|
Prison Break The Final Break
|
| 00:00:18 |
You ready? |
| 00:00:22 |
Didn't think I'd be |
| 00:00:29 |
Now or never. |
| 00:00:37 |
Alright, papi, |
| 00:00:40 |
He's over there. |
| 00:00:52 |
You must be |
| 00:00:54 |
Your friend, |
| 00:00:55 |
tells me you could |
| 00:00:57 |
Very much so. |
| 00:00:58 |
And I assume that's |
| 00:01:10 |
You look beautiful. |
| 00:01:13 |
Thank you. |
| 00:01:20 |
And it's my understanding |
| 00:01:23 |
We've never actually managed |
| 00:01:27 |
You could try. |
| 00:01:28 |
Well. |
| 00:01:32 |
Family and friends, |
| 00:01:35 |
to celebrate the union between |
| 00:02:24 |
- Sorry to break up the party. |
| 00:02:26 |
We have |
| 00:02:28 |
- What? |
| 00:02:28 |
We talked to |
| 00:02:31 |
We've settled this |
| 00:02:32 |
We settled this with |
| 00:02:34 |
Sir, back up! |
| 00:02:35 |
- We were exonerated. |
| 00:02:37 |
- We were exonerated! |
| 00:02:39 |
We're not here for you. |
| 00:02:42 |
She didn't do anything. |
| 00:02:45 |
Don't make this |
| 00:02:46 |
Sara Tancredi, |
| 00:02:48 |
you're under arrest for |
| 00:02:50 |
What?! |
| 00:02:51 |
She didn't kill |
| 00:02:52 |
Funny. Surveillance camera |
| 00:02:57 |
Michael. |
| 00:03:00 |
- Please, right this way. |
| 00:03:01 |
- Second car, please. |
| 00:03:02 |
- Second car. |
| 00:03:03 |
Back up, please. |
| 00:03:10 |
S04E23: |
| 00:03:16 |
They're not gonna |
| 00:03:18 |
Why did Kellerman send you |
| 00:03:22 |
They're trying |
| 00:03:24 |
Look, she has a constitutional right |
| 00:03:27 |
I'll draw up an order to show cause |
| 00:03:30 |
While you're at it, |
| 00:03:30 |
- can you argue in self defence? |
| 00:03:34 |
Anything that might help her |
| 00:03:36 |
Security camera only shows Sara |
| 00:03:41 |
- Pull the trigger, Michael. |
| 00:03:44 |
Misfire. |
| 00:03:49 |
- She worked for the Company. |
| 00:03:51 |
To a jury, she's Christina Hampton, |
| 00:03:54 |
And because she was so good |
| 00:03:55 |
we can't |
| 00:03:58 |
Look, |
| 00:03:59 |
It did not sit well |
| 00:04:02 |
If they can make Sara |
| 00:04:04 |
How much time |
| 00:04:08 |
25 to life. |
| 00:04:26 |
You. |
| 00:04:31 |
You. |
| 00:04:35 |
You. |
| 00:04:36 |
Here. |
| 00:04:42 |
This one's yours. |
| 00:04:44 |
Am I supposed to be |
| 00:04:46 |
I don't think so. |
| 00:04:47 |
I haven't been convicted |
| 00:04:49 |
I'm supposed to be in a jail. |
| 00:04:51 |
Overcrowding |
| 00:04:53 |
This is the jail. |
| 00:05:06 |
'Sup, homie? |
| 00:05:13 |
You got everything |
| 00:05:14 |
Why don't you go help |
| 00:05:24 |
Don't let them spook you. |
| 00:05:27 |
They are good at it. |
| 00:05:29 |
Look. |
| 00:05:30 |
This jail-prison |
| 00:05:35 |
Come on. |
| 00:05:36 |
The other one's |
| 00:05:37 |
You can ride it out |
| 00:05:42 |
Thank you. |
| 00:06:00 |
Here. This should be a little bit |
| 00:06:04 |
Okay. |
| 00:06:12 |
What's going on? |
| 00:06:14 |
You know... |
| 00:06:15 |
At first, |
| 00:06:19 |
Tancredi. |
| 00:06:23 |
But then, Haggs here, |
| 00:06:25 |
I remembered your pretty face |
| 00:06:30 |
You're not |
| 00:06:32 |
This is going |
| 00:06:34 |
Half a dozen guards |
| 00:06:35 |
lost their jobs and pensions |
| 00:06:37 |
Another dozen |
| 00:06:39 |
after you decided |
| 00:06:40 |
to leave |
| 00:06:41 |
for your boyfriend |
| 00:06:44 |
And we... |
| 00:06:45 |
ain't gonna let anything |
| 00:06:52 |
Don't worry, |
| 00:06:53 |
we won't hit |
| 00:06:58 |
That's right. |
| 00:07:13 |
Looked like that welcome wagon |
| 00:07:17 |
It looks |
| 00:07:24 |
Alright, well... |
| 00:07:25 |
You need something, |
| 00:07:27 |
Everybody calls me |
| 00:07:59 |
Special delivery. |
| 00:08:03 |
You know, |
| 00:08:05 |
spread around |
| 00:08:07 |
I told you. |
| 00:08:08 |
The government's |
| 00:08:11 |
You tellin' me you can't get |
| 00:08:15 |
Unless, that's the least |
| 00:08:16 |
Considering you was gonna kill me |
| 00:08:19 |
Goodbye, Theodore. |
| 00:08:24 |
You ain't never been |
| 00:08:26 |
and I never been |
| 00:08:28 |
Therefore, |
| 00:08:29 |
now let's just say |
| 00:08:31 |
got the juicy hand back |
| 00:08:35 |
Your pathetic existence here |
| 00:08:39 |
As can my life, |
| 00:08:41 |
all with a little |
| 00:08:44 |
One of our friends has been |
| 00:08:50 |
Looks like we've got |
| 00:08:53 |
I'm never gonna get out |
| 00:08:55 |
I know that. |
| 00:08:56 |
I wanna bring my enemy |
| 00:08:59 |
I want her dead. |
| 00:09:09 |
Either way, it's going |
| 00:09:12 |
A capital |
| 00:09:14 |
My rainy day plan. |
| 00:09:17 |
Jonathan. |
| 00:09:18 |
I'd assume that that would be |
| 00:09:20 |
It's good money |
| 00:09:22 |
They're not gonna |
| 00:09:25 |
No matter how many shots, |
| 00:09:28 |
Get that. |
| 00:09:29 |
To our friend, in the sister cells, |
| 00:09:55 |
Officer Johnson... |
| 00:10:09 |
Officer Riley, could you come |
| 00:10:11 |
in 30 seconds... |
| 00:10:13 |
Excuse me. |
| 00:10:17 |
Bad move. |
| 00:10:21 |
Last time someone touched her, |
| 00:10:44 |
You're much braver |
| 00:10:46 |
Either that, |
| 00:10:48 |
Do I look like |
| 00:10:50 |
I just say, |
| 00:10:52 |
laid up |
| 00:10:54 |
Join the prison gang? |
| 00:10:56 |
Not a gang. |
| 00:10:59 |
A family. |
| 00:11:02 |
They don't call her "Daddy" |
| 00:11:06 |
That's her wife. |
| 00:11:08 |
And those are |
| 00:11:16 |
- Are you okay? |
| 00:11:20 |
I need |
| 00:11:22 |
Can't go down the infirmiary |
| 00:11:23 |
I'm having muscle contractions |
| 00:11:25 |
And my jaws' |
| 00:11:27 |
It's--It's just |
| 00:11:29 |
I'm not poisoned. |
| 00:11:30 |
No. That's the government cheese. |
| 00:11:32 |
If I don't get to the hospital |
| 00:11:34 |
I will die |
| 00:11:36 |
Please. |
| 00:11:38 |
Boss. |
| 00:11:40 |
Why don't you let her |
| 00:11:47 |
Please. |
| 00:11:49 |
This is Kaorla. |
| 00:11:51 |
Inmate going |
| 00:12:00 |
We were able to administer |
| 00:12:03 |
You and your baby |
| 00:12:07 |
You know the strignein didn't get into |
| 00:12:10 |
Well then, you need to talk |
| 00:12:16 |
Then how about talking to me |
| 00:12:18 |
You want to tell me |
| 00:12:22 |
I caught an elbow |
| 00:12:26 |
We should discuss your... |
| 00:12:30 |
As I'm sure |
| 00:12:31 |
this isn't going to be |
| 00:12:33 |
Do I deliver in here? |
| 00:12:35 |
No. |
| 00:12:35 |
The day we induce, |
| 00:12:38 |
We'll take you to St. Lucia |
| 00:12:41 |
We'll cordone off a room. |
| 00:12:42 |
There'll be three armed guards |
| 00:12:43 |
when you give birth. |
| 00:12:44 |
Do I get |
| 00:12:47 |
You'll have 30 minutes |
| 00:12:53 |
I've seen this process |
| 00:12:55 |
After the mothers come back here, |
| 00:12:58 |
My advice, |
| 00:13:00 |
it's a lot |
| 00:13:01 |
if you'd just think of yourself |
| 00:13:15 |
Yeah? |
| 00:13:16 |
Michael, |
| 00:13:18 |
Listen, um... |
| 00:13:19 |
Your wife had |
| 00:13:22 |
Someone tried |
| 00:13:24 |
What are you |
| 00:13:25 |
Michael, |
| 00:13:26 |
Do you have any idea |
| 00:13:29 |
Michael? |
| 00:13:31 |
Michael?! |
| 00:13:33 |
Go ahead, |
| 00:13:46 |
If I had a list of all the people |
| 00:13:49 |
your name would be at the bottom, |
| 00:13:52 |
Jesus Christ |
| 00:13:54 |
- Someone tried to poison Sara today. |
| 00:13:58 |
Only you |
| 00:14:01 |
to think that killing an innocent woman |
| 00:14:04 |
would bring you some kind of peace |
| 00:14:07 |
Sara is with child? |
| 00:14:10 |
Congratulations! |
| 00:14:12 |
This is like the 4th of July |
| 00:14:15 |
I am asking you, |
| 00:14:17 |
father to father, |
| 00:14:21 |
You can kill me |
| 00:14:22 |
I'll trade my life |
| 00:14:25 |
But leave Sara alone. |
| 00:14:26 |
Michael... |
| 00:14:29 |
If you were killed, |
| 00:14:31 |
your pain would last |
| 00:14:33 |
If Sara were killed, |
| 00:14:35 |
your pain would last |
| 00:14:38 |
Now that's got to be appealing |
| 00:14:42 |
But don't worry, |
| 00:14:44 |
If I find out anything, |
| 00:14:50 |
Prison life |
| 00:14:51 |
If I remember correctly, |
| 00:14:52 |
you have two missing toes |
| 00:14:55 |
I don't think you understand. |
| 00:14:59 |
Please. |
| 00:15:01 |
Please just approve the transfer |
| 00:15:03 |
If I grant her a transfer, |
| 00:15:06 |
What about |
| 00:15:07 |
Is there something |
| 00:15:09 |
the structural integrity |
| 00:15:12 |
I can see |
| 00:15:13 |
I know who you are. |
| 00:15:15 |
And I'm not going |
| 00:15:16 |
into the next |
| 00:15:18 |
All I'm trying to do, |
| 00:15:21 |
You do know |
| 00:15:23 |
I don't care. |
| 00:15:39 |
Here. |
| 00:15:41 |
Thanks. |
| 00:15:42 |
In case I haven't |
| 00:15:43 |
Sara Tancredi is not getting |
| 00:15:48 |
And you've made |
| 00:15:50 |
Thank you |
| 00:15:56 |
- What happened? |
| 00:15:59 |
and the warden's just |
| 00:16:01 |
We gotta lure in the case |
| 00:16:03 |
Which is |
| 00:16:04 |
She stays in that prison, |
| 00:16:07 |
I guess we don't have |
| 00:16:13 |
We're breaking her out. |
| 00:16:19 |
In my 16 years |
| 00:16:21 |
I've worked cases under |
| 00:16:26 |
Alexander Mahone, |
| 00:16:27 |
is the smartest, |
| 00:16:30 |
bravest, |
| 00:16:31 |
most honorable man, |
| 00:16:33 |
I've ever had the pleasure |
| 00:16:36 |
As one of those 43 agents, |
| 00:16:40 |
Because obviously, I am not as honoured |
| 00:16:45 |
Alex has been clean and sober |
| 00:16:48 |
And he's been completely |
| 00:16:51 |
associated with his involvement |
| 00:16:53 |
That doesn't include the shooting |
| 00:16:56 |
and burying his body |
| 00:16:58 |
That is just an allegation. |
| 00:17:01 |
Let's move on, |
| 00:17:01 |
All those in favor of |
| 00:17:04 |
a Special Agent in the Federal |
| 00:17:08 |
Aye. |
| 00:17:12 |
- All those oppose? |
| 00:17:20 |
Thank you |
| 00:17:25 |
It's always a pleasure. |
| 00:17:29 |
You know, Alex. |
| 00:17:32 |
If you're able to |
| 00:17:34 |
just how committed you are |
| 00:17:37 |
Now, as you may know, |
| 00:17:41 |
and is currently being housed |
| 00:17:45 |
We have concerns that Michael Scofield |
| 00:17:50 |
So this... |
| 00:17:54 |
Well obviously, if Scofield were, |
| 00:17:56 |
pull off this plot |
| 00:17:59 |
the public embarassment will be |
| 00:18:02 |
So... having someone to get us |
| 00:18:06 |
that would be worth |
| 00:18:07 |
Agent Wheatley is set up in Miami. |
| 00:18:11 |
You're something else. |
| 00:18:21 |
Now... |
| 00:18:22 |
We both know... |
| 00:18:24 |
how badly you want |
| 00:18:28 |
Give me a reason |
| 00:18:31 |
What's your plan |
| 00:18:33 |
We're on the run |
| 00:18:34 |
First things first. |
| 00:18:36 |
Hey, papi. |
| 00:18:37 |
The fed that arrested Sara, |
| 00:18:42 |
Look, if you're worried about |
| 00:18:45 |
go back to Chicago, |
| 00:18:47 |
I'll understand. |
| 00:18:48 |
Are you kidding me? |
| 00:18:49 |
After all the crap we've been through, |
| 00:18:51 |
and Sara in there? |
| 00:18:52 |
You shut up |
| 00:18:55 |
- What's all that? |
| 00:18:58 |
Covering seven |
| 00:19:00 |
from Miami Dade's |
| 00:19:02 |
over the last 60 years. |
| 00:19:04 |
None of them |
| 00:19:06 |
So we weigh them all, |
| 00:19:08 |
Well, the prison officials |
| 00:19:10 |
They re-evaluated, |
| 00:19:12 |
The prison's pratically |
| 00:19:15 |
- Are you alright? |
| 00:19:18 |
I guess so if we can't go through, |
| 00:19:21 |
Like down into the prison? |
| 00:19:24 |
Yeah. |
| 00:19:25 |
Yeah. |
| 00:19:26 |
- you find her, and we get he rout. |
| 00:19:27 |
- I'm serious. |
| 00:19:29 |
Hey, hey... |
| 00:19:30 |
Newspapers clippings only |
| 00:19:32 |
We need some more information |
| 00:19:34 |
So let's do |
| 00:19:37 |
Camera, electronic |
| 00:19:39 |
What's this? |
| 00:19:40 |
It's a shopping list. |
| 00:19:47 |
You need |
| 00:19:48 |
I have a doctor's appointment |
| 00:19:50 |
It'll wait. |
| 00:19:53 |
In here. |
| 00:19:56 |
Hold it. |
| 00:20:07 |
I don't know |
| 00:20:08 |
but I promise you, |
| 00:20:11 |
Damn baby, |
| 00:20:14 |
Hell, I ain't even gonna |
| 00:20:21 |
See, I run the motor pool |
| 00:20:24 |
And I was thinkin' if you want |
| 00:20:27 |
and not have to worry about |
| 00:20:29 |
then you could come in, |
| 00:21:26 |
You're the fed |
| 00:21:28 |
Yeah, you can call me |
| 00:21:29 |
I could call you |
| 00:21:31 |
- Where you headed? |
| 00:21:32 |
Sea World? |
| 00:21:33 |
There isn't one |
| 00:21:34 |
My loss. |
| 00:21:35 |
No. What really be |
| 00:21:36 |
is getting |
| 00:21:38 |
by doing something stupid. |
| 00:21:39 |
- Are you threatening Sara? |
| 00:21:41 |
I'm just saying that if you were gonna |
| 00:21:44 |
Bullets fly, Michael. |
| 00:21:46 |
And if she'd get hurt, |
| 00:21:48 |
Funny hearing that |
| 00:21:49 |
who put her in prison |
| 00:21:51 |
No, I didn't put her in prison. |
| 00:21:54 |
It's just my job to make sure |
| 00:21:57 |
So, uh... |
| 00:21:58 |
Where's all |
| 00:22:09 |
Alright. |
| 00:22:26 |
Fence line is four feet... |
| 00:22:36 |
And 32 feet... |
| 00:22:40 |
Hurry up. |
| 00:22:42 |
I'm going as fast |
| 00:22:48 |
- He followed you? |
| 00:22:51 |
You guys almost done? |
| 00:22:54 |
Almost. |
| 00:22:55 |
Great. |
| 00:22:56 |
I'll meet you back |
| 00:23:17 |
Well, you just |
| 00:23:21 |
I bet you was |
| 00:23:25 |
Handing out |
| 00:23:26 |
were makin' |
| 00:23:28 |
What in the hell |
| 00:23:29 |
You ain't even ask me |
| 00:23:31 |
One day, for real! |
| 00:23:32 |
Can we go one day |
| 00:23:39 |
Let it be today. |
| 00:23:46 |
I'm sorry. |
| 00:23:47 |
You got to forgive |
| 00:23:51 |
You just a little bit |
| 00:23:54 |
She's just |
| 00:23:56 |
Crazy type |
| 00:23:59 |
What? You wanna |
| 00:24:01 |
Sorry. |
| 00:24:02 |
Or you want me |
| 00:24:05 |
Sorry. |
| 00:24:10 |
Kid. |
| 00:24:13 |
It's rough. |
| 00:24:18 |
It's important though that, uh-- |
| 00:24:23 |
I have a family. |
| 00:24:24 |
Oh, you've got a husband? |
| 00:24:28 |
They let him bring you in here, |
| 00:24:31 |
No. |
| 00:24:33 |
Yeah, |
| 00:24:38 |
18 years |
| 00:24:44 |
So, you know. |
| 00:24:47 |
that's cool. |
| 00:24:52 |
Then you pick up |
| 00:24:54 |
take it out and put it |
| 00:24:57 |
Okay. |
| 00:25:21 |
We gotta go, bro. |
| 00:25:29 |
- Get your hands off me. |
| 00:25:33 |
What's Burrows doing |
| 00:25:44 |
Please don't make me |
| 00:25:58 |
Nobody here to help you, |
| 00:26:00 |
Are you going |
| 00:26:02 |
You tried to kill me. |
| 00:26:04 |
Line it up, cons. |
| 00:26:06 |
Go back inside. |
| 00:26:07 |
You, get back to your detail. |
| 00:26:30 |
I want you to pass along |
| 00:26:32 |
What he's paying |
| 00:26:33 |
to dust that Tancredi |
| 00:26:36 |
My woman are good |
| 00:26:40 |
Just what kind of discount |
| 00:26:44 |
Tell him, uh... |
| 00:26:45 |
He's offering a 100 grand, |
| 00:26:49 |
No, 40. |
| 00:26:51 |
40. |
| 00:26:53 |
Perfect. |
| 00:26:55 |
I'll tell him. |
| 00:27:02 |
Hey, five star. |
| 00:27:06 |
So you have no cash, |
| 00:27:11 |
I'm sorry. |
| 00:27:13 |
I couldn't hear you over |
| 00:27:22 |
Got it. |
| 00:27:25 |
I won't ask again. |
| 00:27:33 |
Whose act is stupid |
| 00:27:38 |
Oh, to what do |
| 00:27:41 |
I've been thinking... |
| 00:27:42 |
Well, no need |
| 00:27:44 |
Just spit it out. |
| 00:27:47 |
I've changed my mind. |
| 00:27:49 |
No, well maybe, |
| 00:27:52 |
Maybe she don't |
| 00:27:54 |
Sport's right. |
| 00:27:56 |
I recently have rolled up |
| 00:27:59 |
Peace. |
| 00:28:06 |
- Please. |
| 00:28:11 |
Please, may I be |
| 00:28:17 |
Take a walk. |
| 00:28:20 |
Take a walk! |
| 00:28:27 |
I would love that. I would-- |
| 00:28:31 |
You see, its not that easy. |
| 00:28:39 |
See, in order |
| 00:28:41 |
to a family... |
| 00:28:50 |
It's something |
| 00:28:53 |
That's right, |
| 00:29:04 |
It's a commitment... |
| 00:29:10 |
It's a code |
| 00:29:28 |
Alex! |
| 00:29:30 |
- What's up? |
| 00:29:32 |
How you doing, |
| 00:29:33 |
What's going on? |
| 00:29:35 |
We gotta talk. |
| 00:29:38 |
Alright. |
| 00:29:39 |
They're watching you. |
| 00:29:41 |
- We know. We gotta a fed on us. |
| 00:29:44 |
The whole department. |
| 00:29:45 |
Sounds a lot like |
| 00:29:48 |
What you do? |
| 00:29:52 |
They offered me |
| 00:29:53 |
if I came down here |
| 00:29:56 |
Now the fed you're talking about, |
| 00:29:58 |
He's running point. |
| 00:29:59 |
So now we know. |
| 00:30:01 |
So if you really |
| 00:30:03 |
you gotta |
| 00:30:06 |
And I'll help you |
| 00:30:10 |
What else do you get? |
| 00:30:12 |
Sara was working the motor pool |
| 00:30:15 |
Motor pool is here. |
| 00:30:16 |
This hold by two security cameras, |
| 00:30:19 |
What about |
| 00:30:21 |
No loading dock, |
| 00:30:24 |
Fences? |
| 00:30:24 |
15 feet high, |
| 00:30:27 |
- Electrified? |
| 00:30:30 |
If Sara can get herself back |
| 00:30:32 |
I think we can find |
| 00:30:34 |
With all the different retrofits |
| 00:30:36 |
the fence line |
| 00:30:38 |
But security cameras remain exactly |
| 00:30:41 |
They've never accounted |
| 00:30:43 |
- There's a blindspot. |
| 00:30:46 |
If Sara can get back to that spot, |
| 00:30:48 |
It's risky, Michael. |
| 00:30:50 |
That's all we've got. |
| 00:30:52 |
How much time to tell Sara |
| 00:30:54 |
How? |
| 00:30:54 |
We get no visitations, |
| 00:31:04 |
It's clean. |
| 00:31:27 |
Remember when I taught you |
| 00:31:30 |
I wish I was |
| 00:31:32 |
To see you holding one |
| 00:31:39 |
To see you holding one |
| 00:31:57 |
Tomorrow. PM. |
| 00:32:20 |
Sure looks like |
| 00:32:21 |
Do you have a warrant, |
| 00:32:23 |
A warrant? |
| 00:32:25 |
My testimony would be |
| 00:32:27 |
Once inside, |
| 00:32:30 |
right in plain sight. |
| 00:32:32 |
What judge is gonna take |
| 00:32:34 |
What evidence? |
| 00:32:35 |
Those pictures were taken |
| 00:32:37 |
That prison, was paid for |
| 00:32:40 |
So all you have |
| 00:32:41 |
is an exonerated citizen, |
| 00:32:44 |
taking pictures |
| 00:32:46 |
Last I checked, |
| 00:32:48 |
What if I said that |
| 00:32:51 |
just for having |
| 00:32:52 |
What if I told you that all this |
| 00:32:56 |
The warden won't let me |
| 00:32:58 |
So I figured, if I found |
| 00:33:00 |
pointed them out |
| 00:33:03 |
she might change |
| 00:33:04 |
Is that so? |
| 00:33:05 |
Find anything yet? |
| 00:33:07 |
No. |
| 00:33:10 |
Well thank goodness |
| 00:33:13 |
You guys will let me know |
| 00:33:16 |
You'll be |
| 00:33:30 |
On the outside, I was known |
| 00:33:32 |
No matter what. |
| 00:33:34 |
I got paid well |
| 00:33:35 |
Now I'm broke. |
| 00:33:39 |
- Like what? |
| 00:33:42 |
I don't do |
| 00:33:44 |
Really? It's not what it says |
| 00:33:47 |
As I understand, you'd do favors |
| 00:33:56 |
Is that true? |
| 00:34:05 |
This is bullshit, Boss! |
| 00:34:07 |
I'm a veteran |
| 00:34:11 |
Ain't no reason |
| 00:34:13 |
You-- |
| 00:34:14 |
Hey! |
| 00:34:15 |
You low leaf! |
| 00:34:20 |
Looky, looky here. |
| 00:34:22 |
No! |
| 00:34:23 |
You know this! |
| 00:34:24 |
I don't do no drugs! |
| 00:34:26 |
Who put that |
| 00:34:29 |
You... ugh! |
| 00:34:30 |
Get your hands off me. |
| 00:34:33 |
What y'all looking at? |
| 00:34:34 |
I do no drugs! |
| 00:34:36 |
Somebody is going |
| 00:34:38 |
I love you too. |
| 00:34:41 |
Sofia's making arrangements |
| 00:34:43 |
Once we break Sara, |
| 00:34:48 |
- Hey. |
| 00:34:49 |
Just got the decision |
| 00:34:51 |
They're ordering the warden |
| 00:34:56 |
- Where are you going? |
| 00:34:58 |
Pera, pera, pera, pera-- |
| 00:35:00 |
If they're going to be listening |
| 00:35:02 |
you gotta be careful |
| 00:35:03 |
If she understood my letters, |
| 00:35:07 |
How? She's going to blink |
| 00:35:24 |
Attention, inmates... |
| 00:35:27 |
Visiting hours will be over |
| 00:35:33 |
Oh my God! |
| 00:35:38 |
Oh my God! |
| 00:35:41 |
I'm okay. |
| 00:35:44 |
Sara, |
| 00:35:47 |
You're in here |
| 00:35:52 |
I'm sorry. |
| 00:35:56 |
- I miss you so much |
| 00:36:01 |
I miss you too. |
| 00:36:05 |
You just have |
| 00:36:08 |
I'm trying. |
| 00:36:14 |
- Did you get my letter? |
| 00:36:17 |
I know sometimes it's hard for me |
| 00:36:21 |
But I hope you understood... |
| 00:36:26 |
I did. |
| 00:36:30 |
Is he getting cute? |
| 00:36:32 |
You were there for me. |
| 00:36:37 |
- Okay. |
| 00:36:41 |
Time's up. |
| 00:36:44 |
See you soon. |
| 00:36:52 |
Bye. |
| 00:37:13 |
Michael. |
| 00:37:18 |
I was thinking a lot. |
| 00:37:19 |
About the photos and the mock-up |
| 00:37:22 |
And I ran a few tests. |
| 00:37:24 |
Lo and behold, |
| 00:37:27 |
Right along the fence line over here, |
| 00:37:30 |
You didn't know |
| 00:37:32 |
No, no, |
| 00:37:34 |
Because you would've |
| 00:37:35 |
the warden about it |
| 00:37:37 |
Well, it's a good thing |
| 00:37:40 |
before anyone tried |
| 00:37:50 |
Well if we can't go |
| 00:37:52 |
then that leaves |
| 00:37:53 |
Look, how's she gonna climb |
| 00:37:57 |
I'm guessing |
| 00:37:58 |
for her |
| 00:38:00 |
- Then she's gotta go under. |
| 00:38:03 |
What was that you were saying |
| 00:38:05 |
Parachutes-- |
| 00:38:06 |
Guys, come on. |
| 00:38:08 |
You can't be-- |
| 00:38:10 |
Couple of thoughts |
| 00:38:11 |
A: |
| 00:38:12 |
B: |
| 00:38:14 |
Have you ever worn |
| 00:38:15 |
Don't worry. |
| 00:38:18 |
But we're gonna need some help |
| 00:38:21 |
Who? |
| 00:38:22 |
- You want a favor from me. |
| 00:38:26 |
Of course. |
| 00:38:28 |
When you and Michael send me |
| 00:38:30 |
you did give me |
| 00:38:32 |
I mean what kind of man |
| 00:38:33 |
if I didn't |
| 00:38:35 |
Look, |
| 00:38:36 |
all you gotta do is sound off |
| 00:38:39 |
tomorrow night |
| 00:38:42 |
That's it. |
| 00:38:43 |
You're breaking her out. |
| 00:38:45 |
Krantz has put |
| 00:38:47 |
That's our one shot, |
| 00:38:50 |
of keeping her alive. |
| 00:38:52 |
Well you're on a pivoted |
| 00:38:55 |
We'll put five grand on your cake |
| 00:38:58 |
The love of Michael's life |
| 00:39:01 |
That's the best |
| 00:39:04 |
- I need six figures. |
| 00:39:06 |
Well, |
| 00:39:07 |
I know somebody who does... |
| 00:39:13 |
He's got to pay out |
| 00:39:16 |
You wire that money |
| 00:39:20 |
and we're in business. |
| 00:39:22 |
What's his name? |
| 00:39:23 |
It's your brother to you |
| 00:39:25 |
Come on, you gotta give me |
| 00:39:26 |
Tomorrow. 7 PM. |
| 00:39:41 |
You should have seen |
| 00:39:43 |
When he saw me fixing that fence |
| 00:39:47 |
You did a great job. |
| 00:39:50 |
Job's over now. |
| 00:39:52 |
If Michael has this misguided belief |
| 00:39:58 |
he's gonna find a way back |
| 00:40:00 |
Your job will be over until |
| 00:40:03 |
to put him back |
| 00:40:06 |
So what's the latest? |
| 00:40:08 |
There's nothing concrete. |
| 00:40:09 |
But I'll let you know |
| 00:40:11 |
Alright. |
| 00:40:35 |
I warned you. |
| 00:40:40 |
Tough going alone. |
| 00:40:41 |
I know he's breaking you out. |
| 00:40:50 |
Relax. |
| 00:40:52 |
Krantz sent me |
| 00:40:53 |
but after what he's put me through, |
| 00:40:56 |
You're sitting next to me |
| 00:40:57 |
when I was poisoned. |
| 00:40:58 |
You'd think you would've |
| 00:40:59 |
if I wanted you dead? |
| 00:41:01 |
I want you dead. |
| 00:41:03 |
Do you think it's hard to stay alive |
| 00:41:05 |
There's 200 women |
| 00:41:09 |
Could you even get |
| 00:41:15 |
I'm coming with you. |
| 00:41:17 |
Or nobody's going. |
| 00:41:49 |
Well, if you're watching this, |
| 00:41:52 |
Because that means |
| 00:42:02 |
How does he think |
| 00:42:04 |
He's going |
| 00:42:06 |
I know he's gonna jump. |
| 00:42:08 |
Not without getting caught. |
| 00:42:09 |
And how is he going |
| 00:42:11 |
even if T-Bag-- |
| 00:42:12 |
It's a big "if". |
| 00:42:16 |
Michael, we, uh... |
| 00:42:19 |
I have. |
| 00:42:23 |
Okay. |
| 00:42:24 |
I'm going to drop down |
| 00:42:26 |
And I'll cut the parachute off |
| 00:42:29 |
They're going to be |
| 00:42:30 |
I can hide behind this building, |
| 00:42:33 |
Then I'll make my way |
| 00:42:34 |
That's the chapel. |
| 00:42:37 |
Sara will be waiting. |
| 00:42:38 |
Why the chapel? |
| 00:42:39 |
During the riot in '88, |
| 00:42:40 |
prison employees escaped through |
| 00:42:43 |
They wound up here, |
| 00:42:45 |
The administration building, |
| 00:42:48 |
Which means that |
| 00:42:50 |
there is |
| 00:42:52 |
If we can get |
| 00:42:55 |
you can meet us there. |
| 00:42:56 |
How's Sara gonna get |
| 00:42:58 |
She'll have |
| 00:43:00 |
Look, we're doing this |
| 00:43:02 |
just like we've planned. |
| 00:43:03 |
- Where have you been? |
| 00:43:05 |
I need you to find a plane |
| 00:43:07 |
I need you two, |
| 00:43:09 |
Find out exactly who has this money, |
| 00:43:13 |
- And then we have to get it. |
| 00:43:19 |
Or Sara's going |
| 00:43:21 |
Is everybody onboard? |
| 00:43:24 |
Okay. |
| 00:43:29 |
Tell me, you've completed |
| 00:43:33 |
Well, I got the cash. |
| 00:43:34 |
But there'll may be some delay |
| 00:43:36 |
The woman we hired is having trouble |
| 00:43:39 |
Then hire somebody else. |
| 00:43:42 |
Put a bounty on her head. |
| 00:43:44 |
I want Sara Tancredi |
| 00:43:45 |
dead by the end |
| 00:43:49 |
Open cell! |
| 00:44:02 |
Yo, we about to play cards. |
| 00:44:06 |
I'm okay. |
| 00:44:07 |
You should. |
| 00:44:09 |
With Daddy gone, |
| 00:44:14 |
Hell, we all did. |
| 00:44:17 |
I've got, uh... |
| 00:44:20 |
It's cool. |
| 00:44:21 |
Thanks. |
| 00:44:22 |
Not too smart though, for a girl |
| 00:44:27 |
Aren't you heard? |
| 00:44:31 |
Tancredi, |
| 00:44:35 |
Say hello to your husband |
| 00:44:49 |
What's wrong? |
| 00:44:53 |
Look, um... |
| 00:44:55 |
I know you don't have |
| 00:44:57 |
over what's happened here, |
| 00:45:00 |
Things aren't working out. |
| 00:45:04 |
Okay. |
| 00:45:06 |
I'm trying |
| 00:45:08 |
To do... this. |
| 00:45:12 |
But from where |
| 00:45:14 |
there's only |
| 00:45:16 |
Do you need more time... |
| 00:45:19 |
No. No, it's not |
| 00:45:21 |
I've made up |
| 00:45:24 |
'Cause there's nothing |
| 00:45:27 |
Except... |
| 00:45:31 |
Pray for us? |
| 00:45:33 |
You can pray for us |
| 00:45:36 |
Maybe |
| 00:45:42 |
How can I rob someone |
| 00:45:45 |
The logbook outside says that |
| 00:45:49 |
A Joe Daniels. |
| 00:45:50 |
Well if he was in |
| 00:45:53 |
Daniels |
| 00:45:54 |
You know how many Daniels |
| 00:45:56 |
Thousands. |
| 00:45:57 |
Well you better |
| 00:45:59 |
'cause if I ain't get |
| 00:46:01 |
you ain't got your fire, |
| 00:46:03 |
And that means Pretty |
| 00:46:05 |
Listen, my friend, |
| 00:46:07 |
to makin' demands... |
| 00:46:08 |
Okay, shh-- |
| 00:46:10 |
I ain't talking about |
| 00:46:13 |
I put my ear on the ground |
| 00:46:16 |
Good. |
| 00:46:18 |
And now, fetch. |
| 00:46:26 |
We got a pilot. |
| 00:46:28 |
There's a guy |
| 00:46:30 |
running drugs |
| 00:46:32 |
Went legit. |
| 00:46:33 |
He must've jumped |
| 00:46:35 |
Yes, several. |
| 00:46:37 |
Some for sport. |
| 00:46:38 |
Some necessity. |
| 00:46:39 |
It's a big difference, |
| 00:46:41 |
It's not easy hitting the X, |
| 00:46:44 |
Don't worry. |
| 00:46:47 |
- What do you got? |
| 00:46:50 |
See, the prison was built |
| 00:46:53 |
so that exit in |
| 00:46:54 |
is probably protected |
| 00:46:58 |
modified by |
| 00:47:00 |
Those locks don't have |
| 00:47:02 |
which means |
| 00:47:04 |
Then you can't just |
| 00:47:05 |
shut it, |
| 00:47:06 |
No. |
| 00:47:07 |
1200 volt power surge will just |
| 00:47:12 |
Not to mention |
| 00:47:17 |
That's why we have |
| 00:47:19 |
Yeah. |
| 00:47:35 |
Yeah. |
| 00:47:36 |
Talk to me, Mahone. |
| 00:47:38 |
Nothing yet. |
| 00:47:39 |
I don't need updates |
| 00:47:41 |
I need evidence, intent. |
| 00:47:43 |
Call me when he's in the |
| 00:47:45 |
Yeah. |
| 00:47:46 |
I'm not going |
| 00:47:47 |
from me |
| 00:47:48 |
It's going down if I've got |
| 00:48:13 |
Sorry. |
| 00:48:45 |
Time for you |
| 00:49:13 |
Are we friends now? |
| 00:49:15 |
Get out of the way! |
| 00:49:17 |
I didn't see anything, sir. |
| 00:49:18 |
- Move! |
| 00:49:31 |
Bad news. |
| 00:49:33 |
Agatha Warren |
| 00:49:43 |
- Who did that? |
| 00:49:46 |
But I hear it says fish. |
| 00:49:51 |
No! |
| 00:49:54 |
No! |
| 00:49:57 |
There he is. |
| 00:49:58 |
If you don't like this guy, |
| 00:50:02 |
Good to see you, Sni. |
| 00:50:04 |
What you get into here, |
| 00:50:06 |
Jumping at 1500 feet |
| 00:50:09 |
You've gone back |
| 00:50:10 |
Let's not forget who's doing |
| 00:50:12 |
Favor? |
| 00:50:13 |
Favor that I bust |
| 00:50:15 |
No, I did not. |
| 00:50:18 |
If anyone asks, |
| 00:50:21 |
and it's not my fault |
| 00:50:23 |
Sounds good to me. |
| 00:50:32 |
If you don't like this guy, |
| 00:50:34 |
- We come up with a new plan. |
| 00:50:38 |
- It's not just Sara's life at risk. |
| 00:50:42 |
I know you do. |
| 00:50:43 |
That's why I also know |
| 00:50:47 |
- Yeah. What do you need? |
| 00:50:50 |
I want you to make sure |
| 00:50:52 |
get out of |
| 00:50:53 |
I need to know |
| 00:50:56 |
And I'm gonna trust |
| 00:50:58 |
you can |
| 00:51:04 |
Take this. |
| 00:51:12 |
I trust you, Alex. |
| 00:51:16 |
Remember that. |
| 00:51:47 |
Special delivery. |
| 00:51:49 |
- What is it? |
| 00:51:51 |
It came via messenger from uh... |
| 00:51:54 |
"My man on the outside needs to know |
| 00:51:58 |
Whose birthday is it? |
| 00:52:08 |
Well, just see to it that it gets back |
| 00:52:10 |
Will do. |
| 00:52:19 |
So this is |
| 00:52:21 |
That's it. |
| 00:52:22 |
Is that |
| 00:52:23 |
or you need |
| 00:52:24 |
- That'll do. |
| 00:52:26 |
I want that money wired |
| 00:52:29 |
No wire, no fire. |
| 00:52:30 |
You boys |
| 00:52:31 |
I have no qualms at all about |
| 00:52:33 |
you understand? |
| 00:52:34 |
You know what? |
| 00:52:40 |
That was Sofia. |
| 00:52:41 |
She'll meet you |
| 00:52:42 |
in Dominican Republic |
| 00:52:43 |
- you guys can fly to Costa Rica. |
| 00:52:46 |
I know |
| 00:52:47 |
And after |
| 00:52:48 |
I'll take the money |
| 00:52:50 |
wire to the bank. |
| 00:52:52 |
You're gonna meet us |
| 00:52:54 |
Might give |
| 00:52:55 |
Okay. |
| 00:52:57 |
We're ready. |
| 00:53:02 |
Thanks, buddy. |
| 00:53:05 |
For everything. |
| 00:53:07 |
Good luck, papi. |
| 00:53:08 |
See you |
| 00:53:12 |
Nobody's talking, huh? |
| 00:53:25 |
I made it |
| 00:53:27 |
Want to give |
| 00:53:29 |
a birthday gift |
| 00:53:32 |
So I need |
| 00:53:33 |
It's funny. |
| 00:53:34 |
- You're never sentimental. |
| 00:53:45 |
We need to get |
| 00:53:50 |
We? |
| 00:53:50 |
There's no way out of here, |
| 00:53:52 |
I'm gonna need you. |
| 00:54:09 |
Yeah? |
| 00:54:10 |
Mr. Daniels, |
| 00:54:12 |
here for the job. |
| 00:54:13 |
Well, this is Mr. Daniels, |
| 00:54:19 |
It's Wednesday, sir. |
| 00:54:21 |
Hold it right there. |
| 00:54:39 |
Get out! |
| 00:54:46 |
This is it. |
| 00:54:49 |
I'll be right back. |
| 00:55:07 |
Michael! |
| 00:55:09 |
Come here. |
| 00:55:16 |
There's |
| 00:55:19 |
Mess! |
| 00:55:20 |
Mess, |
| 00:55:26 |
Little faster. |
| 00:55:30 |
Let's go! |
| 00:55:37 |
Got any ideas? |
| 00:55:38 |
Yeah. Keep your head down |
| 00:55:40 |
I'll think |
| 00:55:46 |
You better think of something fast, |
| 00:56:08 |
I hope you're ready |
| 00:56:10 |
This one's |
| 00:56:16 |
Do you think |
| 00:56:22 |
Yeah. I don't think it's her |
| 00:56:28 |
Just be ready. |
| 00:56:38 |
- Hello? |
| 00:56:40 |
I got the message |
| 00:56:44 |
Was the gift earned? |
| 00:56:45 |
What in the hell |
| 00:56:47 |
- The birthday present. |
| 00:56:49 |
Two guys showed up |
| 00:56:51 |
they took the money |
| 00:56:51 |
beat the crap |
| 00:57:04 |
Howdy, General. |
| 00:57:06 |
I just thought of let you know |
| 00:57:11 |
My personal preference is |
| 00:57:16 |
So I see you |
| 00:57:19 |
You worthless son of a whore. |
| 00:57:22 |
Careful |
| 00:57:25 |
Lest I become |
| 00:57:36 |
Alright, from takeoff, |
| 00:57:38 |
real fast. |
| 00:57:39 |
So whatever you gotta do |
| 00:57:41 |
You got it. |
| 00:57:44 |
We've got the money. |
| 00:57:46 |
Sucre's just dropped me off |
| 00:57:48 |
Good. |
| 00:57:50 |
I'm goin' to see how long |
| 00:57:55 |
You sure that thing's |
| 00:57:57 |
Yeah, |
| 00:57:59 |
What about you? |
| 00:58:00 |
This is not my first time |
| 00:58:03 |
But hopefully... |
| 00:58:15 |
Think about all the amazing stories |
| 00:58:21 |
You're gonna be the type of father |
| 00:58:25 |
Someone |
| 00:58:28 |
Take care, Michael. |
| 00:58:35 |
Unless you've got details, |
| 00:58:37 |
And you can forget about |
| 00:58:39 |
He's got a plane. |
| 00:58:41 |
- What? |
| 00:58:43 |
he's gonna be over |
| 00:58:43 |
prison airspace |
| 00:58:51 |
Call in reinforcements. |
| 00:58:54 |
And be ready to turn off |
| 00:58:56 |
Scofield won't see what's coming |
| 00:58:59 |
And bring me |
| 00:59:08 |
Wait, wait. |
| 00:59:09 |
What do you think happened |
| 00:59:11 |
it's not what happened. |
| 00:59:12 |
I need to make this |
| 00:59:14 |
Go ahead. |
| 00:59:16 |
I was hoping |
| 00:59:19 |
You know I still owe you |
| 00:59:22 |
Later, blue eyes. |
| 00:59:23 |
I swear to God |
| 00:59:25 |
and I was just |
| 00:59:28 |
- You remember that? |
| 00:59:30 |
My momma |
| 00:59:33 |
Told me I was going to give it |
| 00:59:36 |
Not only did I get knocked up, |
| 00:59:41 |
And I practically raised Agatha |
| 00:59:46 |
Now I can say |
| 00:59:50 |
You didn't know |
| 00:59:53 |
Okay, listen, you're right. |
| 00:59:55 |
She was just a-- real bitch |
| 01:00:03 |
Skittles. |
| 01:00:05 |
Okay. |
| 01:00:06 |
We cool. |
| 01:00:08 |
We cool, we-- |
| 01:00:12 |
Kaorla. She wants you |
| 01:00:16 |
A'ight? Okay. |
| 01:00:43 |
Son of a bitch! |
| 01:00:46 |
They'll be coming |
| 01:00:49 |
Federal agent Todd Wheatley. |
| 01:00:52 |
Emergency team |
| 01:00:53 |
I'm the leader of |
| 01:00:55 |
Now let me inside. |
| 01:00:56 |
- Sorry. Strict orders. |
| 01:00:58 |
Come on! |
| 01:01:00 |
No weapons! |
| 01:01:11 |
The plane should be overhead |
| 01:01:14 |
Hey, fellas! |
| 01:01:25 |
As soon as he hits the ground, |
| 01:01:33 |
Standby. |
| 01:01:39 |
We're standing by. |
| 01:01:42 |
Easy now. |
| 01:01:47 |
Standby! |
| 01:01:49 |
Now! |
| 01:01:56 |
Let's go. |
| 01:02:15 |
Where the hell's |
| 01:02:27 |
Emergency team |
| 01:02:29 |
I'm the leader of the emergency team. |
| 01:02:32 |
I've strict orders. |
| 01:02:34 |
I don't care what your orders are. |
| 01:02:58 |
Why isn't Tancredi |
| 01:03:00 |
We've just got |
| 01:03:02 |
We're looking for her |
| 01:03:04 |
Oh my God! |
| 01:03:06 |
- Are you alright? |
| 01:03:09 |
Check the kitchen. |
| 01:03:47 |
I'm not gonna make it |
| 01:03:51 |
Either leave me with tools here |
| 01:04:12 |
Are you gonna be able |
| 01:04:14 |
Yeah. |
| 01:04:16 |
Okay. |
| 01:04:27 |
Alright, hold up. |
| 01:04:39 |
Nah, |
| 01:05:03 |
Don't move! |
| 01:05:13 |
- Stand on the dark, now! |
| 01:05:15 |
On the ground! |
| 01:05:25 |
You're here alone? |
| 01:05:27 |
Damn it, con. When I ask you |
| 01:05:30 |
Is there |
| 01:05:33 |
Yes. |
| 01:05:35 |
Who? |
| 01:05:39 |
- God. |
| 01:05:42 |
He's always here. |
| 01:05:45 |
I was worried about my little girl |
| 01:05:48 |
So I came to pray. |
| 01:05:51 |
See if someone would |
| 01:05:58 |
Go check it out. |
| 01:06:20 |
The stove mess is open. |
| 01:06:23 |
I've got to get |
| 01:06:25 |
We better head |
| 01:06:33 |
I hope that daughter |
| 01:06:34 |
- is hell a lot smarter than you. |
| 01:06:52 |
Hey. |
| 01:06:55 |
Are you ready |
| 01:07:04 |
Nobody gets in or out |
| 01:07:06 |
I don't care if it's the President |
| 01:07:08 |
you tell him |
| 01:07:10 |
Get a team. |
| 01:07:11 |
I want every inch of that fence line |
| 01:07:14 |
Yes, sir. |
| 01:07:19 |
Michael said this is where |
| 01:07:24 |
You think Sucre |
| 01:07:27 |
I don't know. |
| 01:07:38 |
No, no, no. |
| 01:07:45 |
Please enter |
| 01:07:49 |
9248. |
| 01:07:52 |
Your account balance is |
| 01:07:58 |
If you would like |
| 01:08:01 |
9248, pow! |
| 01:08:04 |
Your account balance is |
| 01:08:10 |
What the hell you thinking |
| 01:08:12 |
We're in lockdown. |
| 01:08:13 |
What for? |
| 01:08:14 |
Something's going on in bitch block. |
| 01:08:17 |
What's it worth to you |
| 01:08:26 |
We're going to get |
| 01:08:27 |
On the other side is |
| 01:08:29 |
for the administrators. |
| 01:08:31 |
In case of a riot. |
| 01:08:32 |
If this is the same system |
| 01:08:34 |
that door can only be open remotely |
| 01:08:37 |
That's why we've gone |
| 01:08:40 |
T-Bag. |
| 01:08:44 |
Tell them |
| 01:08:47 |
Michael Scofield is about |
| 01:08:51 |
And I know exactly |
| 01:08:56 |
Exactly what did |
| 01:08:58 |
Just light a fire |
| 01:09:00 |
And the rest... |
| 01:09:01 |
The rest will just |
| 01:09:04 |
A fire alarm. |
| 01:09:05 |
If that goes off, |
| 01:09:07 |
State law, mandatory evac. |
| 01:09:08 |
Hell, |
| 01:09:10 |
I was goin' to get you |
| 01:09:11 |
- Shut up! |
| 01:09:14 |
Alright, the evacuation's only |
| 01:09:17 |
Whatever he's up to, |
| 01:09:18 |
he needs noise |
| 01:09:22 |
Deactivate the smoke detection system, |
| 01:09:24 |
and while you're at it, |
| 01:09:25 |
If anybody so much as bends |
| 01:09:29 |
I want him to be able |
| 01:09:37 |
- What are we waiting for? |
| 01:09:40 |
With the right price, |
| 01:09:55 |
That's what |
| 01:10:09 |
- Michael, there's a-- |
| 01:10:11 |
See, there's only one thing |
| 01:10:13 |
when you're dealing |
| 01:10:14 |
He's a rat. |
| 01:10:19 |
Anything? |
| 01:10:20 |
So far, just a female inmate |
| 01:10:22 |
- Tancredi? |
| 01:10:24 |
- Over by the chapel. |
| 01:10:35 |
Alright. |
| 01:10:39 |
Great. |
| 01:10:48 |
Okay, |
| 01:11:05 |
Okay. |
| 01:11:08 |
Beyond this door should be |
| 01:11:11 |
On the other end |
| 01:11:12 |
and after that, |
| 01:11:14 |
there's a boat mounted |
| 01:11:19 |
A power surge to the system, |
| 01:11:22 |
for just a few seconds. |
| 01:11:23 |
Just long enough for you |
| 01:11:29 |
3, 2, 1. |
| 01:11:36 |
One more time. |
| 01:11:38 |
3, 2, 1. |
| 01:11:48 |
I was afraid |
| 01:11:50 |
It's okay. |
| 01:11:51 |
We're going |
| 01:11:52 |
and we're gonna find |
| 01:11:56 |
I know |
| 01:12:13 |
I need units to the chapel. |
| 01:12:26 |
- Where are they? |
| 01:12:27 |
They should've been here |
| 01:12:33 |
The battery wasn't generating |
| 01:12:36 |
We have to blow the system |
| 01:12:42 |
Okay. |
| 01:12:46 |
This is |
| 01:12:48 |
If I yanked that, |
| 01:12:49 |
everything will go dark |
| 01:12:52 |
I reconnect |
| 01:12:56 |
If I reconnect |
| 01:12:58 |
there'll be |
| 01:13:00 |
every light bulb in this place |
| 01:13:01 |
As soon as that happens, |
| 01:13:04 |
And I want you |
| 01:13:06 |
Okay. |
| 01:13:14 |
Michael? |
| 01:13:16 |
Sara... |
| 01:13:19 |
Someone has |
| 01:13:22 |
and someone has |
| 01:13:24 |
And that someone's |
| 01:13:26 |
Okay. So I'll leave it |
| 01:13:29 |
You don't understand. |
| 01:13:31 |
This is the only way. |
| 01:13:39 |
I'm not leaving unless |
| 01:13:44 |
But I am coming |
| 01:13:52 |
I love you. |
| 01:13:55 |
God, |
| 01:14:01 |
Go! |
| 01:14:03 |
Go, Sara. |
| 01:15:08 |
Downstairs. |
| 01:15:28 |
Where's Michael? |
| 01:15:32 |
Sara, where is he? |
| 01:15:35 |
Where is he? |
| 01:15:51 |
He's not coming back. |
| 01:15:58 |
He's not coming back. |
| 01:16:00 |
What do you mean, |
| 01:16:02 |
What do you mean |
| 01:16:07 |
He's not coming back. |
| 01:16:14 |
He'll be here. |
| 01:16:19 |
He's gone, |
| 01:16:28 |
Linc, |
| 01:16:32 |
We gotta go. |
| 01:16:52 |
We gotta go. |
| 01:17:26 |
Hey, |
| 01:17:30 |
Why am I being punished?! |
| 01:17:34 |
You aided and abetted an escape, |
| 01:17:36 |
And as far as |
| 01:17:38 |
you're an accomplice. |
| 01:17:41 |
Scofield! |
| 01:17:44 |
Scofield! |
| 01:17:49 |
Scofield! |
| 01:18:15 |
Michael asked me to give you this, |
| 01:18:18 |
He said it would help you understand |
| 01:18:25 |
It's his bloodwork. |
| 01:18:53 |
This is |
| 01:18:55 |
I was supposed |
| 01:18:57 |
to Costa Rica for you |
| 01:19:01 |
I ran into |
| 01:19:04 |
I'm sorry. |
| 01:19:08 |
You take care |
| 01:19:11 |
You take care yours. |
| 01:19:39 |
This is for you. |
| 01:19:42 |
He never said |
| 01:19:46 |
Why didn't he |
| 01:19:49 |
'Cause he knew you'll try |
| 01:19:51 |
He knew you'd do anything |
| 01:19:53 |
But I didn't. |
| 01:20:00 |
Well... |
| 01:20:03 |
You will soon. |
| 01:20:08 |
Take it easy. |
| 01:20:18 |
Sara. |
| 01:20:22 |
Thank you. |
| 01:20:25 |
Yeah. |
| 01:21:05 |
Well, if you're watching this, |
| 01:21:08 |
Because that means |
| 01:21:13 |
And that's |
| 01:21:17 |
I wish I could... |
| 01:21:20 |
But as you probably |
| 01:21:23 |
I wouldn't have much |
| 01:21:27 |
I made my choice, |
| 01:21:31 |
I don't regret it. |
| 01:21:35 |
Anyway, |
| 01:21:38 |
there's going to be another |
| 01:21:41 |
And Linc, |
| 01:21:42 |
I want you |
| 01:21:44 |
no matter what, |
| 01:21:46 |
they're going to grow up knowing |
| 01:21:51 |
And Sara, |
| 01:21:52 |
I want you |
| 01:21:53 |
that you're gonna keep |
| 01:21:56 |
As you may |
| 01:21:57 |
he has the tendency |
| 01:22:05 |
You know we spend |
| 01:22:08 |
not saying the things |
| 01:22:10 |
The things |
| 01:22:14 |
We speak in code, |
| 01:22:16 |
Origami. |
| 01:22:19 |
So now, |
| 01:22:24 |
I want to say that |
| 01:22:29 |
Very much. |
| 01:22:32 |
And I want you |
| 01:22:35 |
that you're gonna |
| 01:22:39 |
that you're gonna tell my child |
| 01:22:44 |
and remind them |
| 01:22:47 |
To be free. |
| 01:22:50 |
Because we are. |
| 01:22:53 |
We're free now. |
| 01:22:56 |
Finally. |
| 01:22:59 |
We're free. |
