|
Q A
|
| 00:00:28 |
[Salsa music playing in distance] |
| 00:01:13 |
Where's Julio's old lady, man? |
| 00:01:15 |
[Repeats himself in Spanish] |
| 00:01:17 |
Jesus! A set-up! |
| 00:01:31 |
BRENNAN: Call the police. |
| 00:01:37 |
- What do you see? |
| 00:01:39 |
Bullshit! What do you see? |
| 00:01:41 |
Nada, Lieutenant! |
| 00:01:42 |
The gun, honey dripper. |
| 00:01:45 |
Sí, Lieutenant. |
| 00:01:52 |
What do you see? |
| 00:01:53 |
- I see a gun, señor! |
| 00:01:55 |
His right hand! His right hand got a gun. |
| 00:01:58 |
[Crashes against the door] |
| 00:02:02 |
BRENNAN: Okay. Calm down. |
| 00:02:07 |
Wait! |
| 00:02:09 |
BRENNAN: Wait right here! |
| 00:02:11 |
[Phone rings] |
| 00:02:16 |
REILLY: Yeah? |
| 00:02:18 |
QUINN: Is this Assistant District Attorney |
| 00:02:21 |
Yeah. |
| 00:02:22 |
This is Kevin Quinn, |
| 00:02:25 |
...Office of the District Attorney, |
| 00:02:28 |
QUINN: You've heard of me? |
| 00:02:32 |
Jesus. Yes, this is me. |
| 00:02:34 |
QUINN: Who? |
| 00:02:36 |
Aloysius Francis Reilly. |
| 00:02:38 |
All right. That's better. |
| 00:02:39 |
QUINN: Are you catching tonight? |
| 00:02:41 |
A squad car is on the way to pick you up. |
| 00:02:44 |
I've already alerted the duty stenographer. |
| 00:02:47 |
It's 3:05 a.m. You have time to shower. |
| 00:02:53 |
What precinct, sir? |
| 00:02:54 |
Tony Vasquez has been shot, |
| 00:02:58 |
I know this is your first case for us. |
| 00:03:00 |
Don't make me feel like an idiot |
| 00:03:03 |
Homicide Bureau, my office, sixth floor. |
| 00:03:09 |
[Tense instrumental music] |
| 00:03:20 |
[Tense pop song] |
| 00:04:22 |
[Pop song escalates] |
| 00:05:17 |
QUINN: Come in, please. |
| 00:05:21 |
Shut the door behind you. |
| 00:05:27 |
Sit down, please. |
| 00:05:35 |
Aloysius Francis Reilly? |
| 00:05:37 |
Yes, sir. My friends call me Al. |
| 00:05:41 |
Background, Francis. Tell me about it. |
| 00:05:43 |
REILLY: Well... |
| 00:05:44 |
REILLY: Queens. Grew up in Elmhurst. |
| 00:05:48 |
REILLY: Enough minor league ball |
| 00:05:52 |
Law degree? |
| 00:05:53 |
REILLY: Brooklyn. |
| 00:05:54 |
Why not St. John's? |
| 00:05:56 |
My father thought the Jesuits |
| 00:05:59 |
QUINN: Your father's death was a tragedy. |
| 00:06:02 |
...but for the police force as well. |
| 00:06:04 |
REILLY: Yes, sir. He was killed |
| 00:06:07 |
I see you served in Harlem, also. |
| 00:06:10 |
QUINN: It's bad there. |
| 00:06:11 |
Yes, sir. It is. |
| 00:06:14 |
If you want to serve as the house liberal... |
| 00:06:17 |
...I can transfer you back |
| 00:06:19 |
I don't care if a man |
| 00:06:22 |
...or was thrown in the garbage at birth... |
| 00:06:24 |
...or he started wearing |
| 00:06:27 |
If he breaks the law |
| 00:06:32 |
QUINN: You understand? |
| 00:06:35 |
QUINN: And you agree? |
| 00:06:37 |
Yeah. |
| 00:06:38 |
Your father was everything |
| 00:06:42 |
He was part of a tradition |
| 00:06:45 |
A tradition that justified |
| 00:06:49 |
That's why I brought you in here. |
| 00:06:51 |
I want to hold on to those values |
| 00:06:55 |
QUINN: I hope you'll be one. |
| 00:06:57 |
Your first case |
| 00:07:00 |
...began with my phone call at 3:05 a.m. |
| 00:07:03 |
QUINN: A classic case |
| 00:07:07 |
A piece of vermin, one Tony Vasquez, |
| 00:07:12 |
QUINN: Mike Brennan is the personification |
| 00:07:15 |
The toughest, most dedicated police officer |
| 00:07:19 |
He gets rough sometimes. |
| 00:07:21 |
If he takes shortcuts, |
| 00:07:23 |
I know, because this office |
| 00:07:26 |
...never lost one. |
| 00:07:27 |
Never been reversed on appeal. |
| 00:07:30 |
You'll meet him shortly. |
| 00:07:31 |
Your job is to collect the facts, present them |
| 00:07:35 |
You will advise Brennan of his rights |
| 00:07:39 |
The TV unit is occupied, |
| 00:07:43 |
His name is Lubin... |
| 00:07:44 |
...and even now he's struggling |
| 00:07:48 |
Do you have any questions about how |
| 00:07:52 |
- I don't think so, sir. |
| 00:07:56 |
Thank you, sir. |
| 00:07:59 |
One word of caution. |
| 00:08:03 |
Make sure everything said |
| 00:08:06 |
...has been recorded |
| 00:08:08 |
From now on, for all intents and purposes, |
| 00:08:12 |
If it's not in the Q&A... |
| 00:08:14 |
...it didn't happen. |
| 00:08:16 |
Wait outside with the other witnesses |
| 00:08:21 |
I'm not to discuss anything |
| 00:08:24 |
- Correct? |
| 00:08:26 |
Welcome. |
| 00:08:30 |
I don't know what this guy's on. |
| 00:08:33 |
But he just sits there |
| 00:08:36 |
So, fuck it. |
| 00:08:37 |
I figure I've got to straighten him out |
| 00:08:40 |
So I say, "You've got a right to remain silent |
| 00:08:46 |
There's nothing. Not a fucking dent. |
| 00:08:48 |
Not a fucking dent! |
| 00:08:50 |
I decide to fingerprint him in the back room. |
| 00:08:52 |
He pulls away from me. |
| 00:08:53 |
He's a big motherfucker. He's 260 or 270. |
| 00:08:56 |
He starts yelling, "You fucking harp, this! |
| 00:09:00 |
I say, "Mr. Calabrese, don't upset me now." |
| 00:09:04 |
I go to put his hand on the printer. |
| 00:09:07 |
...he says, "You can't print me! I'm made!" |
| 00:09:11 |
He throws the fucking ink pad! |
| 00:09:14 |
And I'm standing there... |
| 00:09:16 |
...and I'm looking |
| 00:09:19 |
I've got ink all over my fucking white shirt. |
| 00:09:24 |
He just ruined my fucking jacket. |
| 00:09:26 |
I'm seeing red. I'm pissed, right? |
| 00:09:30 |
I grab him by the ass and the neck... |
| 00:09:32 |
...and very quietly I say, |
| 00:09:37 |
I threw the fucker out the window! |
| 00:09:39 |
Threw him right out the window. |
| 00:09:41 |
He goes right through the wire mesh, |
| 00:09:44 |
Now remember, this guy's stoned |
| 00:09:47 |
He thinks he's on the second floor, |
| 00:09:50 |
Shits his pants. |
| 00:09:52 |
He shit his pants. |
| 00:09:53 |
He wasn't hurt too badly. |
| 00:09:57 |
He had some cuts, that's about it. |
| 00:09:59 |
Now, we gotta go get the guy and he smells. |
| 00:10:02 |
We bring him in the back. |
| 00:10:05 |
I take him back to print him... |
| 00:10:07 |
...and I make him put his hands |
| 00:10:10 |
...and he gets some of that shit |
| 00:10:13 |
I say, "Mr. Calabrese, |
| 00:10:17 |
"You've got to use your own shit." |
| 00:10:19 |
No more out of Mr. Fucking Calabrese. |
| 00:10:22 |
[Officers laughing] |
| 00:10:27 |
BRENNAN: I'm Mike Brennan. |
| 00:10:29 |
- Yeah. Hi. Al Reilly. |
| 00:10:33 |
I guess I'm the guest of honor, so to speak. |
| 00:10:36 |
I'll do the introductions. |
| 00:10:38 |
This is Captain Flynn. |
| 00:10:40 |
This is Lieutenant Keely, |
| 00:10:43 |
Officers Corbin and Ramon, |
| 00:10:46 |
Detective Valentin here. |
| 00:10:47 |
He's working the case |
| 00:10:50 |
Call me Chappie. |
| 00:10:53 |
- You want a Pepsi, Chappie? |
| 00:10:55 |
So, you're a lawyer now? |
| 00:10:59 |
That's right, you was a cop once, right? |
| 00:11:02 |
- That's right, Lieutenant. |
| 00:11:04 |
It's about time they brought them |
| 00:11:08 |
It's a pleasure. I knew your old man. |
| 00:11:12 |
We were just telling some old war stories. |
| 00:11:15 |
Mike was just telling us |
| 00:11:17 |
The jungle bunny over here |
| 00:11:19 |
CHAPMAN: You ain't nothin' but a nigger |
| 00:11:22 |
Gentlemen. You're in violation |
| 00:11:26 |
Racist epithets are not permitted. |
| 00:11:29 |
Excuse me, sir. |
| 00:11:31 |
Who's a racist? Me and Chappie? |
| 00:11:34 |
You're damn lucky to get us. |
| 00:11:36 |
If we quit, some Federal judge |
| 00:11:39 |
Brennan, he ain't no racist. |
| 00:11:42 |
He's an equal opportunity hater. |
| 00:11:45 |
[All chuckle] |
| 00:11:46 |
Lubin, what the fuck took you so long? |
| 00:11:49 |
I almost got mugged on the subway. |
| 00:11:57 |
Would all present please leave their name... |
| 00:11:59 |
...badge and assignment number |
| 00:12:03 |
REILLY: Thank you. |
| 00:12:04 |
Now at approximately 12:30 this morning... |
| 00:12:09 |
...something happened. |
| 00:12:12 |
REILLY: Right, Lieutenant? |
| 00:12:13 |
Correct, Mr. Reilly. |
| 00:12:18 |
Where did this something happen? |
| 00:12:19 |
At 3111 Park Avenue, |
| 00:12:26 |
Tell us in your own words, |
| 00:12:28 |
Whose words is he going to tell it in? |
| 00:12:31 |
Lubin, I make the jokes around here. |
| 00:12:33 |
LUBIN: Yes, your holiness. |
| 00:12:36 |
I think it best not to include |
| 00:12:39 |
Not if I'm gonna be off on Passover. |
| 00:12:42 |
[All chuckle] |
| 00:12:47 |
Earlier this evening, I was at the 23 |
| 00:12:53 |
I was investigating |
| 00:12:57 |
Investigation revealed |
| 00:13:01 |
...Antonio Vasquez, had been cheated |
| 00:13:05 |
...by the aforementioned Sierra. |
| 00:13:08 |
So a little after midnight, |
| 00:13:12 |
...as to the whereabouts |
| 00:13:15 |
I realized that this Vasquez should |
| 00:13:19 |
...as he had ample motive. |
| 00:13:23 |
BRENNAN: I went to this after-hours joint, |
| 00:13:28 |
The door was open. |
| 00:13:32 |
He was known to me as Tony |
| 00:13:35 |
I said, "Tony, come here. |
| 00:13:38 |
Or words to that effect. |
| 00:13:40 |
I don't expect nothing. I'm nonchalant. |
| 00:13:44 |
Tony comes over and we talk. |
| 00:13:46 |
I no sooner say the words "Julio Sierra" |
| 00:13:51 |
He starts screaming at me, "I'll kill you!" |
| 00:13:56 |
I don't mind saying that I was scared |
| 00:14:02 |
I saw him reach. I saw a flash of metal... |
| 00:14:05 |
...and in fear of my life, |
| 00:14:10 |
And God was with me. |
| 00:14:12 |
Then the people emerged from the club |
| 00:14:16 |
They were pushing and shoving. |
| 00:14:18 |
I pointed out to them |
| 00:14:21 |
Then I held them back at bay |
| 00:14:25 |
BRENNAN: Ballistics is checking out |
| 00:14:28 |
...is the same gun that killed Julio Sierra |
| 00:14:37 |
That's about it, Mr. Reilly. |
| 00:14:41 |
Anyhow, I'm sick a human life was lost. |
| 00:14:45 |
But Jesus, I mean, it was quick! |
| 00:14:49 |
Lieutenant, you certainly covered everything. |
| 00:14:52 |
LUBIN: You want that last remark |
| 00:14:54 |
That was a spontaneous, refreshing reaction. |
| 00:14:58 |
Yes. Leave it in. |
| 00:15:00 |
I'll be happy to answer |
| 00:15:04 |
We nave no more questions. |
| 00:15:06 |
That's up to you to decide. |
| 00:15:09 |
Okay, thank you. End of statement. |
| 00:15:11 |
All right, thank you, gentlemen. |
| 00:15:20 |
- You handled that well, Francis. |
| 00:15:23 |
It's a good case |
| 00:15:25 |
All you need for the grand jury is... |
| 00:15:27 |
...statements from the witnesses at the club, |
| 00:15:31 |
...and a statement from Brennan's informant. |
| 00:15:33 |
I want you to shield the identity |
| 00:15:39 |
- Is that clear? |
| 00:15:42 |
Good night, everybody. |
| 00:15:44 |
Good night. |
| 00:15:48 |
He's pretty impressive, isn't he? |
| 00:15:49 |
As Durante used to say, |
| 00:15:57 |
[Sounds of traffic and construction] |
| 00:16:16 |
The rifling and ridges match up |
| 00:16:21 |
Ballistics will confirm it was the same gun |
| 00:16:24 |
We're wrapping up two homicides. |
| 00:16:28 |
That's a great introduction |
| 00:16:31 |
Please, it's Al. |
| 00:16:32 |
I was a cop too long, |
| 00:16:35 |
I rode with Sabartelli, Forenzi, Mullins... |
| 00:16:38 |
Moon Mullins! |
| 00:16:42 |
You couldn't call that to his face. |
| 00:16:44 |
That fucking Mullins, |
| 00:16:47 |
Sure, man. |
| 00:16:51 |
What about the witnesses? |
| 00:16:53 |
Let's see here, we got Santo Rivera, |
| 00:16:57 |
...Angel Delgado... |
| 00:17:00 |
Fuck you, night fighter. |
| 00:17:03 |
...Jose Castillo, Mauricio Valdes... |
| 00:17:06 |
...Roberto Texador, |
| 00:17:09 |
Bobby Tex. |
| 00:17:10 |
We got some funny fish in the net, |
| 00:17:13 |
- Italians in a PR joint? |
| 00:17:21 |
We've got Lorenzo Franconi, |
| 00:17:24 |
...and his bodyguard, Bruno Valli. |
| 00:17:26 |
REILLY: Larry Pesch, Bobby Tex. That's |
| 00:17:30 |
VALENTIN: Not for a long time, man. |
| 00:17:32 |
I used to see Bobby Tex |
| 00:17:36 |
Now he's living on Sutton Place |
| 00:17:40 |
Get into dope. |
| 00:17:42 |
They breed like rabbits, |
| 00:17:45 |
...and expect Welfare |
| 00:17:47 |
Up yours, darker-than-me. |
| 00:17:50 |
- You know why? |
| 00:17:52 |
Because you're always stopping |
| 00:17:54 |
What's up with you people |
| 00:17:58 |
Who else? |
| 00:17:59 |
We got Bobby Tex's old lady, |
| 00:18:04 |
Who? |
| 00:18:05 |
VALENTIN: That's what it says, Nancy Bosch. |
| 00:18:07 |
She's been with Bobby Tex a few years. |
| 00:18:11 |
You should read about the parties |
| 00:18:14 |
One time he had the whole cast over |
| 00:18:19 |
They had to bring in the coke |
| 00:18:22 |
I guess I'll get mine when I get to heaven. |
| 00:18:25 |
The only way you'll get to heaven |
| 00:18:28 |
Let's say we stop this shit. |
| 00:18:31 |
Chappie, you finish up ballistics |
| 00:18:34 |
Valentin, you take the witnesses... |
| 00:18:36 |
...but I want to see Franconi, |
| 00:18:41 |
So get them down here. |
| 00:18:51 |
Hey. |
| 00:18:52 |
I'll never get used to it, Al. |
| 00:18:55 |
You got DAs at one table, you got |
| 00:19:00 |
How many deals do you think get cut |
| 00:19:04 |
- What are you drinking? |
| 00:19:07 |
An Irishman turning down a drink? |
| 00:19:09 |
The prophet Elijah's coming |
| 00:19:13 |
Mr. Bloomenfeld, an honor. |
| 00:19:18 |
Once again, we meet. |
| 00:19:19 |
Pearlstein, fuck off! |
| 00:19:21 |
I'm seen talking to you and |
| 00:19:25 |
Al, this is Preston Pearlstein. |
| 00:19:28 |
When Jesse Jackson used |
| 00:19:32 |
What a character! |
| 00:19:35 |
That's it, Pearlstein. Don't spoil my appetite. |
| 00:19:41 |
What a character. |
| 00:19:42 |
[Pearlstein laughing] |
| 00:19:44 |
Look at that son of a bitch. |
| 00:19:46 |
Twenty years ago he was wearing the jacket |
| 00:19:50 |
Now he's living in 516, his wife |
| 00:19:55 |
...and I'm sitting here pulling my putz. |
| 00:19:58 |
We'll eat here at the bar, Phil. The usual. |
| 00:20:01 |
What is this, Tuesday? Yes, it must be. |
| 00:20:03 |
You're crying in your Scotch again. |
| 00:20:06 |
You're right. |
| 00:20:08 |
How come my generation of Jews drink? |
| 00:20:12 |
My parents, they come over from Poland, |
| 00:20:16 |
[Singing in Yiddish] |
| 00:20:24 |
I'll translate for your mick ears. |
| 00:20:26 |
"A drunk is a gentile." |
| 00:20:29 |
And then I forget..."He has to drink, |
| 00:20:35 |
REILLY: Leo, you know the DA's office |
| 00:20:38 |
- You're the best tactician. |
| 00:20:41 |
...will get you a ride on the subway. |
| 00:20:43 |
Thirty years. |
| 00:20:45 |
Thirty years in this fucking office. |
| 00:20:49 |
Gone private. Made some money. |
| 00:20:52 |
So, why didn't you? |
| 00:20:54 |
Because I had the same disease you've got. |
| 00:20:59 |
- You're blushing. |
| 00:21:02 |
Choirboy, I hope they don't break your heart. |
| 00:21:07 |
How do you like your new boss? |
| 00:21:10 |
He's a pisser. Tough but fair. I like that. |
| 00:21:14 |
And decisive. |
| 00:21:16 |
All we heard about in law school, |
| 00:21:19 |
He was reading my summary... |
| 00:21:21 |
...and he said, |
| 00:21:24 |
"We've brought him in 11 times |
| 00:21:28 |
I looked it up. |
| 00:21:30 |
...the "2" was smudged |
| 00:21:32 |
He was right. |
| 00:21:34 |
He's a prick. He's a racist |
| 00:21:39 |
BLOOMENFELD: He wants to be Tom Dewey |
| 00:21:42 |
He married for politics and |
| 00:21:46 |
...God knows how high up. |
| 00:21:48 |
Years ago, |
| 00:21:51 |
...he used to volunteer as a witness. |
| 00:21:54 |
His first murder case... |
| 00:21:56 |
...he was a young ADA then, |
| 00:21:59 |
The case was shaky, |
| 00:22:02 |
...and he wanted |
| 00:22:06 |
Before he finished he had them believing |
| 00:22:10 |
BLOOMENFELD: He goes up to Sing Sing |
| 00:22:14 |
And the next day we're sitting around |
| 00:22:17 |
...he walks in with this shit-eating grin |
| 00:22:21 |
And somebody says, "Hey, how'd it go?" |
| 00:22:23 |
He says casually, "He fried!" |
| 00:22:26 |
And then he says, "I sure hope |
| 00:22:32 |
Fuck him. Now and forever. |
| 00:22:35 |
PHIL: Two corned beef. |
| 00:22:39 |
- Nothing, thanks. |
| 00:22:43 |
You drew the Brennan-Vasquez case, huh? |
| 00:22:46 |
Cut-and-dried. |
| 00:22:50 |
Vasquez never carried a.45 in his life. |
| 00:22:53 |
He did that night. |
| 00:22:54 |
Schmuck, listen to me. |
| 00:22:58 |
In 11 arrests, they never found anything |
| 00:23:02 |
That's one of the two times they ever |
| 00:23:06 |
He had this little.32 made |
| 00:23:09 |
Check your yellow sheet. |
| 00:23:12 |
- Maybe he had two guns that night. |
| 00:23:15 |
He used to say he had three balls. |
| 00:23:17 |
All that Latino macho shit. |
| 00:23:19 |
"I don't need no stinking pistols, |
| 00:23:23 |
Two guns, bullshit! |
| 00:23:26 |
[Bloomenfeld speaks in Yiddish] |
| 00:23:34 |
ALVARADO: I don't give a fuck |
| 00:23:38 |
Thank you, Mr. Alvarado. You're excused. |
| 00:23:44 |
You okay? |
| 00:23:47 |
I want to set this up a little differently. |
| 00:23:49 |
VALENTIN: Let's question Bobby Tex with |
| 00:23:53 |
We've been doing it individually so far. |
| 00:23:55 |
Alberto, I know my people, man. |
| 00:23:59 |
VALENTIN: He can't take the needle, |
| 00:24:03 |
VALENTIN: He's a hothead. |
| 00:24:04 |
CHAPMAN: Why do we want to get |
| 00:24:07 |
Larry Pesch and Bobby Texador |
| 00:24:12 |
REILLY: Come on, Chappie. |
| 00:24:14 |
Maybe we'll get lucky. |
| 00:24:20 |
REILLY: Yeah? |
| 00:24:23 |
Mr. Reilly, my clients have been waiting |
| 00:24:26 |
We're ready. Please come in. |
| 00:24:27 |
- Everybody been sworn? |
| 00:24:30 |
Mr. Reilly, these are my clients, |
| 00:24:34 |
...and Mr. And Mrs. Roberto Texador. |
| 00:24:40 |
Mr. And Mrs.? |
| 00:24:44 |
I thought you told me |
| 00:24:46 |
PEARLSTEIN: You know how it is, |
| 00:24:51 |
You know, common-law wife. |
| 00:24:54 |
REILLY: Common-law marriages |
| 00:24:57 |
- You should know the law. |
| 00:25:01 |
- Listen, kid. |
| 00:25:03 |
I've seen you standing outside of night court |
| 00:25:07 |
We don't have to take this. Everyone out! |
| 00:25:10 |
Take it easy. You've brought your clients |
| 00:25:15 |
This is a bullshit case. |
| 00:25:17 |
Pardon me, ma'am. We'll just ask a couple |
| 00:25:21 |
Nobody's going to get hurt here. |
| 00:25:23 |
It's over. Water under the bridge. |
| 00:25:28 |
However, I would like to state |
| 00:25:32 |
...that Larry here, Mr. Franconi... |
| 00:25:35 |
...refuses to say anything, |
| 00:25:38 |
...under the Fifth |
| 00:25:40 |
REILLY: Is that on the advice of counsel? |
| 00:25:44 |
I can't believe an advocate |
| 00:25:47 |
...would advise his client to plead the Fifth. |
| 00:25:50 |
REILLY: He's not the target |
| 00:25:52 |
Do you want us to become suspicious of... |
| 00:25:54 |
...Mr. Vito Franconi, a.k.a. Larry Pesch... |
| 00:25:59 |
...Pleasant Avenue and points south? |
| 00:26:01 |
"Pesch" means "fish" in the |
| 00:26:06 |
Do you want us to grant him immunity? |
| 00:26:08 |
March him upstairs to Part 30 |
| 00:26:11 |
You want me to talk with |
| 00:26:14 |
...see if they have any problems? |
| 00:26:17 |
REILLY: I'm not saying I'd do this... |
| 00:26:20 |
Do you mind if I talk with |
| 00:26:24 |
- Of course, Preston. |
| 00:26:54 |
Al, it's all straightened out. |
| 00:27:03 |
Me and my chauffeur here was driving |
| 00:27:08 |
All of a sudden, I had to take a piss. |
| 00:27:10 |
I said, "Bruno, find me someplace. |
| 00:27:14 |
I didn't want to go in the street |
| 00:27:18 |
So, Bruno pulls over by this joint. |
| 00:27:21 |
I go in. I take a piss. I come out. |
| 00:27:24 |
And there's this guy. He's waving |
| 00:27:28 |
I figured he was a cop, so I stayed. |
| 00:27:31 |
REILLY: Is that your recollection, Mr. Valli? |
| 00:27:34 |
I'm with him. |
| 00:27:35 |
I'm a little confused here. |
| 00:27:37 |
The after-hours club on Park Avenue |
| 00:27:41 |
What made you think you could get in? |
| 00:27:45 |
What is this, the third degree? |
| 00:27:51 |
I've got no... |
| 00:27:54 |
FRANCONl: I've got no time |
| 00:27:56 |
Pearlstein, straighten this guy out, will you? |
| 00:27:58 |
My client has cooperated |
| 00:28:01 |
This interview was |
| 00:28:04 |
REILLY: I'd like the two gentlemen to stay |
| 00:28:07 |
...a conflict develops in the testimony. |
| 00:28:09 |
Of course, we're cooperating fully, Al. |
| 00:28:13 |
REILLY: Mr. Texador. |
| 00:28:25 |
Suppose... |
| 00:28:27 |
...you give us your version |
| 00:28:31 |
I'll be happy to, Mr. Reilly. |
| 00:28:35 |
In fact we used to live in the barrio. |
| 00:28:38 |
Last Thursday, my wife and I here, |
| 00:28:41 |
Excuse me, Bobby Tex. Your wife? |
| 00:28:45 |
I'm talking to Mr. Reilly. |
| 00:28:47 |
REILLY: Detective Valentin and Chapman |
| 00:28:50 |
They're allowed to ask questions. |
| 00:28:52 |
They're allowed questions, |
| 00:28:57 |
- Right? |
| 00:29:01 |
We went to the club |
| 00:29:04 |
I won't stay late. |
| 00:29:07 |
Do you know, I remember you now? |
| 00:29:10 |
BOBBY: You served the 23rd Precinct, no? |
| 00:29:14 |
You had a good reputation |
| 00:29:17 |
BOBBY: Tough but fair. |
| 00:29:18 |
- I can't stand this shit. |
| 00:29:21 |
He's blowing smoke up your ass |
| 00:29:23 |
I've got my wife here now, Mr. Reilly. |
| 00:29:28 |
Okay, I'm sorry, all right? I'm sorry. |
| 00:29:30 |
REILLY: Please continue, Mr. Texador. |
| 00:29:34 |
We had a drink. |
| 00:29:36 |
All of a sudden, there's a lot of noise. |
| 00:29:38 |
REILLY: Like shots? |
| 00:29:43 |
I go outside and there's like a big guy there. |
| 00:29:47 |
But something was in his hand. |
| 00:29:50 |
And a little guy, he's laid out. |
| 00:29:53 |
Another big guy, |
| 00:29:55 |
"Hey, nobody moves," |
| 00:29:58 |
And then more cops came. That was it. |
| 00:30:02 |
You know Mr. Franconi |
| 00:30:04 |
No, I can't say I do. |
| 00:30:06 |
REILLY: But you saw them |
| 00:30:08 |
That's a big noisy club. How... |
| 00:30:09 |
[Yelling] You're trying to tell us |
| 00:30:12 |
...walk in like hit men, |
| 00:30:14 |
PEARLSTEIN: Racist remarks are |
| 00:30:16 |
PEARLSTEIN: |
| 00:30:19 |
PEARLSTEIN: I object! |
| 00:30:23 |
Detective Valentin... |
| 00:30:26 |
I'd like to apologize to everyone. |
| 00:30:30 |
This office does not condone any... |
| 00:30:34 |
...racial epithets. |
| 00:30:38 |
Now, let's just settle down |
| 00:30:41 |
REILLY: This guy that was laid out |
| 00:30:47 |
BOBBY: That's what I heard later. |
| 00:30:50 |
- Sort of, yes, from around the neighborhood. |
| 00:30:54 |
Look, Bobby Tex, with my own eyes |
| 00:30:58 |
VALENTIN: It was when that guinea... |
| 00:31:01 |
...caught you on 114th and |
| 00:31:04 |
VALENTIN: What you was, 18, 19 years old? |
| 00:31:08 |
And he waded in there |
| 00:31:12 |
...and now you're going to deny him |
| 00:31:15 |
- Man, cobarde! |
| 00:31:17 |
Yeah, you fucking coward! |
| 00:31:20 |
- He worked for you since then. |
| 00:31:22 |
Fucking honey dripper. |
| 00:31:24 |
You know, we knew you was a punk then, |
| 00:31:28 |
Detective? Come on. |
| 00:31:31 |
You got a badge and a gun |
| 00:31:34 |
PEARLSTEIN: Please! |
| 00:31:36 |
You finished, Bobby Tex. |
| 00:31:39 |
The baddest guy is me, because I'm the law |
| 00:31:43 |
This case is clear self-defense |
| 00:31:46 |
...and I can make first grade! |
| 00:31:50 |
No, fuck you! |
| 00:31:52 |
Come on, what are you talking about? |
| 00:31:55 |
Are you telling me |
| 00:31:59 |
- Wearing pants with no belt? |
| 00:32:03 |
You're right! |
| 00:32:04 |
You see his.32 sticking out |
| 00:32:07 |
- Everybody knows that's all the man carried. |
| 00:32:12 |
I guess that's for me to know |
| 00:32:19 |
I'm really sorry, Mr. Reilly. |
| 00:32:23 |
A couple of PRs from the old neighborhood, |
| 00:32:27 |
- Luis, I'm sorry. You're beautiful. |
| 00:32:33 |
BOBBY: You're so beautiful. No kidding. |
| 00:32:35 |
You know something? I'm no detective, |
| 00:32:48 |
FRANCONl: What about it? |
| 00:32:51 |
VALLl: I'm with him. |
| 00:32:54 |
Will the witnesses please remain |
| 00:32:58 |
I want to make sure there's no conflict |
| 00:33:01 |
...so we don't have to |
| 00:33:04 |
Thank you. Lubin, you can take a break. |
| 00:33:17 |
The feces has struck the air conditioner. |
| 00:33:20 |
- You were great, Val. |
| 00:33:23 |
While you two pricks are congratulating |
| 00:33:27 |
...maybe you put Brennan's neck in it. |
| 00:33:29 |
- I don't want to hurt a cop. |
| 00:33:33 |
CHAPMAN: Welcome, shooflies. |
| 00:33:36 |
Look, Chappie, I know my people |
| 00:33:38 |
There's no way that Tony knocked off Julio. |
| 00:33:41 |
VALENTIN: Those two guys and Tex, |
| 00:33:45 |
...with nothing but a knife |
| 00:33:48 |
They called themselves the Sinners then. |
| 00:33:50 |
I'm talking 25 years |
| 00:33:54 |
They're how Tex formed his gang. |
| 00:33:56 |
You were moving |
| 00:33:59 |
...so you had to be tough |
| 00:34:01 |
Them junkie motherfuckers will fall out |
| 00:34:05 |
VALENTIN: Vasquez didn't jam Sierra. |
| 00:34:10 |
VALENTIN: I know my people. |
| 00:34:11 |
VALENTIN: This case is dirty. |
| 00:34:14 |
You're listening to a piece of shit |
| 00:34:18 |
The day you start believing |
| 00:34:21 |
...against a cop like Mike, |
| 00:34:25 |
Mike Brennan is the best cop I ever saw. |
| 00:34:28 |
First one through the door, |
| 00:34:31 |
He stepped in front of a bullet for me once... |
| 00:34:33 |
...caught it in his left hand |
| 00:34:37 |
Now, unless you know, don't blow. |
| 00:34:39 |
[Valentin makes horn-blowing sounds] |
| 00:34:41 |
CHAPMAN: Fuck you, bean-eaters. |
| 00:34:44 |
VALENTIN: They were in the Marines |
| 00:34:47 |
Chappie? |
| 00:34:51 |
Just suppose Brennan comes up wrong. |
| 00:34:54 |
- You ready for that? |
| 00:34:57 |
I'll leave that up to |
| 00:35:02 |
Thank you very much, thank you. |
| 00:35:03 |
You know that fucking gorilla would |
| 00:35:08 |
Then it's simple. We find the stool, |
| 00:35:12 |
Superfag? He's worse than Bobby Tex. |
| 00:35:15 |
He's a stool, a pusher, |
| 00:35:17 |
The Feds pay him $500 a month |
| 00:35:21 |
He sets you up, or shoots you in the back. |
| 00:35:23 |
If we're depending on him, |
| 00:35:26 |
VALENTIN: What about the girl? |
| 00:35:28 |
Let's get her in. |
| 00:35:31 |
You look at her with those baby blues. |
| 00:35:35 |
Why should all the bad guys |
| 00:35:42 |
I'm sitting on something. |
| 00:35:46 |
REILLY: Say it. |
| 00:35:46 |
What I've got to say, |
| 00:35:49 |
CHAPMAN: Say it. |
| 00:35:51 |
What do you think, you're smart? |
| 00:35:54 |
You think I don't know why you got me |
| 00:35:57 |
She's with me now, whitebread. |
| 00:36:01 |
BOBBY: I know about you and my old lady. |
| 00:36:08 |
If I catch you sniffing around her... |
| 00:36:10 |
...you'll get much more |
| 00:36:13 |
I really don't care if you're the law |
| 00:36:19 |
You were warned. |
| 00:36:21 |
You ever point your finger at me again, |
| 00:36:25 |
Okay. |
| 00:36:28 |
I guess now, we've both been warned. |
| 00:36:40 |
BRENNAN: Hey, Flo. Come here. |
| 00:36:44 |
Bring your friend. |
| 00:36:53 |
Call your girlfriends over here. |
| 00:37:01 |
Come on, girls. Come on. |
| 00:37:08 |
You know better than to run from me, Flo. |
| 00:37:10 |
FLO: Lieutenant, I was just... |
| 00:37:14 |
BRENNAN: All right, who we got here? |
| 00:37:17 |
We got Min, Sherry, Lola... |
| 00:37:21 |
BRENNAN: Carrie, Sue Ellen... |
| 00:37:25 |
Oh, and that star of stage, |
| 00:37:29 |
My name is Sophia. |
| 00:37:35 |
Sophia? |
| 00:37:41 |
What's this, Sophia? |
| 00:37:46 |
This feels like little balls |
| 00:37:50 |
Don't you come in my hand, |
| 00:37:53 |
Jesus, Lieutenant, you're hurting me. |
| 00:37:56 |
Not as bad as I'm going to. |
| 00:38:00 |
- What's your name? |
| 00:38:03 |
- What's your name? |
| 00:38:13 |
I'm looking for Roger Montalvo. |
| 00:38:17 |
Whoever lets me know, |
| 00:38:20 |
You got it, Lieutenant. Anything else? |
| 00:38:25 |
Flo, if I wanted anything else, |
| 00:38:30 |
BRENNAN: I mean, look at this mouth. |
| 00:38:35 |
This is an experienced mouth, |
| 00:38:38 |
SOPHIA: Please, Lieutenant. |
| 00:38:39 |
Now listen, cocksucker. |
| 00:38:41 |
Montalvo's boyfriend, what's his name? |
| 00:38:44 |
Jose Malpica. |
| 00:38:47 |
BRENNAN: That's right. Jose Malpica. |
| 00:38:49 |
You run in the same circles. |
| 00:38:54 |
...you tell him, I want to see him. |
| 00:38:56 |
SOPHIA: Yeah. |
| 00:39:02 |
Get back to work. Get back to work! |
| 00:39:14 |
PIMP: I heard. |
| 00:39:16 |
PIMP: Got the word. |
| 00:39:41 |
Nancy, please. |
| 00:39:55 |
Nancy, please! |
| 00:39:59 |
REILLY: Don't be this way. |
| 00:40:20 |
Are you going to your mother's? |
| 00:40:25 |
Of course. You've got a tap on us. |
| 00:40:32 |
And a tail on Bobby, |
| 00:40:35 |
It figures. |
| 00:40:41 |
- I want to talk to you. |
| 00:40:47 |
- There's a lot to talk... |
| 00:40:52 |
Look, it's raining... |
| 00:40:54 |
...and cabs are really tough, |
| 00:40:57 |
...but I will be out of this car |
| 00:41:03 |
Now, which is it gonna be? |
| 00:41:06 |
Okay. |
| 00:41:09 |
Do you remember where it is? |
| 00:41:33 |
[Speaking in Spanish] |
| 00:42:08 |
Hello, Mrs. Bosch. |
| 00:42:09 |
MRS. BOSCH: Alberto... |
| 00:42:13 |
Well, long time. |
| 00:42:17 |
This is my mother's house. |
| 00:42:22 |
Let me talk to you. Please, Nancy. |
| 00:42:24 |
NANCY: I don't want |
| 00:42:27 |
We never talked about anything. |
| 00:42:30 |
REILLY: You left me standing on a corner, |
| 00:42:34 |
Stop it! |
| 00:42:37 |
Whatever he is and whatever he does, |
| 00:42:43 |
He is what he is, but he has one face, |
| 00:42:50 |
Please. Understand... |
| 00:42:53 |
...I was taken by surprise. |
| 00:42:55 |
You never told me your father was... |
| 00:43:01 |
Say it! Say it! |
| 00:43:04 |
My father was what? Say it! |
| 00:43:06 |
Was a nigger? |
| 00:43:08 |
Cops say it all the time. Just say it, okay? |
| 00:43:11 |
Was a nigger, was a dinge, was a coon! |
| 00:43:15 |
He was the best man that I ever knew, |
| 00:43:19 |
And it is pretty goddamn hard |
| 00:43:21 |
Nancy, we were together for two years, |
| 00:43:26 |
Is that what you thought? |
| 00:43:30 |
You thought I was hiding my father |
| 00:43:35 |
I'll tell you what I thought. |
| 00:43:38 |
I thought, "I'm in love. |
| 00:43:42 |
"I'm in love with a cop from the 23. |
| 00:43:47 |
"I'm in love with this baby that I'm carrying. |
| 00:43:52 |
"I'm in love with a great man." |
| 00:43:59 |
We're coming home and he's |
| 00:44:06 |
NANCY: He's been away two years. |
| 00:44:09 |
And at that moment, I have |
| 00:44:15 |
And I say, "Al, this is my father." |
| 00:44:22 |
And then, I see your face. |
| 00:44:25 |
What did you see in my face? |
| 00:44:27 |
A look. |
| 00:44:28 |
REILLY: A look? |
| 00:44:31 |
One look can tell you something |
| 00:44:35 |
Yeah, one look. |
| 00:44:37 |
It's our sixth sense. |
| 00:44:48 |
What happened to the baby? |
| 00:44:50 |
What baby? |
| 00:44:53 |
NANCY: You know, |
| 00:44:56 |
I'm as Catholic as you are, |
| 00:45:00 |
These words are useless. |
| 00:45:05 |
Nancy, I don't want to leave like this. |
| 00:45:07 |
You don't have a choice. Just get out. |
| 00:45:10 |
Just go. Go! |
| 00:45:12 |
Get out! If you don't get out, I'm gonna go! |
| 00:45:17 |
Out! |
| 00:45:19 |
Get out of my house! Go! |
| 00:45:32 |
This is idiotic, Francis. |
| 00:45:34 |
You've complicated |
| 00:45:37 |
I will not allow an officer |
| 00:45:41 |
...through the slime |
| 00:45:43 |
You won't present this to the grand jury. |
| 00:45:46 |
REILLY: It's in the Q&A. |
| 00:45:48 |
The Q&A is for the record. |
| 00:45:52 |
The grand jury will go where you lead them. |
| 00:45:55 |
They won't ask for the Q&A, |
| 00:46:01 |
Don't complicate this, Francis. |
| 00:46:07 |
Yes, sir. We'll find the stool, Montalvo. |
| 00:46:10 |
And I'm sure that will corroborate |
| 00:46:15 |
QUINN: Francis? |
| 00:46:17 |
You're not working |
| 00:46:22 |
No, sir. |
| 00:46:24 |
Keep in touch. |
| 00:46:27 |
Yes, sir. |
| 00:46:31 |
VALENTIN: Hey. Can we do Joan Rivers? |
| 00:46:35 |
"Can we talk?" Just a question. |
| 00:46:37 |
Yeah. Now okay? |
| 00:46:38 |
Al, Chappie told you |
| 00:46:42 |
I don't have anything to tell, |
| 00:46:46 |
If we push this, |
| 00:46:49 |
What're you saying? |
| 00:46:50 |
That scene the other day. |
| 00:46:54 |
You and the lady, |
| 00:46:59 |
We met, we were going to get married. |
| 00:47:03 |
Why? |
| 00:47:05 |
I fucked up. |
| 00:47:07 |
Okay. That's cool. |
| 00:47:09 |
You got my respect and silence, |
| 00:47:13 |
Thank you. |
| 00:47:15 |
VALENTIN: The other day, |
| 00:47:19 |
REILLY: Every little breeze, Val. |
| 00:47:23 |
[Heavy machinery droning] |
| 00:47:46 |
REILLY: We need you downtown |
| 00:47:49 |
Your report will cover all of it. |
| 00:47:54 |
Glad to see I'm not the only case |
| 00:47:57 |
Hey, Mike. |
| 00:47:59 |
I came to see you... |
| 00:48:01 |
...because I think you've got |
| 00:48:04 |
I've got no idea about you, Mike. |
| 00:48:07 |
Come on, Reilly. |
| 00:48:11 |
Look, fuck it. It's no secret. |
| 00:48:15 |
I've kicked ass in the 32, the 25, the 30... |
| 00:48:18 |
...the 34, the 6, you name it, |
| 00:48:23 |
I mean, my first night on patrol, |
| 00:48:27 |
...I told those niggers on the corner: |
| 00:48:29 |
"When I'm on the post, the baddest |
| 00:48:34 |
And then some jive-ass gives me |
| 00:48:37 |
He said, "You motherfucker, |
| 00:48:40 |
I say, "Okay, asshole." |
| 00:48:43 |
...we go in the alley, and wham-bam! |
| 00:48:45 |
That scumbag loses his teeth. |
| 00:48:50 |
But things got better when I was there. |
| 00:48:53 |
I heard about you when I was still |
| 00:48:56 |
Chappie knows it, too. |
| 00:48:58 |
[Siren wails] |
| 00:49:14 |
I don't get this. |
| 00:49:17 |
They're fucking animals. |
| 00:49:21 |
I mean, two cops are just driving by, Al, |
| 00:49:25 |
...drops a rock |
| 00:49:31 |
It's all coming apart, Al. |
| 00:49:37 |
I want it the way it used to be. |
| 00:49:40 |
I mean, you lose control of this jungle, |
| 00:49:44 |
You know, you've been on the street. |
| 00:49:48 |
So, I break a couple of heads? |
| 00:49:52 |
BRENNAN: You know what we're fighting |
| 00:49:56 |
That's why they hate me out there. |
| 00:49:58 |
This Texador, this Montalvo! |
| 00:50:03 |
You can always find somebody |
| 00:50:07 |
Not if you're clean. |
| 00:50:12 |
Bullshit. |
| 00:50:15 |
Like you rode with Moon Mullins, right? |
| 00:50:17 |
REILLY: Yeah. |
| 00:50:19 |
He's retired now. He's in Miami. |
| 00:50:23 |
Let's say some eager-beaver Assistant DA |
| 00:50:26 |
"We know you were taking. |
| 00:50:29 |
"We know who you rode with. |
| 00:50:30 |
BRENNAN: "He didn't report us, |
| 00:50:33 |
Cops don't rat that easy, Mike. |
| 00:50:35 |
I know that, Al. |
| 00:50:37 |
I know that, but you've got to picture Moon. |
| 00:50:40 |
His pension could go. |
| 00:50:42 |
In the meantime, |
| 00:50:45 |
"Give some names, |
| 00:50:48 |
You think Moon will sit on that? |
| 00:50:49 |
He'll give them the whole PBA roster. |
| 00:50:53 |
Listen to me, Mike. |
| 00:50:58 |
REILLY: Anything you say to me |
| 00:51:02 |
[Lntense instrumental music] |
| 00:51:15 |
I gotta stand here... |
| 00:51:19 |
...and take this shit |
| 00:51:27 |
I wish you were dead. |
| 00:51:30 |
If your father was alive, |
| 00:51:34 |
BRENNAN: Hey, guys. Come here. |
| 00:51:38 |
BRENNAN: How's it going? |
| 00:51:44 |
BRENNAN: Hey, buddy! |
| 00:51:48 |
There ain't nothing on Roger the Dodger. |
| 00:51:52 |
Come on, I'll buy you a drink. |
| 00:51:58 |
BRENNAN: It's really calmed down in here. |
| 00:52:02 |
BARTENDER: What will it be? |
| 00:52:03 |
BRENNAN: Coffee. Chappie? |
| 00:52:19 |
BRENNAN: They're looking to hurt me, |
| 00:52:22 |
This will all blow over |
| 00:52:25 |
BRENNAN: No. They want to hurt me. |
| 00:52:28 |
That phony Reilly, night-school commando. |
| 00:52:33 |
All those years he rode |
| 00:52:36 |
...you don't tell me, he didn't take. |
| 00:52:38 |
CHAPMAN: Nobody knows what goes on |
| 00:52:41 |
You're fucking right. |
| 00:52:42 |
And this spic, Valentin, |
| 00:52:46 |
He spent all his time undercover, |
| 00:52:49 |
...palling with the junkies. |
| 00:52:53 |
I always heard he was clean. |
| 00:52:55 |
BRENNAN: Clean? I know my ass is clean, |
| 00:52:59 |
Who do you trust, Mike? |
| 00:53:04 |
You. I trust you, Chappie. |
| 00:53:06 |
BRENNAN: Because we've been through it |
| 00:53:09 |
You're the whitest black man I ever knew. |
| 00:53:14 |
Come on, help me. They want my ass. |
| 00:53:17 |
How? |
| 00:53:19 |
Promise me. |
| 00:53:22 |
...but you have to promise me. |
| 00:53:26 |
BRENNAN: You know |
| 00:53:29 |
I want him before you bring him downtown. |
| 00:53:32 |
I don't know him. I don't know where he is. |
| 00:53:36 |
You got Luis' home address? |
| 00:53:38 |
I got it, but I don't know. |
| 00:53:41 |
Come on, this is me you're talking to, |
| 00:53:44 |
BRENNAN: Come on, Chappie. Come on! |
| 00:53:49 |
VALENTIN: Ten bucks. |
| 00:53:50 |
[Mrs. Valentin speaking in Spanish] |
| 00:53:53 |
VALENTIN: Look at these prices, man. |
| 00:53:57 |
[Mrs. Valentin responds in Spanish] |
| 00:53:59 |
VALENTIN: |
| 00:54:01 |
I'm going to the video store. |
| 00:54:05 |
MRS. VALENTIN: Whatever you want. |
| 00:54:10 |
VALENTIN: Hey, Mike. |
| 00:54:14 |
Seeing you, Luis. That's what I'm here for. |
| 00:54:17 |
How'd you find us? |
| 00:54:19 |
What's your boy's name? |
| 00:54:21 |
- Lucito. |
| 00:54:24 |
I've got to see you alone, Luis. Now. |
| 00:54:28 |
Sure, man. Come on. |
| 00:54:40 |
VALENTIN: Here okay, Lieutenant? |
| 00:54:44 |
BRENNAN: Perfect. |
| 00:54:46 |
Shoot, Lieutenant. |
| 00:54:48 |
BRENNAN: I'm the wrong guy |
| 00:54:54 |
BRENNAN: You got a line on Montalvo |
| 00:54:57 |
Not yet, man, but we'll find him. |
| 00:54:59 |
I got the stool brigade out looking. |
| 00:55:01 |
Takes a stool to find a stool, |
| 00:55:04 |
BRENNAN: You'll take him to Reilly? |
| 00:55:06 |
Sure, man, where else? |
| 00:55:08 |
BRENNAN: I have to talk to him first, Luis. |
| 00:55:10 |
BRENNAN: |
| 00:55:13 |
BRENNAN: |
| 00:55:16 |
I don't know. That's rough, Lieutenant. |
| 00:55:20 |
BRENNAN: Jesus Christ. |
| 00:55:23 |
Luis, you were in narcotics, right? |
| 00:55:26 |
Yeah. |
| 00:55:29 |
BRENNAN: You worked with Alvarez, |
| 00:55:32 |
Yeah. |
| 00:55:35 |
$10,000. |
| 00:55:38 |
What? |
| 00:55:39 |
Don't play boy scout with me, |
| 00:55:44 |
BRENNAN: You worked with Alvarez, |
| 00:55:47 |
VALENTIN: I'm clean, Lieutenant. |
| 00:55:49 |
Don't pull my prick, Valentin. |
| 00:55:54 |
I know everything that goes on. |
| 00:55:57 |
Everything. |
| 00:55:59 |
BRENNAN: You want particulars? |
| 00:56:01 |
The Rubelo case. |
| 00:56:02 |
- $80,000. You split it five ways. |
| 00:56:06 |
BRENNAN: "Lieutenant" to you. |
| 00:56:08 |
BRENNAN: Don't look down! |
| 00:56:10 |
You look me in the face. |
| 00:56:13 |
Now, are you in... |
| 00:56:15 |
...for $10,000? |
| 00:56:17 |
Yes, Lieutenant, yes. |
| 00:56:21 |
The contract's closed. |
| 00:56:24 |
$10,000, cash, |
| 00:56:31 |
Don't fuck with me on this one, Luis. |
| 00:56:34 |
If you fuck with me... |
| 00:56:35 |
...better you piss a kidney stone |
| 00:56:42 |
I understand, Lieutenant. |
| 00:56:48 |
That's a nice kid. |
| 00:56:52 |
VALENTIN: Chappie, it's me. |
| 00:56:55 |
He was here. |
| 00:56:56 |
CHAPMAN: He caught me, too. |
| 00:56:59 |
Don't talk on the phone. |
| 00:57:00 |
CHAPMAN: I'll see you tomorrow. |
| 00:57:02 |
I'm all shook up. |
| 00:57:06 |
Have a good day off. |
| 00:57:07 |
Chappie? |
| 00:57:08 |
REILLY: That's right, $10,000. |
| 00:57:12 |
BLOOMENFELD: One good thing. |
| 00:57:13 |
You can trust Chappie and Valentin, |
| 00:57:17 |
REILLY: What do I do, Bloomy? |
| 00:57:21 |
REILLY: I see him at 2:30. |
| 00:57:23 |
BLOOMENFELD: |
| 00:57:25 |
From now on, you keep me informed |
| 00:57:28 |
None of this departmental-loyalty crap. |
| 00:57:30 |
My boss is higher than your boss. |
| 00:57:33 |
You're a lawyer now, don't forget that. |
| 00:57:35 |
Your final responsibility is to the DA. |
| 00:57:38 |
We can have this walk anytime you need me. |
| 00:57:42 |
Don't worry. |
| 00:57:44 |
Even if I were wearing a wire, |
| 00:57:48 |
[Noise of heavy machinery continues] |
| 00:57:53 |
I thought this was going to be a simple case. |
| 00:57:56 |
My final word of advice is this, Francis. |
| 00:57:58 |
You're letting a purveyor of narcotics, a liar |
| 00:58:03 |
There are not too many of us left in this city. |
| 00:58:06 |
There's only room now for a select few. |
| 00:58:09 |
Stay with us, Francis. |
| 00:58:12 |
I'm having friends in on Wednesday |
| 00:58:16 |
The Montauk Club, 9:00 pm. |
| 00:58:18 |
Come alone, Francis. |
| 00:59:17 |
I want to say what I have to say, |
| 00:59:23 |
Yes, I was shocked that day. |
| 00:59:26 |
I'm an Irish cop from Queens. |
| 00:59:28 |
All I knew about black people was |
| 00:59:31 |
...and they made my job very hard. |
| 00:59:34 |
When we met at Brooklyn Law, |
| 00:59:37 |
They're right. Love can do that to you. |
| 00:59:40 |
I loved being in love with a girl from the 34. |
| 00:59:42 |
It made me feel anything was possible |
| 00:59:45 |
I loved our life together, the school, |
| 00:59:47 |
...walking you home, |
| 00:59:53 |
Whatever that look on my face said to you... |
| 00:59:58 |
...that wasn't how I felt. |
| 01:00:02 |
I've died a thousand times since. |
| 01:00:03 |
Every unanswered phone call, every time |
| 01:00:13 |
...every time I looked at |
| 01:00:17 |
Then you disappeared, |
| 01:00:19 |
A little piece of me every day for six years. |
| 01:00:25 |
All I do is work. |
| 01:00:30 |
...no furniture in it. |
| 01:00:41 |
I loved you then. |
| 01:00:45 |
I loved you while you were gone. |
| 01:00:52 |
I love you now. |
| 01:00:57 |
Nancy, I'll do whatever you want. |
| 01:01:14 |
You know, something can happen... |
| 01:01:17 |
...a little thing... |
| 01:01:18 |
...and everything changes. |
| 01:01:20 |
[Sentimental music] |
| 01:01:21 |
Like one time, I was with this guy... |
| 01:01:24 |
...and he came into my bedroom... |
| 01:01:26 |
...and he was naked, |
| 01:01:30 |
And I just started to laugh. |
| 01:01:32 |
And just like that, |
| 01:01:41 |
So that's what happened |
| 01:01:46 |
Everything went out of me then. |
| 01:01:49 |
Everything left me. |
| 01:01:52 |
Good-bye, rainbow people... |
| 01:01:54 |
...good-bye, good times... |
| 01:01:56 |
...good-bye, paralegal. |
| 01:01:59 |
It was everything. |
| 01:02:04 |
Maybe you were right about one thing. |
| 01:02:07 |
Maybe I was testing you. |
| 01:02:09 |
Maybe I didn't want to tell you |
| 01:02:12 |
Maybe I wanted to see your face... |
| 01:02:14 |
...naked, no guard up, how you really felt... |
| 01:02:17 |
...hoping I would be wrong |
| 01:02:22 |
If I was testing you... |
| 01:02:24 |
...I found out... |
| 01:02:26 |
...and you failed, white boy. |
| 01:02:30 |
You can do one thing for me. |
| 01:02:33 |
If you're going after Bobby, |
| 01:02:37 |
...because of us. |
| 01:02:40 |
Things were not so great for me |
| 01:02:46 |
He found me and he got me off dope. |
| 01:02:49 |
He takes care of my mother |
| 01:02:54 |
...as much as you do. |
| 01:02:59 |
I'm going to Broadway 96, you know it? |
| 01:03:09 |
Yeah, I know it. |
| 01:03:12 |
[Energetic Latin music] |
| 01:04:14 |
BOBBY: You're so beautiful. |
| 01:04:17 |
Gentlemen, my wife, Nancy. |
| 01:04:19 |
Honey, I want you to meet |
| 01:04:22 |
Stand up, Hank. |
| 01:04:25 |
Come on. |
| 01:04:26 |
Come on, yeah. |
| 01:04:29 |
His friend whose name I don't know. |
| 01:04:32 |
Armandito and Alfonsito Segal. |
| 01:04:36 |
[Speaking in Spanish] |
| 01:04:45 |
I can't stand this spic shit. |
| 01:04:48 |
I'm going to the bar. |
| 01:04:51 |
Tell him to come alone. I don't want |
| 01:04:54 |
Bobby Tex is okay, he's done all right for us. |
| 01:04:58 |
You made money with Bobby, huh? |
| 01:04:59 |
We all have, he's a good kid. |
| 01:05:02 |
- You know what's going on? |
| 01:05:04 |
Then mind your own fucking business. |
| 01:05:36 |
[Bandleader introduces song in Spanish] |
| 01:05:45 |
Bobby, you've been with us |
| 01:05:48 |
- And we looked out for you. |
| 01:05:49 |
- No static on the street, right? |
| 01:05:52 |
- No interference from us, right? |
| 01:05:54 |
You always get first crack |
| 01:05:58 |
I've always done the right thing back to you. |
| 01:06:00 |
- No complaints, you're reliable... |
| 01:06:03 |
These two shooters |
| 01:06:06 |
- They're two nice Jewish boys from Cuba. |
| 01:06:09 |
- Cuban Hebes? |
| 01:06:11 |
That means no hits on Saturday, huh? |
| 01:06:14 |
Bobby, don't shit me. |
| 01:06:17 |
I need some protection now from Brennan. |
| 01:06:20 |
BOBBY: He's gonna whack me. |
| 01:06:23 |
He killed Julio, now Tony. He's after me. |
| 01:06:25 |
I'm not sitting still and letting him do this. |
| 01:06:28 |
The balance is very delicate, right? |
| 01:06:30 |
We can't disturb what's going on downtown. |
| 01:06:32 |
I keep my hands in my pockets |
| 01:06:35 |
Take a vacation, let things cool off. |
| 01:06:38 |
But do not hurt that person, |
| 01:06:41 |
HANK: No way. |
| 01:06:42 |
HANK: Don't forget, you dropped him in. |
| 01:06:45 |
You want to protect yourself |
| 01:06:48 |
But stay away. You've been told. |
| 01:06:50 |
[Mellow Latin lounge music] |
| 01:07:00 |
Bad news or what? |
| 01:07:02 |
Brennan plucked my wings, |
| 01:07:06 |
We'll fuck him. |
| 01:07:07 |
[Asks how much the bill is in Spanish] |
| 01:07:09 |
It's taken care of. |
| 01:07:14 |
Mr. Texador. |
| 01:07:21 |
Nothing to worry about. |
| 01:07:22 |
They did pretty good, huh? Come on. |
| 01:07:26 |
[Bodyguard speaks in Spanish] |
| 01:07:31 |
Mr. Texador, please! |
| 01:07:34 |
You don't come at me like that! |
| 01:07:38 |
Of course, I'm sorry. |
| 01:07:40 |
I'm Jose Malpica, Roger Montalvo's friend. |
| 01:07:44 |
BOBBY: What do you want to see me about? |
| 01:07:47 |
They're okay. |
| 01:07:49 |
I've been waiting all night |
| 01:07:52 |
I've been dancing out my ass off, my feet |
| 01:07:57 |
It's Roger, he wants to see you. |
| 01:08:00 |
Good. You don't mind coming along. |
| 01:08:13 |
[Singing in falsetto '60s song] |
| 01:08:24 |
BOBBY: Where are we going? |
| 01:08:25 |
JOSE: He's in my dressing room. |
| 01:08:57 |
JOSE: After you... |
| 01:09:00 |
Montalvo, my man. |
| 01:09:03 |
Hola, puss. |
| 01:09:06 |
ROGER: I'm upset. I want her with me. |
| 01:09:08 |
BOBBY: Loose lips sink ships, |
| 01:09:10 |
I'll call you later. |
| 01:09:13 |
Want to get the fuck out of here? |
| 01:09:21 |
- Want some snort? |
| 01:09:43 |
- Brennan's gonna kill me, Bobby. |
| 01:09:46 |
- You know he's going to kill you, too. |
| 01:09:49 |
That's why I got my two friends now. |
| 01:09:51 |
Please, he'll crush them into wine, honey. |
| 01:09:55 |
I want to tell you something. |
| 01:09:57 |
I'm gay, |
| 01:09:59 |
...but Brennan scares the shit out of me. |
| 01:10:02 |
It's his eyes, you know, he's a fag killer. |
| 01:10:04 |
And like all those guys, he's gay. |
| 01:10:08 |
You faggots say that about everybody. |
| 01:10:10 |
ROGER: I hate him so fucking much. |
| 01:10:12 |
BOBBY: Why'd you stool for him, fuck? |
| 01:10:14 |
It was four years ago. He got me out of stir. |
| 01:10:18 |
I'm a three-time loser, Bobby. |
| 01:10:21 |
I'm not getting any younger. |
| 01:10:22 |
BOBBY: You went to work for him. |
| 01:10:24 |
It wasn't easy, but he did get me out. |
| 01:10:27 |
I'm always hiding from him, |
| 01:10:30 |
It's like a fucking nightmare. |
| 01:10:32 |
Anyway, last year he comes to me. |
| 01:10:34 |
He wants some names checked out. |
| 01:10:38 |
So, you know, I find out. |
| 01:10:40 |
And I realize it was the old Sinners gang. |
| 01:10:42 |
My club? Really? |
| 01:10:46 |
- We split up 20 years ago. |
| 01:10:48 |
Four of you guys got wasted |
| 01:10:51 |
...and only three were left. |
| 01:10:53 |
There was Sierra |
| 01:10:56 |
Tony and Sierra were working for you. |
| 01:10:58 |
BOBBY: You fingered Tony for him. |
| 01:11:01 |
He found me that night. |
| 01:11:03 |
...so he makes me call Tony outside, |
| 01:11:06 |
ROGER: Thing is, |
| 01:11:10 |
You're a faggot motherfucker. |
| 01:11:15 |
He's probably waiting outside |
| 01:11:17 |
I won't do that to you, Bobby. |
| 01:11:19 |
You think I'm gonna team up |
| 01:11:22 |
You fucking little douchebag. |
| 01:11:24 |
I'll take you out right now, |
| 01:11:27 |
- Yeah, but you won't. |
| 01:11:29 |
Don't be stupid! |
| 01:11:32 |
Not unless you're crazy, baby, |
| 01:11:35 |
I'm your witness, |
| 01:11:38 |
- I'm the one who can... |
| 01:11:41 |
What do think I contacted you for? |
| 01:11:45 |
You got the money, the boats, |
| 01:11:49 |
...alive. |
| 01:11:52 |
I can't go to the grand jury without him. |
| 01:11:55 |
There's no doubt now, |
| 01:11:58 |
That's why he offered money for the stool. |
| 01:12:01 |
No man, nothing's happening. |
| 01:12:05 |
Chappie, you said that if Brennan |
| 01:12:09 |
I'll accept that. But nothing short of it. |
| 01:12:11 |
You want me to tail him? |
| 01:12:13 |
- Lf he gets to the stool... |
| 01:12:15 |
- You're a cop, Chappie. |
| 01:12:17 |
VALENTIN: You're a natural shadow, |
| 01:12:21 |
Fuck you, fartmaker. |
| 01:12:24 |
REILLY: Should I put somebody else |
| 01:12:26 |
No, man, he'll do it. |
| 01:12:45 |
I'll ask you straight. |
| 01:12:48 |
...since this investigation started? |
| 01:12:52 |
I think he's getting some information |
| 01:12:56 |
Fuck this shit. Fuck this shit, man. |
| 01:12:58 |
I had to ask, that's all. |
| 01:13:00 |
Look, choirboy, I don't spy, lie, or cheat. |
| 01:13:04 |
CHAPMAN: You want me off, I'm off. |
| 01:13:07 |
REILLY: Sorry I had to ask. |
| 01:13:10 |
Got to admit, you and Brennan is |
| 01:13:14 |
CHAPMAN: Yeah? Why not? |
| 01:13:17 |
Jesus Christ, |
| 01:13:20 |
REILLY: You'd know better than anybody. |
| 01:13:21 |
It's no big deal, it's just his way. |
| 01:13:27 |
How do you take it? |
| 01:13:28 |
I told you, no problem. He's him. I'm me. |
| 01:13:33 |
What about the others? |
| 01:13:35 |
What others? |
| 01:13:36 |
REILLY: The ones not so out in the open. |
| 01:13:37 |
Fuck them. They're them, I'm still me. |
| 01:13:43 |
Can you... |
| 01:13:46 |
Can you spot them? |
| 01:13:48 |
Shit, yeah. |
| 01:13:51 |
You see, |
| 01:13:55 |
...about what it's like |
| 01:13:58 |
Shit like that. |
| 01:14:00 |
Anything else? |
| 01:14:03 |
No, Chappie. |
| 01:14:04 |
Listen, Al, you're not a bad kid, |
| 01:14:08 |
You want to know what color I am, |
| 01:14:12 |
I'm blue. |
| 01:14:13 |
When I was in the Corps, I was olive drab, |
| 01:14:19 |
...or whatever was |
| 01:14:22 |
CHAPMAN: You got it? |
| 01:14:27 |
Y'all take care now, you hear? |
| 01:14:37 |
[Tense instrumental music] |
| 01:14:38 |
[Speaking Spanish] |
| 01:14:50 |
[Fast-paced, |
| 01:15:20 |
Oh, God, it should have come to this. |
| 01:15:24 |
BOBBY: You'll be comfortable soon. |
| 01:15:27 |
Puerto Rico. You'll stay on a nice boat. |
| 01:15:29 |
I get seasick. I absolutely hate boats. |
| 01:15:32 |
Don't be an asshole. It's tied up at my dock. |
| 01:15:35 |
All the candy you need. |
| 01:15:39 |
I'm going to try to be true to Jose. |
| 01:15:42 |
Ay Dios mío, what did I ever do |
| 01:15:45 |
Everything. |
| 01:15:48 |
Anything I can do for you |
| 01:15:50 |
ROGER: Sorry, Nancy, |
| 01:15:54 |
Now listen to me, maricón. |
| 01:15:57 |
Sometimes you're not that funny, |
| 01:16:01 |
Just keep respect. |
| 01:16:05 |
Oh, you brute. |
| 01:16:09 |
[Rhythmic instrumental music] |
| 01:16:32 |
AGNES: That ends my official duties. |
| 01:16:36 |
AGNES: Dirty stories are okay, |
| 01:16:40 |
...but there will be no girls. |
| 01:16:43 |
QUINN: Send Gerald back with the car. |
| 01:16:46 |
QUINN: Goodnight. |
| 01:17:02 |
Leave those. Thank you. |
| 01:17:04 |
What conclusion did you reach, Bob? |
| 01:17:06 |
The best. |
| 01:17:08 |
Your recognition factor is almost as high |
| 01:17:12 |
The image factor couldn't be better. |
| 01:17:16 |
Poor boy who made it, ex-cop. |
| 01:17:18 |
You're strong in Queens, Staten Island, |
| 01:17:22 |
Nassau and Suffolk are a wrap. |
| 01:17:24 |
Now, the good news. |
| 01:17:26 |
Stronger as we move upstate |
| 01:17:29 |
...around Troy, Utica, Buffalo. |
| 01:17:33 |
But that together with Levy for governor... |
| 01:17:36 |
...Amalfitano for lieutenant governor... |
| 01:17:39 |
...it's the perfect ticket. |
| 01:17:42 |
Money clearly is no problem. |
| 01:17:46 |
And that's not counting Agnes' dowry. |
| 01:17:49 |
That's a lot to invest |
| 01:17:52 |
I'm ahead of you. |
| 01:17:53 |
Levy thinks he can be |
| 01:17:55 |
MAGNUS: I told him it's not time yet... |
| 01:17:57 |
...but when he gets the bug, |
| 01:17:59 |
He figures, at worst, vice president. |
| 01:18:02 |
In two years time, |
| 01:18:06 |
He resigns the governorship, |
| 01:18:09 |
MAGNUS: If we take it that year. |
| 01:18:11 |
We move Amalfitano to the Supreme Court, |
| 01:18:15 |
That leaves you sitting in the catbird seat |
| 01:18:18 |
MAGNUS: So, Kevin? |
| 01:18:22 |
Let's go for it. |
| 01:18:24 |
SEABURY: Kevin... |
| 01:18:26 |
...you've fought the good fight. |
| 01:18:28 |
Holding fast year after year. |
| 01:18:32 |
Here's to the next Attorney General. |
| 01:18:35 |
Hear, hear. |
| 01:18:39 |
[Birds chirping] |
| 01:18:41 |
BRENNAN: You need a Puerto Rican |
| 01:18:45 |
For six years I've been with you wops. |
| 01:18:47 |
I've saved you guys from big junk collars, |
| 01:18:51 |
I've even gone on |
| 01:18:55 |
You're telling me you need Bobby Tex? |
| 01:18:59 |
He runs a good operation, Mike. |
| 01:19:00 |
HANK: Let's wait, |
| 01:19:03 |
If you had a square asshole, |
| 01:19:05 |
- I don't want to hear that shit. |
| 01:19:08 |
You're gonna put on your Al Capone face? |
| 01:19:11 |
You want to step out right now? |
| 01:19:14 |
You want to go in the kitchen with knives? |
| 01:19:17 |
I chew up you fucking wise guys |
| 01:19:21 |
Mike, come on, my friend. |
| 01:19:25 |
We're all friends here. |
| 01:19:27 |
Why are you so angry? |
| 01:19:29 |
I'll tell you why, Nick, I know you guys. |
| 01:19:31 |
You'd crawl over your dying mother |
| 01:19:34 |
When I need you, me, a harp... |
| 01:19:37 |
I get this "he runs a good operation" shit. |
| 01:19:41 |
I'm telling you Nick, |
| 01:19:44 |
...l'm taking everybody with me. |
| 01:19:47 |
And listen, |
| 01:19:50 |
...they got this new Assistant DA Reilly. |
| 01:19:54 |
He likes me. He thinks I'm hot shit. |
| 01:19:56 |
He gets a big envelope |
| 01:20:05 |
Mike is right. |
| 01:20:09 |
What are we talking about here, |
| 01:20:15 |
We're going to lose |
| 01:20:18 |
Bury him, Hank. |
| 01:20:20 |
PETRONE: Larry, you set it up. |
| 01:20:23 |
HANK: We'll get on it tonight, Nick. |
| 01:20:25 |
PETRONE: Done. |
| 01:20:27 |
You see, Mike, no reason to get angry. |
| 01:20:32 |
I understand... |
| 01:20:34 |
...it's not like the old days. |
| 01:20:39 |
We got spics and niggers |
| 01:20:42 |
With us, the police force, |
| 01:20:49 |
You come to a crime scene, |
| 01:20:58 |
Go home, Mike, it's over. |
| 01:21:01 |
Okay. |
| 01:21:04 |
Sorry, Hank. |
| 01:21:12 |
[Petrone saying 'crazy' in Italian] |
| 01:21:21 |
He's trouble. |
| 01:21:24 |
It's too bad. |
| 01:21:26 |
PETRONE: He was good for us. |
| 01:21:28 |
No. Tex first, that'll calm Mike a little... |
| 01:21:33 |
...while we check out this Reilly guy. |
| 01:21:37 |
It is. I've seen the guy. We're covered. |
| 01:21:41 |
You see what happens |
| 01:21:45 |
Maybe it's better this way. |
| 01:21:49 |
Start a whole new operation. |
| 01:21:53 |
Anybody know any chinks? |
| 01:21:54 |
[All laughing] |
| 01:21:58 |
[Announcer speaking in Spanish] |
| 01:22:02 |
FRANCONl: Phillie. |
| 01:22:04 |
FRANCONl: Danny, how do you like |
| 01:22:06 |
DANNY: It's hot. |
| 01:22:07 |
ANNOUNCER: Don't leave cars unattended |
| 01:22:14 |
[Speaks in Spanish] |
| 01:22:21 |
[Phone rings] |
| 01:22:24 |
Yes? |
| 01:22:25 |
It's me, Larry. I just got in. |
| 01:22:28 |
- How about some dinner? |
| 01:22:31 |
How about the Gobernador? |
| 01:22:34 |
BOBBY: That's swell with me, Larry. |
| 01:22:36 |
8:30. Pick me up |
| 01:22:40 |
And Bobby, I'm alone. |
| 01:22:42 |
Leave the Cubans at home. |
| 01:22:46 |
8:30. |
| 01:22:51 |
FRANCONl: You guys get here around 8:30. |
| 01:22:55 |
Danny, you stay on the wheel |
| 01:22:58 |
Phillie, when you start to us... |
| 01:23:00 |
...l'll get out of his car. |
| 01:23:03 |
You pop him, go for the head, |
| 01:23:07 |
Separate flights back, it's a snap. |
| 01:23:09 |
PHILLIE: You got it. |
| 01:23:16 |
[Jet aircraft engines overhead] |
| 01:23:37 |
PHILLIE: Danny, order me another margarita. |
| 01:23:45 |
[Water beating down in shower] |
| 01:24:13 |
[Laughing] That's some sign |
| 01:24:16 |
I guess since I'm here, I got no choice, huh? |
| 01:24:19 |
Lieutenant. |
| 01:24:21 |
Boy, that's some show you guys put on. |
| 01:24:24 |
No, really. |
| 01:24:28 |
- You were there tonight. |
| 01:24:31 |
Jesus, I could have sworn |
| 01:24:39 |
That chorus, they work really hard. |
| 01:24:43 |
Jesus, that end guy, what legs. |
| 01:24:47 |
That gets a guy horny, you know? |
| 01:24:51 |
JOSE: His name is Michael, like yours. |
| 01:24:54 |
BRENNAN: No shit? Wow. |
| 01:25:00 |
You look pretty good up there yourself. |
| 01:25:06 |
You want it, Mike. |
| 01:25:08 |
Yeah, $100. |
| 01:25:10 |
I pitch, you catch. |
| 01:25:14 |
Let me get some of this crud off. |
| 01:25:16 |
BRENNAN: All right, let me help you. |
| 01:25:19 |
We'll go over to your place, all right? |
| 01:25:23 |
We'll take this Vaseline here. |
| 01:25:25 |
And I've got K-Y. |
| 01:25:31 |
Just wipe this off, a little bit. |
| 01:26:10 |
JOSE: So, what would you like me to wear? |
| 01:26:14 |
JOSE: Bra? Panties? |
| 01:26:18 |
JOSE: Garter belt? |
| 01:26:21 |
BRENNAN: Whatever, lover. |
| 01:26:24 |
JOSE: Give me a few minutes. |
| 01:26:43 |
[Answering machine beeps] |
| 01:26:53 |
MARTY: [Over machine] This is Marty. |
| 01:26:56 |
[Answering machine beeps] |
| 01:27:02 |
VINCE: [Over machine] |
| 01:27:11 |
ROGER: [Over machine] Hi, it's Roger. |
| 01:27:14 |
I'm on a boat in fucking Puerto Rico. |
| 01:27:18 |
It's too tacky. |
| 01:27:19 |
He calls it The Nancy. I could vomit. |
| 01:27:22 |
I'm so lonely, I could die. |
| 01:27:26 |
809-555-7171. |
| 01:27:29 |
There's a payphone at the end of the pier. |
| 01:27:33 |
Let it ring a long time. |
| 01:27:35 |
Bobby Tex has a boat with no phone. |
| 01:27:39 |
[Answering machine beeps repeatedly] |
| 01:27:50 |
Don't be scared, lover. |
| 01:27:54 |
This isn't your first time, is it? |
| 01:27:59 |
Come here. |
| 01:28:03 |
Come here. Come on. |
| 01:28:05 |
[Latin music playing on radio] |
| 01:28:16 |
Turn around. |
| 01:28:52 |
BOBBY: Larry, it's this way. |
| 01:28:56 |
It's this way. |
| 01:29:15 |
BOBBY: Something on your mind, Larry? |
| 01:29:17 |
FRANCONl: No, I'm just feeling the jet lag. |
| 01:29:20 |
BOBBY: Really? How come? |
| 01:29:40 |
Jesus, Bobby, |
| 01:29:43 |
I came down here to warn you. |
| 01:29:46 |
Cut the shit. |
| 01:29:49 |
Your two gunsels are out of action. |
| 01:29:52 |
BOBBY: You're left holding it. |
| 01:29:54 |
Jesus, Bobby, we made money. |
| 01:29:58 |
Chicken-plucking guinea, |
| 01:30:01 |
I ain't decided that yet. |
| 01:30:03 |
BOBBY: When you make it back, |
| 01:30:07 |
- I didn't put the finger on you... |
| 01:30:12 |
I'm getting out now. |
| 01:30:14 |
I'm going to bury your boy Brennan, |
| 01:30:19 |
He jammed Sierra and Tony. |
| 01:30:23 |
If they stay in this corner, |
| 01:30:27 |
I'll make Miami look like a little place |
| 01:30:31 |
BOBBY: If they let me settle this now, |
| 01:30:34 |
...they're never going to see |
| 01:30:37 |
They can name whoever they want |
| 01:30:40 |
I don't ask for separation pay. |
| 01:30:43 |
I think you know my word is good. |
| 01:30:46 |
BOBBY: So do they. |
| 01:30:48 |
Can I leave now? |
| 01:30:49 |
Sure, get out of here, scumbag. |
| 01:30:54 |
I've got nothing against you, Bobby. |
| 01:30:58 |
Get out of here, |
| 01:31:04 |
[Speaking in Spanish] |
| 01:31:19 |
[Phone rings] |
| 01:31:28 |
Yeah. |
| 01:31:29 |
BOBBY: Is this the Assistant DA Reilly? |
| 01:31:31 |
Yeah, who's this? |
| 01:31:33 |
BOBBY: Bobby Tex. |
| 01:31:38 |
What's up? |
| 01:31:40 |
How about that whole fucking city, |
| 01:31:44 |
I'm at the Hilton. I'm here in San Juan, |
| 01:31:48 |
And that leaves Kennedy at 7:00 a.m. |
| 01:31:51 |
REILLY: Why? |
| 01:31:52 |
I got Roger the Dodger. |
| 01:31:56 |
Does he finger Brennan? |
| 01:31:58 |
BOBBY: Brennan is the least of it. |
| 01:32:00 |
How would you like Quinn? |
| 01:32:03 |
What? |
| 01:32:04 |
BOBBY: You want me to keep talking? |
| 01:32:07 |
Three things: |
| 01:32:08 |
You talk to anybody, all bets are off, |
| 01:32:12 |
BOBBY: Two, no wires, please. |
| 01:32:14 |
And three, no Chappie. |
| 01:32:18 |
I want to tell you that |
| 01:32:22 |
REILLY: I'll bring Valentin and one other. |
| 01:32:25 |
If you're not here on the first plane, |
| 01:32:29 |
...and then you're going to have |
| 01:32:33 |
You know, you're in over your head as it is. |
| 01:32:36 |
That's the whole reason |
| 01:32:49 |
[Phone rings] |
| 01:32:54 |
Bloomy, were you asleep? |
| 01:32:58 |
Of course, what's up? |
| 01:33:01 |
I've got to go to Puerto Rico, first plane. |
| 01:33:05 |
BLOOMENFELD: What witness? |
| 01:33:06 |
The Tony Vasquez killing. |
| 01:33:08 |
It was no self-defense, |
| 01:33:11 |
Jesus. |
| 01:33:13 |
You told Quinn? |
| 01:33:14 |
I can't, Bloomy, he's in it. |
| 01:33:19 |
My God, Quinn. |
| 01:33:23 |
I don't know how yet, but... |
| 01:33:25 |
...I trust this witness |
| 01:33:28 |
Leave a night message |
| 01:33:32 |
Not a word of this to anyone. |
| 01:33:34 |
BLOOMENFELD: Take your flight. |
| 01:33:37 |
Anything you need, I'll call administration |
| 01:33:43 |
BLOOMENFELD: I'll take this to the DA. |
| 01:33:48 |
BLOOMENFELD: This is very big, |
| 01:33:53 |
Be careful. Good luck. |
| 01:34:03 |
VALENTIN: That's the best phone call |
| 01:34:05 |
Back to the land of my fathers, you know? |
| 01:34:08 |
Not going to have time to enjoy it, |
| 01:34:11 |
You're kidding me. |
| 01:34:14 |
I'm meeting Bobby Tex, |
| 01:34:17 |
We may have to bring someone back. |
| 01:34:20 |
...if anything happens to him. |
| 01:34:23 |
Zucker, you're still a virgin, man? |
| 01:34:25 |
You heard about this guy, Al? |
| 01:34:28 |
Eighteen years on the force, |
| 01:34:31 |
...and the guy's never fired a gun. |
| 01:34:34 |
Four years and I bury the damn thing. |
| 01:34:36 |
ANNOUNCER: TWA Flight Number 413 |
| 01:35:09 |
Taxi. |
| 01:35:26 |
[Light orchestral music] |
| 01:36:00 |
[Speaking in Spanish] |
| 01:36:56 |
BOBBY: Takes your breath away, don't it? |
| 01:37:01 |
You hate like guys like me, don't you? |
| 01:37:05 |
Well, $1,600 worth of silk on my back. |
| 01:37:10 |
And you |
| 01:37:12 |
I'm cops, you're robbers. |
| 01:37:14 |
BOBBY: Not to mention |
| 01:37:17 |
Some of this is going to get tough on you. |
| 01:37:19 |
Because I want out. |
| 01:37:21 |
I want to get away from you cops |
| 01:37:25 |
Are you turning? |
| 01:37:26 |
Who the fuck are you? |
| 01:37:30 |
You're talking to Roberto Texador, |
| 01:37:38 |
You know, you better look around. |
| 01:37:41 |
There's a whole world out here. |
| 01:37:43 |
BOBBY: A nice one, maybe. |
| 01:37:46 |
I want to take a look. |
| 01:37:48 |
Right now, I'm sitting around here. |
| 01:37:51 |
Nancy. |
| 01:37:53 |
She deserves better, don't you think? |
| 01:37:57 |
I really love her... |
| 01:37:59 |
...and she likes me. |
| 01:38:01 |
We're good together, you know? |
| 01:38:06 |
BOBBY: I told you, this can get tough. |
| 01:38:08 |
So now that you're a good guy, |
| 01:38:11 |
Okay. |
| 01:38:12 |
Do you know Brennan's on a contract? |
| 01:38:15 |
I'm the last installment |
| 01:38:18 |
Roger put me onto this. |
| 01:38:21 |
- Who put the contract out? |
| 01:38:24 |
Twenty-four, |
| 01:38:27 |
You got a bunch of tough kids, PRs. |
| 01:38:30 |
We used to call ourselves the Sinners then. |
| 01:38:34 |
We rumbled. |
| 01:38:35 |
- I mean we rumbled with anybody. |
| 01:38:38 |
- You ever do anything, make anybody? |
| 01:38:40 |
BOBBY: Nickel-and-dime stuff. |
| 01:38:41 |
You protect a fruit stand, man, |
| 01:38:45 |
BOBBY: You run a few numbers for the |
| 01:38:49 |
We liked to rumble, we got down. |
| 01:38:51 |
[Bobby speaks in Spanish] |
| 01:38:55 |
We had a kid, his name was Skinny. |
| 01:38:58 |
He used to deliver for the A&P. |
| 01:39:00 |
He sort of thought we were the thing. |
| 01:39:03 |
If we had a bad rumble coming up |
| 01:39:07 |
In those days it was okay |
| 01:39:09 |
Some of these kids were coming all the way |
| 01:39:14 |
Then anyway, this kid, Skinny... |
| 01:39:16 |
See, I'd never seen anyone that bad. |
| 01:39:19 |
This kid would stand |
| 01:39:21 |
...with the bullets flying all around him. |
| 01:39:24 |
But he didn't give a shit. |
| 01:39:28 |
This kid would empty his rod, man. |
| 01:39:30 |
He wouldn't even take cover |
| 01:39:33 |
This guy was trying to show the PRs |
| 01:39:36 |
He wasn't Puerto Rican? |
| 01:39:37 |
No, he was Irish, a little older. |
| 01:39:39 |
BOBBY: He couldn't hang with his own, |
| 01:39:43 |
Wait a minute, I'm ahead of you. |
| 01:39:47 |
That's what I'm telling you. |
| 01:39:51 |
- You guys had something on him? |
| 01:39:55 |
One day we're talking away to |
| 01:39:59 |
Sweetest little guy. |
| 01:40:01 |
We wanted to raise him, |
| 01:40:03 |
Come off a rumble, |
| 01:40:07 |
- Who was it? |
| 01:40:09 |
Skinny was with us with his piece. |
| 01:40:11 |
But the little guy Garcia, |
| 01:40:14 |
He says, "That's it, I'm not paying now. |
| 01:40:17 |
He picked up a bat, right? |
| 01:40:19 |
Skinny popped him. |
| 01:40:21 |
REILLY: Jesus H. Christ. |
| 01:40:23 |
Just like that, I couldn't believe it. |
| 01:40:25 |
Twelve years ago, Al... |
| 01:40:27 |
...l'm down in General Session, |
| 01:40:32 |
- Remember the Fuentes case? |
| 01:40:37 |
I see him in the corridor, |
| 01:40:41 |
...very different. |
| 01:40:44 |
But he was the same. |
| 01:40:46 |
You know what I mean? |
| 01:40:50 |
So what's he got on Brennan... |
| 01:40:52 |
...to make him the hit man? |
| 01:40:55 |
I don't know. |
| 01:40:59 |
That shouldn't be too hard to find out, |
| 01:41:04 |
Give me a Q&A on this, |
| 01:41:07 |
I'm not a rat. |
| 01:41:09 |
BOBBY: You tell Quinn that. |
| 01:41:11 |
All I want from him... |
| 01:41:13 |
...he calls Brennan off. |
| 01:41:16 |
Now he calls Brennan off... |
| 01:41:20 |
...I never heard of Skinny. |
| 01:41:22 |
BOBBY: That's an even trade, man. |
| 01:41:25 |
Brennan goes on being a cop. |
| 01:41:27 |
You're going to come out a hero. |
| 01:41:30 |
Me? |
| 01:41:33 |
I'm going to disappear. |
| 01:41:36 |
I'm going to take Roger Montalvo's |
| 01:41:40 |
...l'll get it done right here. |
| 01:41:43 |
What makes you think I'll be a party to this? |
| 01:41:46 |
Because I know |
| 01:41:49 |
You know this is her chance for a life. So? |
| 01:41:54 |
You talk to Quinn, okay? |
| 01:42:00 |
But if I don't hear from you in a week, |
| 01:42:04 |
You'll be the only one left. |
| 01:42:05 |
And you're going to be sitting |
| 01:42:08 |
BOBBY: That's not a good place to be |
| 01:42:16 |
[Phone rings] |
| 01:42:18 |
REILLY: Bloomy. |
| 01:42:20 |
I've been waiting for your call. Tell me. |
| 01:42:22 |
We leave in an hour, |
| 01:42:25 |
I've got to lay this out for you and the boss. |
| 01:42:30 |
Quinn. |
| 01:42:32 |
Up to his lips, Bloomy. |
| 01:42:34 |
The District Attorney, his Executive |
| 01:42:38 |
...will meet you at 4:00 a.m. |
| 01:42:41 |
They're waiting for my call now. |
| 01:42:43 |
You got Roger with you? |
| 01:42:45 |
REILLY: Not this trip. |
| 01:42:46 |
Send your cops home then. |
| 01:42:49 |
REILLY: I got it. |
| 01:42:51 |
4:00 a.m. We'll wait for you, |
| 01:42:57 |
[Brennan whistles] |
| 01:43:02 |
BRENNAN: Cangrejos Yacht Club. |
| 01:43:04 |
[Sound of airplanes in background] |
| 01:43:46 |
[Festive Latin music] |
| 01:43:50 |
[Speaking in Spanish] |
| 01:43:58 |
DA: Isn't Texador concerned |
| 01:44:02 |
...in drug dealing? |
| 01:44:03 |
REILLY: He's concerned about |
| 01:44:06 |
Our conversation was one-on-one, |
| 01:44:09 |
BLOOMENFELD: Do you believe him |
| 01:44:11 |
REILLY: Yeah. |
| 01:44:13 |
He's in love. |
| 01:44:15 |
Has been for some time. |
| 01:44:17 |
That's a lot of love, |
| 01:44:20 |
I believe him. |
| 01:44:24 |
Right now he thinks |
| 01:44:28 |
Does he have any reason to believe that? |
| 01:44:32 |
- What do you mean, sir? |
| 01:44:38 |
In no way, sir. |
| 01:44:40 |
We must work quickly |
| 01:44:43 |
You will function as usual, Reilly. |
| 01:44:46 |
We will conduct the investigation |
| 01:44:50 |
Bloomenfeld, any suggestions? |
| 01:44:54 |
All the cases they've made, |
| 01:44:56 |
...that allowed Quinn to set this up. |
| 01:44:59 |
Brennan's been on the edge so often. |
| 01:45:01 |
If it isn't airtight, |
| 01:45:06 |
REILLY: What do I do about Texador? |
| 01:45:09 |
DA: Sit tight, he said you've got a week. |
| 01:45:11 |
I want to tell you, Reilly, |
| 01:45:14 |
This is not an easy one. |
| 01:45:17 |
REILLY: Thank you, sir. |
| 01:45:21 |
[Captain speaking in Spanish] |
| 01:45:31 |
ROGER'S LOVER: No! |
| 01:45:35 |
ROGER'S LOVER: No! |
| 01:46:18 |
You're not going to yell, are you, Roger? |
| 01:46:21 |
BRENNAN: It's no use anyway. |
| 01:46:23 |
The captain left a sinking ship. |
| 01:46:26 |
I think he was disgusted with |
| 01:46:31 |
BRENNAN: I'm going to take my hand away. |
| 01:46:35 |
BRENNAN: Right, Roger? |
| 01:46:41 |
You know how long |
| 01:46:45 |
ROGER: Mike, I was so scared. |
| 01:46:48 |
BRENNAN: You shut up. |
| 01:46:50 |
BRENNAN: |
| 01:46:52 |
BRENNAN: You just shake your head |
| 01:46:56 |
BRENNAN: Okay? |
| 01:46:59 |
Now I want that fucking Texador. |
| 01:47:03 |
Are you going to get him down here for me? |
| 01:47:07 |
Alone. |
| 01:47:10 |
How? |
| 01:47:12 |
It's okay, talk. |
| 01:47:16 |
I don't know, Mike, but I'll do it. |
| 01:47:20 |
I'll do it. |
| 01:47:46 |
How do I know you won't kill me |
| 01:47:49 |
You don't. |
| 01:47:51 |
But you know I'll kill you now if you don't. |
| 01:47:54 |
Let's go. |
| 01:47:59 |
ROGER: Where is everybody? |
| 01:48:01 |
BRENNAN: People have to work, Roger. |
| 01:48:04 |
Stop a minute. |
| 01:48:06 |
How many times do you want me to say it? |
| 01:48:10 |
"Where's my papers," shit like that |
| 01:48:14 |
ROGER: I don't know who they were. They |
| 01:48:19 |
Where is Gilberto? |
| 01:48:20 |
That prick? Not on this fucking float, baby. |
| 01:48:23 |
Where'd you get him, off the Titanic? |
| 01:48:25 |
That bastard walked off the boat. |
| 01:48:27 |
You listen to me, you son of a bitch. |
| 01:48:30 |
If you're not down here in an hour, |
| 01:48:34 |
I'm going crazy. |
| 01:48:35 |
I'm coming. I'm on my way now. |
| 01:48:37 |
And one other thing: |
| 01:48:39 |
I don't want to see those |
| 01:48:42 |
They hate me. I'll see them coming! |
| 01:48:45 |
...l'm throwing myself in the fucking ocean! |
| 01:48:48 |
NANCY: Bobby, what's happening? |
| 01:48:50 |
Could be nothing, could be something. |
| 01:48:52 |
[Ln Spanish] |
| 01:49:10 |
[Roger crying] |
| 01:49:16 |
Come on Roger. |
| 01:49:23 |
Come on, cut it out, Roger. |
| 01:49:27 |
Roger. |
| 01:49:31 |
Roger, you did very good out there. |
| 01:49:34 |
You did. |
| 01:49:36 |
Listen, I've always returned favors, |
| 01:49:41 |
Come on, Roger, now cut it out. |
| 01:49:46 |
ROGER: [Crying] God! |
| 01:49:50 |
Can I have a blow, Mike? |
| 01:49:55 |
Sure, Roger. Help yourself. |
| 01:50:12 |
Roger, can I have one, too? |
| 01:50:16 |
No, no, not that kind. |
| 01:50:18 |
[Tense instrumental music] |
| 01:50:31 |
BRENNAN: That's more like it. Turn around. |
| 01:50:39 |
BRENNAN: Here, let's take this robe off. |
| 01:50:45 |
BRENNAN: There you go now. |
| 01:51:02 |
[Siren wails] |
| 01:51:04 |
[Tense pop music] |
| 01:51:11 |
Looking at this morning's report. |
| 01:51:16 |
Jose Malpica, Roger's girlfriend. |
| 01:51:22 |
CHAPMAN: It was Brennan. |
| 01:51:24 |
I tailed him. He stayed five minutes. |
| 01:51:28 |
What was I supposed to do, |
| 01:51:31 |
VALENTIN: The fox is in the chicken coop. |
| 01:51:37 |
It's okay to touch, Frank? |
| 01:51:40 |
Yeah, what the fuck. Go ahead. |
| 01:51:45 |
[Pop song continues] |
| 01:52:06 |
VALENTIN: Just put me through |
| 01:52:09 |
VALENTIN: I want to speak |
| 01:52:13 |
VALENTIN: Of course I don't have |
| 01:52:22 |
The Presidential Suite. Sí, el Presidente. |
| 01:52:27 |
Nancy, this is Al. Get out! |
| 01:52:30 |
REILLY: It's all coming down. |
| 01:52:31 |
What's coming down? Where's Bobby? |
| 01:52:33 |
Have you got anybody with you? |
| 01:52:35 |
Yes, Armand's here. But where's Bobby? |
| 01:52:37 |
[Tense pop music] |
| 01:53:45 |
[Yelling in Spanish] |
| 01:54:09 |
"The wreckage reveals two, |
| 01:54:13 |
"One boot found... |
| 01:54:14 |
"...believed to be the type |
| 01:54:17 |
"...long under surveillance of San Juan PD. |
| 01:54:19 |
"Hand and fingerprint identification |
| 01:54:24 |
"...forwarded to the FBI, Washington. |
| 01:54:26 |
VALENTIN: We should cover the airport. |
| 01:54:29 |
REILLY: Why? |
| 01:54:30 |
If Brennan did this, he'll be back. |
| 01:54:33 |
CHAPMAN: I'm not bringing him in. |
| 01:54:35 |
Pray you get the chance. |
| 01:54:39 |
CHAPMAN: You're a cop. |
| 01:54:41 |
My job is to get home to my wife and kids. |
| 01:54:44 |
Put two men |
| 01:54:48 |
Go through Port Authority Police. |
| 01:54:50 |
Valentin, he must be brought in alive. |
| 01:54:52 |
I'm not bringing him in. |
| 01:54:57 |
Al, when I last spoke to San Juan, |
| 01:55:01 |
Thought? |
| 01:55:03 |
When they got to the hotel, |
| 01:55:06 |
The clerk said she left with |
| 01:55:09 |
When we were talking, you |
| 01:55:13 |
...Alfonse, Gaston, one of those two guys... |
| 01:55:16 |
...mentioned this island |
| 01:55:19 |
No airport, no hotel. |
| 01:55:24 |
Guyola. Maybe she went there, man. |
| 01:55:30 |
Thank you, Val. |
| 01:55:33 |
ANNOUNCER: TWA Flight 210 |
| 01:55:37 |
...is now boarding at Gate 16. |
| 01:55:49 |
BRENNAN: NYPD. |
| 01:55:50 |
AIRLINE REP: I'm sorry, but you see... |
| 01:55:52 |
[Very loud airplane engines reverberate] |
| 01:56:08 |
BLOOMENFELD: We're onto something. |
| 01:56:10 |
BLOOMENFELD: When he was a cop |
| 01:56:13 |
...Brennan was brought up on charges |
| 01:56:17 |
BLOOMENFELD: |
| 01:56:20 |
BLOOMENFELD: |
| 01:56:23 |
All the other depositions, |
| 01:56:27 |
It was Quinn's first case as Homicide Chief. |
| 01:56:30 |
Quinn destroyed them. |
| 01:56:33 |
Not necessarily. |
| 01:56:34 |
To keep his hooks in him, |
| 01:56:40 |
JERRY: Hi, Mike. |
| 01:56:42 |
JERRY: How you doing? |
| 01:56:46 |
Any word from Valentin? |
| 01:56:48 |
Nothing at Kennedy. They're heading back. |
| 01:56:53 |
[Phones ringing, sound of typing] |
| 01:57:11 |
You're not the man your father was, Reilly. |
| 01:57:16 |
You're siding with |
| 01:57:20 |
You don't love cops, Reilly. |
| 01:57:22 |
I loved my father, Mike. |
| 01:57:24 |
Oh, Reilly. |
| 01:57:27 |
Now, your father was dirty. |
| 01:57:30 |
Nothing big, just penny-ante stuff. |
| 01:57:34 |
For a while, he was a bag man |
| 01:57:37 |
The normal stuff. He took home |
| 01:57:41 |
But hell, what a cop. |
| 01:57:44 |
Like me, he was the first |
| 01:57:48 |
I mean, he knew |
| 01:57:50 |
He knew there was a line the niggers, |
| 01:57:54 |
...had to cross to get into people's throats. |
| 01:58:00 |
And the fucking judges and Jew lawyers, |
| 01:58:05 |
We take a fucking hamburger |
| 01:58:09 |
All the time, it's our life that's on the line. |
| 01:58:14 |
Now you're a rogue cop, you mick bastard. |
| 01:58:19 |
CHAPMAN: Hey, Mike! |
| 01:58:25 |
I don't want to take you in, Mike. |
| 01:58:30 |
You won't, Chappie. |
| 01:58:32 |
Not by myself, Mike. I wouldn't know how. |
| 01:58:36 |
CHAPMAN: But don't make me try, Mike. |
| 01:58:40 |
You'll beat me but you'll go down, Mike. |
| 01:58:44 |
So, come on, give me the gun. |
| 01:58:48 |
Come on, Mike, turn yourself in. |
| 01:58:54 |
I always said you was |
| 01:59:09 |
VALENTIN: Freeze! |
| 01:59:12 |
BRENNAN: Fuck you, honey dripper! |
| 01:59:15 |
ZUCKER: Down! Down! |
| 01:59:20 |
[Women sobbing] |
| 01:59:24 |
Shit, Chappie. |
| 01:59:27 |
Al? |
| 01:59:30 |
VALENTIN: Max. |
| 01:59:35 |
10-13. At least three down. |
| 01:59:38 |
Maybe some civilians. |
| 01:59:41 |
Send everything. |
| 01:59:47 |
Jesus Christ. Taken out by a virgin Hebe. |
| 01:59:54 |
[Phone rings] |
| 02:00:05 |
Yeah? |
| 02:00:06 |
QUINN: Is this Assistant District Attorney |
| 02:00:10 |
Yeah. |
| 02:00:11 |
This is Kevin Quinn, |
| 02:00:14 |
Office of the District Attorney, |
| 02:00:17 |
What do you want, Quinn? |
| 02:00:19 |
A squad car is on the way to pick you up. |
| 02:00:24 |
You still work for me. Be there. |
| 02:00:26 |
[Tense instrumental music] |
| 02:00:59 |
QUINN: Why didn't you listen to me, Francis? |
| 02:01:06 |
It wasn't cut-and-dried. |
| 02:01:08 |
It was whatever you chose to make it. |
| 02:01:12 |
Detective Chapman's fighting for his life. |
| 02:01:17 |
A legend on this force is dead. |
| 02:01:20 |
It's already on the 6:00 news. |
| 02:01:23 |
"Cop turns killer," |
| 02:01:26 |
A desecration of what used to be the finest. |
| 02:01:30 |
They must be celebrating tonight |
| 02:01:34 |
...Bed-Stuy... |
| 02:01:36 |
I'm in pain. I'm full of sedatives. |
| 02:01:38 |
QUINN: I understand. |
| 02:01:40 |
Just wanted to tell you I'm resigning. |
| 02:01:43 |
We're announcing my candidacy next week. |
| 02:01:45 |
QUINN: I'm trying to decide |
| 02:01:48 |
It's a question of loyalty, you see. |
| 02:01:50 |
I don't feel a deeply committed |
| 02:01:54 |
Of course, in a political campaign |
| 02:01:57 |
Unless you can show me I'm wrong... |
| 02:02:00 |
...that you share my values and concerns. |
| 02:02:03 |
Mr. Quinn. |
| 02:02:09 |
I don't think I should join your campaign, |
| 02:02:13 |
I think you should reconsider |
| 02:02:19 |
Brennan's death is going to require |
| 02:02:24 |
QUINN: Thank you, Francis. |
| 02:02:25 |
[Singing] "Que sera, sera |
| 02:02:29 |
"Whatever will be, will be" |
| 02:02:32 |
[Quinn laughs] |
| 02:02:36 |
REILLY: Is he crazy? |
| 02:02:39 |
That we must be at least investigating him. |
| 02:02:43 |
No, he's not crazy. |
| 02:02:45 |
Brennan's the only link to him |
| 02:02:50 |
Brennan's dead. |
| 02:02:51 |
This whole thing |
| 02:02:54 |
- Yes, it will, Al. |
| 02:02:58 |
Disappear. |
| 02:03:00 |
How can it? |
| 02:03:03 |
- We'll bury it. |
| 02:03:07 |
BLOOMENFELD: It's too big. We'll bury it. |
| 02:03:11 |
You can't. |
| 02:03:14 |
BLOOMENFELD: Yes, we can. |
| 02:03:17 |
We just do it. |
| 02:03:21 |
It's impossible. |
| 02:03:23 |
Chappie... |
| 02:03:25 |
BLOOMENFELD: The black in blue fighting |
| 02:03:29 |
All he knows is that |
| 02:03:34 |
You know what they say |
| 02:03:37 |
BLOOMENFELD: "Blue first, black second." |
| 02:03:41 |
He loved Brennan... |
| 02:03:43 |
...he'd rather he be remembered |
| 02:03:49 |
REILLY: Valentin? |
| 02:03:53 |
A cop having a nervous breakdown |
| 02:03:57 |
They might have. |
| 02:03:59 |
Anyway... |
| 02:04:00 |
...the orders promoting him to Detective, |
| 02:04:06 |
On that salary, |
| 02:04:11 |
He can open up a neighborhood. |
| 02:04:15 |
All those bodies. |
| 02:04:19 |
A bunch of fags and spics |
| 02:04:22 |
Who'll give a shit? |
| 02:04:25 |
It's just a normal Saturday night in the city. |
| 02:04:29 |
Most people will feel good riddance. |
| 02:04:33 |
And all the original Q&A, |
| 02:04:37 |
Someday, I'll show you the records division. |
| 02:04:41 |
They've got folders dating back to 1791. |
| 02:04:46 |
But you'd have a hard time finding |
| 02:04:51 |
Anyway, paper burns at Fahrenheit 451. |
| 02:04:59 |
This is a nightmare, Bloomy. |
| 02:05:03 |
Yeah. I know. |
| 02:05:10 |
- What about me? |
| 02:05:17 |
I can yell, I can scream. |
| 02:05:19 |
Yeah, you can. The Village Voice. |
| 02:05:24 |
Call Jimmy Breslin. |
| 02:05:28 |
They're all friends of mine. |
| 02:05:32 |
But... |
| 02:05:37 |
But... |
| 02:05:40 |
Moon Mullins. |
| 02:05:43 |
That's right. He's ours. |
| 02:05:47 |
And you never reported him. |
| 02:05:50 |
Yeah, but that's easy. |
| 02:05:52 |
What, there's something else? |
| 02:05:54 |
You could cop a plea, maybe, with Mullins. |
| 02:05:58 |
But there's your father... |
| 02:06:02 |
BLOOMENFELD: Posthumously decorated |
| 02:06:05 |
Posthumously promoted |
| 02:06:09 |
Both of those promotions |
| 02:06:17 |
Bloomy. |
| 02:06:20 |
REILLY: Bloomy. |
| 02:06:23 |
You can't afford this. |
| 02:06:26 |
I can't, and God knows the department can't. |
| 02:06:30 |
BLOOMENFELD: |
| 02:06:34 |
So Quinn gets away with it? |
| 02:06:38 |
Let him run. |
| 02:06:42 |
He's a prick. People sense these things. |
| 02:06:48 |
REILLY: Hey, Bloomy. |
| 02:06:53 |
Can you really bury something this big? |
| 02:06:59 |
Bigger. |
| 02:07:06 |
You're breaking my heart, Bloomy. |
| 02:07:11 |
You know, it's a dirty job, |
| 02:07:16 |
[Somber instrumental music] |
| 02:07:30 |
[People screaming] |
| 02:07:41 |
BLOOMENFELD: Call me. |
| 02:07:58 |
REILLY: [Voice-over] Bobby said there was a |
| 02:08:03 |
He was right. What were they |
| 02:08:09 |
My dumbness? |
| 02:08:13 |
They were on the money. |
| 02:08:16 |
Maybe they were counting on |
| 02:08:22 |
What made them think I was one of them? |
| 02:08:30 |
That day on the corner. |
| 02:08:32 |
When your husband came round the corner. |
| 02:08:35 |
Oh, yes. He saw. |
| 02:08:38 |
He saw it on my face, too. |
| 02:08:41 |
Yes. |
| 02:08:57 |
REILLY: [Voice-over] Maybe they were |
| 02:09:02 |
Were they right? |
| 02:09:04 |
I don't know. |
| 02:09:06 |
I don't think so. |
| 02:09:13 |
I know I have to fight back, and I will. |
| 02:09:17 |
I just don't know how to start. |
| 02:09:21 |
Maybe I've got to start with myself. |
| 02:09:25 |
Ask myself what caused |
| 02:09:32 |
I love you, Nancy. |
| 02:09:38 |
And I want us to marry. |
| 02:09:41 |
I'll sit by your side until you're ready. |
| 02:09:44 |
If you tell me you'll never be ready, |
| 02:09:50 |
Otherwise, I'm here. As long as it takes. |
| 02:10:15 |
[Tense pop music playing] |
