Raisin In The Sun A
|
00:00:04 |
What happens to a dream deferred? |
00:00:07 |
Does it dry up like a raisin in the sun? |
00:00:11 |
Pull it in up here. |
00:00:12 |
Or fester like a sore, and then run? |
00:00:19 |
Does it stink like rotten meat? |
00:00:22 |
Or crust and sugar over, like a syrupy sweet. |
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Maybe it just sags like a heavy load. |
00:00:31 |
Or does it explode? |
00:00:36 |
Come on, Johnson, l'm out. |
00:00:40 |
-Morning, Lena. |
00:01:29 |
-Hi. |
00:01:33 |
-Watch your step. |
00:02:23 |
Walter, it's after seven. |
00:02:32 |
You're gonna be late. |
00:02:35 |
Travis out of the bathroom yet? |
00:02:36 |
No, not yet, but he will be soon. |
00:02:39 |
And, what's the point |
00:02:41 |
if you don't get up when it goes off? |
00:02:43 |
What l need an alarm clock for |
00:02:46 |
Only problem is, |
00:02:52 |
Woman. |
00:02:54 |
What kind of eggs you want? |
00:02:57 |
Not scrambled. |
00:03:07 |
-Where the paper? |
00:03:10 |
What's your problem this morning? |
00:03:12 |
l don't have a problem. And l hope |
00:03:15 |
Yeah, you got a problem. |
00:03:30 |
What's that boy doing in the bathroom |
00:03:36 |
He's just gonna have |
00:03:38 |
l can't be being late to work on |
00:03:40 |
No, he is not gonna be getting up no earlier. |
00:03:43 |
lt's not his fault he can't get to bed at night |
00:03:46 |
crazy, loudmouth, good-for-nothing people, |
00:03:49 |
in what's supposed to be his bedroom |
00:03:51 |
Why they gotta be loudmouths? |
00:03:53 |
Because they are loud, and nothing that |
00:03:58 |
Not enough to keep my little boy awake. |
00:04:00 |
That's what you're mad about, ain't it? |
00:04:02 |
Things l want to talk about with my friends |
00:04:03 |
just couldn't be important |
00:04:10 |
Come here. |
00:04:12 |
You looking young this morning, baby. |
00:04:15 |
Looking just like how you looked |
00:04:24 |
lt's gone now. You look like yourself again. |
00:04:27 |
Just eat your eggs. |
00:04:31 |
You know that insurance check come |
00:04:33 |
Yeah, l know. |
00:04:38 |
l'm out, but you better hurry. l heard |
00:04:50 |
The check comes tomorrow, right, Mama? |
00:04:52 |
Yes, it does, Travis. But it's too early |
00:04:56 |
so just eat your breakfast. |
00:04:57 |
But l need fifty cents. |
00:04:59 |
-For what? |
00:05:01 |
For the what? |
00:05:02 |
Teacher says we gotta do something about |
00:05:06 |
''Their'' history. And what's that got to |
00:05:11 |
All us kids are putting in fifty cents |
00:05:13 |
that'll tell us about the things |
00:05:16 |
ls that the way the teacher put it, |
00:05:18 |
Yes, ma'am. That's the way |
00:05:20 |
And they need fifty cents for |
00:05:23 |
-Yes, Mama, that's what l said. |
00:05:26 |
But l don't want to be the only one |
00:05:28 |
l said l don't have it, Travis. |
00:05:30 |
Just eat your breakfast. |
00:05:34 |
l'm finished. |
00:05:39 |
Then go on and make up your bed. |
00:05:54 |
Can l maybe bag groceries |
00:05:55 |
Travis. |
00:06:02 |
And no sweet rolls today, |
00:06:04 |
You wanna have all your teeth |
00:06:08 |
l'm gone. |
00:06:20 |
''l know that woman wants me |
00:06:24 |
''l won't kiss her, and she'll be sorry. |
00:06:28 |
''l won't kiss her goodbye |
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'''cause l know that's |
00:06:34 |
Mama. |
00:06:37 |
Can l please bag groceries? Can l, Mama? |
00:06:41 |
-What is it he want to do? |
00:06:43 |
-For the poor Negroes in history, Dad. |
00:06:48 |
-School's raising money for something. |
00:06:51 |
-Why don't you give it to him? |
00:06:54 |
What you going telling the boy |
00:06:59 |
Come here, Travis. |
00:07:04 |
Thanks, Daddy. |
00:07:09 |
ln fact, here's another fifty cents. |
00:07:12 |
Why don't you go buy yourself some fruit |
00:07:15 |
Hot dog! Thanks, Daddy. |
00:07:19 |
-Go on to school now. Don't be late. |
00:07:24 |
That's my boy. |
00:07:32 |
What? |
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Know what l was thinking about |
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-No. |
00:07:46 |
-You remember Charlie Atkins? |
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You remember. |
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Remember, he wanted me to go |
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Now he's grossing $100,000 a year. |
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$100,000. |
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-That's nice, Walter. |
00:07:59 |
That could have been us. |
00:08:01 |
But he stepped up and l held back. |
00:08:02 |
Walter, you didn't have any money. |
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That was true, then. This is now. |
00:08:07 |
Walter, if you're gonna |
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Me, Willy and Bobo, |
00:08:12 |
Bobo? |
00:08:13 |
Walter, l got nothing to do with that check. |
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You're tired, ain't you, baby? |
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Me, the boy, the way we live. |
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So tired you couldn't do nothing |
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Walter. |
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Mama will listen to you. |
00:08:38 |
You know she listens to you more |
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That's all l need you to do. |
00:08:44 |
Tomorrow morning when you're |
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just sip on your coffee, real easy like, |
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and talk to her like what you're saying |
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Then sip on your coffee some more |
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and tell her that you've been thinking about |
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And before you know it, she'll be |
00:09:03 |
and when l come home |
00:09:05 |
No, Walter, no. |
00:09:06 |
This ain't no fly-by-night proposition, baby. |
00:09:08 |
-This is real. |
00:09:10 |
All the schemes that go nowhere. |
00:09:12 |
-Not like this one. |
00:09:15 |
Why not? |
00:09:17 |
First of all, l'm not gonna be |
00:09:21 |
Now that's your nonsense. That's not mine. |
00:09:24 |
And second of all, |
00:09:29 |
-lt's your mother's money. |
00:09:32 |
Walter, just finish your breakfast. |
00:09:36 |
-Why can't you listen to me? |
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That's the only way |
00:09:40 |
Walter, please. |
00:09:51 |
Ruth. Ruth, listen. |
00:09:55 |
Now it normally costs $75,000, |
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like we're thinking about getting into, |
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but Willy knows somebody |
00:10:02 |
That's 10,000 three ways. |
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Plus a little something extra |
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to the people to get the licenses approved. |
00:10:07 |
-You mean bribes? |
00:10:10 |
This is business. Don't nothing happen in |
00:10:13 |
Walter, eat your eggs. |
00:10:15 |
That's it? ''Eat your eggs''? |
00:10:20 |
Walter, that ain't none of our money. |
00:10:34 |
This morning l get up. |
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l go to a bathroom l gotta share |
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l look in the mirror. |
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Thirty-five years old, |
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l got a boy who sleeps in the living room. |
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And all l got to tell him are stories |
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Walter, eat your eggs. |
00:11:04 |
Damn these eggs. |
00:11:06 |
Fine. Just go to work! |
00:11:08 |
See, that says it all, don't it? |
00:11:10 |
Morning, everybody. |
00:11:11 |
Says just what's wrong with women today. |
00:11:13 |
Don't know how to build your man up, |
00:11:17 |
-like they can do something. |
00:11:19 |
Just like there are some men |
00:11:21 |
No thanks to their women. |
00:11:24 |
l'm gonna start timing people. |
00:11:27 |
You should get up earlier. |
00:11:36 |
Anybody ever tell you, you |
00:11:41 |
Mama left early this morning? |
00:11:44 |
Yeah, her last day. |
00:11:48 |
So how's school coming? |
00:11:50 |
Lovely, just lovely. |
00:11:54 |
As if you really care. |
00:11:56 |
l was just wondering if you made up |
00:12:00 |
Not too many girls who decide |
00:12:05 |
Have we figured out exactly how much |
00:12:08 |
Walter, why don't you leave your sister |
00:12:11 |
You know that check coming tomorrow. |
00:12:12 |
The money belongs to Mama, Walter. |
00:12:14 |
She can do with it whatever she wants |
00:12:18 |
Maybe just nail the check up |
00:12:20 |
lt's hers and not ours. Hers. |
00:12:24 |
Well, now ain't we just |
00:12:27 |
You just got your mother's best |
00:12:29 |
But it's okay if Mama want to |
00:12:32 |
-to put you through college. |
00:12:35 |
No, but the line between asking |
00:12:37 |
-is big and wide, ain't it? |
00:12:40 |
To quit school or just drop dead? Which? |
00:12:42 |
-Either one would suit me fine. |
00:12:45 |
No, l'm sick of Her Holiness sashaying |
00:12:49 |
Me and Ruth, |
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Now it's time you start making some |
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-Don't you be dragging me into this. |
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Aren't you the one that's |
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dirty laundry to put clothes on her back? |
00:12:59 |
Walter, that ain't fair. |
00:13:00 |
Oh, but it's fair |
00:13:03 |
No, it's not like anybody expects you to get |
00:13:05 |
''Thank you, Walter. Thank you, Mama. |
00:13:07 |
''Thank you, Travis, for wearing |
00:13:10 |
Well, l do, all right? |
00:13:13 |
Thank you, everybody! Thank you, God! |
00:13:19 |
Beneatha, stop it. |
00:13:20 |
Forgive me for ever wanting |
00:13:22 |
Forgive me. Forgive me. Forgive me! |
00:13:25 |
Who in the hell ever told you |
00:13:27 |
You so crazy about messing |
00:13:28 |
why don't you go be a nurse |
00:13:30 |
l'll be what l want to be. |
00:13:31 |
-With somebody else's money. |
00:13:33 |
-He was my father, too. |
00:13:37 |
Brow-beating me isn't gonna make her |
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to invest in some harebrained scheme. |
00:13:41 |
And l, for one, |
00:13:46 |
Are you listening to her? |
00:13:47 |
Will you please just get out of here? |
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Nobody in this house is ever gonna |
00:13:55 |
'Cause you're a nut. |
00:13:56 |
-Who's a nut? |
00:13:58 |
Thee is mad, boy. |
00:14:03 |
The world's most backward |
00:14:07 |
And then there's you, a prophet |
00:14:09 |
-and into the swamps. |
00:14:12 |
Why do you have to rile your brother up |
00:14:14 |
'Cause it's too much fun not to. |
00:14:24 |
l need some money. |
00:14:28 |
Carfare. |
00:14:30 |
What, fifty cents? |
00:14:51 |
lf she didn't want to docent |
00:14:55 |
Well, yes l am. l am going to get involved. |
00:14:57 |
Because this kind of behavior |
00:14:59 |
-Are you leaving? |
00:15:02 |
l've have late meetings, |
00:15:05 |
Bring the car around for Mr. Arnold. |
00:15:10 |
l need to be at the Shipley building at noon. |
00:15:12 |
Yes, sir. |
00:15:31 |
Priscilla. |
00:15:33 |
l ain't playing no hide and seek, child. |
00:15:38 |
Well, it looks like you're not in here. |
00:15:41 |
And l know you're not in that closet. |
00:15:42 |
Not with that big, hairy spider |
00:15:47 |
Come on, girl. Put this on. |
00:15:51 |
Are you still leaving? |
00:15:53 |
Yes, l'm still leaving. |
00:15:55 |
And just like yesterday, l expect you to be |
00:16:02 |
You hear me? |
00:16:03 |
Yes, Miss Lena. |
00:16:05 |
No sass. No pouting. |
00:16:12 |
Turn around. |
00:16:54 |
Bobo, my man. |
00:16:56 |
So how we looking? |
00:16:59 |
l'm still working on it, |
00:17:02 |
So we have time. Seen Willy Harris? |
00:17:05 |
l saw him last night. |
00:17:06 |
He asked about you, l told him you're good. |
00:17:11 |
He wants to get together tonight, |
00:17:14 |
Sounds good to me. |
00:17:17 |
-l can smell the money, baby. |
00:17:20 |
Let me guess. |
00:17:22 |
This car, he's driving, and this one's yours. |
00:17:24 |
l'm moving it, sir. Right away. |
00:17:26 |
Yes, boy, you will. After l cite you. |
00:17:32 |
You, get in your car. |
00:17:47 |
Verdi's La Traviata, Randolph Hall, |
00:17:54 |
That your idea of asking for a date, George? |
00:17:57 |
lt's more than a date if l'm asking. |
00:18:00 |
Well, l'll have to get back to you. |
00:18:02 |
Do so. But tarry not. There are legions |
00:18:09 |
Goodbye, George. l've got a class. |
00:18:25 |
Relax. lt's coming. |
00:18:38 |
Very good. |
00:18:40 |
Were all my students like you, |
00:18:44 |
l don't need false flattery, Asagai. |
00:18:50 |
Well, then, l guess l shall tell you the truth. |
00:18:55 |
You are not very good. |
00:18:59 |
You are excellent. |
00:19:05 |
You really think so? |
00:19:06 |
Yes. l am happy with you. |
00:19:18 |
l would be even happier if l could take you |
00:19:25 |
A date? |
00:19:27 |
lsn't that what you call it here |
00:19:29 |
go out to spend time together? |
00:19:33 |
Well, yes, but... |
00:19:36 |
Okay, before you crush my spirit and ego, |
00:19:41 |
Maybe your phone number |
00:19:44 |
Well, l suppose a phone number can't hurt. |
00:20:06 |
l remember well the things |
00:20:14 |
l have a class. |
00:20:34 |
You got any more apples in the back? |
00:20:38 |
Don't think so. |
00:20:39 |
But you can't be sure unless you check, |
00:20:44 |
-How many you want? |
00:20:48 |
Excuse me. Do me a favor, |
00:20:51 |
-Right away, ma'am. |
00:20:55 |
Lena, you sure was up and out early |
00:20:58 |
lt was my last day on the job, Earline. |
00:21:00 |
My last half-day, to be exact. |
00:21:03 |
-Go on. You stopped working? |
00:21:06 |
-Praise God. |
00:21:09 |
l know l can't wait to lay these |
00:21:11 |
-The day'll come. |
00:21:16 |
What with your insurance money. |
00:21:17 |
Well, l can't argue with that. |
00:21:19 |
-Here you go. |
00:21:25 |
Am l being charged for the worms, too? |
00:21:28 |
You don't want them, moms, |
00:21:33 |
l'm not buying them. l don't want them. |
00:21:37 |
And l'm not your mother. |
00:21:41 |
There are other stores. |
00:22:00 |
-Hi. |
00:22:03 |
You wanna try one? |
00:22:18 |
Oh, no, Ruth. No, l got this. |
00:22:21 |
l have been carrying these |
00:22:23 |
l can make it from the door to the table. |
00:22:26 |
Well, how was your last day? |
00:22:29 |
About the same as the first, |
00:22:33 |
Well, it must feel good, hanging it all up. |
00:22:36 |
lt ain't settled in good, yet. |
00:22:38 |
lt will, come Monday morning when you |
00:22:42 |
You'll feel it. |
00:22:43 |
Look at that poor bed. |
00:22:46 |
That's his idea of making it up, l guess. |
00:22:49 |
Bless his heart. He tries, don't he? |
00:22:51 |
No, he don't half-try at all, 'cause he know |
00:22:56 |
and fix everything, just like you always do. |
00:22:58 |
That's how come he don't know |
00:23:00 |
You done spoil that boy so. |
00:23:01 |
Well, he's a little boy. |
00:23:03 |
He ain't supposed |
00:23:09 |
You okay, Ruth? |
00:23:12 |
Yeah, l'm fine, just... |
00:23:14 |
l'm just tired, l've been ironing all morning. |
00:23:18 |
Well, leave the rest for me. l'll finish. |
00:23:21 |
ls that what you call retirement? |
00:23:23 |
You gonna come home so you can |
00:23:26 |
Well, what do you expect me to do, |
00:23:32 |
My poor little plant. |
00:23:34 |
lf that plant don't get more sunlight than |
00:23:42 |
Ruth, if you ain't feeling better tomorrow |
00:23:45 |
That woman will have a fit |
00:23:48 |
Well, let her have it. |
00:23:50 |
What? You ain't never supposed to be sick? |
00:23:52 |
l'll call her in the morning |
00:23:54 |
Why the flu? |
00:23:55 |
White folks understand about the flu, |
00:23:59 |
Well, you better call up them sick |
00:24:02 |
otherwise they gonna think |
00:24:04 |
been caught up in a fight or something. |
00:24:08 |
Tired as you look, Ruth, |
00:24:11 |
Well, l've got to go, now. |
00:24:15 |
Most days, we might. But tomorrow |
00:24:21 |
Now, wait, that's your money, Lena. |
00:24:23 |
lt ain't got nothing to do with me. |
00:24:26 |
$10,000. |
00:24:29 |
You know what you ought to do |
00:24:32 |
You ought to go off somewhere, |
00:24:38 |
Just go on off and have yourself a ball |
00:24:41 |
What would l look like, |
00:24:43 |
What? Those rich white women do it. |
00:24:48 |
Their feet gets itching, and the next thing |
00:24:51 |
waving at the rest of us |
00:24:54 |
Something always told me |
00:25:03 |
Well, what you going to do with it? |
00:25:06 |
l ain't rightly decided, Ruth, |
00:25:09 |
Well, of course, there is that money |
00:25:11 |
And that much is decided, |
00:25:16 |
-Yeah. |
00:25:20 |
And none of his never saw fit to come true. |
00:25:24 |
He used to come in here some nights, |
00:25:29 |
Just sit down on that sofa here, |
00:25:33 |
then he'd look at me, |
00:25:40 |
l know that must've been hard |
00:25:43 |
The hardest thing for me was watching him. |
00:25:45 |
And when we lost that baby, l near to |
00:25:52 |
You'd never think one man could |
00:25:54 |
That man loved his children. |
00:25:57 |
Now, of course that ain't to say |
00:25:59 |
'cause could be a little mean |
00:26:03 |
But he loved his children. |
00:26:06 |
He used to say, |
00:26:08 |
''Seem like God didn't seem fit |
00:26:13 |
''but he did give us children |
00:26:19 |
He could talk like that, you know. |
00:26:25 |
Well, look like maybe you remembered |
00:26:31 |
l started my guitar lessons, today. |
00:26:33 |
-Holy Lord. |
00:26:35 |
Guitar. |
00:26:39 |
l know what a guitar is, little smart mouth. |
00:26:42 |
ls this something new? |
00:26:43 |
Not really. lt's something l've been |
00:26:46 |
How long is it gonna be before you get |
00:26:50 |
like you done that little play-acting group |
00:26:53 |
And the horseback riding club |
00:26:55 |
l've seen butterflies do less flitting, baby. |
00:26:57 |
l just want to learn to play the guitar. |
00:27:00 |
Ain't nobody trying to stop you. |
00:27:03 |
Just wondering why you got to flit so. |
00:27:05 |
Never landing on nothing long enough |
00:27:08 |
Never done nothing with all that |
00:27:10 |
l don't flit. l experiment |
00:27:14 |
Does that include horseback riding lessons? |
00:27:16 |
Yes. People have to express themselves |
00:27:19 |
Well, what is it you're trying to express? |
00:27:20 |
Me. |
00:27:26 |
That's all right. l wouldn't expect you |
00:27:29 |
-Beneatha. |
00:27:31 |
Oh, God. |
00:27:32 |
lf you use the Lord's name in vain |
00:27:35 |
-Mama. |
00:27:38 |
Well, if the salt loses its savor... |
00:27:40 |
That'll do now. |
00:27:41 |
Not gonna have you round here reciting |
00:27:44 |
How did l manage |
00:27:47 |
just by just walking into a room? |
00:27:49 |
-Where are you going? |
00:27:51 |
Oh, my, my. Who with? |
00:27:53 |
Who else? George Murchison. |
00:27:56 |
That's the third time this month. |
00:27:59 |
Like a tick on a dog. They don't have |
00:28:02 |
Now, girl, you know you're sweet on him. |
00:28:05 |
He's all right. l mean l like him enough |
00:28:07 |
''And stuff''? What's ''and stuff'' mean? |
00:28:09 |
Stop picking on her, now, Ruth. |
00:28:12 |
What does it mean? |
00:28:13 |
l just mean l could never be serious |
00:28:16 |
What do you mean he's shallow? |
00:28:19 |
You wouldn't even begin to understand. |
00:28:21 |
Anybody who married Walter |
00:28:24 |
Now, what kind of way is that |
00:28:27 |
l do believe she just expressed |
00:28:29 |
Brother is a blip, Mama. Let's face it. |
00:28:32 |
What's a blip? |
00:28:33 |
l don't know. l think she's saying he's crazy. |
00:28:35 |
Not crazy. Brother isn't really crazy yet. |
00:28:37 |
He's an elaborate neurotic. |
00:28:39 |
You hush your mouth, now. |
00:28:41 |
As for George, well, George looks good, |
00:28:43 |
he drives a beautiful car, |
00:28:47 |
But if the Youngers are waiting |
00:28:49 |
tie up the family with the Murchisons, |
00:28:52 |
-Why? |
00:28:53 |
the Murchisons are honest-to-God, |
00:28:56 |
And the only people in the world |
00:28:59 |
are rich colored people. And that's a fact. |
00:29:01 |
You weren't brought up to dislike people |
00:29:04 |
Don't worry about it, Lena. |
00:29:07 |
Get over it? What're you talking about Ruth? |
00:29:12 |
Listen, l'm going to be a doctor. l'm not |
00:29:15 |
lf l even ever get married. |
00:29:17 |
-lf? |
00:29:18 |
l probably will. lt's just that, |
00:29:22 |
And George, for one, |
00:29:24 |
l couldn't be bothered with that. |
00:29:26 |
l'm going to be a doctor, and everybody |
00:29:29 |
Well, of course you're gonna be a doctor, |
00:29:32 |
God doesn't have a thing to do with it. |
00:29:34 |
Now that just wasn't necessary, Beneatha. |
00:29:36 |
Well, neither is God. |
00:29:38 |
-Beneatha. |
00:29:40 |
l'm just tired of hearing |
00:29:42 |
What does He have to do with anything? |
00:29:44 |
You about to get |
00:29:46 |
That's just what she needs. |
00:29:47 |
Why can't l say what l want to |
00:29:50 |
'Cause you weren't brought up |
00:29:53 |
Me and your daddy went to a lot of trouble |
00:29:56 |
were brought up in the good Christian way. |
00:29:58 |
Well, you and Daddy were wrong. |
00:30:01 |
Mama, you don't understand. |
00:30:05 |
and God is just one idea l don't accept. |
00:30:07 |
lt's not important. lt's not like l'm gonna |
00:30:12 |
'cause l don't believe in God. |
00:30:16 |
l get so tired of Him getting credit |
00:30:18 |
the human race achieves |
00:30:20 |
There is simply no God. |
00:30:23 |
There is only man, |
00:30:33 |
Now, you say after me, |
00:30:36 |
''ln my mother's house, there is still God.'' |
00:30:41 |
''ln my mother's house, there is still God.'' |
00:30:44 |
ln my mother's house, there is still God. |
00:30:50 |
There are some ideas |
00:30:54 |
Not as long as l'm head of this family. |
00:30:56 |
Yes, ma'am. |
00:31:12 |
Bennie. |
00:31:14 |
You think you're a grown woman, |
00:31:18 |
What you did was childish |
00:31:46 |
She said she's sorry. |
00:31:56 |
l don't know about these children, Ruth. |
00:31:59 |
They frightens me. |
00:32:01 |
Lena, you got good children. |
00:32:04 |
Sometimes, they don't think clearly, |
00:32:09 |
No, something done come down |
00:32:12 |
We don't understand each other, no more. |
00:32:15 |
lt's like we don't none of us |
00:32:19 |
Walter near done lost his mind |
00:32:23 |
and Beneatha around here talking |
00:32:27 |
What is it, Ruth? What is it that's changing? |
00:32:29 |
You just got strong-willed children. |
00:32:33 |
And it takes someone with a strong head |
00:32:40 |
lt's a good thing, though, |
00:32:45 |
This doctor thing sure is |
00:32:47 |
Yeah, well, she deserves it. |
00:32:51 |
Even with all her foolishness, |
00:32:55 |
And Walter, well, it's not like you to think |
00:33:02 |
l understand, Ruth, |
00:33:05 |
We just plain working folk. |
00:33:07 |
Walter Lee says ain't nobody |
00:33:13 |
Walter Lee says the colored people ain't |
00:33:16 |
until they start gambling |
00:33:20 |
lnvestments and things. |
00:33:22 |
What done got into you, girl? |
00:33:25 |
Walter Lee done finally sold you |
00:33:29 |
No. |
00:33:33 |
No. |
00:33:40 |
Lena, some... |
00:33:44 |
Something done come down |
00:33:51 |
l don't know what it is. |
00:33:55 |
He needs something, you know? |
00:34:04 |
He needs this chance, Lena. |
00:34:07 |
l hear you, Ruth, |
00:34:13 |
But l can't throw my husband's |
00:34:19 |
This poor little plant. |
00:34:22 |
Nothing l do make it no better. |
00:34:24 |
l mean do we even know |
00:34:28 |
Ruth? |
00:34:36 |
l think it's the way to go, man, liquor stores. |
00:34:39 |
People gonna always wanna get |
00:34:42 |
That's my feeling exactly. |
00:34:44 |
Without fail, there are two businesses |
00:34:47 |
Churches and liquor stores. |
00:34:48 |
And funeral parlors. |
00:34:51 |
But l ain't messing around |
00:34:53 |
Until you become one. |
00:34:57 |
Where's Willy, man? |
00:34:58 |
Don't worry, man. He'll be here. |
00:35:01 |
Always got to make a stop |
00:35:03 |
There he is. Willy. Over here. |
00:35:05 |
My man, Bobo. How you doing, brother? |
00:35:10 |
Willy. |
00:35:11 |
My new partners |
00:35:14 |
Waitress, another round of suds, please. |
00:35:17 |
What'll you have, Willy? |
00:35:18 |
Scotch, rocks and |
00:35:24 |
-So, Bobo, how's it hanging, man? |
00:35:27 |
Just another squirrel in the world |
00:35:30 |
-So we ready to discuss business? |
00:35:35 |
l think we're sold on this liquor store. |
00:35:36 |
Sold? l'd say |
00:35:41 |
Look around you. Everybody in here's |
00:35:46 |
Black folks. They may not have |
00:35:51 |
but drink they're gonna do. Got to do it. |
00:35:54 |
-Takes their mind off things. |
00:35:57 |
All right, here's the deal. |
00:36:01 |
The right people that'll seed the right |
00:36:05 |
They don't have no problems with it. |
00:36:06 |
That's what l'm talking about. |
00:36:08 |
And here's the beautiful part. |
00:36:09 |
l found the perfect location, |
00:36:21 |
l mean, we couldn't build us |
00:36:25 |
So, how much time we got? |
00:36:26 |
Well, here's the thing. |
00:36:29 |
This perfect spot ain't likely |
00:36:33 |
Personally, l think we need |
00:36:37 |
l don't see no problem with that. |
00:36:41 |
Well, then, |
00:36:43 |
sounds like a deal. |
00:36:45 |
Cheers. |
00:36:51 |
-l got to run. |
00:36:53 |
You cats know how to reach me. |
00:36:55 |
-Your change. |
00:36:58 |
and set my partners up |
00:37:01 |
-Bobo. |
00:37:02 |
-Walter. |
00:37:03 |
l'll see you cats later. |
00:37:07 |
Gentlemen. |
00:37:09 |
Nothing for me. l got to get home. |
00:37:11 |
l think l'm going to hang around |
00:37:14 |
You know, kind of celebrate the future. |
00:37:16 |
Don't you get in no trouble. |
00:37:18 |
-l'm gonna call you later. |
00:37:43 |
Morning, doll. We'll be right with you. |
00:37:46 |
l'm looking for Miss Tilly. |
00:37:48 |
What you want with Miss Tilly? |
00:37:51 |
lt's personal. ls she here? |
00:37:55 |
l am Miss Tilly. What you need, child? |
00:38:06 |
Come. Follow me. |
00:38:13 |
Can't l go outside, grandma? |
00:38:16 |
lf l can't go out, you can't go out. |
00:38:18 |
-You finish all your chores? |
00:38:20 |
Where did Mama go? |
00:38:23 |
She went to run a little errand. |
00:38:25 |
But where? |
00:38:26 |
To tend to her business. |
00:38:30 |
-What kind of grown up... |
00:38:31 |
Just get out of here. Go on downstairs. |
00:38:33 |
Stay out front and keep a sharp look out |
00:38:36 |
Yes, ma'am. |
00:38:38 |
And leave them cockroaches alone. |
00:38:41 |
Don't spray that boy with that stuff. |
00:38:45 |
Why not? lt's harmless. You ever see |
00:38:51 |
Where did Ruth go, Mama? |
00:38:53 |
To the doctor, l think. |
00:38:55 |
What for? |
00:38:57 |
Beneatha, get up underneath |
00:39:00 |
Sometimes crumbs get up underneath there. |
00:39:02 |
-Mama? |
00:39:06 |
-At least, l ain't saying what l think. |
00:39:09 |
l think l ain't saying, |
00:39:13 |
Of course, l ain't never |
00:39:23 |
Hello. |
00:39:26 |
Bah-oh to you, Asagai. |
00:39:31 |
Come over? Now? |
00:39:34 |
l don't think so. We're cleaning, |
00:39:36 |
when people come over and the house |
00:39:41 |
Do you? For me? |
00:39:45 |
Okay, if just for a minute. |
00:39:47 |
l'll see you then. |
00:39:49 |
Tell me you didn't just invite |
00:39:52 |
Oh, Mama, it's just Asagai. |
00:39:53 |
l don't care if it's Santa Claus, girl. |
00:39:57 |
The place is fine, Mama. |
00:39:58 |
Besides, it's just Asagai. |
00:40:02 |
-Who? |
00:40:06 |
l met him at school. He's from Nigeria. |
00:40:11 |
l don't believe l never met no African before. |
00:40:13 |
Well, do me a favor and please don't ask |
00:40:16 |
do they wear clothes and carry spears. |
00:40:18 |
lf we so ignorant, maybe you ought |
00:40:20 |
Mama, it's not that. lt's just |
00:40:23 |
when it comes to Africa, |
00:40:25 |
-Well, him, l heard of. |
00:40:28 |
What? What? What l need to know |
00:40:33 |
Because it's part of our heritage. |
00:40:36 |
Why do you give money |
00:40:38 |
That's to save people. |
00:40:40 |
l'm afraid they need more salvation |
00:40:46 |
So? You pregnant? |
00:40:50 |
What, is it written all over my face? |
00:40:53 |
-You are. |
00:40:55 |
How far along are you? |
00:40:57 |
Two months. |
00:41:00 |
Did you plan it or was it an accident? |
00:41:03 |
Mind your own business. |
00:41:05 |
lt is my business. |
00:41:14 |
l'm sorry. |
00:41:17 |
l didn't mean for it to come out like that. |
00:41:20 |
l think it's wonderful. |
00:41:22 |
Yeah. Yeah, no, it's wonderful. |
00:41:27 |
Well, it is. |
00:41:28 |
Doctor say everything going to be all right? |
00:41:30 |
Yeah. She said everything's gonna be fine. |
00:41:34 |
She? |
00:41:37 |
What doctor you went to? |
00:41:42 |
Ruth, honey, you sick? |
00:41:46 |
What's the matter with her, Mama? |
00:41:49 |
She gonna be all right. |
00:41:51 |
Women get like this sometimes |
00:41:53 |
But they going to be all right. |
00:41:54 |
They just got to relax |
00:42:04 |
Oh, my God. That must be Asagai. |
00:42:09 |
Come on, honey. Come on. |
00:42:31 |
Hello, Alaiyo. |
00:42:32 |
Hello. |
00:42:35 |
May l come in? |
00:42:37 |
Yeah, come in. |
00:42:41 |
My mother was very upset, |
00:42:43 |
she know l was letting |
00:42:47 |
You, too, look disturbed. |
00:42:50 |
No, no, no. |
00:42:55 |
Acute ghetto-itis is all it is. lt'll pass. |
00:42:59 |
Well. |
00:43:00 |
So, come in and sit down. |
00:43:03 |
Can l hope that box is for me? |
00:43:05 |
Yes. Open it. |
00:43:24 |
-Nigerian music. Thank you. |
00:43:34 |
lt's beautiful. Why did you... |
00:43:42 |
Let me... |
00:43:57 |
-What's it mean? |
00:44:01 |
-You did? |
00:44:03 |
From the moment l first saw you at school, |
00:44:06 |
in the most serious of tones, and said, |
00:44:09 |
''l would like very much like |
00:44:11 |
''because l am looking for my identity.'' |
00:44:15 |
And why is that funny? |
00:44:18 |
Well, because l didn't at first believe it. |
00:44:22 |
And why not? |
00:44:25 |
Because assimilationism is so |
00:44:27 |
popular, so important in your country |
00:44:31 |
Everyone must become one |
00:44:34 |
l am not an assimilationist. |
00:44:40 |
Perhaps not. |
00:44:45 |
So, do you like them? |
00:44:47 |
-What? |
00:44:49 |
They are from my sister's |
00:44:51 |
You must take good care of them. |
00:44:52 |
-Your sister? |
00:44:54 |
That's the capital. But you knew that. |
00:44:59 |
You sent all the way for me? |
00:45:02 |
Well, l cannot wear them. |
00:45:05 |
Joseph. |
00:45:09 |
For you, l would do much more. |
00:45:18 |
l must be going. |
00:45:20 |
Will you call me Monday? |
00:45:23 |
Yes, l will. We do have much to talk about. |
00:45:27 |
About identity and time and feeling. |
00:45:35 |
What sort of feeling |
00:45:38 |
l am not interested in being |
00:45:46 |
-Yes, that's real funny, isn't it? |
00:45:50 |
Every American girl, white, black and brown, |
00:45:55 |
You are all the same with the same speech. |
00:45:57 |
lt seems the world's most liberated women |
00:46:00 |
or you wouldn't so quickly |
00:46:07 |
Mama. Mama, this is Mr. Asagai. |
00:46:11 |
How do you do, young man? |
00:46:14 |
How do you do, Mrs. Younger? |
00:46:17 |
Please forgive me for coming |
00:46:20 |
That's all right. |
00:46:21 |
l just hope that you understand |
00:46:25 |
-Asagai was just leaving, Mama. |
00:46:28 |
Well, l do hope that you'll come again. |
00:46:30 |
l would love to hear more |
00:46:36 |
l think it's sad the way our American |
00:46:39 |
except Tarzan and all that. |
00:46:42 |
And all that money we been giving |
00:46:45 |
when we need to be helping |
00:46:48 |
Englishmen and Frenchmen |
00:46:53 |
Well, yes, ma'am. And on behalf |
00:46:58 |
Well, l suspect you better come around here |
00:47:01 |
get yourself a home-cooked meal. |
00:47:04 |
l think your mama would like that. |
00:47:06 |
l think my mother would like that, |
00:47:13 |
Well, l should be off. |
00:47:17 |
What is that? That's African for Beneatha? |
00:47:21 |
No, it's a Yoruba word. |
00:47:23 |
lt means, well, roughly, |
00:47:25 |
one for whom bread or food is not enough. |
00:47:29 |
You are never satisfied. You are always |
00:47:33 |
That's nice. Well, do come again, Mr... |
00:47:38 |
Asagai. Or Joseph would do as nicely. |
00:47:44 |
Goodbye. |
00:47:59 |
Well, that's a pretty young thing |
00:48:03 |
Well, |
00:48:05 |
l guess l see why we done give up |
00:48:08 |
and play-acting and cameras |
00:48:11 |
and commenced to get so interested |
00:48:14 |
Mama. |
00:48:17 |
Missionaries, my Aunt Jenny. |
00:48:28 |
What you doing up? |
00:48:30 |
Ain't nothing wrong with me |
00:48:36 |
-lt's 10:30. |
00:48:40 |
And the mailman going to come today |
00:48:43 |
-He's here. Two doors down. |
00:48:46 |
Get on down them steps, |
00:48:49 |
-You mean, he done finally come. |
00:48:54 |
Well, l don't know what |
00:48:56 |
We known for months he was coming. |
00:48:57 |
Knowing it's coming and knowing it's here, |
00:49:00 |
lmagine being able to hold a piece of paper |
00:49:05 |
-l'll take our mail, Mr. Peete. |
00:49:09 |
You got to have a letter, Mr. Peete. |
00:49:14 |
l think l have something for your grandma. |
00:49:22 |
Got it! |
00:49:23 |
Lord have mercy, |
00:49:25 |
Come on, open it. Come on, now, open it. |
00:49:28 |
All right, all right, all right, child, |
00:49:30 |
We never been no people |
00:49:33 |
Well, Lena, we ain't never had |
00:49:38 |
ls that the right amount of zeros? |
00:49:44 |
Yes, ma'am. You're rich, Grandma. Rich. |
00:49:51 |
$10,000. |
00:49:57 |
Somebody's idea |
00:50:13 |
What's the matter with Grandma, Mama? |
00:50:19 |
Why don't you go on outside and play, |
00:50:38 |
lf it wasn't for you all, |
00:50:41 |
or give it to the church or something. |
00:50:42 |
Lena, that's crazy talk, and you know it. |
00:50:45 |
And Mr. Younger |
00:50:50 |
Yes, he would. |
00:50:54 |
Big Walter would tell me good. |
00:50:58 |
Yeah. We got enough to do with that money, |
00:51:01 |
Yeah. |
00:51:02 |
Where'd you go today, girl? |
00:51:05 |
l went to the doctor. |
00:51:07 |
Dr. Jones does have |
00:51:11 |
but turning from a he to a she |
00:51:15 |
l don't know what you're talking about, |
00:51:16 |
Ruth. Ruth, look at me. Look at me, Ruth. |
00:51:23 |
l'm the same Lena Younger |
00:51:25 |
and l didn't suddenly turn into no fool. |
00:51:28 |
Now, you called the doctor that |
00:51:32 |
-Well, l made a mistake. |
00:51:38 |
-What woman? |
00:51:41 |
Did the check come? |
00:51:42 |
Now, what you doing here |
00:51:44 |
Can you say hello |
00:51:46 |
Did it come? |
00:52:05 |
Our lives have changed. |
00:52:12 |
Look, Mama. Here's the agreement |
00:52:16 |
All in written up. All legal-like. |
00:52:18 |
Son, l think you need to talk to your wife. |
00:52:20 |
-Now, what l need to talk to her for? Mama... |
00:52:22 |
Mama, look. |
00:52:24 |
Walter Lee. |
00:52:26 |
l don't allow no yelling in this house, |
00:52:30 |
Okay. |
00:52:32 |
Okay, see, Mama, no yelling. |
00:52:37 |
Now everything's ready. |
00:52:42 |
We even got a name |
00:52:47 |
Liquor! |
00:52:51 |
ls that what this has been about |
00:52:56 |
Mama, it's a great investment. |
00:52:57 |
Listen to me, boy, and you listen good. |
00:52:59 |
There ain't gonna be no investing |
00:53:01 |
Not as long as there is a breath in this body. |
00:53:03 |
-Mama... |
00:53:06 |
But, Mama, |
00:53:10 |
Mama, you haven't even looked at it yet. |
00:53:21 |
That's it? |
00:53:24 |
You've decided. |
00:53:26 |
Decided that this is the way |
00:53:36 |
Will you tell that to my boy tonight |
00:53:37 |
when you put him to sleep |
00:53:40 |
Will you tell that to my wife when she's |
00:53:45 |
Will you tell it to yourself, Mama, |
00:53:48 |
when you're fixing food |
00:53:50 |
that your own family |
00:53:57 |
-Walter, where are you going? |
00:53:59 |
-l'll come with you. |
00:54:02 |
Walter, l got to talk to you about something. |
00:54:05 |
That's too bad. |
00:54:06 |
Walter Lee, sit down. |
00:54:10 |
l'm a grown man, Mama. |
00:54:11 |
Ain't nobody said you wasn't grown. |
00:54:15 |
and as long as you are, |
00:54:17 |
-Now sit down. |
00:54:19 |
-He makes me sick to my stomach. |
00:54:26 |
Walter Lee. |
00:54:27 |
That was my biggest mistake. |
00:54:30 |
-What is wrong with you? |
00:54:33 |
Yes, there is something wrong with you. |
00:54:38 |
And it's something more than me not giving |
00:54:41 |
For the past two years l've been watching |
00:54:45 |
-l gotta go out. |
00:54:47 |
l don't need your nagging right now, Mama. |
00:54:49 |
So what you gonna do? |
00:54:52 |
Seems like you always |
00:54:55 |
Ready to bust out and yell |
00:54:58 |
People can't live like that, Walter. |
00:55:01 |
Ruth is a good and patient girl in her way, |
00:55:06 |
Don't make the mistake |
00:55:09 |
What mistake? What she ever do for me? |
00:55:13 |
That girl loves you, Walter. |
00:55:19 |
Now you through? |
00:55:21 |
'Cause if it's all right with you, |
00:55:25 |
l'm sorry, son. |
00:55:27 |
l'm sorry about your liquor store. |
00:55:30 |
l gotta go out, Mama. |
00:55:32 |
-That's dangerous son. |
00:55:35 |
That. When a man got to go |
00:55:38 |
Where else am l gonna find it? |
00:55:39 |
-Not in this place. |
00:55:44 |
Mama, l want so many things. |
00:55:47 |
Mama, l want so many things. |
00:55:50 |
What is it that you want, baby? |
00:55:52 |
You got a nice wife, |
00:55:57 |
A job? A job, Mama? Mama. |
00:56:01 |
l open and close car doors all day. |
00:56:05 |
l drive a man around |
00:56:08 |
l say ''Yes, sir. No, sir. |
00:56:13 |
''Am l the best trained monkey |
00:56:17 |
Mama, that ain't no kind of job. |
00:56:25 |
Why do l even think |
00:56:28 |
Understand what, baby? |
00:56:33 |
Mama. |
00:56:35 |
Sometimes when l'm driving |
00:56:39 |
and we passing them cool, |
00:56:41 |
and these white boys, |
00:56:44 |
talking about things, important things, |
00:56:47 |
they closing million-dollar deals, |
00:56:50 |
And, Mama, these white boys, |
00:56:54 |
So, once again, it's money. |
00:56:57 |
This is about money, because money is life. |
00:57:01 |
Money is life? |
00:57:04 |
l remember a time |
00:57:07 |
But now, it's money? |
00:57:11 |
No, they haven't changed. |
00:57:14 |
We were just never allowed |
00:57:17 |
No, something has changed. |
00:57:21 |
ln my time, if we could make it |
00:57:24 |
and still have a shred of dignity, too, |
00:57:30 |
But now here come you and Beneatha, |
00:57:31 |
you all talking about things |
00:57:34 |
Now you my children but sometimes |
00:57:39 |
Mama, you don't understand. |
00:57:42 |
You probably never will. |
00:57:45 |
Son, you know your wife's |
00:57:49 |
What? |
00:57:50 |
Now, l know it ain't my business |
00:57:55 |
'Cause l think Ruth is thinking |
00:57:58 |
You don't know Ruth, Mama, if you think |
00:58:01 |
Yes, l would, too, Walter. |
00:58:04 |
l already made plans. |
00:58:07 |
What? |
00:58:10 |
Gave the woman a down payment. |
00:58:22 |
Well, son, it's your turn to say something. |
00:58:29 |
And l'm waiting to see |
00:58:33 |
'Cause your wife is saying, |
00:58:38 |
l'm waiting to hear your father in you speak |
00:58:40 |
and say we a people who give life, |
00:58:47 |
l'm waiting. |
00:58:53 |
l'm waiting to see you stand up |
00:59:05 |
Well, if you a son of mine, tell her. |
00:59:18 |
You a disgrace to your father's memory. |
00:59:55 |
Well, now. |
00:59:56 |
Yes, now. This, my assimilated sister-in-law, |
01:00:01 |
is what the well-dressed |
01:00:05 |
lsn't it beautiful? |
01:00:08 |
Well, yeah, it is something. |
01:00:13 |
lt is. |
01:00:16 |
Enough of this assimilationist junk. |
01:00:51 |
What kind of dance is that? |
01:00:52 |
A folk dance. |
01:00:54 |
And what kind of folks |
01:00:56 |
Nigerian folks... People. |
01:00:59 |
lt's a dance of welcome. |
01:01:02 |
Who you welcoming? |
01:01:06 |
The men. Back to the village. |
01:01:09 |
Yeah. Where they been? |
01:01:11 |
l don't know. |
01:01:22 |
The point is, they're coming home. |
01:01:26 |
To that? Girl, you better put a pot on. |
01:01:47 |
Maybe you heard me wrong. l said we're |
01:01:53 |
l don't like that, George. |
01:01:55 |
Have a seat, George. |
01:01:59 |
Girl, you think this boy's gonna go out |
01:02:03 |
That's up to George. |
01:02:08 |
Bennie, Bennie, Bennie. |
01:02:10 |
just because you look eccentric. |
01:02:12 |
How can something that |
01:02:15 |
That's what eccentric means, my dear. |
01:02:17 |
Feeling natural |
01:02:20 |
Go get dressed. l don't want us to be late. |
01:02:24 |
Don't worry, George. |
01:02:25 |
l wouldn't expect someone like you |
01:02:31 |
l know your only aim in life is to utterly |
01:02:34 |
and, in this case, oppressive culture. |
01:02:36 |
My, my, my, |
01:02:39 |
You will lecture me on our great |
01:02:44 |
Expound upon the great Ashanti empires |
01:02:49 |
Oh, and let's not forget |
01:02:52 |
and the poetry of the Bantu. |
01:02:55 |
Heritage? Let's face it, baby. |
01:02:58 |
Your heritage is nothing but |
01:03:01 |
and foul-smelling chitlins. |
01:03:04 |
How comfortable we are |
01:03:08 |
My people were the first people on earth |
01:03:13 |
The Ashanti |
01:03:16 |
when the English were still tattooing |
01:03:22 |
She'll be out in a minute, George. |
01:03:29 |
-What time is the show? |
01:03:33 |
Which is a bit earlier than |
01:03:41 |
-Mama in there? |
01:03:46 |
Do you get to New York a lot? |
01:03:48 |
-She say where she was going? |
01:03:50 |
l get there a few times a year. |
01:03:52 |
New York ain't got nothing |
01:03:54 |
just a bunch more people |
01:03:57 |
-So, you've been? |
01:03:59 |
-Walter! |
01:04:02 |
Why don't you offer this man |
01:04:04 |
They don't know how to entertain here, man. |
01:04:05 |
l don't really care for anything. Thank you. |
01:04:28 |
Why you college boys always |
01:04:31 |
-Walter! |
01:04:33 |
George, you're gonna have to excuse him. |
01:04:36 |
You don't have to excuse me. |
01:04:38 |
l'll excuse myself if l need excusing. |
01:04:41 |
l'm just saying they look funny as hell. |
01:04:45 |
-Well? |
01:04:50 |
Style, my ass. Boy, you're something. |
01:04:58 |
l hear your old man is about to buy |
01:05:02 |
That's a shrewd move. |
01:05:08 |
Bet you got some of that in you. |
01:05:12 |
Maybe we get together sometime, |
01:05:14 |
have couple of beers |
01:05:18 |
l don't think so, Walter. |
01:05:20 |
-You don't think what? |
01:05:28 |
Okay. l understand. |
01:05:34 |
-You ain't got the time for people like me. |
01:05:37 |
You my problem. And people like you. |
01:05:41 |
Them college boys. |
01:05:44 |
What they teaching you over there? |
01:05:45 |
Sociology and psychology? |
01:05:48 |
They ain't teaching you how to be a man. |
01:05:50 |
They ain't teaching you how to get out here |
01:05:53 |
They just teach you how to read |
01:05:57 |
and wear them sissy-looking white shoes. |
01:05:59 |
You're all whacked up with bitterness, man. |
01:06:01 |
And you? |
01:06:04 |
You ain't got no bitterness in you? |
01:06:07 |
You don't see no stars out there gleaming |
01:06:10 |
You happy? |
01:06:12 |
You contented son-of-a-bitch. |
01:06:15 |
You had the world handed to you |
01:06:18 |
You damn right, l'm bitter. |
01:06:20 |
Man, l'm a volcano. |
01:06:26 |
Ants can't even understand |
01:06:29 |
Walter, ain't you with nobody? |
01:06:31 |
Hell, no. 'Cause there ain't nobody with me. |
01:06:35 |
Not even my own mother. |
01:06:41 |
Ready. |
01:06:43 |
And do you look great! |
01:06:47 |
You all have a nice time. |
01:06:49 |
See y'all later. |
01:06:52 |
-Bye-bye. |
01:06:58 |
-Walter. |
01:07:00 |
Start what? |
01:07:02 |
Your nagging. Where was l? |
01:07:05 |
Who was l with? |
01:07:08 |
Walter, honey, |
01:07:10 |
l was out talking with people |
01:07:13 |
People who care about the things |
01:07:15 |
-l guess that means people like Willy Harris. |
01:07:17 |
Well, then why don't y'all just go on into |
01:07:21 |
Why? You want to know why? |
01:07:22 |
'Cause we all tied to a race of people |
01:07:24 |
that don't know how to do nothing |
01:07:33 |
-Honey, why can't you stop fighting me? |
01:07:38 |
Who even cares about you? |
01:07:53 |
Well, l guess l just didn't realize |
01:08:08 |
l just didn't realize that |
01:08:21 |
l am sorry. |
01:08:24 |
l'm sorry about this new baby, Walter. |
01:08:41 |
You want some hot milk? |
01:08:44 |
With all that liquor you come home with, |
01:08:46 |
-something hot in your stomach. |
01:08:49 |
-You want some coffee? |
01:08:51 |
-l don't want no hot milk. |
01:08:55 |
What? |
01:08:56 |
What else can l give you, Walter? |
01:09:29 |
lt's been rough, ain't it, baby? |
01:09:32 |
Between two people, |
01:09:34 |
there ain't as much understanding |
01:09:38 |
l mean, like between me and you. |
01:09:46 |
How we gets to a place where we scared |
01:09:52 |
What gets into people |
01:10:04 |
l don't know. |
01:10:09 |
Lately, l been thinking about it a lot. |
01:10:17 |
On account of you and me, you mean? |
01:10:19 |
The way something come down between us. |
01:10:22 |
Walter, there ain't so much between us. |
01:10:26 |
Not when you come to me |
01:10:30 |
Just try and be with me, a little, even. |
01:10:40 |
Sometimes... |
01:10:43 |
Sometimes, l don't even know how to try. |
01:10:48 |
Walter. |
01:10:52 |
Walter, baby. |
01:10:56 |
No, Walter. |
01:11:00 |
Sometimes people can do things |
01:11:09 |
You remember the way we used to talk |
01:11:14 |
Remember, about the way |
01:11:19 |
You remember? |
01:11:20 |
And the kind of house |
01:11:23 |
-l remember. |
01:11:28 |
Walter, it's all starting to slip away from us. |
01:11:37 |
l'm sorry. |
01:11:52 |
Oh, my! That bus stop seems |
01:11:57 |
Where you been all day, Mama? |
01:11:58 |
How you feeling, honey? |
01:12:01 |
-Where have you been all day? |
01:12:03 |
What, he ain't out front? |
01:12:05 |
-l didn't see him. |
01:12:08 |
Mama. |
01:12:11 |
Yes, Walter. |
01:12:12 |
Where were you? |
01:12:14 |
-l went downtown. |
01:12:19 |
l had a little business to attend to. |
01:12:22 |
What kind of business? |
01:12:24 |
Come on, now. You know better |
01:12:27 |
Mama, you ain't go do nothing crazy |
01:12:30 |
-Mama, l was only next door. |
01:12:32 |
l have told you a thousand times not to go |
01:12:35 |
Well, at least let me tell him something. |
01:12:37 |
lt's important, and l want him |
01:12:41 |
Travis, baby, now you remember that money |
01:12:44 |
that money that got everybody so excited? |
01:12:46 |
Yes, ma'am. |
01:12:47 |
What you think your grandma went |
01:12:51 |
l don't know, Grandma. |
01:12:53 |
-She went and bought you a house. |
01:12:56 |
lt's gonna be yours |
01:13:01 |
You glad? |
01:13:04 |
Well, yes, ma'am. |
01:13:07 |
Well, now you can start. |
01:13:12 |
Now when you say your prayers tonight, |
01:13:15 |
you can thank God and your grandfather, |
01:13:19 |
'cause it was both of them |
01:13:26 |
Now go on, get in there. |
01:13:28 |
-Mama. |
01:13:37 |
-So, you went and did it. |
01:13:42 |
Praise God. |
01:13:49 |
Walter, honey. |
01:13:52 |
Walter, please. Let me be glad, Walter. |
01:13:57 |
Walter, it's a home. |
01:14:05 |
How big is it? |
01:14:07 |
Where is it? How much it cost? Wait. Wait. |
01:14:09 |
When are we moving? |
01:14:11 |
First of the month. |
01:14:13 |
Praise God! Praise God! |
01:14:15 |
And it's a nice house, too. Three bedrooms. |
01:14:19 |
A big one for the two of you. |
01:14:20 |
Of course, me and Beneatha, |
01:14:22 |
but Travis will have a room of his own. |
01:14:24 |
And l was thinking that |
01:14:26 |
we could get one of them |
01:14:29 |
And there's a yard where maybe |
01:14:32 |
and a basement, and... |
01:14:35 |
Look, l don't mean to make it sound |
01:14:38 |
lt's just a plain little old house. |
01:14:41 |
But it will be ours. |
01:14:43 |
And it makes a difference in a man when |
01:14:55 |
Where is it? |
01:14:58 |
lt's in Clybourne Park. |
01:15:01 |
ln Clybourne Park? |
01:15:03 |
Lena, there ain't no colored people |
01:15:06 |
Well, there's gonna be some, now. |
01:15:08 |
So that's the peace and comfort |
01:15:11 |
l just tried to find the nicest place |
01:15:17 |
Now, mind you, |
01:15:19 |
l ain't never been one |
01:15:22 |
but, Lena, wasn't there no other houses? |
01:15:24 |
-You mean for the colored? |
01:15:26 |
There was lots of them, |
01:15:28 |
in worse shape and cost more money. No. |
01:15:31 |
l did the best l could. |
01:15:40 |
All l can say then is... |
01:15:43 |
This is my time in life to say goodbye... |
01:15:49 |
Say goodbye to these cracking walls, |
01:15:53 |
and these marching cockroaches |
01:15:57 |
and the cramped little closet that ain't now |
01:16:02 |
l'm gonna say it good and loud. Hallelujah! |
01:16:08 |
Goodbye, misery. |
01:16:11 |
l don't never want to see |
01:16:27 |
l'm gonna go see about Travis. |
01:16:30 |
Lord, l sure don't feel like |
01:16:38 |
Son, you understand what l done, right? |
01:16:46 |
l seen my family falling apart |
01:16:50 |
We was talking about killing babies |
01:16:54 |
When it gets like that, somebody's got to |
01:16:59 |
Come on, son. |
01:17:03 |
Come on. Won't you say how, deep inside, |
01:17:11 |
What you need me to say |
01:17:15 |
You the head of this family. |
01:17:18 |
lt was your money |
01:17:22 |
So what you need me to say |
01:17:26 |
So you butchered up a dream of mine. |
01:17:29 |
You, who always talking about |
01:17:36 |
Walter Lee. Walter, wait. |
01:17:38 |
Wait, Walter. |
01:17:57 |
Hi, sugar. |
01:18:18 |
Walter, we're closing. |
01:19:01 |
You got to eat, honey. lt's more than just |
01:19:10 |
He'll be back. |
01:19:19 |
Hello. |
01:19:22 |
Hello, Mrs. Arnold. Yes, this is his mother. |
01:19:29 |
Well, l'm sure he just thought |
01:19:34 |
Yes, l'll be sure and tell him. l will. |
01:19:39 |
Yes, thank you. |
01:19:44 |
Walter Lee didn't show up for work. |
01:19:46 |
lf he don't go in by tomorrow, |
01:19:52 |
lt's gonna be all right, honey. |
01:19:56 |
lt's gonna be all right. |
01:20:12 |
l'll be back. |
01:20:32 |
-Good morning. Can l help you? |
01:20:38 |
Let's go. |
01:20:43 |
You are gonna follow me out of here, |
01:20:49 |
Right now. |
01:21:25 |
Take over for me. |
01:21:41 |
Take off everything and put on this. |
01:22:05 |
Sure hope we don't get |
01:22:10 |
l never saw snow till coming up here |
01:22:14 |
Don't have such a nonsense in Kingston. |
01:22:20 |
l laugh now when l think about how, |
01:22:23 |
we used to complain for the cold. |
01:22:26 |
Child, l didn't know ''cold'' |
01:22:34 |
lt's like we went straight from the fire |
01:22:56 |
You go ahead and put on that robe, huh? |
01:22:59 |
l'll be back directly. |
01:24:01 |
-Thank you. |
01:24:05 |
Where you been, Walter? |
01:24:08 |
-l know you ain't been to work. |
01:24:12 |
So, that's it? |
01:24:16 |
Next time l come looking for you, |
01:24:17 |
l'm gonna find you laid out |
01:24:22 |
You got hurt and pain in you? |
01:24:25 |
You think you the only colored man |
01:24:28 |
The only man? |
01:24:31 |
Well, l used to know a man |
01:24:34 |
and make his pain work for him. |
01:24:36 |
And he knew trials you don't begin to know, |
01:24:43 |
l was married to that man, Walter. |
01:24:46 |
And as l knew your father, l know you. |
01:24:55 |
Forty years ago, Mama, you left the South. |
01:25:00 |
Why'd you leave |
01:25:03 |
Well, for the same reason |
01:25:07 |
To find something better, |
01:25:10 |
But it wasn't like l was gonna |
01:25:13 |
But you came. |
01:25:16 |
'Cause nobody else had the right to tell you |
01:25:17 |
that what you wanted to do |
01:25:21 |
You had to come, didn't you, Mama? |
01:25:26 |
You got on your train. |
01:25:29 |
So why in God's name wouldn't you let me |
01:25:36 |
l'm missing it, Mama, |
01:25:52 |
l gave the man $3,500 on the house. |
01:26:00 |
Well, that leaves $6,500. |
01:26:04 |
l want you to put $3,000 in |
01:26:10 |
and the rest l want you |
01:26:15 |
with your name on it. |
01:26:18 |
And then you decide what to do with it. |
01:26:22 |
Now, l know that's not as much |
01:26:25 |
but it's all l got in this world. |
01:26:28 |
Well, you the man of the house, |
01:26:30 |
So l'm gonna leave it up to you. |
01:26:35 |
-You trust me like that, Mama? |
01:26:41 |
Just like l'll never stop loving you. |
01:26:46 |
And you need to go home to your wife |
01:26:51 |
Okay, Mama. |
01:27:03 |
Hello, Mary. lt's Walter Lee. |
01:27:09 |
No, it's not raining where l'm at. |
01:27:14 |
Bobo in? Yeah, thanks. |
01:27:20 |
Bobo, my man. Call Willy Harris. |
01:27:59 |
l can't tell you how good this feels, Walter. |
01:28:06 |
Yeah, you should run away |
01:28:12 |
l'd be lying to you if l didn't tell you |
01:28:17 |
Everything's starting to come together. |
01:28:23 |
lt's gonna be big. You just watch. |
01:28:26 |
l'm not gonna say any more. |
01:28:32 |
-George. |
01:28:36 |
-We're having a nice time. Don't spoil it. |
01:28:55 |
George, talk. |
01:28:57 |
Beneatha, we always talk, |
01:29:02 |
but there is more to a relationship, |
01:29:06 |
So, let's get to the ''more'' part. |
01:29:12 |
-What do you plan to do, George? |
01:29:16 |
Well, first, l'll put my arm around you, |
01:29:19 |
l'm serious, George. |
01:29:23 |
Okay, l will play along, for a minute. |
01:29:28 |
l plan to finish college, |
01:29:33 |
make a lot of money and then get married. |
01:29:36 |
Happy? |
01:29:38 |
Care to know about me? What l want? |
01:29:42 |
l think you'll tell me, anyway. |
01:29:46 |
-l want to make a difference. |
01:29:49 |
Yes. l don't want to be like everybody else, |
01:29:55 |
l want to do something with my life. |
01:30:01 |
No. |
01:30:03 |
Hello. |
01:30:04 |
l think we should |
01:30:06 |
and Ruth has a great idea. Don't you, babe? |
01:30:09 |
-Yes, l do. |
01:30:21 |
-Give us a few minutes, please. |
01:30:37 |
-This must be it. |
01:30:41 |
lt's huge. |
01:30:42 |
Well, now, l never said it was no mansion. |
01:30:45 |
-Well, why don't we go in? |
01:30:49 |
-Lady, what have you done? |
01:31:04 |
Oh, look at this bathroom. |
01:31:05 |
You said that our bedroom |
01:31:07 |
-My own bathroom. |
01:31:11 |
-Nobody touch this room. |
01:31:14 |
-Oh, please... |
01:31:17 |
Okay, this is her room. |
01:31:19 |
Excuse me. |
01:31:24 |
-Where is she? |
01:31:25 |
All right, go on to the taxi and get the stuff. |
01:31:30 |
Goodness. |
01:31:34 |
-Look at my kitchen. |
01:31:36 |
My kitchen. |
01:31:49 |
-Look what l got over here. |
01:31:51 |
-What is all this? |
01:31:53 |
-l have no idea. |
01:31:57 |
Sit right here, Your Highness. |
01:32:02 |
-We got you a little something. |
01:32:06 |
Okay. |
01:32:12 |
Now we won't have to use |
01:32:16 |
Oh, this is wonderful. This is wonderful. |
01:32:20 |
-Can l go get my gift now, Mama? |
01:32:25 |
-Oh, my. |
01:32:28 |
Travis didn't want to go in |
01:32:29 |
so he went out and got his own gift. |
01:32:37 |
-Travis. |
01:32:41 |
See, it's a gardening hat, |
01:32:44 |
Wait, wait, wait. We gotta take her hat off. |
01:32:46 |
Now, who was with him when he got that? |
01:32:48 |
Well, it's different. lt's expressive. |
01:32:55 |
-You like it, Grandma? |
01:32:57 |
Oh, yes, this is a beautiful hat. |
01:33:04 |
Mama, you look like you're ready |
01:33:07 |
Go on, Walter Lee. |
01:33:08 |
Don't you pay him no mind. |
01:33:12 |
Come on, |
01:33:16 |
Stop laughing. |
01:33:17 |
We not laughing, Lena. |
01:33:22 |
lt's been a long time |
01:33:26 |
So, you like it? |
01:33:30 |
What? |
01:33:40 |
Come on. Let's just go inside. |
01:33:51 |
Howdy do, neighbors. Howdy do. |
01:33:56 |
Howdy do. |
01:33:58 |
Howdy do. |
01:34:02 |
Man, if you don't get up... Hey. |
01:34:06 |
l'm the one |
01:34:09 |
All in due time, Mrs. Younger. |
01:34:16 |
Well, tell it to hurry up. l been ready. |
01:34:21 |
-Beneatha. Which box has the pots in it? |
01:34:25 |
No, that crate |
01:34:28 |
-l had a dream about our future. |
01:34:31 |
No, you don't have to hear it. |
01:34:39 |
-That's nice. |
01:34:44 |
-Come on. Come on, girl. |
01:34:49 |
Let me show you how to dance, |
01:34:55 |
-Talk about old fashioned Negroes. |
01:34:58 |
Old fashioned. |
01:35:02 |
Well, if we're old Negroes, |
01:35:06 |
Yeah, and when the new Negroes |
01:35:08 |
their first order of business |
01:35:11 |
as the Chairman of Unending Agitation. |
01:35:15 |
Chair-woman |
01:35:19 |
Girl, l do believe you are the first person |
01:35:23 |
to successfully brainwash yourself. |
01:35:27 |
l mean, damn, |
01:35:32 |
l can see this chick now |
01:35:35 |
she gonna be leaning over that poor cat, |
01:35:38 |
she gonna have the nerve to ask him, |
01:35:44 |
She would, too. |
01:35:45 |
Sticks and stone may break my bones, |
01:35:51 |
How's that? |
01:35:56 |
-Brother. |
01:35:59 |
Hello. l'm sorry, |
01:36:05 |
l... l'm looking for a Mrs. Lena Younger. |
01:36:21 |
-Why don't you have a seat, Mr... |
01:36:25 |
Walter Younger. |
01:36:27 |
l handle most of my mother's business |
01:36:30 |
-How do you do? |
01:36:32 |
-Have a seat. |
01:36:35 |
-Will you be all right? |
01:36:37 |
Listen, l represent the Clybourne Park |
01:36:41 |
Why don't you put your things down, |
01:36:44 |
Why, thank you. Thank you very much. |
01:36:49 |
Like l said, l represent the Clybourne Park |
01:36:53 |
Would you like something to drink? |
01:36:55 |
-You want a... |
01:36:57 |
No, no. l'm quite all right. |
01:36:58 |
-Sure? |
01:37:01 |
Now, l'm not so sure how much you folks |
01:37:08 |
But it's a community group that's set up to, |
01:37:14 |
Like? |
01:37:16 |
Like block upkeep, special projects. |
01:37:21 |
We have |
01:37:24 |
And what do they do? |
01:37:25 |
That's sort of a Welcoming Committee, |
01:37:31 |
And we go around and we meet |
01:37:35 |
and we sort of give them the lowdown |
01:37:41 |
The lowdown? |
01:37:43 |
Yeah, and we also have a category, |
01:37:48 |
what the association calls, |
01:37:52 |
-And, pray tell, what are some of those? |
01:37:56 |
-Go right ahead. |
01:37:58 |
You don't look comfortable, Mr. Lindner. |
01:38:01 |
No, no, no, no, no. l'm fine. |
01:38:03 |
Let me just get to the point. |
01:38:06 |
l'm sure you're aware |
01:38:10 |
which have happened |
01:38:12 |
where colored people |
01:38:18 |
Now, what we have, l feel, |
01:38:24 |
where we're trying to do something about it. |
01:38:27 |
l mean, most of the trouble in this world |
01:38:28 |
is because people don't sit down |
01:38:33 |
-Well, amen to that. |
01:38:35 |
And that's the way we feel |
01:38:37 |
And that's why l was elected to come out |
01:38:43 |
as people should talk to one another, |
01:38:46 |
and see, you know, |
01:38:52 |
Work what out? |
01:38:53 |
Please, believe me when l say |
01:38:55 |
race prejudice has absolutely nothing |
01:39:01 |
lt's just that the folks |
01:39:06 |
for the happiness of all concerned, |
01:39:11 |
they're happier, |
01:39:15 |
This, friends, is the Welcoming Committee. |
01:39:18 |
ls this what you came |
01:39:20 |
Well, in the face of what l've just said, |
01:39:22 |
we are prepared |
01:39:26 |
Yeah? |
01:39:27 |
Yes, the association, along with |
01:39:31 |
would like to buy your house back from you |
01:39:35 |
-Lord have mercy. Ain't this the living gall? |
01:39:40 |
What? No, l'd like to give you the exact |
01:39:43 |
Oh, no, no. We don't need no exact terms |
01:39:45 |
Do you really feel... |
01:39:47 |
No, no. Don't worry about how l feel. |
01:39:52 |
All right, |
01:39:54 |
by moving into a neighborhood |
01:39:57 |
You know, people get awful worked up |
01:39:59 |
everything they ever worked for |
01:40:01 |
Get out. |
01:40:05 |
You can't force people to change their heart, |
01:40:13 |
ln case you change your mind, |
01:40:23 |
Come on, Grandma, tell me. |
01:40:25 |
l'm not gonna tell you. |
01:40:29 |
ls this all the packing |
01:40:31 |
since l left out of here this morning? |
01:40:33 |
You all got the energy of the dead. |
01:40:36 |
-4:00. |
01:40:38 |
-You had a caller, Mama. |
01:40:42 |
-The Welcoming Committee. |
01:40:46 |
The Welcoming Committee. |
01:40:48 |
They said they sure going to be glad |
01:40:53 |
Yeah they said they can't hardly wait |
01:40:57 |
What are you all talking about? |
01:40:58 |
A gentleman stopped by from the Clybourne |
01:41:03 |
-Oh, what he want? |
01:41:06 |
See, the one thing they don't have |
01:41:09 |
that they're dying to have, |
01:41:12 |
And he left his card to prove his sincerity. |
01:41:20 |
Go over there, and pack that stuff. |
01:41:23 |
-Did he threaten us? |
01:41:25 |
They don't do it like that anymore. |
01:41:28 |
He said we all ought to sit down |
01:41:31 |
with good Christian fellowship. |
01:41:33 |
Have mercy. |
01:41:35 |
They wanted to buy the house back from us. |
01:41:38 |
At a financial gain to us. |
01:41:40 |
Why? What do they think we're gonna do? |
01:41:42 |
-No, honey, marry them. |
01:41:46 |
-We don't need help, they do. |
01:41:50 |
Ain't nobody's going nowhere, |
01:41:53 |
Not if they can have it their way. |
01:41:55 |
Mama, you gonna take that |
01:41:57 |
-Yes, l am. |
01:42:02 |
-lt expresses me. |
01:42:07 |
We are entering a new tomorrow. |
01:42:10 |
Mama, you know how it feels |
01:42:13 |
-What? |
01:42:14 |
I got wings, you got wings |
01:42:20 |
lt's ''children,'' not ''chillun.'' |
01:42:26 |
Minstrel man. |
01:42:27 |
Lord, if that man is back... |
01:42:29 |
-Who is it? |
01:42:32 |
No, l got it. |
01:42:33 |
-You all go pack something. |
01:42:35 |
Mama, our future has arrived. |
01:42:38 |
I got wings, you got wings |
01:42:43 |
Bobo. |
01:42:44 |
-Where's Willy? |
01:42:47 |
-Yeah, come on, come on in here. |
01:42:51 |
-Hey, Miss Ruth. Miss Lena. |
01:43:03 |
Be right back. |
01:43:10 |
Ain't nothing wrong, is there? |
01:43:13 |
Let me tell you, Walter. |
01:43:15 |
l gotta tell you. You know how it was? |
01:43:19 |
lt's all the money we got, me and Mary, |
01:43:23 |
What are you telling me all this for? |
01:43:25 |
You know, me and Willy |
01:43:29 |
Yeah, to spread some money around. |
01:43:31 |
l got a bad feeling about it, Walter, |
01:43:35 |
-You saying you didn't go? |
01:43:38 |
Then tell me, Bobo. |
01:43:40 |
-Did you go? |
01:43:42 |
-Why not? |
01:43:45 |
What are you talking about? |
01:43:48 |
l'm trying to tell you, Walter. |
01:43:54 |
When l went down to the train station |
01:43:59 |
man, he didn't never show up. |
01:44:02 |
And he got the money? |
01:44:05 |
l gave him all the money, like we agreed. |
01:44:07 |
Why didn't he show up then? |
01:44:11 |
l don't know. |
01:44:13 |
What you mean you don't know? |
01:44:16 |
l don't know. l waited for six hours. |
01:44:25 |
Man, that's... |
01:44:33 |
Bobo, maybe he went by himself. |
01:44:36 |
Maybe you missed each other |
01:44:38 |
He probably got on a earlier train. |
01:44:40 |
Come on, man, |
01:44:43 |
-Walter. |
01:44:44 |
There's no way, he's gotta be somewhere. |
01:44:49 |
Come on, we gonna find him. |
01:44:53 |
-Bobo? |
01:44:57 |
When a cat takes off with your money, |
01:45:11 |
You better be lying. You better be lying! |
01:45:14 |
There's no way. Willy wouldn't do that. |
01:45:19 |
No. |
01:45:23 |
Willy wouldn't do that. |
01:45:32 |
No. Oh, God. |
01:45:36 |
No, Willy. Oh, God, don't let it be true. |
01:45:41 |
God, no, no. Not with that money. |
01:45:49 |
That was all the money we had! |
01:45:52 |
l'm sorry, Walter. |
01:45:56 |
-l had my life staked on this deal, too. |
01:46:36 |
ls it gone, son? |
01:46:40 |
Walter Lee. |
01:46:46 |
ls it gone? |
01:46:48 |
-Mama. Mama, l'm sorry. Mama. |
01:46:53 |
No. |
01:46:57 |
You used that money, too? |
01:47:01 |
Mama, l never went to the bank at all. |
01:47:08 |
Mama, it's all gone. All of it. |
01:47:21 |
l seen him come home, night after night |
01:47:27 |
and he'd look at the rug |
01:47:30 |
the red showing in his eyes, |
01:47:34 |
l seen him grow thin and old, |
01:47:39 |
working and working and working, |
01:47:44 |
and you give it away in one day. |
01:47:47 |
-Mama. |
01:47:58 |
Show me the strength. |
01:48:05 |
l'm sorry. |
01:48:24 |
-Are you locked out? |
01:48:28 |
Oh, okay. |
01:48:30 |
Well, l had some free time so l thought |
01:48:36 |
There is something magical |
01:48:39 |
The flow of life. lt makes me think of Africa. |
01:48:45 |
Africa. |
01:48:49 |
This is not a good mood. |
01:48:53 |
You're moving, as you have moved me. |
01:49:03 |
Something is wrong. |
01:49:07 |
-He gave away the money, Asagai. |
01:49:12 |
The insurance money. |
01:49:18 |
-Gave it away? |
01:49:27 |
l'm very sorry. |
01:49:29 |
But, you know, Brother isn't the crazy one. |
01:49:34 |
He did what made sense to him. |
01:49:37 |
Mama is the crazy one for falling for it |
01:49:43 |
Perhaps you don't understand some things |
01:49:50 |
-And what about you now? |
01:49:55 |
Nothing. |
01:49:58 |
But it's probably just as well, anyway. |
01:50:01 |
Why would anyone want to be a doctor |
01:50:03 |
l never thought |
01:50:07 |
-And after such a small defeat. |
01:50:11 |
Asagai, this family has been wiped out. |
01:50:15 |
What's the matter with you? |
01:50:16 |
Don't they use money |
01:50:23 |
Look at me. |
01:50:26 |
Look at me, Alaiyo. |
01:50:29 |
Was it your money? |
01:50:32 |
-l asked if it was your money that was lost? |
01:50:35 |
Says who? Did you earn it? |
01:50:39 |
-My father earned it. |
01:50:42 |
But what if he had not died? |
01:50:44 |
What then would have happened |
01:50:46 |
the house, the scheme, the doctor dream? |
01:50:49 |
There is something very wrong |
01:50:50 |
when all the dreams in a house |
01:50:54 |
Yes, your brother made a stupid, |
01:50:59 |
but you know what l think? |
01:51:00 |
-l think you are grateful to him. |
01:51:03 |
l'm talking about how grateful you are, |
01:51:06 |
Heck, give up on the whole human race. |
01:51:08 |
All your big talk about, |
01:51:11 |
and ''where we are all going'' |
01:51:13 |
-And you cannot answer it. |
01:51:17 |
l am the exceptional man in my village |
01:51:21 |
America to most of my countrymen |
01:51:27 |
l live and study here. |
01:51:30 |
l know extraordinary things can happen |
01:51:37 |
So stop your moaning and groaning, Alaiyo, |
01:51:46 |
l don't know. |
01:51:52 |
l guess l need to think. |
01:51:59 |
l will help you. |
01:52:01 |
When all this is over, you will come with me. |
01:52:06 |
You're asking for a date at a time like this? |
01:52:08 |
Not to the movies or to dinner. |
01:52:17 |
To Nigeria? |
01:52:19 |
l will show you the mountains and the stars, |
01:52:25 |
and teach you the old songs |
01:52:29 |
And, if ever you get homesick, |
01:52:30 |
we will pretend you have been away |
01:52:47 |
-You're getting me all mixed up. |
01:52:52 |
Too many things. |
01:53:02 |
l need to think. |
01:53:06 |
l will leave you to think. |
01:53:17 |
So often have l looked at you and said, |
01:53:21 |
''So this is what the New World |
01:53:56 |
There he is, |
01:54:01 |
What's our next scheme, Mr. Carnegie? |
01:54:04 |
Where you'll be installed |
01:54:06 |
l look at you and see the final triumph |
01:54:10 |
-Who was that? |
01:54:13 |
-Where'd he go? |
01:54:17 |
Bennie, you didn't say nothing bad to him, |
01:54:19 |
Bad? To him? |
01:54:22 |
and full of dreams and everything |
01:54:34 |
Ain't it a mess in here, though? |
01:54:39 |
Well, ain't no need in moping, |
01:54:41 |
and one of you all call the movers, |
01:54:44 |
Why? |
01:54:45 |
But it ain't no need them coming all the way |
01:54:48 |
They charge for that, too. |
01:54:50 |
No. |
01:54:52 |
Lena, no. Lena. |
01:54:55 |
Bennie, will you tell her. |
01:54:58 |
Bennie, will you tell her, please, |
01:55:02 |
Lena, now the house note ain't |
01:55:05 |
we got four grown people in this house, |
01:55:09 |
Lena l will work 20 hours a day if l have to. |
01:55:11 |
l will strap my baby to my back, if l have to. |
01:55:16 |
-Lena, no, we gotta get out of here. |
01:55:19 |
l'm starting to see this thing different, now. |
01:55:22 |
Now, l've been thinking of ways |
01:55:24 |
l seen a secondhand bureau |
01:55:27 |
-that'd fit right in there. |
01:55:29 |
All it needs is some varnish |
01:55:32 |
And Walter Lee can put up some screens |
01:55:40 |
-Where you been, son? |
01:55:43 |
-To who? |
01:55:45 |
-What man, baby? |
01:55:49 |
Don't you know who the man is? |
01:55:51 |
Beneatha, you're such a smart little girl. |
01:55:54 |
-Lindner. |
01:55:57 |
l told him to come right over. |
01:55:59 |
-For what? What you wanna see him for? |
01:56:02 |
What you talking about, baby? |
01:56:04 |
l'm talking about life, Mama. |
01:56:07 |
You the one always telling me |
01:56:10 |
Well, l figured it out, life just the way it is. |
01:56:13 |
He who gets and who don't get. |
01:56:16 |
See, Mama, life is divided up |
01:56:22 |
And some of us always getting tooken. |
01:56:25 |
People like Willy Harris |
01:56:27 |
You know why the rest of us do? |
01:56:30 |
'Cause we all mixed up, we mixed up bad. |
01:56:33 |
We just always trying to find |
01:56:37 |
and we just be worrying about it |
01:56:40 |
We stay up nights trying to figure it out. |
01:56:43 |
And all that time, them takers |
01:56:49 |
Willy Harris? |
01:56:51 |
Willy Harris don't even count |
01:56:54 |
No. No, but l will say one thing for old Willy. |
01:56:57 |
He taught me to keep my eye |
01:57:00 |
-What did you call that man for, Walter Lee? |
01:57:04 |
We gonna put on a show for the man |
01:57:07 |
You talking about taking |
01:57:09 |
to keep us from moving into our house? |
01:57:10 |
No, l'm not just talking about it, baby, |
01:57:12 |
l'm telling you that's what's gonna happen. |
01:57:13 |
Oh, God, where is the bottom? |
01:57:15 |
Where is the honest-to-God bottom |
01:57:21 |
Where's the bottom? Where's the bottom? |
01:57:25 |
You and the African boy. All you |
01:57:30 |
or a spear, |
01:57:34 |
Y'all always looking it to the right |
01:57:38 |
You know what's gonna happen |
01:57:40 |
He's gonna find himself locked away |
01:57:44 |
and the takers are gonna have the key. |
01:57:46 |
Forget it, baby. |
01:57:49 |
There ain't nothing but taking |
01:57:53 |
And it don't make |
01:57:56 |
You making something inside me cry, son. |
01:57:58 |
Oh no, Mama, don't cry. Don't cry, Mama. |
01:58:00 |
You have to understand that |
01:58:03 |
he's gonna be able to give us more money |
01:58:06 |
More money than Willy took, |
01:58:09 |
lt's that important to him |
01:58:12 |
l'm gonna put on a show, Mama. |
01:58:13 |
Son, l come from five generations of people |
01:58:17 |
but ain't nobody in my family |
01:58:20 |
that was a way of telling us |
01:58:24 |
We ain't never been that poor. |
01:58:31 |
What's the matter with you people? |
01:58:33 |
l didn't make this world. |
01:58:37 |
And hell, yes, l want me some yachts! |
01:58:39 |
And, yes, l wanna to hang some real pearls |
01:58:43 |
Ain't she supposed to wear no pearls? |
01:58:45 |
Somebody tell me who decides |
01:58:47 |
which woman gets to wear real pearls |
01:58:49 |
l tell you, l'm a man |
01:58:53 |
But how you gonna feel on the inside? |
01:58:54 |
l'm gonna feel fine, Mama. |
01:58:56 |
-But you ain't gonna have nothing left... |
01:59:01 |
l'm gonna look that man in the eyes and say, |
01:59:04 |
''Okay, Mr. Lindner, |
01:59:07 |
''you got the right |
01:59:09 |
''You got the right |
01:59:11 |
''Just write the check |
01:59:14 |
''Just put that money in my hands |
01:59:17 |
''and you ain't got to live next |
01:59:20 |
And, oh, Mama, for the last act... |
01:59:22 |
Oh, Mama, l'll just get down |
01:59:25 |
and get that white man what he really want. |
01:59:28 |
Captain, mister, bossman. |
01:59:31 |
Oh, Great White Father, |
01:59:35 |
and we ain't gonna dirty up |
01:59:58 |
And l'm gonna feel fine. l'm gonna feel fine. |
02:00:04 |
Fine. |
02:00:06 |
That is not a man. |
02:00:16 |
You mourning your brother? |
02:00:18 |
-He's no brother of mine. |
02:00:21 |
l said, that man in there, |
02:00:25 |
-Oh, you feeling like you better than he is? |
02:00:31 |
You saw what he just did, Mama. |
02:00:35 |
Wasn't it you who taught me |
02:00:38 |
Yeah, me and your daddy, |
02:00:41 |
And we taught you something else. |
02:00:46 |
-Love him? There's nothing left to love. |
02:00:53 |
Have you cried for that boy today? |
02:00:56 |
l don't mean for yourself or for the family |
02:01:01 |
l mean, for him, for what he's been through, |
02:01:06 |
and what it's done to him. |
02:01:10 |
Oh, child, when you think is the time |
02:01:13 |
When they done good |
02:01:16 |
That's what you think? |
02:01:18 |
You ain't done learning. |
02:01:22 |
The time to love the most |
02:01:25 |
and can't believe in hisself |
02:01:31 |
When you starts to measure somebody, |
02:01:37 |
Measure him right. |
02:01:43 |
Make sure you done taking into account |
02:01:49 |
before he got to wherever he is. |
02:01:55 |
-The moving men are here. |
02:01:59 |
Well, l better go downstairs, talk to them. |
02:02:02 |
l came right over. |
02:02:06 |
Walter, he's here. |
02:02:09 |
Well, you know, life can really be |
02:02:16 |
Okay, so with whom do l negotiate? |
02:02:21 |
Oh, you do this with my son. |
02:02:24 |
Okay. |
02:02:28 |
These are just some official papers. |
02:02:31 |
-Travis, go on outside. |
02:02:36 |
Sit down, 'cause your Daddy's |
02:02:39 |
you gonna be needing to understand. |
02:02:46 |
Teach him about what's important |
02:02:52 |
Like Willy Harris taught you. |
02:02:56 |
Teach him about the takers and the tooken. |
02:02:59 |
Go on. |
02:03:03 |
Show your son |
02:03:18 |
Well, Mr. Lindner, |
02:03:22 |
l called you here |
02:03:26 |
'cause me and my family, |
02:03:32 |
Yes. |
02:03:35 |
l've worked as a chauffeur most my life, |
02:03:39 |
and my wife, she does domestic work |
02:03:46 |
-l mean, we're very plain. |
02:03:49 |
And my father... |
02:03:53 |
-My father was a laborer most his life. |
02:03:56 |
My father almost beat a man to death once |
02:03:58 |
because he called him |
02:04:00 |
You know what l mean? |
02:04:04 |
l'm not so sure. |
02:04:05 |
What l'm trying to say is that we come |
02:04:12 |
l mean, we are very proud people. |
02:04:20 |
And that's my sister over there |
02:04:26 |
-And we are very proud. |
02:04:30 |
Hold on, let me finish. |
02:04:32 |
What l'm trying to say |
02:04:43 |
That's my son, Travis. Come here, Travis. |
02:04:48 |
And he makes the sixth generation |
02:04:55 |
-We have all thought about your offer. |
02:04:59 |
And we have decided |
02:05:05 |
to move into our house, because my father... |
02:05:10 |
My father, he earned it for us, brick by brick. |
02:05:18 |
And we don't wanna start |
02:05:21 |
And we will do everything to, you know, |
02:05:25 |
And that's all we gotta say about that. |
02:05:29 |
We don't want your money. |
02:05:34 |
So you've decided to occupy? |
02:05:42 |
Well, then l... |
02:05:48 |
l mean, you're older, you're wiser, |
02:05:52 |
-Talk to this boy. |
02:05:56 |
See, my son just said |
02:06:00 |
lt ain't nothing left for me to say. |
02:06:03 |
Well, you know |
02:06:05 |
You can't do a thing with them. |
02:06:09 |
Goodbye. |
02:06:14 |
Well, if that's how you people feel about it, |
02:06:20 |
l guess there's nothing left for me to say. |
02:06:28 |
l... |
02:06:31 |
l sure hope you know |
02:06:57 |
Got an order to move four rooms, |
02:07:00 |
-That's us. |
02:07:02 |
Let's go. Let's go. |
02:07:05 |
Hey, Travis, put on your jacket. |
02:07:08 |
Walter Lee, fix your tie, |
02:07:12 |
Don't be laughing, Beneatha. |
02:07:14 |
Oh, wait, baby, that ain't no bale of cotton, |
02:07:17 |
l had that chair 25 years. |
02:07:21 |
Mama, l think l shall marry Joseph Asagai |
02:07:25 |
-You ain't old enough to marry nobody. |
02:07:29 |
Think of all the good l can do |
02:07:32 |
Girl, you need to forget about Africa |
02:07:35 |
and go marry yourself a man with some loot. |
02:07:39 |
l wouldn't marry that narrow-minded, |
02:07:41 |
if he was Adam and l was Eve. |
02:07:43 |
Adam ain't have no money either. |
02:07:55 |
ls something wrong? |
02:08:00 |
He come into his manhood, today. |
02:08:03 |
He sure did. |
02:08:15 |
Why don't you go on down, honey. |
02:08:19 |
Okay. |
02:08:31 |
-Come on, Mama. |
02:08:39 |
All right. |
02:08:47 |
Lord have mercy. |
02:09:00 |
-Thank you, son. |