Post Grad
|
00:00:23 |
[Waves Crashing] |
00:00:32 |
[Bell Tolling] |
00:00:43 |
- [Mouse Clicks] |
00:00:59 |
Hey! It's me again. |
00:01:01 |
This is a very special day. |
00:01:05 |
of my college experience... |
00:01:07 |
otherwise known as... graduation day! |
00:01:11 |
Whoo! Ah! |
00:01:13 |
Wait for it. |
00:01:18 |
I have been planning |
00:01:22 |
- Um, when I was a kid, I devised |
00:01:24 |
- that I cleverly called "The Plan." |
00:01:28 |
Uh, " Dad can't make it to graduation today. |
00:01:31 |
Can I join you guys for lunch?" |
00:01:33 |
Absolutely. |
00:01:35 |
This is great, because nobody |
00:01:39 |
We've been best friends since freshman year. |
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# This is Ryden's study song # |
00:01:44 |
# I worked on it so damn long # |
00:01:46 |
# It's to give encouragement # |
00:01:49 |
# For your big test today # |
00:01:52 |
Anyway, the plan is pretty straightforward. |
00:01:55 |
One, kick ass in high school... |
00:01:57 |
so that I can get... |
00:02:01 |
Three, limit my beer pong enough... |
00:02:03 |
to keep said scholarship, |
00:02:06 |
- [Sighs] |
00:02:08 |
Oh. |
00:02:09 |
- Hi, Ryden. Jessica Bard here. |
00:02:11 |
Just wanted to clean the slate. |
00:02:13 |
I'm sorry I nabbed valedictorian... |
00:02:15 |
but you have to believe |
00:02:17 |
Jessica Bard... my own personal Darth Vader |
00:02:21 |
[Inhales Deeply, Exhales] |
00:02:25 |
Number four. Most importantly... |
00:02:29 |
land a sweet job at the finest |
00:02:33 |
Happerman & Browning, |
00:02:36 |
discover the next great American novel. |
00:02:39 |
All right. |
00:02:42 |
Malby signing off, about to embark on |
00:02:47 |
And, hey, |
00:02:52 |
I'll be the one in black. Bye! |
00:02:55 |
# [Piano Intro] |
00:02:57 |
[Woman] |
00:03:00 |
# Spinning your shoes in the air# |
00:03:05 |
# The air# |
00:03:08 |
# Then you hold your breath |
00:03:11 |
# Hoping that soon |
00:03:16 |
# Find you # |
00:03:19 |
# Go on, go on, go on # |
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# The stars are watching # |
00:03:25 |
# Just say, just say, just say # |
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# What you're feeling # |
00:03:31 |
# You know, you know, you know # |
00:03:34 |
# You gotta take a bow |
00:03:38 |
# It's okay-ay # |
00:03:42 |
# La-dada, da-dada, da-dada # |
00:03:44 |
# It's okay-ay # |
00:03:47 |
- # L a-dada, da-dada, da-dada # # |
00:03:50 |
Jessica Bard, with |
00:03:53 |
- [Man] All right, Jessica! |
00:03:59 |
- [Woman] Rock on, Jessie! |
00:04:03 |
Class of 2009, it is my great honor... |
00:04:06 |
to welcome you to this evening's |
00:04:09 |
I stand before you with two age-old words: |
00:04:14 |
- [Shutter Clicks] |
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I challenge each of us |
00:04:22 |
but to clutch it with both hands. |
00:04:25 |
- You go first. |
00:04:26 |
- Shh! |
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And drain every last... |
00:04:30 |
- living, breathing... |
00:04:32 |
victorious moment out of it. |
00:04:34 |
Like when a Trojan decides... |
00:04:37 |
...to plunge his blade into the beating |
00:04:41 |
He realizes it's not for |
00:04:45 |
- He does it for the better good of the |
00:04:50 |
- We must remember that our |
00:04:54 |
...stronger and better equipped than those that |
00:04:58 |
- And now... |
00:05:00 |
it is our responsibility... |
00:05:03 |
to forge ahead and stake |
00:05:06 |
[Cheering] |
00:05:17 |
- You know what? This calls for a toast. |
00:05:20 |
- What do you say, huh? Glasses up. |
00:05:22 |
- To Ryden. |
00:05:24 |
- To Ryden. |
00:05:27 |
Mmm. And to Adam. |
00:05:29 |
The A-Man, who's here because we like him. |
00:05:33 |
He's also here because |
00:05:37 |
and, uh, his mom couldn't |
00:05:42 |
'cause she's dead and... |
00:05:44 |
- Hear, hear. |
00:05:45 |
- Yeah. |
00:05:48 |
- Hmm. Cheers. |
00:05:51 |
Anyway, honey, now that you're |
00:05:55 |
maybe you, uh, you know, |
00:05:58 |
Uh, she's already got something lined up. |
00:06:03 |
Tell 'em about the big interview. |
00:06:05 |
At Happerman & Browning, Monday at 10:00. |
00:06:08 |
- Wow! |
00:06:10 |
And my thesis adviser is best friends |
00:06:13 |
and has already put in |
00:06:15 |
And they are building |
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like a block away from the offices, so... |
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They have these sweeping city views. |
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[Gasps] |
00:06:29 |
What do you see over there? |
00:06:32 |
What do you see right here on this wall? |
00:06:34 |
Uh, white paint. |
00:06:36 |
- Bookshelves! |
00:06:38 |
All my babies, |
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- No, by author. No, by genre. |
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[Sighs] |
00:06:47 |
- Really? |
00:06:48 |
Yes! I can feel it. |
00:06:52 |
Hello? I love it. |
00:06:54 |
Here. I've already filled |
00:06:57 |
All right then. I'll need a check |
00:07:00 |
plus security deposit, so $3,500. |
00:07:03 |
Done and done. |
00:07:06 |
Uh... Hey, don't you think... |
00:07:08 |
you're getting a little ahead |
00:07:11 |
No. No, I don't. I will |
00:07:14 |
Okay, well, right here you wrote |
00:07:17 |
but you're not actually an employee of them. |
00:07:19 |
In a couple of hours, |
00:07:22 |
- [Paper Tears] |
00:07:24 |
Here you go. |
00:07:28 |
Thank you so much. |
00:07:29 |
I'm hoping to |
00:07:31 |
Just as soon as I call your references. |
00:07:35 |
# Wake up, wake up |
00:07:38 |
# Wake up, wake up |
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[Ryden] |
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[Adam] |
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Hey, what's up with Columbia? |
00:07:48 |
Uh, big envelope, so... |
00:07:52 |
Wait. Adam. |
00:07:54 |
and you haven't even |
00:07:57 |
[Sighs] The shrug? Adam, you know |
00:08:02 |
Another shrug? Adam. I got the double shrug? |
00:08:07 |
Hey, this is your day, okay? |
00:08:21 |
Shit! |
00:08:22 |
- Shit, shit, shit, shit, shit, shit, shit. |
00:08:25 |
- You just calm down. |
00:08:30 |
[Groans] |
00:08:32 |
No! |
00:08:33 |
- No, no, no, no, no, no, no. |
00:08:36 |
His insurance will pay for it. |
00:08:39 |
- Uh! Look... |
00:08:43 |
[Sighs] |
00:08:45 |
- Oh, shit. |
00:09:02 |
- Yes? |
00:09:04 |
Uh, yes. Eighteenth floor. |
00:09:06 |
- Okay. |
00:09:09 |
You got something going on right here. |
00:09:15 |
[Gasps] |
00:09:19 |
- Thanks. |
00:09:26 |
[Elevator Dings] |
00:09:41 |
[Woman] |
00:09:46 |
Happerman & Browning. |
00:09:50 |
- [Phone Ringing] |
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Hi. I'm Ryden Malby. I have an |
00:10:00 |
Yeah. We're actually running |
00:10:02 |
so just fill this out and have a seat with |
00:10:06 |
- [Phone Ringing] |
00:10:11 |
Yes, at 4:00. Thank you. |
00:10:20 |
Sorry. |
00:10:24 |
[Receptionist] |
00:10:29 |
Stacy Moore? |
00:10:32 |
Joe Schrader? |
00:10:33 |
Caroline Hirsch. |
00:10:35 |
Jeffrey Beales? |
00:10:37 |
BarryJenkins. Gregory O'Bryant? |
00:10:38 |
Ryden Malby? |
00:10:51 |
Hello. |
00:10:53 |
- Please. Take a seat. |
00:10:57 |
All right. You... You just graduated, yes? |
00:11:01 |
- Yes, I... |
00:11:02 |
- English, with an emphasis... |
00:11:04 |
- Communications. |
00:11:06 |
I actually did three internships... |
00:11:08 |
[Together] |
00:11:12 |
[Sighs] |
00:11:17 |
Because... this is not just a job to me. |
00:11:20 |
This is... This is what I love. |
00:11:25 |
When I was 11, at summer camp, all the |
00:11:29 |
and I would be finishing |
00:11:31 |
'cause I couldn't get enough |
00:11:33 |
And at 13, Bukowski's Post Office... |
00:11:36 |
the most explicit, |
00:11:39 |
It was like sex ed, |
00:11:42 |
Well, I guess what I'm getting at is |
00:11:47 |
and everything I love, and... |
00:11:50 |
I want this job because... |
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well, because I can't imagine |
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All right. Good. Thank you for coming in. |
00:12:03 |
[Scribbling] |
00:12:12 |
[Door Closes] |
00:12:14 |
I got it. Thank you. |
00:12:17 |
- Jessica? |
00:12:20 |
What are you doing here? |
00:12:21 |
They just called me in for a little meeting. |
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Jessica Bard? |
00:12:27 |
- Barbara. Pleasure to meet you. |
00:12:30 |
Dean Brunswick just called me about you. |
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Please. |
00:12:36 |
I can get another job. |
00:12:38 |
I'm a college graduate. |
00:12:40 |
Well, I didn't know you |
00:12:45 |
# [Acoustic Guitar] |
00:12:59 |
Okay. |
00:13:00 |
That Happerman & Browning thing... |
00:13:04 |
- You know that, right? |
00:13:07 |
It's fine. |
00:13:09 |
You should eat one of these. |
00:13:13 |
- [Sighs] |
00:13:16 |
You're turning down an Eskimo Pie? |
00:13:19 |
- Mmm. |
00:13:24 |
Every evil, terrible thing |
00:13:27 |
is directly offset... |
00:13:30 |
by the complete, |
00:13:35 |
It's... It's the way |
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Come on. |
00:13:40 |
Mmm. |
00:13:45 |
Does anyone ever say no to you? |
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You do all the time. |
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Okay. Take a bite. |
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Mmm. Hmm, hmm. |
00:13:57 |
Mmm. |
00:13:58 |
Mmm. Mmm. |
00:14:02 |
Oh, yeah! It's like God's |
00:14:06 |
Okay. That is the girl |
00:14:10 |
but harbors nothing but platonic feelings |
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[Groans] |
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Y... Your foot is freezing. It's 90 |
00:14:20 |
My feet are always freezing. |
00:14:23 |
- Ooh, that's hot. |
00:14:30 |
Oh, so good. |
00:14:33 |
Mmm. |
00:14:46 |
[Objects Clattering] |
00:14:53 |
Wait, wait. Hold... Hold on. |
00:15:00 |
[Woman] |
00:15:01 |
- [Man] Yes, yes, yes. |
00:15:05 |
- [Woman Chuckling] No! |
00:15:06 |
[Woman Yelps] |
00:15:08 |
[Laughing] |
00:15:12 |
Dad. |
00:15:15 |
Juanita. Wow. |
00:15:18 |
Didn't recognize you |
00:15:21 |
- Hi, Adam. |
00:15:24 |
What the hell are you doing here? |
00:15:26 |
Funny. |
00:15:28 |
- It's my store. |
00:15:30 |
- Sorry, Mr. Davies. - Wait, wait, wait. |
00:15:34 |
'Cause you haven't |
00:15:36 |
...and you definitely were |
00:15:39 |
Look, I don't wanna |
00:15:42 |
- Come on. It's time to go. |
00:15:45 |
I hope he's paying you overtime for this, |
00:15:48 |
You should call your union. |
00:16:04 |
Well, welcome back home. |
00:16:07 |
[Engine Turns Off] |
00:16:08 |
[Father] |
00:16:12 |
[Sighs] |
00:16:19 |
Well, let's have a little look-see here. |
00:16:22 |
- There she is! Hi! [Cackling] |
00:16:26 |
She's home! |
00:16:29 |
Oh, look at that. That's just a crime. Oh! |
00:16:31 |
- Welcome back, baby. |
00:16:34 |
Oh, I'm so glad you're home. |
00:16:36 |
[Chuckles, Grunts] |
00:16:38 |
- Uh, Dad, that's gotta get into the shop. |
00:16:40 |
Uh, I'm not so sure. |
00:16:45 |
- What are you doing? - I'm just |
00:16:49 |
Oh, no. |
00:16:52 |
You... You're not thinking |
00:16:54 |
Yeah. Just have some faith |
00:16:56 |
- Usually there's a spot, if I can |
00:16:59 |
- You've never fixed a car before. |
00:17:01 |
At one point, I'd never roundhouse-kicked |
00:17:04 |
Now I do it every Wednesday. |
00:17:07 |
When the synapses get going in Walter |
00:17:09 |
It's gonna be fun. |
00:17:12 |
- I got the car covered. |
00:17:15 |
Let me give you a hand there, Adam. |
00:17:17 |
Good. Look at you. You're a self-starter. |
00:17:20 |
Walter! Walter! Walter! Walter! |
00:17:22 |
- Watch your step there. You should |
00:17:24 |
There's a boxcar derby! |
00:17:27 |
- Not now. Not now. |
00:17:31 |
- Can we make a boxcar? |
00:17:34 |
[Meows] |
00:17:36 |
Son of a bitch. |
00:17:39 |
I knew it. Son of a bitch. |
00:17:43 |
Goddamn it. That's it. |
00:17:45 |
- Wait. Where are you going? |
00:17:48 |
- Walter, no. Don't. Honey? |
00:17:50 |
What? Goddamn. |
00:17:53 |
- We could go home and clean it. - No. |
00:17:56 |
You don't need to disturb him. I mean... |
00:17:58 |
He's not home. |
00:18:00 |
I know he's not working. I don't think |
00:18:03 |
[Sighs] |
00:18:09 |
- [Meows] |
00:18:13 |
Hi. |
00:18:16 |
Um... |
00:18:20 |
Hey. Hey. Hey. |
00:18:21 |
Your cat has now crapped on my doorstep, |
00:18:25 |
and now on my driveway, which around here... |
00:18:28 |
is like church to me. |
00:18:30 |
- Okay? That's sanctuary. |
00:18:32 |
I'm really sorry, sir. I am... |
00:18:36 |
I'll talk to him. Yeah. I'll talk to him. |
00:18:41 |
- See you later. |
00:18:43 |
# [Rock Intro] |
00:18:45 |
[Door Closes] |
00:18:50 |
Today you are getting a job. |
00:18:54 |
Today... you're getting a job. |
00:18:57 |
Today. |
00:18:58 |
[Man] |
00:19:01 |
# When people turn you away # |
00:19:04 |
# Do you just turn your back # |
00:19:07 |
# And quickly walk away # |
00:19:10 |
# Bah, bah, bah-da-da, da, da # |
00:19:13 |
# Bah, bah, bah-da-da, da # |
00:19:16 |
# Bah, bah, bah-da-da, da, da # |
00:19:19 |
# Bah, bah, bah-da-da, da # |
00:19:24 |
The bottom line is, what I lack in |
00:19:28 |
And what I don't know... |
00:19:29 |
I make up for with passion. |
00:19:35 |
# My world, it's on fire now # |
00:19:37 |
# My world is turned upside down # |
00:19:40 |
# And I don't know what to do # |
00:19:43 |
# Without you # |
00:19:45 |
I'm driven. Full of ideas. |
00:19:47 |
I'm upbeat. |
00:19:49 |
Most importantly, I am |
00:19:51 |
About the work your company is doing. |
00:19:53 |
Really? Like what? |
00:19:55 |
# [Continues, Indistinct] |
00:19:58 |
[Screaming] |
00:20:01 |
# Don't give me a hard time # # |
00:20:03 |
Hunter, I hate getting these calls. |
00:20:06 |
What did I tell you about |
00:20:09 |
- Don't do it. |
00:20:11 |
- Okay? |
00:20:14 |
I mean, I know you |
00:20:15 |
but some kids don't like |
00:20:19 |
Hey! |
00:20:22 |
How'd it go? |
00:20:24 |
I asked the V.P. if she was pregnant. |
00:20:26 |
- No. She was just fat. |
00:20:30 |
I'm gonna call my friend |
00:20:33 |
She owns an indie publishing company. |
00:20:34 |
I'm gonna ask her for a favor. |
00:20:36 |
Dad already called her. |
00:20:39 |
- Really? |
00:20:41 |
- That's a shame. |
00:20:44 |
- What is it? |
00:20:47 |
- Oh, my God. |
00:20:50 |
# [Organ] |
00:20:56 |
What do you guys think? This one? |
00:21:00 |
Or that little mahogany |
00:21:10 |
Hey, Hunter, come here. |
00:21:13 |
What do you think of Grandma spending |
00:21:19 |
[Chuckles] |
00:21:22 |
- Let's talk about casket ornamentation. |
00:21:24 |
Yes. Casket ornamentation adds a personal |
00:21:28 |
And we offer a variety of custom corners |
00:21:32 |
to highlight a loved one's passions. |
00:21:37 |
Whatever you want, you could put it |
00:21:39 |
It'll be right with you |
00:21:42 |
I'm just not sure about all this. |
00:21:45 |
Really? What do I have to do to put you in |
00:21:51 |
How about a little |
00:21:57 |
Whoa. |
00:22:00 |
That's $18,000. |
00:22:02 |
That's the exact same... |
00:22:03 |
...corrosion and rust technology |
00:22:06 |
- That's what that is. |
00:22:12 |
You know, she's absolutely right. |
00:22:14 |
I mean, why spend all that money... |
00:22:16 |
when there's probably |
00:22:19 |
you could take me to |
00:22:22 |
Oh, Maureen, we'd never do that. |
00:22:25 |
[Scoffs, Chuckles] |
00:22:37 |
[Floorboards Creak] |
00:22:46 |
[Shouts] |
00:22:47 |
[Yelps, Gasps] |
00:22:49 |
No, no, no, no! No! |
00:22:51 |
[Clattering] |
00:22:56 |
# [Latin Pop] |
00:22:58 |
# [Man Singing In Spanish] |
00:23:13 |
# [Continues] |
00:23:17 |
Ooh. |
00:23:30 |
# [Fades, Ends] |
00:23:35 |
Special delivery. |
00:23:38 |
I got a cell phone, credit card... |
00:23:41 |
student loan and, last but not least... |
00:23:48 |
one more little item... |
00:23:51 |
I thought you might wanna see. |
00:23:55 |
- Look at that. |
00:23:57 |
Come on! |
00:24:00 |
Thanks. |
00:24:06 |
Hey. |
00:24:08 |
Got an idea. Since it concerns your future, |
00:24:13 |
- You listening? |
00:24:15 |
Listen to me. Listen to me. Ready? |
00:24:20 |
Buckles. |
00:24:23 |
Buckles. |
00:24:25 |
Yeah. Belt buckles. |
00:24:27 |
Million-dollar niche business. |
00:24:31 |
Who do you think met a distributor, |
00:24:36 |
But, Dad, what about The Luggage Shack? |
00:24:40 |
You gotta think big picture here. |
00:24:43 |
You know what I'm saying? |
00:24:45 |
And since none of this other crap |
00:24:50 |
More than likely... gonna |
00:24:59 |
V.P. |
00:25:02 |
[Groans] |
00:25:04 |
- [Walter] You go out there and |
00:25:06 |
Come on. Let's go out there and put |
00:25:10 |
[Grunts] |
00:25:11 |
# [Acoustic Guitar] |
00:25:17 |
Are you ever gonna actually open that? |
00:25:19 |
It's made a long journey from New York. |
00:25:35 |
- You know, Adam, if you don't wanna go... |
00:25:42 |
It's not like I'm gonna force you. |
00:25:44 |
No, you're just gonna hate me if I don't. |
00:25:46 |
No, I'm not gonna hate you. |
00:26:03 |
I just want more for you. |
00:26:08 |
Do you wanna be like me? You wanna |
00:26:14 |
Save your whole life so you can afford |
00:26:25 |
I'm going to bed. |
00:26:39 |
[Chattering] |
00:26:44 |
# [Rock, Indistinct] |
00:26:48 |
- Seriously, yeah. |
00:26:50 |
People keep calling me, but |
00:26:53 |
...I'm working |
00:26:54 |
Make me a better offer, we'll talk." |
00:26:57 |
- So what are you guys doin'? |
00:27:00 |
- Why, sure. |
00:27:02 |
- I'm moving to San Jose... dot-com. |
00:27:05 |
- You're going to... |
00:27:07 |
- Yeah, so what are you doing? What's |
00:27:11 |
Do it. Stay out of the workforce |
00:27:15 |
Ryden, what about you? What are you up to? |
00:27:19 |
Uh... I just... |
00:27:22 |
You know, I've been interviewing. |
00:27:25 |
A lot. And, um, just had some |
00:27:30 |
and just keeping my options open. |
00:27:34 |
So what you're saying is you're unemployed. |
00:27:38 |
God. I feel like such a loser. |
00:27:40 |
Everyone is doing something |
00:27:42 |
and I just turn out to be |
00:27:47 |
Come on. |
00:27:49 |
No. I don't want your pity hug. |
00:27:51 |
Come on. Ryden. |
00:27:58 |
[Sighs] It's okay, you poor, |
00:28:02 |
- [Stammers] |
00:28:04 |
You already got into law school. |
00:28:06 |
- So? |
00:28:10 |
Yeah, maybe I'm set and I'm good, |
00:28:17 |
- Come here. |
00:28:20 |
You don't have to go in. Just... |
00:28:22 |
come out here so I can tell you something. |
00:28:24 |
- I don't think two people can be on |
00:28:30 |
[Sighs] |
00:28:32 |
Okay. |
00:28:37 |
- Come all the way to the edge. |
00:28:40 |
I'm celebrating. |
00:28:42 |
I'm opening at The Mint on Friday. |
00:28:45 |
- You are? |
00:28:47 |
- Shut up! Really? |
00:28:49 |
Adam, so you're going into music then. |
00:28:52 |
Well, because I'm not |
00:28:55 |
So you're going to law school? |
00:28:57 |
No, I'm not saying that either necessarily. |
00:28:59 |
- Then what are you saying, necessarily? |
00:29:02 |
All I'm saying is that I'm opening |
00:29:08 |
Look, you got the hard part figured out. |
00:29:13 |
Now you can just spend |
00:29:17 |
This one's popular with all the |
00:29:20 |
- No, no. |
00:29:23 |
- I got plenty more... even higher quality. |
00:29:25 |
- Almost unbelievable. |
00:29:29 |
- Not now, Hugo. |
00:29:33 |
I'm doing business now. Doing business. |
00:29:35 |
It's so lifelike. It is. That's real snake. |
00:29:38 |
- All made right here in the country? |
00:29:40 |
Geez, that's fantastic. |
00:29:42 |
All right, buddy. |
00:29:46 |
Hey, who was that guy? |
00:29:48 |
Here, honey. |
00:29:51 |
Carry it inside. |
00:29:54 |
So these are the buckles, huh? |
00:29:57 |
Yep, first shipment. |
00:29:59 |
Hey. Question. |
00:30:01 |
As vice president... |
00:30:03 |
how would you like to spearhead |
00:30:07 |
- The marketing campaign? |
00:30:12 |
you know, maybe some clever ideas |
00:30:16 |
I don't know. What do we got here? |
00:30:18 |
Look at this. Look at that one there. That |
00:30:22 |
Or, uh... I don't know. Here. |
00:30:24 |
Look... Here. This could be the... |
00:30:26 |
Uh... |
00:30:28 |
It's just the flag of |
00:30:30 |
But you know what I mean. |
00:30:36 |
You know what I want... |
00:30:40 |
I want my car back. |
00:30:42 |
I want to stop having to call a taxi |
00:30:45 |
I told you. The part hasn't come in from |
00:30:49 |
You're gonna get thrown curveballs. |
00:30:51 |
You can't rest at the plate. |
00:30:54 |
But I am trying hard. |
00:30:58 |
I... I am. I'm getting up early, |
00:31:02 |
to get my foot in the door. |
00:31:04 |
And do you have any clue |
00:31:07 |
I mean, I'm constantly having to gauge |
00:31:10 |
all the while without a consistent form |
00:31:12 |
because you turned my car |
00:31:16 |
So I really don't need to hear |
00:31:19 |
Well, maybe you're setting |
00:31:23 |
Oh, really? Well, where do you think |
00:31:29 |
[Sighs] |
00:31:33 |
If you just give this one a chance, |
00:31:35 |
You just have to open it up, |
00:31:38 |
Ma'am? Sir? |
00:31:41 |
It's on clearance! |
00:31:48 |
Eye contact. Remember? We talked about it. |
00:31:50 |
You gotta bring 'em in. Okay? |
00:31:52 |
Honey, come on. |
00:31:55 |
You gotta have a positive attitude |
00:31:58 |
Here. Let me show you something. |
00:32:02 |
- Fine. - You headed out of town, |
00:32:05 |
- Yeah. |
00:32:08 |
- Maui. |
00:32:11 |
You going there for business, pleasure? |
00:32:13 |
- Business. |
00:32:15 |
- Don't say business. Say pleasure. |
00:32:17 |
- Why do you ask me the question then? |
00:32:19 |
Let me show you, honey. Do a little |
00:32:22 |
Like this. You point at the |
00:32:25 |
- It's like, you know what? Those |
00:32:28 |
You do that. Maybe not so slutty, |
00:32:32 |
Here. Go ahead. |
00:32:33 |
Remember... eye contact. |
00:32:35 |
- Okay. Look at the wheels. |
00:32:38 |
- Look how they roll. Oh, it's so nice. |
00:32:40 |
Here we go. Hot potato. |
00:32:43 |
Are you in the market for some lug... |
00:32:46 |
- Hi. |
00:32:48 |
- I didn't know you worked here at |
00:32:51 |
Uh... |
00:32:53 |
I, um... It's... It's temporary. |
00:32:56 |
Right. |
00:32:59 |
Um, how's Happerman & Browning? |
00:33:03 |
Uh, great. Really, really great. |
00:33:05 |
They're sending me to New York |
00:33:07 |
- Hence the need for a new briefcase. |
00:33:09 |
Yeah, I saw one over here |
00:33:12 |
- Let me take a look at that black one. |
00:33:14 |
- Mm-hmm. |
00:33:19 |
There we go. |
00:33:22 |
Ah... You know what? I want to take a look |
00:33:26 |
Nope. I gotta trust my |
00:33:28 |
I'm saying no to that one. |
00:33:37 |
You know, things are moving |
00:33:41 |
Unbelievably fast. |
00:33:43 |
I'll need a good team. |
00:33:45 |
This is a no. |
00:33:50 |
Let me take a look at this gray one here. |
00:33:52 |
I thought you wanted a briefcase. |
00:33:54 |
- I'm gonna need both. |
00:33:57 |
- Lot of traveling. |
00:34:01 |
Okay. |
00:34:02 |
That's the one. |
00:34:05 |
You know, Ryden, I think |
00:34:09 |
I know you're in a tough place right now... |
00:34:11 |
but I want you to remember that |
00:34:16 |
Even in the dictionary. |
00:34:19 |
I'm not gonna take this one. |
00:34:23 |
You know what? |
00:34:27 |
Dad! All yours! |
00:34:37 |
Hunty, can't ride Mama's shoe |
00:34:40 |
- Giddyap. |
00:34:42 |
Go play. Go. |
00:34:44 |
- Ride like the wind. |
00:34:48 |
What do you want, Maureen? What? |
00:34:49 |
- Hunter is a very unique little boy. |
00:34:53 |
I am not coddling him, okay? |
00:35:00 |
that he's weird. |
00:35:02 |
Well, of course he's weird! |
00:35:05 |
He's a Malby. Weird is good. |
00:35:09 |
Weird indicates a creative force. |
00:35:11 |
[Mother] You have no idea what |
00:35:14 |
- Hey, come on. I wanna show you |
00:35:20 |
# Bum, bum, bum, bum # |
00:35:22 |
# Bum, bum, bum, bum |
00:35:25 |
It is time. |
00:35:31 |
# Bum, bum, bum, bum # |
00:35:35 |
# Bum, bum # |
00:35:37 |
# Bum, bum, bum, bum, bum, bum # |
00:35:41 |
# Bum # |
00:35:43 |
# Bum # |
00:35:44 |
# Bum # |
00:35:47 |
# Bum, bum, bum |
00:35:50 |
# Bum, bum, bum, bum # |
00:35:54 |
No way. |
00:35:57 |
- It's really fixed? |
00:36:01 |
Yeah, man. |
00:36:05 |
Ooh. |
00:36:08 |
Watch this. Crack this hood. |
00:36:16 |
- Now I'm gonna go fire her up. |
00:36:19 |
Look under the engine |
00:36:21 |
I wasn't happy with the timing, |
00:36:23 |
Think I got her where I like her. |
00:36:26 |
- Ready? |
00:36:27 |
[Engine Starting] |
00:36:30 |
Ah, it's great! Hey! |
00:36:33 |
[Cat Meows] |
00:36:37 |
- Just a little bit more. It's... |
00:36:39 |
[Walter] |
00:36:40 |
- [Cat Screeches] |
00:36:45 |
Oh! |
00:36:53 |
It just isn't fair. |
00:36:56 |
There you are, this poor, little, |
00:36:59 |
and then one day |
00:37:03 |
It was an accident. Geez. |
00:37:06 |
Why didn't you tell me to look behind me? |
00:37:08 |
What? How is this my fault? |
00:37:10 |
Hon, you always have to keep your eyes open. |
00:37:14 |
- You told me to look at the engine. |
00:37:17 |
This is ridiculous. |
00:37:19 |
- Shh. Keep your voice down. - You did say |
00:37:22 |
Okay, okay. All right. Fine. |
00:37:24 |
- It was a goddamn accident. - Either |
00:37:35 |
All right. Geez. I can't believe... |
00:37:38 |
- Look out. Look out. Oh, God. |
00:37:40 |
God... Jesus. |
00:37:45 |
- Ryden, go with him. |
00:37:48 |
Come on, honey. Look at him. |
00:37:51 |
Mmm, all right. |
00:37:56 |
- Oh, no, honey, don't do that. |
00:37:59 |
[Knocks In Rhythm] |
00:38:02 |
Dad! |
00:38:03 |
- What? |
00:38:06 |
- Do what? |
00:38:10 |
- What? |
00:38:13 |
That one is the one you think best says, |
00:38:17 |
[Chuckling] |
00:38:19 |
What do you mean, "Of all the knocks"? |
00:38:25 |
No, seriously. |
00:38:28 |
- Let's just make this brief, okay? |
00:38:33 |
Cat's dead. |
00:38:35 |
- [Ryden Sighs] |
00:38:41 |
We're really sorry. Um... |
00:38:43 |
- We didn't mean for it to happen. |
00:38:48 |
# [Piano Intro] |
00:38:52 |
- # Midnight # |
00:38:54 |
- # Not a sound from the pavement # |
00:38:59 |
- # Has the moon lost her memory # |
00:39:03 |
# She is smiling alone # |
00:39:08 |
# In the lamplight # |
00:39:10 |
- # The withered leaves collect at my feet # |
00:39:15 |
- What is that? [Grunts] |
00:39:19 |
# Begins to moan # |
00:39:22 |
- # Memory # |
00:39:24 |
# All alone in the moonlight # |
00:39:28 |
# I can smile at the old days # |
00:39:31 |
- There. All right. |
00:39:36 |
- There. |
00:39:39 |
- Ooh, sorry. |
00:39:41 |
# What happiness was # |
00:39:45 |
- # Let the memory # |
00:39:48 |
- # L ive again # |
00:39:52 |
- # Every streetlamp # |
00:39:56 |
# Seems to beat # |
00:39:59 |
# Afatalistic # |
00:40:03 |
# Warning # |
00:40:06 |
- [Tape Stops] |
00:40:09 |
- So, uh, if you need anything... |
00:40:11 |
- here's my card. |
00:40:13 |
Okay? Okeydokey. |
00:40:19 |
Hey. |
00:40:21 |
Listen, I'm really sorry about all this. |
00:40:24 |
I... [Sighs] Well, I can't tell |
00:40:28 |
about your poor cat and this... |
00:40:30 |
Do you want some breakfast? |
00:40:33 |
- What, right now? |
00:40:36 |
It's almost dinnertime. |
00:40:38 |
Best time for pancakes. |
00:40:43 |
- One more? |
00:40:45 |
- Do you not like my pancakes? |
00:40:49 |
- All right. |
00:40:51 |
- All right. |
00:40:52 |
No, no, no, no. You go sit. |
00:40:55 |
- Don't worry. I'll take care of it. |
00:40:57 |
- Yeah, yeah. |
00:41:01 |
You know, it's weird. I've never |
00:41:05 |
Yeah. Kind of unimpressive, isn't it? |
00:41:08 |
No, it looks exactly like ours, actually. |
00:41:11 |
- Except you have cooler stuff. |
00:41:15 |
So I end up taking everything home. |
00:41:18 |
Like this. What is this? |
00:41:21 |
- This? |
00:41:23 |
Well, a couch. |
00:41:26 |
- That's a couch? |
00:41:32 |
[Whirring] |
00:41:38 |
# [Humming] |
00:41:41 |
Uno, dos, tres, cuatro... |
00:41:44 |
cinco. |
00:41:46 |
Ah. |
00:41:48 |
Super light. |
00:41:52 |
And can even be used |
00:41:58 |
Let's see. I, um... I have no car... |
00:42:01 |
I, uh, lost my job peddling luggage... |
00:42:04 |
- and I now live with my parents. |
00:42:07 |
- Yeah. |
00:42:08 |
[Chuckles] |
00:42:13 |
Yeah, this whole postgraduation thing... |
00:42:16 |
is not exactly turning |
00:42:19 |
I just thought I'd be doing |
00:42:24 |
Or at least doing something. |
00:42:27 |
Right. Hmm. |
00:42:31 |
Well, listen. |
00:42:36 |
I know it doesn't solve the problem, |
00:42:40 |
we could always use an extra P.A. on set. |
00:42:43 |
You know, the hours are crap, |
00:42:47 |
it will get you out of the house. |
00:42:51 |
Yeah. Yeah, that would be good. |
00:42:55 |
- You got a job. |
00:42:57 |
Cool. |
00:42:59 |
But now... |
00:43:02 |
I think it's time for you... |
00:43:04 |
to start thinking about the good things. |
00:43:07 |
Yeah. |
00:43:10 |
- Like what? |
00:43:15 |
your ears. |
00:43:18 |
- Ears? |
00:43:20 |
- My ears? |
00:43:23 |
Incredible? |
00:43:26 |
Yeah. |
00:43:28 |
You know how some people |
00:43:31 |
that sort of tragic dangling earlobe thing? |
00:43:34 |
Yours... not so, no. |
00:43:37 |
Not a single... |
00:43:47 |
Just don't know why |
00:43:50 |
- We'll buy more cookies. |
00:44:02 |
Hey. |
00:44:05 |
- Where's Ryden? |
00:44:08 |
[Ryden Moans] |
00:44:10 |
[Ryden Chuckles] |
00:44:14 |
[Both Gasp] |
00:44:16 |
Fuck me! |
00:44:19 |
Well, I would, but somebody beat me to it. |
00:44:27 |
Cool. |
00:44:43 |
Listen. Dad, I know |
00:44:49 |
I just hope you used one. |
00:44:52 |
- One what? |
00:44:55 |
Something. |
00:44:56 |
Used a... You know what I'm... |
00:44:59 |
Used a rubber or something like that. |
00:45:02 |
- But... |
00:45:03 |
Oh, uh... But we didn't, uh... |
00:45:08 |
'Cause I'm gonna tell you something. |
00:45:11 |
It's not a river-rafting trip either, like |
00:45:14 |
- River rafting? - Everybody's |
00:45:16 |
- What? |
00:45:18 |
"lx-nay" on the "oodle-day." That's it. |
00:45:21 |
- "Oodle-day"? - You know what I |
00:45:24 |
Don't... Just stay away from the whole... |
00:45:29 |
- pen... penile area. |
00:45:32 |
Don't even see him anymore. |
00:45:35 |
- That's it. You can't see him anymore. |
00:45:37 |
What are you gonna do, ground me? |
00:45:40 |
Oh, really? Well, you're |
00:45:43 |
Well, trust me. |
00:45:46 |
[Doorbell Rings] |
00:45:51 |
[Ringing Continues] |
00:45:57 |
- Yeah? |
00:45:59 |
My name's Bill. And I'm a little upset... |
00:46:02 |
to say the least, if you know what I mean. |
00:46:05 |
Okay. |
00:46:07 |
Someone stole two boxes |
00:46:11 |
World renowned, uniquely crafted. |
00:46:13 |
Word on the street is |
00:46:15 |
[Scoffs] |
00:46:19 |
No, no, no. I bought this |
00:46:22 |
I don't know Gary the Buckle Man! |
00:46:24 |
I know you're trying to take |
00:46:27 |
I don't even have a kid. |
00:46:30 |
- Uh-uh. |
00:46:32 |
- Hey! |
00:46:34 |
I need at least three feet |
00:46:36 |
- It's my buckle! |
00:46:39 |
[Exhales] |
00:46:41 |
Crazy, man. |
00:46:43 |
It's my Delaware! |
00:46:45 |
Two fingers. Two. That's all it takes. |
00:46:48 |
I will call the cops, man! |
00:46:51 |
[Man] |
00:46:55 |
# Where I belong # |
00:46:58 |
# And I don't know # |
00:47:02 |
# Where I should go # |
00:47:04 |
Wait. So, you're gonna be a P.A. now? |
00:47:09 |
It's just temporary. Our |
00:47:12 |
Wait. Rico Suave from across the street? |
00:47:14 |
That... That old dude |
00:47:17 |
What? He's 34. He's not that old. |
00:47:21 |
Very specific information you have there. |
00:47:23 |
# [Continues, Indistinct] |
00:47:27 |
Hey. |
00:47:31 |
So, uh, tomorrow night? |
00:47:34 |
- [Ryden] Yeah? - I wrote |
00:47:36 |
- For me? |
00:47:38 |
- Shut up! |
00:47:40 |
- Okay. |
00:47:44 |
# Ryden is beautiful |
00:47:49 |
# 'Cause she's got eyes ofblue # |
00:47:53 |
# But then one day I tried to kiss you # |
00:47:58 |
# And you said |
00:48:03 |
[Laughing] |
00:48:07 |
- [Ryden] You're an idiot. |
00:48:10 |
Anyway, so here's the deal. |
00:48:12 |
Tomorrow night, me, you... |
00:48:18 |
that dress. |
00:48:21 |
[Laughs] |
00:48:24 |
Zip me. |
00:48:25 |
Uh, yeah. Um... |
00:48:28 |
So, first of all, I'm just gonna rock |
00:48:32 |
Second, you're gonna throw your bra onstage, |
00:48:35 |
- [Chuckles] |
00:48:42 |
And third, |
00:48:46 |
- Multiple forks... everything. |
00:48:48 |
- Yeah. |
00:48:51 |
To, uh, celebrate your new quasi job thing. |
00:48:55 |
- Just to celebrate? |
00:48:58 |
- That sounds fun. |
00:49:00 |
"fan-crapping-tastic," |
00:49:03 |
- # [Guitar: Spanish] |
00:49:06 |
orjust for yourself used to be a fight. |
00:49:08 |
But now, with the Guacanator... |
00:49:13 |
making guacamole is as |
00:49:17 |
- # [Continues] |
00:49:19 |
Senor Avocado... he no stand a chance |
00:49:25 |
# [Continues] |
00:49:29 |
The only assault will be |
00:49:31 |
Got it. Got it. Okay, cut! |
00:49:33 |
- [Bell Rings] |
00:49:36 |
- [Man # 2] And we're clear. - This mustache |
00:49:39 |
- I can swear I swallowed a couple. |
00:49:41 |
We'll take care of that in a sec, all right? |
00:49:43 |
- Thanks. |
00:49:47 |
- [Woman] Take a fiver. |
00:49:49 |
- Hey. - How's the first day |
00:49:53 |
- It's not so bad. |
00:49:57 |
Ah. Psst. Bro. Hey, bro! Yo, dude. |
00:50:00 |
Can I talk to you for a second before |
00:50:02 |
Well, this should be fun. |
00:50:07 |
[Man] The script is like a |
00:50:09 |
Can you talk to the catering people? The |
00:50:12 |
- Oh, okay. |
00:50:14 |
So, congrats. Bones. Awesome. Sweet. |
00:50:18 |
We're getting so close, |
00:50:20 |
A couple things to make this double awesome. |
00:50:23 |
Give me more Mexican. I gotta get |
00:50:26 |
I gotta... Oh! I wanna be |
00:50:29 |
You know what I mean? "Mexi-can." Not |
00:50:34 |
Like any of that flavor, |
00:50:37 |
- Awesome. |
00:50:38 |
Second of all, your shots are boring, bro. |
00:50:42 |
Seriously. Here's an idea. |
00:50:45 |
Did you ever see The Matrix? |
00:50:48 |
Okay, that shot... Keanu's, like, up in |
00:50:51 |
360-degree shot... Bam, bam, bam, bam. |
00:50:53 |
Remember what I'm saying? Yeah, like that. |
00:50:57 |
But check this out. Instead of Keanu... |
00:50:59 |
it's the Guacanator is up in the air, |
00:51:03 |
Like, change the axis. |
00:51:05 |
Matrix. That's a great idea. Yeah. |
00:51:07 |
- Thank you. I wasn't fishing for that. |
00:51:09 |
- I could... |
00:51:12 |
Maybe we could hoist it up on a cross... |
00:51:16 |
and we have The Passion of the Guacamole. |
00:51:19 |
Okay. I get it. Do you think that's funny? |
00:51:22 |
I think you're an idiot. |
00:51:25 |
And I quit. |
00:51:28 |
- Told you... Hollywood. |
00:51:30 |
- Let's go. |
00:51:32 |
- What? |
00:51:34 |
Hey. Hey, catch. |
00:51:37 |
Hey, whatever. |
00:51:40 |
Can you put him back in the ring? |
00:51:43 |
- You're fired! |
00:51:46 |
[Man] |
00:51:49 |
- # Oh, I can take her anywhere # |
00:51:52 |
For years I had to deal with |
00:51:55 |
Come on. Can you believe it? |
00:51:57 |
I mean, you can't imagine how many times |
00:52:01 |
- My God, I just walked off set. |
00:52:05 |
And it looks like I just lost another job. |
00:52:07 |
[Exhales] |
00:52:09 |
That feels good. That feels great! |
00:52:12 |
# With you eventually # |
00:52:14 |
# [Man Vocalizing] |
00:52:33 |
# 'Cause I am always where I need to be # |
00:52:39 |
- # A nd I always thought # |
00:52:41 |
Come on. |
00:52:43 |
- # I would end up with you eventually # |
00:52:46 |
# [Man Vocalizing] |
00:52:54 |
- # [Fades] |
00:52:57 |
- Where's your guy? Who's your singer? |
00:53:00 |
Hey, man, you're on. |
00:53:04 |
- [Crowd Chattering] |
00:53:12 |
- You guys good? |
00:53:16 |
So, my name is Adam Davies. |
00:53:19 |
I hope this doesn't make |
00:53:21 |
but I'm completely naked |
00:53:25 |
- [Laughter] |
00:53:28 |
I, um, care about a lot. |
00:53:35 |
Ready? |
00:53:37 |
# [Soft Folk] |
00:53:53 |
# I'm counting the streetlights # |
00:53:57 |
# It's all I can do # |
00:54:01 |
# While driving myself crazy # |
00:54:04 |
# Trying to get to you # |
00:54:08 |
# Feels wrong at the right times # |
00:54:12 |
# To reveal my hand # |
00:54:17 |
# I'm doing the worst I can # |
00:54:20 |
# To make you understand # |
00:54:25 |
# Maybe one day you will know # |
00:54:32 |
# How hard it is for me to # |
00:54:36 |
# Show my heart # |
00:54:40 |
# With all the love # |
00:54:44 |
# Running through my soul # |
00:54:48 |
# Maybe one day you will know # |
00:54:55 |
[Laughing] |
00:54:58 |
You know what I thought when I met you? |
00:55:02 |
No. |
00:55:06 |
- Aside from the incredible ears, |
00:55:11 |
- Absolutely stunning. |
00:55:13 |
But there was something else. |
00:55:18 |
I just saw a girl that has the whole world |
00:55:21 |
and she doesn't even know it. |
00:55:30 |
[Mutters] |
00:55:50 |
[Sighs] |
00:56:05 |
Good night. |
00:56:22 |
Oh, my God. |
00:56:24 |
Oh, I'm such an idiot. I completely forgot. |
00:56:27 |
- It's cool. |
00:56:31 |
How was it? |
00:56:33 |
Great. Fine, good... I... |
00:56:37 |
And our dinner... I missed our fancy dinner. |
00:56:41 |
You're getting overly worked up about this, |
00:56:45 |
It's cool. |
00:56:47 |
Besides, you were clearly busy with... |
00:56:49 |
Pelé from across the street. |
00:56:52 |
Oh, no, he... We were at work... |
00:56:54 |
- and then there was this big blowup, |
00:56:57 |
Awesome. I'll see you later. |
00:57:01 |
- Wait. What are you doing? |
00:57:05 |
Just let me explain. |
00:57:09 |
What exactly needs explanation? |
00:57:11 |
The fact that I've been |
00:57:13 |
hoping that one day you'll actually |
00:57:17 |
Or the fact that you're so obsessed |
00:57:20 |
that y-you completely forget about everyone |
00:57:29 |
I'm not waiting anymore. I'm done. |
00:57:38 |
I may not know exactly what my future |
00:57:45 |
You're not in it. |
00:57:53 |
[Door Closes] |
00:58:08 |
[Exhales] |
00:58:10 |
[Tires Screech] |
00:58:12 |
[Gasps] |
00:58:16 |
- [Gasps] |
00:58:20 |
...say can and will be used against |
00:58:23 |
- You have the right to an attorney. |
00:58:25 |
Can't afford one, one will |
00:58:27 |
This is so stupid. I can't... |
00:58:30 |
Didn't have to be this way. |
00:58:32 |
[Mother] |
00:58:34 |
Come on, honey. |
00:58:36 |
I had absolutely nothing to do with this. |
00:58:38 |
You can ask anybody, |
00:58:42 |
It's okay. It's okay. |
00:58:52 |
[Door Closes] |
00:58:54 |
[Siren Wailing In Distance] |
00:58:58 |
The good news is your husband |
00:59:01 |
The bad news is we're |
00:59:03 |
Trafficking stolen |
00:59:06 |
- The bail won't be set till tomorrow. |
00:59:09 |
- But he's not a criminal. He's |
00:59:14 |
I told you. I told you in |
00:59:18 |
He's your son. |
00:59:20 |
- And I did the best I could with |
00:59:23 |
Yeah, well, your best effort is in jail |
00:59:27 |
Hey. Pick up. I've called you 80 times. |
00:59:31 |
- I... Call me back. |
00:59:35 |
Where's Dad? I wanna go home. |
00:59:49 |
Try and have a good one, all right? |
00:59:55 |
[Whispering] |
00:59:58 |
- [Laughs] |
01:00:00 |
- Hey, morning. How you doing? |
01:00:02 |
Um, so, basically, in order to bail him out, |
01:00:06 |
- Oh, my God. What? - Or he stays |
01:00:09 |
Oh, God. |
01:00:13 |
$15,000. |
01:00:18 |
Well, let's go home. |
01:00:22 |
- Maureen? |
01:00:24 |
Wait. |
01:00:26 |
Cough it up. |
01:00:29 |
Cough what up? |
01:00:30 |
Pay the man your son's bail money. |
01:00:33 |
[Scoffs] |
01:00:36 |
You think if I had that kind of dough |
01:00:39 |
Cut the baloney, Maureen. Please. |
01:00:42 |
I know you have money. |
01:00:47 |
And I know you've got |
01:00:50 |
and shoved up inside |
01:00:54 |
Pay the man. |
01:00:58 |
Why can't my family just |
01:01:03 |
instead of my meager possessions |
01:01:07 |
Well, I love your soul, Grandma. |
01:01:20 |
- [Pills Rattling] |
01:01:23 |
Okay, um... Will you take a check, |
01:01:27 |
# [Woman Vocalizing] |
01:01:30 |
- # [Woman Singing, Indistinct] |
01:01:34 |
I'm free! |
01:01:38 |
Look at the sky. |
01:01:43 |
This entire experience has transformed me. |
01:01:46 |
I am a new man. The old Walter is dead. |
01:01:49 |
But the new Walter |
01:01:52 |
I'm a new man, and we're a new family. |
01:01:54 |
I mean, look, |
01:01:58 |
I know I get to be bullheaded. And, |
01:01:59 |
you know, Ryden here is |
01:02:03 |
Hmm? |
01:02:04 |
Hunter licks people, and... |
01:02:08 |
Grandma's very, very... |
01:02:12 |
very... kind. |
01:02:14 |
So kind. |
01:02:16 |
But, no matter what, we're a family. |
01:02:20 |
We're the Malbys, damn it. |
01:02:24 |
From now on, it's Malby time. |
01:02:28 |
Malby! Malby! Malby! |
01:02:32 |
[All] |
01:02:35 |
Malby! Malby! Malby! |
01:02:38 |
Malby! Malby! Malby! Malby! |
01:02:42 |
[Hunter] |
01:02:45 |
- Malby! Malby! Malby! |
01:02:48 |
- [Chanting Continues] |
01:02:51 |
That's all right, honey. |
01:02:54 |
- [Hunter] Malby! |
01:02:57 |
- My purse. - Did you leave it |
01:02:59 |
- No, I didn't leave... I thought |
01:03:01 |
- [Mother] I don't have your purse. |
01:03:04 |
- [Woman] I'm looking for Ryden Malby. |
01:03:07 |
This is Barbara Snaff |
01:03:10 |
Listen, the position you interviewed for |
01:03:14 |
You wanna fire me? Fine. I don't care. |
01:03:17 |
I'm gonna own this town. And I'm gonna come |
01:03:21 |
Wait... Wait, are you serious? |
01:03:23 |
Yes. Absolutely. When can you start? |
01:03:27 |
Immediately! Absolutely, yes. |
01:03:30 |
Great. I'll have my assistant call you |
01:03:33 |
- Thank you. Perfect. |
01:03:35 |
- Guys, I got the job! I got the job! |
01:03:38 |
- Does it pay? Does it pay? |
01:03:42 |
- Malby! Malby! |
01:03:45 |
- Malby! Malby! |
01:03:52 |
Okay. |
01:03:54 |
[Line Ringing] |
01:03:58 |
- Yo, it's Adam. You know what to do. |
01:04:02 |
Okay. Silent treatment. I get it. |
01:04:05 |
Very fifth grade of you. But very effective. |
01:04:09 |
[Sighs] |
01:04:23 |
[Line Ringing] |
01:04:27 |
- Yo, it's Adam. You know what to do. |
01:04:31 |
All right. |
01:04:35 |
Just... call me when you're ready. |
01:04:39 |
[Beeps] |
01:04:56 |
- Yo, yo. |
01:04:58 |
- I got him. I got him. |
01:05:01 |
[Man] Yeah, yeah, go. Go, Adam. |
01:05:05 |
[Man # 2] |
01:05:06 |
- Nice shot. |
01:05:09 |
- # [Jingle: "Pop Goes the Weasel"] |
01:05:13 |
# [Continues, Out OfTune] |
01:05:16 |
[Laughter] |
01:05:20 |
[Ryden On Loudspeaker] |
01:05:23 |
evil, horrible thing in the world... |
01:05:25 |
can be directly counteracted by |
01:05:30 |
I'm really sorry, Adam. |
01:05:32 |
I know you don't wanna talk to me, |
01:05:34 |
but I really have something |
01:05:37 |
Hold on a second. |
01:05:40 |
If you don't forgive |
01:05:42 |
everywhere you go, |
01:05:46 |
till you slowly go insane. |
01:05:52 |
Okay. Just make it stop. |
01:05:54 |
Ha! |
01:05:56 |
[Music Off] |
01:05:59 |
How do you steal an ice cream truck? |
01:06:01 |
Borrow. |
01:06:03 |
My dad knows a guy that knows a guy, so... |
01:06:06 |
Of course. |
01:06:10 |
Look. |
01:06:15 |
I'm good. |
01:06:20 |
I'm so sorry I flaked on you, Adam. |
01:06:23 |
You would never do anything like that to me. |
01:06:25 |
And I've been thinking a lot about... |
01:06:27 |
- I accept your apology. |
01:06:30 |
I have been thinking a lot |
01:06:33 |
and I think you just... |
01:06:37 |
Look, it's fine. |
01:06:40 |
Really, it's... It's all good. |
01:06:43 |
I'm just... |
01:06:47 |
- Yo. |
01:06:49 |
Um, do you wanna, |
01:06:52 |
Oh, we could celebrate, |
01:06:55 |
but I got that job at Happerman & Browning. |
01:07:00 |
That's awesome. |
01:07:02 |
Uh, I... |
01:07:04 |
But I can't get together later, |
01:07:07 |
Pack? |
01:07:11 |
Yeah. Uh... |
01:07:13 |
Look, I didn't get a chance to tell you... |
01:07:15 |
but I decided to go to Columbia. |
01:07:20 |
And I'm leaving tomorrow. |
01:07:23 |
What? You're going to law school? |
01:07:27 |
In New York? |
01:07:29 |
Yeah. |
01:07:32 |
That's... |
01:07:34 |
That's... so great. |
01:07:37 |
- Congratulations. - Yeah, I think |
01:07:43 |
Look, I promise I'll call you... |
01:07:45 |
as soon as I get settled in, okay? |
01:07:48 |
- Okay. |
01:07:50 |
[Man] |
01:07:52 |
- [Man # 2] Hold up. |
01:07:54 |
- [Adam] Our ball. |
01:08:01 |
- Our ball. |
01:08:04 |
Our ball. |
01:08:09 |
All right. |
01:08:15 |
Ball. |
01:08:19 |
Okay. |
01:08:23 |
[Inhales, Exhales] |
01:08:33 |
[Inhales, Exhales] |
01:08:50 |
Hi. I'm Ryden Malby. I'm... |
01:08:53 |
The new assistant to the editor. Yes. |
01:08:55 |
- [Phone Beeps] |
01:08:59 |
Well, here it is. Home, sweet home. |
01:09:01 |
- That's the mail cart. |
01:09:04 |
Is there any material |
01:09:07 |
No. Reading's on your own time. |
01:09:08 |
Jessica was a shit filer, |
01:09:12 |
I see that. |
01:09:16 |
Well, we had a little bit of |
01:09:20 |
You see, I thought that she worked for me. |
01:09:23 |
- Sounds likeJessica. |
01:09:25 |
- Ready to go? |
01:09:28 |
You know you're gonna have to enter every |
01:09:31 |
Okay. Absolutely. Yeah. |
01:09:40 |
- Hi. |
01:09:43 |
Of course. |
01:09:45 |
[Woman] |
01:09:47 |
# As one door closes |
01:09:51 |
# And two wrongs don't make a right # |
01:09:54 |
# Now, good things come to those who wait # |
01:09:56 |
- # [Continues] |
01:09:59 |
My life is a shit-storm. I got way |
01:10:02 |
So, what do I do? |
01:10:13 |
- # Say what you say # - I think |
01:10:16 |
- # Do what you do # |
01:10:19 |
# Feel what you feel as long as it's real # |
01:10:23 |
# I said take what you take # |
01:10:25 |
# And give what you give |
01:10:29 |
- # Just as long as it's real # # |
01:10:36 |
[Raspy Voice] |
01:10:40 |
Get the puppet out of my face. |
01:10:44 |
[Normal Voice] Come on. All the |
01:10:50 |
Fine. Forget it. |
01:10:56 |
Hunter. Wait a minute. |
01:11:06 |
[Panting] |
01:11:11 |
When's that race again? |
01:11:13 |
- Saturday. |
01:11:17 |
Saturday. |
01:11:22 |
Go get your mother, your grandmother. |
01:11:25 |
We need every able-bodied man |
01:11:32 |
- Just move all my Thursday |
01:11:34 |
Oh, and you're gonna wanna get |
01:11:37 |
'cause I want you to sit in |
01:11:40 |
- Really? |
01:11:41 |
- Oh, great. I'd love to. That'd be great. |
01:11:44 |
- Oh, you forgot one. Sign and date. There. |
01:11:47 |
- All right. "Buenos nachos." |
01:11:50 |
Hey, try to get out of here |
01:11:52 |
- Okay. |
01:11:55 |
[Woman] |
01:11:57 |
- # T here's this little girl # |
01:11:59 |
# She was praying for something |
01:12:03 |
# The reality looks far now |
01:12:10 |
# How can you stay outside # |
01:12:14 |
# There's a beautiful mess inside # |
01:12:18 |
# How can you stay outside # |
01:12:21 |
# There's a beautiful mess inside # |
01:12:26 |
- # Mmm, mmm # # |
01:12:29 |
this incredible job. |
01:12:32 |
And I'm working my ass off. |
01:12:36 |
But I always expected that. |
01:12:39 |
What are all the boxes for? |
01:12:41 |
Moving back to Brazil. |
01:12:44 |
Are you serious? |
01:12:46 |
Yeah. My life is there. |
01:12:48 |
I haven't seen my family in ages. |
01:12:50 |
And I come home every night to what? |
01:12:55 |
I guess I finally realized that... |
01:12:58 |
what you do with your life |
01:13:03 |
The other half... |
01:13:05 |
the more important half really, is... |
01:13:08 |
who you're with when you're doing it. |
01:13:23 |
[Groans] |
01:13:36 |
Okay, come on! Come on. |
01:13:38 |
Come on. |
01:13:41 |
- [Objects Shatter] |
01:13:46 |
Don't tell me that's another cat. |
01:13:54 |
Oh, geez. |
01:13:58 |
It's one of those goofy gnomes. |
01:14:00 |
- Hunty? Come on, Hunty. |
01:14:03 |
- [Gasps] Oh, sugar. |
01:14:07 |
[Walter] |
01:14:09 |
What's going on? |
01:14:12 |
Get dressed. We're late. |
01:14:14 |
We need all the manpower we can get. |
01:14:16 |
[Hunter] |
01:14:18 |
Hey. Hey, you're a Malby. |
01:14:22 |
Driving is in your blood. Okay? |
01:14:25 |
Come on. Come on, let's go. |
01:14:28 |
- And it's "drive well,"honey, not |
01:14:32 |
Proper English is "drive well." |
01:14:35 |
[Man On P.A.] Ladies and gentlemen, |
01:14:38 |
to the starting ramp |
01:14:41 |
This is the one you've been waiting for... |
01:14:43 |
the final race for the 9th Annual |
01:14:49 |
Racers and their teams, |
01:14:52 |
[All Chattering] |
01:14:56 |
[Man] |
01:15:04 |
[Man Shouting In Distance] |
01:15:12 |
All right. How you feeling? |
01:15:14 |
- Look at Hunter! |
01:15:17 |
Go! Go! |
01:15:19 |
Are you focused? |
01:15:20 |
Balls to the wall. |
01:15:24 |
Smoke 'em. Go get 'em. |
01:15:25 |
[Carmella] |
01:15:29 |
- All right, let's go! |
01:15:32 |
Come on! Go! |
01:15:35 |
- Dad! Dad! |
01:15:39 |
- What? |
01:15:40 |
- # [Rock] |
01:15:43 |
[Crowd Cheering] |
01:15:45 |
Yeah! Go get 'em! |
01:15:47 |
[Walter] |
01:15:50 |
Go! |
01:15:51 |
- [Carmella On Bullhorn] Walt, |
01:15:58 |
[Man] |
01:16:01 |
# But I'm out of your league # |
01:16:05 |
- # Y ou're never gonna pass me # |
01:16:07 |
- # ' Cause I'm out of your league # |
01:16:10 |
- # L ooky here, baby # |
01:16:13 |
# You're comin'my way # |
01:16:16 |
# But I move like a landslide # |
01:16:20 |
# So I get out of my way |
01:16:23 |
# Up from the floor |
01:16:26 |
# Oh, you get up, you get down |
01:16:29 |
# Up and down and around again # |
01:16:32 |
# Oh, you get up, you get down |
01:16:35 |
# Up and down and around again # |
01:16:37 |
- # Oh, you get up you get down |
01:16:41 |
# You get up, you get down |
01:16:44 |
# Get up, you get down |
01:16:48 |
- # You get up, you get down |
01:16:50 |
[Cheering] |
01:16:55 |
[Squeaking] |
01:16:59 |
[All Gasping] |
01:17:04 |
Whoa! |
01:17:05 |
- Come on! Let's go! |
01:17:07 |
Dad! |
01:17:09 |
Dad! |
01:17:24 |
- [Gasps] |
01:17:33 |
- [Sighs] |
01:17:35 |
Thank goodness. You okay? |
01:17:40 |
By the way, you won! |
01:17:43 |
[Cheering, Laughter] |
01:17:47 |
- Wow! Look at that. |
01:17:49 |
- Come on. Up, up. |
01:17:51 |
- No? |
01:17:52 |
Okay. |
01:17:53 |
- That-a-boy. |
01:17:56 |
- It's so cool. |
01:18:04 |
- Right. |
01:18:11 |
[No Audible Dialogue] |
01:18:38 |
Mom, Dad... |
01:18:44 |
[Laughs] |
01:18:54 |
Sure you don't wanna get a little shut-eye |
01:18:57 |
Nope. |
01:19:03 |
Just out of curiosity though, |
01:19:13 |
Well, you know, |
01:19:17 |
you always seemed to have it figured out. |
01:19:19 |
You know, you made good grades, you... |
01:19:21 |
kept your room neat and clean, |
01:19:27 |
Can I be honest with you? |
01:19:29 |
I always found it a little troubling. |
01:19:31 |
Because, see, hon... |
01:19:36 |
the world's a screwy place. |
01:19:38 |
It doesn't play by the rules. |
01:19:42 |
So if you're asking me... |
01:19:45 |
do I think it's a good |
01:19:48 |
quit your job... |
01:19:51 |
leave behind the only family you have... |
01:19:53 |
and travel 3,000 miles... |
01:19:56 |
to a place you've never been before? |
01:20:01 |
I think it's the most kick-ass idea |
01:20:07 |
'Cause I think no matter where you are, |
01:20:14 |
Thanks, Dad. |
01:20:17 |
# [Acoustic Guitar] |
01:20:22 |
- See ya. |
01:20:23 |
- Love ya, honey. |
01:20:25 |
No good-byes. Just see you later. |
01:20:27 |
You be careful in New York. |
01:20:30 |
- Okay, I will. |
01:20:32 |
- Okay. - I've got you on my |
01:20:35 |
- [Woman] # Show me the world # |
01:20:37 |
- # In the shape of your looking glass # |
01:20:41 |
- # Beautifully bold when the |
01:20:44 |
# Yes, it's easy to see # |
01:20:48 |
# But it's harder to find # |
01:20:50 |
# And I'm thinkin'of you # |
01:20:54 |
# And it's clear in my mind, so I # |
01:20:56 |
# Turn, turn, turn # |
01:21:01 |
# I turn back around # |
01:21:07 |
# And turn, turn, turn # |
01:21:11 |
# I turn back around # |
01:21:16 |
# And I'm eastern bound # |
01:21:25 |
Thanks. |
01:21:30 |
# Almost let slip all these words |
01:21:35 |
# Still unaware # |
01:21:37 |
# Of the pen in my hand, but I'm # |
01:21:41 |
# Makin'my way day by day |
01:21:46 |
# Here, unafraid of the path |
01:21:51 |
# Turn, turn, turn # |
01:21:55 |
# I turn back around # |
01:22:00 |
# And that's where you are found # # |
01:22:03 |
[Rhythmic Knocking] |
01:22:11 |
Hey. |
01:22:12 |
Life sucks without you. |
01:22:15 |
I miss you. I... |
01:22:18 |
I knew that I would, but it's not like a... |
01:22:22 |
"Hey, we had some great times... |
01:22:25 |
It's... It was more like, |
01:22:30 |
I forget what it feels like to laugh" |
01:22:34 |
And I really think that when you left... |
01:22:38 |
you took my heart with you. |
01:22:51 |
Um... |
01:22:54 |
I- I probably should've called first. |
01:22:56 |
Oh, whoa. Whoa. No, no, no. Hold... |
01:22:58 |
Ryden! Whoa! |
01:23:02 |
Ryden! |
01:23:10 |
Ryden. Ryden, hey. Wait. Hold up. |
01:23:13 |
Look. Hey. Stop. All right? Hey. |
01:23:17 |
She's my R.A. |
01:23:21 |
I was just filling out a maintenance report. |
01:23:24 |
- She's not... |
01:23:27 |
Really? |
01:23:29 |
Yeah. |
01:23:45 |
# [Soft Rock] |
01:23:49 |
I love you. |
01:23:52 |
Well, that's good. |
01:23:54 |
'Cause I love you. |
01:23:57 |
[Man] |
01:24:00 |
[Laughing] |
01:24:02 |
# Happens late at night # |
01:24:06 |
- Wanna go inside? |
01:24:08 |
# When the moon smiles down at me # |
01:24:12 |
# [Continues] |
01:24:14 |
- Hey, Walt, it's Ryden. |
01:24:17 |
- Hey, sweetie-pie. |
01:24:19 |
Oh. Hey, guess who's coming for a visit. |
01:24:21 |
We got cheap-ass tickets |
01:24:24 |
Ask Adam if he's got a pull-out, |
01:24:27 |
- 'Cause I don't wanna have her |
01:24:30 |
I don't have a hump! Give me that. |
01:24:32 |
I don't have a hump. I can sleep |
01:24:35 |
And, honey, it's genetic, |
01:24:37 |
And don't forget to layer up, okay? |
01:24:39 |
- And remember, condoms are |
01:24:42 |
- [Hunter Chattering] |
01:24:44 |
Wait, like, the whole family's coming? |
01:24:47 |
# It's a brand new day # |
01:24:51 |
# The sun is shining # |
01:24:53 |
# It's a brand new day # |
01:24:58 |
# For the first time |
01:25:04 |
# I know # |
01:25:09 |
# I'll be okay # # |
01:25:11 |
[Man] |
01:25:14 |
# It's all I can do # |
01:25:17 |
# While driving myself crazy # |
01:25:21 |
# Trying to get to you # |
01:25:24 |
# It feels wrong at the right time # |
01:25:28 |
# To reveal my hand # |
01:25:32 |
# It's like I'm doing the worst I can # |
01:25:35 |
# To make you understand # |
01:25:39 |
# Maybe one day you will know # |
01:25:46 |
# How hard it is for me # |
01:25:49 |
# To show my heart # |
01:25:53 |
# And all the love I have # |
01:25:56 |
# Running through my soul # |
01:26:01 |
# Maybe one day you will know # |
01:26:07 |
# I'm hoping you just might # |
01:26:11 |
# Take a moment to realize # |
01:26:14 |
# That everything you're looking for# |
01:26:17 |
# Is hidden in plain sight # |
01:26:22 |
# I know you better# |
01:26:25 |
# Than I know myself# |
01:26:29 |
# How I feel is the only thing that # |
01:26:32 |
# I could never ever tell you # |
01:26:36 |
# Maybe one day you will know # |
01:26:43 |
# How hard it is for me # |
01:26:46 |
# To show my heart # |
01:26:51 |
# And all the love I have # |
01:26:53 |
# Running through my soul # |
01:26:58 |
# Maybe one day you will know # |
01:27:05 |
# Maybe one day you will know # |
01:27:12 |
# Maybe one day you will # # |
01:28:32 |
[English - US - SDH] |