... |
| 00:49:49 |
Patsy Owen, 12, John Freethy, 33, |
| 00:49:55 |
who had, between them, caused the |
| 00:50:00 |
Sandra Weydon, 23... |
| 00:50:03 |
Cynthia Drummond, 46... |
| 00:50:05 |
and Alicia Drummond, 91". |
| 00:50:08 |
"The Drummond's were survived on |
| 00:50:12 |
until shortly before noon today... |
| 00:50:16 |
when they were sadly removed |
| 00:50:18 |
driven by the recently departed |
| 00:50:22 |
which was missed, briefly, by her husband, |
| 00:50:27 |
You are listening to "In the Mourning" on |
| 00:50:33 |
"David and Susan Varier Jones |
| 00:50:37 |
died suddenly in each other's arms, |
| 00:50:40 |
Are you listening to this? |
| 00:50:42 |
I'm really trying not to... |
| 00:50:46 |
Shit! I left my cell phone |
| 00:50:50 |
I wanna talk to the kids. |
| 00:50:53 |
When he's got them, |
| 00:50:55 |
Or doesn't pick up, |
| 00:50:58 |
He's a jerk. |
| 00:51:03 |
So, did anything... this crazy |
| 00:51:11 |
No. Sir. I believe the situation |
| 00:51:21 |
What do you... what do you mean? |
| 00:51:25 |
I don't really know. |
| 00:51:30 |
I'm gonna go see if Mr. Mazzy's missing. |
| 00:51:34 |
Missing... missing... missing |
| 00:51:39 |
I mean, Mr. Mazzy... Mr. Mazzy's missing, |
| 00:51:46 |
Well, honey. He's in the sound booth. |
| 00:51:49 |
- Yes, I know... I just... |
| 00:51:54 |
I'm gonna, I'm gonna go... |
| 00:52:33 |
Excuse me? |
| 00:52:37 |
Sorry, please don't be alarmed. |
| 00:52:40 |
I've not had a lot of time... |
| 00:52:41 |
I've literally been crawling... |
| 00:52:42 |
on my hands and knees throughout |
| 00:52:45 |
OK, don't say anything, okay? Oh boy! |
| 00:52:52 |
She's has just started doing this. |
| 00:52:54 |
Sorry, I'm a doctor. We should slip out. |
| 00:52:58 |
Laurel Ann? Laurel Ann, honey. |
| 00:53:01 |
No, no. It's time to go and keep moving. |
| 00:53:05 |
What's that? |
| 00:53:06 |
It's the sound booth. |
| 00:53:08 |
Life boat! Let's go! |
| 00:53:10 |
Mr. Mendez is missing Mazzy... No! |
| 00:53:19 |
We just need to get a bit |
| 00:53:21 |
Don't worry. |
| 00:53:22 |
- What's wrong with her? |
| 00:53:27 |
Grant! Grant! |
| 00:53:30 |
- It's Dr. John Mendez. |
| 00:53:34 |
You had the building that exploded? |
| 00:53:36 |
I think he probably has |
| 00:53:38 |
Doctor, would you like |
| 00:53:40 |
- You mean, on the radio? |
| 00:53:41 |
Oh, yes, I have a story |
| 00:53:44 |
No, guys. Wait! I'm not missing anymore. |
| 00:53:48 |
I think it might be |
| 00:53:50 |
than with Nigel Healing, huh? |
| 00:53:53 |
- What going on? |
| 00:53:55 |
I've seen a lot of this lately. |
| 00:53:57 |
She doesn't know it yet, |
| 00:54:00 |
I don't miss Mr. Mazzy. |
| 00:54:13 |
- She doesn't look... |
| 00:54:14 |
We can't just leave her out there. |
| 00:54:16 |
- put the sound out... |
| 00:54:17 |
Let's leave the sound |
| 00:54:19 |
She might lose track of where we are, |
| 00:54:33 |
You are listening to 'The Beacon'. |
| 00:54:35 |
We are holding our own here today, |
| 00:54:41 |
However, today we are those prisoners. |
| 00:54:47 |
But, we have live with us Dr. John Mendez. |
| 00:54:50 |
Now, you may know him, |
| 00:54:52 |
or you may recall our own |
| 00:54:56 |
of the violence that took place, |
| 00:55:02 |
Now, Dr. Mendez, |
| 00:55:05 |
You've had some special experience |
| 00:55:10 |
We would like any insights |
| 00:55:17 |
Laurel Ann, don't do that! Stop! |
| 00:55:20 |
Oh, she is rooting for voices. Huh-huh. |
| 00:55:27 |
I should mention that, uh, sadly... |
| 00:55:34 |
Laurel Ann Drummond, |
| 00:55:36 |
is right now experiencing |
| 00:55:42 |
I've seen this, |
| 00:55:46 |
Ok... can I? Ok. |
| 00:55:49 |
I've seen elements of this. |
| 00:55:52 |
So I'm not sure how this will end. |
| 00:55:57 |
But.. the victim needs a victim |
| 00:56:00 |
I know this is horribly |
| 00:56:02 |
and I'm sorry to be the bearer |
| 00:56:05 |
- Sydney. |
| 00:56:06 |
at my office all morning. |
| 00:56:08 |
Yeah... Okay, we're going live. |
| 00:56:09 |
- I've got Ken. |
| 00:56:12 |
We are now going to our... |
| 00:56:14 |
own reporter, Ken Loney, live in the field. |
| 00:56:19 |
Are you there, Ken? |
| 00:56:20 |
I'm here, uh... Ken Loney, |
| 00:56:25 |
And we were |
| 00:56:28 |
I think I... I'm okay, but, uh... the person |
| 00:56:35 |
Have you been there |
| 00:56:37 |
Yeah, I... I haven't moved, |
| 00:56:39 |
but... you can hear, uh... crowds, |
| 00:56:43 |
Can you hear what they're saying? |
| 00:56:45 |
Yeah, I have... you can hear them. |
| 00:56:50 |
and they were talking about... |
| 00:56:53 |
Well, they weren't talking, really... |
| 00:56:56 |
Something about |
| 00:56:59 |
"Look out for U-boats". |
| 00:57:04 |
Where they all saying this, Ken? |
| 00:57:06 |
Yeah, yeah, all of them... |
| 00:57:09 |
A 'symbol' of the disorder? |
| 00:57:12 |
It a simple... uh... it... |
| 00:57:17 |
What's happening there, Ken? |
| 00:57:20 |
No, no... that's not it... |
| 00:57:23 |
What's going on, Ken? |
| 00:57:24 |
It's gonna... it's gonna sound weird... |
| 00:57:30 |
Do you have a 'sample'? |
| 00:57:32 |
You said sample? Um... |
| 00:57:37 |
Uh... just... a sample, |
| 00:57:43 |
You hear what I'm saying? I need to.. |
| 00:57:49 |
It's so sample... |
| 00:57:51 |
sample... of what I'm trying... |
| 00:57:55 |
- Just try to stay calm, Ken. |
| 00:57:59 |
- Grant, Grant... |
| 00:58:02 |
- Ken? |
| 00:58:06 |
- Can you think? |
| 00:58:09 |
Let's stick to simple questions, simple! |
| 00:58:10 |
Simple questions, simple... |
| 00:58:12 |
simple... simple... |
| 00:58:14 |
That's it, he's gone. |
| 00:58:17 |
He's just a crude radio signal. |
| 00:58:19 |
He's seeking. |
| 00:58:20 |
Simple, simple, simple... |
| 00:58:27 |
I think it's time to say goodbye, Grant, |
| 00:58:31 |
Simple, simple, simple... |
| 00:58:34 |
Allright. Goodbye, Ken. |
| 00:58:39 |
everyone listening, |
| 00:58:51 |
He's gone. Well, I mean. |
| 00:58:59 |
I'm so sorry, Sydney. |
| 00:59:02 |
Ken was, uh... he was a... he was a... |
| 00:59:08 |
No, he's a... |
| 00:59:12 |
Ken Loney was a pedophile. |
| 00:59:14 |
I mean, not really a pedophile. |
| 00:59:17 |
We just never let our kids |
| 00:59:21 |
It's just... I shoud've |
| 00:59:30 |
It's just... |
| 00:59:40 |
Shit! |
| 00:59:43 |
I wasn't a very good bucket. |
| 00:59:53 |
What's this now? |
| 01:00:02 |
We're on, sir. |
| 01:00:04 |
Uh... folks, um... |
| 01:00:09 |
little Laurel Ann |
| 01:00:13 |
and, uh... anyway she's... |
| 01:00:16 |
She... she looks like, |
| 01:00:18 |
- trying to eat something. |
| 01:00:21 |
You sure she can't hear us? |
| 01:00:23 |
No. No, she can't. |
| 01:00:28 |
Can she read lips? |
| 01:00:30 |
Good question... |
| 01:00:35 |
Read lips... |
| 01:00:36 |
What? |
| 01:00:37 |
Their timing, that's a very interesting |
| 01:00:43 |
Really? I know, |
| 01:00:48 |
Uh... |
| 01:00:49 |
I should yet... |
| 01:00:51 |
- we are talking to... |
| 01:00:54 |
Can't be, it's impossible! |
| 01:00:57 |
What's impossible, Doctor? |
| 01:00:59 |
It's viral, that much is clear. |
| 01:01:03 |
But, uh... not of the blood. |
| 01:01:05 |
Of blood, not in the air. |
| 01:01:12 |
It is here! |
| 01:01:16 |
Where? |
| 01:01:22 |
It is in words. |
| 01:01:25 |
Not all words... |
| 01:01:26 |
Not all speaking... |
| 01:01:28 |
But in some. |
| 01:01:30 |
Some words are infected. |
| 01:01:35 |
And it spreads out when the |
| 01:01:39 |
Oh... |
| 01:01:40 |
We are witnessing the emergence |
| 01:01:44 |
and our language is its host. |
| 01:01:47 |
It could, uh... have sprung |
| 01:01:51 |
If it found its way into language, |
| 01:01:54 |
it could leap into reality itself, |
| 01:01:58 |
It may be boundless... |
| 01:02:03 |
Okay, Dr. Mendez, |
| 01:02:06 |
so I gotta stop you there, |
| 01:02:10 |
Oh, really? Well, that's really sensible, |
| 01:02:13 |
beause UFOs don't exist, |
| 01:02:14 |
but I assure you, there is a monster lose, |
| 01:02:18 |
and it's bouncing through our language, |
| 01:02:21 |
frantically trying to keep its host alive. |
| 01:02:29 |
- Is this transmission itself. um... |
| 01:02:32 |
If... if the bug enters us, |
| 01:02:35 |
it does not enter by making contact |
| 01:02:39 |
It enter us when we hear the word |
| 01:02:46 |
It is when the word is understood, |
| 01:02:52 |
and... it copies itself |
| 01:03:05 |
Well... should we be... |
| 01:03:08 |
What are we talking about? |
| 01:03:11 |
Should we be... talking at all? |
| 01:03:14 |
Well, to be safe - no, probably not. |
| 01:03:22 |
And, well... talk radio is... |
| 01:03:31 |
But, we need to... tell people about it. |
| 01:03:36 |
People need to know. |
| 01:03:40 |
Well, it's your call, Mr. Mazzy. |
| 01:03:42 |
Let's just hope |
| 01:03:45 |
isn't going to destroy your world. |
| 01:04:12 |
The whole world can hear you breathing. |
| 01:04:15 |
It's fine, you're breathing. |
| 01:04:17 |
That's your top news story! |
| 01:04:20 |
It can't take your breath away, |
| 01:04:21 |
- Breathe, breathe, breathe, breathe... |
| 01:04:24 |
Muzak, key 14. |
| 01:04:28 |
Seems we're still talking. |
| 01:04:42 |
- Hello? |
| 01:04:46 |
Hey, Honey! |
| 01:04:51 |
Hey, Sweetie... |
| 01:04:57 |
I miss you too so much, Honey. |
| 01:05:05 |
That's great, Honey. |
| 01:05:13 |
Is your daddy there? |
| 01:05:18 |
Honey, I didn't forget to call you. |
| 01:05:22 |
You shouldn't be talking |
| 01:05:23 |
And no "Sweethearts", please. |
| 01:05:25 |
You should be breathing more. |
| 01:05:28 |
Just talking out loud. |
| 01:05:31 |
Could you please get your daddy on? |
| 01:05:37 |
It's not your birthday today, Lulu. |
| 01:05:41 |
It's not really |
| 01:05:43 |
Can you just put your daddy on? |
| 01:05:50 |
Happy Valentine's Day to you, Lulu! |
| 01:05:57 |
'Cause I love you... |
| 01:06:06 |
Lulu? Lulu? Hello? |
| 01:06:12 |
Hello? |
| 01:06:17 |
Shit! |
| 01:06:22 |
The phone lines are dead. |
| 01:06:27 |
Something strange is happening to her, |
| 01:06:56 |
I forgot to give her at |
| 01:07:00 |
Grant, thanks for the Valentine card. |
| 01:07:05 |
I didn't say anything, I'm sorry, |
| 01:07:23 |
So, this is what happens when a |
| 01:07:27 |
This is the fate they're trying to escape. |
| 01:07:31 |
Oh, oh, oh... |
| 01:07:33 |
mostest defies comprehension! |
| 01:07:37 |
Breathe... breathe... |
| 01:07:39 |
Oh... here they come now. |
| 01:07:44 |
There must be hundreds of them, |
| 01:07:48 |
What we need is a flamethrower. |
| 01:07:51 |
I thought we weren't supposed to talk. |
| 01:07:52 |
Yes, yes, yes, yes. |
| 01:10:41 |
Sydney Briar is alive |
| 01:10:48 |
Sydney Briar is alive |
| 01:10:54 |
Sydney Briar is alive |
| 01:10:58 |
Sydney Briar is alive |
| 01:11:03 |
I looped it. |
| 01:11:05 |
Sydney Briar is alive |
| 01:11:08 |
Sydney Briar is alive |
| 01:11:11 |
Sydney Briar is alive |
| 01:11:14 |
Sydney Briar is alive |
| 01:11:17 |
Sydney Briar is alive |
| 01:11:21 |
- Sydney Briar is alive |
| 01:11:24 |
Sydney Briar is alive |
| 01:11:27 |
Sydney Briar is alive |
| 01:11:30 |
Sydney Briar is alive |
| 01:11:33 |
- Sydney Briar is alive |
| 01:11:36 |
- Sydney Briar is alive |
| 01:11:39 |
- Sydney Briar is alive |
| 01:11:43 |
- Sydney Briar is alive |
| 01:11:46 |
Sydney Briar is alive |
| 01:11:49 |
Sydney Briar is alive |
| 01:11:53 |
Sydney Briar is alive |
| 01:11:56 |
Sydney Briar is alive |
| 01:11:59 |
Sydney Briar is alive |
| 01:12:02 |
Sydney Briar is alive |
| 01:12:06 |
Sydney Briar is alive |
| 01:12:09 |
Sydney Briar is alive |
| 01:12:12 |
Sydney Briar is alive |
| 01:12:16 |
- Sydney Briar is alive |
| 01:12:38 |
Do you speak French? |
| 01:12:41 |
A little bit? |
| 01:12:47 |
We speak in French. |
| 01:12:52 |
Let's go. |
| 01:12:59 |
Can I go? |
| 01:13:00 |
In French! In French! |
| 01:13:04 |
Goodbye! |
| 01:13:44 |
Where now? |
| 01:13:47 |
To the kitchen. |
| 01:14:04 |
Grant! Run... run now! |
| 01:14:06 |
"Grant! Run... run now!" |
| 01:14:18 |
Come get me! |
| 01:14:19 |
"Come get me... |
| 01:14:58 |
He's still going! |
| 01:15:11 |
Maybe... he is dangerous? |
| 01:15:15 |
Yes. |
| 01:15:17 |
Are you going to kill the doctor? |
| 01:15:23 |
No. |
| 01:15:26 |
You killed the kid... |
| 01:15:28 |
...you go kill the doctor. |
| 01:15:33 |
I... I didn't kill the kid. |
| 01:15:36 |
Yes. |
| 01:15:37 |
- No. |
| 01:15:39 |
- No. |
| 01:15:40 |
You killed the kid. |
| 01:15:43 |
Not me! |
| 01:15:46 |
Okay. |
| 01:15:49 |
I killed the kid. |
| 01:15:52 |
So... |
| 01:15:54 |
you kill the doctor. |
| 01:15:57 |
I? Please... no... |
| 01:16:00 |
I'm not gonna kill |
| 01:16:06 |
Okay. |
| 01:16:13 |
If the doctor attacks us... |
| 01:16:54 |
Here he comes! |
| 01:16:58 |
The door! the door! |
| 01:17:16 |
Sydney Briar is alive |
| 01:17:20 |
Goodbye! |
| 01:17:53 |
He's saving us... |
| 01:18:20 |
Sydney Briar is alive |
| 01:19:22 |
My name is Sidney Briar |
| 01:19:31 |
I'm so sorry. |
| 01:20:02 |
Why don't you speak up? |
| 01:20:06 |
French! |
| 01:20:12 |
Sorry! |
| 01:20:17 |
Continue. |
| 01:20:19 |
Don't talk. |
| 01:20:27 |
My head hurts! |
| 01:20:33 |
For Christ's sake, give it up, Grant. |
| 01:20:39 |
There's no secret escape plan hidden |
| 01:20:45 |
Stop! |
| 01:20:59 |
Stop it! |
| 01:21:14 |
Syd... |
| 01:21:15 |
We're not talking. I'm drunk. |
| 01:21:21 |
Why do you stop understanding this? |
| 01:21:26 |
Oh, God! |
| 01:21:29 |
You're gonna eat me soon, aren't you? |
| 01:21:33 |
That's OK. You be the killer. |
| 01:21:39 |
I do not want to be the killer. |
| 01:21:40 |
Something Dr. Mendez said: He said that |
| 01:21:46 |
So how do you... how do you not |
| 01:21:49 |
OK, you're talking... a lot... |
| 01:21:53 |
Honey, I don't understand something. |
| 01:21:55 |
How, somethin' we understand automatically. |
| 01:21:59 |
How do you make it strange? |
| 01:22:03 |
We're gonna have killers in here soon, |
| 01:22:12 |
I do not understand what disinfects it. |
| 01:22:18 |
If it disinfects it, without distorting it, |
| 01:22:23 |
You kill the word |
| 01:22:27 |
Oh, you kill the word that's killing you. |
| 01:22:31 |
Yeah, I remember as a kid, |
| 01:22:33 |
I used to repeat words |
| 01:22:35 |
'till whey were... |
| 01:22:39 |
Do you think that's what it is? |
| 01:22:41 |
Is it some kinda |
| 01:22:46 |
You have to kill... |
| 01:22:50 |
all the killing. |
| 01:22:51 |
Yeah, but it doesn't work, because they |
| 01:22:55 |
So how do you make it... |
| 01:22:58 |
How? |
| 01:23:04 |
"Kill"... |
| 01:23:07 |
Kill... kill... kill... |
| 01:23:11 |
Syd... |
| 01:23:17 |
Okay, Syd, Syd, alright |
| 01:23:22 |
I think you got an infected word. |
| 01:23:26 |
But we know the word... |
| 01:23:28 |
No, no, no. Stop! |
| 01:23:30 |
Stop! We know the word! |
| 01:23:33 |
Okay, 'kill' isn't 'kill... |
| 01:23:36 |
'kill' isn't 'kill... |
| 01:23:44 |
Oh God. I do not know! I don't know... |
| 01:23:47 |
Alright... |
| 01:23:48 |
"Kill" is "blue" "Kill" is "wonderful" |
| 01:23:51 |
'Kill" is the... 'Kill" is "baby" |
| 01:23:54 |
'Kill" is "Manet's Garden"... |
| 01:23:57 |
"Kill" is everything |
| 01:23:58 |
"Kill" is... |
| 01:24:00 |
"Kill" is, uh... |
| 01:24:04 |
"Kill" is... |
| 01:24:05 |
"Kill" is "Kiss". "Kill" is "Kiss". |
| 01:24:12 |
"Kill" is "Kiss"? "Kill" is "Kiss". |
| 01:24:17 |
"Kill" is "Kiss". "Kill" is "Kiss"? |
| 01:24:22 |
What is "Kill"? |
| 01:24:24 |
"Kiss"... |
| 01:24:29 |
- Kill me... |
| 01:24:32 |
Kill me... |
| 01:24:54 |
"Kill" is "Kiss". |
| 01:25:01 |
Okay... |
| 01:25:03 |
- Shh... shh... shh... |
| 01:25:08 |
- I feel better. |
| 01:25:13 |
What just happened? |
| 01:25:15 |
Seriously, seriously. |
| 01:25:18 |
We just kissed. |
| 01:25:19 |
- I know, I know, I know... |
| 01:25:22 |
What just happened... |
| 01:25:25 |
Sydney, I think... |
| 01:25:32 |
I think I just cured you. |
| 01:25:39 |
Where you going? |
| 01:25:40 |
We gotta let people know about this. |
| 01:25:43 |
Shit! Grant, wait, listen to me... Grant, |
| 01:25:47 |
Come on, girl! One last show! |
| 01:25:50 |
One last... what? Grant... |
| 01:25:54 |
We're not supposed to be even out here... |
| 01:25:57 |
Syd, we're gonna save the fucking world. |
| 01:26:01 |
You don't even know |
| 01:26:04 |
or how you did it. |
| 01:26:06 |
Listen, you're way ahead of yourself! |
| 01:26:07 |
We're okay, okay? We're okay. We're |
| 01:26:11 |
We have to stay safe, |
| 01:26:14 |
Shit, Grant! |
| 01:26:21 |
People are already dying, Syd, |
| 01:26:25 |
Do we really wanna provide |
| 01:26:29 |
I don't know what I did up there, Syd, |
| 01:26:33 |
- Because if I don't... what? |
| 01:26:37 |
- Yeah! |
| 01:26:40 |
Now, get go, |
| 01:26:45 |
- You there? You there? |
| 01:26:48 |
I'm here, |
| 01:26:49 |
- Hello? |
| 01:26:50 |
Yeah, yeah, yeah, |
| 01:26:52 |
Okay, we're gonna do what we can. |
| 01:26:53 |
Now that French thing, |
| 01:26:55 |
he said, uh... terms of endearment |
| 01:26:59 |
And, uh... we got your word, we know |
| 01:27:01 |
and what was Laurel Ann babbling about? |
| 01:27:03 |
- I don't know, I don't remember. |
| 01:27:06 |
uh... 'sample'. |
| 01:27:08 |
Okay, we need a list. |
| 01:27:10 |
There is no time for a list, Grant. |
| 01:27:11 |
You would only start to confuse people. |
| 01:27:14 |
Okay, put me on, |
| 01:27:17 |
You're on! |
| 01:27:19 |
Hello Pontypool. This is Grant Mazzy here |
| 01:27:24 |
In fact, today folks, we set those |
| 01:27:29 |
So here we go, folks: |
| 01:27:34 |
'Kill' is definitely 'Kiss'... |
| 01:27:36 |
Now 'Sample'... |
| 01:27:41 |
- Sweetheart... |
| 01:27:43 |
Sidney Briar! |
| 01:27:46 |
Listen to me, folks, |
| 01:27:48 |
- Okay? |
| 01:27:49 |
If you are sayng "Happy" |
| 01:27:53 |
"Happy" means... No, that's the opposite, |
| 01:27:57 |
'Happy' is 'Handy'... |
| 01:27:59 |
Move things around, people, |
| 01:28:05 |
You have to stop understanding... |
| 01:28:12 |
Stop understanding |
| 01:28:14 |
"Sample"... "Sample" is a 'Color', |
| 01:28:19 |
Okay, Grant, |
| 01:28:21 |
but if... if you say "don't understand it" |
| 01:28:25 |
Okay, okay, |
| 01:28:27 |
Sidney Briar! Stop the broadcast! |
| 01:28:33 |
The man speaking is sick! |
| 01:28:37 |
The "Sky" is a "Person"... |
| 01:28:43 |
"Yellow" is "Crowded"... |
| 01:28:48 |
- Sounds like shitty Haiku, Grant. |
| 01:28:50 |
I may be wrong, Grant, but I don't think |
| 01:28:52 |
Okay, for Christ-sake... |
| 01:28:54 |
Help me out here... |
| 01:28:59 |
"Intake"... |
| 01:29:00 |
- 'Trespass'... |
| 01:29:01 |
- 'Swimming'... |
| 01:29:03 |
- 'Fidelity'... |
| 01:29:04 |
- 'Savage'... |
| 01:29:06 |
- Uh... 'Tomorrow'... |
| 01:29:08 |
- 'Ceiling'... |
| 01:29:12 |
'Rhinoceros'... |
| 01:29:14 |
'Laughter'... |
| 01:29:17 |
Shit! |
| 01:29:19 |
They're just shooting people, Grant! |
| 01:29:24 |
Sidney Briar! |
| 01:29:26 |
Stop killing people! |
| 01:29:30 |
You gotta stop! You gotta stop! |
| 01:29:50 |
Just listen to me... |
| 01:29:54 |
I said, listen to me... |
| 01:29:59 |
I think everyone's dead. |
| 01:30:07 |
You're just killing scared people. |
| 01:30:10 |
It's what you always do. |
| 01:30:13 |
You're killing scared people. |
| 01:30:16 |
You are like dogs... |
| 01:30:22 |
Well, what the fuck happened |
| 01:30:25 |
Someone took a buzzsaw |
| 01:30:27 |
and they pulled out |
| 01:30:29 |
and they spilled it |
| 01:30:34 |
But you know what, friends? |
| 01:30:37 |
We were never making sense. |
| 01:30:39 |
We were never making sense. |
| 01:30:43 |
And today, today when Armageddon |
| 01:30:51 |
You know what? |
| 01:30:55 |
Another day in Pontypool. |
| 01:30:57 |
The sun came up. |
| 01:31:01 |
and it's exactly |
| 01:31:04 |
Today's news, folks... |
| 01:31:07 |
Today's 'late breaking', 'development', |
| 01:31:14 |
It's not the end of the world, folks. |
| 01:31:17 |
It's just the end of the day. |
| 01:31:22 |
This is Grant Mazzy, |
| 01:31:29 |
And I'm still here, |
| 01:31:41 |
10... 9... 8... 7... 6... |
| 01:31:49 |
5... 4... 3... 2... 1... |
