|
Przesluchanie Interrogation
|
| 00:00:07 |
Warsaw, beloved Warsaw |
| 00:00:10 |
I see you in my dreams |
| 00:00:13 |
With your joyful people |
| 00:00:17 |
And beautiful streets |
| 00:00:20 |
You call me with longing |
| 00:00:24 |
With your songs and words |
| 00:00:27 |
Oh, how I would like to see you |
| 00:00:31 |
Oh, my dreamed of Warsaw |
| 00:00:34 |
Oh, how I would like to see you |
| 00:00:38 |
Oh, my dreamed of Warsaw |
| 00:00:42 |
Thanks for the song, my boy |
| 00:00:46 |
Thanks for your heart and song |
| 00:01:09 |
Do you like it? |
| 00:01:15 |
INTERROGATION |
| 00:02:11 |
Wake up, Tonia, |
| 00:02:30 |
Guess, my sweetie, |
| 00:02:37 |
Caress your pussycat |
| 00:02:45 |
Partly sweet, partly mean, |
| 00:02:52 |
Guess, my sweetie, |
| 00:02:55 |
And if you guess right, I'll say yes |
| 00:02:58 |
Yes, yes |
| 00:03:01 |
Oh, yes |
| 00:03:04 |
Yes |
| 00:03:06 |
Guess, my sweetie, |
| 00:03:12 |
Caress your sweet one's head |
| 00:03:17 |
I'm mysterious, exotic |
| 00:03:22 |
Guess, my sweetie, |
| 00:03:25 |
And if you guess I'll say yes |
| 00:03:27 |
Yes! |
| 00:03:32 |
Yes, yes, yes |
| 00:03:34 |
Yes |
| 00:03:39 |
34TH ANNIVERSARY |
| 00:04:23 |
- What's the matter, Tonia? |
| 00:04:28 |
- Where's my beard? |
| 00:04:31 |
Tonia! |
| 00:04:33 |
Where is my beard? |
| 00:04:37 |
My God, it's cold here |
| 00:04:39 |
Get dressed, Tonia. |
| 00:04:41 |
I'm not going home. |
| 00:04:44 |
Get dressed. |
| 00:04:46 |
- Get away from me, please! |
| 00:04:48 |
Go back to feeling Junia up |
| 00:04:51 |
Junia? |
| 00:04:53 |
- I saw |
| 00:04:56 |
I'm not going anywhere. |
| 00:05:01 |
But darling, she's your best friend |
| 00:05:04 |
You were being too friendly by half |
| 00:05:08 |
I saw the play you were making for her |
| 00:05:11 |
I'll go home on my own |
| 00:05:13 |
Go, then. I don't need your lousy coat |
| 00:05:16 |
This is ridiculous |
| 00:05:19 |
Tonia. Goodbye |
| 00:05:24 |
Excuse me |
| 00:05:27 |
This is for you |
| 00:05:30 |
Me and my friend |
| 00:05:34 |
Could we possibly |
| 00:05:38 |
Come and meet Tonia |
| 00:05:41 |
We'd really like it if you came with us |
| 00:05:45 |
What do you say? |
| 00:05:47 |
The Trumanillo Circus |
| 00:06:14 |
Shall we take a taxi? |
| 00:06:17 |
- Kaz, I'm going, OK? See you |
| 00:06:22 |
- Who's he? |
| 00:06:24 |
Drink, girl. Drink! |
| 00:06:27 |
Please, I can't drink any more |
| 00:06:29 |
- Cheers! |
| 00:06:37 |
Oh, God. I'm drunk |
| 00:06:40 |
Do you know my husband? |
| 00:06:44 |
Listen to me! |
| 00:06:46 |
- Yes, I know him |
| 00:06:50 |
But let's drink |
| 00:06:53 |
- Here's to my husband! |
| 00:06:58 |
Let's have a smoke |
| 00:07:05 |
Ada, you're misbehaving |
| 00:07:07 |
It can't be like this |
| 00:07:13 |
Thanks for taking me out, boys! |
| 00:07:20 |
Really |
| 00:07:21 |
Cos if it weren't for you |
| 00:07:25 |
You see, we had an argument. |
| 00:07:32 |
My husband will be worried |
| 00:07:35 |
The name of my street is Widok. |
| 00:07:40 |
Quickly |
| 00:07:43 |
Hey! |
| 00:07:53 |
- Quickly! |
| 00:07:58 |
6 Widok Street |
| 00:08:13 |
Here we are |
| 00:08:15 |
Come on |
| 00:08:21 |
Why did you drink so much? |
| 00:08:25 |
See you, boys |
| 00:08:40 |
Name and surname? |
| 00:08:45 |
Surname? |
| 00:09:04 |
Leave me |
| 00:09:10 |
Undress her! |
| 00:10:43 |
Excuse me. Have you seen a red |
| 00:10:49 |
They take all handbags |
| 00:10:51 |
Get up or you'll be in for it |
| 00:10:54 |
But... Oh, God, what time is it? |
| 00:10:58 |
Excuse me |
| 00:10:59 |
Line up straight there. |
| 00:11:01 |
Is there a phone somewhere |
| 00:11:04 |
- My husband doesn't know I'm here |
| 00:11:06 |
I'm an artiste. I have to perform |
| 00:11:10 |
I've got a performance. If I'm late... |
| 00:11:17 |
Cell reporting. |
| 00:11:20 |
Excuse me |
| 00:11:34 |
Be quiet |
| 00:11:55 |
- Hey, listen. Be quiet |
| 00:11:58 |
Listen. My name is Antonina Dziwisz. |
| 00:12:02 |
Tell someone to come and talk to me. |
| 00:12:06 |
Be quiet or I'll bite you |
| 00:12:11 |
Stupid woman |
| 00:12:34 |
Be quiet |
| 00:13:12 |
Letter 'D' |
| 00:13:19 |
No |
| 00:13:27 |
No |
| 00:13:29 |
They're letting me out. |
| 00:13:32 |
Letter 'D'! |
| 00:13:36 |
Karmelicka Street, what number? |
| 00:13:38 |
OK, don't worry. |
| 00:13:41 |
They're letting me out. Antonina Dziwisz |
| 00:13:45 |
Bye! |
| 00:13:52 |
Don't you know |
| 00:13:55 |
Sorry |
| 00:14:12 |
Stay there |
| 00:14:20 |
Good morning |
| 00:14:22 |
Reporting Antonina Dziwisz |
| 00:14:26 |
I'm very pleased that |
| 00:14:28 |
There's a stool there |
| 00:14:32 |
You see, I'm really glad |
| 00:14:35 |
I've already asked the guards |
| 00:14:38 |
...someone to take me to an officer |
| 00:14:41 |
- Name and surname? |
| 00:14:44 |
Born 1st April, 1926 in Lwow |
| 00:14:48 |
Daughter of Jadwiga |
| 00:14:51 |
Yes |
| 00:14:56 |
Damn drawer |
| 00:14:58 |
Excuse me |
| 00:15:01 |
It's always getting stuck |
| 00:15:03 |
Above all, |
| 00:15:06 |
...if my husband's been informed. |
| 00:15:10 |
You've definitely got me mixed up |
| 00:15:12 |
You know how it is. |
| 00:15:16 |
...what the surname is or who it is |
| 00:15:18 |
Yeah, so tell me now about yourself |
| 00:15:21 |
But about what specifically? |
| 00:15:23 |
Everything |
| 00:15:25 |
Well, I don't think you want to hear me |
| 00:15:29 |
Why not? |
| 00:15:32 |
But about what? |
| 00:15:35 |
About kissing at school |
| 00:15:37 |
Look, maybe you could |
| 00:15:40 |
I haven't done anything. |
| 00:15:43 |
I don't know. |
| 00:15:46 |
No one wants to talk with me. |
| 00:15:50 |
This really is a waste of time |
| 00:15:52 |
Don't worry. There's plenty of time |
| 00:15:54 |
Don't you believe that |
| 00:15:59 |
- Sorry |
| 00:16:02 |
One thing at a time. |
| 00:16:08 |
He had red hair and a big nose |
| 00:16:11 |
- You're interested in that? |
| 00:16:14 |
Who? |
| 00:16:16 |
- The one I kissed |
| 00:16:19 |
What does it matter? |
| 00:16:21 |
- When did you lose your virginity? |
| 00:16:24 |
Why do you need to know? What has |
| 00:16:28 |
- Who was it? |
| 00:16:32 |
- Is he alive? |
| 00:16:34 |
He died from that poisoned homemade |
| 00:16:37 |
- Did he rape you? |
| 00:16:40 |
I wanted it as much as he did |
| 00:16:43 |
You like those kind of things, don't you? |
| 00:16:46 |
And you don't? |
| 00:17:00 |
Listen. Have you been to our baths? |
| 00:17:05 |
We can give you a bath |
| 00:17:08 |
I don't understand why I have to talk. |
| 00:17:18 |
No, they're not. |
| 00:17:21 |
For every question I ask |
| 00:17:34 |
OK. Let's go. The surnames |
| 00:17:39 |
I don't remember surnames |
| 00:17:43 |
During the uprising and after the war |
| 00:17:46 |
- That man in the Rising? |
| 00:17:49 |
His codename was "Boar" |
| 00:17:51 |
- That's all I remember |
| 00:17:53 |
Later we were taken to Pruszkow. |
| 00:17:57 |
A boy lived there |
| 00:18:01 |
Lysiak or something. |
| 00:18:07 |
One time I went up to the attic |
| 00:18:09 |
He reared pigeons. |
| 00:18:14 |
And I came in and... |
| 00:18:17 |
Yes, go on |
| 00:18:19 |
Well, can't you imagine? |
| 00:18:21 |
Later, after you left Pruszkow |
| 00:18:23 |
Later in Lodz there was one. |
| 00:18:26 |
Well, his real surname was Gorka |
| 00:18:28 |
- And everyone called him... |
| 00:18:31 |
And then there was my husband, |
| 00:18:34 |
- Did you cheat on him? |
| 00:18:37 |
- What's it to you anyway? |
| 00:18:39 |
I don't mind telling you everything. |
| 00:18:43 |
Do you know Witold Lemanski? |
| 00:18:46 |
Yes |
| 00:18:47 |
- Did you sleep with him? |
| 00:18:50 |
He says otherwise |
| 00:18:53 |
- Well, if you know better... |
| 00:18:56 |
No |
| 00:18:58 |
At your house we found |
| 00:19:02 |
Well, if you've locked me up |
| 00:19:05 |
...it doesn't make sense. I never had |
| 00:19:09 |
- I only know him by sight |
| 00:19:12 |
- I was there once |
| 00:19:15 |
We drank coffee. |
| 00:19:20 |
And after you drank that mint liqueur |
| 00:19:24 |
...what happened then? |
| 00:19:30 |
Who told you about those doughnuts? |
| 00:19:34 |
- And do you know Major Olcha? |
| 00:19:37 |
Well? |
| 00:19:39 |
I don't know. |
| 00:19:43 |
He organized performances |
| 00:19:47 |
And I knew him as well |
| 00:19:50 |
- Your friends didn't go to bed with him |
| 00:19:56 |
Here I have a statement |
| 00:20:00 |
...claiming that he discovered |
| 00:20:03 |
...in compromising circumstances |
| 00:20:09 |
Do you want me to read it? |
| 00:20:12 |
It was just that once |
| 00:20:47 |
- Major, are you finishing up here? |
| 00:20:50 |
Sign this |
| 00:20:52 |
- Can I take her out |
| 00:20:55 |
If I catch you lying again |
| 00:20:58 |
...so that you'll remember it |
| 00:21:04 |
I'm not signing anything |
| 00:21:07 |
- What? Why won't you sign? |
| 00:21:12 |
But this is a confession |
| 00:21:20 |
Lieutenant. Once again from the start. |
| 00:21:34 |
Are you going to let me out? |
| 00:21:36 |
If it was up to me |
| 00:21:40 |
...and shoot you |
| 00:21:44 |
- Where are you taking me? |
| 00:21:47 |
You won't be there long |
| 00:21:53 |
Upstairs |
| 00:22:18 |
Hi |
| 00:22:30 |
What's your name? I'm Tonia |
| 00:22:37 |
Mira Szejnert |
| 00:22:42 |
Listen. What's outside this window? |
| 00:22:47 |
- A hospital |
| 00:22:52 |
- And you? |
| 00:22:54 |
For kissing boys at school |
| 00:23:13 |
How long have you been here? |
| 00:23:15 |
One and a half years |
| 00:23:31 |
What do they get up to |
| 00:23:51 |
Good morning |
| 00:24:04 |
Cell reporting. |
| 00:24:07 |
Any requests? |
| 00:24:09 |
- No |
| 00:24:49 |
Good morning |
| 00:24:51 |
Good morning |
| 00:24:57 |
Good morning |
| 00:25:00 |
- Good morning |
| 00:25:10 |
Is that cupboard free? |
| 00:25:13 |
You can put it in mine |
| 00:25:21 |
- And is that bunk free? |
| 00:25:25 |
- What's your name? I'm Tonia |
| 00:25:30 |
Wow. |
| 00:25:33 |
From home. The farm |
| 00:25:41 |
Help yourselves |
| 00:25:43 |
Here you are. You want some? |
| 00:25:47 |
- What's wrong with you? |
| 00:25:51 |
Here you are. Would you like some? |
| 00:25:55 |
And some bread. Here you are |
| 00:25:58 |
Eat. You have to eat well |
| 00:26:02 |
If you eat well, |
| 00:26:06 |
Don't worry about me. |
| 00:26:11 |
What are you talking about? |
| 00:26:14 |
The party official came to survey |
| 00:26:18 |
They wanted to take my land! |
| 00:26:22 |
Well, would you hand over the land |
| 00:26:26 |
...and your father's father worked on? |
| 00:26:38 |
How do you know that? |
| 00:26:40 |
From the newspaper |
| 00:26:42 |
General Tatar and Kirchmayer, for life |
| 00:26:46 |
Colonels Utnik and Nowicki, 15 years |
| 00:26:51 |
Illustrious people, all of them |
| 00:26:53 |
- What's that? |
| 00:26:57 |
How could Gomulka |
| 00:27:01 |
I gather he's in jail too. So is the defense |
| 00:27:06 |
Unbelievable |
| 00:27:12 |
What are you doing? |
| 00:27:39 |
Where does the path lead to? |
| 00:27:48 |
Which way do you take? |
| 00:28:07 |
I'll never meet |
| 00:28:15 |
Who I have been waiting for |
| 00:28:28 |
Across the peaceful river... |
| 00:28:39 |
Letter 'D' |
| 00:28:42 |
Letter 'D'! |
| 00:28:45 |
For you |
| 00:28:47 |
Please don't take me to be interrogated. |
| 00:28:54 |
Don't be stupid. |
| 00:28:57 |
No, go. |
| 00:29:04 |
To which political organizations did you |
| 00:29:08 |
I didn't belong to any organization |
| 00:29:10 |
Rubbish! You must have belonged |
| 00:29:14 |
No, I didn't belong to the movement. |
| 00:29:18 |
Your first lover was a soldier |
| 00:29:21 |
Yes, he was but that's better |
| 00:29:24 |
I'll tell you. Evidently, you were drawn |
| 00:29:28 |
To the underground forces of |
| 00:29:32 |
You're from a Proletariat family |
| 00:29:38 |
- Could I have a cigarette please? |
| 00:29:41 |
You only think about your own arse |
| 00:29:44 |
Stuff your face and get laid. |
| 00:29:50 |
When others were working away for |
| 00:29:54 |
But I've been working |
| 00:29:58 |
You call waving your arse about |
| 00:30:03 |
What planet are you on? |
| 00:30:06 |
What system do we have? |
| 00:30:08 |
What is people's power? |
| 00:30:11 |
What country do you live in? |
| 00:30:20 |
- Name, surname, date of birth |
| 00:30:24 |
Sit up straight. |
| 00:30:27 |
- How was it with Olcha? |
| 00:30:29 |
- That's not enough |
| 00:30:31 |
Tell me everything in detail and you will |
| 00:30:34 |
It was hot. |
| 00:30:36 |
- Sit up straight, head up |
| 00:30:39 |
We had accommodation in tents |
| 00:30:41 |
And I was hot so I went out. |
| 00:30:45 |
So I went over to smoke a cigarette |
| 00:30:48 |
Kazimierz Olcha was there |
| 00:30:51 |
We didn't have costumes so we swam |
| 00:30:56 |
- Later we found ourselves in a lorry |
| 00:31:00 |
And later our costumes... |
| 00:31:02 |
- On the grass or in a car? |
| 00:31:05 |
You keep changing your story. |
| 00:31:08 |
No |
| 00:31:09 |
When did you decide to have |
| 00:31:13 |
Why are you prying |
| 00:31:15 |
- Is your husband bad in bed? |
| 00:31:18 |
Why? For money? |
| 00:31:22 |
- Where did he get dollars from? |
| 00:31:25 |
Sit up! Head up! |
| 00:31:27 |
Why did Olcha pay you dollars? |
| 00:31:31 |
I am innocent. Why can't I get |
| 00:31:36 |
I want to write to my husband. |
| 00:31:39 |
Here! |
| 00:31:45 |
Sign |
| 00:31:58 |
Did they kill her? |
| 00:32:01 |
She won't die that quickly |
| 00:32:06 |
She's OK |
| 00:32:07 |
She hasn't broken anything. |
| 00:32:10 |
Lift her head up |
| 00:32:13 |
Up we get. Good. You need to sit |
| 00:32:22 |
- Look. The last piece, with garlic |
| 00:32:26 |
She has to eat |
| 00:32:28 |
Open your eyes. Sit up. OK? |
| 00:32:31 |
Do you feel OK? |
| 00:32:36 |
Letter 'S' |
| 00:32:45 |
Hold it together |
| 00:33:28 |
Did you sign anything? |
| 00:33:31 |
What do you mean? |
| 00:33:33 |
Everyone signs |
| 00:33:35 |
Yeah, I know. But I'm innocent |
| 00:33:41 |
It doesn't matter. |
| 00:33:44 |
But I haven't done anything wrong |
| 00:33:46 |
But no one gets out |
| 00:33:49 |
It's simply impossible |
| 00:33:51 |
But I can get out |
| 00:33:54 |
What do you mean by mistake? |
| 00:33:57 |
They've got me mixed up |
| 00:34:01 |
But the authorities |
| 00:34:04 |
I'd advise admitting to everything |
| 00:34:10 |
Otherwise they can vaporize you |
| 00:34:14 |
Just like they vaporized Colonel Wara |
| 00:34:19 |
And they told his family |
| 00:34:24 |
But I've got nothing to confess to |
| 00:34:27 |
So you'll have to think of something |
| 00:34:32 |
But why should I have to lie? |
| 00:34:36 |
Why should I make something up? |
| 00:34:40 |
You must understand |
| 00:34:42 |
The authorities |
| 00:34:45 |
There's a fierce class battle going on |
| 00:34:47 |
The enemy could be lurking |
| 00:34:50 |
We have to be on our guard |
| 00:34:52 |
Any weapon that advances victory |
| 00:34:55 |
Every one. You have to understand that |
| 00:34:57 |
But I'm sitting in prison, |
| 00:35:00 |
Why should I care about all that? |
| 00:35:03 |
Listen, it won't always be like that |
| 00:35:05 |
In five, ten years |
| 00:35:08 |
...our methods will change. |
| 00:35:12 |
Wouldn't you like your children to live |
| 00:35:17 |
But this can't be done without martyrs. |
| 00:35:20 |
And would you agree to be such |
| 00:35:25 |
I'm an American spy |
| 00:35:29 |
A real spy? |
| 00:35:31 |
But not subjectively |
| 00:35:34 |
All my life |
| 00:35:38 |
I am an objective spy |
| 00:35:40 |
I was found out |
| 00:35:43 |
I don't understand what that means |
| 00:35:45 |
It was like this. |
| 00:35:49 |
...asked me to take |
| 00:35:53 |
He pretended to be a communist |
| 00:35:56 |
...that he was working for his intelligence |
| 00:35:59 |
All our new projects - |
| 00:36:03 |
He passed the information on |
| 00:36:07 |
But you didn't do it on purpose. |
| 00:36:10 |
That's what I mean. |
| 00:36:13 |
But objectively I did the work of a spy |
| 00:36:16 |
And I have to suffer |
| 00:38:03 |
Konstanty! |
| 00:38:28 |
I think it's high time |
| 00:38:35 |
Jesus, stop splashing that water. |
| 00:38:54 |
Wash |
| 00:38:58 |
Please wash yourself. |
| 00:39:02 |
You know they just want you to behave |
| 00:39:07 |
Get away from me! |
| 00:39:10 |
You're behaving like they want you to |
| 00:39:16 |
My God! My God! |
| 00:39:21 |
A year ago I did exactly the same |
| 00:39:23 |
Get away from me! I told you! |
| 00:39:26 |
You've wasted all that water |
| 00:40:49 |
Yeah! So he goes, |
| 00:40:53 |
"...the land, the cows, the horses |
| 00:40:56 |
"We'll set up home there, |
| 00:40:59 |
"...because here those bastards |
| 00:41:03 |
I'd love to go to Brazil |
| 00:41:06 |
One guy was in France |
| 00:41:09 |
Why? |
| 00:41:10 |
There was no brown bread just white |
| 00:41:13 |
I'd like some white bread rolls |
| 00:41:15 |
I said, "Do you think I'd leave the land... |
| 00:41:17 |
"...my father and his father |
| 00:41:22 |
"I'm not so stupid as to let them steal |
| 00:41:25 |
He went to the barn. |
| 00:41:30 |
Listen |
| 00:41:32 |
Have I told you about when we went |
| 00:41:37 |
- No |
| 00:41:42 |
One day, suddenly, they gave us |
| 00:41:47 |
Kaz Olcha, Junia, |
| 00:41:50 |
...and of course this is after |
| 00:41:53 |
Totally wasted. |
| 00:41:56 |
There's this field. |
| 00:41:59 |
There are tanks, cars and cannons there |
| 00:42:02 |
So Junia, totally pissed, |
| 00:42:05 |
She wanted to get into the tank |
| 00:42:08 |
We'd never been in a tank |
| 00:42:12 |
Don't sit there on the bunk |
| 00:42:17 |
So... where was I? |
| 00:42:19 |
So I get into this tank and what do you |
| 00:42:23 |
I was so drunk so I go, "OK let's shoot |
| 00:42:28 |
So Kaz goes, "Let's load it", |
| 00:42:31 |
I didn't know |
| 00:42:34 |
And so we fire a shot - |
| 00:42:38 |
We look up. An alarm has been raised - |
| 00:42:42 |
...and getting into some lorries. |
| 00:42:45 |
They must have thought |
| 00:42:48 |
Eventually we stagger out |
| 00:42:50 |
It turns out the round was live |
| 00:42:54 |
Shit was splattered everywhere |
| 00:42:56 |
Soldiers were running |
| 00:43:01 |
And getting into those lorries |
| 00:43:03 |
Of course, Junia and I stank so badly |
| 00:43:07 |
...that we couldn't go on stage |
| 00:43:26 |
Have you got a cigarette? |
| 00:43:37 |
I would like to make an amendment |
| 00:43:41 |
All right |
| 00:43:42 |
I said I slept with those men |
| 00:43:47 |
All of those men meant a lot to me |
| 00:43:51 |
When I was giving those details |
| 00:43:55 |
- About love? |
| 00:43:57 |
Well, apart from the pigeon bloke |
| 00:44:01 |
- You're up to something again |
| 00:44:05 |
So you're saying |
| 00:44:11 |
...there was a bond |
| 00:44:14 |
- They all meant a lot to you, right? |
| 00:44:17 |
Can you tell me how much |
| 00:44:21 |
- No... |
| 00:44:23 |
For example, what would you |
| 00:44:26 |
I've told you everything. |
| 00:44:32 |
OK |
| 00:44:36 |
Do you know what |
| 00:44:39 |
- I know |
| 00:44:42 |
Death |
| 00:44:45 |
So let's say you had a choice - |
| 00:44:49 |
- What would you choose? |
| 00:44:52 |
So, Olcha doesn't really mean |
| 00:44:56 |
You must understand that if you help us |
| 00:45:00 |
We can, for example, |
| 00:45:03 |
But sentencing for what? |
| 00:45:05 |
You have to tell us |
| 00:45:07 |
Who he met with, what you talked about, |
| 00:45:11 |
But I only talked to him |
| 00:45:14 |
If I'm to talk about my private matters |
| 00:45:18 |
You've already said |
| 00:45:21 |
One ought to be consistent |
| 00:45:24 |
But everything I've said |
| 00:45:28 |
How do you know |
| 00:45:31 |
Well, I don't know how you'll use it |
| 00:45:34 |
I promise you that |
| 00:45:37 |
- Your husband won't find out either |
| 00:45:41 |
OK, I'll be honest with you |
| 00:45:49 |
But I also want you to be honest, OK? |
| 00:45:52 |
OK, I've wavered a bit, but how |
| 00:45:55 |
I give you my word |
| 00:45:59 |
Well, all right then |
| 00:46:01 |
- I have your word? |
| 00:46:04 |
But I warn you |
| 00:46:12 |
Olcha has been unmasked |
| 00:46:18 |
He's charged with |
| 00:46:21 |
Betrayal of his country. Spying for |
| 00:46:29 |
- Kaz? |
| 00:46:31 |
But that's impossible |
| 00:46:36 |
- You'd think so |
| 00:46:40 |
He was arrested |
| 00:46:48 |
Right! How did the plot begin? |
| 00:46:50 |
But I'm telling you, there was no plot |
| 00:46:53 |
We are dealing with a plot |
| 00:46:57 |
When a fourth person comes in they go |
| 00:47:01 |
But nobody went quiet |
| 00:47:04 |
You too were part of a plot. |
| 00:47:08 |
What plot? |
| 00:47:11 |
We met up, drank vodka, told jokes. |
| 00:47:16 |
Anyway, if you'd known Kaz |
| 00:47:19 |
...he was just a cheerful, lovely guy |
| 00:47:24 |
And above all he's my friend |
| 00:47:26 |
You call someone who betrays |
| 00:47:29 |
- I believe him more than you |
| 00:47:33 |
That's not everything. You took part |
| 00:47:38 |
What buildings? |
| 00:47:40 |
Have you forgotten about the incident |
| 00:47:45 |
- Who told you about that? |
| 00:47:48 |
Was it Witkowska? |
| 00:47:50 |
I was just telling a story in the cell |
| 00:47:54 |
I just made it up - |
| 00:47:58 |
We have cast iron evidence |
| 00:48:01 |
OK. So shit flew everywhere |
| 00:48:04 |
That's what happened. |
| 00:48:07 |
A communal lavatory is as important |
| 00:48:10 |
You weakened the defensive power |
| 00:48:13 |
You were working |
| 00:48:16 |
We were drunk. I didn't know what was |
| 00:48:24 |
If you sign a confession that you were |
| 00:48:29 |
...you could save your neck |
| 00:48:31 |
But it was my idea to shoot |
| 00:48:38 |
"Major Olcha passed an agent to me |
| 00:48:43 |
- I didn't say that |
| 00:48:47 |
I want to read my previous confession |
| 00:48:49 |
You've already signed it |
| 00:48:51 |
I'm not signing this |
| 00:48:56 |
You know yourself |
| 00:49:06 |
Not true? |
| 00:49:09 |
Great. I haven't been able |
| 00:49:12 |
I'll give you a cold perm |
| 00:49:19 |
So is it true or not? |
| 00:49:25 |
Maybe it's true? |
| 00:49:31 |
- Yes |
| 00:49:38 |
Yes! |
| 00:49:54 |
Sign this |
| 00:50:04 |
- It doesn't write |
| 00:50:10 |
It doesn't write |
| 00:50:21 |
Dip it in this. Here, write |
| 00:50:30 |
Damn, write! |
| 00:50:33 |
It doesn't write. The nib is broken |
| 00:50:37 |
For fuck's sake! |
| 00:50:42 |
BOLLOCKS |
| 00:50:47 |
Warden! To the baths! |
| 00:51:08 |
No. Let me go please. |
| 00:51:15 |
No! |
| 00:51:24 |
I'm frightened |
| 00:51:34 |
Faster |
| 00:54:07 |
Leave her |
| 00:54:13 |
Listen. |
| 00:54:31 |
You have to wash, don't you? |
| 00:54:35 |
Not to be like an animal, you hear that? |
| 00:54:40 |
You have to eat because then you can |
| 00:54:44 |
You've got to sign and make up crimes. |
| 00:54:48 |
Then our children will live |
| 00:54:56 |
And to every question |
| 00:55:01 |
No! |
| 00:55:02 |
They'll smack us in the teeth so hard |
| 00:55:08 |
Class consciousness |
| 00:55:13 |
Do you understand that? I was stupid |
| 00:55:19 |
Shooting's too good for people like me |
| 00:55:21 |
And you've got to belong |
| 00:55:25 |
Quiet! |
| 00:55:29 |
You'll keep ratting on us, won't you? |
| 00:55:33 |
Yeah, go on, take it out on me. |
| 00:55:38 |
Communists are |
| 00:55:41 |
Go on |
| 00:56:03 |
What happened? |
| 00:56:14 |
Calm down |
| 00:56:23 |
Jesus! |
| 00:56:31 |
Calm down |
| 00:56:34 |
Quiet |
| 00:57:01 |
- Reporting Antonina Dziwisz |
| 00:57:09 |
Please, sit over there |
| 00:57:22 |
- Eat |
| 00:57:29 |
I know what you had for breakfast |
| 00:57:33 |
I'm not hungry |
| 00:57:35 |
You're being stupid |
| 00:57:39 |
You'll lose strength. |
| 00:57:45 |
You're right |
| 00:57:47 |
What nice rolls. |
| 00:57:51 |
- Why isn't there a knife? |
| 00:57:58 |
I want to talk with you seriously |
| 00:58:00 |
Every citizen is obliged |
| 00:58:05 |
Think about it. Whose side are you on? |
| 00:58:07 |
That of the traitor |
| 00:58:10 |
That means the fatherland |
| 00:58:15 |
Why are you protecting him? |
| 00:58:20 |
- Why are there no napkins? |
| 00:58:24 |
My mum always said talking about |
| 00:58:27 |
...isn't good for you |
| 00:58:31 |
If you cooperate with us, |
| 00:58:36 |
...you'll be treated much more leniently |
| 00:58:41 |
And what do I get? A lollipop? |
| 00:58:43 |
- I'm serious! |
| 00:58:45 |
I've got a terrible sweet tooth |
| 00:58:48 |
You'll get permission to go out |
| 00:58:51 |
- Wouldn't you like that? |
| 00:58:55 |
Promotion to Baths Unit Manager? |
| 00:58:57 |
Don't speak to me so informally. |
| 00:59:00 |
You are important, aren't you? |
| 00:59:03 |
Fascist slut. I've tried to be nice to you |
| 00:59:06 |
But I'm obviously wasting my time. |
| 00:59:10 |
It's you who he should teach. |
| 00:59:17 |
Major, the subject is refusing to comply |
| 00:59:22 |
Apply a knife or a coin. |
| 00:59:44 |
Bring her in |
| 01:00:00 |
Comrade, reporting Mira Szejnert |
| 01:00:08 |
Read |
| 01:00:11 |
- "I, Mira Szejnert..." |
| 01:00:16 |
And louder |
| 01:00:18 |
"Together with Antonina Dziwisz, |
| 01:00:20 |
- Can't your read louder? |
| 01:00:24 |
"...where a liaison officer |
| 01:00:26 |
"He gave the order to Antonina Dziwisz |
| 01:00:29 |
"...in army bases for |
| 01:00:36 |
So? |
| 01:00:38 |
She says black and you say white |
| 01:00:40 |
Mira, why did you do that? |
| 01:00:44 |
Speak, did we force you? |
| 01:00:47 |
Confess, you won't get a long sentence. |
| 01:00:51 |
They forced you |
| 01:00:56 |
I had to |
| 01:01:00 |
- I really had to |
| 01:01:02 |
What the fuck d'you mean "you had to"? |
| 01:01:15 |
So, are you going to sign? |
| 01:01:23 |
Don't be stupid. Sign and it's all over |
| 01:01:28 |
The authorities aren't going to |
| 01:01:39 |
Take your clothes off |
| 01:01:44 |
All of them |
| 01:02:02 |
And? |
| 01:02:05 |
You filthy little slut |
| 01:02:07 |
You think you can wind me up? |
| 01:02:12 |
If you don't sign |
| 01:02:18 |
I'll count to five |
| 01:02:20 |
One |
| 01:02:22 |
Two |
| 01:02:25 |
Three |
| 01:02:27 |
Four |
| 01:03:04 |
Get dressed |
| 01:03:16 |
You fucking bastards |
| 01:03:20 |
Fucking bastards |
| 01:03:23 |
Fucking jerks. |
| 01:03:29 |
Pieces of fucking shit |
| 01:03:34 |
Fucking scum |
| 01:03:38 |
You yourselves don't believe |
| 01:03:42 |
Fucking bastards. Sadist! |
| 01:03:46 |
I see we have taken the wrong approach |
| 01:03:49 |
It's just a question |
| 01:03:52 |
What method can you use |
| 01:03:55 |
- You haven't got the imagination |
| 01:03:58 |
Gestapo. Nazi |
| 01:04:01 |
If we've taken the wrong tack with you |
| 01:04:04 |
Gestapo! |
| 01:04:07 |
You stupid insolent whore. |
| 01:04:11 |
What do you know |
| 01:04:15 |
What do you know |
| 01:04:32 |
I'm tired |
| 01:04:33 |
You're not going back to the cell |
| 01:04:50 |
You can walk around a bit |
| 01:04:52 |
You'll sign everything sooner or later |
| 01:04:57 |
You've got no reason |
| 01:05:01 |
Of course, sooner would be better |
| 01:05:09 |
You've got nothing to fall back on |
| 01:05:13 |
No great idea |
| 01:05:17 |
I suppose you think you'll be a hero |
| 01:05:20 |
No one becomes a hero |
| 01:05:24 |
...but from dedication to a great cause. |
| 01:05:28 |
You want to die. |
| 01:05:31 |
For whom? A traitor? |
| 01:05:35 |
Only those guided by a great idea |
| 01:05:39 |
Those who struggle |
| 01:05:42 |
And no one will remember them |
| 01:05:47 |
It's as if we were all in a car |
| 01:05:50 |
One wrong move and we'll all crash. |
| 01:05:56 |
If at this stage when our system |
| 01:06:00 |
If our enemies can find |
| 01:06:03 |
...it could have terrible consequences |
| 01:06:06 |
Try to understand |
| 01:06:12 |
- Eat |
| 01:06:19 |
You can put the dumplings |
| 01:06:22 |
Yes. Lift your leg higher |
| 01:06:25 |
Stop singing |
| 01:06:26 |
Don't bother me with that. |
| 01:06:31 |
Stop singing! |
| 01:06:33 |
I haven't got time. Yes. |
| 01:06:37 |
Stop singing |
| 01:06:40 |
Stop singing |
| 01:06:46 |
You stupid woman. |
| 01:06:48 |
I can bring anyone off the street and |
| 01:06:52 |
Ada. It can't be like this |
| 01:08:27 |
Someone's on the phone for you |
| 01:08:30 |
- What? |
| 01:08:52 |
Stupid woman! What have...? |
| 01:08:54 |
Are you trying to make a fool of me? |
| 01:08:57 |
There was a call. |
| 01:09:00 |
- What's she doing here? |
| 01:09:02 |
She has to be brought round. |
| 01:09:06 |
We'll have to start from scratch |
| 01:09:08 |
- Take care of it |
| 01:10:20 |
There... my sweet |
| 01:10:24 |
See? |
| 01:10:26 |
See? |
| 01:10:43 |
I'm scared |
| 01:10:45 |
Don't be scared |
| 01:10:48 |
- I'm scared |
| 01:10:51 |
- I'm scared. It's a dream |
| 01:10:55 |
I'm scared. It's a dream! |
| 01:10:58 |
- What dream? |
| 01:11:16 |
What's the time? |
| 01:11:21 |
Five |
| 01:11:24 |
Five in the evening |
| 01:11:29 |
Five in the morning |
| 01:11:34 |
I'll tell the Major that you let me sleep |
| 01:11:38 |
And he'll replace me with someone |
| 01:11:44 |
Why did you do that? |
| 01:12:15 |
I don't want to force you to confess |
| 01:12:19 |
I would like you to freely admit |
| 01:12:23 |
Guilty of what? |
| 01:12:29 |
I would like you to understand that... |
| 01:12:33 |
...for matters of state importance, |
| 01:12:38 |
...sometimes you have to sacrifice |
| 01:12:41 |
...and sometimes even friendship |
| 01:12:44 |
Maybe you could make |
| 01:12:46 |
...but I really don't know anybody |
| 01:12:50 |
And Mira Szejnert? |
| 01:12:54 |
You want to convince me |
| 01:12:57 |
...that if they've betrayed me |
| 01:13:01 |
You don't know my friends. |
| 01:13:04 |
They're people who don't betray |
| 01:13:07 |
You're still very naive |
| 01:13:10 |
After all, there's no such thing |
| 01:13:16 |
In Auschwitz what was honesty for one |
| 01:13:24 |
People are capable of doing |
| 01:13:28 |
Everyone. Without exception |
| 01:13:32 |
Were you afraid? |
| 01:13:34 |
Yes. I was then |
| 01:13:37 |
- I was afraid |
| 01:13:41 |
What of? Death? |
| 01:13:44 |
No. Loneliness |
| 01:13:49 |
- Do you believe in God? |
| 01:13:53 |
So in whose name |
| 01:13:57 |
You know, I always |
| 01:14:00 |
As a punishment |
| 01:14:04 |
The whole family in Lwow died |
| 01:14:10 |
After the outbreak of the uprising |
| 01:14:13 |
His codename was "Boar". |
| 01:14:16 |
I was really taken by him |
| 01:14:18 |
He had shiny officer's boots |
| 01:14:22 |
He was terribly attractive |
| 01:14:25 |
One night I got away from the bakery |
| 01:14:29 |
We went to this flat during a bombing. |
| 01:14:36 |
And it was really wonderful, |
| 01:14:39 |
I hurried back feeling guilty |
| 01:14:43 |
...and there I was enjoying myself |
| 01:14:47 |
But when I got back |
| 01:14:52 |
It was just a pile of rubble. |
| 01:14:57 |
And you know what I think? |
| 01:15:00 |
No matter what, in life you've got |
| 01:15:06 |
Sensibility and obedience |
| 01:15:12 |
Perhaps that's the only thing I believe |
| 01:15:24 |
I want to go back to the cell |
| 01:15:47 |
Sergeant. Here's to the birthday boy! |
| 01:15:50 |
Vodka! |
| 01:15:57 |
- Cigarette? |
| 01:16:01 |
- Shall we get her clothes off? |
| 01:16:03 |
- You know... her |
| 01:16:05 |
So she stinks. So what? |
| 01:16:10 |
Morawski |
| 01:16:13 |
Give the patient a drink |
| 01:16:17 |
- It's a waste of a shot, Major |
| 01:16:22 |
- Come here and help me |
| 01:16:30 |
Go on. Drink, little girl |
| 01:16:33 |
Go on, drink |
| 01:16:36 |
- Drink |
| 01:16:40 |
Happy Birthday to you... |
| 01:16:43 |
Happy Birthday to you... |
| 01:16:50 |
Now she'll be sick |
| 01:17:29 |
Don't kill me. I want to live |
| 01:17:33 |
Let me go. I'm begging you. No! |
| 01:17:41 |
Leave me |
| 01:17:43 |
Name, surname. Father's name? |
| 01:18:09 |
Name, surname, date of birth, |
| 01:18:19 |
- Name |
| 01:18:22 |
- Surname? |
| 01:18:24 |
- Father's name? |
| 01:18:28 |
- Father's name? |
| 01:18:31 |
Date of birth? |
| 01:18:33 |
Date of birth? |
| 01:18:42 |
So... are you going to sign or not? |
| 01:18:46 |
This is your last chance |
| 01:18:51 |
No |
| 01:19:01 |
Shoot |
| 01:19:03 |
Do it |
| 01:19:08 |
Shoot! |
| 01:19:11 |
You. Tell him to shoot me! |
| 01:19:15 |
Do it! Please! |
| 01:19:32 |
These methods are crap |
| 01:19:34 |
First some stupid breakfast. |
| 01:19:37 |
A brothel or an investigation? |
| 01:20:21 |
Where's Mira? |
| 01:20:23 |
They let her out |
| 01:20:26 |
She's free |
| 01:20:30 |
Good |
| 01:20:40 |
I can't take this any more |
| 01:20:50 |
Let me out of here! |
| 01:20:53 |
Let me out! |
| 01:20:56 |
Mummy! |
| 01:21:00 |
Let me out! |
| 01:21:06 |
I would like to inform you |
| 01:21:14 |
Does that make any difference to you? |
| 01:21:19 |
How do you feel? |
| 01:21:26 |
Warden? Come here |
| 01:22:11 |
Tonia. How do you feel? |
| 01:22:16 |
Are you all right? |
| 01:22:19 |
I wrote so many letters to you. |
| 01:22:27 |
What's the matter? Tonia? |
| 01:22:34 |
You see. It's like this... |
| 01:22:36 |
For the first few days |
| 01:22:40 |
I thought you'd died |
| 01:22:46 |
I thought I was going out of my mind |
| 01:22:51 |
Then after a couple of days |
| 01:22:55 |
I was finally summoned |
| 01:22:59 |
One of the officers explained to me |
| 01:23:01 |
A lieutenant said |
| 01:23:07 |
I couldn't believe it. |
| 01:23:12 |
But Tonia. |
| 01:23:16 |
With your own signature |
| 01:23:21 |
Tonia how could you? |
| 01:23:27 |
You slept with Wit Lemanski |
| 01:23:30 |
There were so many others |
| 01:23:33 |
With such coldness? So easily? |
| 01:23:38 |
Didn't you stop to think |
| 01:23:46 |
I'll never forgive you |
| 01:23:48 |
You destroyed our marriage |
| 01:23:54 |
So coldly and cynically |
| 01:23:59 |
Tonia, I hate you |
| 01:24:03 |
I hate you. |
| 01:24:07 |
That's all I really came |
| 01:24:12 |
...because anyway I can get |
| 01:24:18 |
That's all |
| 01:24:23 |
Tonia, at least say that it wasn't... |
| 01:24:27 |
That they... |
| 01:24:34 |
Nothing? |
| 01:24:55 |
Stand here |
| 01:24:57 |
A parcel from your husband |
| 01:28:16 |
Oh, gosh! |
| 01:28:20 |
Help! |
| 01:28:24 |
Help! |
| 01:28:41 |
Murderers! |
| 01:29:28 |
So she comes over to me |
| 01:29:31 |
Three packets... she comes to me |
| 01:29:36 |
Look. She's woken up |
| 01:29:50 |
- Where am I? |
| 01:29:55 |
Am I in prison? |
| 01:29:57 |
What did you think? |
| 01:30:01 |
- What time is it? |
| 01:30:07 |
And it's 1952? |
| 01:30:09 |
Maybe it is 1952. |
| 01:30:12 |
I'm here for life anyway |
| 01:30:24 |
Do you have a mirror? |
| 01:30:27 |
A mirror? |
| 01:30:40 |
Take all the water from the siphon |
| 01:30:43 |
Kiss kiss |
| 01:30:46 |
Legs and tits |
| 01:30:52 |
Emilia Walesiak |
| 01:30:56 |
For you from the men's ward |
| 01:31:00 |
Kisses on your legs |
| 01:31:02 |
Your tits |
| 01:31:41 |
Mira? |
| 01:31:53 |
I thought they let you out |
| 01:31:57 |
Yes |
| 01:32:04 |
You're not angry with me, are you? |
| 01:32:07 |
I don't hold anything against you |
| 01:32:11 |
No |
| 01:32:13 |
Mira, what's the matter with you? |
| 01:32:24 |
Mira? |
| 01:32:25 |
You don't recognize me, do you? |
| 01:32:31 |
Dziwisz |
| 01:32:37 |
Mira |
| 01:32:59 |
Here, my Princess. |
| 01:33:13 |
Lullaby, sweet Jesus, lullaby |
| 01:33:25 |
Lullaby, my baby, precious and dear |
| 01:33:37 |
Lullaby, sweet Jesus, lullaby |
| 01:33:50 |
Your mother will cradle you |
| 01:33:57 |
And wipe away your tear |
| 01:34:03 |
Letter 'D' |
| 01:34:31 |
Best wishes |
| 01:36:46 |
Cell reporting. |
| 01:36:49 |
Any requests? |
| 01:36:51 |
Antonina Dziwisz wishes to see |
| 01:36:55 |
...to make an important statement |
| 01:36:59 |
Name, surname and date of birth |
| 01:37:04 |
I wanted to tell you something in private |
| 01:37:07 |
We have to follow protocol |
| 01:37:11 |
You'll regret this |
| 01:37:14 |
Leave |
| 01:37:23 |
What the hell do you think |
| 01:37:28 |
You know fully well |
| 01:37:32 |
So what did you want? |
| 01:37:36 |
I'm pregnant |
| 01:37:48 |
Don't worry |
| 01:37:50 |
I'll say I was raped in hospital |
| 01:37:59 |
Don't worry, I didn't say anything |
| 01:38:01 |
...and I won't say anything about you |
| 01:38:04 |
It makes no difference |
| 01:38:06 |
Olcha was shot a long time ago |
| 01:38:15 |
You son of a bitch |
| 01:38:19 |
- Tonia |
| 01:38:23 |
Tonia. Listen. We have to talk |
| 01:38:27 |
Don't touch me |
| 01:38:30 |
- Comrade, you called for me |
| 01:39:09 |
- Head of cell, come here |
| 01:39:12 |
Wait a moment, will you? |
| 01:39:15 |
In a minute! Wait a moment! |
| 01:39:19 |
Waligorska |
| 01:39:21 |
Antonina Dziwisz |
| 01:39:23 |
Dziwisz! Are you deaf? Move yourself! |
| 01:39:31 |
And the parcel? The parcel's for me |
| 01:39:33 |
That's it |
| 01:39:36 |
- Show me |
| 01:39:38 |
- Haven't you seen it? |
| 01:39:41 |
It's almost new |
| 01:39:43 |
It was supposed to be old and American. |
| 01:39:46 |
It's a bit too big for me |
| 01:39:48 |
- I'll buy it for 180 |
| 01:40:00 |
News! Stalin's dead. Pass it on |
| 01:40:05 |
Listen! |
| 01:40:06 |
Stalin's dead |
| 01:40:09 |
What? |
| 01:40:12 |
- What's she doing? |
| 01:40:15 |
When? |
| 01:40:19 |
It can't be true! |
| 01:40:23 |
I told you! |
| 01:40:25 |
Did you hear that? |
| 01:40:28 |
Did you hear that or not? |
| 01:40:34 |
What happened? |
| 01:40:38 |
Stalin's dead |
| 01:41:13 |
Shut up! |
| 01:42:21 |
The toilet's dirty. Clean it |
| 01:43:02 |
The towels are dirty. Change them |
| 01:43:11 |
- Surname? |
| 01:43:14 |
- First name? |
| 01:43:16 |
The child's name? |
| 01:43:18 |
- The child's name? |
| 01:43:24 |
- Surname? |
| 01:43:30 |
You pigs! No! |
| 01:43:33 |
Child's name? |
| 01:43:35 |
Malgorzata, but be careful |
| 01:43:39 |
Surname? |
| 01:43:42 |
Surname? |
| 01:43:44 |
I said surname? |
| 01:43:49 |
Please, I'm begging you |
| 01:43:51 |
Don't take my baby |
| 01:44:32 |
Listen |
| 01:45:07 |
You'll be out in three months. |
| 01:45:15 |
Take her out |
| 01:45:20 |
I understand |
| 01:45:54 |
Hello. Operator? |
| 01:46:55 |
- Hey, be careful |
| 01:47:24 |
The child is doing fine in our care. |
| 01:47:28 |
And her father visits her |
| 01:47:31 |
A short man... receding a bit? |
| 01:47:37 |
No. Tall and slim with glasses |
| 01:48:17 |
I can't recognize her |
| 01:48:30 |
Malgosia? |
| 01:48:35 |
Malgosia? |
| 01:48:38 |
Malgosia? I'm your mummy |
| 01:48:44 |
Come here. Malgosia? |
| 01:48:48 |
Malgosia? |
| 01:48:51 |
Come to me. Malgosia? |
| 01:48:58 |
Malgosia |
| 01:49:02 |
I'm your mummy. |
| 01:49:05 |
Malgosia? |
| 01:49:11 |
Hey, come on. Don't cry. |
| 01:49:15 |
Please don't cry. |
| 01:49:43 |
Daddy |
| 01:49:47 |
Daddy |
| 01:49:55 |
Daddy |
