Psycho Ward
|
00:01:17 |
Wow. |
00:01:21 |
Look at this place. |
00:01:23 |
I told you I'd get us in. |
00:01:29 |
I'm a little impressed. |
00:01:31 |
I break us into a prison |
00:01:33 |
and you're a little impressed? |
00:01:35 |
That hurts. |
00:01:38 |
We didn't break in. |
00:01:40 |
All you did was find |
00:01:42 |
Plus, don't you think |
00:01:44 |
the door was open |
00:01:46 |
No, my cousin tells me the college kids |
00:02:12 |
Check out this place. |
00:02:22 |
So why did you |
00:02:24 |
Do you want to lock me up, |
00:02:26 |
do a little role-playing? |
00:02:29 |
You told me the thought of making out |
00:02:33 |
Doesn't the thought of making out |
00:02:36 |
Honey, the thought of making out |
00:02:43 |
Did you hear that? |
00:02:47 |
No. |
00:02:49 |
Come on, are you gonna |
00:02:52 |
Are you gonna |
00:03:01 |
Are these good enough reasons? |
00:03:10 |
Well, do you have a condom? |
00:03:20 |
What the fuck? |
00:03:23 |
What? |
00:03:25 |
There's something down there. |
00:03:28 |
Ken. |
00:03:30 |
Ken, would you |
00:03:34 |
Ken, come on. |
00:03:36 |
Would you shut the fuck up? |
00:03:39 |
Well, why don't you ask him |
00:03:44 |
You know what, buddy? |
00:04:25 |
Fuck! |
00:04:36 |
Ken! |
00:04:39 |
Ken! Ken! |
00:06:32 |
Which road was this |
00:06:34 |
You've got the maps, genius. |
00:06:38 |
Bite me, musclehead. |
00:06:40 |
Only if you bite me first. |
00:06:41 |
I think we're lost. |
00:06:43 |
I think we all need some air. |
00:06:53 |
I told you guys |
00:06:55 |
What was the name |
00:06:58 |
Black Creek Detention Center. |
00:07:00 |
And we need to visit |
00:07:03 |
Because the world has a right to know |
00:07:06 |
Right right, the whole evil-doctors- |
00:07:09 |
I'm surprised you were listening |
00:07:12 |
I caught something |
00:07:15 |
The way you were snoring, |
00:07:17 |
I'm surprised you didn't |
00:07:19 |
Tino, try your contact again, |
00:07:21 |
see if you can get directions. |
00:07:26 |
Who are you calling, Tequila? |
00:07:28 |
No, a friend. |
00:07:30 |
I met her online. |
00:07:34 |
Yeah, right. |
00:07:35 |
Say hi to your mom for me. |
00:07:37 |
Don't you want to stretch your legs? |
00:07:39 |
I'm fine. |
00:07:41 |
Are you sure? |
00:07:43 |
I told you, I'm okay. |
00:07:45 |
Please tell me this is the last |
00:07:48 |
No, three more after this one. |
00:07:50 |
Nice. |
00:07:52 |
There goes my next |
00:07:54 |
This bites, man. |
00:07:55 |
Looks like we passed it |
00:07:59 |
I got directions and my contact's |
00:08:01 |
Nice work, Tino. |
00:08:30 |
Who is that? |
00:08:32 |
I guess she's my contact. |
00:08:35 |
Life's cruel sometimes, |
00:08:39 |
Okay, if she's your contact, |
00:08:41 |
I only know her online name-- |
00:08:44 |
Babelicious. |
00:08:47 |
Mac Daddy 85? |
00:08:52 |
Mac Daddy? |
00:08:54 |
Hi, thanks for the directions. |
00:08:56 |
I've been here for half an hour |
00:08:59 |
and I haven't seen |
00:09:01 |
But the gate was open, |
00:09:03 |
Oh, this is my crew:. |
00:09:06 |
Dr. Magellan-- it's his film; |
00:09:08 |
Studds is on camera; |
00:09:10 |
Sarah handles the research; |
00:09:12 |
and Lisa is in the van. |
00:09:15 |
We're urban explorers. |
00:09:16 |
I'm usually into more |
00:09:19 |
but I figured they could |
00:09:21 |
I have my own website. |
00:09:23 |
Hi, everyone. |
00:09:25 |
I'm Monica. |
00:09:27 |
I brought some of my dad's |
00:09:30 |
if anyone would like to take a look. |
00:09:32 |
I'd like to see those. |
00:09:36 |
Where did you find her, man? |
00:09:38 |
Some website she created. |
00:09:41 |
It was all about this place. |
00:09:43 |
I emailed her and said |
00:09:45 |
we were coming up |
00:09:47 |
She said her dad used to |
00:09:50 |
and that she'd be happy |
00:09:52 |
You did good, kid. |
00:09:59 |
You can never be |
00:10:05 |
So you're a doctor? |
00:10:07 |
Yes, of criminal psychology. |
00:10:09 |
Why would a shrink be |
00:10:12 |
that's been closed for over a year? |
00:10:14 |
I'm not a shrink. |
00:10:16 |
And I have my reasons. |
00:11:11 |
Welcome to the entrance |
00:11:13 |
at Black Creek Detention Center. |
00:11:15 |
Before they shut it down |
00:11:18 |
Black Creek held |
00:11:20 |
most deranged |
00:11:23 |
Infamous for its |
00:11:25 |
psychiatric rehabilitation program, |
00:11:27 |
Black Creek faced |
00:11:29 |
of mistreatment and |
00:11:32 |
although nothing was |
00:11:34 |
Is he for real? |
00:11:36 |
Yeah. |
00:11:38 |
He believes that |
00:11:41 |
have been performing |
00:11:44 |
on unsuspecting prisoners |
00:11:47 |
Here it comes. |
00:11:49 |
Two years ago |
00:11:51 |
three prisoners |
00:11:53 |
escaped from their cells, |
00:11:55 |
and burned themselves alive. |
00:11:57 |
The police concluded this was |
00:12:00 |
but I beg to differ. |
00:12:03 |
who worked in the prison |
00:12:05 |
and they tell me |
00:12:07 |
They tell me it was revenge-- |
00:12:09 |
revenge for what the doctors |
00:12:11 |
Those three men |
00:12:13 |
in a top-secret |
00:12:15 |
called the "Pandora project." |
00:12:18 |
The Pandora project's |
00:12:20 |
was to eliminate fear |
00:12:22 |
The program failed |
00:12:24 |
and made the patients neurotic |
00:12:26 |
As usual, the military disavowed |
00:12:30 |
but less than a year later |
00:12:32 |
this entire facility was shut down. |
00:12:35 |
Why? |
00:12:37 |
That's what we're here |
00:12:39 |
And cut. How was that? |
00:12:42 |
Just peachy. |
00:12:44 |
Great. Let's get some closeups. |
00:13:03 |
So you guys explore |
00:13:06 |
tunnels and things like that? |
00:13:07 |
You know it, babe. |
00:13:09 |
All of us have a natural curiosity |
00:13:13 |
Studds gets a rush from being |
00:13:16 |
and documenting it |
00:13:18 |
Tino likes to lose himself |
00:13:21 |
And Sarah likes |
00:13:23 |
the design, the architecture. |
00:13:25 |
What about you? |
00:13:26 |
I'm interested in the things |
00:13:30 |
I remember the fire here, |
00:13:32 |
those men were involved |
00:13:36 |
I never heard about that. |
00:13:38 |
It was top secret. |
00:13:40 |
All three were facing life terms |
00:13:42 |
with no chance of parole. |
00:13:47 |
Donald Pier, a serial murderer. |
00:13:51 |
While working as a janitor |
00:13:55 |
he abducted and killed six students |
00:14:00 |
Gordon Cale, |
00:14:05 |
He shot and killed three people |
00:14:07 |
because they weren't white |
00:14:09 |
and he thought they were |
00:14:11 |
And Darrell Coombs, |
00:14:14 |
a cold-hearted killer. |
00:14:17 |
He killed seven people in the '80s |
00:14:19 |
and signed the bodies with his "C" |
00:14:20 |
so no one else could |
00:14:24 |
Why would the military even want |
00:14:26 |
to be involved with people like that? |
00:14:28 |
Who else were they gonna get? |
00:14:30 |
No person of sound mind |
00:14:32 |
digging around inside their head |
00:14:35 |
I still don't see why anyone |
00:14:38 |
So, boss, when do we get |
00:14:41 |
Secret labs? |
00:14:43 |
Come on, you said it yourself-- |
00:14:44 |
places like this always |
00:14:46 |
you know, where they take |
00:14:50 |
and slice it and dice it |
00:14:55 |
I don't know if I'd describe it |
00:14:59 |
I've investigated several prisons |
00:15:01 |
that were rumored to have participated |
00:15:04 |
but Black Creek is by far |
00:15:07 |
So you're saying that could have |
00:15:11 |
I'm saying that's what |
00:15:20 |
You jerk. |
00:15:30 |
Okay, let's check the footage, |
00:15:32 |
lock up the equipment |
00:15:34 |
I should really get going too. |
00:15:36 |
It was nice meeting all of you-- |
00:15:38 |
well, almost all of you. |
00:15:41 |
Well, there's a tree out there |
00:15:43 |
I'll meet you guys at the van. |
00:15:51 |
Do you mind if I use your tent? |
00:15:51 |
Do you mind if I use your tent? |
00:15:54 |
Yeah, sure. |
00:15:56 |
Thanks. |
00:15:58 |
Studds? |
00:16:36 |
It's all I had with me. |
00:16:38 |
It's for the beach. |
00:16:41 |
Yeah, it's nice. |
00:16:45 |
Well, I guess I should be going. |
00:16:49 |
Okay. |
00:16:51 |
You're supposed to say, |
00:16:57 |
Did you hear that? |
00:16:59 |
Studds, is that you? |
00:17:01 |
I think it was a door. |
00:17:05 |
Should we get the others? |
00:17:07 |
I'm sure you can protect me. |
00:17:19 |
Hello? |
00:17:22 |
I think it was the groundskeeper. |
00:17:24 |
Looks like they went inside. |
00:17:26 |
Let's go see. |
00:17:32 |
Looks like they're gone. |
00:17:33 |
Let's go anyway. |
00:17:35 |
Are you sure? |
00:17:37 |
What's the matter? |
00:17:39 |
Nothing. |
00:17:40 |
Okay, then let's go. |
00:18:02 |
Does anyone have |
00:18:05 |
There's a bunch in my bag |
00:18:07 |
Thanks. |
00:18:34 |
Time to die. |
00:18:38 |
Lisa? |
00:18:40 |
Lisa? |
00:18:42 |
You asshole. |
00:18:45 |
I thought it was Tino. |
00:18:49 |
It's okay. |
00:18:51 |
You are so fired. |
00:18:54 |
Am I the only one who isn't carrying |
00:18:58 |
Eugene, what the hell |
00:19:00 |
I'm all right, Richard. |
00:19:02 |
He just scared me, that's all. |
00:19:04 |
Eugene? |
00:19:07 |
We need to talk right now. |
00:19:12 |
Where's Tino? |
00:19:14 |
I didn't see him |
00:19:18 |
Was there a light on |
00:19:21 |
I don't know. |
00:19:23 |
I thought there was no electricity. |
00:19:25 |
Professor? |
00:19:33 |
Damn it, see what you started? |
00:19:37 |
It was Tino. |
00:19:39 |
There was someone else-- |
00:19:42 |
Are you sure? |
00:19:43 |
Yes. |
00:19:45 |
That horny dog. |
00:19:47 |
How did he get in there? |
00:19:49 |
And when did that light |
00:19:50 |
There's not supposed |
00:19:52 |
That's what I said. |
00:19:55 |
I thought I made it clear |
00:19:57 |
I think someone was thinking |
00:20:01 |
Should we go look for him? |
00:20:04 |
He must be with the hottie. |
00:20:06 |
Her car is still there. |
00:20:08 |
Okay, you guys stay put. |
00:20:09 |
Don't move until we get back. |
00:20:15 |
Thanks a lot, guys, really. |
00:20:17 |
I'm sure we can fend off |
00:20:20 |
by ourselves. |
00:20:22 |
Men. |
00:20:24 |
Sorry. |
00:20:26 |
I'm sure there's no psycho killer. |
00:20:35 |
Tino, is that you? |
00:20:37 |
What is this shit? |
00:20:39 |
I don't know. |
00:20:41 |
It could be someone |
00:20:43 |
Maybe that chick invited |
00:20:46 |
Maybe. |
00:20:49 |
Something's not right. |
00:20:51 |
This place is supposed |
00:20:53 |
and there isn't supposed |
00:20:55 |
So? |
00:20:56 |
So Monica said they shut |
00:20:58 |
She said a lot of things. |
00:21:02 |
Let's go. |
00:21:06 |
I'm telling you, dude, |
00:21:08 |
he's getting laid. |
00:21:22 |
Please just tell me |
00:21:28 |
No! |
00:21:32 |
No! |
00:21:34 |
No! No! |
00:21:37 |
No! |
00:21:46 |
What are you doing? |
00:21:48 |
Thinking ahead. |
00:21:51 |
I'm the first one into that van. |
00:21:53 |
Man, I hate camping. |
00:21:56 |
So do l. |
00:21:58 |
Well, it's not really |
00:22:01 |
It's being stuck |
00:22:03 |
with a flimsy piece of nylon |
00:22:05 |
between you and whatever's outside |
00:22:08 |
Tell me about it. |
00:22:12 |
Did you hear that? |
00:22:14 |
Hear what? |
00:22:19 |
There's someone out there. |
00:22:28 |
Run! |
00:22:35 |
What the hell was that? |
00:22:37 |
I don't know. |
00:22:39 |
But if it was Studds, |
00:22:52 |
It stinks in here. |
00:22:54 |
It smells like dead people. |
00:22:58 |
You had to say that, |
00:23:08 |
Where do you think |
00:23:10 |
Couldn't have gotten that far. |
00:23:13 |
I told you guys to stay put. |
00:23:15 |
Someone was after us. |
00:23:17 |
They sliced through the tent. |
00:23:19 |
Sliced? With a knife? |
00:23:23 |
We ran. |
00:23:25 |
I don't want to stay here. |
00:23:27 |
Sure, as soon |
00:23:30 |
He's got the keys |
00:23:32 |
That's just great. |
00:23:35 |
Hey, boss, |
00:23:37 |
there's something |
00:23:45 |
Did you find Tino? |
00:23:47 |
No. |
00:23:49 |
I found something else, though. |
00:23:52 |
Come on, you two. |
00:23:54 |
Oh, no, I'm not |
00:23:57 |
Sarah, we need to stick together. |
00:23:59 |
That's right. |
00:24:02 |
near the door. |
00:24:05 |
Boss, are you coming? |
00:24:09 |
Sarah, please. |
00:24:11 |
I really don't want |
00:24:14 |
We'll be okay. |
00:24:19 |
You see anyone |
00:24:21 |
you scream. |
00:24:22 |
We can do that. |
00:24:44 |
Do you see something |
00:24:46 |
Just shadows. |
00:24:48 |
Your mind playing tricks |
00:24:51 |
I guess so. |
00:24:53 |
Come on, it's in here. |
00:25:04 |
Look down. |
00:25:26 |
Did you find something? |
00:25:37 |
Sorry, man. |
00:25:41 |
What? I said sorry. |
00:25:46 |
Shit. |
00:25:48 |
That is fucked up, man. |
00:25:50 |
The girls. We need to go. |
00:25:58 |
You have got to be kidding me. |
00:26:05 |
Did you hear that? |
00:26:08 |
Sounded like a door. |
00:26:10 |
Richard? |
00:26:19 |
What? |
00:26:21 |
My last relationship ended badly. |
00:26:35 |
I don't need this shit. |
00:26:37 |
I should have just stayed home |
00:26:39 |
Shh. |
00:26:42 |
I think I hear something. |
00:26:45 |
Richard. |
00:26:48 |
Hey. |
00:26:50 |
We should wait here. |
00:26:52 |
Hey. |
00:26:54 |
Richard. |
00:26:57 |
This is nuts. |
00:27:03 |
Lisa. |
00:27:06 |
Wait. |
00:27:38 |
Please don't take off |
00:27:41 |
Don't sneak up on me like that. |
00:27:43 |
Sorry. |
00:27:46 |
I'm sure I heard |
00:27:48 |
It sounded like yelling. |
00:27:52 |
We should go back. |
00:27:54 |
They might have went back. |
00:27:56 |
We would have seen them. |
00:27:58 |
Maybe they found |
00:28:00 |
I don't think so. Come on. |
00:28:10 |
Don't touch anything. |
00:28:12 |
It's gonna be a crime scene. |
00:28:14 |
Do you think Tino's, |
00:28:17 |
you know, dead? |
00:28:23 |
Me neither. |
00:28:45 |
I guess we wait. |
00:28:50 |
Lisa will come |
00:28:52 |
She's never followed |
00:28:57 |
If they find |
00:28:59 |
people are gonna talk. |
00:29:03 |
If they find the two of us |
00:29:05 |
you won't have to worry |
00:29:20 |
I think it was coming |
00:29:25 |
See? No one here. |
00:29:30 |
Wait, Lisa, Sarah, it's us. |
00:29:32 |
- That was so not funny. |
00:29:35 |
I think there's a release |
00:29:37 |
You we'll save. |
00:29:44 |
Oh, I thought something |
00:29:48 |
Don't I get a hug? |
00:29:50 |
Where's Tino? |
00:29:52 |
We haven't found him yet. |
00:29:54 |
Let's get back to the campsite. |
00:29:57 |
The campsite? |
00:29:59 |
Someone tried to kills us |
00:30:02 |
Let's go. |
00:30:24 |
Um, guys... |
00:30:27 |
Sarah, open the door. |
00:30:30 |
It won't open. |
00:30:31 |
Is that the door we came in? |
00:30:32 |
Of course it's the door |
00:30:34 |
I'll call 911. |
00:30:36 |
The fire department |
00:30:47 |
I'm not getting a signal. |
00:30:57 |
I'm not getting a signal. |
00:30:59 |
Neither am l. |
00:31:01 |
It's no good. |
00:31:03 |
I remember Monica |
00:31:05 |
you had to go into town |
00:31:07 |
There has to be |
00:31:08 |
We should just stay here |
00:31:11 |
I'm sure the groundskeeper |
00:31:14 |
The groundskeeper could be the one |
00:31:17 |
We don't know that. |
00:31:20 |
Let's smash out |
00:31:31 |
Shatterproof glass |
00:31:34 |
designed specifically |
00:31:36 |
Okay, then let's split up |
00:31:40 |
If one was open, |
00:31:41 |
Split up? |
00:31:45 |
We should just |
00:31:47 |
Sarah, I'd like to agree with you, |
00:31:49 |
Or what's left of him. |
00:31:51 |
What do you mean? |
00:31:55 |
Did you guys see something? |
00:31:58 |
We saw blood. |
00:32:00 |
You guys walked right over it. |
00:32:03 |
Two minutes. |
00:32:06 |
That's actually a minute longer |
00:32:08 |
Sorry, dude. |
00:32:10 |
This isn't happening. |
00:32:15 |
Let us out! |
00:32:17 |
Please! |
00:32:20 |
Open the fucking door, please! |
00:32:21 |
Hey hey hey hey. |
00:32:25 |
Nothing's happened to Tino. |
00:32:27 |
Hey, we're not even sure |
00:32:31 |
- You're not? |
00:32:33 |
Then what was it? |
00:32:36 |
Paint. |
00:32:39 |
It could have been paint. |
00:32:43 |
Look, we're going |
00:32:46 |
but we all need to stay calm. |
00:32:48 |
Are you sure? |
00:32:52 |
Lisa and I are gonna |
00:32:54 |
You two start down here |
00:32:56 |
and check all the rooms. |
00:32:58 |
If you find Tino or his friend, |
00:33:00 |
stay with them |
00:33:02 |
and keep your eyes open. |
00:33:04 |
We'll meet back here |
00:33:06 |
You're making me go with him? |
00:33:07 |
No one goes anywhere alone. |
00:33:10 |
We're on the buddy system |
00:33:12 |
Buddy system? |
00:33:15 |
Will you be my buddy, please? |
00:33:18 |
Okay, |
00:33:20 |
but if you touch me I'll spray you. |
00:33:25 |
Let's move. |
00:33:49 |
This is it-- Black Creek. |
00:33:53 |
Weird shit happens around here. |
00:33:57 |
People go in-- |
00:34:01 |
Okay, you showed me the place. |
00:34:04 |
They're just stories. |
00:34:07 |
You wanted to see it. |
00:34:10 |
Look, there's cars over there, |
00:34:12 |
probably a party going on. |
00:34:14 |
You check it out. |
00:34:17 |
Suit yourself. |
00:36:02 |
Tino? |
00:36:05 |
Tino. |
00:36:16 |
Look what I found. |
00:36:18 |
What is it? |
00:36:20 |
It's an electrical box. |
00:36:24 |
The building has power. |
00:36:29 |
This place must have |
00:36:36 |
Look, the power house |
00:36:39 |
I remember seeing it earlier. |
00:36:41 |
So? |
00:36:43 |
So there were no bars |
00:36:45 |
If we can get to it |
00:36:52 |
There should be a passage |
00:36:58 |
Let's keep moving. |
00:37:08 |
- Wait. |
00:37:10 |
I think this is the room |
00:37:12 |
Are you sure it was this room? |
00:37:15 |
I think so. |
00:37:17 |
I kind of remember |
00:37:19 |
Plus this is the only one |
00:37:23 |
Do you think we can get out? |
00:37:25 |
No, it's shatterproof glass. |
00:37:27 |
Besides, we're three floors up. |
00:37:41 |
Well, I don't see anything. |
00:37:52 |
Do you have to do that? |
00:37:54 |
Sure do. I'm gonna |
00:37:57 |
urbanstudd.com-- |
00:37:59 |
500 hits last month alone. |
00:38:02 |
Do you realize |
00:38:04 |
being stuck inside a prison? |
00:38:06 |
I know. |
00:38:08 |
Awesome? |
00:38:09 |
Tino's missing |
00:38:12 |
He's been gone |
00:38:14 |
And as much as it pains me |
00:38:17 |
that chick wanted him. |
00:38:19 |
But you guys saw blood. |
00:38:21 |
Yeah, lots of it. |
00:38:23 |
What? |
00:38:26 |
Nothing. |
00:38:29 |
Hey, open a few of those |
00:38:32 |
Did she seem strange to you-- |
00:38:34 |
Monica, I mean? |
00:38:36 |
She seemed hot to me. |
00:38:38 |
It's like she knew something |
00:38:42 |
Maybe she's part |
00:38:44 |
and lures people in here |
00:38:47 |
Nice. |
00:38:48 |
Do you think |
00:38:50 |
'Cause I would love |
00:38:56 |
Oh, shit. |
00:38:58 |
Get off me. |
00:39:00 |
I said get off me. |
00:39:07 |
Took you long enough. |
00:39:11 |
Is she--? |
00:39:18 |
She's alive. |
00:39:33 |
It looks like this was |
00:39:36 |
This is as far as we go. |
00:39:41 |
Let's start heading back. |
00:39:43 |
- Richard. |
00:39:45 |
I heard someone |
00:39:50 |
Hello? |
00:39:57 |
Hey, asshole, |
00:40:01 |
Down there. |
00:40:04 |
They're playing with us. |
00:40:06 |
I thought I saw |
00:40:08 |
Shouldn't we |
00:40:10 |
Hey. |
00:40:11 |
Magellan, Lisa, |
00:40:14 |
What's he carrying? |
00:40:16 |
Is it--? |
00:40:19 |
Tino? |
00:40:20 |
Nope. |
00:40:25 |
Bring her in here. |
00:40:48 |
She jumped me |
00:40:50 |
so Sarah used |
00:40:52 |
bam!-- in the back |
00:40:55 |
That's a lot of blood. |
00:40:57 |
It's not hers. |
00:40:59 |
I might have been hurt if not |
00:41:01 |
That bitch killed Tino. |
00:41:05 |
We need to get some answers. |
00:41:19 |
Where is Tino? |
00:41:20 |
I don't know. |
00:41:22 |
Was he with you? |
00:41:24 |
We have to get out of here. |
00:41:26 |
What happened? |
00:41:27 |
Listen to me. |
00:41:30 |
Unless you have a key |
00:41:32 |
we're not going anywhere. |
00:41:34 |
Whose blood is this? |
00:41:38 |
I got him in the shoulder, |
00:41:41 |
got him good. |
00:41:42 |
Did you do something to Tino? |
00:41:44 |
We have to get out of here. |
00:41:47 |
This chick is whacked. |
00:41:49 |
She's in shock. |
00:41:51 |
We're not gonna get any |
00:41:53 |
Let's find the passage |
00:41:55 |
and get out of here. |
00:41:57 |
Power house? |
00:41:58 |
There is a passage |
00:42:00 |
It leads to the power house. |
00:42:02 |
We can't leave Tino. |
00:42:04 |
Tino's dead. |
00:42:06 |
We all know it. |
00:42:08 |
We can come back for Tino. |
00:42:10 |
I can't just leave him. |
00:42:12 |
I'm responsible for him. |
00:42:14 |
You're responsible for them too, |
00:42:17 |
and me. |
00:42:19 |
I'll stay. |
00:42:21 |
You guys find the passage |
00:42:23 |
Suits me fine. |
00:42:26 |
No, we go together |
00:42:30 |
Okay. |
00:42:32 |
We all go. |
00:42:35 |
No, there's a door |
00:42:38 |
We can get out. |
00:42:41 |
Someone shut her up. |
00:42:43 |
No! |
00:42:45 |
What if we just leave her? |
00:42:46 |
Because she might be |
00:42:48 |
what the hell is going on here. |
00:43:18 |
We need to get to the boiler room. |
00:43:23 |
Can we just go, please? |
00:43:26 |
Which way? |
00:43:30 |
Through there. |
00:43:33 |
That figures. |
00:43:35 |
This corridor leads |
00:43:38 |
The boiler room is just past |
00:43:40 |
the larger room and dining area. |
00:43:42 |
Everyone stay together. |
00:44:27 |
It looks like a dead end. |
00:44:29 |
Is there another way around? |
00:44:31 |
There might be. |
00:44:36 |
It looks like some kind |
00:44:39 |
Luckily, service tunnels |
00:45:45 |
Okay, Monica-- |
00:45:49 |
She's gone. |
00:45:51 |
You were supposed to be |
00:45:52 |
We'll find her later. |
00:45:54 |
We gotta go after her, man. |
00:45:55 |
I'm telling you, |
00:45:57 |
You didn't see the crazy look |
00:45:59 |
Studds, get back here. |
00:46:02 |
Studds! |
00:47:36 |
Somebody please tell me |
00:47:40 |
If you are, it's contagious. |
00:47:43 |
For heaven's sake, |
00:47:45 |
I told him she was in shock. |
00:47:47 |
Shock? |
00:47:50 |
Don't you get it? |
00:47:52 |
She's behind all this. |
00:47:54 |
It's some kind of sick game |
00:47:57 |
Sarah, this is a classic case |
00:48:00 |
This isn't one of your lectures, |
00:48:03 |
Sarah, I understand that, |
00:48:06 |
if she has anything to do |
00:48:08 |
She has everything |
00:48:10 |
I disagree. |
00:48:12 |
I wonder if you'll disagree |
00:48:19 |
Richard, stop. |
00:48:40 |
You owe me 80 bucks, bitch. |
00:48:59 |
Shit. |
00:49:11 |
No. |
00:49:13 |
Let me go. |
00:49:19 |
Please. |
00:49:24 |
Please let me go. |
00:49:26 |
Don't. No. |
00:49:33 |
Don't, please. |
00:49:35 |
Please please. |
00:49:37 |
Don't. |
00:50:18 |
We're all gonna die in here |
00:50:22 |
Not if I can help it. |
00:50:24 |
You can't help it. |
00:50:26 |
Don't you see? |
00:50:28 |
This was all planned-- |
00:50:30 |
that girl |
00:50:32 |
the groundskeeper |
00:50:35 |
lights on when there's |
00:50:38 |
unlocked doors when they're |
00:50:41 |
Doesn't any of this |
00:50:44 |
So what would you |
00:50:46 |
just sit here and die? |
00:50:48 |
Sounds like |
00:50:53 |
She's gone. |
00:50:54 |
All I saw was |
00:50:57 |
and some blood. |
00:50:59 |
She must have cut herself |
00:51:01 |
Great. |
00:51:04 |
I also found this. |
00:51:08 |
I'll hold on to that. |
00:51:11 |
What's the matter, boss? |
00:51:13 |
Don't trust me? |
00:51:17 |
Of course I trust you. |
00:51:20 |
Keep it. |
00:51:22 |
You need it more than I do. |
00:51:28 |
Let's find that tunnel. |
00:51:55 |
This should |
00:51:57 |
to some sort of |
00:52:01 |
Once we get there, |
00:52:03 |
to the dining room. |
00:52:05 |
Backbreaker. |
00:52:10 |
I know I'm wasting my breath, |
00:52:12 |
but please be careful. |
00:52:18 |
See you on the flip side. |
00:52:36 |
Stay there when you get to the end. |
00:52:43 |
Looks like it goes right through |
00:52:46 |
I won't take long. |
00:52:48 |
Good. |
00:52:50 |
Can do. |
00:52:58 |
I can't see him. |
00:53:00 |
He must almost be through. |
00:53:17 |
It's all clear. |
00:53:19 |
Okay, we're coming through. |
00:53:37 |
Oh, man, what did I just |
00:53:40 |
Suck it up, Sarah. |
00:53:41 |
This is the way out, remember? |
00:53:44 |
See you on the flip side. |
00:53:46 |
Get going. |
00:54:02 |
Tino buddy, |
00:54:04 |
is that you? |
00:54:10 |
Marco. |
00:54:17 |
Marco. |
00:54:19 |
Damn it. |
00:54:21 |
Sarah, is everything all right? |
00:54:24 |
Did you guys hear that? |
00:54:27 |
Hear what? |
00:54:28 |
I must be going crazy. |
00:55:10 |
This shit's starting |
00:55:29 |
urbanstudd.com |
00:55:53 |
The soup's on. |
00:56:17 |
Oh, shit. |
00:56:22 |
Studds? |
00:56:25 |
Eugene. |
00:56:28 |
He's gone. |
00:56:31 |
I told him to wait. |
00:56:42 |
Studds, you in here? |
00:56:45 |
Where did he go? |
00:56:46 |
I don't know. |
00:56:48 |
Maybe he's up ahead. |
00:57:07 |
Damn. |
00:57:10 |
What? |
00:57:13 |
Is it bad? |
00:57:15 |
It's just an old sheet, |
00:57:17 |
but it looks like |
00:57:19 |
Why did he leave? |
00:57:24 |
Where's the boiler room? |
00:57:26 |
It's through there. |
00:57:29 |
Sarah. |
00:58:06 |
Fuck, man, |
00:58:08 |
what is this shit? |
00:58:23 |
What is this shit? |
00:58:47 |
Fuck you, asshole. |
00:59:06 |
Please do not do that again. |
00:59:08 |
"Stay together," I know. |
00:59:11 |
I just had to get out of there. |
00:59:13 |
What's that for? |
00:59:16 |
Most likely a guard |
00:59:20 |
If the crowd got out |
00:59:22 |
they probably used |
00:59:26 |
Come on, the boiler room's |
01:00:17 |
The boiler room's in there. |
01:00:19 |
Are you sure? |
01:00:21 |
I'm sure. |
01:01:02 |
It should be up here. |
01:01:04 |
Where's the tunnel? |
01:01:06 |
Are we in the right place? |
01:01:09 |
It's right here. |
01:01:12 |
It's supposed to be |
01:01:27 |
Some of these bricks |
01:01:29 |
It looks like |
01:01:32 |
We're screwed. |
01:01:34 |
I knew that we should have just stayed |
01:01:36 |
Someone would have found us. |
01:01:39 |
I need more time to find |
01:01:41 |
You can wait. |
01:01:43 |
I'm going back. |
01:01:46 |
Sarah, stay-- |
01:01:52 |
Let's go find her. |
01:03:12 |
Oh, come on. |
01:03:26 |
The keys. |
01:03:30 |
Are you the groundskeeper? |
01:03:32 |
We've been stuck here |
01:03:35 |
There's some psycho chick |
01:05:46 |
Oh, man, what's that smell? |
01:05:48 |
Try to breathe |
01:05:52 |
Where is it coming from? |
01:05:55 |
Down there. |
01:05:57 |
Lisa, I have to check it out. |
01:05:59 |
Okay, please hurry. |
01:06:19 |
Richard, what is it? |
01:06:22 |
Nothing. |
01:06:38 |
Damn, Tino. |
01:06:41 |
What did they do to you? |
01:07:39 |
Why couldn't you just listen? |
01:08:52 |
My God. |
01:08:55 |
Sarah. |
01:09:01 |
Richard, what did you |
01:09:09 |
Richard, wait. |
01:09:11 |
Stop for a minute. |
01:09:12 |
Lisa, what is it? |
01:09:14 |
She's out there all alone. |
01:09:16 |
You saw something in the cells |
01:09:18 |
or on the camcorder. |
01:09:20 |
What was it? |
01:09:22 |
There's someone else |
01:09:24 |
someone bad. |
01:09:26 |
Lisa, we need to go. |
01:09:28 |
Go? Go where? |
01:09:30 |
We're trapped in here, |
01:09:32 |
And until you tell me |
01:09:34 |
I'm not moving |
01:09:35 |
Now you're acting childish. |
01:09:37 |
Childish? |
01:09:38 |
You've known something was wrong |
01:09:40 |
You've kept it to yourself |
01:09:43 |
same as you always have. |
01:09:45 |
Everything I've done |
01:09:48 |
Protect me? |
01:09:50 |
What about Tino, |
01:09:52 |
Who's protecting them? |
01:09:53 |
If I tell you who it is |
01:09:56 |
Just tell me. |
01:10:00 |
Darrell Coombs. |
01:10:01 |
One of those prisoners |
01:10:06 |
I thought he died |
01:10:09 |
I don't know how, |
01:10:11 |
Coombs was one of the most |
01:10:13 |
in recorded history. |
01:10:15 |
He fancied himself an artist. |
01:10:17 |
He'd put on a mask to create |
01:10:21 |
He'd incapacitate his victims |
01:10:25 |
with a deep belly wound |
01:10:27 |
and mutilate their faces |
01:10:29 |
And he always |
01:10:38 |
Are you sure |
01:10:50 |
Everyone's dead |
01:10:54 |
except us. |
01:10:56 |
No, Sarah's alive |
01:11:00 |
I know it. |
01:11:48 |
Richard, what is this place? |
01:11:51 |
It's a chapel. |
01:11:57 |
When they caught Coombs |
01:12:00 |
what he did after |
01:12:03 |
He went to church |
01:12:06 |
to repent his sins. |
01:12:15 |
We need to hurry. |
01:12:23 |
She said she was going back |
01:12:25 |
Well, I hope she knows |
01:12:27 |
Her sense of direction |
01:12:41 |
I knew it. |
01:12:45 |
Sarah, Sarah, |
01:12:47 |
What is that? |
01:12:50 |
Sarah's camera. |
01:12:55 |
He's gonna kill her. |
01:12:57 |
No, he won't. |
01:12:59 |
Won't let him? |
01:13:01 |
He's already killed |
01:13:02 |
How are you |
01:13:04 |
He killed Tino and Studds |
01:13:06 |
We won't make |
01:13:08 |
We'll find Sarah |
01:13:12 |
We need to go back. |
01:13:14 |
Go back where? |
01:13:15 |
To those cells. Whatever he's doing, |
01:13:18 |
It's where the old |
01:13:20 |
That place with that |
01:13:22 |
It won't be easy, I know. |
01:13:24 |
You want to go in there? |
01:13:26 |
We have to. |
01:13:35 |
Lisa, wait here. |
01:13:37 |
Please hurry. |
01:13:42 |
Oh. |
01:13:47 |
Damn. |
01:13:55 |
Sarah? |
01:14:06 |
Hey hey, |
01:14:08 |
are you okay? |
01:14:12 |
I think so. |
01:14:14 |
I need your jacket. |
01:14:38 |
We have to act now, |
01:14:40 |
Can't we just |
01:14:42 |
Someone will eventually |
01:14:44 |
If we hide somewhere, |
01:14:48 |
We are trapped in here |
01:14:51 |
Now we can last a while |
01:14:53 |
but after two or three days |
01:14:55 |
we won't be |
01:14:57 |
to fight him off. |
01:14:59 |
Look, men like Coombs |
01:15:02 |
while they're in complete |
01:15:04 |
when they feel secure. |
01:15:07 |
That's probably why |
01:15:09 |
He spent almost |
01:15:12 |
in this place. |
01:15:15 |
It's been easy for him |
01:15:17 |
We have to change that. |
01:15:19 |
How? |
01:15:23 |
He's in the chapel. |
01:15:25 |
After he killed Sarah |
01:15:29 |
He's vulnerable right now. |
01:15:31 |
We can attack him in there. |
01:15:33 |
Attack him? |
01:15:35 |
Attack him with what? |
01:15:40 |
Follow me. |
01:15:53 |
Lisa, find a weapon-- anything. |
01:16:11 |
- Richard! |
01:16:39 |
Richard! |
01:16:40 |
Lisa, the chapel! |
01:16:46 |
Destroy the chapel! |
01:19:23 |
Please open. |
01:19:41 |
Come on, you bastard. |
01:19:50 |
Richard, you're still alive. |
01:20:00 |
The keys-- |
01:20:33 |
No fucking way. |
01:20:35 |
What is it? |
01:20:53 |
Lisa... |
01:20:59 |
take the keys to the van. |
01:21:03 |
Drive until you can call 91 1. |
01:21:06 |
But you're coming with me. |
01:21:08 |
I'll be right behind you. |
01:21:16 |
Richard! |
01:21:26 |
I'll see you in the next life. |
01:21:38 |
Richard! |
01:22:07 |
No! No! |
01:22:09 |
No! |