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Public Enemies en
00:01:24	All right,
00:01:28	Let's go.
00:02:09	All the way down
00:02:12	Let's go. Stop your
00:02:20	Let's go. Let's go.
00:03:15	Let's go! Line up! Line up!
00:03:23	Stay with me! PIERPONT:
00:03:25	Line up! Line up!
00:03:26	DIETRICH: Everybody ready?
00:03:28	Line up!
00:03:31	Come on.
00:03:32	Now march us to the changing
00:03:35	Go. Let's go.
00:03:39	I know you.
00:03:42	You just got paroled out of
00:03:46	When was that?
00:03:48	Eight weeks ago.
00:03:51	Did nine years.
00:03:53	John. John Dillinger.
00:03:55	That's right.
00:03:57	My friends call me John.
00:04:00	But a son-of-a-bitch screw like you
00:04:07	Open it! Open it or
00:04:12	Against the wall.
00:04:17	Take your
00:04:21	DIETRICH: You did it, kid.
00:04:23	Sure did, Walter.
00:04:27	Give me
00:04:28	Red!
00:04:42	Come on. Hurry up! PIERPONT: Get
00:04:45	Come on.
00:04:48	You eyeballing me,
00:04:51	Cut it out,
00:04:52	Shouse! Shouse!
00:05:05	Lockdown!
00:05:11	Bring them in
00:05:22	There they are!
00:05:52	Walter! Come on.
00:06:35	Walter Dietrich's dead
00:06:37	The bastard guard wouldn't
00:06:41	Homer?
00:06:43	Just let him
00:06:44	Pete?
00:06:45	It's up to you.
00:07:12	How far is the farm?
00:07:14	3.2 miles.
00:07:41	We're ready!
00:07:44	Okay. Let's go!
00:07:47	Burn these,
00:07:50	Thanks for
00:07:52	It was Johnny's plan.
00:07:53	Yeah, but thanks.
00:08:03	Take me with you, mister.
00:08:06	I can't, darling.
00:08:28	Welcome back, Pete.
00:08:32	Let's go to Chicago
00:09:11	Floyd, halt!
00:09:53	Melvin, look out!
00:09:59	Pretty Boy Floyd,
00:10:02	It's Charles.
00:10:06	Who are you? Melvin Purvis,
00:10:11	Where is your friend,
00:10:13	I believe
00:10:18	So you can go
00:11:00	Sport.
00:11:10	Red, call Oscar.
00:11:15	Hi, there, doll.
00:11:17	We gonna
00:11:18	Yeah. Get a Plymouth
00:11:22	Where them other gals?
00:11:24	You get a hold of Marty?
00:11:26	How you doing,
00:11:27	Doing great, Sport.
00:11:37	The main spring's too tight
00:11:41	I cut off
00:11:47	And it rides up
00:11:50	I widen port.
00:12:01	Hey, Red.
00:12:05	Harry, this is Pete.
00:12:07	Hi, Pete.
00:12:09	So, what do we got? Got a
00:12:11	Bored them out. Rebuilt
00:12:14	These are some
00:12:16	Perfect work cars for
00:12:20	Johnny, how are you?
00:12:25	Marty,
00:12:27	tell me that me
00:12:30	As long as you stay
00:12:31	you're in safe haven,
00:12:36	Extra cake's in here.
00:12:37	Thanks.
00:12:39	Hey, Anna.
00:12:41	I opened up in Chicago on Halsted
00:13:03	PIERPONT: How are you?
00:13:05	On the floor! Now! Now! Do it!
00:13:12	Let's play a game, Mr. President.
00:13:15	PIERPONT: You, hands up!
00:13:19	On the floor!
00:13:21	Relax, pops.
00:13:25	Open it up.
00:13:26	Empty it! Move, move!
00:13:30	It's one of these.
00:13:35	You can be a dead hero
00:13:39	Get it open.
00:13:42	PIERPONT: You, hands up.
00:13:45	Empty it! All of it!
00:13:46	PIERPONT: Hey, sit down!
00:13:48	Push it to me!
00:13:52	And don't move!
00:14:09	PIERPONT: We got company!
00:14:21	Move out of there!
00:14:33	You can put it away. Not here for
00:14:36	I said,
00:14:38	What for?
00:14:44	Come here, sister.
00:15:01	DETECTIVE: Get down!
00:15:39	Beat it.
00:15:45	Come here.
00:15:54	There you go, doll.
00:16:01	You know, when I'm not doing
00:16:05	Really?
00:16:12	Join hands.
00:16:14	We'll freeze here!
00:16:15	No. You'll worm your way out
00:16:42	Why do we
00:16:43	Because criminals flee in fast
00:16:46	thereby defeating
00:16:47	because there is no federal
00:16:50	By my tally, your
00:16:52	more taxpayers' dollars
00:16:54	than what the crooks you
00:16:57	Well, that's ridiculous.
00:16:59	kidnappers and
00:17:00	stolen up to and in excess of... Really?
00:17:04	How many have you
00:17:06	We have arrested and
00:17:09	No, I mean you, Director
00:17:12	Well, as Director,
00:17:15	How many have you
00:17:22	I have never
00:17:26	You've never
00:17:27	Well, of course not.
00:17:29	With no field experience.
00:17:32	You are shockingly
00:17:35	You have never
00:17:37	a criminal investigation
00:17:41	I think you're a front.
00:17:43	I think your prowess
00:17:46	created from the hoopla of headlines
00:17:50	Crimebusters, G-men, you're
00:17:54	That's running wild
00:17:56	A crime is what
00:17:57	If this country requires
00:18:00	I question whether you are
00:18:02	Well, I will not be judged by a
00:18:06	Your appropriation
00:18:18	Feed the following
00:18:20	McKellar is a Neanderthal, and he is
00:18:26	We will not contest him
00:18:27	We will fight him
00:18:30	Where is John Dillinger?
00:18:41	Agent Purvis,
00:18:43	Thank you, sir.
00:18:45	May I ask why?
00:18:47	This is Henry Suydam. He is
00:18:49	Congratulations
00:18:52	for which you have
00:18:55	Second, you are,
00:18:57	the Special Agent in Charge
00:19:00	Are you up to that
00:19:02	Absolutely, sir.
00:19:08	Good afternoon, gentlemen.
00:19:10	Today, I am declaring the United
00:19:17	And I'd like to introduce one of our
00:19:22	Agent Purvis will be in charge
00:19:25	the center of the crime
00:19:28	His task will be to get Public
00:19:33	Director?
00:19:35	Say a few words,
00:19:40	Mr. Purvis, how did you
00:19:46	Through an apple orchard.
00:19:50	Mr. Tolson, when he's done, you
00:19:52	you'll get it for him.
00:19:55	And tell him
00:19:57	Yeah, but people say John Dillinger's
00:20:00	Well, nevertheless,
00:20:03	What makes
00:20:04	We have two things
00:20:06	What are they?
00:20:08	The Bureau's modern techniques
00:20:12	and the visionary
00:20:13	of our Director,
00:20:21	The broad over there is looking at me.
00:20:23	She likes me.
00:20:25	How you doing,
00:20:49	Alvin.
00:20:51	How you doing?
00:20:53	Homer. Pete.
00:20:58	Me, Freddy and Doc are
00:21:01	He's a Saint Paul banker, Ed
00:21:06	I don't like kidnapping.
00:21:08	Well, robbing banks
00:21:11	The public don't
00:21:13	Who gives a damn
00:21:15	I do.
00:21:17	We gotta care
00:21:19	We also got a mail train
00:21:22	By the way, if somebody was to get
00:21:27	Syndicate lawyer named Piquett,
00:21:32	What's it all about,
00:21:34	Needs two or three more real
00:21:36	Be ready in
00:21:39	About $1,700,000. It's a
00:21:44	It's the kind of score
00:21:47	Where you gonna go?
00:21:49	I don't know. Brazil,
00:21:54	What about you?
00:21:56	No plans.
00:21:58	Yeah, well,
00:22:00	What we're doing
00:22:03	We're having too
00:22:04	We ain't thinking
00:22:08	Keep me in mind on the train,
00:22:14	You know how much they made
00:22:17	$100,000.
00:22:19	Come on, fellas.
00:22:22	I got three broads
00:22:25	See you.
00:22:30	Is Homer staying
00:22:32	Homer's fine.
00:22:35	One rule I learned
00:22:36	never work with people
00:22:38	Yeah, well, I got a rule,
00:22:45	Without women, it's
00:22:47	That's why they
00:22:51	Hey, hey, Anna.
00:22:52	How are you doing,
00:22:54	Who's this?
00:22:56	Veronica, Red.
00:22:57	Hi, Johnny.
00:23:21	I don't know why you gave
00:23:26	but I'm awful glad
00:23:29	What's your name?
00:23:30	Billie Frechette.
00:23:34	Can I buy you a drink?
00:23:35	Okay.
00:23:41	You got a name?
00:23:45	Yeah.
00:23:47	Jack.
00:23:51	I don't know how.
00:23:54	Come on.
00:23:57	How come you don't
00:24:00	Frechette.
00:24:02	That French?
00:24:04	On my father's side.
00:24:08	This is a two-step.
00:24:09	Blackbird
00:24:15	Where somebody waits for me
00:24:21	Sugar's sweet, so is he
00:24:31	Daddy's French.
00:24:37	My mama's
00:24:41	Most men don't like that.
00:24:45	I ain't most men.
00:24:46	Yeah?
00:24:48	And I've been a dice girl, and I
00:24:57	And what do you do?
00:25:02	I'm catching up.
00:25:06	Meeting somebody
00:25:09	dark and beautiful,
00:25:14	like that bird
00:25:16	Blackbird, bye-bye
00:25:24	No one here can love
00:25:30	Or understand me
00:25:38	You cold?
00:26:05	What is it exactly
00:26:09	I'm John Dillinger.
00:26:15	That's where all these
00:26:20	Why did you
00:26:23	You could have
00:26:25	I'm not gonna
00:26:28	That's a serious thing to
00:26:31	I know you.
00:26:32	Well, I don't know you.
00:26:36	I haven't been anyplace.
00:26:37	Well, some of the places
00:26:42	Where I'm going is
00:26:45	Want to come along?
00:26:47	Boy, you are in a hurry!
00:26:49	If you were looking at what I'm
00:26:53	Well,
00:26:55	it's me they're
00:26:58	You're beautiful.
00:27:00	They're looking at me
00:27:02	having a girl in
00:27:03	in a $3 dress.
00:27:07	Listen, doll.
00:27:09	That's 'cause they're all
00:27:14	The only thing that's important
00:27:19	Where are you going?
00:27:22	Anywhere I want.
00:27:32	Let's get out of here.
00:27:46	Hey, Johnny!
00:27:52	Go wait for me outside.
00:28:02	Gil.
00:28:05	Ever since I got out, I've
00:28:08	These guys are connected to
00:28:13	He looks like a barber.
00:28:27	Phil D'Andrea. Every time I
00:28:31	where you give the customers
00:28:36	You need anything,
00:28:38	Gilbert knows
00:28:40	Thank you.
00:28:58	Where'd that girl go?
00:29:00	She jumped in a cab
00:29:06	This is
00:29:08	From West Virginia
00:29:09	by the Carnegie CoaI company
00:29:12	on the United Mine
00:29:14	Meanwhile, in Racine, Wisconsin,
00:29:17	Public Enemy Number One
00:29:20	roams the wilds pursued
00:29:23	And in Geneva,
00:29:24	voted the USSR
00:29:26	According to the bank
00:29:29	this is
00:29:32	It's made by Shragge
00:29:34	Price, $35, windproof
00:29:40	Thank you, Agent Baum.
00:29:45	Agents in our offices
00:29:48	are identifying every store in the
00:29:52	Then we will cross-reference
00:29:55	at locales where
00:29:59	He was in a place.
00:30:01	He got cold.
00:30:03	Unless he was
00:30:06	he was being
00:30:08	If he returns,
00:30:12	It is by such methods that our
00:30:17	Now, Doris,
00:30:19	the Chicago area telephone
00:30:23	Request appointments for
00:30:27	Gentlemen,
00:30:29	shortly you will be provided
00:30:34	and a.351 Winchester
00:30:41	We are pursuing hardened
00:30:46	And those of you who aren't
00:30:51	And if you are going
00:30:58	This is a phone call
00:31:00	from a car dealership
00:31:03	Harry Berman.
00:31:05	When you drop it, leave
00:31:08	I got a DeSoto.
00:31:10	Interior's no good.
00:31:12	How did we get
00:31:14	Off the Dillinger coat.
00:31:15	The coat was bought
00:31:17	a few doors down from
00:31:19	Now, we know Berman. He's been supplying
00:31:23	When Dillinger
00:31:25	he must have been at
00:31:27	As soon as they call to drop
00:31:30	I want men on this
00:31:43	May I check
00:31:44	Yes, thank you.
00:31:48	You ran out on me.
00:31:49	You left me standing
00:31:51	If you're
00:31:52	you're gonna have to swear to me
00:31:55	Hey, I'm not your girl.
00:31:58	And I'm not
00:31:59	I'm waiting.
00:32:01	"I'm never gonna run out on
00:32:05	No.
00:32:07	Well, I ain't ever gonna run
00:32:09	Well, I want to run
00:32:29	Hit the road, sport.
00:32:33	You ain't getting other people's
00:32:36	Why'd you do that?
00:32:38	'Cause you're with me now.
00:32:40	I don't know
00:32:42	I was raised on a farm
00:32:44	My mama died
00:32:46	My daddy beat the hell out of me 'cause
00:32:49	I like baseball, movies, good
00:32:56	What else
00:33:34	Have a seat.
00:33:38	You been living here long?
00:33:39	Yeah.
00:33:41	Since yesterday.
00:33:46	Hey.
00:33:59	I got you something.
00:35:02	BILLIE: When I was a girl,
00:35:04	we went to live on the
00:35:06	'cause my daddy died.
00:35:10	In Flandreau,
00:35:13	And when I was 13, I went to live
00:35:19	We had a lot of
00:35:23	and we went around to
00:35:28	And nothing exciting ever
00:35:32	So I haven't been anywhere or done
00:35:37	and try to make my way.
00:36:02	You're all packed.
00:36:10	Well, baby,
00:36:16	I'm gonna
00:36:21	And you're gonna start a whole
00:36:31	And what do you want?
00:36:36	Everything.
00:36:41	Right now.
00:36:49	Purvis.
00:36:50	Berman dropped the DeSoto at
00:36:54	Men go in and out of an apartment
00:36:59	They carry heavy suitcases. One
00:37:10	Where are your men?
00:37:11	In cars on Clarendon
00:37:13	Blocking vehicles?
00:37:15	Who has a line of sight
00:37:25	Are they aware that we are
00:37:28	No.
00:37:32	Carter,
00:37:34	you keep an eye on
00:37:41	Barton, you're with me.
00:38:13	Yes?
00:38:16	I'm Special Agent Melvin
00:38:20	Are you here
00:38:21	No. I'm here
00:38:23	And what is
00:38:25	Leonard McHenry.
00:38:29	May we come in?
00:38:30	Well, please.
00:38:31	I'm perfectly safe,
00:38:38	Something wrong?
00:38:40	You have identification?
00:38:43	Yeah, sure.
00:38:44	Honey, would you get my driver's
00:38:48	Sure.
00:38:50	I know you.
00:38:53	You're...
00:38:54	You're Melvin Purvis.
00:38:58	Yeah. I seen your picture.
00:39:01	And what do you do
00:39:04	I travel
00:39:07	Show him, honey.
00:39:10	Cute, huh?
00:39:15	Well, you enjoy the rest
00:39:20	Thanks.
00:39:30	No one in or out. I'll get
00:39:33	You watch that door
00:39:42	Get the men
00:40:13	Bureau of Investigation.
00:40:18	You wanna know
00:40:28	Come on.
00:40:31	Baum, you keep an eye
00:40:45	Barton?
00:40:48	Barton.
00:41:29	Where is he?
00:41:42	They're headed east!
00:41:44	Who was in
00:41:45	That was us.
00:41:49	We heard gunfire
00:41:54	Who was it?
00:42:00	The man we let get away
00:42:03	That was Baby Face Nelson.
00:42:31	Get on the floor!
00:42:32	Y'all get up
00:42:34	Go on, all of you. PIERPONT:
00:42:36	Put them up! Up!
00:42:38	Down on the floor,
00:42:40	Put them up! Come on.
00:42:41	This is a stick-up!
00:42:43	Let's go. Come on.
00:42:45	Where I can
00:42:47	Customers, stay calm.
00:42:51	Hey! You! Up!
00:42:54	Hands up!
00:42:59	John Dillinger held up
00:43:01	while you failed
00:43:04	Sir, I take
00:43:07	And I would like
00:43:09	That we transfer men with
00:43:12	to augment the staff
00:43:14	There are some former
00:43:16	currently with
00:43:19	I thought you understood
00:43:22	A modern force of professional
00:43:27	I'm afraid our type
00:43:30	Excuse me,
00:43:31	Our type cannot
00:43:34	I cannot hear you.
00:43:37	Our type cannot
00:43:41	Without qualified help,
00:43:43	I would have to resign
00:43:44	Otherwise, I am leading
00:43:50	Mr. Tolson will call you,
00:44:22	Did he say what
00:44:24	Didn't say.
00:44:25	You gentlemen
00:44:26	Thank you, no.
00:44:44	WINSTEAD: Shine?
00:44:45	How you doing?
00:44:51	Agent Winstead?
00:44:53	That's right.
00:44:55	Welcome to Chicago. We have a lot
00:44:59	Another time.
00:45:01	Have a nice day.
00:45:23	Put Johnny Patton down front
00:45:30	It's hot out, right?
00:45:31	Yes, Frank.
00:45:32	Ever since those pricks
00:45:38	What?
00:45:39	Some people from
00:45:50	Johnny.
00:45:51	What do you say we meet you
00:45:53	Okay.
00:45:55	I heard one today.
00:45:57	"Wanted, John Dillinger,
00:46:04	I think we wore out
00:46:12	What?
00:46:13	Come out to the Colonial tonight.
00:46:17	The best steaks in Miami.
00:46:20	You're not gonna
00:46:22	No pictures.
00:46:23	All right.
00:46:27	Thank you for taking me
00:46:30	You going somewhere,
00:46:33	No.
00:46:35	Then don't play me
00:46:37	We both know I end up back
00:46:40	one way or the other.
00:46:42	What does that mean?
00:46:43	You don't think past today
00:46:47	they will catch you
00:46:49	and I don't want to be
00:46:52	Who gave you
00:46:54	I don't need one.
00:46:55	Ask Homer.
00:46:58	Ask Homer what?
00:46:59	And his goddamn joke,
00:47:07	You ain't going nowhere,
00:47:10	I'm gonna die an old man
00:47:12	We're too good for them.
00:47:15	They ain't tough enough,
00:47:18	I hit any bank
00:47:20	They got to be at
00:47:25	That's why we're
00:47:27	Ain't nobody
00:47:30	No.
00:47:32	I ain't going nowhere.
00:47:37	What do you got
00:48:14	Hi, folks.
00:48:16	Afternoon. Got a reservation for
00:48:24	I can send up some sandwiches
00:48:27	That'd be swell.
00:48:28	Some friends of mine
00:48:30	a J.C. Davies
00:48:33	Out shopping, I believe.
00:48:35	I'll let them know you're
00:48:36	Okey-doke.
00:48:40	The elevator's
00:48:42	Thank you very much.
00:49:18	You look like you
00:49:21	How's about me and my friend Prince
00:49:26	Get on in here,
00:49:38	BILLIE: Johnny! Johnny!
00:49:45	Put some clothes on, miss.
00:49:52	What the hell
00:49:54	There was a fire
00:49:59	Firemen found our guns.
00:50:02	Where they taking you?
00:50:03	We're getting
00:50:04	Where's Billie?
00:50:15	Your girl's been put on
00:50:18	We ain't holding her.
00:50:41	Right this way.
00:50:53	Well,
00:50:57	here's the man who
00:51:01	Damn good thing he was pretty,
00:51:10	Tell me something,
00:51:13	That fellow, the one who got
00:51:19	the newspaper said
00:51:24	It's the eyes,
00:51:28	They look at you
00:51:34	And then they just
00:51:43	That'll keep
00:51:47	And what keeps you up
00:51:54	Coffee.
00:52:02	You act like a confident
00:52:05	You got a few qualities.
00:52:07	Probably pretty good
00:52:09	especially when you got
00:52:12	But up close,
00:52:14	when somebody's about to
00:52:20	I'm used to that.
00:52:23	What about you?
00:52:25	Goodbye, Mr. Dillinger.
00:52:28	I'll see you
00:52:33	No, you will not.
00:52:37	The only way that you
00:52:39	is when we take you out
00:52:44	Well, we'll see
00:52:49	You ought to get yourself
00:53:02	Hey, I was just kidding.
00:53:05	I believe I'm gonna let you
00:53:10	We'd like that, Johnny, but
00:53:14	They're moving you.
00:53:15	Where to?
00:53:16	Indiana.
00:53:19	Why?
00:53:21	I have absolutely nothing
00:56:09	He's here.
00:56:16	Back up, fellas.
00:56:24	We'll take custody now.
00:56:35	Are you glad
00:56:36	About as glad as Indiana
00:56:40	Did you smuggle the guns into
00:56:42	for the big break
00:56:44	Right now, you're
00:56:47	Put your arm
00:56:52	Hey, when was the last time
00:56:55	Ten years ago.
00:56:58	I was a wild boy, and,
00:57:02	I held up a grocery store,
00:57:03	which I never should have done
00:57:07	And they sentenced me to 10 years in
00:57:15	When I was in prison,
00:57:18	So sure, yeah,
00:57:21	I helped set up the break
00:57:24	I stick with my pals
00:57:27	Johnny, how long does it
00:57:31	Oh, about one minute,
00:57:35	Flat.
00:57:38	Let's go.
00:58:00	Mr. Johnny,
00:58:19	You come highly
00:58:23	At the arraignment,
00:58:26	they're gonna try and
00:58:30	What can you do for me?
00:58:32	What's on your mind?
00:58:36	The electric chair.
00:58:50	Your Honor, are we to have an arraignment
00:58:54	or is the State to be permitted to
00:58:59	The very air reeks with the
00:59:03	The clanging of shackles
00:59:06	the dungeons of the czars,
00:59:08	not the flag-bedecked liberty
00:59:11	I request the court to direct that
00:59:15	This is a very dangerous
00:59:17	And I'm responsible for the
00:59:19	Are you a lawyer? What right do
00:59:22	All right. Remove the
00:59:26	Your Honor, we would like
00:59:30	Only Indiana State
00:59:32	can guarantee
00:59:35	Sheriff Holley?
00:59:37	Sheriff Holley, I think this is a
00:59:40	What makes you think there's
00:59:42	There's nothing
00:59:44	It's the strongest jail
00:59:45	That's what I thought.
00:59:47	But of course, I don't want
00:59:50	I appreciate she's a woman
00:59:53	Oh, no. I'm not afraid
00:59:55	I can take care of John
01:00:00	Okay.
01:00:02	Dillinger will stay here.
01:00:04	PIQUETT: Thank you,
01:00:05	The defense will need four
01:00:09	It should take 10 days.
01:00:10	To go to trial in 10 days would
01:00:14	There's a law
01:00:15	There's a law
01:00:16	Then observe
01:00:18	Or just stand Dillinger
01:00:22	and shoot him.
01:00:25	Then there's no need to throw away
01:00:28	Calm down.
01:00:30	I apologize to the court.
01:00:32	Bob and I respect
01:00:36	Watch out or he'll be putting
01:00:41	Trial starts in one
01:00:48	Attaboy, counselor.
01:01:29	Open the gate.
01:01:38	Hey, Cahoon!
01:01:42	Come here a minute.
01:01:48	Come on, Sam.
01:01:50	You and me's going places.
01:01:59	Call Bryant.
01:02:01	Bryant?
01:02:15	Call Max.
01:02:17	I'll kill you if I have
01:02:22	Open up!
01:03:03	I'll plug him right here.
01:03:09	Open the gun safe.
01:03:30	Lock up the warden.
01:03:31	That wasn't real, was it?
01:03:39	Let's go.
01:04:03	Put your hands up!
01:04:04	Which one of these
01:04:06	That would be that Ford right
01:04:09	We're gonna take
01:04:14	That's Sheriff Lillian
01:04:17	Good.
01:05:40	Mr. Youngblood,
01:05:44	We are.
01:05:58	Okay, then.
01:06:01	Oh, come on, buddy.
01:06:05	You gotta relax a little
01:06:07	Do you know the words
01:06:12	Get along,
01:06:14	Get along, get along
01:06:16	Get along, little dogies
01:06:20	Get along, little dogies
01:06:24	Get along, little dogies
01:06:29	I'm a-headed for
01:06:34	How did he act?
01:06:36	Yes. He sang
01:06:39	Get along, little dogies
01:06:44	While in Washington today,
01:06:47	"John Dillinger
01:06:49	"of the system of justice
01:06:52	The passing of John J. McGraw, long-time
01:07:04	Hello.
01:07:07	Look, I can't talk long.
01:07:09	Yeah.
01:07:10	I heard it on the radio.
01:07:13	Yeah, I'm fine.
01:07:15	Don't come
01:07:18	What's that
01:07:20	I promised I'd look
01:07:22	Yes.
01:07:23	Well, then that's
01:07:26	You know that,
01:07:28	Yes.
01:07:31	Look, I think
01:07:35	I'm gonna come get you out
01:07:38	Baby, don't come
01:07:39	Say you know it.
01:07:44	Say it.
01:07:49	I know you will
01:07:54	I love you.
01:08:18	Sooner or later,
01:08:21	she will go to him
01:08:24	or he is gonna
01:08:46	Say, Sport! Mr. Johnny, you
01:08:54	Can't stay here
01:09:00	Says who?
01:09:01	Sport's only following
01:09:04	They thought
01:09:07	I don't get it.
01:09:10	Talk to your
01:09:11	About what?
01:09:13	You gotta talk
01:09:28	Come on. Come on, get out
01:09:33	The welcome mat
01:09:34	I kept hearing your name.
01:09:38	And I just did.
01:10:03	Anybody see him come in?
01:10:04	I don't think so.
01:10:16	You want to know
01:10:18	We're armed.
01:10:23	Calm down.
01:10:26	Calm down. Calm down.
01:10:30	Hey, back to work.
01:10:34	What's the deal, Phil?
01:10:35	Look around.
01:10:39	A whole bunch
01:10:40	You see money.
01:10:42	Last month, there were
01:10:44	letting bookies know who won the
01:10:48	300 of them nationwide.
01:10:53	On October 23rd, you robbed a
01:10:56	You got away
01:10:59	You thought that
01:11:01	These phones
01:11:03	And it keeps getting made,
01:11:06	a river of money, and
01:11:10	week in and week out, month in
01:11:18	Unless the cops
01:11:20	Which you pay them
01:11:23	Right.
01:11:25	Unless you're around.
01:11:27	Then they gotta come through
01:11:30	What does that tell you?
01:11:32	I'm popular.
01:11:34	It tells us you're
01:11:37	So the Syndicate's
01:11:40	All the guys like you,
01:11:45	we ain't laundering your
01:11:48	You ain't holing up in
01:11:50	No armorers, no doctors, no safe
01:12:02	Personally, you need
01:12:11	Good luck to you.
01:12:16	Hamilton has a 34-year-old
01:12:19	Pick up all known Dillinger
01:12:23	Pierpont's mother
01:12:26	Dillinger's family
01:12:28	We suspect them
01:12:30	But Hamilton's family has not
01:12:33	You convince them
01:12:36	Create informants,
01:12:38	The suspects are to be
01:12:41	no obsolete notions
01:12:44	We are in the modern age.
01:12:46	Take direct,
01:12:48	As they say in Italy these days,
01:12:52	Do we understand each
01:13:01	These are fine young men
01:13:03	Harris.
01:13:06	G- men all over the country
01:13:09	flung down by the outlaws
01:13:12	And these junior
01:13:13	these Junior G-men, has,
01:13:16	stopped some crime
01:13:18	and forestalled an entry into
01:13:21	Today, I am rewarding them
01:13:24	My friend Harris here is
01:13:26	You can size up a score like
01:13:29	You're a good egg.
01:13:31	But I don't like
01:13:34	You got Nelson all wrong, John.
01:13:39	Hell, the whole country
01:13:43	Where's the bank?
01:13:44	Sioux Falls.
01:13:46	Nelson says there's
01:13:49	Says he's got us a sweet
01:13:51	till after the heat
01:13:53	What's he here for?
01:13:56	John, we gotta all be friends, all
01:14:01	Red told you, after the bank,
01:14:05	It'll take a lot
01:14:08	Yeah. So?
01:14:09	...and Public Enemy
01:14:15	They may be sitting
01:14:20	They may be in your row.
01:14:31	Turn to your right.
01:14:36	And turn to your left.
01:14:39	If you see them, call the Bureau of
01:14:57	After the bank,
01:14:58	we'll figure out if we
01:15:06	Okay.
01:15:21	"You don't work with
01:15:23	"and you don't work
01:15:24	Walter Dietrich.
01:15:27	Walter forgot.
01:15:29	When you're desperate,
01:15:48	I got one!
01:15:58	What are you doing? Get your
01:16:07	Come on, sugar,
01:16:11	Where's all the damn money
01:16:21	Come on.
01:16:22	Open the door. What
01:16:25	What are you looking at?
01:16:51	Tommy.
01:17:13	John, let's go!
01:17:20	Let's go!
01:17:25	Let's go!
01:18:38	How'd you find
01:18:39	Don't worry. Nobody
01:18:51	How much?
01:18:53	$46, 120.
01:18:58	That'd be less than
01:19:04	Am I right?
01:19:06	It's $8,000 a man.
01:19:12	Leave me
01:19:35	We gotta cut loose
01:19:38	You gotta
01:19:40	No.
01:19:42	No. If we don't get out of
01:19:46	we're gonna wind up dead.
01:19:47	Only you're
01:19:52	God damn it, don't talk like that, Red.
01:19:55	No, Johnny. I got a
01:19:58	And when your time is up,
01:20:05	Red,
01:20:08	look here.
01:20:10	Tomorrow morning, Homer,
01:20:16	and everything
01:20:37	Give me a shot.
01:20:38	I'll give you the shot if you
01:20:40	I don't know anything.
01:20:42	I don't know!
01:20:43	I wanna know where
01:20:44	Tell me!
01:20:46	The bullet entered
01:20:48	It's resting
01:20:50	Do not interfere.
01:20:51	Do not interfere. His brain is
01:20:53	He's suffering and I
01:20:55	Not yet.
01:20:56	If you interfere,
01:20:58	I don't know! Please, give
01:21:02	Tell me where he is!
01:21:04	All right.
01:21:07	Where?
01:21:11	Tell me!
01:21:14	Little Bohemia.
01:21:16	Manitowish, Wisconsin.
01:21:18	Fuck you!
01:21:23	Give me a shot.
01:21:38	Little Bohemia is in
01:21:42	Sam, you drive up.
01:23:07	Madala and Clegg, you cut through
01:23:12	Come up on it
01:23:13	close enough to see if
01:23:16	Rice, Rorer,
01:23:21	come up on it from the
01:23:25	You see if they're in what is probably
01:23:28	And if he sees them in there? We go in.
01:23:30	And if he doesn't?
01:23:34	We go in anyway.
01:23:37	There's too much
01:23:39	Too many ways for him
01:23:40	too few of us
01:23:43	We need to blockade
01:23:45	We need to wait for Cowley's
01:23:47	Mr. Purvis, this is
01:23:53	I will not risk their
01:23:57	You and Hurt take the northeast
01:24:00	Cover that and the front.
01:24:11	Thanks,
01:24:12	No, come on, stick
01:24:13	We gotta work tomorrow.
01:24:16	Get out of here!
01:24:29	You wanna see
01:24:31	You wanna see my James
01:24:33	What do you see? What do
01:24:36	What's your name, doll?
01:24:51	Go ahead.
01:25:10	Stop that car!
01:25:12	Bureau of Investigation!
01:25:16	Stop that car!
01:25:19	Fire!
01:26:15	Don't shoot!
01:26:28	Johnny!
01:27:19	Go!
01:28:00	Someone got out!
01:28:03	Is it Dillinger?
01:28:04	I think so!
01:28:07	Baum, you drive around
01:29:43	Go.
01:29:45	Go!
01:30:00	Come on, Red, come on. Come
01:30:13	Hey, give me the keys
01:30:42	Have you...
01:30:48	All you bastards
01:30:49	so I'm gonna give it to you high
01:31:09	Carter?
01:31:15	Who was it? Dillinger?
01:31:17	Nelson.
01:31:40	Sir, there's somebody
01:31:45	PURVIS: Cowley!
01:31:46	A Ford, yeah,
01:31:48	Turn it around! Madala,
01:32:06	Get in, you dumb bastards!
01:32:11	Get in. Come on.
01:32:14	Where'd
01:32:15	I killed a Fed
01:32:21	Faster, Sam!
01:32:34	They're behind us.
01:32:41	Steady the car,
01:32:53	Shit!
01:33:12	Homer! Homer!
01:33:30	Come on!
01:34:13	Have you never seen
01:34:14	Hush up.
01:34:18	You gotta let go, John.
01:34:21	Bullshit.
01:34:26	And you gotta
01:34:34	I know you.
01:34:37	You've never let
01:34:40	But this time,
01:34:43	you gotta go on.
01:34:46	You gotta let go.
01:35:22	Right now,
01:35:25	all of Dillinger's
01:35:30	He is out there.
01:35:34	He is alone.
01:35:37	And there will not be a
01:35:42	Yeah, but he could
01:35:44	He could be anywhere.
01:35:46	But he is not anywhere, because
01:36:12	I don't believe
01:36:14	and I don't believe in the
01:36:17	and hence I don't
01:36:20	And you say no, you...
01:36:40	I ought to refuse to accept the
01:36:43	I don't believe in
01:36:45	I'm not gonna take it.
01:36:51	What's she doing?
01:36:53	Still listening
01:37:52	Sir, we have questioned
01:37:55	We have information that leads
01:38:25	But Dillinger did aid
01:38:29	He's cited as the reason Congress is
01:38:33	making criminal enterprise across
01:38:36	Meanwhile, in Fargo,
01:38:37	We're building
01:38:39	We want it nice and quiet,
01:38:42	Frank, calm down. They rob banks. Right.
01:38:46	In one state, then another
01:38:49	We're coast to coast.
01:38:52	Now they can use
01:39:13	BILLIE: What time is it?
01:39:16	It's 4:00 a. m., Sunday
01:39:20	I don't want to sleep.
01:39:22	Why?
01:39:25	Because I want
01:39:39	What if
01:39:41	we could get out
01:39:47	Where?
01:39:50	Like Cuba?
01:39:52	Maybe further.
01:39:56	Alvin's got this job. It's
01:40:02	We could go away on it.
01:40:04	We grab a Pan Am
01:40:08	scoot on over to Rio
01:40:13	slide off the map.
01:40:18	We could go dancing
01:40:21	and have
01:40:24	any time we want.
01:40:31	Want to take
01:40:38	Yeah, I want to take
01:41:06	BILLIE: Where's
01:41:07	Oakley and Potomac.
01:41:09	All right, the bartender's
01:41:12	He'll give you the keys.
01:41:46	Who brought you?
01:41:50	A taxi. I took a taxi.
01:42:16	Let's go. Let's go, guys.
01:43:38	Where is he?
01:43:40	Where were you meeting?
01:43:42	REINECKE: Answer him or they'll drop
01:43:52	Where is he?
01:43:55	I have to go
01:44:33	Christ, look what you did.
01:44:38	Where were you
01:44:44	I can't hear you.
01:44:46	I can't hear you!
01:44:59	We were supposed to
01:45:03	Where?
01:45:05	On Addison.
01:45:07	What number?
01:45:11	1148.
01:45:13	When?
01:45:17	Right now.
01:45:26	Miss Roberts, can you
01:45:28	No. He's on his way back
01:45:31	He's going directly
01:45:36	John Dillinger's holed up
01:46:15	Where is he?
01:46:20	Well,
01:46:24	way the hell away from
01:46:29	You wanted to know where
01:46:35	Mr. Purvis, those men cannot
01:46:42	You walked right past him
01:46:46	You were too scared
01:46:49	He was at the curb
01:46:52	You asked me how I got there,
01:46:55	and you believed me?
01:46:58	He dropped me off
01:47:01	And you walked
01:47:13	And when my Johnny finds out
01:47:19	you know what happens
01:47:31	Uncuff her.
01:47:46	Restroom is
01:47:56	I can't stand up.
01:48:17	Miss Rogers.
01:48:35	Hello.
01:48:36	I'm Marty Zarkovich. I was
01:48:41	I think I can get her
01:48:44	Make sure.
01:48:49	Yes, sir, Mr. Nitti.
01:48:59	What did they say, Anna?
01:49:04	They say they send me
01:49:08	You know what to do.
01:49:16	Can they fix deportation?
01:49:20	These guys
01:49:32	Okay.
01:50:00	I want guarantee.
01:50:03	If you aid us in
01:50:07	I give you my word
01:50:09	I will do everything I can to
01:50:12	to let you stay
01:50:13	Not enough.
01:50:16	Well, that's all there is.
01:50:18	I want guarantee.
01:50:21	Well, you're not
01:50:25	I think you did this.
01:50:26	I think you told Immigration to pick
01:50:32	How do you
01:50:38	We go out.
01:50:41	Maybe tomorrow night.
01:50:45	Maybe in a week, a month.
01:50:51	I will not guarantee
01:50:54	but I can guarantee
01:50:57	If you do not cooperate,
01:51:00	you will be on a boat out
01:51:04	Do not play games
01:51:13	Who is "we"?
01:51:16	Me, him, Polly Hamilton,
01:51:22	How will we know?
01:51:25	I call you on the day
01:51:53	Did you get in there?
01:51:54	Yes, I did.
01:51:56	She palmed me
01:52:14	PIQUETT: She told me
01:52:16	That's good advice.
01:52:21	What are you doing here?
01:52:26	Meeting people.
01:52:43	On Tuesday, it'll carry the payrolls
01:52:46	There's two ways in,
01:52:48	Doc cuts the telephone lines
01:52:51	Train arrives,
01:52:53	Harry handles the door
01:52:55	Jimmy and Freddy drive.
01:53:00	What do you figure?
01:53:01	About $1,500,000
01:53:05	$300,000 each.
01:53:07	Holy cow.
01:53:10	We pull this Tuesday,
01:53:13	Yeah. Where? Cuba?
01:53:15	No.
01:53:17	No. Where I go, I'm gonna have
01:53:21	Yeah.
01:53:33	Hi, Jimmy.
01:53:34	What do you say?
01:53:35	Polly, Jimmy's back!
01:53:54	I tell you what, doll.
01:53:56	How about you, Polly and me
01:53:59	Get in some refrigeration.
01:54:01	Where do you
01:54:03	Maybe the Marbro
01:54:07	Jimmy's taking us
01:54:09	Mmm.
01:54:10	I'll go to the store later and
01:54:13	Where you going?
01:54:14	Streetcar.
01:54:16	I gotta go downtown to get
01:54:19	Hang on a minute. I'll take
01:54:24	Yeah?
01:54:41	Mr. Purvis. Anna Sage.
01:54:46	Afternoon, Miss Sage.
01:54:56	It is tonight!
01:54:57	Anna Sage will be with him
01:54:59	and will wear a white blouse
01:55:02	PURVIS: That is how
01:55:05	He may have changed
01:55:07	And we have not learned if he will
01:55:10	Two theaters?
01:55:12	What's playing?
01:55:14	Excuse me?
01:55:15	What's playing at the Marbro?
01:55:21	A Shirley Temple movie called
01:55:25	The Biograph is playing
01:55:27	starring Clark Gable,
01:55:31	John Dillinger ain't going
01:55:34	Sergeants Zarkovich and O'Neill, from
01:55:38	and Agent Winstead will be
01:55:41	Now, Virgil Peterson, you
01:55:44	He will be armed and
01:55:52	Is that it?
01:55:53	Yep.
01:55:54	I'll be right back.
01:56:01	I'll go in with you.
01:56:04	All right.
01:56:09	It might take 10 minutes.
01:56:11	I'll meet you outside.
01:58:11	I'd like to see Babe take
01:58:17	But his leg is pretty sore. He takes a
01:58:26	What's the score?
01:58:29	Cubs, 3-2,
01:58:31	...that's why he's
01:58:33	The pitch is high.
01:58:36	Broaca, the batter
01:58:41	did not see
01:58:45	What's going on?
01:58:50	Nothing yet.
01:58:59	They haven't shown up
02:00:36	Blackie!
02:00:37	Well, you old
02:00:38	I say, you're
02:00:40	Let's get a load of this
02:00:42	Yeah, yeah. But when will we get
02:00:45	Well, what about
02:00:47	I will light my cigar
02:00:50	Zarkovich, O'Neill,
02:00:54	take the hat store right
02:00:57	Smith, Suran, Clegg, take two
02:01:02	And Rorer and Rice, you stay in
02:01:06	Clarence and I are
02:01:08	30 feet south of
02:01:11	Gerry, you're in the tan sedan
02:01:14	In case he walks north?
02:01:16	He ain't gonna walk
02:01:18	He's gonna head south, cut through
02:01:23	Madala.
02:01:34	Hello, Gallagher.
02:01:36	Hello, Snow.
02:01:37	Must be something
02:01:38	getting me in here in
02:01:40	What do you want?
02:01:42	I want to do a little
02:02:04	You're the governor.
02:02:09	He's guilty.
02:02:33	Goodbye, Blackie.
02:03:01	Goodbye, Jim.
02:03:02	I can't help it, Blackie.
02:03:04	I'm not gonna
02:03:06	I've got to commute you.
02:03:08	You think you're
02:03:10	by keeping me locked up in this
02:03:12	No, thanks. Come on,
02:03:41	So long, Blackie.
02:03:44	Kid, keep your chin
02:03:50	Die the way you lived, all of
02:03:53	Don't drag it out.
02:03:55	Living like that
02:07:14	What did he say?
02:07:18	I couldn't hear him.
02:07:31	You take care of this. I
02:09:05	How you doing, Billie?
02:09:11	I'm Special Agent Winstead.
02:09:17	If you've come here to ask
02:09:20	"Where's this one
02:09:23	I didn't come here for
02:09:26	I came here to
02:09:39	They say you're the man who shot him.
02:09:44	That's right.
02:09:48	So why are you
02:09:52	To see the damage
02:09:57	No.
02:10:01	I came here because
02:10:08	When he went down,
02:10:12	I put my ear
02:10:15	and what I think
02:10:19	He said,
02:10:21	"Tell Billie for me,
02:10:24	"'Bye-bye, blackbird. "'

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