|
Rage
|
| 00:01:42 |
You want me to look |
| 00:01:47 |
This is the movie camera? OK. |
| 00:01:51 |
OK, like this? |
| 00:01:53 |
OK, now? OK. |
| 00:01:58 |
My name is Vijay. |
| 00:02:00 |
Did I look in the right place? |
| 00:02:04 |
I am... Minx. |
| 00:02:14 |
Well, my name is Bradley White, |
| 00:02:16 |
and, yes, certainly, I will explain |
| 00:02:21 |
But first a little background, |
| 00:02:25 |
I am Anita, Anita De Los Angeles. |
| 00:02:30 |
My job? |
| 00:02:32 |
My job is... zip, invisible zip, |
| 00:02:37 |
And hem. I do invisible hem. |
| 00:02:41 |
My name is Dwight Angel. |
| 00:02:45 |
Er, I graduated recently. |
| 00:02:49 |
Er, I majored in Philosophy, |
| 00:02:56 |
My name is Roth, Edith Roth. |
| 00:02:59 |
My friends call me Edie. |
| 00:03:07 |
My name's Lettuce. |
| 00:03:10 |
They call me Lettuce Leaf. |
| 00:03:14 |
I was new face of the year. |
| 00:03:20 |
I think everybody knows who I am, OK? |
| 00:03:24 |
But just for you, |
| 00:03:31 |
My name is Otto, |
| 00:03:33 |
and my job is public relations |
| 00:03:41 |
You like blue? |
| 00:03:44 |
Oh, very sophisticated. |
| 00:03:48 |
So, what background |
| 00:03:50 |
Desert with camels or Swiss mountains? |
| 00:03:57 |
I make sense of the chaos of the world |
| 00:04:02 |
which are statements. |
| 00:04:04 |
Do you know what a statement is, |
| 00:04:06 |
OK, a statement is something |
| 00:04:11 |
Ah, the life of the city, |
| 00:04:17 |
In fact, life is empty |
| 00:04:22 |
That is the role of the poet. |
| 00:04:25 |
And, by the way, I take risks, you know? |
| 00:04:28 |
I never take the easy way. |
| 00:04:31 |
I like to be... dangerous. |
| 00:04:35 |
That's why every collection is an event. |
| 00:04:38 |
Testing one, two, three. |
| 00:04:40 |
Yes, it is true, also, |
| 00:04:46 |
and it hurts me. |
| 00:04:48 |
Yes, it hurts me |
| 00:04:50 |
No, no, I am not going to say, |
| 00:04:54 |
...when a certain writer criticises |
| 00:04:58 |
because I am sensitive, Michelangelo, |
| 00:05:02 |
An artist must be sensitive. |
| 00:05:03 |
If you are not sensitive here, |
| 00:05:08 |
But also you have to be ruthless, |
| 00:05:10 |
because this is the only way |
| 00:05:14 |
My job? Er... |
| 00:05:17 |
Actually, usually... |
| 00:05:20 |
It's a good job. |
| 00:05:22 |
It's... not an official job as such. |
| 00:05:26 |
But this Merlin, sometimes he's wanting |
| 00:05:31 |
when he's working, |
| 00:05:34 |
It's a good model. Import model, |
| 00:05:37 |
I ride very fast to keep the pizza hot. |
| 00:05:41 |
Then last night, |
| 00:05:44 |
do I like to be in the show with my bike, |
| 00:05:49 |
riding with me on the back? |
| 00:05:51 |
So what can I say? I say yes. |
| 00:05:55 |
And why do I say yes? Because... |
| 00:05:59 |
Because, actually, I am looking |
| 00:06:10 |
No questions? |
| 00:06:14 |
Are you shy |
| 00:06:20 |
Then, let me think. |
| 00:06:22 |
Maybe you want to know |
| 00:06:25 |
Am I right? |
| 00:06:34 |
I love myself, Michelangelo. |
| 00:06:38 |
If you do not love yourself, |
| 00:06:41 |
So I practise every morning. |
| 00:06:44 |
I look in the mirror and say, "Minx, |
| 00:06:52 |
It's not easy. |
| 00:06:53 |
Sometimes I resist. |
| 00:06:55 |
Sometimes I say, |
| 00:07:00 |
You see, even me, I am not perfect. |
| 00:07:03 |
With self-esteem |
| 00:07:10 |
Only joking! |
| 00:07:13 |
Actually, I do not have |
| 00:07:19 |
What do I do? |
| 00:07:20 |
Well, for example, I get to coordinate |
| 00:07:24 |
A list, B list and the nobodies. |
| 00:07:29 |
Er... a nobody is somebody |
| 00:07:33 |
You know, Miss Roth, |
| 00:07:36 |
she takes care of everything backstage. |
| 00:07:38 |
She's been doing that forever, |
| 00:07:40 |
but she doesn't really know how to speak |
| 00:07:45 |
She's a little bit older. |
| 00:07:47 |
So it's up to me to decide |
| 00:07:50 |
You have to know who's important. |
| 00:07:52 |
Some people get very upset if I don't |
| 00:07:57 |
But it's all worth it when there's the big |
| 00:08:00 |
Ohhhh. It's ovation. |
| 00:08:03 |
But 'O' is for Otto, that's my motto! |
| 00:08:06 |
What a nice smile! |
| 00:08:10 |
Well, this is a family business, |
| 00:08:13 |
My father named it after me |
| 00:08:17 |
Er, but then everything changed, |
| 00:08:20 |
when we were bought out |
| 00:08:24 |
The garment trade, |
| 00:08:27 |
Now it's called the fashion industry. |
| 00:08:29 |
It's the same thing. |
| 00:08:32 |
Although, actually, in my view, |
| 00:08:34 |
because there have always been markets |
| 00:08:39 |
Well, maybe we want |
| 00:08:41 |
but is that such a bad thing? |
| 00:08:45 |
Let's see. What else could I tell you |
| 00:08:49 |
Er... |
| 00:08:53 |
In the old days, |
| 00:08:58 |
every cutter and presser, every janitor |
| 00:09:05 |
...all by name, hmm? |
| 00:09:08 |
Of course, that's all changed now. |
| 00:09:11 |
Now, the line of work I'm in |
| 00:09:15 |
I am the intermediary. |
| 00:09:18 |
Now, do you know what |
| 00:09:21 |
Between the product and the consumer. |
| 00:09:24 |
I find out what people want |
| 00:09:28 |
Well, not me, personally, |
| 00:09:33 |
such as this particular sector |
| 00:09:38 |
Now, fashion, Michelangelo, |
| 00:09:43 |
The image becomes a brand, |
| 00:09:46 |
and the brand creates |
| 00:09:50 |
in this instance a fragrance. |
| 00:09:53 |
Well, it's a small product |
| 00:09:58 |
M, M, M. Now listen to this. |
| 00:10:02 |
M is for mystery. |
| 00:10:05 |
And I really shouldn't have |
| 00:10:07 |
because we're keeping the concept |
| 00:10:09 |
until we launch the fragrance tomorrow. |
| 00:10:11 |
But, you know, since this is educational... |
| 00:10:15 |
I guess, technically speaking, |
| 00:10:21 |
but I've been taking initiatives |
| 00:10:27 |
Such as... |
| 00:10:28 |
Well, for example, |
| 00:10:31 |
about names for the fragrance. |
| 00:10:34 |
At first, I thought of Perfume... |
| 00:10:37 |
...or Scent. |
| 00:10:39 |
Straightforward, you know? |
| 00:10:42 |
Anyway, when this M idea came up, I... |
| 00:10:47 |
Well, to be honest, |
| 00:10:53 |
Well, right away I thought of tag lines, |
| 00:10:56 |
such as "the mystery thing", |
| 00:11:01 |
you know, for the mother's market. |
| 00:11:03 |
A lot of people are buying perfume |
| 00:11:06 |
Er... or M is for {y:i}mujer. |
| 00:11:11 |
That's Spanish, right, Michelangelo? |
| 00:11:15 |
There's a great big niche right there. |
| 00:11:20 |
Or M is for motherfucker... |
| 00:11:25 |
...which is for the African-American... |
| 00:11:29 |
...community. |
| 00:11:31 |
I like to do invisible or very visible. |
| 00:11:35 |
Same thing. |
| 00:11:36 |
It's about quality. |
| 00:11:39 |
I give quality. |
| 00:11:41 |
Er... no matter if they see or not see. |
| 00:11:48 |
Come. |
| 00:11:49 |
Come, come. |
| 00:11:52 |
Like me. |
| 00:11:54 |
I am not visible. |
| 00:11:58 |
In this city, I no exist. |
| 00:12:03 |
I come, I go, when they want. |
| 00:12:06 |
Er... |
| 00:12:08 |
It's better for me |
| 00:12:11 |
because they no have to pay |
| 00:12:17 |
Used to be all on 8th Avenue, |
| 00:12:21 |
and then it was Asian families |
| 00:12:25 |
And now it's China. |
| 00:12:29 |
You don't believe me, |
| 00:12:34 |
They say the time will come |
| 00:12:44 |
I do believe that life |
| 00:12:48 |
in this country in the near future. |
| 00:12:50 |
Indeed... |
| 00:12:55 |
It already is difficult, |
| 00:12:59 |
yes, that's what |
| 00:13:05 |
OK, OK, OK, OK, Michelangelo. |
| 00:13:07 |
One second, Michelangelo. |
| 00:13:09 |
(Sighs) |
| 00:13:11 |
It is true the collection |
| 00:13:16 |
But you have to pay for beauty. |
| 00:13:20 |
In this case, OK, with money. |
| 00:13:25 |
OK? |
| 00:13:27 |
I must go now. |
| 00:13:31 |
Wait, wait. |
| 00:13:33 |
Except... the point is, |
| 00:13:36 |
my work influences everyone |
| 00:13:41 |
You see, it is like |
| 00:13:46 |
In that sense, I am a scientist. |
| 00:13:50 |
You see, a dress is not just a dress. |
| 00:13:53 |
It is a... |
| 00:13:57 |
...a revelation. |
| 00:13:58 |
It is like a sacred vessel |
| 00:14:05 |
In that sense, I am also a priest. |
| 00:14:07 |
Yes, fashion is very spiritual. Very. |
| 00:14:13 |
OK? Now I must go. |
| 00:14:45 |
Rhoda, she's my agent. |
| 00:14:47 |
She said, like, if I work really hard |
| 00:14:54 |
But, of course, she said in order |
| 00:15:01 |
That's Dorothy. |
| 00:15:04 |
She's crying cos she thinks |
| 00:15:10 |
But that's Dorothy. |
| 00:15:14 |
I think that's enough now, |
| 00:15:22 |
There's one other thing. This... |
| 00:15:26 |
This Dorothy girl who's, er... |
| 00:15:28 |
who's riding with me on the back, |
| 00:15:34 |
And she's also very, very thin, |
| 00:15:40 |
I don't think... |
| 00:15:45 |
Actually, I am quite worried about her. |
| 00:16:19 |
No, I don't wanna sit. Ready? |
| 00:16:24 |
My name is Frank and I take pictures. |
| 00:16:28 |
Mona Carvell. |
| 00:16:31 |
Writer. |
| 00:16:34 |
Critic. |
| 00:16:36 |
My name is Diamonds. |
| 00:16:38 |
Er... they call me Tiny. |
| 00:16:45 |
My name is Jed, |
| 00:16:50 |
Is that OK, kid? |
| 00:16:54 |
Well, I have no idea what I'll write. |
| 00:16:58 |
Merlin does not share |
| 00:17:01 |
More's the pity. |
| 00:17:02 |
One could help. One could advise. |
| 00:17:07 |
You see, sadly, |
| 00:17:12 |
But fashion is not an art form. |
| 00:17:14 |
If it's anything at all, |
| 00:17:16 |
To which millions are addicted. |
| 00:17:20 |
Take the look in a woman's eyes |
| 00:17:24 |
It's a crazed lust |
| 00:17:26 |
who can't afford the real thing, |
| 00:17:27 |
so will settle for any rubbish |
| 00:17:30 |
It's much worse than heroin, |
| 00:17:33 |
Oh, have I shocked you? Good! |
| 00:17:37 |
And as for the designers, |
| 00:17:40 |
they're mostly desperate, |
| 00:17:43 |
who all think |
| 00:17:45 |
But nothing's new in this game. |
| 00:17:48 |
If you think you're in, |
| 00:17:52 |
You started already? |
| 00:17:54 |
OK. |
| 00:17:59 |
I did Afghanistan, the Gulf War. |
| 00:18:02 |
I was one of the first embedded |
| 00:18:05 |
That's my job. |
| 00:18:07 |
It's more than a job, |
| 00:18:09 |
I shoot. |
| 00:18:12 |
Not with a gun, though I know how to. |
| 00:18:15 |
You have to. Places I've been, |
| 00:18:20 |
You don't know what danger is |
| 00:18:23 |
You don't know what death is. |
| 00:18:27 |
You know something, kid? |
| 00:18:28 |
If somebody told me that I could |
| 00:18:31 |
I would go right home |
| 00:18:35 |
If I had a home. Or an oven. |
| 00:18:40 |
But I live in a hotel. |
| 00:18:43 |
Actually, it's a dive. |
| 00:18:46 |
I don't bother to unpack. |
| 00:18:48 |
I keep a bag by the door, ready, |
| 00:18:54 |
Things. |
| 00:18:57 |
You need mobility and chances. |
| 00:19:01 |
Now, when you get a chance, kid, |
| 00:19:04 |
cos you wake up a minute later |
| 00:19:06 |
and they say you're too tired |
| 00:19:08 |
Tired? Do I look tired? |
| 00:19:12 |
What they mean is old. |
| 00:19:14 |
But this is experience in my face. |
| 00:19:20 |
See, you're young |
| 00:19:23 |
That's the thing, kid. |
| 00:19:25 |
Hello again. |
| 00:19:28 |
I've been thinking, Michelangelo, |
| 00:19:32 |
and I would like to give you |
| 00:19:38 |
There are two things in this life |
| 00:19:44 |
Money and fame. |
| 00:19:46 |
All the rest, frankly, |
| 00:19:50 |
Mr Andy Warhol said everybody |
| 00:19:56 |
but some people will be |
| 00:20:02 |
The beautiful ones, |
| 00:20:03 |
and if you are not beautiful, |
| 00:20:07 |
So... no offence, |
| 00:20:09 |
but I think you better start |
| 00:20:13 |
making plans, Michelangelo, hmm? |
| 00:20:17 |
OK. |
| 00:20:25 |
What? |
| 00:20:27 |
Afraid? |
| 00:20:29 |
Afraid of what? |
| 00:20:31 |
Am I afraid of... getting old? |
| 00:20:36 |
Is that what you're asking me? |
| 00:20:40 |
Do you think I'm old? |
| 00:20:43 |
Look. |
| 00:20:46 |
Look at my face. |
| 00:20:49 |
Some people, |
| 00:20:52 |
Me? |
| 00:20:54 |
It's a fucking caress. |
| 00:20:58 |
The light loves me |
| 00:21:01 |
Together we can do anything. |
| 00:21:05 |
Is there anything I like about fashion? |
| 00:21:07 |
Well, of course. |
| 00:21:08 |
It's a brutal, amoral business. |
| 00:21:11 |
Issues of right and wrong, good |
| 00:21:15 |
which in this current climate |
| 00:21:18 |
is extremely refreshing. |
| 00:21:21 |
You see, in evolutionary terms, |
| 00:21:26 |
Beauty is worshipped |
| 00:21:30 |
And why? Because without it |
| 00:21:33 |
or even none at all. |
| 00:21:37 |
Beauty attracts, my child. |
| 00:21:40 |
Which is unfortunate, |
| 00:21:43 |
because, in fact, |
| 00:21:46 |
Surface through and through. |
| 00:21:51 |
And when the bloom of youth fades, |
| 00:21:53 |
only those graced |
| 00:21:56 |
That's what beauty has become |
| 00:22:00 |
Bones that will one day |
| 00:22:07 |
The people that work for me? |
| 00:22:10 |
Well... I like to... encourage talent. |
| 00:22:14 |
They get the chance |
| 00:22:17 |
and, then, of course, |
| 00:22:23 |
And the designers with talent, |
| 00:22:27 |
and if there's no talent, |
| 00:22:31 |
It's a natural selection, |
| 00:22:35 |
in a fashion jungle. |
| 00:22:39 |
Life can be... |
| 00:22:42 |
Life can be so insecure. |
| 00:22:46 |
Which I why I am fond of permanence. |
| 00:22:49 |
And a collection must grow. |
| 00:22:53 |
Right now, I'm collecting women's |
| 00:22:56 |
Miss Carvell, I believe you've met. |
| 00:23:01 |
Her writing is so brutal. |
| 00:23:06 |
Well, she doesn't know it yet |
| 00:23:10 |
... I just bought it. |
| 00:23:13 |
Shh! |
| 00:23:14 |
All right. |
| 00:23:18 |
Being a bodyguard, it's different. |
| 00:23:22 |
I know some people probably tell you |
| 00:23:23 |
it's a step down from being |
| 00:23:26 |
but I wouldn't agree. |
| 00:23:28 |
Mr Diamonds has been |
| 00:23:31 |
I mean, he let me talk to you, |
| 00:23:34 |
Now he's seated in the front row, |
| 00:23:40 |
Yeah, but he knows I got the eye. |
| 00:23:44 |
You know, he says to me, "Jed, hey, |
| 00:23:51 |
He's a jokester! |
| 00:23:56 |
That's cos he's relaxed. He's relaxed |
| 00:24:00 |
Cos we travel a lot. |
| 00:24:03 |
We go to Milan, Paris... |
| 00:24:09 |
Stay in some fancy hotels. |
| 00:24:11 |
I mean, I sleep in the corridor, |
| 00:24:17 |
You know, I gotta stay alert 24/7 |
| 00:24:27 |
You know, it's an interesting fact, |
| 00:24:29 |
but I've never been interviewed before. |
| 00:24:31 |
Nope. |
| 00:24:35 |
I mean sometimes I'm standing outside |
| 00:24:41 |
I'm just standing there |
| 00:24:44 |
I don't know, |
| 00:24:50 |
A lot of things. |
| 00:24:51 |
I don't know, |
| 00:24:54 |
Probably the coffee |
| 00:24:58 |
You drink coffee? |
| 00:25:01 |
Do you know there are |
| 00:25:05 |
256... I know where |
| 00:25:09 |
That's right. |
| 00:25:12 |
I carry a little flask with me, |
| 00:25:15 |
but for a quick fix, |
| 00:25:18 |
three to four times a day minimum. |
| 00:25:20 |
Minimum. |
| 00:25:24 |
Michelangelo, |
| 00:25:33 |
Oh, the thoughts that I have, |
| 00:25:35 |
Oh, yeah, if I had the time. |
| 00:25:37 |
But, you know, I'm not paid |
| 00:25:41 |
It's not that |
| 00:25:45 |
Right. |
| 00:25:47 |
What are my opinions? |
| 00:25:50 |
Yeah, you're asking for trouble now! |
| 00:25:57 |
Son of a fucking bitch! |
| 00:26:53 |
Listen, kid. |
| 00:26:55 |
Take it from me, |
| 00:26:57 |
What are you doing back here |
| 00:27:00 |
When you get a situation like this, |
| 00:27:02 |
you gotta concentrate on getting |
| 00:27:06 |
And you gotta make choices. |
| 00:27:07 |
I mean, let's say, for example, |
| 00:27:10 |
and you see a little old lady lying |
| 00:27:14 |
Do you give her a hand or do you take |
| 00:27:17 |
Which is gonna do more good |
| 00:27:19 |
See, you get to think about |
| 00:27:22 |
You have to because |
| 00:27:26 |
Did you see what happened at all? |
| 00:27:29 |
To Dorothy? |
| 00:27:35 |
I just can't... I just can't |
| 00:27:39 |
I just can't. |
| 00:27:43 |
I mean, Dorothy always had, |
| 00:27:48 |
but this is like the worst. |
| 00:27:51 |
Like, you can't get much worse. |
| 00:27:56 |
You know, I've seen a lot of movies |
| 00:28:00 |
Blood. Violence. |
| 00:28:03 |
You see it a lot, you know? |
| 00:28:11 |
But, actually, this is the first time |
| 00:28:13 |
that I saw it happen in real life, |
| 00:28:18 |
And it's a little... |
| 00:28:23 |
Oh, my God. |
| 00:28:25 |
It's upsetting, actually. |
| 00:28:27 |
It's... very upsetting. |
| 00:28:36 |
But the weird thing is, is that... |
| 00:28:41 |
...it's also kind of inspiring. |
| 00:28:45 |
Yeah. |
| 00:28:50 |
You know, I was ready. You know, |
| 00:28:54 |
And they told me, |
| 00:28:56 |
So I am very serious, very serious, |
| 00:28:59 |
and I rev the bike. |
| 00:29:02 |
It's a good model, |
| 00:29:06 |
They push me out and... |
| 00:29:11 |
You know for... for one, |
| 00:29:14 |
it feels like the most incredible |
| 00:29:18 |
You know, the flash, flash, |
| 00:29:22 |
This is rocking! |
| 00:29:26 |
Actually, they didn't tell me |
| 00:29:29 |
Did you know that? |
| 00:29:32 |
Anyway, the... |
| 00:29:35 |
The incredible moment is finished, |
| 00:29:37 |
because there is something stuck |
| 00:29:46 |
Why did they last minute put |
| 00:29:51 |
And why did this thing happen to her? |
| 00:29:54 |
And to me, also? |
| 00:29:57 |
I must wait to speak |
| 00:30:01 |
It's not good. It's not good at all. |
| 00:30:05 |
Actually, right now, |
| 00:30:10 |
It's finished now. |
| 00:30:13 |
Completely. |
| 00:30:16 |
This interview is over. |
| 00:30:21 |
Listen, Michelangelo, this is for your |
| 00:30:25 |
Good, OK. But listen, I don't think |
| 00:30:30 |
Is it Vijay? Yeah. |
| 00:30:34 |
Good. |
| 00:30:41 |
This is a tragic moment, Michelangelo. |
| 00:30:45 |
But an artist must be detached, |
| 00:30:48 |
What is death, anyway, for an artist? |
| 00:30:50 |
He lives through his work, and his work |
| 00:30:54 |
So what is there to be afraid of? |
| 00:30:59 |
I say... my prayers for Dorothy. |
| 00:31:07 |
Poor Dorothy. |
| 00:31:11 |
Poor Dorothy. |
| 00:31:21 |
I light candle for Dorothy |
| 00:31:27 |
Let's put a check |
| 00:31:32 |
There's gonna be |
| 00:31:34 |
to make a statement of sorrow |
| 00:31:38 |
and you can come to that |
| 00:31:43 |
Michelangelo, off! |
| 00:32:14 |
Homer. That's my name. |
| 00:32:18 |
Detective. That's my occupation. |
| 00:32:22 |
And to be or not to be, |
| 00:32:25 |
that is the only meaningful question, |
| 00:32:29 |
Except by the time I'm on the scene, |
| 00:32:32 |
In the negative. |
| 00:32:35 |
So what do I do? |
| 00:32:39 |
I look around. |
| 00:32:41 |
I observe. |
| 00:32:44 |
And what do I see? |
| 00:32:46 |
That clothes proclaimeth the man. |
| 00:32:49 |
Except in this specific situation, |
| 00:32:52 |
that proclaimeth the woman. |
| 00:32:54 |
If you can call them women, |
| 00:32:57 |
Minx is ready. |
| 00:33:00 |
She's always ready for a camera, |
| 00:33:06 |
A lens is a lens. As long |
| 00:33:18 |
Let me tell you, |
| 00:33:23 |
Not happy at all. |
| 00:33:26 |
I tell you, Michelangelo, |
| 00:33:28 |
my agency got very excited |
| 00:33:33 |
You see, experience |
| 00:33:35 |
you know, when it comes |
| 00:33:38 |
These others, these fashion types |
| 00:33:42 |
no mobility, Michelangelo, |
| 00:33:45 |
They don't have |
| 00:33:47 |
throwing up like that |
| 00:33:50 |
You gotta be able |
| 00:33:54 |
...and look death in the face. |
| 00:34:00 |
Reality, Michelangelo. |
| 00:34:04 |
This is the first piece of real shit |
| 00:34:08 |
You can count on that. |
| 00:34:11 |
Hey, did you see my picture |
| 00:34:14 |
"The Post", Michelangelo, |
| 00:34:17 |
No? |
| 00:34:19 |
Well, my agency offered it |
| 00:34:22 |
but they said their readership don't have |
| 00:34:26 |
So they used some earlier photo |
| 00:34:29 |
looking, you know, nice and alive. |
| 00:34:33 |
You know, the clean shit. |
| 00:34:36 |
Then my agency says, |
| 00:34:39 |
"Now you gotta get some pictures |
| 00:34:44 |
But I am not a press conference |
| 00:34:48 |
An accident, especially |
| 00:34:53 |
terrible though it is, |
| 00:34:59 |
And you have to rise |
| 00:35:03 |
to have emotional reactions and |
| 00:35:10 |
Now, the show is there |
| 00:35:16 |
Right? The show goes wrong. |
| 00:35:20 |
But sometimes wrong can be right. |
| 00:35:23 |
Guess what? Another chapter heading. |
| 00:35:26 |
You see, I think this can be |
| 00:35:32 |
And M is for mystery. |
| 00:35:34 |
The mystery of what? |
| 00:35:39 |
The mystery of mortality. |
| 00:35:42 |
I thought that up last night when I was |
| 00:35:48 |
And I have decided that |
| 00:35:53 |
that we will present |
| 00:35:57 |
Otto is very busy, |
| 00:35:59 |
We have never ever |
| 00:36:01 |
It's, er... |
| 00:36:03 |
It's a buzz, really. |
| 00:36:07 |
I just have to make sure |
| 00:36:09 |
This is not to control you, |
| 00:36:13 |
I have much more important things |
| 00:36:16 |
I have ABC, NBC, FOX, |
| 00:36:19 |
But my sister tells me |
| 00:36:22 |
has seen me talking on the web. |
| 00:36:24 |
Now, I know only one camera |
| 00:36:29 |
Hmm? |
| 00:36:32 |
Are you posting your material on some |
| 00:36:44 |
Some people have no luck, you know? |
| 00:36:49 |
No luck at all. |
| 00:36:51 |
I mean, perhaps... |
| 00:36:54 |
Maybe Dorothy brought it on herself. |
| 00:36:59 |
Mr Sigmund Freud |
| 00:37:05 |
She was pro-ana, you see. |
| 00:37:07 |
Do you know what that is? |
| 00:37:09 |
It's good if you don't, |
| 00:37:15 |
They have websites, everything. |
| 00:37:20 |
You have? |
| 00:37:23 |
You see... l'm lucky. |
| 00:37:29 |
I can eat anything. |
| 00:37:35 |
You probably don't read women's |
| 00:37:38 |
but they're always asking Minx |
| 00:37:42 |
She says, "Salad, fish, |
| 00:37:46 |
"moisturiser, |
| 00:37:54 |
You have to set an example, you see. |
| 00:37:57 |
But, between you and me, |
| 00:38:03 |
I do not relate well |
| 00:38:06 |
I prefer a more |
| 00:38:11 |
However, I can see you like to eat. |
| 00:38:14 |
With respect, you could do with |
| 00:38:21 |
You probably spend all your time |
| 00:38:26 |
See, that is an observation. |
| 00:38:29 |
A detective has to observe, |
| 00:38:32 |
which, I can assure you, |
| 00:38:36 |
O, woe is me. |
| 00:38:38 |
To have seen what I have seen, |
| 00:38:44 |
And whilst it is true |
| 00:38:47 |
passing from nature to eternity, |
| 00:38:49 |
this particular passing seems |
| 00:38:52 |
This is a serious situation, |
| 00:38:56 |
Not only has a young and |
| 00:39:02 |
...but also, as your mentor... |
| 00:39:05 |
Yes, I think I can say I'm your mentor. |
| 00:39:10 |
My investment in Merlin |
| 00:39:14 |
I do not like to be involved in conflict, |
| 00:39:19 |
No offence, Michelangelo! |
| 00:39:23 |
None taken? Good boy. |
| 00:39:26 |
Because all my life, all my life, |
| 00:39:29 |
I could get anything I wanted, |
| 00:39:32 |
Except peace. |
| 00:39:36 |
Peace of mind. Harmony. |
| 00:39:39 |
At home it was always war. |
| 00:39:40 |
And that is why I am not interested |
| 00:39:52 |
You got a second, kid? |
| 00:39:55 |
Look, I just want |
| 00:39:58 |
Remember before |
| 00:40:00 |
Remember that? Yeah, well, |
| 00:40:04 |
There's trouble brewing round here, |
| 00:40:07 |
and it's not the coffee! |
| 00:40:11 |
But that guy I saw you talking |
| 00:40:14 |
I used to work with him |
| 00:40:16 |
We had a nickname for that guy. |
| 00:40:20 |
He had ideas above his station. |
| 00:40:23 |
He thinks he's a superior |
| 00:40:28 |
But between you and me, |
| 00:40:31 |
Way out. |
| 00:40:34 |
I know his hands are tied |
| 00:40:38 |
I mean, you got those protestors |
| 00:40:41 |
Now, if it was up to me, |
| 00:40:45 |
I would just round those guys up |
| 00:40:49 |
Of course, everybody thinks |
| 00:40:52 |
They all do. They think they got |
| 00:40:56 |
More rights than me. And then |
| 00:40:59 |
Come on! |
| 00:41:04 |
Oh! |
| 00:41:07 |
They want me now. |
| 00:41:09 |
They have to style Minx |
| 00:41:14 |
I think she's ready, don't you? |
| 00:41:17 |
Like this? |
| 00:41:19 |
Not too much make-up. Serious. |
| 00:41:23 |
Appropriate. |
| 00:41:25 |
Maybe with dark glasses. |
| 00:41:39 |
What do you think, Michelangelo? |
| 00:41:42 |
About Dorothy. |
| 00:41:45 |
Hmm? Do you believe in karma? |
| 00:42:11 |
Hello, Michelangelo. Good morning. |
| 00:42:18 |
I am here because they say to me, |
| 00:42:22 |
No bike this time. |
| 00:42:26 |
The... the manager, Miss Roth, |
| 00:42:31 |
She was very kind to me, actually. |
| 00:42:34 |
She said to me, "Come, see the show. |
| 00:42:36 |
"Maybe it will help you |
| 00:42:40 |
But, er... |
| 00:42:43 |
I don't want to see the show. |
| 00:42:45 |
It reminds me of that very bad, |
| 00:42:53 |
The worst thing that happened |
| 00:43:04 |
That's the music from the day that... |
| 00:43:12 |
I feel quite sick. Sorry. |
| 00:43:21 |
I spoke to the police detective, |
| 00:43:27 |
He was very polite. |
| 00:43:30 |
He said to me, "Vijay, |
| 00:43:33 |
Er... he's a very nice person, |
| 00:43:37 |
And... |
| 00:43:38 |
But now he is asking for my papers. |
| 00:43:42 |
This is most unfortunate. |
| 00:43:48 |
Now I see the pizza delivery, it was |
| 00:43:52 |
and no papers necessary. |
| 00:43:55 |
But, unfortunately, I left this job. |
| 00:44:09 |
You see, because I thought |
| 00:44:12 |
with me on the bike, |
| 00:44:17 |
But, actually, now, I think what |
| 00:44:24 |
Oh, actually, some people, |
| 00:44:26 |
when they have a good life, |
| 00:44:30 |
I didn't myself, actually. |
| 00:44:34 |
But why they so angry, |
| 00:44:36 |
the protestors on the sidewalk |
| 00:44:42 |
They're lazy, isn't it? |
| 00:44:44 |
Actually, they're the lucky ones, |
| 00:44:46 |
because they have the free country |
| 00:44:49 |
and, also, because |
| 00:44:53 |
because they have papers, isn't it? |
| 00:44:55 |
And... Don't you agree? |
| 00:44:57 |
It's because we are living |
| 00:45:06 |
No, no, no! Go, go! |
| 00:45:10 |
Michelangelo, you come with me. |
| 00:46:14 |
Listen, kid, where Frank goes, |
| 00:46:18 |
That's because when you get |
| 00:46:21 |
you see the way it is. |
| 00:46:23 |
Being alive, see, |
| 00:46:26 |
Every single fucking life |
| 00:46:30 |
Simple but true. |
| 00:46:32 |
And truth is the thing, right? |
| 00:46:35 |
The camera never lies, |
| 00:46:38 |
Right? |
| 00:46:40 |
You know why it was amazing |
| 00:46:44 |
She was the person I admired most |
| 00:46:47 |
And I was right behind her |
| 00:46:51 |
and then, suddenly, there was |
| 00:46:55 |
Bonnie had amazing hair, |
| 00:46:59 |
That's what the stylist said. |
| 00:47:01 |
You've got to listen to the stylist, |
| 00:47:04 |
Bonnie used to do her own styling. |
| 00:47:16 |
In fact, she was like |
| 00:47:19 |
and she had been |
| 00:47:23 |
She had longevity. |
| 00:47:25 |
She said she had longevity |
| 00:47:32 |
Not her hair. |
| 00:47:34 |
Bonnie wouldn't let them |
| 00:47:36 |
Some of the models with longevity |
| 00:47:40 |
but Bonnie was consistent. |
| 00:47:41 |
Consistently demanding, |
| 00:47:43 |
But you have to ask or you don't get. |
| 00:47:46 |
That's what my dad said. |
| 00:47:51 |
When he put me on the plane. |
| 00:47:54 |
You know, to come here. |
| 00:48:15 |
I'd really like to go home... |
| 00:48:24 |
Yes, Michelangelo. |
| 00:48:25 |
They are now officially saying |
| 00:48:30 |
But, look, maybe they will find |
| 00:48:32 |
that after Dorothy Darling's |
| 00:48:35 |
well, maybe Bonnie, |
| 00:48:40 |
because she was not a happy person. |
| 00:48:44 |
How? I don't know how, |
| 00:48:50 |
No, no, no, This is something |
| 00:48:54 |
Actually, I don't like |
| 00:49:04 |
Where I come from, |
| 00:49:08 |
Well, everywhere people |
| 00:49:11 |
in hospitals and so on, |
| 00:49:14 |
but not so much in front of everyone. |
| 00:49:16 |
It's not good to die in public, |
| 00:49:18 |
on the street, |
| 00:49:24 |
Anyway, me, I prefer to explore life. |
| 00:49:29 |
I came here to this city |
| 00:49:32 |
Empty, meaningless, I admit, |
| 00:49:35 |
but, nevertheless, not dead, |
| 00:49:41 |
Not dead is better. |
| 00:49:45 |
I thought you might wanna |
| 00:49:47 |
I mean, that's what I thought. |
| 00:49:51 |
You tell me. You let me know. |
| 00:49:53 |
Because what happened to me was, |
| 00:49:56 |
kind of stirred me up a little bit. |
| 00:49:58 |
Yeah, it did. |
| 00:50:00 |
And I realised that, you know, |
| 00:50:02 |
my opinions aren't generally taken |
| 00:50:06 |
That's because |
| 00:50:09 |
the attributes of loyalty |
| 00:50:12 |
than your attributes of opinions. |
| 00:50:15 |
Cos, a bodyguard... |
| 00:50:17 |
He's gotta stay close to his subject |
| 00:50:22 |
and you're wondering what am I doing |
| 00:50:24 |
Well... |
| 00:50:29 |
Well, Mr Diamonds said, |
| 00:50:32 |
"Take a few hours off. You deserve it." |
| 00:50:34 |
You know what that's called? |
| 00:50:42 |
I mean, I don't... |
| 00:50:45 |
cos anything could happen |
| 00:50:49 |
He could be talking |
| 00:50:52 |
Yeah, right? |
| 00:50:54 |
I mean, I'm not concerned as such, |
| 00:50:58 |
because, well, I'm... l'm that guy, |
| 00:51:00 |
that one-in-a-thousand kind of a guy. |
| 00:51:03 |
I'm that guy |
| 00:51:05 |
I will go all the way. |
| 00:51:13 |
They no respect for the dead! |
| 00:51:15 |
They no respect for nothing, |
| 00:51:18 |
Dorothy, Bonnie, they pass on! |
| 00:51:23 |
They just babies! Like you! |
| 00:51:28 |
My daughter, yesterday night, |
| 00:51:31 |
she say she see |
| 00:51:37 |
She say she see me speaking! |
| 00:51:41 |
She say, "Mum, you are famous!" |
| 00:51:45 |
But I do not want to be famous! |
| 00:51:48 |
I want to be invisible! |
| 00:51:51 |
Invisible! |
| 00:51:57 |
So you stop now. |
| 00:52:04 |
Child, you go home. |
| 00:52:06 |
Please! |
| 00:52:08 |
Pray to lord for souls of dead! |
| 00:52:34 |
Hello, dear. |
| 00:52:37 |
Are you all right? |
| 00:52:41 |
This is a terrible, terrible time |
| 00:52:46 |
Actually, I'm really not sure |
| 00:52:52 |
Poor Dorothy. |
| 00:52:56 |
Poor Bonnie. |
| 00:52:57 |
Even if she was a little difficult... |
| 00:53:00 |
Well... |
| 00:53:04 |
She made the people in the backroom |
| 00:53:09 |
The lateness, |
| 00:53:13 |
She insulted me, too, often enough. |
| 00:53:16 |
She had to have this |
| 00:53:19 |
Whatever you did was wrong. |
| 00:53:21 |
Whatever you paid her, |
| 00:53:24 |
It was a nightmare. |
| 00:53:27 |
Of course, it was galling to think |
| 00:53:32 |
she earned more than some workers |
| 00:53:37 |
It doesn't seem fair, does it? |
| 00:53:40 |
Well, but then there she was |
| 00:53:54 |
You know, dear, my father, |
| 00:54:00 |
My mother worked all hours. |
| 00:54:04 |
And I was their only child. |
| 00:54:07 |
I wanted to go to law school. |
| 00:54:11 |
I wanted to be a politician. |
| 00:54:14 |
I wanted to change the world. |
| 00:54:17 |
But how could I let them down? |
| 00:54:24 |
And now it all seems irrelevant. |
| 00:54:32 |
Bonnie's family are flying in. |
| 00:54:38 |
The whole thing is unbearable. |
| 00:54:44 |
I can't even bear to talk about it. |
| 00:54:48 |
Not even to you. |
| 00:54:57 |
Let me tell you that this is |
| 00:55:08 |
Remember how I told you |
| 00:55:12 |
Well, now I realise I was wrong. |
| 00:55:16 |
Bonnie was my best friend. |
| 00:55:19 |
Bonnie. |
| 00:55:21 |
I saw that crystal clear today |
| 00:55:24 |
to pick up her parents. |
| 00:55:26 |
It was a good photo opportunity |
| 00:55:31 |
So she went, |
| 00:55:40 |
You didn't laugh at my little joke |
| 00:55:43 |
Maybe you don't have |
| 00:55:47 |
Anyway, her family... |
| 00:55:52 |
...are fat. |
| 00:55:55 |
They're all fat and small. |
| 00:55:59 |
Her little sister |
| 00:56:02 |
Look over there. |
| 00:56:05 |
But they loved Bonnie. |
| 00:56:08 |
They loved her. |
| 00:56:10 |
Nursed her through the operations, |
| 00:56:14 |
Worked night and day |
| 00:56:17 |
And now she's gone. |
| 00:56:21 |
All for nothing! |
| 00:56:23 |
The detective asks me |
| 00:56:26 |
I told him again and again, |
| 00:56:29 |
Of course, Michelangelo! |
| 00:56:33 |
OK, OK, Dorothy was, |
| 00:56:37 |
It was the tears like a fountain. |
| 00:56:39 |
And Bonnie was, I admit, a nightmare, |
| 00:56:42 |
but in the show, you see, |
| 00:56:45 |
She could walk, you see. |
| 00:56:47 |
And then there was the hair, red, |
| 00:56:51 |
That's why I put her in a wig |
| 00:56:55 |
A 30-metre long black braid, |
| 00:57:00 |
It was superb, truly superb. |
| 00:57:03 |
A little bit heavy, I agree. |
| 00:57:05 |
But, anyway, she hated it. |
| 00:57:08 |
Hated me for making her wear it. |
| 00:57:10 |
And then, you see, Michelangelo, |
| 00:57:14 |
Ultimately, they hate each other. |
| 00:57:22 |
So what do I do now, you might ask. |
| 00:57:25 |
Well, first, I wait for Forensics to come |
| 00:57:30 |
complicated by the mother of all wigs, |
| 00:57:34 |
and then I look for motive. |
| 00:57:37 |
I've been talking to people. |
| 00:57:39 |
I've been asking questions. |
| 00:57:43 |
From what they's been saying to me, |
| 00:57:46 |
"My best friend Dorothy this, |
| 00:57:50 |
These fashion folk |
| 00:57:52 |
For praising what is lost |
| 00:58:05 |
Between you and me... |
| 00:58:09 |
...l'm a little nervous, |
| 00:58:11 |
because you know what they say, |
| 00:58:17 |
And I'm damned |
| 00:58:26 |
Minx, stay on top! |
| 00:58:32 |
Yesterday... Was it yesterday? |
| 00:58:37 |
I was trying to explain to you |
| 00:58:40 |
I do feel my views |
| 00:58:43 |
Forget beauty. Forget creation. |
| 00:58:47 |
Look at the human race. |
| 00:58:49 |
What do you see? Look honestly. |
| 00:58:52 |
Not a species of creatives. |
| 00:58:55 |
Humans are, quite simply, |
| 00:59:00 |
Rape and pillage is the norm. |
| 00:59:02 |
And not just of each other |
| 00:59:05 |
You'll be lucky if there is a planet |
| 00:59:08 |
Afraid? You should be. |
| 00:59:11 |
Well, the world of fashion |
| 00:59:15 |
It thrives on fear and on hatred, |
| 00:59:19 |
Fear of failure, |
| 00:59:23 |
And why? |
| 00:59:26 |
Cos only the brightest sparks |
| 00:59:31 |
None of us seek oblivion. |
| 00:59:34 |
In fact, we are all |
| 00:59:36 |
marching in a great army |
| 00:59:41 |
It's a hopeless cause. |
| 00:59:43 |
Hopeless. |
| 00:59:48 |
Speaking of which, I'm sure |
| 00:59:50 |
standing around outside with their... |
| 00:59:54 |
Their tacky placards |
| 00:59:59 |
Listen. |
| 01:00:01 |
To a worker in the Dominican Republic |
| 01:00:06 |
a garment factory is not a sweatshop. |
| 01:00:09 |
It's an employment opportunity. |
| 01:00:11 |
You know something, Michelangelo? |
| 01:00:14 |
Merlin kept this collection |
| 01:00:17 |
He said it would be |
| 01:00:20 |
He promised there would be |
| 01:00:24 |
Now, you put that together |
| 01:00:26 |
and a brand name that works any time, |
| 01:00:30 |
you are on to a winner. |
| 01:00:33 |
And they came up with M. |
| 01:00:35 |
Mysterious. Magical. Mother. |
| 01:00:41 |
Excellent name for |
| 01:00:44 |
Very secure. |
| 01:00:47 |
And now some clever journalist, |
| 01:00:52 |
writes that M is for murder. |
| 01:00:57 |
My marketing people did not warn me |
| 01:01:01 |
No, they did not. |
| 01:01:04 |
This was not what I had in mind, |
| 01:01:09 |
OK. |
| 01:01:13 |
Did you get that? |
| 01:01:17 |
Good. |
| 01:01:23 |
As I've always said, you must look |
| 01:01:29 |
A lot of people would think |
| 01:01:39 |
...let go from an employment position, |
| 01:01:44 |
...that their future |
| 01:01:47 |
But, then, every ending |
| 01:01:51 |
That's, guess what, |
| 01:01:53 |
another chapter heading |
| 01:02:04 |
Which I will be having |
| 01:02:09 |
Also... leisure opportunities. |
| 01:02:20 |
As a matter of fact, |
| 01:02:32 |
Have you spoken to Dwight a lot? |
| 01:02:36 |
You have? |
| 01:02:38 |
Well, he's very bright, isn't he? |
| 01:02:42 |
Very well educated. |
| 01:02:45 |
They... seem to like that. |
| 01:02:50 |
Yes, it's true. |
| 01:02:54 |
How did you guess? |
| 01:02:56 |
You see, I made a counterproposal |
| 01:03:00 |
after Bradley's proposal didn't go |
| 01:03:06 |
I could see that Mr Diamonds was not |
| 01:03:14 |
Ladies don't want to be thinking |
| 01:03:17 |
when they're buying a fragrance. |
| 01:03:20 |
Anyway, so I thought, |
| 01:03:22 |
why not change tack and target |
| 01:03:26 |
Actually, it was talking to you that |
| 01:03:30 |
Yeah, young people, they have |
| 01:03:35 |
about body odour. |
| 01:03:37 |
Am I right, Michelangelo, hmm? |
| 01:03:42 |
So I thought of "M is for me". |
| 01:03:51 |
It works for the 12- to 16-year-old |
| 01:03:55 |
that teenage demographic, |
| 01:03:57 |
and, then, as for the under-12s |
| 01:04:00 |
so used to violence |
| 01:04:02 |
that brand association of murder |
| 01:04:07 |
That could really take off. |
| 01:04:10 |
Now, well, Mr Diamonds, |
| 01:04:15 |
but then he got kind of excited |
| 01:04:16 |
and he called it damage limitation, |
| 01:04:23 |
And I think there's an amazing niche |
| 01:04:32 |
OK, Michelangelo, |
| 01:04:34 |
I have decided to use these disasters |
| 01:04:38 |
They want me to revise my collection? |
| 01:04:41 |
OK, I will give them a collection |
| 01:04:47 |
I will, I will... wrap everything, |
| 01:04:51 |
and I will call it |
| 01:04:53 |
Yes, and then I will |
| 01:04:55 |
as if a burkha was hit by a bomb. |
| 01:04:58 |
This is East/West, you see, in one. |
| 01:05:01 |
But my backer, my business manager, |
| 01:05:04 |
they all will say no. |
| 01:05:06 |
Why should I listen |
| 01:05:08 |
Because, Michelangelo, |
| 01:05:11 |
Therefore, they only think |
| 01:05:14 |
What will sell a perfume. |
| 01:05:16 |
Second, they are afraid |
| 01:05:20 |
They don't want to upset people. |
| 01:05:23 |
Not because they care |
| 01:05:26 |
but because they are afraid of us. |
| 01:05:28 |
Do you understand? |
| 01:05:29 |
And, suddenly, my designs, |
| 01:05:34 |
What are they thinking of? |
| 01:05:37 |
Suddenly, my designs must |
| 01:05:40 |
No offence to you, Michelangelo. |
| 01:05:42 |
I am very fond of children. I was |
| 01:05:48 |
You have to grow up fast |
| 01:06:12 |
Yes, Michelangelo, |
| 01:06:16 |
Sometimes you just have |
| 01:06:20 |
Ultimately, they are reliant |
| 01:06:23 |
but they do tend to forget this |
| 01:06:27 |
They get emotional... |
| 01:06:31 |
when they feel |
| 01:06:34 |
But as Mr Trump says, |
| 01:06:40 |
Now I am going to have |
| 01:06:43 |
I have some ideas for her column. |
| 01:06:46 |
See what an education |
| 01:06:48 |
How to run things from the top. |
| 01:06:51 |
Are you learning things? |
| 01:06:53 |
Good. |
| 01:07:00 |
Yes, I did meet with Mr Diamonds, |
| 01:07:03 |
although, quite frankly, |
| 01:07:10 |
I'm absolutely fine, thank you. |
| 01:07:14 |
Hmm. |
| 01:07:18 |
Now listen up, Michelangelo. |
| 01:07:23 |
See, I have observed |
| 01:07:26 |
to the exact same people |
| 01:07:28 |
Sometimes ahead of me. |
| 01:07:31 |
Maybe you have a fascination |
| 01:07:35 |
and you is trying to make |
| 01:07:39 |
with this little camera. |
| 01:07:42 |
Or maybe, as beauty provoketh |
| 01:07:46 |
you is stealing the truth |
| 01:07:48 |
and by the time they get to me, |
| 01:07:53 |
So... just what exactly |
| 01:07:59 |
Anything you want to pass on |
| 01:08:26 |
Hello, Michelangelo. How are you? |
| 01:08:31 |
I have good news, Michelangelo. |
| 01:08:35 |
My photograph was |
| 01:08:39 |
My face. |
| 01:08:42 |
Actually, |
| 01:08:49 |
So... And, also, Otto is phoning me. |
| 01:08:53 |
He is telling me that a big producer |
| 01:08:56 |
to offer me a very good role |
| 01:08:59 |
It's for the bad guy, actually. |
| 01:09:03 |
The killer, actually. With a knife. |
| 01:09:09 |
All right, I'm gonna tell you |
| 01:09:12 |
I woke up last night thinking |
| 01:09:17 |
First I thought, |
| 01:09:19 |
And then I thought, "Michelangelo." |
| 01:09:24 |
Because you're a good listener. |
| 01:09:27 |
I mean that, really. |
| 01:09:29 |
But it's not an easy thing |
| 01:09:34 |
Because... |
| 01:09:36 |
Well... |
| 01:09:39 |
Maybe... |
| 01:09:45 |
Maybe it was my fault |
| 01:09:49 |
And Dorothy. |
| 01:09:51 |
Because you see, in a way, |
| 01:09:58 |
But a girl can't help her feelings, |
| 01:10:03 |
That's all they were. |
| 01:10:05 |
Private feelings. |
| 01:10:08 |
Private thoughts. |
| 01:10:11 |
I didn't really want it to... |
| 01:10:15 |
You know. |
| 01:10:24 |
What do you think, |
| 01:10:27 |
Do you think I made a mistake |
| 01:10:30 |
You see when I was born... |
| 01:10:34 |
...mother decided I was to be |
| 01:10:39 |
So you can imagine, |
| 01:10:45 |
mother started crying day and night. |
| 01:10:47 |
It was a nightmare. |
| 01:10:49 |
And that's when I began |
| 01:10:51 |
To stop mother from crying. |
| 01:10:56 |
And then one day, |
| 01:11:00 |
asked me if I wanted |
| 01:11:03 |
Big hair, big eyelashes, big fur. |
| 01:11:08 |
It was a big success. |
| 01:11:11 |
They called me Minx, |
| 01:11:15 |
and I sent money home to mother |
| 01:11:22 |
That's when I learned that |
| 01:11:27 |
Money. |
| 01:11:33 |
I still dream of being a psychiatrist. |
| 01:11:37 |
Because I think I could help people |
| 01:11:41 |
Really I do. |
| 01:11:43 |
Do you? |
| 01:11:46 |
I've been developing my ideas, |
| 01:11:50 |
And I'm here |
| 01:11:54 |
I've seen your site. |
| 01:11:56 |
Yes, I have. |
| 01:12:01 |
I know my way |
| 01:12:04 |
Now if you put your mind to it, |
| 01:12:09 |
one of our brand-awareness |
| 01:12:13 |
You could become... an influencer. |
| 01:12:20 |
Do you know what that is? |
| 01:12:23 |
That is a kid... |
| 01:12:26 |
...who sets a trend. |
| 01:12:30 |
And we employ a lot of them. |
| 01:12:33 |
Now tell me, OK, honestly. |
| 01:12:35 |
How many hits |
| 01:12:41 |
Wow! Really? |
| 01:12:45 |
You see, I knew that the youth market |
| 01:12:49 |
It is just where the numbers are... |
| 01:12:52 |
Except for the ageing population, |
| 01:12:57 |
Wow! |
| 01:13:00 |
That just came to me. |
| 01:13:03 |
Geriatrics! |
| 01:13:05 |
They sure need fragrance, right? |
| 01:13:08 |
See, Michelangelo, you have to think |
| 01:13:16 |
That's a pity it's not called N. |
| 01:13:19 |
"N is for new." |
| 01:13:25 |
But then that wouldn't work |
| 01:13:28 |
Michelangelo, can I? |
| 01:13:39 |
Do you think that something |
| 01:13:43 |
whether you look at it or not? |
| 01:13:50 |
And... and do you think everything |
| 01:13:54 |
or every, every, every, every, |
| 01:13:56 |
exists that ever was or ever will be? |
| 01:14:05 |
Because, then, logically |
| 01:14:08 |
You can just sit and wait |
| 01:14:16 |
But I don't want to wait, you know? |
| 01:14:20 |
Cos what if that's not true? |
| 01:14:24 |
I mean, free will |
| 01:14:27 |
otherwise what's the point |
| 01:14:36 |
Have you got? |
| 01:14:40 |
Have you got? Have you got, |
| 01:14:44 |
I mean... I mean, would your mum? |
| 01:14:50 |
I... |
| 01:14:53 |
I just really want to get away |
| 01:14:59 |
You know, like doing, |
| 01:15:03 |
Doing the show again and... |
| 01:15:05 |
And I thought... And I... |
| 01:15:12 |
But Rho... I mean, Rho... |
| 01:15:14 |
But I... I thought... I thought maybe... |
| 01:15:31 |
W-w-what do you think? |
| 01:15:47 |
Michelangelo... |
| 01:15:51 |
...I would like you to record |
| 01:15:54 |
And you keep it safe. You understand? |
| 01:15:58 |
You see, before you know it, |
| 01:16:01 |
And why will they point a finger at me? |
| 01:16:04 |
This collection was reflecting, |
| 01:16:06 |
quite deliberately, the culture |
| 01:16:08 |
So of course the models |
| 01:16:10 |
They were pointing the guns |
| 01:16:12 |
It was a statement! |
| 01:16:16 |
And, you know, I explained |
| 01:16:19 |
But maybe they will interpret this |
| 01:16:24 |
to destroy the whole of society |
| 01:16:27 |
Maybe they will take me away |
| 01:16:30 |
and that will be that. |
| 01:16:33 |
Now you have a record of this |
| 01:16:40 |
Just in case. |
| 01:17:11 |
Good morning, Michelangelo. |
| 01:17:14 |
Yes... |
| 01:17:17 |
Now... |
| 01:17:22 |
What have you been doing? |
| 01:17:26 |
This is not what we agreed. |
| 01:17:29 |
All those kids outside, hundreds |
| 01:17:34 |
some of them calling my name |
| 01:17:37 |
"'O' is for Otto, that's my motto!" |
| 01:17:42 |
Now I don't mind people |
| 01:17:46 |
I do feel it's my turn to have |
| 01:17:50 |
but, er... |
| 01:17:53 |
...this information, it was private, |
| 01:18:00 |
You know? |
| 01:18:02 |
You have... you have betrayed |
| 01:18:07 |
My God, Michelangelo. |
| 01:18:12 |
Will you switch that thing off? |
| 01:18:20 |
Michelangelo... |
| 01:18:25 |
I think you were the last person |
| 01:18:29 |
She told me |
| 01:18:31 |
and today she's nowhere to be seen. |
| 01:18:34 |
Did she say anything to you? |
| 01:18:38 |
No? |
| 01:18:41 |
Well, I can't really blame her |
| 01:18:49 |
Merlin will just have to manage |
| 01:18:54 |
...and Minx can fill in |
| 01:19:05 |
I won't be helping out, |
| 01:19:09 |
I thought it might |
| 01:19:12 |
that I, myself, will be joining the |
| 01:19:16 |
when the show begins. |
| 01:19:19 |
Yes. |
| 01:19:22 |
I'll be protesting against the policies |
| 01:19:42 |
We have an escalation situation, |
| 01:19:47 |
An escalation situation. |
| 01:19:49 |
We have demonstrators chanting |
| 01:19:56 |
We have a mob of young people, |
| 01:20:00 |
crying in unison, |
| 01:20:04 |
Now, I like to see |
| 01:20:06 |
in Mr William Shakespeare's verse, |
| 01:20:08 |
but something doesn't smell right |
| 01:20:12 |
Come here, Michelangelo! |
| 01:20:17 |
You have to take sides, brother, |
| 01:20:22 |
See, when I was a kid, if we saw |
| 01:20:27 |
We knew, in the eyes of the law, |
| 01:20:30 |
Even if that something was just |
| 01:20:35 |
Then, one day, I made a decision. |
| 01:20:38 |
I'd rather be the chaser |
| 01:20:41 |
I made a career choice, brother. |
| 01:20:43 |
That's how I got the cuffs in my hands |
| 01:20:46 |
and in my hands |
| 01:20:50 |
It is absolute mayhem out there, |
| 01:20:54 |
I have never seen such crowds. |
| 01:20:58 |
And so young, the demographic. |
| 01:21:01 |
He was right. The boy was right. |
| 01:21:07 |
So down to business. |
| 01:21:13 |
The website, Mikey, the website. |
| 01:21:23 |
What do you mean, it's not for sale? |
| 01:21:26 |
Everything has a price, Michelangelo. |
| 01:21:31 |
In the end, |
| 01:21:39 |
All right, all right, |
| 01:21:43 |
You think about it and you give me |
| 01:21:48 |
You will be. |
| 01:21:51 |
You will be. |
| 01:22:27 |
I have decided to sit the show out, |
| 01:22:29 |
This time with you. |
| 01:22:33 |
After all, |
| 01:22:36 |
when my opinions can subsequently |
| 01:22:41 |
...of the sales graph of a perfume? |
| 01:23:50 |
The fact is, Michelangelo, |
| 01:23:52 |
until now I've had reservations |
| 01:23:56 |
serious reservations. |
| 01:24:01 |
He's always had big ideas, but, |
| 01:24:13 |
But now, |
| 01:24:17 |
You could say he was a prophet |
| 01:24:21 |
and... century of terror. |
| 01:24:26 |
His clothes are shrouds. |
| 01:24:36 |
Are you crying, sweetheart? |
| 01:24:43 |
It's better to face up to things |
| 01:24:50 |
But the truth hurts, my love, |
| 01:25:27 |
It was chaos out there. |
| 01:25:35 |
I think I may have... |
| 01:25:39 |
I was... I was trying |
| 01:25:42 |
And... and there was a lot of people. |
| 01:25:45 |
Even some kids, |
| 01:25:46 |
who were here cos a certain brother |
| 01:25:49 |
on his website-cell-phone-blog thing! |
| 01:26:00 |
You know what Macbeth said, |
| 01:26:06 |
He said... |
| 01:26:08 |
..."My life has become a tale |
| 01:26:15 |
..."all full of sound and fury |
| 01:26:26 |
I think you better start running, |
| 01:26:29 |
There's blood on your hands. |
| 01:29:34 |
Listen my words, Michelangelo. |
| 01:29:39 |
There is one life only. |
| 01:29:43 |
Hmm? |
| 01:29:46 |
We got precious gift from Lord God. |
| 01:29:54 |
No matter if nobody speak your name |
| 01:29:59 |
on television or nothing... |
| 01:30:04 |
...the Lord God, |
| 01:30:10 |
Hmm? |
| 01:30:14 |
That's why to him you never invisible. |
| 01:30:22 |
OK? |
| 01:30:29 |
It's not your fault, Michelangelo. |
| 01:30:37 |
Even if you invite them |
| 01:30:42 |
...the childrens choose to come. |
| 01:30:48 |
Everybody choose what they do. |
| 01:30:52 |
Mm-hm. |
| 01:30:57 |
It's OK, it's OK. |
| 01:31:23 |
Michelangelo. |
| 01:31:26 |
Give me that. It's, like, my turn. |
