|
Psycho II
|
| 00:01:28 |
Oh! No! |
| 00:01:32 |
No, no! |
| 00:02:46 |
Mother! Oh, God, Mother! |
| 00:02:49 |
Blood! Blood! |
| 00:04:23 |
Are you stating, Counsel, |
| 00:04:24 |
you're not gonna offer any |
| 00:04:27 |
Yes, Your Honor. |
| 00:04:29 |
On the basis |
| 00:04:31 |
Norman Bates is judged |
| 00:04:34 |
and is ordered released |
| 00:04:35 |
What about his victims? |
| 00:04:39 |
Don't they have any say? |
| 00:04:42 |
Madam, please sit down. |
| 00:04:44 |
This matter |
| 00:04:46 |
by the District Attorney. |
| 00:04:47 |
Your Honor, my name |
| 00:04:50 |
I have a petition here |
| 00:04:53 |
against Norman Bates' release, |
| 00:04:55 |
including the relatives |
| 00:04:57 |
of the seven people |
| 00:04:59 |
Doesn't that give me |
| 00:05:01 |
Has the District Attorney |
| 00:05:03 |
about her rights |
| 00:05:04 |
Yes, Your Honor. |
| 00:05:05 |
I explained that her petition |
| 00:05:07 |
had no effect |
| 00:05:08 |
Did you explain to her |
| 00:05:10 |
Why are you people |
| 00:05:12 |
Don't you realize they're going |
| 00:05:15 |
I must ask you to sit down |
| 00:05:17 |
remove you |
| 00:05:18 |
If you've |
| 00:05:20 |
please discuss them |
| 00:05:22 |
after this hearing. |
| 00:05:23 |
Why bother? |
| 00:05:24 |
It's all too obvious, |
| 00:05:26 |
our courts |
| 00:05:28 |
not their victims. |
| 00:05:32 |
Congratulations, Norman. |
| 00:05:35 |
Turning now |
| 00:05:37 |
Is that all there is |
| 00:05:39 |
That's all there is |
| 00:05:44 |
Let the record reflect |
| 00:05:45 |
that the defendant |
| 00:05:47 |
Just like I said, |
| 00:05:49 |
I'll call you later. |
| 00:05:51 |
Are you satisfied, |
| 00:05:52 |
Turning a murderer loose |
| 00:05:54 |
Mrs. Loomis, Norman was |
| 00:05:57 |
He was found "not guilty" |
| 00:05:59 |
And since he is |
| 00:06:00 |
That is just |
| 00:06:02 |
and when he |
| 00:06:04 |
you will be |
| 00:06:45 |
Well, this belongs |
| 00:06:46 |
who runs the motel. |
| 00:06:48 |
Want me to find him? |
| 00:06:49 |
No, no. It'll... lt'll wait. |
| 00:07:05 |
What's the matter? |
| 00:07:07 |
Uh, I saw someone. |
| 00:07:10 |
Where? |
| 00:07:11 |
L-ln that window. |
| 00:07:14 |
They haven't had a tenant |
| 00:07:16 |
I guess |
| 00:07:19 |
Well, that's understandable |
| 00:07:23 |
Yeah. |
| 00:07:42 |
Well, this is it. |
| 00:07:44 |
Yeah. |
| 00:07:47 |
You don't have to |
| 00:07:49 |
I could find you |
| 00:07:51 |
No, no. |
| 00:07:57 |
Then as long |
| 00:07:59 |
that the memories are |
| 00:08:03 |
But you know how to handle |
| 00:08:06 |
Sure. |
| 00:08:09 |
You start work at noon today. |
| 00:08:11 |
No, I won't. |
| 00:08:14 |
I don't suppose you will. |
| 00:08:19 |
What's wrong? |
| 00:08:20 |
Oh, nothing, really. |
| 00:08:23 |
I just wish there hadn't been |
| 00:08:25 |
there'd be |
| 00:08:26 |
looking in on you |
| 00:08:28 |
Well, I have you, |
| 00:08:30 |
Damn right you do. |
| 00:08:32 |
I had the phone |
| 00:08:33 |
Any trouble, use it. |
| 00:08:35 |
Okay. |
| 00:08:43 |
Thanks, Doctor, |
| 00:09:43 |
Mother? |
| 00:09:45 |
Norman. |
| 00:09:57 |
Norman, what did you put |
| 00:10:02 |
I'm gonna get you |
| 00:10:06 |
I'm gonna show you |
| 00:10:09 |
to bad little boys |
| 00:10:15 |
I'm going to kill you! |
| 00:11:06 |
Can I help you? |
| 00:11:08 |
I'm Norman. Norman Bates. |
| 00:11:11 |
The new cook's helper. |
| 00:11:12 |
Oh, yes. |
| 00:11:14 |
called about you. |
| 00:11:15 |
I'm the one |
| 00:11:17 |
to give you the job. |
| 00:11:18 |
I think |
| 00:11:19 |
to forgive and forget, |
| 00:11:21 |
I sure do. |
| 00:11:22 |
So do I. Myrna. |
| 00:11:26 |
That's Myrna, Norman. |
| 00:11:27 |
Come on, I'll introduce you |
| 00:11:29 |
He's in the back. |
| 00:11:31 |
Ralph, this is Norman Bates. |
| 00:11:33 |
You have to tell me what. |
| 00:11:35 |
Ralph, this is Norman Bates, |
| 00:11:38 |
Hi. Get him an apron, |
| 00:11:41 |
Scott, we have to talk |
| 00:11:43 |
Step on it, would you, girl? |
| 00:11:45 |
You're being paid to wait on |
| 00:11:47 |
Look, I'll call you |
| 00:11:49 |
We're getting ready |
| 00:11:51 |
He's really very nice |
| 00:11:53 |
Hey, Queen for a Day, |
| 00:11:56 |
Mary, this is Norman. |
| 00:11:58 |
He's gonna be working |
| 00:12:00 |
Hi. |
| 00:12:02 |
Boyfriend troubles, |
| 00:12:05 |
Heart of gold |
| 00:12:07 |
Let's get that apron |
| 00:12:16 |
Here you go. |
| 00:12:22 |
Jesus Christ, girl, |
| 00:12:23 |
what have you broken |
| 00:12:25 |
It wasn't her fault, |
| 00:12:26 |
It was me. |
| 00:12:28 |
Well, let her pick up |
| 00:12:30 |
before you do |
| 00:12:33 |
Thanks. |
| 00:12:38 |
Here, Bates. |
| 00:12:47 |
Here, put these up there under the |
| 00:12:53 |
On the wheel. On the wheel. |
| 00:12:55 |
Oh. |
| 00:12:59 |
Uh, two meatloaf sandwiches and |
| 00:13:04 |
And one baked potato. |
| 00:13:07 |
Okay, go ahead, go ahead, |
| 00:13:11 |
No, no, Scott. I didn't |
| 00:13:15 |
Hello? |
| 00:13:18 |
Hello? |
| 00:13:21 |
Bastard. |
| 00:13:23 |
You all right? |
| 00:13:24 |
Of course I'm all right. |
| 00:13:26 |
Where you going? |
| 00:13:27 |
Will you |
| 00:13:29 |
If you're going into town, you're |
| 00:13:39 |
Look, l... I don't know |
| 00:13:41 |
but, uh, why don't you |
| 00:13:43 |
Why? |
| 00:13:44 |
Why? So you can |
| 00:13:48 |
I don't have a home. |
| 00:13:50 |
No home? |
| 00:13:51 |
I've been living with my |
| 00:13:53 |
And all of a sudden, |
| 00:13:56 |
And then I just phoned him to ask |
| 00:13:59 |
All he'd say is that I couldn't |
| 00:14:03 |
Well, what're you... |
| 00:14:05 |
Call a friend in town, |
| 00:14:07 |
See if somebody'll let me |
| 00:14:09 |
What about your parents? |
| 00:14:10 |
Uh, couldn't you |
| 00:14:12 |
They're in Portland. |
| 00:14:13 |
And they don't care |
| 00:14:15 |
Oh, uh, I own a motel |
| 00:14:20 |
And you'd be welcome |
| 00:14:22 |
in one of the empty rooms |
| 00:14:24 |
F-FOC, of course. |
| 00:14:28 |
What? |
| 00:14:29 |
Free of charge. |
| 00:14:31 |
Oh. |
| 00:14:33 |
But no, that's very nice of |
| 00:14:36 |
You wouldn't be imposing. |
| 00:14:38 |
Co-workers ought to help each |
| 00:14:42 |
You know what, you covered for me |
| 00:14:46 |
Yeah. |
| 00:14:47 |
I figured you'd get into more |
| 00:14:50 |
You're not kidding. |
| 00:14:51 |
I've been working there four days and |
| 00:14:55 |
You sure it's all right |
| 00:14:58 |
Absolutely. |
| 00:15:00 |
Come on, let's get going. |
| 00:15:21 |
Well, we almost made it. |
| 00:15:24 |
You didn't get |
| 00:15:25 |
No, I'm all right. |
| 00:15:26 |
Oh. |
| 00:15:27 |
Do you own all this? |
| 00:15:29 |
Oh, yeah. |
| 00:15:32 |
but I'll get it |
| 00:15:34 |
Well, let me |
| 00:15:39 |
Mr. Toomey. |
| 00:15:58 |
Why don't you wait here |
| 00:16:01 |
Uh, just to make sure |
| 00:16:21 |
What you thinking about |
| 00:16:25 |
There's no reason to be scared, |
| 00:16:30 |
What do you want, a room? |
| 00:16:33 |
Norman's already |
| 00:16:39 |
You're with Bates? |
| 00:16:42 |
Well, uh, you must be |
| 00:16:45 |
I'm Warren Toomey. |
| 00:16:47 |
Mary, why don't you |
| 00:16:49 |
The... The front door |
| 00:16:52 |
Is something wrong |
| 00:16:53 |
No. Just... Just... Just... Just... |
| 00:16:57 |
Look, |
| 00:16:58 |
Look, just do |
| 00:17:05 |
She's pretty cute. |
| 00:17:08 |
What's this stuff? |
| 00:17:12 |
I'd say it was drugs. |
| 00:17:15 |
What about |
| 00:17:17 |
Is that what's going on |
| 00:17:19 |
Yeah. |
| 00:17:21 |
Boy, this town. |
| 00:17:22 |
If it isn't the parents, |
| 00:17:24 |
I caught a couple of them |
| 00:17:26 |
of your house up there |
| 00:17:28 |
Of course, |
| 00:17:29 |
Can you believe that? |
| 00:17:31 |
What kind of a motel |
| 00:17:38 |
The kind that makes money. |
| 00:17:41 |
People come here to party. |
| 00:17:43 |
They stay a few hours |
| 00:17:46 |
What more can you ask from a motel |
| 00:17:49 |
You're fired. |
| 00:17:52 |
Hey, you can't fire me. |
| 00:17:53 |
I was hired by the hospital. |
| 00:17:55 |
This State has no claim on me |
| 00:17:58 |
And neither do you. |
| 00:18:00 |
I want you |
| 00:18:02 |
Yeah, well, why don't you try |
| 00:18:05 |
I'd like to see that. |
| 00:18:06 |
I won't have to. |
| 00:18:09 |
I'm sure they'd be very |
| 00:18:11 |
especially the drugs. |
| 00:18:15 |
Tomorrow, Mr. Toomey. |
| 00:18:16 |
And don't rent out any more |
| 00:18:26 |
At least my customers |
| 00:18:29 |
What'd yours get, |
| 00:18:32 |
Dead, that's what |
| 00:18:34 |
Dead! Murdered by you, |
| 00:18:46 |
Hi! |
| 00:18:47 |
What was all |
| 00:18:48 |
Oh. |
| 00:18:50 |
My motel manager |
| 00:18:56 |
Wasn't because of me, |
| 00:18:58 |
No. |
| 00:19:01 |
Why are you sitting |
| 00:19:03 |
I was just thinking |
| 00:19:06 |
Maybe if I hadn't |
| 00:19:08 |
we would've |
| 00:19:10 |
Yeah, maybe. |
| 00:19:18 |
Is that, uh, better? |
| 00:19:21 |
Do you think I should call |
| 00:19:25 |
Oh, sure. |
| 00:19:45 |
Hi, Scott? |
| 00:19:50 |
Are you all right? |
| 00:19:52 |
What were you talking about? |
| 00:19:54 |
Listen, I didn't mean it. |
| 00:19:55 |
Are you still |
| 00:19:59 |
Yeah, I'm fine. |
| 00:20:02 |
I'm at this motel. |
| 00:20:05 |
No, I didn't get wet. |
| 00:20:06 |
I got here just |
| 00:20:11 |
Look, I can take care |
| 00:20:14 |
No, of course not. |
| 00:20:27 |
Look, I can't talk any longer. |
| 00:20:40 |
Uh, oh. |
| 00:20:42 |
How did it go? |
| 00:20:44 |
Terrible. I found out why he |
| 00:20:47 |
Oh, well, why? |
| 00:20:48 |
He's got somebody new. |
| 00:20:49 |
He's moved her in |
| 00:20:53 |
Well, that's no good. |
| 00:20:55 |
Oh, well. |
| 00:20:56 |
Think how it would've been if |
| 00:20:59 |
what sort of guy he was. |
| 00:21:01 |
He asked me to, you know? |
| 00:21:03 |
Sure. L... I mean, |
| 00:21:06 |
Oh, uh, have... have... |
| 00:21:09 |
No. |
| 00:21:10 |
Well, let... let's have it |
| 00:21:12 |
I was just about to |
| 00:21:13 |
It's just, uh, |
| 00:21:16 |
but you're more than welcome to share it. |
| 00:21:18 |
I really |
| 00:21:19 |
No, no, no, do it. Do it... Do |
| 00:21:22 |
isn't going to make |
| 00:21:25 |
All right. |
| 00:21:28 |
But this is yours. |
| 00:21:29 |
No, go ahead, you... you |
| 00:21:34 |
Do you have a knife? |
| 00:21:36 |
No, I'm afraid I don't. |
| 00:21:39 |
L... I just moved back here |
| 00:21:43 |
I forgot to bring |
| 00:21:47 |
That's odd. |
| 00:21:48 |
People usually |
| 00:21:50 |
even if it is only |
| 00:21:53 |
Oh, there. |
| 00:22:10 |
Is something wrong, Norman? |
| 00:22:23 |
Um, |
| 00:22:25 |
aren't you going to eat? |
| 00:22:27 |
No. L... l... l... I just |
| 00:22:30 |
but you... you... you |
| 00:22:32 |
Enjoy it. |
| 00:22:41 |
I guess I'm like you. L... I |
| 00:22:45 |
Oh, w-w-would you like |
| 00:22:48 |
There're cookies for dessert. |
| 00:22:49 |
Oh, no, no, th-thank you. |
| 00:22:51 |
Uh, can I use |
| 00:22:53 |
Sure. |
| 00:22:54 |
Who you gonna call? |
| 00:22:55 |
Um, I just remembered this |
| 00:22:58 |
L... I mean, she's kind of |
| 00:23:00 |
maybe she'd let me |
| 00:23:03 |
Well, huh, I thought |
| 00:23:06 |
There's a spare room |
| 00:23:08 |
and you're |
| 00:23:10 |
Uh, l... I don't think |
| 00:23:13 |
Why? |
| 00:23:16 |
I don't mean to hurt |
| 00:23:20 |
but Myrna was talking about |
| 00:23:22 |
Mrs. Spool kept on telling |
| 00:23:25 |
She said you'd been |
| 00:23:30 |
Did she say why? |
| 00:23:34 |
When I was 12, |
| 00:23:38 |
so I put some poison |
| 00:23:41 |
You know? Just... |
| 00:23:43 |
I'm all right now. |
| 00:23:46 |
You sure? |
| 00:23:47 |
Sure. |
| 00:23:48 |
Otherwise they wouldn't have given |
| 00:23:51 |
I don't know. |
| 00:23:56 |
Oh, boy! |
| 00:23:58 |
Look, I-I-I'm sorry, |
| 00:24:01 |
What if I told you |
| 00:24:06 |
Why would you need me? |
| 00:24:08 |
Because this is |
| 00:24:10 |
I've spent in this house |
| 00:24:14 |
A lot of my troubles |
| 00:24:16 |
had to do |
| 00:24:18 |
So you see, I'm as scared as you |
| 00:24:24 |
I-I'm sorry, |
| 00:24:25 |
Please. |
| 00:24:30 |
That bad, huh? |
| 00:24:46 |
No. Not... Not... Not that one. |
| 00:24:49 |
This one over there. |
| 00:24:51 |
What's wrong |
| 00:24:52 |
Well, that, uh, used |
| 00:24:56 |
But she's dead, |
| 00:24:59 |
Yeah. |
| 00:25:00 |
Is this the room where |
| 00:25:03 |
One of them, yeah. |
| 00:25:05 |
Well, I don't know what |
| 00:25:07 |
but you're never gonna get |
| 00:25:21 |
See? No ghosts. |
| 00:25:27 |
No. |
| 00:25:31 |
I could sleep here. |
| 00:25:32 |
No, I'd, uh... |
| 00:25:33 |
Why not? |
| 00:25:35 |
I'd just rather |
| 00:25:38 |
What happened in here |
| 00:25:45 |
Let me show you the room |
| 00:25:58 |
You'll be, uh, |
| 00:26:01 |
Well, the, uh... |
| 00:26:03 |
The bathroom? |
| 00:26:05 |
L-ls, uh, |
| 00:26:07 |
Uh, well, |
| 00:26:09 |
I guess it's time to, uh, |
| 00:26:13 |
Okay. |
| 00:26:45 |
Good night, Mary. |
| 00:27:32 |
About time, girl. |
| 00:27:33 |
Sorry. |
| 00:27:34 |
Hi. |
| 00:27:36 |
I'm sorry I missed you |
| 00:27:38 |
I got up early and went into |
| 00:27:41 |
You know, the one |
| 00:27:44 |
Guess what? |
| 00:27:46 |
What? |
| 00:27:47 |
We're going to |
| 00:27:49 |
Well, y-y-y-you... you're more than |
| 00:27:52 |
Thanks, but I'd really |
| 00:27:55 |
Oh, in town, yeah. |
| 00:27:57 |
Uh, my... my place is |
| 00:28:00 |
No, l... I really don't think |
| 00:28:03 |
Okay. Well, |
| 00:28:05 |
Hey, girl, I gave you the |
| 00:28:08 |
Hop to it. |
| 00:28:09 |
Charming, isn't he? |
| 00:28:12 |
Chop up some more lettuce, |
| 00:28:34 |
Hey, Ralph, so, uh, how's |
| 00:28:38 |
Hi, Warren. |
| 00:28:41 |
Yeah, well, I hope he washes |
| 00:29:07 |
Hey, can I get a little service |
| 00:29:10 |
Okay. |
| 00:29:11 |
Hey, cutie! Come here. |
| 00:29:13 |
Oh, hello, |
| 00:29:16 |
I'd like some of what |
| 00:29:22 |
Pardon? |
| 00:29:23 |
You heard me, sweetheart. |
| 00:29:25 |
Why don't you look at a |
| 00:29:31 |
What happened between you |
| 00:29:33 |
I fired him. |
| 00:29:34 |
Oh, great, |
| 00:29:37 |
What did he say? |
| 00:29:39 |
Nothing nice and I |
| 00:29:41 |
He sure smells like it. |
| 00:29:42 |
Hey, you do have |
| 00:29:45 |
or do you want me to |
| 00:29:47 |
Talk about the customers |
| 00:29:52 |
Excuse me, |
| 00:29:54 |
Yeah. |
| 00:29:55 |
Then can I please |
| 00:30:24 |
What was it like? |
| 00:30:25 |
What's what like? |
| 00:30:27 |
Screwin' a psycho? |
| 00:30:31 |
Would you mind |
| 00:30:34 |
Next. |
| 00:30:38 |
Two turkey sandwiches |
| 00:30:40 |
One BLT, hold the mayo. |
| 00:30:42 |
I'll get the tomatoes, |
| 00:30:48 |
Hey, I suppose |
| 00:30:50 |
alone with him |
| 00:30:52 |
You got strange tastes |
| 00:30:55 |
Just because two people |
| 00:30:57 |
doesn't necessarily mean |
| 00:31:00 |
Since when, huh? |
| 00:31:01 |
Or are you the kind that |
| 00:31:07 |
You really want to know |
| 00:31:10 |
Yeah. |
| 00:31:11 |
Better than |
| 00:31:20 |
Cut it out, Toomey! |
| 00:31:22 |
Norman? |
| 00:31:23 |
Are you talkin' |
| 00:31:25 |
Come on. |
| 00:31:29 |
Come on. Come on! Huh? |
| 00:31:32 |
What's wrong? |
| 00:31:39 |
Oh. Oh, that's... that's beautiful. |
| 00:31:42 |
Come on, pick it up! |
| 00:31:44 |
What's the matter, |
| 00:31:46 |
Or do you only |
| 00:31:48 |
Go on, pick it up! |
| 00:31:50 |
Show us what |
| 00:31:52 |
Come... Come on, loony. |
| 00:31:59 |
Oh, look, not only is he |
| 00:32:06 |
What's the trouble, Warren? |
| 00:32:08 |
The trouble is |
| 00:32:12 |
This is the last time |
| 00:32:15 |
You're sweating all over. |
| 00:32:21 |
Can I get you |
| 00:32:22 |
A glass of water, maybe? |
| 00:32:24 |
No. |
| 00:32:25 |
What the hell did you |
| 00:32:27 |
That man, Mr. Toomey, |
| 00:32:28 |
I'm not talkin' |
| 00:32:31 |
Well? |
| 00:32:32 |
He was bothering Mary, and |
| 00:32:35 |
What note? |
| 00:32:36 |
It's there on the wheel. |
| 00:32:45 |
There's nothing here. |
| 00:32:52 |
Look, Norman, you're tired. |
| 00:32:54 |
Why don't you take the |
| 00:32:56 |
I'm telling you, |
| 00:33:00 |
Sure it was. |
| 00:33:03 |
Don't humor me. |
| 00:33:05 |
I'm telling you there |
| 00:33:08 |
from my dead mother. |
| 00:33:23 |
Okay, everybody, |
| 00:33:44 |
Hi. |
| 00:33:46 |
Is that offer to room |
| 00:33:49 |
Oh, sure. |
| 00:33:51 |
Great. |
| 00:33:52 |
Well, w-what happened? |
| 00:33:54 |
Oh, |
| 00:33:56 |
you know my girlfriend, |
| 00:33:58 |
Yeah. |
| 00:34:00 |
her boyfriend sleeps over |
| 00:34:02 |
Do you know what it's like trying |
| 00:34:05 |
when a couple's making love |
| 00:34:10 |
Noisy? |
| 00:34:11 |
You're not kidding. |
| 00:34:14 |
Well, I thought you were |
| 00:34:16 |
Why? |
| 00:34:17 |
The way you handled |
| 00:34:19 |
What an asshole. |
| 00:34:20 |
I could've killed him |
| 00:34:22 |
No, I don't kill |
| 00:34:27 |
Oh, here. |
| 00:34:29 |
What's this? |
| 00:34:31 |
My grandmother sent it to |
| 00:34:36 |
Well, thank you. |
| 00:34:39 |
What about that note? |
| 00:34:42 |
That was just |
| 00:34:45 |
Yeah, I guess so. |
| 00:34:47 |
Oh, oh, oh, l-let me |
| 00:34:49 |
No, no, no, that's all right. I can manage. |
| 00:34:51 |
Uh... |
| 00:34:52 |
Did you... Did you |
| 00:34:54 |
Yes. |
| 00:34:55 |
And I'm exhausted. I'm going to |
| 00:34:58 |
If that's all right |
| 00:35:00 |
Oh, oh, sure. |
| 00:38:43 |
Hey, wake up! |
| 00:38:45 |
Hey, you nut guys there? |
| 00:38:48 |
Hey! |
| 00:38:51 |
Psycho! |
| 00:38:55 |
I just want you to know |
| 00:39:16 |
Hello? |
| 00:39:20 |
W-What? Who is this? |
| 00:39:26 |
My mother is dead. |
| 00:39:30 |
Mr. Toomey, if this is you, |
| 00:39:43 |
Bastard. |
| 00:40:43 |
Bill! |
| 00:40:52 |
Hi, Bill. I wasn't |
| 00:40:57 |
Hi, Norman. |
| 00:40:58 |
I got a call |
| 00:41:00 |
He said you quit your job |
| 00:41:02 |
Yeah. Well, I just figured I could |
| 00:41:05 |
You know, once I get... once I |
| 00:41:09 |
What does Mr. Toomey think |
| 00:41:11 |
Him? You know, |
| 00:41:13 |
Y-Y-You know, |
| 00:41:15 |
into what I think |
| 00:41:20 |
Oh, I see. |
| 00:41:23 |
Well, there've been an awful lot of |
| 00:41:26 |
Yeah, yeah. |
| 00:41:28 |
Any more notes |
| 00:41:30 |
Oh, no, no, no. |
| 00:41:32 |
Who's that? |
| 00:41:33 |
Where? |
| 00:41:34 |
There, in the top window? |
| 00:41:36 |
In the attic? |
| 00:41:37 |
It looked like a woman. |
| 00:41:39 |
Oh, oh, oh, |
| 00:41:41 |
Mary, who? |
| 00:41:42 |
Oh, Mary. She works with me |
| 00:41:47 |
She's been staying here, too. |
| 00:41:49 |
Hmm? |
| 00:41:50 |
Oh, it's nothing like that. |
| 00:41:52 |
we're just friends. |
| 00:42:43 |
Mary. |
| 00:42:55 |
Hi, Mary. You look great. |
| 00:42:59 |
Look, this is, uh, |
| 00:43:01 |
He was my psychiatrist |
| 00:43:05 |
Hello. |
| 00:43:07 |
Well, what do you think? |
| 00:43:09 |
About what? |
| 00:43:10 |
What Norman's doing. Has he |
| 00:43:13 |
Some of them. |
| 00:43:15 |
Well, I have to be going |
| 00:43:17 |
Can I give you a lift? |
| 00:43:19 |
Go ahead. |
| 00:43:31 |
See you tonight. |
| 00:43:49 |
So, what can I do |
| 00:43:52 |
Oh, thank you. |
| 00:43:56 |
Are you familiar |
| 00:43:58 |
Very. I was deputy here |
| 00:44:00 |
when Sheriff Chambers |
| 00:44:03 |
I re-read the file when I |
| 00:44:06 |
So, what's the trouble? |
| 00:44:07 |
Bates dressing up |
| 00:44:09 |
No, nothing like that. |
| 00:44:12 |
Although, Norman says that |
| 00:44:15 |
and making phone calls |
| 00:44:17 |
Well, people. So, what do |
| 00:44:20 |
Put a tap on his phone. |
| 00:44:22 |
Sorry, Doc, |
| 00:44:24 |
This is Fairvale, California, |
| 00:44:26 |
But I can check around and see who might |
| 00:44:30 |
Anything else? |
| 00:44:32 |
You could keep |
| 00:44:33 |
I have been. |
| 00:44:36 |
All right, Sheriff, |
| 00:44:40 |
in case you should need me. |
| 00:44:42 |
Oh, there is |
| 00:44:43 |
Why, of course, what? |
| 00:44:45 |
He's got a girl |
| 00:44:47 |
Uh, Mary Samuels. |
| 00:44:50 |
She works at the diner. |
| 00:44:51 |
Then I'll check on her, too. |
| 00:44:53 |
Thank you, Sheriff. |
| 00:44:54 |
Any time. |
| 00:47:52 |
Slut? |
| 00:49:16 |
Are you sure |
| 00:49:18 |
It always has been. |
| 00:49:22 |
Come on. |
| 00:50:09 |
Oh, I don't need |
| 00:50:34 |
What's that? |
| 00:50:36 |
What? |
| 00:50:37 |
That sound |
| 00:50:39 |
You're just stoned. |
| 00:50:45 |
I'm not. |
| 00:51:02 |
Jesus. |
| 00:51:03 |
What is it? |
| 00:51:04 |
Shh. |
| 00:51:12 |
Let's get out of here. |
| 00:51:22 |
Shh. |
| 00:51:35 |
Come on, hurry! |
| 00:51:39 |
Come on! |
| 00:51:41 |
Look out, behind you! |
| 00:52:09 |
Norman? |
| 00:52:12 |
Norman? |
| 00:52:14 |
Norman? |
| 00:52:17 |
Mary, up here. |
| 00:52:22 |
What are you doing |
| 00:52:25 |
L... I was locked in. |
| 00:52:29 |
You couldn't have been. |
| 00:52:31 |
Someone unlocked it |
| 00:52:35 |
Who? |
| 00:52:37 |
Whoever's been pretending |
| 00:52:39 |
Norman, what are you |
| 00:52:41 |
I saw her in the window. |
| 00:52:43 |
And just look |
| 00:52:44 |
It's all been fixed up |
| 00:52:46 |
There's another note, too. |
| 00:52:48 |
I'm going to check |
| 00:52:49 |
maybe they went down |
| 00:52:53 |
Norman? |
| 00:52:55 |
What? |
| 00:52:56 |
There's no note in there. |
| 00:52:59 |
What do you mean |
| 00:53:05 |
No, th-this isn't |
| 00:53:09 |
It was all fixed up. |
| 00:53:12 |
It wasn't like this. |
| 00:53:16 |
The... The note. |
| 00:53:21 |
This... |
| 00:53:25 |
Who's that? |
| 00:53:29 |
Norman, you better |
| 00:53:32 |
Yeah. |
| 00:53:43 |
Norman, |
| 00:53:45 |
whatever you do, don't |
| 00:53:50 |
Hello, Norman, |
| 00:53:52 |
I'm Sheriff Hunt. |
| 00:53:54 |
This is Deputy Pool. |
| 00:53:56 |
Can we come in? |
| 00:53:58 |
Sure, yes. Yes. |
| 00:54:00 |
Uh, this is... |
| 00:54:01 |
I know. Mary Samuels. |
| 00:54:05 |
What can we do for you? |
| 00:54:07 |
There hasn't been |
| 00:54:09 |
Yes, there has. |
| 00:54:12 |
What sort? |
| 00:54:14 |
The old sort. |
| 00:54:16 |
There's a girl sitting down |
| 00:54:18 |
Too scared to come |
| 00:54:20 |
Why? |
| 00:54:21 |
She claims that |
| 00:54:23 |
murdered in your |
| 00:54:25 |
by a large woman |
| 00:54:28 |
That's just how |
| 00:54:30 |
isn't it, Norman? |
| 00:54:32 |
Well, what... |
| 00:54:34 |
in the cellar, anyway? |
| 00:54:35 |
Oh, what kids do today, |
| 00:54:37 |
Smoking dope, |
| 00:54:40 |
Do you know anything |
| 00:54:44 |
No. |
| 00:54:47 |
Do you mind if we look |
| 00:54:51 |
No. |
| 00:55:04 |
Looks clean to me. |
| 00:55:05 |
Yeah, doesn't it? |
| 00:55:16 |
You've been straightening up |
| 00:55:19 |
No, sir. |
| 00:55:20 |
This is the first time |
| 00:55:22 |
s-s-since I came home. |
| 00:55:27 |
Then who did it? |
| 00:55:28 |
I did. |
| 00:55:29 |
Several days ago. |
| 00:55:31 |
Hey, Norman? |
| 00:55:34 |
I just hate a dirty house, |
| 00:55:41 |
Why is this open? |
| 00:55:43 |
I don't know. |
| 00:55:45 |
You better put a padlock |
| 00:55:46 |
before someone |
| 00:55:54 |
You know why Norman doesn't |
| 00:55:56 |
No, I don't. |
| 00:55:59 |
He used to keep |
| 00:56:02 |
Stole it from the grave. |
| 00:56:05 |
Talked to himself |
| 00:56:07 |
answering in his own. |
| 00:56:09 |
What do you think of that? |
| 00:56:10 |
It's horrible. |
| 00:56:12 |
That's right, it was. |
| 00:56:14 |
Now, let me ask you again. |
| 00:56:17 |
Are you positive |
| 00:56:21 |
Yes. |
| 00:56:24 |
All right. |
| 00:56:27 |
Mike? |
| 00:56:28 |
Yeah? |
| 00:56:29 |
Let's go. |
| 00:56:36 |
Are you sure |
| 00:56:38 |
heard anything this afternoon |
| 00:56:41 |
I don't know. |
| 00:56:42 |
He was with me |
| 00:56:43 |
We were walking |
| 00:56:47 |
Goodbye. |
| 00:56:49 |
Nice to see you again, |
| 00:56:58 |
Why did you do that? |
| 00:56:59 |
Do what? |
| 00:57:01 |
Lie to the Sheriff? |
| 00:57:02 |
You weren't with me |
| 00:57:03 |
I had to do something. |
| 00:57:04 |
He was going to arrest you. |
| 00:57:09 |
Norman. |
| 00:57:14 |
It's starting again. |
| 00:57:24 |
Sheriff Hunt? |
| 00:57:25 |
Yes. |
| 00:57:26 |
I-I'm Lila Loomis. |
| 00:57:28 |
I used to be Lila Crane. |
| 00:57:30 |
Oh, yes, of course. |
| 00:57:34 |
I was just thinkin' |
| 00:57:36 |
How is he? |
| 00:57:37 |
My husband is dead. |
| 00:57:40 |
I'm sorry. |
| 00:57:41 |
Well, what brings you |
| 00:57:44 |
after all these years? |
| 00:57:45 |
Norman Bates. |
| 00:57:49 |
He's out at his motel, |
| 00:57:52 |
Why haven't you |
| 00:57:53 |
What for? |
| 00:57:54 |
For murder. |
| 00:57:56 |
It's all over town |
| 00:57:59 |
Mrs. Loomis, I can't arrest |
| 00:58:01 |
Especially one |
| 00:58:03 |
What alibi? |
| 00:58:05 |
There's a girl staying |
| 00:58:08 |
and she says |
| 00:58:10 |
at the time |
| 00:58:11 |
if there was a murder. |
| 00:58:13 |
Oh, well, what do you mean |
| 00:58:17 |
Well, what I mean is |
| 00:58:19 |
that anybody was killed. |
| 00:58:21 |
There's no body. |
| 00:58:23 |
So let's just wait |
| 00:58:25 |
if the boy |
| 00:58:27 |
Have you dragged |
| 00:58:29 |
What? |
| 00:58:30 |
The swamp? |
| 00:58:31 |
That's where he dumped |
| 00:58:33 |
Have you dragged it yet? |
| 00:58:34 |
No, ma'am. |
| 00:58:36 |
Well, then I suggest |
| 00:58:38 |
before there |
| 00:58:40 |
Unless, of course, |
| 00:58:41 |
you want it |
| 00:58:48 |
What's her problem? |
| 00:58:50 |
I don't know. |
| 00:58:52 |
But if Norman Bates |
| 00:58:54 |
there are a whole lot |
| 00:58:56 |
runnin' him |
| 00:59:01 |
Are you sure |
| 00:59:03 |
Yeah. I'm fine. |
| 00:59:05 |
What you need is one of |
| 00:59:07 |
Is there any brandy |
| 00:59:10 |
I don't know. |
| 00:59:11 |
My mother |
| 00:59:14 |
Mr. Toomey was a drinker, |
| 00:59:16 |
Did he leave a bottle |
| 00:59:20 |
I don't know. |
| 00:59:21 |
I'll be right back. |
| 00:59:49 |
Hello? |
| 01:00:04 |
Why did you lie |
| 01:00:06 |
and say Bates was with you |
| 01:00:07 |
Mother. What are you |
| 01:00:10 |
Go back to the hotel |
| 01:00:12 |
Answer my question? |
| 01:00:15 |
I didn't alibi him. |
| 01:00:16 |
Don't lie to me. |
| 01:00:23 |
Why did you do it? |
| 01:00:26 |
Because Norman couldn't have |
| 01:00:29 |
Why not? |
| 01:00:34 |
He saw me in the window |
| 01:00:37 |
then he went in to the room |
| 01:00:40 |
Then when he went |
| 01:00:42 |
I locked the attic door |
| 01:00:44 |
He was trapped in there |
| 01:00:45 |
while I took everything |
| 01:00:49 |
So, you see, |
| 01:00:52 |
What difference |
| 01:00:54 |
We want him re-committed. |
| 01:00:58 |
Mother, he's innocent. |
| 01:01:00 |
Innocent? He killed |
| 01:01:03 |
Not to mention |
| 01:01:05 |
Mother, that was 22 years ago. |
| 01:01:09 |
Mary, people don't change. |
| 01:01:12 |
He must have |
| 01:01:14 |
Mother, I was wrong. |
| 01:01:17 |
I don't think |
| 01:01:18 |
in the bathroom wall. |
| 01:01:19 |
Of course he did. |
| 01:01:21 |
Mother, listen to me. |
| 01:01:23 |
I think there's someone else |
| 01:01:25 |
Don't be stupid. |
| 01:01:26 |
It's just Bates |
| 01:01:29 |
It can't be Norman. |
| 01:01:33 |
Maybe if you knew him now. |
| 01:01:35 |
It's just that |
| 01:01:38 |
to do what's right |
| 01:01:40 |
And that hardly |
| 01:01:42 |
to be doing |
| 01:01:44 |
You're as crazy as he is. |
| 01:01:47 |
We'll talk later. |
| 01:01:50 |
Norman needs you? |
| 01:01:52 |
A psychopath needs you? |
| 01:01:54 |
Look, go back to your hotel. |
| 01:01:57 |
He'll kill you. |
| 01:02:00 |
He'll murder you just like |
| 01:02:47 |
Mary! |
| 01:02:52 |
My God, what happened? |
| 01:02:54 |
I don't know. |
| 01:03:02 |
Jesus. How did that |
| 01:03:06 |
After I killed that kid |
| 01:03:09 |
I used it |
| 01:03:12 |
and then, then I flushed it |
| 01:03:14 |
You didn't kill anybody. |
| 01:03:16 |
It wasn't locked. |
| 01:03:19 |
Norman, |
| 01:03:21 |
I told you, |
| 01:03:23 |
Then how do you |
| 01:03:25 |
Well? |
| 01:03:27 |
I can't. |
| 01:03:30 |
Did you clean up the cellar |
| 01:03:34 |
No. |
| 01:03:35 |
Somebody did. |
| 01:03:36 |
And with that towel, |
| 01:03:41 |
Norman, |
| 01:03:43 |
How can you be so sure? |
| 01:03:46 |
I always used black out |
| 01:03:47 |
Because you couldn't. |
| 01:03:50 |
You don't have it in you, |
| 01:03:56 |
Norman, look, |
| 01:03:58 |
and make us a drink, okay? |
| 01:04:40 |
Norman. |
| 01:04:44 |
Yes. |
| 01:04:50 |
Uh, the tea kettle's boiling. |
| 01:04:52 |
Oh. |
| 01:04:54 |
Okay. |
| 01:07:28 |
What happened? |
| 01:07:30 |
Up there. |
| 01:07:34 |
There's no one there now. |
| 01:07:35 |
Someone was watching me |
| 01:07:37 |
They're in the house |
| 01:07:39 |
Where'd you get |
| 01:07:40 |
L... I had it |
| 01:07:41 |
My mother gave it me |
| 01:07:42 |
Oh. |
| 01:07:45 |
Come on. |
| 01:07:46 |
Uh... |
| 01:07:48 |
You take the downstairs, |
| 01:07:50 |
Well, shouldn't we |
| 01:07:52 |
Don't worry, |
| 01:07:57 |
It's because of me, isn't it? |
| 01:08:00 |
Of course not. |
| 01:08:04 |
Hurry up, |
| 01:08:25 |
Mrs. Lila Loomis, |
| 01:08:30 |
You're sure |
| 01:08:34 |
There'll be no message, |
| 01:08:37 |
Okay, Mother, |
| 01:09:09 |
Norman. |
| 01:09:29 |
What is it? |
| 01:09:35 |
It's my mother. |
| 01:09:37 |
She's downstairs. |
| 01:09:40 |
Did you see her? |
| 01:09:45 |
You're sure you heard her? |
| 01:09:47 |
Come on. |
| 01:09:49 |
No. |
| 01:09:51 |
She'll kill you. |
| 01:09:53 |
I know she will. |
| 01:09:54 |
Norman, your mother's dead. |
| 01:09:57 |
You killed her. |
| 01:10:00 |
I was wrong. |
| 01:10:02 |
She survived. |
| 01:10:04 |
And now, |
| 01:10:06 |
she's downstairs, |
| 01:10:08 |
waiting for you. |
| 01:10:10 |
Norman, it couldn't |
| 01:10:11 |
No. |
| 01:10:13 |
No, it... it had to be |
| 01:10:15 |
Whoever it is that's trying |
| 01:10:18 |
Yeah? |
| 01:10:20 |
Yes. |
| 01:10:21 |
So, let's go downstairs |
| 01:10:22 |
No! |
| 01:10:26 |
It's too dangerous. |
| 01:10:28 |
Let's wait till morning. |
| 01:10:31 |
What are we gonna do |
| 01:10:32 |
I'll protect you. |
| 01:10:35 |
You'll be okay. |
| 01:10:37 |
I'll... I'll be fine right here. |
| 01:10:43 |
It was always safe here |
| 01:10:46 |
at night. |
| 01:10:50 |
Norman, listen... |
| 01:10:51 |
No! |
| 01:10:54 |
Okay. |
| 01:10:56 |
We'll spend the night |
| 01:10:59 |
You can |
| 01:11:52 |
What are you doing, Norman? |
| 01:11:56 |
Norman, put the knife down. |
| 01:11:57 |
Nobody's gonna come |
| 01:11:59 |
They're not? |
| 01:12:00 |
No. |
| 01:12:03 |
Okay. |
| 01:12:09 |
Mary. |
| 01:12:11 |
Yes. |
| 01:12:12 |
I'm becoming |
| 01:12:14 |
confused again, aren't I? |
| 01:12:16 |
Of course not. |
| 01:12:19 |
Don't lie to me. Not you. |
| 01:12:30 |
Yes, Norman, you are |
| 01:12:44 |
Just |
| 01:12:47 |
don't let them take me back |
| 01:13:04 |
Don't worry, Norman. |
| 01:13:09 |
You smell good. |
| 01:13:11 |
I do? |
| 01:13:12 |
Yeah. |
| 01:13:13 |
What do I smell like? |
| 01:13:16 |
You smell like, like the |
| 01:13:20 |
What? |
| 01:13:21 |
...that my mother |
| 01:13:23 |
when I was in bed |
| 01:13:26 |
She used to do lots |
| 01:13:28 |
before she went... |
| 01:13:29 |
Before she became... |
| 01:13:30 |
Shh. |
| 01:13:32 |
Just remember the good things |
| 01:13:34 |
Only the good things. |
| 01:13:37 |
I can't. |
| 01:13:39 |
Of course they're there. |
| 01:13:42 |
No, the doctors |
| 01:13:45 |
Along with everything else. |
| 01:13:48 |
Except, |
| 01:13:50 |
except those sandwiches. |
| 01:13:52 |
Shh. |
| 01:13:57 |
Just sleep. |
| 01:14:19 |
Oh, good morning, Doctor. |
| 01:14:20 |
Good morning, Norman. |
| 01:14:22 |
I called your office. |
| 01:14:23 |
They said you were on your way |
| 01:14:25 |
Where's Mary? |
| 01:14:27 |
She's gone in to town. |
| 01:14:30 |
Oh. What for? |
| 01:14:31 |
I don't know. |
| 01:14:33 |
She didn't tell me. |
| 01:14:35 |
Some tea? |
| 01:14:36 |
Coffee, if you have it. |
| 01:14:39 |
Sure. |
| 01:14:52 |
Norman. |
| 01:14:54 |
Do you remember |
| 01:14:58 |
Yes. |
| 01:15:00 |
She's staying in town. |
| 01:15:02 |
She is? |
| 01:15:08 |
She's Mary's mother. |
| 01:15:11 |
That's why Mary went in |
| 01:15:20 |
Do you realize |
| 01:15:23 |
What? |
| 01:15:24 |
They're the ones |
| 01:15:27 |
and making |
| 01:15:30 |
Why would they do that? |
| 01:15:31 |
Because they hate you. |
| 01:15:34 |
Mary, Mary doesn't hate me. |
| 01:15:36 |
Come on, Norman. |
| 01:15:38 |
Like mother |
| 01:15:39 |
You know how Lila Loomis |
| 01:15:41 |
She can't wait see you |
| 01:15:45 |
That's why all this |
| 01:15:48 |
They want to destabilize you, |
| 01:15:49 |
undermine your sense |
| 01:15:52 |
They can't do that. |
| 01:15:54 |
Good. Glad to hear you |
| 01:15:57 |
But... |
| 01:15:59 |
It isn't them, anyway. |
| 01:16:01 |
It isn't? |
| 01:16:08 |
It's my mother. |
| 01:16:10 |
She's not dead. |
| 01:16:17 |
How do you know that? |
| 01:16:21 |
I've seen her, |
| 01:16:24 |
You saw her, too. |
| 01:16:26 |
That was Mary Loomis |
| 01:16:28 |
or Lila Loomis dressed up |
| 01:16:32 |
What about the phone calls? |
| 01:16:34 |
Mary Loomis again. |
| 01:16:37 |
But she's been with me |
| 01:16:40 |
Then it was her mother. |
| 01:16:53 |
My mother spoke to me. |
| 01:17:00 |
Norman. |
| 01:17:05 |
Do you remember now our |
| 01:17:08 |
Once you accepted the fact |
| 01:17:12 |
her memory would have |
| 01:17:23 |
Room 15, please. |
| 01:17:26 |
I want you |
| 01:17:29 |
What are you |
| 01:17:30 |
You heard me. |
| 01:17:32 |
I haven't called him. |
| 01:17:33 |
Don't lie to me. |
| 01:17:35 |
For God's sake, |
| 01:17:42 |
All right, |
| 01:17:44 |
He's slipping |
| 01:17:46 |
I can hear it in his voice. |
| 01:17:48 |
There's nothing anyone |
| 01:17:50 |
not even you. |
| 01:17:51 |
You could stop stuffing |
| 01:17:53 |
and peering through |
| 01:17:55 |
That would be a help. |
| 01:17:56 |
What are you talking about? |
| 01:17:57 |
About what you're doing |
| 01:17:59 |
You were in that house |
| 01:18:00 |
I was not. |
| 01:18:01 |
I came right back here |
| 01:18:03 |
Don't lie to me. |
| 01:18:04 |
I'm not lying. |
| 01:18:06 |
Why weren't you |
| 01:18:07 |
when I called? |
| 01:18:09 |
What, did you have me paged? |
| 01:18:11 |
Mother, stop lying to me, |
| 01:18:13 |
What happened in that house |
| 01:18:16 |
Goodbye, Mother. |
| 01:18:20 |
He's about to go |
| 01:18:22 |
Listen. Now listen. |
| 01:18:23 |
Just dress up |
| 01:18:25 |
one more time. |
| 01:18:27 |
I'll have the police |
| 01:18:28 |
before you are in danger. |
| 01:18:30 |
Then they'll have to act |
| 01:18:32 |
Mother, I signed |
| 01:18:34 |
I've been to |
| 01:18:35 |
done everything |
| 01:18:37 |
But I am not going to |
| 01:18:39 |
Well, if you won't do it |
| 01:18:40 |
at least do it |
| 01:18:42 |
I'm not living for dead people |
| 01:18:44 |
Not for your sister, |
| 01:18:46 |
not even for you. |
| 01:18:48 |
Now, wait a minute. |
| 01:18:50 |
Mother, let go, |
| 01:18:56 |
Mom, don't. |
| 01:18:57 |
No. |
| 01:19:03 |
Listen to me! If you go near that |
| 01:19:08 |
Yeah. |
| 01:19:09 |
I don't see |
| 01:19:10 |
The Sheriff's concerned. |
| 01:19:12 |
And he thought we might |
| 01:19:14 |
I don't like it. |
| 01:19:16 |
You're supposed to have |
| 01:19:33 |
Now do you believe me? |
| 01:19:36 |
Yes. She's dead. |
| 01:19:40 |
Then she's not coming back |
| 01:19:45 |
Back to life? |
| 01:19:49 |
No. |
| 01:19:54 |
Shall we go? |
| 01:20:14 |
Mary. |
| 01:20:15 |
Back here. |
| 01:20:24 |
I was just about |
| 01:20:26 |
You want some? |
| 01:20:27 |
No. |
| 01:20:29 |
Where have you been? |
| 01:20:31 |
At the cemetery. |
| 01:20:33 |
Dr. Raymond had them open up |
| 01:20:36 |
Oh. |
| 01:20:37 |
Yes. |
| 01:20:38 |
That proves that |
| 01:20:40 |
who's been |
| 01:20:42 |
Not unless |
| 01:20:45 |
No. |
| 01:20:47 |
No. He says, |
| 01:20:49 |
he says it's you |
| 01:20:52 |
He says your last name |
| 01:20:55 |
Is that true, Mary? |
| 01:21:02 |
I wonder |
| 01:21:05 |
I don't know. |
| 01:21:07 |
Don't you? |
| 01:21:15 |
Hello, Mrs. Loomis? |
| 01:21:23 |
I'm... I'm sorry, Mother. |
| 01:21:27 |
I didn't mean to insult you. |
| 01:21:30 |
Norman, stop it. |
| 01:21:33 |
Hello. Hello, Lila? |
| 01:21:38 |
There's no one on the line. |
| 01:21:41 |
Hello? |
| 01:21:44 |
Yes, Mother, I'm sorry |
| 01:21:48 |
Norman, there's no one there. |
| 01:21:50 |
Yes, Mother. |
| 01:21:59 |
Yes, Mother. |
| 01:22:02 |
Hello? |
| 01:22:03 |
Hello, Norman? |
| 01:22:06 |
It doesn't sound like her. |
| 01:22:07 |
It is, Norman, |
| 01:22:09 |
Do you understand? Hang up. |
| 01:22:14 |
All right. |
| 01:22:15 |
Do it, Norman, now. |
| 01:22:18 |
Hang up. |
| 01:22:38 |
I was so worried. |
| 01:22:41 |
About what? |
| 01:22:42 |
Well, that all the things |
| 01:22:45 |
were because of you |
| 01:22:46 |
When Dr. Raymond showed me |
| 01:22:49 |
I knew she was dead for sure. |
| 01:22:52 |
But now, |
| 01:22:53 |
now I know it's somebody |
| 01:22:56 |
Who is it? |
| 01:22:59 |
My real mother. |
| 01:23:02 |
Who is your real mother, |
| 01:23:06 |
I don't know. |
| 01:23:08 |
She won't tell me. |
| 01:23:09 |
Your mother is dead. |
| 01:23:10 |
Mrs. Bates |
| 01:23:11 |
and she's dead. |
| 01:23:14 |
Then who was that |
| 01:23:18 |
My mother. |
| 01:23:21 |
Dr. Raymond was right |
| 01:23:25 |
Lila and I were trying |
| 01:23:29 |
But then I stopped, |
| 01:23:31 |
and she's the one |
| 01:23:42 |
Well, why did you stop? |
| 01:23:44 |
It wasn't fair for us |
| 01:23:46 |
what we were doing to you. |
| 01:23:48 |
Is that the only reason? |
| 01:23:50 |
What do you mean? |
| 01:23:52 |
You know what I mean. |
| 01:24:12 |
Ma'am? |
| 01:24:14 |
Norman? |
| 01:24:15 |
The Sheriff would like |
| 01:24:41 |
Hey, Sam. |
| 01:24:42 |
Yeah? |
| 01:24:44 |
Scotch it is. |
| 01:24:46 |
There you go. |
| 01:25:30 |
All right. |
| 01:25:32 |
We're gonna send the divers |
| 01:25:43 |
Hello, Norman. |
| 01:25:45 |
Hi, Sheriff. |
| 01:25:46 |
What is... What is |
| 01:25:48 |
Have you |
| 01:25:50 |
No. Did you... Did you find it |
| 01:25:52 |
Yes. |
| 01:25:54 |
How about any of this stuff? |
| 01:25:58 |
This is Mr. Toomey's. |
| 01:26:00 |
Who? |
| 01:26:02 |
Norman's motel manager, |
| 01:26:05 |
Have you seen him since? |
| 01:26:07 |
No, I told him |
| 01:26:09 |
That's all I know. |
| 01:26:10 |
You sure? |
| 01:26:12 |
Y-Yeah. |
| 01:26:15 |
Well, that's about it then. |
| 01:26:19 |
Just you, Norman, |
| 01:26:21 |
Okay. But shouldn't I wait? |
| 01:26:23 |
Don't worry. |
| 01:26:24 |
I'll have her |
| 01:26:26 |
Oh, forget the marker. |
| 01:26:28 |
Sheriff, I've been |
| 01:26:32 |
Yeah. |
| 01:26:33 |
Someone has been |
| 01:26:34 |
claiming to be his mother. |
| 01:26:36 |
And not the dead Mrs. Bates, |
| 01:26:39 |
So? |
| 01:26:41 |
So I've been wondering |
| 01:26:42 |
if it's possible |
| 01:26:46 |
Not that I've ever heard of, |
| 01:26:47 |
and I've lived my entire life |
| 01:26:53 |
How did you find out |
| 01:26:54 |
We're a tad slow |
| 01:26:57 |
but not incompetent. |
| 01:26:59 |
Now, |
| 01:27:00 |
I've got a question for you. |
| 01:27:02 |
Either you or your mother |
| 01:27:05 |
No. |
| 01:27:07 |
I don't see any point in |
| 01:27:09 |
Fairvale any longer, do you? |
| 01:27:11 |
Have we broken some law? |
| 01:27:16 |
None that are on the books, |
| 01:27:18 |
but a whole hell |
| 01:27:21 |
Like all the ones having to do |
| 01:27:24 |
I'd say you and your mother |
| 01:27:25 |
broken every one of those, |
| 01:27:28 |
I didn't mean to. |
| 01:27:29 |
Well, that's what |
| 01:27:31 |
Only he was crazy. |
| 01:27:33 |
Now, what's your excuse? |
| 01:27:36 |
I guess I don't have one. |
| 01:27:39 |
Well, I'll just say goodbye |
| 01:27:41 |
I expect it to be |
| 01:27:43 |
Sheriff. |
| 01:27:44 |
I said goodbye, |
| 01:27:46 |
Sheriff, there's a car |
| 01:27:49 |
Anybody in it? |
| 01:27:50 |
I can't tell. |
| 01:27:52 |
Well, get a winch line down |
| 01:27:56 |
All right, |
| 01:31:08 |
Doctor? |
| 01:31:11 |
What are you doing here? |
| 01:31:15 |
I followed Lila Loomis |
| 01:31:20 |
She came down here. |
| 01:31:22 |
Oh. |
| 01:31:25 |
Where is she? |
| 01:31:27 |
I don't know. |
| 01:31:30 |
But she was here. |
| 01:31:36 |
It proves she was the one |
| 01:31:37 |
that was dressing up |
| 01:31:39 |
How? |
| 01:31:43 |
If she wasn't |
| 01:31:44 |
why would she sneak |
| 01:31:47 |
But she wasn't the woman |
| 01:31:49 |
She wasn't? |
| 01:31:50 |
No. |
| 01:31:51 |
Then who was? |
| 01:31:53 |
That was my mother. |
| 01:31:54 |
Norman, your mother's dead. |
| 01:31:58 |
Remember the open coffin? |
| 01:32:00 |
Mrs. Bates only |
| 01:32:03 |
My real mother is somebody |
| 01:32:08 |
How do you |
| 01:32:10 |
She told me on the phone. |
| 01:32:15 |
Norman, I've already |
| 01:32:16 |
that Mary and Lila Loomis |
| 01:32:18 |
who were calling you. |
| 01:32:20 |
Would you accept the fact |
| 01:32:21 |
that you have no other mother |
| 01:32:27 |
Of course. |
| 01:32:29 |
Then that's what I'll do. |
| 01:32:35 |
It would be a great load |
| 01:32:42 |
Okay, everybody stand back. |
| 01:32:45 |
That's it. |
| 01:32:48 |
Keep it comin'. |
| 01:32:51 |
Looks like Toomey's car, |
| 01:32:54 |
That's it, a little more. |
| 01:32:55 |
We'll check inside |
| 01:32:58 |
All right. |
| 01:32:59 |
That's it. |
| 01:33:01 |
Do you recognize it? |
| 01:33:02 |
Okay, hold it right there. |
| 01:33:04 |
Well? |
| 01:33:09 |
Sheriff, it's empty. |
| 01:33:12 |
Don't you have |
| 01:33:17 |
Open the trunk. |
| 01:33:21 |
Watch out, |
| 01:33:24 |
Oh, Jesus. |
| 01:33:37 |
Norman. Norman! |
| 01:33:39 |
What is it? |
| 01:33:40 |
They found a car |
| 01:33:42 |
Who? I don't know who it is. |
| 01:33:43 |
They just found a car. |
| 01:33:46 |
For them to arrest you! |
| 01:33:48 |
Come on. |
| 01:33:49 |
How? |
| 01:33:51 |
I don't know. We'll hitch |
| 01:33:54 |
Where would we go? |
| 01:33:56 |
Somewhere, |
| 01:33:57 |
Please hurry. |
| 01:33:59 |
They'd catch us. |
| 01:34:02 |
You're right. |
| 01:34:03 |
So what's the point |
| 01:34:05 |
Because it's my fault. |
| 01:34:08 |
If my mother and I |
| 01:34:10 |
you would've been fine. |
| 01:34:12 |
Nobody'd be dead, |
| 01:34:13 |
and I'd just be |
| 01:34:14 |
with nothing on mind |
| 01:34:16 |
It's not your fault. |
| 01:34:18 |
Then whose fault is it? |
| 01:34:20 |
My mother's. |
| 01:34:21 |
She's the one |
| 01:34:23 |
to protect me. |
| 01:34:25 |
Oh, Norman. |
| 01:34:28 |
You're mad, |
| 01:34:29 |
You're mad as a hatter. |
| 01:34:33 |
Should I answer it? |
| 01:34:35 |
Why bother? |
| 01:34:37 |
It's only my mother, |
| 01:34:39 |
She shouldn't be calling. |
| 01:34:41 |
She should be sitting back |
| 01:34:43 |
I better answer it. |
| 01:34:54 |
Hello? |
| 01:34:55 |
Norman, this is Dr. Raymond. |
| 01:34:57 |
I just found Lila Loomis' car |
| 01:35:00 |
I'm calling you |
| 01:35:01 |
The calls that |
| 01:35:03 |
from your fictitious mother |
| 01:35:05 |
have been placed |
| 01:35:06 |
Lila Loomis has used |
| 01:35:09 |
Yes. |
| 01:35:12 |
L... I understand. |
| 01:35:14 |
Mother? |
| 01:35:15 |
Norman, |
| 01:35:19 |
I've been waiting |
| 01:35:25 |
Hello. Lila? |
| 01:35:27 |
Lila... |
| 01:35:31 |
She's hung up. |
| 01:35:41 |
No, Mother. |
| 01:35:43 |
I like her. |
| 01:35:47 |
No. |
| 01:35:48 |
No, of course not. |
| 01:35:55 |
No, I... |
| 01:35:57 |
I won't do that. |
| 01:36:00 |
You can't make me |
| 01:36:06 |
kill her. |
| 01:36:08 |
Do I have to, Mother? |
| 01:36:12 |
But why? |
| 01:36:13 |
Why do I |
| 01:36:50 |
Oh, no, Mother, please. |
| 01:36:52 |
Please don't make me... |
| 01:36:56 |
Oh, Mother, |
| 01:36:57 |
How can you even think |
| 01:36:59 |
I can never do |
| 01:37:02 |
I don't think you understand |
| 01:37:06 |
She's really very kind. |
| 01:37:10 |
I trust her. |
| 01:37:11 |
She would never do anything |
| 01:37:13 |
Norman? Norman. |
| 01:37:17 |
Do you recognize me? |
| 01:37:20 |
Yes, Mother. |
| 01:37:21 |
And since I'm standing here |
| 01:37:23 |
I can't very well be |
| 01:37:26 |
So hang up the phone, |
| 01:37:31 |
Yes, Mother. |
| 01:37:33 |
Norman, put the phone down |
| 01:37:44 |
Norman, this is your mother. |
| 01:37:47 |
Norman, can you hear me? |
| 01:37:52 |
Norman. |
| 01:37:56 |
Norman, are you there? |
| 01:38:04 |
Norman, please say something. |
| 01:38:12 |
Norman. |
| 01:38:17 |
Norman. |
| 01:38:18 |
Got you! |
| 01:38:19 |
Norman! |
| 01:38:40 |
Norman, I... |
| 01:38:43 |
I didn't mean to do it. L... I... |
| 01:38:47 |
I thought he was you. |
| 01:38:48 |
It's all right, Mother. |
| 01:38:50 |
Norman, I'm not your mother. |
| 01:38:53 |
It's all right. |
| 01:38:54 |
Norman, I am not your mother. |
| 01:38:56 |
How many times |
| 01:38:58 |
How many times |
| 01:38:59 |
Norman, look, |
| 01:39:01 |
They're gonna come for you, |
| 01:39:04 |
Stay away from me. |
| 01:39:09 |
And I'll cover up for you. |
| 01:39:10 |
Now give me the knife. |
| 01:39:12 |
Stay away. |
| 01:39:13 |
I always have, |
| 01:39:16 |
Stay away. |
| 01:39:18 |
And you're my loving mother. |
| 01:39:19 |
So, please give me the knife. |
| 01:39:24 |
It's time to go to the fruit |
| 01:39:27 |
Norman, stay away. |
| 01:39:29 |
Mother, I don't want to... |
| 01:39:33 |
Norman, now, look. |
| 01:39:36 |
I don't want |
| 01:39:38 |
You're coming. |
| 01:39:42 |
In there, Mother, hurry. |
| 01:39:44 |
Norman, please stop. |
| 01:39:46 |
You... You need help. |
| 01:40:05 |
You did it. |
| 01:40:09 |
They're here. |
| 01:40:12 |
You killed them all. |
| 01:40:14 |
Freeze! |
| 01:40:23 |
The County Sheriff |
| 01:40:24 |
have come down |
| 01:40:25 |
to confer with Sheriff Hunt. |
| 01:40:27 |
Is that loud enough, guys? |
| 01:40:28 |
Yeah, that... that's good. |
| 01:40:31 |
I'll get the City Hall |
| 01:40:34 |
Okay, we'll go in |
| 01:40:36 |
Five, four, three... |
| 01:40:51 |
You want to read |
| 01:40:53 |
and make sure |
| 01:40:57 |
Yeah, that's... |
| 01:40:58 |
She didn't say that. |
| 01:40:59 |
She said |
| 01:41:01 |
she'd be sorry. |
| 01:41:02 |
Not that |
| 01:41:03 |
Can I get a cup of coffee? In a minute. |
| 01:41:05 |
Everybody's getting |
| 01:41:11 |
...the suspect, |
| 01:41:12 |
uh, wielding a big knife... |
| 01:41:15 |
...the victim. |
| 01:41:19 |
So, she and her mother |
| 01:41:21 |
back in the asylum. |
| 01:41:23 |
Well, that much |
| 01:41:25 |
Then somethin' went wrong |
| 01:41:27 |
What? |
| 01:41:28 |
They had a fight. |
| 01:41:30 |
She wanted Lila |
| 01:41:32 |
but she wouldn't. |
| 01:41:33 |
We have a witness |
| 01:41:35 |
So she murdered |
| 01:41:38 |
Looks like it. |
| 01:41:40 |
What about the bodies |
| 01:41:41 |
The boy |
| 01:41:43 |
Mary and Lila Loomis did it. |
| 01:41:45 |
They tried to blame |
| 01:41:47 |
Or maybe only the daughter |
| 01:41:50 |
She definitely |
| 01:41:52 |
I'll tell you, If you had seen |
| 01:41:55 |
you wouldn't |
| 01:41:56 |
She'd gone mad. |
| 01:41:58 |
Dressed up in Norman's |
| 01:42:00 |
trying to kill Norman, |
| 01:42:02 |
and him hardly even able |
| 01:42:05 |
Right till the end, |
| 01:42:06 |
Norman was the one |
| 01:42:08 |
It was horrible. |
| 01:42:19 |
What about it, Norman? |
| 01:42:21 |
Are you ready to go home? |
| 01:42:23 |
Lt'll all be in my report |
| 01:42:31 |
Uh, let's go out |
| 01:45:15 |
Mrs. Spool. |
| 01:45:16 |
Hello, Norman. |
| 01:45:18 |
Come in. |
| 01:45:22 |
I was just having |
| 01:45:24 |
Nothing much, |
| 01:45:26 |
to share my |
| 01:45:29 |
Oh, no, thank you. |
| 01:45:35 |
It's, uh, |
| 01:45:38 |
Oh. |
| 01:45:41 |
You were expecting me. |
| 01:45:44 |
Well, I was... |
| 01:45:46 |
I just wasn't sure of when. |
| 01:45:50 |
Tea? |
| 01:45:51 |
Please. |
| 01:46:04 |
Milk and sugar? |
| 01:46:05 |
That would be nice. |
| 01:46:09 |
So, |
| 01:46:10 |
are you really my mother? |
| 01:46:13 |
The name Spool doesn't mean |
| 01:46:16 |
No. Should it? |
| 01:46:17 |
It was Norma Bates' |
| 01:46:20 |
The woman you thought |
| 01:46:24 |
I had you when I was |
| 01:46:28 |
I couldn't handle |
| 01:46:30 |
especially, uh, |
| 01:46:35 |
I had some trouble |
| 01:46:36 |
and the State put me away |
| 01:46:40 |
That's when |
| 01:46:43 |
You were less |
| 01:46:46 |
Too young to remember me. |
| 01:46:49 |
She never mentioned me, |
| 01:46:51 |
No, she, uh, |
| 01:46:56 |
I guess she didn't |
| 01:46:57 |
that you had a mother |
| 01:47:04 |
But we know all about that, |
| 01:47:09 |
Mmm-hmm. |
| 01:47:10 |
After I got out, you'd already |
| 01:47:13 |
and been committed. |
| 01:47:15 |
I decided to wait for you. |
| 01:47:17 |
Then when I saw |
| 01:47:19 |
to my poor little boy, |
| 01:47:22 |
So I followed them, |
| 01:47:25 |
and one by one... |
| 01:47:28 |
After all, |
| 01:47:30 |
you're all I have |
| 01:47:45 |
You're sure you won't |
| 01:47:49 |
Pardon? |
| 01:48:37 |
I know how it is, Mother. |
| 01:48:38 |
You've had a long day. |
| 01:48:41 |
I'll just put you to bed |
| 01:48:45 |
I'll even say your prayers |
| 01:48:47 |
Would you like that? |
| 01:48:54 |
I'm not sleepy. |
| 01:48:57 |
Put me in my chair. |
| 01:48:59 |
Yes, Mother. |
| 01:49:01 |
And now, |
| 01:49:04 |
I want to keep my eyes |
| 01:49:06 |
Make sure |
| 01:49:08 |
with filthy girls again. |
| 01:49:11 |
Yes, Mother. |
| 01:49:12 |
Good. |
| 01:49:14 |
Well, what are you |
| 01:49:17 |
Go downstairs |
| 01:49:19 |
What do you expect us |
| 01:49:21 |
No, Mother. |
| 01:49:23 |
Remember, Norman, |
| 01:49:25 |
I'm the only who loves you. |
| 01:49:27 |
Only your mother |
