Prizzi s Honor
|
00:00:45 |
Angelo! |
00:00:50 |
Your son! |
00:00:53 |
He lost his mother, |
00:00:56 |
I'm his father now, with you. |
00:00:59 |
I'll be as one with you, |
00:01:07 |
We're honoured, |
00:01:51 |
Raise the first finger |
00:02:29 |
This drop of blood symbolizes |
00:02:36 |
We're one, |
00:02:42 |
We'll protect you... |
00:02:44 |
so much you protect |
00:02:48 |
- Do you swear it? |
00:07:44 |
Now that you have sealed a truly |
00:07:47 |
give these wedding rings to each |
00:07:51 |
In the name of the Father and |
00:07:56 |
take and wear this ring... |
00:07:58 |
as a sign of my love... |
00:08:01 |
and fidelity. |
00:08:03 |
In the name of the Father and |
00:08:09 |
take and wear this ring... |
00:08:11 |
as a sign of my love... |
00:08:13 |
and fidelity. |
00:08:15 |
In the name of the Father and of |
00:09:20 |
Hey, you know that girl up there... |
00:09:24 |
blonde, lavender gloves? |
00:09:27 |
Look pal |
00:09:30 |
I gotta take shots of the notables, |
00:09:32 |
Mr. Partanna, |
00:09:34 |
I want shots of that girl up there |
00:09:37 |
You got it, |
00:09:42 |
Take care of yourselves. |
00:09:45 |
Don't tell me that |
00:09:47 |
- Himself. |
00:10:09 |
Hey, give me a ride over |
00:10:12 |
There's over half a dozen veal |
00:10:15 |
You got it Charley, jump in. |
00:10:55 |
Ok, quiet down! |
00:10:58 |
Ladies and gentlemen, |
00:11:02 |
would like to introduce you to a man |
00:11:07 |
Our father |
00:11:09 |
a legend to his people: |
00:11:13 |
Don Corrado Prizzi. |
00:11:29 |
My father welcomes all of you |
00:11:33 |
and he says that you should |
00:11:36 |
He offers his toast of love... |
00:11:37 |
to the happiness of the bride |
00:11:40 |
and he wishes them |
00:11:45 |
Thanks to you all. |
00:12:34 |
Excuse me would you care |
00:12:39 |
Yes. |
00:13:07 |
Some spread, huh? |
00:13:10 |
Haven't I seen you |
00:13:13 |
I'm sure I'd remember. |
00:13:15 |
I mean... |
00:13:16 |
maybe's you were at the marry |
00:13:21 |
I could never miss you. |
00:13:24 |
And you are? |
00:13:25 |
Charley Partanna, |
00:13:28 |
Miss, Miss! |
00:13:30 |
- Telephone? |
00:13:52 |
Hello, Aunt Amalia! |
00:13:56 |
Maerose! |
00:13:59 |
Pop actually invited me |
00:14:02 |
Imagine that. |
00:14:04 |
He must be getting soft in his old age. |
00:14:07 |
Cara, let me look at ya'. |
00:14:12 |
So Aunt Amalia |
00:14:14 |
Such a one. |
00:14:15 |
Always making |
00:14:17 |
Come on Aunt Amalia, |
00:14:21 |
I'm the family scandal. |
00:14:23 |
Everybody be disappointed |
00:14:26 |
Have you paid your respects |
00:14:37 |
- Do I have to? |
00:14:40 |
Come on, lets' go together. |
00:14:48 |
Hello Pappa! |
00:14:50 |
Dominic! Dominic! |
00:14:52 |
She came to pay you her respects. |
00:14:54 |
Speak to her! |
00:14:56 |
Then how come she ain't |
00:14:58 |
If she's so respectful? |
00:15:00 |
How come she show's up |
00:15:03 |
dressed like a Badonna Dialo? |
00:15:06 |
Don't worry Aunt Amalia, |
00:15:10 |
You ought to be ashamed |
00:15:52 |
Where's the lady |
00:15:56 |
Where's the lady |
00:15:58 |
How should I know mister? |
00:16:00 |
Who told you to go get her? |
00:16:02 |
Some old guy, I don't know. |
00:16:05 |
An old guy. |
00:16:07 |
Ok. |
00:16:08 |
Watch out for them conolli's. |
00:16:11 |
Thanks mister. |
00:16:15 |
Hello Charley. |
00:16:17 |
- Hi Maerose. |
00:16:19 |
- How are you Mae? |
00:16:23 |
Fine too. |
00:16:26 |
So how's the decorating |
00:16:30 |
Oh, it's just great Charley, |
00:16:33 |
Everything is art deco now. |
00:16:34 |
Art who? |
00:16:36 |
You know art deco, |
00:16:39 |
It's a style it's not a person. |
00:16:42 |
Like all that art stuff. |
00:16:52 |
God! |
00:16:55 |
What's the matter Mae? |
00:16:59 |
I should have known to stay away. |
00:17:01 |
What happened? |
00:17:04 |
I went to say hello to my father, |
00:17:09 |
Maerose, I'm sorry. |
00:17:15 |
Listen Mae what you gotta do |
00:17:18 |
Forget about the alignment. |
00:17:19 |
They never gonna take you back |
00:17:21 |
So screw them. |
00:17:25 |
Especially that fucking Dominic. |
00:17:31 |
Mae, you are still beautiful. |
00:17:34 |
Why don't you find yourself someone |
00:17:38 |
Settle down, |
00:17:41 |
A life. |
00:17:44 |
Practice your meatballs. |
00:17:49 |
Sure Charley. |
00:17:52 |
You're a big help. |
00:18:13 |
Are you the guy |
00:18:15 |
Yeah. |
00:18:16 |
- So when do I get to see them? |
00:18:18 |
I'll make sure I get them to you |
00:18:20 |
About noon tomorrow. |
00:18:22 |
- Ok, meanwhile give me her name. |
00:18:24 |
- Yeah her name, for Christ's sake. |
00:18:30 |
I thought you knew her. |
00:18:31 |
Oh for Christ's sake's! |
00:18:51 |
- Hello. |
00:18:54 |
She ain't here. |
00:18:58 |
- Who is this? |
00:19:01 |
Ask her, this is very important. |
00:19:05 |
Ask her if she knows a woman |
00:19:08 |
who wore a lavender dress. |
00:19:09 |
- You got it? |
00:19:13 |
Make sure she calls me. |
00:19:15 |
Now what's your name? |
00:19:19 |
Ten bucks? |
00:19:23 |
Ok, Peaches. |
00:19:25 |
You tell Miss Prizzi |
00:19:28 |
no matter how late, tonight. |
00:19:30 |
- Ok. |
00:19:33 |
Bye, bye. |
00:19:53 |
Hey Partanna! |
00:19:56 |
Gallagher! |
00:20:00 |
What's up? |
00:20:01 |
Somebody tagged Sally |
00:20:04 |
Yeah? |
00:20:06 |
Who dunnit? |
00:20:07 |
Where were you between |
00:20:10 |
I was at the wedding. |
00:20:12 |
Corrado Prizzi's |
00:20:17 |
They're all gonna turn out |
00:20:20 |
Come on! |
00:20:35 |
You couldn't be cleaner? |
00:20:36 |
- Who made the hit bob? |
00:20:39 |
We did? How come we did? |
00:20:48 |
Well that's the best way in it. |
00:20:52 |
Who hit him? |
00:20:53 |
I don't tell. |
00:20:56 |
How come? |
00:20:57 |
Dominic told me to set it up so |
00:21:01 |
We was all at the wedding. |
00:21:15 |
- Mae? |
00:21:17 |
Did you have any luck? |
00:21:20 |
What kind of a message was that? |
00:21:22 |
Who can remember |
00:21:25 |
I was wearing a pink and black |
00:21:28 |
So you don't know |
00:21:34 |
the woman in the lavender dress? |
00:21:37 |
Oh, go suck your head! |
00:21:50 |
Yeah? |
00:21:51 |
Mr. Partanna please. |
00:21:54 |
What? |
00:21:55 |
- Is this Charley Partanna? |
00:21:58 |
I hope you don't mind |
00:22:01 |
I wanted to apologise for running |
00:22:04 |
This is you? |
00:22:09 |
I recognise the voice, |
00:22:13 |
I just wanted to explain. |
00:22:15 |
I hope you don't think I'm rude. |
00:22:17 |
Rude? Oh, no, no. |
00:22:22 |
So listen um. |
00:22:25 |
Why don't we get together later, |
00:22:29 |
When you mean tonight? |
00:22:30 |
I could pick you up in half an hour. |
00:22:32 |
I live in California. |
00:22:35 |
California? |
00:22:36 |
Yeah, that's where I live. |
00:22:44 |
How about lunch tomorrow? |
00:22:46 |
Alright. |
00:22:48 |
How about the bar |
00:22:52 |
That would be tremendous. |
00:22:56 |
- About two? |
00:23:23 |
I was scared I was never |
00:23:33 |
Dos zumos de piña |
00:23:39 |
What was that you said? |
00:23:40 |
I ordered us a drink |
00:23:45 |
Say it again. |
00:23:47 |
Zumo de piña |
00:23:49 |
What is it some Puerto Rican |
00:23:52 |
Yes, I guess it could be. |
00:23:56 |
I had it in Cuba. |
00:24:00 |
What were you doing in Cuba? |
00:24:02 |
I was on my honeymoon. |
00:24:07 |
I didn't know you was married. |
00:24:11 |
My husband left me 4 years ago. |
00:24:13 |
I don't know where he's. |
00:24:17 |
He left you! |
00:24:19 |
Crazy huh! |
00:24:23 |
I could find him for you. |
00:24:26 |
Let him stay lost! |
00:24:28 |
Well you might wanna |
00:24:34 |
Maybe... |
00:24:37 |
but until that happens... |
00:24:39 |
I don't wanna know about him. |
00:24:43 |
What about you? |
00:24:49 |
Once I was almost married. |
00:24:52 |
Mae rose was her name. |
00:24:55 |
We grew up together. |
00:25:00 |
One night we had a big fight... |
00:25:02 |
because I was dancing too much |
00:25:04 |
I suppose I did it on purpose... |
00:25:07 |
because I wanted |
00:25:10 |
So she flew off to Mexico |
00:25:14 |
Shacks up in a hotel... |
00:25:15 |
Father sends some goons down there |
00:25:22 |
Brings her back to the States and |
00:25:26 |
That was 4 years ago. |
00:25:28 |
That's it? |
00:25:31 |
Yeah, she can't even go |
00:25:33 |
Only unless it's a special occasion... |
00:25:35 |
weddings, funerals, |
00:25:38 |
We're still friends. |
00:25:41 |
She's in decorating. |
00:25:43 |
She did my apartment, |
00:25:48 |
That's some family you got. |
00:25:50 |
Anyway... |
00:25:55 |
Do you? |
00:25:59 |
stand out in New York, |
00:26:02 |
My father always says |
00:26:05 |
to stand out because |
00:26:10 |
instead of clothes, cars |
00:26:14 |
For men that is. |
00:26:16 |
What am I doing all |
00:26:19 |
How come I met you |
00:26:21 |
and you ain't no wop? |
00:26:22 |
The Bishop who married them |
00:26:26 |
No he's a Polak. |
00:26:29 |
So am I. |
00:26:31 |
Walker is a Polak name? |
00:26:33 |
No, it was Walkervisks. |
00:26:35 |
I shortened it. |
00:26:36 |
My maiden name was |
00:26:39 |
Either way... |
00:26:43 |
you're sure one |
00:26:46 |
I guess I thought that Walker sounded |
00:26:51 |
You're a tax |
00:26:54 |
What do you do |
00:26:57 |
I save people money. |
00:26:59 |
Show them the angles. |
00:27:02 |
This L. A corporation... |
00:27:04 |
had a guy kidnapped |
00:27:06 |
so I told them they ran some money |
00:27:10 |
- Things like that. |
00:27:14 |
Charley... |
00:27:17 |
- Shall we go? |
00:27:20 |
We'll take my car. |
00:27:24 |
- What kind of a car is this? |
00:27:27 |
Japanese make them in England |
00:27:30 |
Great California car. |
00:27:31 |
It's a great anyplace car. |
00:27:37 |
Well it wasn't free but |
00:27:41 |
- Like to eat outside? |
00:27:50 |
Irene I gotta say it. |
00:27:53 |
I can't sleep. |
00:27:56 |
I'm a grown man middle aged |
00:28:00 |
but no... |
00:28:02 |
nobody in my life has ever |
00:28:05 |
like the way that |
00:28:13 |
I love you. |
00:28:16 |
That's it. |
00:28:22 |
I love you. |
00:28:25 |
I think I'm in love with you |
00:28:28 |
No it ain't in love. |
00:28:30 |
In love is temporary. |
00:28:31 |
Then you move on |
00:28:34 |
Everybody is always falling |
00:28:37 |
I notice. |
00:28:40 |
I read about it in magazines. |
00:28:43 |
When you're just in love |
00:28:47 |
Wait a minute. |
00:28:50 |
A hormonal secretion... |
00:28:53 |
which changes the senses smells. |
00:28:55 |
So as to affect someone |
00:28:59 |
That's what in love is. |
00:29:03 |
Love. |
00:29:08 |
I think that's sounds |
00:29:14 |
I don't know how to say it |
00:29:17 |
All my life I've had |
00:29:21 |
you can't protect yourself from |
00:29:27 |
I love you Charley. |
00:29:32 |
What's that they're playing? |
00:29:35 |
That's "Noche de Ronda." |
00:29:38 |
I'm never gonna |
00:29:41 |
I'm never gonna forget |
00:29:45 |
I'm never gonna forget anything |
00:29:50 |
Wherever we go |
00:29:53 |
whenever they play this song... |
00:29:57 |
this is gonna be our song. |
00:30:35 |
Irene! |
00:30:39 |
Everything being equal... |
00:30:42 |
would you marry me? |
00:30:45 |
Everything being equal... |
00:30:50 |
I'd marry you tonight |
00:30:54 |
Oh, yeah! |
00:31:26 |
Have a cigar! |
00:31:30 |
My favourites. |
00:31:36 |
Smell delicious! |
00:31:38 |
Charley come in. |
00:31:41 |
Hello Charley nice to see ya'. |
00:31:44 |
- Wanna cigar Charley? |
00:31:46 |
Sit down! |
00:31:49 |
Now Cyril, |
00:31:53 |
what happened at the big casino |
00:31:57 |
I've been President of the Prizzi's |
00:32:00 |
and I have never seen |
00:32:07 |
I've got 14 phony I.O. U |
00:32:10 |
They come to $722,085. |
00:32:13 |
Now when the collectors go to |
00:32:16 |
the player that signed the I.O. U |
00:32:18 |
from some bad cold or something |
00:32:21 |
Or else he was someplace else and |
00:32:24 |
Every piece of paper is counter-signed, |
00:32:27 |
by Louis Paul, |
00:32:29 |
and the man in the cage, |
00:32:31 |
They had to be working together. |
00:32:33 |
I don't get it. |
00:32:35 |
Louis takes paper to the cage |
00:32:39 |
- That's house rules too. |
00:32:41 |
Now the big boss tells me |
00:32:43 |
He says that he twice saw Louis... |
00:32:45 |
bring two big racks of $1,000 |
00:32:48 |
She went to cashiers window but |
00:32:53 |
So where's Louis and Heller? |
00:32:55 |
Louis caught it. |
00:32:58 |
Heller is hauled up in L. A |
00:33:00 |
They found Louis laid out |
00:33:03 |
in the parking lot of Leone's bar |
00:33:07 |
I knew Louis when he was a helper |
00:33:11 |
We taught him his trade. |
00:33:13 |
He wasn't smart enough to figure |
00:33:16 |
So I guess the first thing to do... |
00:33:19 |
is to find Marxie Heller. |
00:33:22 |
I remember him now. |
00:33:24 |
He always wore |
00:33:26 |
He had dark brown bags under his eyes |
00:33:30 |
That's him. |
00:33:32 |
He was good with figures, steady. |
00:33:35 |
Charley... |
00:33:37 |
Louis Palo was thief |
00:33:41 |
Heller must have iced him |
00:33:52 |
Ok. |
00:34:59 |
What do you want my friend? |
00:35:02 |
The Prizzis sent me. |
00:35:06 |
Where is your wife Mr. Heller? |
00:35:10 |
She's at the supermarket. |
00:35:13 |
And just who are you? |
00:35:16 |
Charley Partanna. |
00:35:20 |
Where's the money Marxie? |
00:35:22 |
Straight arrow Charley. |
00:35:25 |
The old American hood. |
00:35:28 |
I don't know what |
00:35:32 |
Get up onto your feet! |
00:35:35 |
Put your hands up! |
00:35:51 |
I think you broke my wrist. |
00:35:53 |
You won't need it. |
00:35:55 |
Come on! |
00:37:03 |
I'm home, dear! |
00:37:07 |
Marxie's not here, Mrs. Heller. |
00:37:24 |
Charley! |
00:37:28 |
What are you doing here? |
00:37:32 |
Why didn't you call first? |
00:37:36 |
Charley! |
00:37:43 |
Marxie Heller's wife? |
00:37:48 |
You married to Marxie Heller? |
00:37:56 |
- Where's the money? |
00:37:58 |
No bullshit. |
00:38:00 |
Your husband killed Louis Palo |
00:38:03 |
I don't know what you're talking about. |
00:38:07 |
- Where Is Marxie? |
00:38:09 |
In the trunk of his car. |
00:38:11 |
Stop this cheap bullshit! |
00:38:12 |
Where's the money |
00:38:15 |
scammed from the Prizzi's |
00:38:21 |
Maybe I... |
00:38:22 |
I do know something about it. |
00:38:25 |
He had a bag with him. |
00:38:34 |
It could be in here. |
00:38:36 |
It's the only place I know |
00:38:55 |
You sure? |
00:38:57 |
I'm sure. |
00:38:58 |
I got $360 here. |
00:39:02 |
Half? |
00:39:04 |
Don't keep telling me |
00:39:06 |
Where is the rest of the money? |
00:39:09 |
I didn't even know |
00:39:11 |
How could I know |
00:39:13 |
When Marxie came home |
00:39:16 |
after being away from |
00:39:18 |
he threw that bag in the closet. |
00:39:20 |
That's all I know. |
00:39:21 |
Did you ask him why he came back |
00:39:25 |
Charley please try and understand. |
00:39:29 |
I was glad when Marxie |
00:39:33 |
it gave me a chance to |
00:39:36 |
You wanna know what I remember? |
00:39:38 |
I remember you coming in that door |
00:39:40 |
"I'm home dear". |
00:39:41 |
Is that the way you ask for a divorce |
00:39:45 |
Mrs. Heller? |
00:39:47 |
Charley, I could see |
00:39:50 |
I didn't need to ask him. |
00:39:57 |
Oh, Marxie. |
00:40:03 |
In all the years I knew |
00:40:05 |
he never yelled at me |
00:40:09 |
or stole my money. |
00:40:12 |
He was my friend. |
00:40:15 |
If it wasn't for him. |
00:40:16 |
I'd probably still be earning |
00:40:20 |
with half of your pals |
00:40:24 |
It was his idea to study |
00:40:28 |
he got me a job |
00:40:31 |
Then he talked them into |
00:40:33 |
He told me to study tax laws... |
00:40:35 |
while I was flying back and forth |
00:40:39 |
He was always there for me, |
00:40:43 |
And I loved him. |
00:40:45 |
Not like I love you, |
00:40:49 |
And that's the Gods honest truth. |
00:40:53 |
why don't you just kill me |
00:41:04 |
I can't. |
00:41:09 |
I can't change the way |
00:41:13 |
I look at you... |
00:41:16 |
and I see what I wanna see. |
00:41:19 |
That's what love is. |
00:41:22 |
If you were anybody else |
00:41:27 |
But I can't. |
00:41:33 |
I have to believe this. |
00:41:41 |
Well how'd it go out there? |
00:41:43 |
Okay. |
00:41:45 |
I brought back 360 dollars. |
00:41:48 |
How come only half? |
00:41:51 |
I talked to Heller |
00:41:55 |
So I pay him off with a bing. |
00:42:00 |
We talk. |
00:42:02 |
No problem. |
00:42:04 |
She's brings me the money |
00:42:07 |
cause he brought a satchel home |
00:42:10 |
I count. |
00:42:11 |
It's only half. |
00:42:13 |
You worked her over? |
00:42:15 |
No, she was scared. |
00:42:17 |
She knew I'd tapped her husband. |
00:42:19 |
I think she was telling the truth. |
00:42:21 |
What happened to Louis split? |
00:42:25 |
I don't know Dominic. |
00:42:27 |
Somebody has got |
00:42:33 |
Find it. |
00:42:38 |
Okay. |
00:42:49 |
When I close my eyes |
00:42:53 |
I think your mamma |
00:42:55 |
Thanks Poppa. |
00:42:58 |
Pop... |
00:43:01 |
do you think Dominic believes |
00:43:05 |
What the hell Charley. |
00:43:08 |
Dominic hates your guts anyway. |
00:43:10 |
Yeah that's getting real bad. |
00:43:14 |
He don't eat right. |
00:43:17 |
He's got heartburn from |
00:43:21 |
They make garbage. |
00:43:25 |
Well the man can't hate me |
00:43:31 |
Charley... |
00:43:33 |
believe me, I know how |
00:43:37 |
His life turned out miserable. |
00:43:39 |
He has to blame someone. |
00:43:41 |
Every time he sees you... |
00:43:43 |
he's reminded of the shame Maerose |
00:43:45 |
on him, |
00:43:47 |
You forgot. |
00:43:48 |
Not Dominic. |
00:43:50 |
He probably worked it all around |
00:43:55 |
Get it out of your head, |
00:43:58 |
Great dinner Charley! |
00:44:01 |
Now. |
00:44:03 |
What's the occasion? |
00:44:05 |
I wanna show you a woman. |
00:44:08 |
The one that I went to California |
00:44:14 |
Isn't she beautiful? |
00:44:17 |
I like her. |
00:44:19 |
Kind of darker and |
00:44:22 |
See you got a picture of me |
00:44:42 |
- Pop what are you doing? |
00:44:44 |
She was the one we brought in |
00:44:48 |
She was a speciality hitter. |
00:45:03 |
Charley let me give you a hand |
00:45:06 |
No, it's ok. |
00:45:11 |
The girl'll take care of that |
00:45:13 |
Thanks. |
00:45:14 |
Alright. |
00:45:17 |
Then, I'll just head on home. |
00:45:21 |
Getting late by my clock. |
00:45:24 |
- Great dinner Charley. |
00:45:26 |
- Goodnight Pop. |
00:45:29 |
Thanks a lot. |
00:46:14 |
Maerose? |
00:46:16 |
What is this? |
00:46:19 |
It's the second time |
00:46:22 |
Mae. |
00:46:25 |
Mae, listen. |
00:46:27 |
I broke that vase. |
00:46:29 |
What vase? |
00:46:31 |
That special vase |
00:46:36 |
The one you knocked your self out |
00:46:40 |
Charley what are you out |
00:46:43 |
- You alone? |
00:46:48 |
I gotta see ya'. |
00:47:02 |
What's with you? |
00:47:05 |
We gotta talk. |
00:47:07 |
You wanna talk out here |
00:47:13 |
Sure. |
00:47:21 |
Oh, this is a beautiful set up |
00:47:23 |
The colours are right. |
00:47:27 |
Everybody sees shapes differently |
00:47:31 |
Yeah. |
00:47:34 |
Why'd you call, Charley? |
00:47:39 |
We wasted a lot of time Mae. |
00:47:41 |
Four years you call that |
00:47:44 |
How come you didn't wait |
00:47:46 |
You could have been a fat wop |
00:48:00 |
You wanna do it Charley? |
00:48:06 |
Whoah take it easy! |
00:48:10 |
Nobody took it slower than me |
00:48:13 |
Four years. |
00:48:15 |
Answer the question |
00:48:19 |
Well, yeah. |
00:48:21 |
So... |
00:48:24 |
let's do it. |
00:48:29 |
With all the lights on? |
00:48:31 |
Yeah right here on the oriental. |
00:48:35 |
With all the lights on. |
00:48:40 |
Mamma Mia! |
00:48:50 |
Thanks. |
00:48:59 |
What's your problem Charley? |
00:49:02 |
It certainly isn't |
00:49:07 |
How can I tell you |
00:49:10 |
But I got nobody else I can talk to. |
00:49:15 |
It's about a woman. |
00:49:21 |
Go ahead. |
00:49:23 |
Tell me anyway. |
00:49:26 |
How can I feel worse than |
00:49:31 |
We grew up together. |
00:49:36 |
What the hell Charley, |
00:49:45 |
I met her in a church. |
00:49:48 |
Just happened. |
00:49:50 |
I knew she was the woman for me. |
00:49:56 |
She'd organised a scam in Vegas. |
00:49:59 |
I go looking for the bad guy and |
00:50:03 |
Can you imagine this? |
00:50:05 |
Not only that. |
00:50:06 |
Pop tells me... |
00:50:09 |
she's the piece man |
00:50:13 |
But just the same. |
00:50:15 |
I love her Mae. |
00:50:17 |
I love her. |
00:50:19 |
Well. |
00:50:22 |
Can I live with this? |
00:50:25 |
I gotta straighten it out. |
00:50:27 |
Then do. |
00:50:30 |
Do what? |
00:50:31 |
Do I ice her? |
00:50:33 |
Which one of these? |
00:50:35 |
Marry her Charley. |
00:50:38 |
Just because she's a thief |
00:50:40 |
doesn't mean she isn't a good |
00:50:43 |
If she was some kind of fashion model |
00:50:47 |
But you and she is in the same |
00:50:52 |
You're lucky you've found each other. |
00:50:55 |
Yeah. |
00:50:57 |
She's an American. |
00:50:59 |
She had a chance to make a buck |
00:51:03 |
Marry her Charley... |
00:51:05 |
and at least I'll be able |
00:51:09 |
I'll be able to go back |
00:51:14 |
Yeah. |
00:51:23 |
Thanks. |
00:51:24 |
Shall we have them play |
00:51:27 |
Yeah. |
00:51:29 |
Would you ask them? |
00:51:37 |
I've been all shook up. |
00:51:39 |
Why? |
00:51:41 |
I know everything. |
00:51:44 |
I know you made |
00:51:45 |
after the wedding reception |
00:51:49 |
I know you've been scamming us |
00:51:57 |
I did the work on Turbino. |
00:52:00 |
I had nothing to do with |
00:52:04 |
Louis Paulo was so suspicious... |
00:52:07 |
that he checked the car for bombs |
00:52:10 |
But he would have let some |
00:52:12 |
walk over get in |
00:52:17 |
No matter how you got it |
00:52:21 |
I had nothing to do with it. |
00:52:27 |
Charley. |
00:52:29 |
Did you mean it that first night |
00:52:35 |
Charley? |
00:52:41 |
Alright. |
00:52:44 |
The Prizzi's are gonna have |
00:52:49 |
So could we get married. |
00:52:53 |
What you say we have one of those |
00:52:56 |
The honeymoon has already started. |
00:52:58 |
Kiss me Charley. |
00:53:00 |
In public? |
00:53:06 |
Pop? |
00:53:08 |
I'm in L.A. |
00:53:10 |
And that ain't all. |
00:53:14 |
The same woman? |
00:53:17 |
Yeah, she's Polish... |
00:53:19 |
but the family will get used |
00:53:21 |
Yeah, when she walks in a room... |
00:53:23 |
the rest of the women of family |
00:53:25 |
But I know how you feel |
00:53:27 |
I'd not try to stop nature. |
00:53:30 |
- Thanks Pop. |
00:53:33 |
The Don wants you here for |
00:53:36 |
Jesus, Pop what about |
00:53:41 |
So you'll have it in Brooklyn. |
00:53:43 |
Shit! |
00:54:30 |
So what do you say |
00:54:34 |
and maybe a couple of pictures? |
00:54:37 |
Whatever you say honey. |
00:54:40 |
If only Marxie could see me now. |
00:54:45 |
What's so funny? |
00:54:46 |
Me marrying a Sicilian. |
00:54:50 |
I can hear him. |
00:54:53 |
"The Jews are bad enough |
00:54:56 |
but the Sicilians'd rather eat |
00:54:59 |
And they're very fond |
00:55:04 |
Marxie Heller is so fucking smart... |
00:55:07 |
how come he's so fucking dead? |
00:55:09 |
Next. |
00:55:53 |
The man at the end of the table... |
00:55:57 |
is Mr. Alvin Gomski. |
00:55:59 |
He's Treasurer of 18 Lodges Bank |
00:56:04 |
of which we own 25º/º. |
00:56:07 |
Now I asked Mr. Gomski |
00:56:11 |
so you can hear from his own mouth |
00:56:15 |
The bank president |
00:56:18 |
is stealing from the bank... |
00:56:20 |
mainly through crooked |
00:56:23 |
If he's allowed to continue... |
00:56:25 |
the bank will go under |
00:56:27 |
Thank you Mr. Gomski. |
00:56:29 |
Harry go. |
00:56:39 |
Robert Finlay's real name |
00:56:43 |
Rosario Filargi. |
00:56:47 |
Now anybody who changes his |
00:56:51 |
is also stupid enough... |
00:56:53 |
to think that we wouldn't |
00:56:58 |
Tell them our plan Eduardo. |
00:57:03 |
We are gonna kidnap Filargi. |
00:57:07 |
He's covered with two and a half |
00:57:11 |
That's the tag on him |
00:57:13 |
We know the insurance company |
00:57:15 |
as Charley has already pointed out... |
00:57:17 |
that money is tax deductible |
00:57:20 |
We're also gonna leave a trail... |
00:57:22 |
so that the Feds think Filargi |
00:57:26 |
Cheating the bank, |
00:57:31 |
When the mierda hits the fan... |
00:57:34 |
we'll be able to buy another |
00:57:37 |
for about 10 cents on the dollar. |
00:57:39 |
We get control and interest. |
00:57:41 |
Eventually... |
00:57:44 |
we stand to make |
00:57:49 |
Thank you, Eduardo, my son. |
00:57:52 |
Some men suffer most |
00:57:57 |
Life is what is sweetest to them. |
00:58:00 |
For Filargi money is sweetest. |
00:58:04 |
We'll leave him with his life and |
00:58:11 |
Well done Don Corrado. |
00:58:14 |
I almost feel sorry for the guy. |
00:58:16 |
Beautiful is right. |
00:58:19 |
I like most beautiful things, Charley. |
00:58:22 |
This one is very simple. |
00:58:24 |
We rely on you. |
00:58:30 |
How do you want me to handle it? |
00:58:32 |
Pick your own people. |
00:58:43 |
Dominic my son stay with me |
00:58:53 |
Maerose has written to me, Dominic. |
00:58:57 |
The man she wronged |
00:59:02 |
Now Maerose has suffered, |
00:59:04 |
as you have suffered during |
00:59:10 |
Now honour is protected, |
00:59:15 |
on my knees... |
00:59:17 |
show compassion. |
00:59:20 |
Here. |
00:59:26 |
Look how the child loves you. |
00:59:30 |
She wants to take care of you. |
00:59:37 |
Send her to me Poppa. |
00:59:41 |
She's my daughter again. |
00:59:43 |
What we gotta do is take care |
00:59:46 |
and get Filargi down to |
00:59:49 |
- Ok? |
00:59:51 |
There's only three apartments |
00:59:57 |
How are you gonna do that? |
00:59:59 |
One of them is empty, |
01:00:01 |
The other one, |
01:00:04 |
and heavy duty lunch invitation |
01:00:07 |
A limo picks her up |
01:00:09 |
She thinks it's a prize |
01:00:12 |
for working at the public library |
01:00:15 |
She'll go alright. |
01:00:18 |
Everyday Filargi's bodyguard |
01:00:22 |
He goes to the elevator, |
01:00:24 |
When he gets there, |
01:00:26 |
Then he goes back to the apartment |
01:00:29 |
That's when Filargi comes out. |
01:00:32 |
You know guys, you need a woman |
01:00:36 |
- A woman? |
01:00:39 |
A woman comes out of |
01:00:42 |
After Filargi's bodyguard gets him |
01:00:45 |
She smiles at them, |
01:00:47 |
She tosses the little darling |
01:00:50 |
who naturally tries to catch it. |
01:00:51 |
While he's doing that, she gets her |
01:00:54 |
You come out of the other apartment |
01:00:57 |
She takes the bodyguard back into |
01:01:01 |
That's good. |
01:01:04 |
For Christ sake. |
01:01:06 |
Where we gonna get a baby? |
01:01:08 |
Where we gonna find a broad |
01:01:11 |
Where? |
01:01:13 |
We get a fake baby. |
01:01:15 |
Good thinking Irene. |
01:01:17 |
You guys work it out. |
01:01:18 |
I got a terrific dinner almost ready. |
01:01:23 |
Pop, what's the matter with you? |
01:01:26 |
I didn't get married so |
01:01:29 |
Charley, she's right |
01:01:32 |
Throwing the baby. |
01:01:35 |
The Prizzi's ever found out |
01:01:39 |
I couldn't hold my head up. |
01:01:41 |
I'd be the laughing stock |
01:01:43 |
in Brooklyn and New York. |
01:01:45 |
Who's gonna know Charley? |
01:01:48 |
And what's that compared to sixty, |
01:01:56 |
Gentlemen, dinner is served. |
01:02:18 |
- Maerose! |
01:03:07 |
Jees Mae, you look awful! |
01:03:12 |
My beautiful daughter |
01:03:17 |
Charley Partanna did this to you. |
01:03:20 |
He had a chance to become part |
01:03:23 |
He had no use for you. |
01:03:26 |
Oh, he had a use for me Poppa. |
01:03:32 |
He came to my place in New York |
01:03:34 |
he married that woman |
01:03:38 |
And he forced himself on me. |
01:03:41 |
And he did it to me. |
01:03:45 |
- He did it to you? |
01:03:48 |
Screwed me three times, maybe four. |
01:03:52 |
You whore. |
01:03:54 |
How can you say such things |
01:03:58 |
He done that to you, Charley? |
01:04:02 |
- You sure? |
01:04:04 |
You should see the size of him. |
01:04:06 |
- You should. |
01:04:08 |
How can you say such things |
01:04:11 |
Where's your honour? |
01:04:12 |
Are you kidding Poppa? |
01:04:51 |
Here Poppa. |
01:05:28 |
- Good afternoon. |
01:05:33 |
Do you mind? |
01:05:45 |
Catch! |
01:05:55 |
I must have the wrong floor. |
01:05:57 |
Oh my God! |
01:06:10 |
No blood I think. |
01:06:11 |
Ok, come on! |
01:06:23 |
I had to hit her Charley, |
01:06:26 |
You done right, really. |
01:06:43 |
I can't get over it. |
01:06:47 |
I mean what kind of creep |
01:06:50 |
If it was real, |
01:06:54 |
He wasn't |
01:07:00 |
When the Don gets what he wants |
01:07:03 |
we're gonna go to the old country |
01:07:06 |
Maybe even a real baby. |
01:07:08 |
Oh, God Charley, |
01:07:30 |
What do you want? |
01:07:32 |
Come on! |
01:07:45 |
- See you at dinner. |
01:08:19 |
Recapping our top stories |
01:08:23 |
- Come on Charley. |
01:08:26 |
Police have now identified |
01:08:28 |
One of whom was |
01:08:31 |
Shit! |
01:08:32 |
The man found with her |
01:08:34 |
of the bank President |
01:08:36 |
Finlay's apartment is right |
01:08:38 |
to the one where |
01:08:40 |
Bank officers |
01:08:42 |
when he didn't show up |
01:08:44 |
Police now speculate |
01:08:47 |
They also believe |
01:08:50 |
stumbled accidentally into |
01:08:53 |
and the kidnappers... |
01:08:54 |
Look at this. |
01:08:58 |
Then the broad turns out to be |
01:09:02 |
Call's still waiting Charley. |
01:09:16 |
Yeah? |
01:09:17 |
Hi, darling! |
01:09:20 |
Were you watching the TV just now? |
01:09:22 |
Yeah, a police captains wife. |
01:09:26 |
All hell is gonna break out |
01:09:29 |
Cops don't like it much |
01:09:32 |
But it was an accident. |
01:09:56 |
Mr. Ciglione? |
01:10:06 |
Mr. Ciglione. |
01:10:15 |
Mrs. Prizzi would you like to |
01:10:18 |
Mrs. Prizzi, |
01:10:21 |
I'll have a Babycham. |
01:10:24 |
Babycham? |
01:10:25 |
You heard what the lady said. |
01:10:28 |
Okay! |
01:10:30 |
Would you please sit down |
01:10:32 |
I think I got something for you. |
01:10:34 |
Capulla! |
01:10:38 |
Come on! |
01:10:40 |
Sit down over there. |
01:10:51 |
That the broad? |
01:10:54 |
Tell the lady. |
01:10:55 |
I was using this camper as |
01:10:59 |
As I lifted up my head from the job. |
01:11:03 |
running to the lights of the car where |
01:11:07 |
She's in the car a couple minutes. |
01:11:10 |
Then she gets out |
01:11:12 |
takes out a satchel |
01:11:15 |
The same woman? |
01:11:18 |
Yeah it's the same one. |
01:11:38 |
Why don't you go on one |
01:11:48 |
You've reached the answering |
01:11:53 |
Nobody can take your call |
01:11:55 |
Please leave a message |
01:11:58 |
Meet me on the promenade, |
01:12:03 |
Full price. |
01:12:05 |
I'll be on a bench at the end |
01:12:52 |
Are you the contractor? |
01:12:58 |
How much? |
01:13:00 |
It depends. |
01:13:02 |
Some hits are tricky. |
01:13:04 |
A Brooklyn fellow, |
01:13:07 |
Charley Partanna? |
01:13:22 |
Amalia told me that |
01:13:27 |
for bringing you home? |
01:13:30 |
Well, |
01:13:35 |
You're flesh of my flesh! |
01:13:38 |
And as long as I'm able... |
01:13:41 |
I'm gonna think about |
01:13:43 |
Thank you, grandfather. |
01:13:46 |
You have drawn me back |
01:13:51 |
I wish you had been a son. |
01:13:54 |
You are a true Prizzi. |
01:13:57 |
Hey, you like to have a cookie? |
01:14:03 |
It is I who must offer you a gift |
01:14:06 |
A gesture of my gratitude. |
01:14:08 |
I have always enjoyed gifts. |
01:14:21 |
Who's this handsome lady? |
01:14:26 |
That is Charley Partanna's wife, |
01:14:36 |
Well? |
01:14:39 |
My gift to you is not only |
01:14:43 |
but also what they mean. |
01:14:46 |
Louis Palo was killed |
01:14:49 |
I know. |
01:14:50 |
I took these pictures there. |
01:14:54 |
There was a woman who had been |
01:14:57 |
in the parking lot. |
01:14:59 |
She told me she saw this woman... |
01:15:01 |
get into a car with Palo. |
01:15:03 |
After a minute she got out, |
01:15:07 |
and took out a satchel. |
01:15:10 |
This woman? |
01:15:12 |
Yes, grandfather. |
01:15:17 |
She killed Palo... |
01:15:19 |
and she stole 720 dollars |
01:15:23 |
She gave back half to save herself. |
01:15:28 |
What do you want me to do? |
01:15:33 |
She dishonoured us! |
01:15:34 |
You're like me. |
01:15:37 |
We forgive nothing. |
01:15:44 |
What would that do |
01:15:49 |
She must pay |
01:15:52 |
Oh. What you ask... |
01:15:54 |
that would cause Charley |
01:15:59 |
What is that compared to |
01:16:02 |
Charley is like my son. |
01:16:06 |
I pledged to be his second father |
01:16:11 |
- Grandfather. |
01:16:15 |
Have another cookie my dear. |
01:16:28 |
We're here to tell you what we're |
01:16:31 |
All contracts are off... |
01:16:33 |
until we get who ever killed |
01:16:36 |
How do you mean Davey? |
01:16:38 |
It means nothing is happening. |
01:16:43 |
A police captains' wife |
01:16:46 |
You got narcotics right? |
01:16:48 |
Plus loan sharking. |
01:16:50 |
Plus horse books, football, |
01:16:54 |
Not to mention what you take out of |
01:16:57 |
Plus a couple of millions |
01:16:59 |
that fall of the back of a truck |
01:17:02 |
We're gonna put them all out of |
01:17:07 |
It'll cost us hundreds of thousands... |
01:17:09 |
but that the way it's gonna be. |
01:17:11 |
I've been doing business with |
01:17:15 |
For over 40 years now. |
01:17:17 |
We always went under one rule: |
01:17:19 |
You take our money, |
01:17:22 |
The more pressure you put on us |
01:17:26 |
There ain't a cop on the squad... |
01:17:28 |
who's had to get by on straight |
01:17:31 |
Yeah. |
01:17:34 |
Look Angelo, our people don't like |
01:17:38 |
But this one's a point of honour |
01:17:40 |
Do you understand that Angelo? |
01:18:07 |
You're a fine looking woman. |
01:18:11 |
Charley Partanna is a lucky man. |
01:18:14 |
Thank you for coming. |
01:18:18 |
What a surprise you gave us |
01:18:22 |
Well, we just sort of swept |
01:18:25 |
I understand, |
01:18:29 |
This... |
01:18:31 |
marriage of yours |
01:18:37 |
Why Don Corrado? |
01:18:39 |
The people at Prizzi's place |
01:18:42 |
have looked at pictures of you. |
01:18:44 |
They've told us that |
01:18:52 |
Now, under ordinary |
01:18:56 |
you would have to be punished... |
01:18:58 |
cause those who steal must pay. |
01:19:03 |
You're the wife of my God son. |
01:19:06 |
I've searched to find some way |
01:19:13 |
What can I do? |
01:19:14 |
Well you got the other half of |
01:19:19 |
Yes. |
01:19:20 |
Was Charley in this with you? |
01:19:22 |
No. |
01:19:24 |
He believed me when I told him |
01:19:27 |
He didn't know that I had anything |
01:19:30 |
Good. |
01:19:33 |
Now you have five days... |
01:19:37 |
to get the 360 together, |
01:19:42 |
together with |
01:19:46 |
for what you have done to us. |
01:19:48 |
Will five days be enough time |
01:19:52 |
Five days? |
01:19:54 |
Yeah, I can get it together |
01:20:05 |
Irene? |
01:20:07 |
Charley. |
01:20:11 |
How come you're in L. A? |
01:20:12 |
I had business to attend to, |
01:20:15 |
Can you get out here this weekend? |
01:20:18 |
I don't think so. |
01:20:23 |
Tell me. |
01:20:25 |
Tell you what. |
01:20:27 |
Tell me I love you. |
01:20:31 |
I love you. |
01:20:32 |
Love you too, and it's real. |
01:20:35 |
May not be scientific, but it's real. |
01:20:39 |
Scientific? |
01:20:42 |
I read it in a magazine. |
01:20:45 |
everyone is trying to get... |
01:20:47 |
what they thought |
01:20:50 |
but they didn't get it. |
01:20:53 |
I don't even remember my mother. |
01:20:56 |
That's the amazing part. |
01:20:59 |
There's something in you |
01:21:02 |
The magazine said so. |
01:21:04 |
That's what love is. |
01:21:06 |
When you find someone |
01:21:10 |
what you think you wanted |
01:21:13 |
but you didn't get it. |
01:21:15 |
A doctor wrote this. |
01:21:17 |
Charley forget doctors. |
01:21:20 |
Better yet, |
01:21:25 |
On the phone? |
01:21:30 |
Doctor Partanna |
01:21:35 |
Well? |
01:22:27 |
They're not kidding around |
01:22:30 |
It's gonna get worse. |
01:22:33 |
They're gonna keep leaning on us... |
01:22:36 |
until we give them whoever it was... |
01:22:38 |
that hit that Cops wife. |
01:22:41 |
All I know is that... |
01:22:44 |
the cops tell us... |
01:22:45 |
the guy who got snatched the day |
01:22:50 |
was in big business |
01:22:59 |
I wanna make this a short meet. |
01:23:02 |
I wanna put it to a vote right now... |
01:23:05 |
that Dominic Prizzi... |
01:23:08 |
tells us what the hell |
01:23:12 |
Alright? |
01:23:14 |
Raise your hands. |
01:23:17 |
Hold the hands. |
01:23:21 |
Who do you think |
01:23:26 |
I am Dominic Prizzi. |
01:23:29 |
When most of you people was walking |
01:23:33 |
I was holding up gas stations. |
01:23:36 |
We was the biggest family |
01:23:40 |
And now most of you have figured out |
01:23:44 |
we're still the biggest. |
01:23:47 |
We lose more when the cops |
01:23:50 |
than any of you. |
01:23:52 |
Now we don't like it... |
01:23:55 |
but you ain't gonna tell us |
01:24:00 |
We ain't taking any shit |
01:24:03 |
about the family business... |
01:24:08 |
especially from a scummy little pimp |
01:24:29 |
I hope you like it! |
01:24:36 |
Thank you. |
01:24:44 |
Padrino, you never saw anything |
01:24:49 |
the broad pushes the wrong button |
01:24:52 |
The door drops just in the minute... |
01:24:54 |
when the second man drops |
01:24:57 |
The woman is standing there. |
01:25:00 |
She makes all three of us. |
01:25:02 |
She had to go. |
01:25:05 |
I'm sure you didn't act |
01:25:09 |
That's why I called you here today. |
01:25:12 |
You're a thinker. |
01:25:17 |
Dominic is a sick man... |
01:25:22 |
and the return of |
01:25:25 |
He has got older. |
01:25:27 |
I'm gonna move Dominic out |
01:25:30 |
and make you boss. |
01:25:41 |
I'm speechless Padrino. |
01:25:51 |
This... |
01:25:53 |
is an honour... |
01:25:56 |
beyond my dreams. |
01:26:01 |
What could I do to show |
01:26:03 |
For the time being |
01:26:07 |
You must not even tell your father. |
01:26:14 |
I don't understand Padrino. |
01:26:16 |
We'll announce everything once |
01:26:21 |
Then Dominic will move out |
01:26:50 |
God, I missed you. |
01:26:53 |
So I gathered. |
01:26:57 |
What's been happening? |
01:27:01 |
Plenty. |
01:27:04 |
Just had a meeting with the Don. |
01:27:07 |
A private audience. |
01:27:11 |
Here. |
01:27:14 |
He wants me to take over. |
01:27:16 |
He says that Dominic is sick. |
01:27:18 |
They're gonna send him to Vegas. |
01:27:20 |
I'm gonna be the boss. |
01:27:22 |
Charley, |
01:27:23 |
I don't know. |
01:27:26 |
Sounds fishy to me. |
01:27:30 |
Number one... |
01:27:33 |
should have been Dominic |
01:27:36 |
instead of the Don. |
01:27:38 |
Well maybe the Don hasn't broken |
01:27:42 |
Whether he has or he hasn't... |
01:27:44 |
he would have told Pop. |
01:27:47 |
He don't decide what Mass to go to |
01:27:52 |
Big deal like this they'd go over |
01:27:57 |
They didn't? |
01:27:58 |
No. |
01:28:00 |
And worse than that. |
01:28:02 |
The Don says for me not to tell Pop. |
01:28:06 |
Wanna know what I think, Irene? |
01:28:08 |
What? |
01:28:13 |
I think they're setting me up. |
01:28:22 |
I think you're right Charley. |
01:28:24 |
I think they're after our scalps. |
01:28:26 |
How do you know? |
01:28:29 |
I gotta a couple of things to tell you. |
01:28:32 |
I went out to L. A on orders |
01:28:35 |
He told me to bring back the money |
01:28:37 |
plus 50 percent interest. |
01:28:39 |
So you did ice Louis Palo. |
01:28:41 |
You swore to me that you didn't. |
01:28:44 |
I lied to you because |
01:28:46 |
I only told you what |
01:28:48 |
And I told the Don |
01:28:50 |
Jesus Charley, I'm so sorry. |
01:28:56 |
What's the other thing you got to tell |
01:28:59 |
Dominic has put out |
01:29:03 |
What are you fucking nuts? |
01:29:06 |
No, Charley, |
01:29:10 |
Dominic hires my own wife |
01:29:13 |
Charley he didn't know |
01:29:16 |
He just wanted the best. |
01:29:19 |
Charley! |
01:29:21 |
Honey, |
01:29:24 |
What are you talking about? |
01:29:26 |
Let's beat it while we still can. |
01:29:28 |
Beat it? |
01:29:30 |
Yeah, scram, split, |
01:29:32 |
Look I know this guy in Hong Kong |
01:29:35 |
new prints even new faces |
01:29:37 |
We can get out of this crazy world, |
01:29:39 |
We can be together all the time. |
01:29:42 |
Hong Kong? |
01:29:43 |
Hong Kong, Brazil, South Africa. |
01:29:46 |
It doesn't matter. |
01:29:49 |
Listen, I've been doing three four |
01:29:53 |
Most of them full pay. |
01:29:56 |
That many? |
01:29:58 |
Well it's not many if you consider |
01:30:01 |
The thing is |
01:30:05 |
In a safe deposit box on the coast. |
01:30:08 |
You must have at least |
01:30:10 |
We can take all the money |
01:30:11 |
We can go where we want, |
01:30:13 |
we can be together |
01:30:15 |
Please Charley let's just go |
01:30:18 |
They're not gonna get us. |
01:30:20 |
Piss on the Prizzi's. |
01:30:23 |
These people can't win all the time. |
01:30:26 |
There has to be a way to beat them. |
01:30:33 |
Let's call Pop. |
01:30:36 |
And the Don told you to keep |
01:30:41 |
Yeah. |
01:30:42 |
And he told you he's letting you off |
01:30:47 |
Plus fifty percent. |
01:30:49 |
And Dominic gave you a fifty dollar |
01:30:53 |
Absolutely. |
01:31:07 |
Oh, he's hot. |
01:31:09 |
I ain't never seen him this hot. |
01:31:29 |
It's just business, just business. |
01:31:33 |
What are we gonna do? |
01:31:35 |
We have to take away the only thing |
01:31:38 |
Filargi. |
01:31:40 |
You have to snatch Filargi again |
01:31:44 |
How many people you got out there |
01:31:46 |
Two. |
01:31:47 |
My people, |
01:31:49 |
Good. |
01:31:50 |
Filargi is worth seventy million, |
01:31:54 |
Including the bank. |
01:31:57 |
So what are you next to |
01:32:00 |
Nothing. |
01:32:01 |
They'll take whatever deal |
01:32:03 |
Yeah, no choice right. |
01:32:04 |
They know we can let Filargi |
01:32:09 |
Or even worse... |
01:32:11 |
you can try and go into... |
01:32:12 |
the Governments |
01:32:15 |
and testify against |
01:32:18 |
To a jury the colds facts would be |
01:32:21 |
on orders from the Don and Dominic |
01:32:27 |
You're very dangerous to the Prizzi's, |
01:32:30 |
Yeah. |
01:32:31 |
It could turn out to be a good thing |
01:32:35 |
It could solve all our problems. |
01:33:33 |
We're here tonight to honour |
01:33:38 |
He's gonna leave us... |
01:33:40 |
to live in a 935 dollar |
01:33:44 |
next to his own golf course |
01:33:51 |
And I said to him, |
01:33:56 |
God speed you! |
01:34:00 |
God bless you Dominic! |
01:34:06 |
And I want to present you... |
01:34:08 |
with these tokens of esteem |
01:34:14 |
Some going away presents. |
01:34:23 |
A complete set of |
01:34:29 |
That bag is made out of the hide |
01:34:31 |
It's the only one |
01:34:34 |
And one thousand of your favourite |
01:34:40 |
We're gonna have a song... |
01:34:43 |
in celebration of this grand |
01:34:46 |
the great Tenor |
01:35:37 |
Get moving. |
01:35:42 |
Holy shit boss. |
01:36:34 |
The Bocca's. |
01:36:37 |
This killing of the Police captain's |
01:36:51 |
I got something to read to you. |
01:36:54 |
It's a letter. |
01:36:56 |
A letter? |
01:37:00 |
Charley. |
01:37:04 |
You all set? |
01:37:09 |
Dear Eduardo... |
01:37:11 |
You're probably hot right now |
01:37:14 |
But when you hear |
01:37:16 |
you and the Don are gonna understand |
01:37:20 |
Dominic put out a contract on me. |
01:37:28 |
He's a fucking liar! |
01:37:30 |
You wanna hear the letter, |
01:37:33 |
There's a 130 million dollars here |
01:37:35 |
We've gotta renegotiate it |
01:37:37 |
Just shut up and listen. |
01:37:40 |
Go on. |
01:37:45 |
Dominic will say |
01:37:50 |
It so happens |
01:37:53 |
and gave her a down payment |
01:37:56 |
And my wife is sitting right next |
01:38:00 |
I personally think the Don found |
01:38:03 |
because he's too dumb |
01:38:14 |
The first thing I gotta have |
01:38:18 |
is that you deliver |
01:38:21 |
where I tell you |
01:38:24 |
This time no contract, |
01:38:27 |
Listen to the letter will ya' Dominic? |
01:38:29 |
Come on. |
01:38:37 |
For the main money |
01:38:40 |
23,014 dollars for expenses. |
01:38:45 |
Then 50 dollars for my helper. |
01:38:48 |
Of course the 150 dollars |
01:38:51 |
as second man in the Filargi scam. |
01:38:54 |
Charley's wife was the second man? |
01:38:57 |
She was the only way |
01:39:00 |
Then I want all the insurance coverage |
01:39:03 |
which is two million five. |
01:39:05 |
- My God he's a real businessman. |
01:39:08 |
We gotta make him an offer and |
01:39:12 |
The way I see it, we get about |
01:39:16 |
with about 5.9º/º sales costs... |
01:39:18 |
if we give Charley everything he wants, |
01:39:21 |
And I am part of |
01:39:24 |
Dominic... |
01:39:26 |
take some blood pressure medicine, |
01:39:28 |
Charley is just making a point. |
01:39:31 |
Everything is negotiable. |
01:39:34 |
We go over to Poppa's... |
01:39:37 |
we hash this thing out. |
01:39:39 |
Come on! |
01:41:15 |
- Somebody is dead? |
01:41:18 |
Who? |
01:41:21 |
Poppa... |
01:41:23 |
Dominic. |
01:41:30 |
The Bocca's again. |
01:41:39 |
Oh Dominic! |
01:41:44 |
He got old! |
01:41:49 |
Maybe it was his daughter, |
01:41:54 |
I agreed to retire him... |
01:41:57 |
and I gave his job to Charley. |
01:42:00 |
I told him to keep this secret |
01:42:05 |
until... |
01:42:07 |
Dominic's banquet. |
01:42:11 |
Now Charley is all mixed up... |
01:42:14 |
and we gotta get him back. |
01:42:16 |
Only Charley can hold everything |
01:42:36 |
How you doing Pop? |
01:42:37 |
Fine, everything alright? |
01:42:40 |
Yeah, everything's quiet out here. |
01:42:43 |
That's better huh. |
01:42:46 |
Sorry to drag you out here... |
01:42:48 |
but I didn't want anyone |
01:42:51 |
When I told the Don about Dominic |
01:42:54 |
it knocked him out. |
01:42:55 |
He couldn't believe it. |
01:42:57 |
He told me with tears in his eyes |
01:43:03 |
He wasn't setting me up? |
01:43:06 |
He said... |
01:43:07 |
and I've known him for fifty years, |
01:43:11 |
He said: |
01:43:16 |
Oh, he said that? |
01:43:18 |
The Don and me |
01:43:20 |
The family has to keep going. |
01:43:22 |
You're the only one that can run it. |
01:43:27 |
Then everything is ok. |
01:43:29 |
We don't have to hang on to Filargi. |
01:43:31 |
The Don gave me his guarantee. |
01:43:36 |
Tomorrow morning at 10 o'clock, |
01:43:38 |
at 42nd Street library |
01:43:41 |
I'll tip off the cops and the FBI. |
01:43:45 |
Ok Pop, want the paper? |
01:43:47 |
Na, read it from cover to cover. |
01:43:49 |
Jupiter was 6 at Vermont. |
01:43:52 |
Ok. |
01:43:53 |
By the way, |
01:43:57 |
Take care of yourself Charley. |
01:44:12 |
How are we gonna take Filargi in? |
01:44:15 |
Pop's sending someone up on |
01:44:20 |
We'll transfer him into the van |
01:44:23 |
You stick with the plumber. |
01:44:25 |
He'll drop you off at the apartment. |
01:44:29 |
Tell me about the money Charley. |
01:44:33 |
My end is 2,5 million... |
01:44:35 |
plus I'm boss of the Prizzi's... |
01:44:37 |
with heavy points in everything |
01:44:42 |
This time next week |
01:44:46 |
You mean to tell me you're gonna |
01:44:49 |
to some Sicilians who are gonna pay |
01:44:53 |
Honey I'm the boss. |
01:44:55 |
I gotta believe Pop. |
01:44:58 |
They're not gonna screw us over now. |
01:45:01 |
Well maybe Pop is in there |
01:45:03 |
but that doesn't necessarily mean |
01:45:06 |
There is a real pressure to turn over |
01:45:10 |
You're my wife. |
01:45:11 |
I'm your Polak wife. |
01:45:14 |
Irene will you shape up, jees. |
01:45:17 |
Ok, I'll shape up as soon as I get |
01:45:24 |
What 900 dollars? |
01:45:26 |
The $720 from the Vegas scam... |
01:45:29 |
plus the $180 that |
01:45:31 |
That's 900 dollars. |
01:45:36 |
That's Prizzi money honey, not yours. |
01:45:40 |
The Prizzi's got theirs back |
01:45:43 |
Now I just want it back. |
01:45:44 |
That ain't gonna make no sense |
01:45:47 |
Remember the words of the late, |
01:45:51 |
We'd rather eat our children |
01:45:55 |
Remember those words, honey. |
01:45:58 |
I am Charley, I am. |
01:46:10 |
Mr Filargi... |
01:46:13 |
you were born a poor kid |
01:46:16 |
Yeah that's right. |
01:46:18 |
You remember the Camorra? |
01:46:22 |
The Camorra was small, |
01:46:26 |
There's no where's we can't go. |
01:46:29 |
They could lock you |
01:46:31 |
in a submarine |
01:46:34 |
And we'd still get to you. |
01:46:36 |
The cops are gonna talk to you. |
01:46:38 |
If you tell them anything about who |
01:46:42 |
We're gonna kill you. |
01:46:44 |
Capiche? |
01:46:46 |
I understand. |
01:46:48 |
Good. |
01:46:52 |
You're free Mr. Filargi, |
01:46:57 |
Yeah. |
01:47:02 |
I've forgotten the Prizzi's already. |
01:47:07 |
I got a request to make... |
01:47:10 |
or Irene has. |
01:47:14 |
What kind of request Charley? |
01:47:15 |
She wants her money back. |
01:47:18 |
What money? |
01:47:20 |
The 540 she gave you for the Don. |
01:47:23 |
Plus the 360 I took the night |
01:47:26 |
That money. |
01:47:28 |
She's willing to forget about... |
01:47:30 |
2,5 million for Filargi's insurance... |
01:47:33 |
and the rest of what Dominic |
01:47:39 |
But she wants her 900 back. |
01:47:49 |
With all the respect Charley... |
01:47:52 |
your wife must be cracked. |
01:47:54 |
Try and see it from |
01:47:57 |
I mean you agreed to all that stuff |
01:48:00 |
when we had Filargi. |
01:48:03 |
You made a commitment, Pop. |
01:48:06 |
And anyways, |
01:48:10 |
that got Filargi out |
01:48:13 |
We're gonna get the bank. |
01:48:15 |
So, 900 doesn't seem |
01:48:18 |
Irene figures |
01:48:23 |
I glad that she's so foolish |
01:48:27 |
Makes it a little easier |
01:48:35 |
The family has decided that... |
01:48:39 |
we've got to give the second man |
01:48:45 |
Give Irene to the cops? |
01:48:47 |
The family decided that... |
01:48:50 |
we got one week to give up |
01:48:53 |
or we'll be at war. |
01:48:55 |
War will cost us everything we got. |
01:48:59 |
And that could mean the end |
01:49:04 |
Well Padrino. |
01:49:05 |
You should never have married a |
01:49:08 |
That wasn't smart. |
01:49:10 |
Might have been alright |
01:49:12 |
But she wasn't. |
01:49:18 |
She gotta go. |
01:49:20 |
And you gotta do the job on her, |
01:49:24 |
You're the only one who can get |
01:49:28 |
Zip Irene? |
01:49:31 |
Clip Irene? |
01:49:32 |
If they take her alive |
01:49:35 |
And if she talks... |
01:49:36 |
she's gonna drag us all to jail... |
01:49:39 |
maybe even to the chair. |
01:49:41 |
Filargi will go free and |
01:49:45 |
There's no choice here. |
01:49:50 |
How is doing a number on Irene |
01:49:54 |
about the broad that pushed |
01:49:57 |
Filargi will identify |
01:50:00 |
and there will be no-one |
01:50:03 |
Everybody will get |
01:50:05 |
and we can all go back |
01:50:09 |
But Padrino... |
01:50:12 |
she's my wife. |
01:50:14 |
I can't kill her. |
01:50:16 |
Now, Charley... |
01:50:19 |
you swore an oath of blood, |
01:50:24 |
That you would always put |
01:50:27 |
anything else in your life. |
01:50:30 |
I'm simply calling on you now... |
01:50:32 |
to keep that sacred oath. |
01:50:37 |
Irene is my family Padrino. |
01:50:42 |
She's a woman you've known |
01:50:46 |
She is your wife. |
01:50:48 |
We are your life. |
01:50:50 |
You're failing your oath... |
01:50:53 |
when you covered up for her |
01:50:57 |
A great sin |
01:51:04 |
But this for this you must stone. |
01:51:07 |
I need her. |
01:51:12 |
Look at you's. |
01:51:15 |
Pop, you've been alone |
01:51:20 |
Padrino you've been alone |
01:51:26 |
Is that what you want for me, |
01:51:29 |
With nothing but bodyguards and |
01:51:38 |
Charley, |
01:51:41 |
You will be even more alone. |
01:51:45 |
If you turn you back on us, |
01:51:52 |
Jees, I feel like I'm drowning |
01:51:57 |
We covered up the Vegas scam |
01:52:00 |
That's what I thought |
01:52:02 |
How can that be a sin |
01:52:05 |
She is a hitter and a thief. |
01:52:08 |
You must give her to us. |
01:52:11 |
What is your answer? |
01:52:45 |
The family. |
01:52:48 |
It's the only place I can be, |
01:53:06 |
It's business Charley, only business. |
01:53:31 |
Irene? |
01:53:34 |
Hello. |
01:53:36 |
Everything is ok. |
01:53:38 |
The Don's gonna give you |
01:53:40 |
All 900 dollars, I got it right here. |
01:53:43 |
The Don's giving money back? |
01:53:45 |
Since when? |
01:53:46 |
Yeah you could have knocked me |
01:53:49 |
That ain't all. |
01:53:51 |
He's gonna pay you every dime |
01:53:56 |
and what Dominic set. |
01:53:58 |
How about that? |
01:54:00 |
Oh, Charley! |
01:54:03 |
Well... |
01:54:05 |
I'm glad |
01:54:09 |
I just... |
01:54:11 |
wanted you to know that |
01:54:20 |
Oh Marxie, |
01:55:07 |
After you take this stone out |
01:55:12 |
you call your father... |
01:55:14 |
and tell him where he can get her. |
01:55:17 |
And then the wind will stop blowing. |
01:55:21 |
Charley... |
01:55:22 |
you got 900,000 here. |
01:55:42 |
What's the first flight out of L.A. To |
01:55:47 |
Flight 009 at 10.45 am. |
01:55:50 |
But we can get you to Hong Kong |
01:55:52 |
Oh no thank you I have to go |
01:55:55 |
Reserve 009 then one seat, first class. |
01:55:59 |
Mrs. Hilary Jackson. |
01:56:46 |
Irene? |
01:56:58 |
Irene? |
01:57:52 |
Irene? |
01:57:56 |
Irene? |
01:57:57 |
Look who's here. |
01:58:04 |
Charley! |
01:58:07 |
Baby I got three whole days. |
01:58:09 |
We can do anything you want. |
01:58:15 |
Baby we are gonna have a ball. |
01:58:49 |
Jesus, what a beautiful song. |
01:58:54 |
Why don't you go |
01:58:56 |
I'll be right there. |
01:58:59 |
Yeah! |
02:00:57 |
Mae? |
02:00:58 |
Charley. |
02:00:59 |
Charley, you know what? |
02:01:01 |
My sister Theresa just got back |
02:01:05 |
Where did they go? |
02:01:11 |
What do you say... |
02:01:13 |
we go to dinner tonight? |
02:01:15 |
Dinner? |
02:01:19 |
What do you mean? |
02:01:21 |
What do I mean? |
02:01:22 |
I mean let's go some place |
02:01:25 |
You, me and Irene? |
02:01:27 |
No. |
02:01:29 |
Just you and me. |
02:01:31 |
What about Irene? |
02:01:34 |
She had to go away. |
02:01:41 |
How about it? |
02:01:42 |
How about? |
02:01:44 |
Holy cow, Charley. |