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Psycho en
00:02:46	You never did eat your lunch,
00:02:48	I better get back to the office.
00:02:51	give my boss excess acid.
00:02:53	Why don't you call your boss
00:02:55	you're taking the rest
00:02:57	It's Friday anyway,
00:03:00	What do I do with my free afternoon?
00:03:04	Well, we could laze
00:03:07	Checking-out time is 3:00 p.m.
00:03:11	Hotels of this sort aren't
00:03:14	but when your time is up...
00:03:16	Oh, Sam, I hate having to be with you
00:03:19	I've heard of married couples who
00:03:21	in a cheap hotel.
00:03:23	When you're married you can do
00:03:27	You sure talk like
00:03:29	Oh, Sam, this is
00:03:32	- Yeah? For what?
00:03:36	For meeting you in secret
00:03:39	You come down here
00:03:42	and we steal lunch hours.
00:03:44	I wish you
00:03:47	What do we do instead?
00:03:51	Oh, I have to go, Sam.
00:03:55	- I can come down next week.
00:03:58	Not even just to see you?
00:04:03	Oh, we can see each other.
00:04:07	But respectably.
00:04:09	In my house with my mother's
00:04:12	my sister helping me broil
00:04:16	And after the steak, do we
00:04:18	turn Mama's picture to the wall?
00:04:20	Sam!
00:04:24	All right.
00:04:31	Marion, whenever it's possible,
00:04:34	And under any circumstances,
00:04:39	You make respectability
00:04:42	I'm all for it. It requires patience,
00:04:47	Otherwise, though,
00:04:51	But if I can see you and touch you
00:04:58	I'm tired of sweating
00:05:01	I sweat to pay off my father's
00:05:04	I sweat to pay my ex-wife alimony,
00:05:07	on the other side of the world.
00:05:09	I pay too.
00:05:13	They also pay
00:05:17	A couple of years and
00:05:20	If she ever remarries,
00:05:22	- I haven't even been married once yet.
00:05:27	Oh, Sam, let's get married.
00:05:33	And live with me in a storeroom
00:05:38	We'll have lots of laughs.
00:05:41	When I send my ex-wife her alimony,
00:05:44	I'll lick the stamps.
00:05:54	You want to cut this off, go out
00:05:59	I'm thinking of it.
00:06:04	How could you even
00:06:08	- Don't miss your plane.
00:06:10	Mm-mm. I'm late and, uh,
00:06:26	Isn't Mr Lowery
00:06:29	He's lunching with the man who's
00:06:32	The old lease man. That's why
00:06:35	It'll pass.
00:06:38	you forget them
00:06:40	Have you got some aspirin?
00:06:43	My mother's doctor gave them to me
00:06:46	Teddy was furious when he found out
00:06:49	Any calls?
00:06:51	Teddy called me. My mother
00:06:55	Oh, your sister called to say she's
00:06:58	- and she'll be gone the whole weekend...
00:07:04	Wow. It's as hot
00:07:08	Hey, you girls oughta get your boss
00:07:13	He can afford it today.
00:07:15	Marion, will you get the copies
00:07:18	- Yes, sir.
00:07:22	Oh... Oh, not you.
00:07:25	A baby.
00:07:27	Tomorrow she stands her sweet self
00:07:32	- I want you to take a look at my baby.
00:07:38	Eighteen years old...
00:07:40	and she never had an unhappy day
00:07:45	Come on, Tom.
00:07:48	Do you know what I do
00:07:50	I buy it off.
00:07:53	Are, uh...
00:07:55	Uh, not inordinately.
00:08:00	I'm buying this house
00:08:04	Forty thousand
00:08:08	Now that's...
00:08:11	That's just buying off unhappiness.
00:08:16	I never carry more than
00:08:19	- Count 'em!
00:08:21	I don't. That's how
00:08:25	Tom, a cash transaction
00:08:29	Ah, so what?
00:08:32	- Now it's yours.
00:08:35	and then Monday morning
00:08:38	Oh, speaking of feeling good, where's
00:08:43	Uh-oh.
00:08:47	You know, uh, sometimes
00:08:57	Lowery, I am dying
00:09:02	I don't even want it in
00:09:05	Put it in the safe deposit box in the
00:09:10	Yes.
00:09:16	He was flirting with you. I guess
00:09:33	Come in.
00:09:37	The copies. If you don't mind,
00:09:40	- I have a slight...
00:09:43	Because me and your boss are goin' out
00:09:46	a little drinkin' done, right?
00:09:47	- Of course. Do you feel ill?
00:09:50	What you need is a weekend in Las Vegas,
00:09:55	I'm going to spend this weekend
00:09:59	Aren't you going to take the pills?
00:10:04	Can't buy off unhappiness
00:10:07	I guess I'll go put this money in the
00:12:09	Marion, what in
00:12:12	Of course I'm glad to see you.
00:12:15	What is it, Marion?
00:13:51	- Uh, hold it there.
00:13:59	In quite a hurry.
00:14:01	I didn't intend to sleep so long. I
00:14:07	- So, I decided to pull over.
00:14:10	Yes. As I said,
00:14:14	There are plenty of motels
00:14:17	I mean, just to be safe.
00:14:19	I didn't intend to sleep all night.
00:14:22	Have I broken any laws?
00:14:24	- No, ma'am.
00:14:28	Is anything wrong?
00:14:31	Of course not. Am I acting
00:14:34	- Frankly, yes.
00:14:39	- Well, is there?
00:14:44	I've told you there's nothing wrong,
00:14:47	and you're taking up my time.
00:14:49	- Now, just a moment.
00:14:50	- Turn your motor off, please.
00:14:54	May I see your licence?
00:14:59	- Why?
00:17:02	Be with you
00:18:06	- I'm in no mood for trouble.
00:18:08	There's an old saying: "First customer
00:18:11	But I'm in no mood for it...
00:18:13	so I'm gonna treat you so fair
00:18:15	- Can I trade my car and take another?
00:18:19	Bein' a woman, you will.
00:18:22	Yes, it's, it's... There's
00:18:25	Sick of the sight of it.
00:18:26	Have a look around and see if there's
00:18:30	and I'll have my mechanic
00:18:32	- You want some coffee?
00:18:34	and just wanna make a change.
00:18:36	One thing people never oughta be
00:18:38	and that's in a hurry, but like I said,
00:18:41	I'll shoot your car
00:19:04	That's the one I'd have
00:19:06	- How much?
00:19:08	- Spin it around the block.
00:19:09	How much would it be
00:19:11	You mean you don't want the usual day
00:19:14	You are in a hurry, aren't you?
00:19:19	Of course not.
00:19:21	Well, it's the first time the customer
00:19:26	Ah, I figure roughly...
00:19:31	your car plus $700.
00:19:34	- Seven hundred.
00:19:38	All right.
00:19:44	I take it you can prove
00:19:47	I mean, out-of-state licence.
00:19:50	I believe I have the necessary papers.
00:19:53	In the building.
00:20:06	Over there.
00:21:02	I think you better take it
00:21:04	I don't want any bad word of mouth
00:21:07	I'd really rather not.
00:21:10	I might as well be perfectly honest with
00:21:14	But what? Is there
00:21:18	about making a decision
00:21:20	- Do you think I've stolen my car?
00:21:23	All right,
00:22:01	Hey!
00:22:10	Just put it in here, please.
00:22:15	Thank you.
00:22:24	Heck,
00:22:27	I saw the customer
00:22:30	Somebody chasin' her?
00:22:31	I better have
00:22:34	- She look like a wrong one to you?
00:22:38	The only funny thing,
00:22:50	Yes, Mr Lowery.
00:22:52	Caroline. Marion still isn't in?
00:22:55	No, Mr. Lowery, but then she's always
00:22:58	Buzz me the minute
00:23:02	And call her sister.
00:23:05	I called her sister where she works...
00:23:09	and she doesn't know where Marion
00:23:12	You better run out to the house. She may
00:23:16	Her sister's going to do that.
00:23:22	No, I haven't the faintest idea.
00:23:25	As I said, I last saw your sister
00:23:28	She said she didn't feel well and wanted
00:23:31	That was the last I saw...
00:23:34	I did see her
00:23:37	Uh, I think you'd better come
00:23:41	Caroline,
00:23:46	After all, Cassidy,
00:23:50	I'm not taking
00:23:52	Oh, for heaven's sake. A girl works
00:23:57	All right, yes,
00:24:00	Well, I ain't
00:24:04	I'll get it back, and if any of it's
00:24:06	with her fine, soft flesh!
00:24:08	- We'll track her, never you doubt it.
00:24:11	I still can't believe... It must be
00:24:16	You checked with the bank, no?
00:24:19	You still trustin'? Hot creepers!
00:24:23	Hardly even looked at it. Plannin'.
00:26:47	Gee, I'm sorry I didn't hear you
00:26:56	- Dirty night.
00:26:59	Oh, we have 12 vacancies.
00:27:03	They, uh... They moved
00:27:06	Oh, I thought I'd gotten
00:27:10	I knew you must have. Nobody ever stops
00:27:15	But... there's no sense
00:27:19	We just keep on lighting the lights
00:27:26	Your home address.
00:27:33	Los Angeles.
00:27:41	Cabin one. It's closer in case you want
00:27:46	I want sleep more than anything else,
00:27:49	There's a big diner about ten miles
00:27:52	- Am I that close to Fairvale?
00:28:15	Boy, it's stuffy in here.
00:28:22	Well, the, uh, mattress
00:28:25	there's hangers in the closet
00:28:27	with "Bates Motel"
00:28:29	in case you wanna make your
00:28:33	And the, uh...
00:28:36	- Over there.
00:28:39	Yeah.
00:28:41	Well, uh, i-i-if you want anything,
00:28:45	- I'll be in the office.
00:28:47	Norman Bates.
00:28:52	You're not really gonna go out again
00:28:55	- No.
00:28:58	Would you have dinner with me?
00:29:00	I was just about to myself. Nothing
00:29:04	But I'd like it very much
00:29:08	I don't set a fancy table,
00:29:13	- I'd like to.
00:29:14	You get yourself settled and,
00:29:17	- I'll be back as soon as it's ready.
00:29:21	- With my... With my trusty umbrella.
00:30:41	No! I tell you no!
00:30:44	I won't have you bringing strange
00:30:47	By candlelight, I suppose,
00:30:50	- of young men with cheap, erotic minds!
00:30:54	And then what, after supper?
00:30:57	Mother, she's just a stranger.
00:31:00	"Mother, she's just a stranger." As if
00:31:06	Oh! I refuse to speak of disgusting
00:31:10	Do you understand, boy?
00:31:12	Go tell her she'll not be
00:31:15	with my food or my son!
00:31:18	Or do I have to tell her
00:31:21	- Huh, boy? You have the guts, boy?
00:32:05	- I've caused you some trouble.
00:32:09	Mother...
00:32:12	What is the phrase?
00:32:14	She isn't quite
00:32:17	You shouldn't have bothered. I really
00:32:22	Oh, I'm sorry.
00:32:27	I wish you could apologize
00:32:30	Don't worry about it.
00:32:32	But as long as you've fixed
00:32:45	It, uh... It might be, uh, nicer
00:33:03	Well, it stopped
00:33:05	Uh, eating in an office
00:33:09	- I have the parlour back here.
00:33:26	- Sit down.
00:33:32	You're very kind.
00:33:35	It's all for you.
00:33:44	You... You eat like a bird.
00:33:48	And you'd know,
00:33:51	No, not really.
00:33:53	Anyway, I hear the expression
00:33:56	is really a fal...
00:34:00	Because birds really
00:34:06	But I really don't know anything about
00:34:11	You know, taxidermy.
00:34:13	And I guess I'd just rather
00:34:17	I hate the look of beasts
00:34:19	You know,
00:34:21	Some people even stuff dogs and cats,
00:34:25	I think only birds
00:34:29	Well, because they're kind
00:34:32	It's a strange hobby.
00:34:35	- Uncommon too.
00:34:39	And it's... it's not as expensive
00:34:42	You know, needles
00:34:45	The chemicals are the only
00:34:47	A man should have a hobby.
00:34:50	Well, it's...
00:34:56	A hobby's supposed to
00:34:59	Is your time so empty?
00:35:02	No. Uh...
00:35:05	Well, I run the office...
00:35:07	and tend the cabins
00:35:09	and do little, uh,
00:35:12	the ones she allows
00:35:15	Do you go out with friends?
00:35:20	Well, a boy's best friend
00:35:25	You've never had an empty moment
00:35:31	- Only my share.
00:35:36	I didn't mean to pry.
00:35:38	I'm looking for
00:35:43	What are you
00:35:47	- Why do you ask that?
00:35:51	People never run away
00:35:56	The rain didn't last long,
00:36:00	I think that...
00:36:04	we're all in
00:36:08	clamped in them, and none of us
00:36:13	We scratch and...
00:36:15	but only at the air,
00:36:19	And for all of it,
00:36:24	Sometimes we deliberately
00:36:30	I was born in mine.
00:36:32	Oh, but you should.
00:36:35	Oh, I do, but I say I don't.
00:36:40	You know, if anyone ever talked
00:36:45	the way she spoke to you...
00:36:48	Sometimes when she talks
00:36:52	I feel I'd like to go up there and
00:36:56	Or at least defy her.
00:37:03	But I know I can't.
00:37:07	She sounded strong.
00:37:11	No, I mean... ill.
00:37:15	She had to raise me all by herself,
00:37:19	I was only five and it,
00:37:22	I mean, she didn't have to go to work or
00:37:26	Anyway, a few years ago,
00:37:31	And he... he talked her
00:37:34	He could have talked her
00:37:37	And when he died too, it was
00:37:42	And the way
00:37:46	I guess it's nothing
00:37:51	Anyway, it was just too great
00:37:55	Except you.
00:37:57	Well, a son is a poor substitute
00:38:03	Why don't you go away?
00:38:05	To a private island,
00:38:10	No... not like me.
00:38:14	I couldn't do that.
00:38:18	She'd be alone up there.
00:38:22	The fire would go out.
00:38:25	It'd be cold and damp
00:38:28	If you love someone, you don't do that
00:38:34	You understand, l...
00:38:39	I hate what she's become.
00:38:45	Wouldn't it be better
00:38:54	You mean an institution?
00:38:59	People always call
00:39:04	Put her in "some place."
00:39:07	I'm sorry. I didn't mean it
00:39:10	What do you know
00:39:13	Have you ever seen the inside
00:39:16	The laughing and the tears...
00:39:19	and the cruel eyes
00:39:22	My mother there?
00:39:26	But she's harmless.
00:39:30	She's as harmless as one
00:39:35	I am sorry.
00:39:37	I only felt...
00:39:42	- I meant well.
00:39:46	They cluck their thick tongues
00:39:50	oh, so very delicately...
00:39:58	Of course,
00:40:02	But I hate to even think about it.
00:40:11	It... It's not as if she were
00:40:15	She...
00:40:18	She just goes
00:40:23	We all go a little mad
00:40:27	Haven't you?
00:40:32	Yes.
00:40:34	Sometimes just one time
00:40:40	Thank you, "Norman."
00:40:42	Norman.
00:40:45	Oh, you're not... you're not
00:40:48	I'm very tired.
00:40:51	And I have a long drive tomorrow,
00:40:54	Really?
00:40:56	I stepped into a private trap
00:40:59	and I'd like to go back and try
00:41:05	bef ore it's too late
00:41:07	Are you sure you wouldn't like
00:41:11	- I mean, just for talk.
00:41:14	All right. Well,
00:41:17	I'll bring you some breakfast,
00:41:19	- What time?
00:41:22	All right, Miss, uh...
00:41:24	- Crane.
00:41:26	Good night.
00:45:25	Ow! No!
00:45:28	No! Aaah!
00:47:28	Mother! Oh, God, Mother!
00:47:30	Blood! Blood!
00:57:33	I've tried many brands.
00:57:36	So far, of those I've used, I haven't
00:57:39	Let's see what they say
00:57:42	They tell you
00:57:45	and how it's guaranteed to exterminate
00:57:48	but they do not tell you
00:57:51	And I say, insect or man,
00:57:55	This one seems to claim more and better
00:58:10	Sam?
00:58:12	Sam!
00:58:21	- Yes, miss?
00:58:23	- Oh, sure. Lila.
00:58:27	- Well, of course not. Something wrong?
00:58:34	- She left home on Friday.
00:58:36	I was in Tucson over the weekend
00:58:39	Not even
00:58:42	If you two are in this together,
00:58:45	but I want Marion to tell me it's none
00:58:48	Bob, run out and get yourself
00:58:52	- That's okay. I brought it with me.
00:58:59	Now, what thing
00:59:03	Sorry about the tears.
00:59:05	Well, is Marion in trouble?
00:59:08	Let's all talk about
00:59:15	Who are you,
00:59:17	My name is Arbogast,
00:59:19	I'm a private
00:59:22	- Where is she, Miss Crane?
00:59:25	I know you don't, because if you did
00:59:29	What's your interest
00:59:32	Well, $40,000.
00:59:36	- $40,000?
00:59:41	One of you'd better tell me what's going
00:59:45	Now, take it easy,
00:59:47	It's just that your girlfriend
00:59:50	What are you talking about?
00:59:53	She was supposed to bank it on Friday
00:59:57	- No one has seen her since.
01:00:00	Someone always sees a girl
01:00:03	They don't want to prosecute,
01:00:06	- Sam, if she's here...
01:00:09	Miss Crane, can I ask you, did you come
01:00:13	Oh, not even a hunch.
01:00:16	Well, with a little checking
01:00:19	I don't care
01:00:22	All I want to do is see Marion
01:00:25	Did you check Phoenix?
01:00:28	No, she was seen leaving town in her
01:00:33	I can't believe it.
01:00:37	We're always quickest
01:00:39	who have a reputation
01:00:42	I think she's here,
01:00:44	Where there's
01:00:46	She's not back there with the nuts and
01:00:51	I'll find her.
01:01:29	- Evening.
01:01:31	I almost drove
01:01:33	I'm always forgetting to turn
01:01:36	Twelve, in fact.
01:01:39	- Candy?
01:01:41	Last two days I've been to so many
01:01:45	but this is the first place that looks
01:01:48	To tell the truth, I didn't
01:01:51	- Just doesn't seem like
01:01:54	See, that used to be
01:01:57	- Wanna register?
01:02:00	- I just wanna ask a few questions.
01:02:03	I always change the beds once a week
01:02:06	Hate the smell of dampness. It's such
01:02:12	You out to buy
01:02:15	No.
01:02:17	Reason I ask, you said you'd seen
01:02:20	I thought maybe...
01:02:21	What, uh... What was it
01:02:24	I'm looking for
01:02:27	My name's Arbogast.
01:02:30	I've been trying
01:02:32	that's been missing for,
01:02:36	It's a private matter.
01:02:38	She's not
01:02:40	I didn't think the police went looking
01:02:43	- I'm not the police.
01:02:45	We have reason to believe she came
01:02:50	No one's stopped here
01:02:52	Mind looking at the picture
01:02:54	Commit myself?
01:02:56	- You sure talk like a policeman.
01:03:01	- Mm-mmm. Yeah.
01:03:04	Well, she may have
01:03:06	Marion Crane's
01:03:07	but she could've registered
01:03:11	I tell ya, I don't even much bother
01:03:15	One by one,
01:03:18	I shouldn't even bother changing
01:03:22	Which reminds me...
01:03:25	- What's that?
01:03:27	A couple last week said
01:03:30	they would've thought
01:03:33	You see,
01:03:35	Nobody'd been here
01:03:38	and there's a couple came by
01:03:42	As you say,
01:03:44	This girl could've registered
01:03:47	- No.
01:03:51	All right.
01:03:53	I'll get the date
01:03:57	See, there's nobody.
01:04:00	Let's see, I have a sample
01:04:04	Oh, yes.
01:04:06	Here we are.
01:04:08	- Marie Samuels.
01:04:10	That's an interesting
01:04:12	- Is that her?
01:04:14	Marie, Marion.
01:04:16	- Samuels. Her boyfriend's name is Sam.
01:04:19	Mm-hmm. Was she
01:04:24	- Wanna check the picture again?
01:04:28	Oh, I know that.
01:04:30	It's tough keeping track
01:04:32	I know.
01:04:34	Oh, yeah.
01:04:36	Well, i-i-it was raining
01:04:41	I tell ya, it's not really
01:04:43	No, I guess not.
01:04:44	Tell me all about her.
01:04:46	Well, um...
01:04:48	she arrived, um, rather late
01:04:52	and, uh, left early
01:04:55	- How early?
01:04:58	Mm-hmm.
01:05:01	Uh, the, um...
01:05:03	Th-Th-Th-The next morning.
01:05:06	- Sunday.
01:05:08	- Did anyone meet her here?
01:05:10	- Did she arrive with anyone?
01:05:13	- Did she make any phone calls or...
01:05:16	- Locally?
01:05:18	- Did you spend the night with her?
01:05:22	Then how would you know
01:05:27	Uh, w-w...
01:05:29	Well, she was very tired
01:05:31	See, l... N-Now I'm starting
01:05:34	l-I'm making a mental picture
01:05:36	- If you make a mental picturization...
01:05:39	Um, she was...
01:05:42	N-No, she was standing back there
01:05:45	She said she had to
01:05:48	because she had a long d-d-dr-drive,
01:05:52	- Mm-hmm. Back where?
01:05:55	No, you said bef ore she
01:05:58	Yes, b-back in my parlour.
01:06:00	She was very hungry,
01:06:02	and then she said she was tired and
01:06:07	I see.
01:06:09	- Cash? Cheque?
01:06:11	Cash, huh?
01:06:13	- After she left, she didn't come back?
01:06:17	Hmm.
01:06:22	Well, M-Mr. Arbogast, uh,
01:06:25	l-I've got some work to do,
01:06:28	To tell you the truth,
01:06:31	See, if it doesn't jell,
01:06:35	It's not coming together.
01:06:38	Well, l-l-I don't know
01:06:41	People just come and go,
01:06:43	That's right.
01:06:45	No.
01:06:47	If I wanted to check the cabins, all
01:06:52	If you don't believe me, come on
01:06:56	Oh.
01:07:14	Uh, change your mind?
01:07:18	Oh.
01:07:19	You know, l... I think I have one of
01:07:23	- Is anyone at home?
01:07:25	Oh? There's somebody
01:07:28	- N-N-No, there isn't.
01:07:30	Oh, th-that must be
01:07:32	She's an, uh, "inavlid..."
01:07:34	Uh, it's practically
01:07:36	Oh, I see.
01:07:39	If this girl, Marion Crane, were here,
01:07:43	- No.
01:07:46	No.
01:07:48	Let's say, for the sake of argument,
01:07:52	You'd know
01:07:54	- You wouldn't be made a fool of.
01:07:57	And I'm not capable of being fooled,
01:08:00	- This is not a slur on your manhood.
01:08:03	She might have fooled me,
01:08:06	Then your mother met her.
01:08:09	No. As I told you,
01:08:11	Just for a few minutes. There might be
01:08:15	Sick old women
01:08:18	- I wouldn't disturb her.
01:08:20	- I think I've talked to you all I want.
01:08:23	It'd be much better
01:08:26	Well, all right.
01:08:28	You sure would save me a lot of
01:08:32	- Would I need a warrant for that too?
01:08:35	All right.
01:09:29	Hello, Loomis.
01:09:32	Let me talk to her,
01:09:36	Hello, Lila.
01:09:38	Lila, listen.
01:09:41	Yes, she spent last Saturday night
01:09:44	It's out
01:09:46	I even know what cabin she was in...
01:09:50	Well, this young fella that runs the
01:09:54	left the next day
01:09:56	Mmm.
01:10:01	Well, I did question him,
01:10:03	but I think I got
01:10:06	I'll just have to pick up
01:10:09	Well, I tell ya,
01:10:13	See, this boy
01:10:15	I think she saw Marion
01:10:18	No. No, unf ortunately,
01:10:21	Well, I was, but I think I'll go
01:10:26	No, you stay there with Loomis.
01:10:30	All right, fine.
01:10:31	You'll be happy to know
01:10:34	Uh, I think our friend Sam Loomis
01:10:40	All right. See ya
01:10:42	All right, bye-bye.
01:11:38	Bates?
01:14:06	Sometimes Saturday night has a lonely
01:14:12	Sam, he said
01:14:15	Yeah.
01:14:17	It's been three.
01:14:19	Are we just
01:14:21	He'll be back.
01:14:24	Let's sit still
01:14:31	- How far is the old highway?
01:14:34	- Bust in on Arbogast and the old lady.
01:14:36	- Maybe shake her up.
01:14:39	- That wouldn't be wise.
01:14:42	- I'm going out there.
01:14:44	An hour, or less.
01:14:49	- Well, I'm going.
01:14:51	You'll never find it.
01:14:56	- Stay here.
01:14:58	I don't know. One of us has to be here,
01:15:02	What am I supposed to do,
01:15:04	Yeah. Stay here.
01:15:25	Arbogast?
01:15:28	Arbogast!
01:15:33	Arbogast!
01:16:03	- He didn't come back here?
01:16:05	No Arbogast, no Bates.
01:16:09	Sick old lady unable to answer
01:16:12	Where could he
01:16:14	Maybe he got
01:16:16	- Maybe he went right on.
01:16:18	- In a hurry.
01:16:19	when he had nothing
01:16:21	Don't you think he'd have called
01:16:25	Yes, I think
01:16:27	- Let's go see Al Chambers.
01:16:29	- Our deputy sheriff around here.
01:16:41	Good evening.
01:16:42	Well, l... I don't know where to start,
01:16:46	Yes.
01:16:48	- This is Lila Crane from Phoenix.
01:16:51	She's been here
01:16:54	There's this
01:16:56	We got a call from this
01:16:59	to that motel
01:17:01	That must be
01:17:02	He called to say he was going
01:17:05	Norman took a wife?
01:17:07	No, l-I don't think so.
01:17:11	That was early this evening. We
01:17:14	Now, your sister's
01:17:17	She left Phoenix a week ago
01:17:20	How'd you and this detective come
01:17:24	They thought
01:17:26	- Left Phoenix under her own steam?
01:17:28	She's not missing so much
01:17:30	That's right.
01:17:32	From what?
01:17:36	She stole some money.
01:17:38	A lot?
01:17:40	Forty thousand dollars.
01:17:42	The police haven't
01:17:44	Everyone concerned thought if they
01:17:47	they could avoid involving her
01:17:50	That explains
01:17:52	He traced her
01:17:54	What exactly did he say
01:17:57	He said Marion was there
01:18:00	- With the $40,000?
01:18:02	about the money.
01:18:04	It isn't important
01:18:07	He was supposed to come talk to us after
01:18:10	That's what I want you
01:18:12	Like what?
01:18:14	I'm sorry if
01:18:16	I'm sure there's something wrong
01:18:20	Well, I think there's something wrong
01:18:24	I think what's wrong
01:18:26	I think he got himself a hot lead
01:18:30	probably from Norman Bates...
01:18:32	and called you to keep you still while
01:18:36	No, no, he said he was dissatisfied
01:18:40	Call Norman and let him
01:18:42	At this hour?
01:18:44	He was out when I was there a while ago.
01:18:48	He wasn't out; he just wasn't answerin'
01:18:53	This fellow lives
01:18:56	You must remember that bad business
01:18:59	Please. Call.
01:19:06	Florrie, the sheriff wants you
01:19:16	Norman?
01:19:19	Ye... I been
01:19:22	Listen, we got
01:19:24	Yeah, have you had a fella
01:19:29	Well, this one
01:19:31	- A private detective, name of...
01:19:34	Arbogast.
01:19:38	And after he left?
01:19:43	No, that's...
01:19:47	This detective was there,
01:19:50	the detective thanked him
01:19:53	And he didn't come back?
01:19:56	Your detective told you
01:19:59	because he was going to question
01:20:03	Yes.
01:20:05	Norman Bates' mother
01:20:07	in Greenlawn Cemetery
01:20:11	I helped Norman pick out the dress
01:20:15	'Tain't only
01:20:17	It's the only case of murder
01:20:21	Mrs Bates poisoned this guy
01:20:24	when she found out
01:20:27	then took a helpin' of
01:20:30	Strychnine.
01:20:34	Norman found them
01:20:36	In bed.
01:20:39	You mean that old woman I saw sittin'
01:20:41	Now, wait a minute, Sam.
01:20:46	Yes! In the house
01:20:48	I called and pounded
01:20:50	You saw
01:20:53	But it had to be...
01:20:57	And the young man wouldn't let him
01:21:00	Well, if the woman up there
01:21:04	who's that woman buried
01:21:48	Now, Mother, um...
01:21:52	I am sorry, boy...
01:21:55	but you do manage to look ludicrous
01:21:58	Please, Mother.
01:22:00	No!
01:22:04	Ha! You think
01:22:07	I'm staying right here.
01:22:09	This is my room and
01:22:12	least of all
01:22:14	They'll come now, Mother.
01:22:16	He came after the girl,
01:22:20	Mother, please, it's just for
01:22:24	Just for a few days?
01:22:26	In that dark, dank
01:22:30	You hid me there once, boy, and you
01:22:33	Now get out!
01:22:36	- I told you to get out, boy.
01:22:39	Norman, what do you
01:22:42	Don't you touch me!
01:22:51	Put me down! Put me down!
01:22:59	Wonderful sermon today.
01:23:01	- Good morning.
01:23:03	We thought we'd drive out
01:23:06	- He's already been.
01:23:08	- Did you two have breakfast?
01:23:10	Nothing. Let's
01:23:14	What did he say
01:23:16	Just what he told your detective:
01:23:20	Saw the register myself. Saw the
01:23:24	- No mother?
01:23:27	I know you're not
01:23:29	but no woman was there and I don't
01:23:32	I still feel
01:23:34	Can see you do. I'm sorry I couldn't
01:23:37	Come to my office this afternoon and
01:23:42	The sooner you drop this
01:23:44	that's the sooner you stand a chance
01:23:48	How 'bout that?
01:23:50	- I don't know.
01:23:53	Come to the house and do your reporting
01:23:57	You too, Sam.
01:23:59	Thank you.
01:24:02	- Maybe I am the seeing-illusions type.
01:24:07	- You want me to drop you at the hotel...
01:24:10	I still won't feel satisfied
01:24:14	Neither will I.
01:24:17	We better decide what we're gonna say
01:24:21	We're going to register
01:24:24	We're going to
01:24:27	and then we're going to search every
01:24:53	I wonder where Norman Bates
01:24:55	Someone's at that window.
01:24:57	Come on.
01:25:02	- Well?
01:25:04	Uh-huh.
01:25:06	We were gonna try to make it
01:25:08	but we don't like the look
01:25:11	Looks like a bad day coming,
01:25:20	- I'll take you to cabin ten.
01:25:22	That's not necessary.
01:25:24	My boss is paying for this trip
01:25:28	He wants practically
01:25:31	I'd better sign in
01:25:51	Thank you.
01:25:55	- I'll get your bags.
01:26:00	- I'll show you the room, then.
01:26:03	You check in any other place
01:26:05	- and you have to pay in advance.
01:26:15	That receipt.
01:26:22	I'll go on ahead.
01:26:29	All right, there's
01:26:32	Don't bother yourself.
01:26:52	Sam, we have to go into that cabin
01:26:55	no matter what we're afraid of
01:26:58	I know.
01:27:00	Do you think if something
01:27:01	I don't know, but if you had...
01:27:03	a useless business like this motel,
01:27:07	To get a new business somewhere else?
01:27:13	How could we prove that...
01:27:15	If he opens a motel on
01:27:18	There must be some proof
01:27:20	something that proves he got
01:27:23	- What makes you sound so certain?
01:27:28	Or he felt sorry for me
01:27:30	the same way about you.
01:27:31	I could tell the last time
01:27:34	He wouldn't have gone anywhere or done
01:27:36	unless he was stopped.
01:27:38	And he was stopped. So he must
01:27:44	We'll start with cabin one.
01:27:48	If he sees us,
01:28:22	Bates.
01:29:10	No shower curtain.
01:29:12	- Sam! Look!
01:29:15	It's figuring. It didn't
01:29:17	Some figure has been added to
01:29:21	That proves Marion was here.
01:29:23	Bates never denied she was here.
01:29:25	Oh. Doesn't that prove
01:29:28	Do we simply ask him
01:29:31	But that old woman, whoever she is,
01:29:34	I want her to tell us
01:29:37	- You can't go up there.
01:29:39	- Bates.
01:29:41	One of us can keep him occupied while
01:29:45	You'll never be able to hold him
01:29:48	I don't like you going
01:29:51	I can handle a sick old woman.
01:29:53	All right, I'll find Bates
01:29:56	Wait a minute.
01:29:58	If you get anything
01:30:02	can you find your way
01:30:04	Yes, of course.
01:30:06	If you do get anything,
01:30:31	- You looking for me?
01:30:34	Wife's taking a nap and...
01:30:36	I never can keep quiet enough for her,
01:30:40	- Good. You satisfied with your cabin?
01:31:53	I've been doing all the talking
01:31:56	I thought it was the people
01:31:58	who did all the talking
01:32:01	Here you are
01:32:03	- You are alone here, aren't you?
01:32:05	Drive me crazy.
01:32:08	I think that would be a rather
01:32:11	Just an expression. What I meant was,
01:32:16	- Wouldn't you?
01:32:21	- Mrs Bates?
01:33:38	I'm not saying you
01:33:41	I'm just doubting that you are.
01:33:43	I think if you saw a chance to get out
01:33:46	This place? This place happens
01:33:50	I grew up in that house.
01:33:53	My mother and I
01:34:55	You look frightened. Have I been
01:34:57	I don't know
01:34:59	I've been talking about your mother,
01:35:02	- How you gonna do it?
01:35:04	Buy a new one in a new town where you
01:35:07	Why don't you just get in
01:35:10	Where will you get the money to do that?
01:35:14	- Shut up!
01:35:20	I bet your mother knows where the money
01:35:23	I think
01:35:27	Where's that girl you came here with?
01:36:33	Mrs Bates, it's...
01:36:54	Norman Bates!
01:37:25	If anyone gets any answers
01:37:28	Even I couldn't get to Norman
01:37:31	- You warm enough, miss?
01:37:34	Did he talk
01:37:37	No.
01:37:40	I got the whole story, but not from
01:37:46	Norman Bates
01:37:49	He only half-existed
01:37:52	And now the other half
01:37:56	probably for all time.
01:38:00	Did he kill my sister?
01:38:02	Yes... and no.
01:38:05	Now look, if you're trying to lay
01:38:08	for some sort of plea
01:38:11	A psychiatrist
01:38:14	He merely tries
01:38:16	- But my sister is...
01:38:21	Yes, I'm sorry.
01:38:26	If you drag that swamp somewhere in
01:38:33	Uh, have you any unsolved
01:38:36	- Yes, two.
01:38:39	- Did he confess to...
01:38:42	the "mother."
01:38:46	To understand it the way I understood
01:38:50	that is from the "mother" half
01:38:53	you have to go back
01:38:56	to the time when Norman murdered
01:38:59	He was already dangerously disturbed,
01:39:05	His mother was
01:39:10	and for years the two of them lived as
01:39:15	Then she met a man...
01:39:17	and it seemed to Norman that
01:39:22	That pushed him over the line
01:39:25	Matricide is probably the most
01:39:31	most unbearable
01:39:34	So he had to erase the crime,
01:39:42	He stole her corpse.
01:39:46	A weighted coffin
01:39:49	He hid the body
01:39:52	even treated it to keep it
01:39:55	And that still
01:39:58	She was there...
01:40:04	So he began to think
01:40:06	give her half his life,
01:40:09	At times he could be both personalities,
01:40:14	At other times, the "mother" half
01:40:18	He was never all Norman,
01:40:24	and because he was so
01:40:28	he assumed that she
01:40:30	Theref ore, if he felt a strong
01:40:36	the "mother" side of him
01:40:41	When he met your sister...
01:40:44	he was touched by her,
01:40:47	He wanted her.
01:40:50	That set off the jealous "mother"
01:40:56	After the murder Norman returned
01:41:00	and, like a dutiful son, covered up
01:41:04	he was convinced
01:41:06	Why was he...
01:41:08	He's a transvestite.
01:41:11	Uh, not exactly.
01:41:14	A man who dresses in women's clothing
01:41:17	or satisf action,
01:41:20	But in Norman's case, he was simply
01:41:24	to keep alive the illusion
01:41:28	And when reality
01:41:31	when danger or desire
01:41:37	he dressed up, even to
01:41:40	He'd walk about the house,
01:41:44	He tried to be
01:41:47	And, uh, now he is.
01:41:51	That's what I meant when I said
01:41:55	You see, when the mind
01:41:59	there's always
01:42:03	In Norman's case,
01:42:06	and the dominant personality
01:42:08	And the $40,000?
01:42:12	The swamp. These were
01:42:18	He feels a little chill.
01:42:22	- Oh, sure.
01:42:36	Thank you.
01:42:44	It's sad when
01:42:47	that condemn her own son...
01:42:49	but I couldn't allow them
01:42:53	They'll put him away now,
01:42:57	He was always bad,
01:43:00	he intended to tell them I killed
01:43:05	as if I could do anything
01:43:08	like one
01:43:11	They know I can't even
01:43:15	I'll just sit here and be quiet,
01:43:23	They're probably watching me.
01:43:27	Let them see
01:43:30	I'm not even
01:43:33	I hope they are watching.
01:43:36	They'll see
01:43:38	and they'll say, "Why, she

Psycho