Portiere Di Notte Il The Night Porter
|
00:00:45 |
The Night Porter |
00:01:50 |
Good evening. You're early. |
00:01:52 |
I want to get off early |
00:01:56 |
Ah. Here are the flowers, |
00:01:59 |
- that the countess asked for. |
00:02:02 |
- Has she called down? |
00:02:05 |
You're always sending only me out |
00:02:09 |
You get tipped, don't you? |
00:02:11 |
Oh! |
00:02:30 |
- Here you are. |
00:02:34 |
Without water? |
00:02:38 |
- The water's finished. |
00:02:40 |
They will stick in my throat. |
00:02:43 |
They won't do any harm. |
00:02:52 |
I'm still cold, Max. |
00:02:56 |
I really can't think of anything... |
00:02:59 |
Max, dear. |
00:03:02 |
You don't have any imagination. |
00:03:07 |
- And neither do you, Countess. |
00:03:12 |
Silly, silly, silly. |
00:03:17 |
Do you want the usual assistance? |
00:03:47 |
Go up to 42. |
00:03:49 |
Go to hell. I want to sleep. |
00:03:51 |
- You'll go now! |
00:03:57 |
You asked for a month's wages |
00:04:01 |
All of it. |
00:04:04 |
I like people |
00:04:07 |
Okay, okay. |
00:04:09 |
Damn her. |
00:04:11 |
And that perfume |
00:04:14 |
It may be some fancy brand, |
00:04:17 |
At least she doesn't |
00:04:20 |
Or, uh, mouthwash. |
00:04:23 |
I don't smell of mouthwash. |
00:04:25 |
I'm dripping with Helena Rubenstein's |
00:04:29 |
For men of distinction. |
00:04:31 |
Ah! |
00:04:41 |
Thanks. |
00:04:57 |
Some other time. |
00:05:08 |
- See you soon. Good-bye. |
00:05:12 |
My keys, please. Room 25. |
00:05:41 |
- My key, please. Number 32. |
00:05:45 |
Thirty-two, please. |
00:05:48 |
- What? |
00:05:51 |
Don't you remember? |
00:06:00 |
He's a conductor. |
00:06:07 |
- So? |
00:07:22 |
Hello? |
00:07:24 |
Uh, yes, a bottle |
00:07:27 |
Very cold. Thank you. |
00:07:30 |
- No, don't call! |
00:07:37 |
I'm sorry. |
00:07:49 |
You'll be all right? |
00:07:52 |
Yes. |
00:07:54 |
Yes, I'm fine. |
00:08:07 |
- Come in. |
00:08:20 |
- Good evening, sir. |
00:08:23 |
- Will there be anything else? |
00:08:26 |
- Good night. |
00:09:36 |
- Religion? |
00:09:38 |
Yes, I'm coming. |
00:09:44 |
Greetings. |
00:09:48 |
Did you expect me? |
00:09:50 |
Of course. |
00:09:54 |
- Would you have the same room? |
00:09:57 |
Always. |
00:10:02 |
You seem strange. |
00:10:05 |
No. |
00:10:07 |
If you're worried, you're foolish. |
00:10:09 |
Your case is easy. |
00:10:12 |
After all, there are no witnesses |
00:10:17 |
You should be pleased. At the moment, |
00:10:22 |
The professor says |
00:10:27 |
- He should be here shortly. Show him up. |
00:10:58 |
- Name, date of birth. |
00:11:08 |
- Address? Religion? |
00:11:12 |
Next. |
00:11:14 |
- Name? |
00:11:16 |
- Date of birth? |
00:11:19 |
- Address? |
00:11:21 |
- Religion? |
00:11:23 |
Next. |
00:11:25 |
- Name? |
00:11:28 |
- Date of birth? |
00:11:30 |
- Address? |
00:11:33 |
- Religion? |
00:11:35 |
Next. |
00:11:38 |
- Name? |
00:11:41 |
- Date of birth? |
00:11:44 |
- Address? Religion? |
00:11:50 |
- Were you trying to sleep? |
00:11:55 |
- Leave me alone, for God's sake. |
00:12:22 |
I'm sorry. |
00:12:24 |
I'm sorry. |
00:12:27 |
Of course. |
00:12:35 |
Would you do me a favor? |
00:12:38 |
If I can. |
00:12:42 |
Would you stand in for me |
00:12:45 |
- Where? |
00:12:48 |
You'll have to wear my jacket... |
00:12:52 |
and just be polite |
00:12:56 |
- Well, will you or won't you? |
00:13:00 |
Thank you. |
00:13:04 |
Good evening, Max. |
00:13:06 |
- Good evening, Herr Professor. |
00:13:08 |
Is he in the same room? |
00:13:10 |
- Yes. |
00:14:21 |
I've managed... |
00:14:23 |
to find what the spies know |
00:14:26 |
Here. Maximilian Theo Aldorfer. |
00:14:30 |
"Had a career in the entourage |
00:14:33 |
"Operated in Hungary |
00:14:37 |
Lives under an assumed name..." |
00:14:40 |
"In the Nuremburg archives, see fie |
00:14:44 |
there's a number three which means |
00:14:48 |
However, there's a note which says... |
00:14:50 |
"was very friendly with some |
00:14:54 |
So it may be that they are |
00:14:58 |
Max had imagination. |
00:15:01 |
He had fun passing himself off |
00:15:04 |
to have a chance at making sensational |
00:15:09 |
It's obvious that not one |
00:15:14 |
But perhaps one did. |
00:15:19 |
Do you recognize anybody? |
00:15:28 |
Yes, perhaps I remember. |
00:15:31 |
Who knows if she survived? |
00:15:33 |
I thought that Mario might |
00:15:36 |
- Who is Mario? |
00:15:40 |
He was spared because |
00:15:43 |
After the war, he married Greta Heller. |
00:15:46 |
Ah, yes, yes. |
00:15:51 |
We called him up once to testify. |
00:15:56 |
Yes, and he's coming |
00:15:58 |
If he knows anything, |
00:16:02 |
Good. |
00:16:05 |
Have you seen Max? |
00:20:27 |
What shall I use? |
00:20:29 |
Aluminium. |
00:20:44 |
Bert, you should read a book. |
00:20:48 |
Oh, yes, I've tried, Max. |
00:20:50 |
If I read, I think, |
00:20:54 |
Get up and go out, |
00:21:01 |
You need a bodyguard. |
00:21:04 |
I'd like to have you. |
00:21:07 |
I'd hire you to do |
00:21:12 |
Would you? |
00:21:15 |
Yes, of course. |
00:21:17 |
You say that because you know I can't. |
00:21:23 |
- No. |
00:21:25 |
You don't want to wipe anybody's ass. |
00:21:42 |
Be careful. |
00:21:56 |
You're very good at it. |
00:22:09 |
'An interpretation of great elegance. |
00:22:12 |
"This will be remembered |
00:22:15 |
in the lyric season |
00:22:18 |
"I must say that inasmuch |
00:22:20 |
"what to expect |
00:22:23 |
who comes to Vienna on a wave of acclaim |
00:22:29 |
Aren't you listening? |
00:22:33 |
You don't give a damn about them. |
00:22:35 |
But still, I would like |
00:22:37 |
I'd like some peace. |
00:22:40 |
What's the matter? You've always |
00:22:43 |
We've always |
00:22:46 |
- I want to go. |
00:22:48 |
I told you I am leaving. |
00:22:52 |
I hope you realize what a disaster |
00:22:56 |
Coreline Hader plays along |
00:22:59 |
I told you I am leaving! |
00:23:06 |
Lucia, you're out of your mind. |
00:23:10 |
All right. |
00:23:12 |
Where do you want to go? |
00:23:15 |
Away from this hotel, |
00:23:18 |
And away from this country. |
00:23:22 |
I understand what you feel. |
00:23:25 |
But you seemed so happy |
00:23:29 |
Lucia, what's come over you? |
00:23:33 |
Anyway, it's a question |
00:23:35 |
Tomorrow we go to Frankfurt. In three |
00:23:48 |
You're absolutely incredible. |
00:23:51 |
- Incredible. |
00:23:54 |
- Don't open. |
00:23:57 |
- Don't open, please. |
00:24:01 |
Come in. |
00:24:04 |
- Good morning. |
00:24:07 |
Thank you. |
00:24:11 |
We've planned everything |
00:24:14 |
You can prepare the room. |
00:24:16 |
I think I found a witness. |
00:24:19 |
You remember Mario the cook? |
00:24:23 |
Couldn't you wait |
00:24:26 |
No. I prefer to close |
00:24:31 |
But you haven't come |
00:24:35 |
What is it? |
00:24:40 |
It's the trial. |
00:24:44 |
Klaus is being |
00:24:48 |
Sooner or later he had to call you up, |
00:24:52 |
Be sure to keep your eyes open. You |
00:24:56 |
Yes, you do. Especially |
00:25:02 |
I want everything clear in my head. |
00:25:19 |
Will you eat with us? |
00:25:21 |
Yes, Greta. Thank you. |
00:25:24 |
How's business? Going well? |
00:25:26 |
Thanks to him. |
00:25:30 |
Go on, Greta. |
00:25:35 |
Yes. See you later. |
00:25:43 |
- Did you see Klaus? |
00:25:45 |
- Did he say anything to you? |
00:25:47 |
He was asking me about that girl |
00:25:50 |
The daughter of a socialist. |
00:25:53 |
She was Viennese, right? |
00:25:58 |
Certainly you are a strange lot. |
00:26:03 |
I won't go to the police. |
00:26:08 |
Klaus showed me... |
00:26:13 |
He showed me a photograph |
00:26:16 |
so I explained I had no memory. |
00:26:20 |
I said I didn't recognize her. |
00:26:24 |
I want to live in peace, |
00:26:30 |
Thank you, Mario. |
00:26:34 |
l-I never told anybody how, uh, |
00:26:37 |
you saved your skin. |
00:26:42 |
Sometimes to save one's skin, |
00:26:45 |
there is no price too high. |
00:26:47 |
You can't compare me with you. |
00:26:50 |
I know, I know. |
00:26:54 |
Still, i-it would be nice... |
00:26:57 |
to talk in peace and quiet. |
00:27:02 |
We could go fishing, |
00:27:05 |
Sure. If we're not too long, |
00:27:09 |
- What about Sunday? |
00:27:16 |
Okay, Mario. |
00:33:25 |
- The car has come, sir. |
00:33:27 |
I'll be right there. |
00:33:38 |
Well? The day after tomorrow |
00:33:42 |
If you take the plane, I'll send |
00:33:51 |
You're such a strange creature. |
00:33:53 |
Now you wish you were |
00:33:57 |
Don't you want to do that shopping |
00:34:00 |
- No. |
00:34:03 |
Take the plane tonight, |
00:34:06 |
We can have them |
00:34:09 |
I'm so silly. Come on. |
00:34:16 |
At the Weber Hotel |
00:34:20 |
I'll miss you. |
00:34:27 |
Good morning, sir, madam. |
00:34:29 |
Have you made a reservation? |
00:36:21 |
No sign of a fish here. |
00:36:24 |
A client said he caught |
00:36:27 |
We didn't believe him. |
00:36:32 |
A trout maybe, |
00:36:36 |
What is it, Max? |
00:36:39 |
What are you doing? |
00:36:42 |
No! |
00:39:35 |
- How much? |
00:41:43 |
... about 200 were accused |
00:41:46 |
and the other 100 reported |
00:41:50 |
Another organization |
00:41:52 |
is the War Documentation Center |
00:41:55 |
They have fies on the S.S. leaders, |
00:41:59 |
I'll see to it that I get |
00:42:03 |
In the meantime, I want you to take |
00:42:08 |
This constitutes documentation |
00:42:13 |
This is all due to Max, |
00:42:18 |
He himself transmitted |
00:42:23 |
As always, we must find out if all this |
00:42:28 |
or if I have managed to get |
00:42:31 |
And Max can remain in the shadow, |
00:42:35 |
which is what he wants. |
00:43:04 |
We have decided to delve together to the |
00:43:09 |
We have decided to confront them, |
00:43:12 |
without fear. |
00:43:14 |
Remember. We must try to understand |
00:43:20 |
If so, we must be |
00:43:23 |
A guilt complex is a disturbance |
00:43:27 |
Let's not delude ourselves. |
00:43:31 |
but of eyes which can stare straight |
00:43:35 |
Information on existing witnesses |
00:43:37 |
We all know him. In particular, Kurt. |
00:43:41 |
I wanted him here tonight and sent word |
00:43:44 |
- Any of you know anything? |
00:43:47 |
Hans, you know all about my life. |
00:43:50 |
That's my profession. You accepted |
00:43:55 |
I know, I know. Somebody speaks |
00:43:58 |
But in the end, something |
00:44:01 |
Something does. |
00:44:05 |
And something else happens, Max. |
00:44:08 |
I play the devil's advocate |
00:44:11 |
seek and I find |
00:44:15 |
which I'll give to our colleague |
00:44:18 |
I also have a nice list |
00:44:22 |
And I keep a most |
00:44:25 |
because they're not as manageable |
00:44:28 |
Max, you must |
00:44:31 |
Remember when we had |
00:44:33 |
I felt as awful |
00:44:35 |
It did me good to speak, |
00:44:39 |
It did me good to clash with Klaus |
00:44:43 |
Remember? |
00:44:47 |
I felt a great relief. |
00:44:49 |
Perhaps, also, because Klaus |
00:44:53 |
Just as he burned yours, Kurt. |
00:44:55 |
Naturally. And now there's no trace of |
00:45:00 |
It will be the same |
00:45:05 |
Klaus? |
00:45:09 |
Klaus, perhaps there are |
00:45:14 |
But if there are, |
00:45:17 |
Let them forget? |
00:45:31 |
Even if it says 1,000 persons |
00:45:35 |
it still makes less impression |
00:45:43 |
That is why they are |
00:45:46 |
My task is to seek them out, |
00:45:50 |
and to see that they |
00:46:01 |
Max, our trials |
00:46:04 |
They're also therapeutic, right? |
00:46:07 |
And the more shock value they have, |
00:46:11 |
Only eyewitnesses can provoke this... |
00:46:14 |
because they go into details, |
00:46:18 |
You've seen it, haven't you? Only |
00:46:22 |
can we discover how far |
00:46:26 |
We have to defend ourselves. |
00:46:30 |
If you want to live hidden away |
00:46:35 |
But we want back... |
00:46:39 |
So we have never given up. |
00:46:43 |
I haven't given up! |
00:46:52 |
I'm still here with you. |
00:46:55 |
And you must be pleased, Max. |
00:46:57 |
I, Klaus, Kurt, Dobson, Bert, |
00:47:00 |
All evidence has vanished. |
00:47:05 |
I never thought it was quite enough |
00:47:12 |
I want to be left alone to... Just |
00:47:16 |
I would like to get back |
00:47:19 |
It's important that |
00:47:22 |
whom Mario thinks he recognized. |
00:47:25 |
Who is it? |
00:47:28 |
So far, I only know it's a woman. |
00:47:36 |
l-l-I don't know anything |
00:47:39 |
Yes, I want to call Frankfurt, |
00:47:44 |
Number? Just a minute. |
00:47:59 |
347-229. |
00:48:02 |
Right away, please. |
00:48:42 |
The-The-The number I just |
00:48:45 |
Frankfurt. 347-229. |
00:48:50 |
Yes. Cancel. |
00:48:55 |
Cancel. |
00:48:58 |
Yeah. |
00:49:21 |
Hello? Hello? |
00:50:24 |
There are no lines to Frankfurt. |
00:50:36 |
Why did you come here? |
00:50:40 |
Hmm? |
00:50:47 |
Why did you come? |
00:50:49 |
Why did you come? |
00:50:56 |
Have you come to give me away? |
00:51:01 |
Did you? Answer! |
00:51:03 |
Did you? Why'd you come? |
00:51:05 |
Why, why, why? |
00:51:29 |
Stupid! |
00:51:31 |
You! |
00:51:42 |
Let me get out! |
00:52:34 |
- Ah, no, no. Too fast, too fast. |
00:52:41 |
Too long. Too long. |
00:52:53 |
- Tell me. Tell me! |
00:52:58 |
Tell me what to do. Tell me what to do. |
00:53:03 |
No! |
00:53:20 |
I love you so. |
00:54:31 |
- Shh. |
00:54:38 |
My little girl. |
00:55:01 |
No. Nobody's here. |
00:55:04 |
No. He's gone upstairs. |
00:55:11 |
- He has gone up. |
00:55:14 |
Well, they called him. |
00:55:18 |
Will he be gone long? |
00:55:20 |
Depends on the lady. |
00:55:24 |
- What lady? |
00:55:28 |
The American. |
00:55:36 |
The conductor's wife. |
00:55:40 |
- And the, the husband? |
00:56:17 |
Telegram... from your husband. |
00:56:40 |
If you want to call Frankfurt, |
00:56:43 |
just pick up the phone. |
00:57:13 |
- What are you doing here? |
00:57:16 |
- At this time? What are you doing? |
00:57:19 |
Get downstairs. |
00:58:04 |
It all seems lost. |
00:58:08 |
Something unexpected happens. |
00:58:14 |
Ghosts... take shape in the mind. |
00:58:18 |
How can one pull away from it? |
00:58:22 |
This phantom. |
00:58:26 |
The voice and the body. |
00:58:31 |
This part of one's self. |
00:59:04 |
Amen. |
01:00:04 |
Greta doesn't believe |
01:00:08 |
She has consulted Moritz the lawyer. |
01:00:12 |
Don't speak to anybody. |
01:00:14 |
I want to have a talk |
01:00:18 |
Let's go. |
01:00:35 |
- Are you sure? |
01:00:38 |
- Shall I call a taxi? |
01:00:41 |
Certainly. |
01:00:43 |
Here you are, madam. |
01:00:51 |
Can't join you in Berlin either. |
01:00:54 |
Will meet in New York. |
01:00:57 |
please don't worry. |
01:00:59 |
All is well. |
01:01:02 |
- Will you send it right away, please? |
01:07:34 |
Good evening, Max. |
01:07:39 |
I still have to prepare the show... |
01:07:45 |
No show tonight, Bert. |
01:07:47 |
I, um, can't leave the desk. |
01:07:50 |
Only postponed, right? |
01:07:52 |
I will dance better |
01:07:55 |
Too bad about the flowers. |
01:07:57 |
It's only postponed. |
01:08:36 |
Oh. |
01:08:39 |
Don't. Leave it. Leave it. |
01:08:41 |
- You always break your fingernails. |
01:08:46 |
- There. |
01:08:51 |
And so, there is a woman, hmm? |
01:08:56 |
No. |
01:09:09 |
Thank you. |
01:09:13 |
Max, you don't trust me anymore. |
01:09:17 |
You have changed. Thank you. |
01:09:35 |
I met her again. |
01:09:40 |
My little girl. |
01:09:44 |
You mean, the little girl from then. |
01:09:53 |
I found her again. |
01:09:59 |
And no one must touch her. |
01:10:03 |
Who'd dream of touching her? |
01:10:05 |
Oh, Max, be careful. |
01:10:10 |
you should file her away. |
01:10:12 |
Oh. Oh, no. |
01:10:19 |
- But... |
01:10:23 |
I love her. |
01:10:27 |
What a madman. |
01:10:35 |
She's my little girl. |
01:10:39 |
She was very young. |
01:10:42 |
- And now she's not. |
01:10:45 |
Yes. Yes, she... |
01:10:50 |
She's exactly the same |
01:10:55 |
- Oh, Max. |
01:10:58 |
I've never seen you |
01:11:05 |
I thought she was dead. |
01:11:09 |
What a romantic story. |
01:11:16 |
No. |
01:11:20 |
No, it's... not romantic. |
01:11:23 |
- No? |
01:11:29 |
It's a biblical story. |
01:11:32 |
Yes? Well, tell me. |
01:11:37 |
Well... |
01:11:43 |
It's a story from the Bible. |
01:11:47 |
- Shall I tell you? |
01:11:50 |
It's not very pleasant. |
01:11:52 |
Go on. |
01:11:57 |
Well, it was a long time ago. |
01:12:01 |
Well, you remember. |
01:16:17 |
Johann was a prisoner |
01:16:22 |
She just asked me |
01:16:27 |
I, l... |
01:16:29 |
I don't know why, |
01:16:32 |
but suddenly the story |
01:16:40 |
I couldn't resist it. |
01:16:45 |
So you see, |
01:16:48 |
it was a biblical story. |
01:16:50 |
- Poor Max. |
01:16:55 |
I told her I'd done exactly what she |
01:17:00 |
You were always insane, |
01:17:03 |
Sane, insane then. |
01:17:06 |
Hmm. Who's to judge? |
01:17:11 |
And just you remember, |
01:17:14 |
we're both in the same boat. |
01:17:40 |
Hmm. |
01:20:15 |
So we leave you this possibility. |
01:20:18 |
You fix the date for the next meeting |
01:20:23 |
I always observe the rules. |
01:20:26 |
Tell that to the others, |
01:20:29 |
- You don't trust me. |
01:20:33 |
Can't you understand the investigation |
01:20:37 |
- We must help each other. |
01:20:44 |
Then give us |
01:20:47 |
For example, where can I find |
01:20:53 |
I don't know |
01:21:04 |
What time would you like |
01:21:40 |
Why? |
01:21:42 |
- So they can't take you away. |
01:21:47 |
Klaus, Bert, Hans. |
01:21:52 |
- It's nothing to laugh about. |
01:21:58 |
And if they come with a file? |
01:22:00 |
Then you fight. |
01:22:08 |
Don't laugh! |
01:22:14 |
Now... |
01:23:19 |
- Excuse me. |
01:23:30 |
Listen. The police came. |
01:23:32 |
They're looking for Frau Atherton... |
01:23:35 |
You remember. |
01:23:39 |
They're coming |
01:23:45 |
I'm only here to ask you some questions |
01:23:49 |
and to have a look at you. |
01:23:52 |
I could have come |
01:23:56 |
but I don't need to speak to him. |
01:23:58 |
I don't need to speak to him |
01:24:02 |
With this business of the trial, |
01:24:05 |
- He's right. |
01:24:09 |
Because then for the first time |
01:24:12 |
Nothing's changed, has it? |
01:24:15 |
You're wrong. |
01:24:18 |
Now we are cured and |
01:24:21 |
- There's no cure. |
01:24:25 |
- Otherwise, you wouldn't be with... |
01:24:29 |
Very well. But, nevertheless, |
01:24:32 |
That's why you're here, |
01:24:36 |
Max is more than just the past. |
01:24:39 |
Listen. Why don't you go |
01:24:42 |
If you want to, |
01:24:46 |
Hmm? |
01:24:49 |
- Dr. Fogler,I remember you so well. |
01:24:54 |
You gave a lot of orders. |
01:24:57 |
You can't have forgotten |
01:25:00 |
Remember? |
01:25:03 |
I don't remember. |
01:25:05 |
I certainly can't oblige you to remember |
01:25:10 |
I'm only here to ask you to testify, |
01:25:13 |
to find out if the situation in which |
01:25:17 |
- I'm all right here. |
01:25:21 |
You both want to live |
01:25:25 |
One lives in peace... |
01:25:28 |
when one is in harmony |
01:25:31 |
when one respects an agreement. |
01:25:33 |
Tell Max that. |
01:25:36 |
We could have denounced him |
01:25:40 |
But we didn't. Max is ill. |
01:25:42 |
He mustn't be too far away from us. |
01:25:44 |
He's locked you up here. We could |
01:25:49 |
I'm here of my own free will. |
01:25:52 |
This chain is so none of you |
01:25:55 |
If we wanted to carry you off, |
01:25:59 |
You poor fool. |
01:26:02 |
None of us is thinking of violence. |
01:26:06 |
Hmm. I know how |
01:26:09 |
Max told me. |
01:26:11 |
Max doesn't know |
01:26:14 |
His mind is disordered. |
01:26:18 |
Get out. |
01:26:20 |
Go away. Go away! |
01:26:26 |
If you change your mind, |
01:26:28 |
if the chain grows heavy, call me. |
01:27:21 |
- Good morning. |
01:27:25 |
I wanted to tell you |
01:27:29 |
I know you work at night. |
01:27:33 |
- Did they force the lock? |
01:27:35 |
Oh, but there was somebody. |
01:27:39 |
It's not safe any longer, |
01:27:41 |
you know, when you live alone. |
01:27:43 |
It's your imagination, Frau Haller. |
01:27:54 |
They were here, weren't they? |
01:28:01 |
- Who was it? |
01:28:05 |
What did he want? |
01:28:09 |
- Tell me! |
01:28:14 |
Tell me! |
01:28:19 |
- Nothing. |
01:28:23 |
What you said to each other! |
01:28:29 |
I sent him away. |
01:28:41 |
Why were you trying |
01:28:45 |
It hurts. |
01:29:27 |
l... |
01:29:32 |
I love you. |
01:29:39 |
the police are looking for your witness. |
01:29:42 |
So is her husband. When they find her, |
01:29:46 |
They'll never find her |
01:29:49 |
Oh, they won't talk. |
01:29:52 |
- And so? |
01:29:55 |
we have to hold our breath and hope |
01:29:58 |
Max, you promised |
01:30:01 |
- You must bring your witness. |
01:30:03 |
I don't give a damn about this trial. |
01:30:06 |
- The trial is not a farce. |
01:30:09 |
It's a game... a game for freaks. |
01:30:12 |
- The freaks are you and your whore. |
01:30:15 |
- Max, stop. |
01:30:19 |
The elevator doesn't come up this far. |
01:30:21 |
It's deserted up here. |
01:30:24 |
Why this unexpected meeting? |
01:30:27 |
Max is hiding a dangerous |
01:30:31 |
and he won't conclude his trial. |
01:30:33 |
It will be concluded. |
01:30:36 |
It'll simplify everything. |
01:30:40 |
Oh, God. The usual accusation, |
01:30:44 |
I know you're not a Communist. |
01:30:47 |
- You're one of us. |
01:30:51 |
You bastard! |
01:30:53 |
Max, we all want the same thing, |
01:30:57 |
Each of us |
01:30:59 |
Even I have some honorable duties. |
01:31:02 |
If you had wished, you could |
01:31:04 |
Look, Bert. |
01:31:09 |
like a church mouse, |
01:31:14 |
I have a reason |
01:31:17 |
It's the light. |
01:31:21 |
I have a sense of shame |
01:31:24 |
We are proud... |
01:31:26 |
of having been officers |
01:31:29 |
And if I were born again, |
01:31:34 |
- Sieg Heil! |
01:31:51 |
Here. Just put it there. |
01:31:55 |
- And, uh, bring up the rest. |
01:32:16 |
The police are looking for you. |
01:32:20 |
Your husband sent them. |
01:32:23 |
They questioned us all. "When did |
01:32:28 |
Endless, endless questions. |
01:32:32 |
They don't suspect me. |
01:32:38 |
Klaus convinced them |
01:32:42 |
They were very polite. |
01:32:46 |
Klaus. |
01:32:49 |
My God. |
01:32:54 |
And I left my job. |
01:33:09 |
I left the hotel. |
01:33:18 |
I don't want |
01:33:37 |
- Your order, sir. |
01:33:42 |
- Remember. The same thing tomorrow. |
01:33:45 |
Of course. |
01:33:48 |
You've changed your lock? |
01:33:52 |
- Mine had to be changed. |
01:33:55 |
- Kiki. |
01:33:58 |
- Would you please take your dog? |
01:34:01 |
- But... |
01:34:16 |
Why all this food? |
01:34:20 |
Well, i-i-it's better |
01:34:25 |
Not even to look out the window. |
01:34:34 |
Are you afraid? |
01:34:44 |
How long is it going to last? |
01:34:54 |
Well, it can end for you at once, |
01:34:59 |
if you go to the police. |
01:35:18 |
- Ah, you're late. |
01:35:21 |
Shut up, you two. |
01:35:44 |
Jacob, the order I gave you yesterday. |
01:35:49 |
I sent the boy over. |
01:35:54 |
I'm here. |
01:35:58 |
Send the boy directly |
01:36:01 |
All right. All right. |
01:36:04 |
- Thank you, Jacob. |
01:36:09 |
- Some wurst. |
01:36:16 |
Perhaps I can be of help to you. |
01:36:19 |
My son Ernst, killed in Africa in '43. |
01:36:22 |
The Iron Cross, eh? |
01:36:25 |
- I'm still waiting for his pension. |
01:36:41 |
We've got to start rationing... |
01:37:05 |
It's ten days now. |
01:37:07 |
- Nobody in the building noticed? |
01:37:10 |
I think we should move now, Hans. |
01:37:13 |
How is Greta? |
01:37:17 |
Not too bad. |
01:39:05 |
Don't touch! |
01:39:36 |
- Hello? |
01:39:40 |
- You called me? |
01:39:44 |
No. You see, I can't call. |
01:39:46 |
Oscar, listen. |
01:39:52 |
I'm desperate. |
01:39:54 |
I'm sorry, l... |
01:39:57 |
I've got an appointment. |
01:40:02 |
Are you frightened of something? |
01:40:06 |
You see, I don't want... |
01:40:09 |
I don't want |
01:40:12 |
You know what I mean. |
01:40:14 |
Max, I'm still waiting |
01:40:17 |
Oh. |
01:40:23 |
Thank you, Osc... |
01:44:53 |
Yes? |
01:45:00 |
Hello. Yes? |
01:45:02 |
Your little girl |
01:45:08 |
What do you want? |
01:45:11 |
I want to help you. |
01:45:17 |
Send me a box of chocolates. |
01:45:20 |
Listen, Max. |
01:45:24 |
- Leave everything and... |
01:45:29 |
My little girl... You, you remember |
01:45:34 |
My little girl |
01:46:32 |
Hungry. |
01:47:21 |
Excuse me, Frau Holler. |
01:47:26 |
Can you get me some food? |
01:47:28 |
Why don't you go out? |
01:47:31 |
- Someone here is ill. |
01:47:35 |
- We're hungry. |
01:47:38 |
- I implore you... |
01:47:49 |
I'm waiting for you. |
01:47:53 |
Adolph, will you get me |
01:47:57 |
Right away, |
01:48:05 |
- Please! Please! |
01:48:59 |
- Well? |
01:49:03 |
It's off the hook. |
01:49:11 |
Tell me, Bert. |
01:49:16 |
Let's not talk about it. |
01:49:19 |
You don't, uh, |
01:49:22 |
I've lost him. |
01:56:53 |
edited by: mucpeter |