|
Rare Breed The
|
| 00:00:22 |
[Band playing lively music] |
| 00:00:33 |
[Neighing] |
| 00:00:37 |
[Mooing] |
| 00:00:56 |
[Whooping] |
| 00:01:43 |
[People cheering] |
| 00:01:50 |
-What on earth is he doing? |
| 00:01:54 |
That's Bulldog Burnett. |
| 00:01:58 |
lt's a perfectly silly way |
| 00:02:08 |
My name is Charles Ellsworth. |
| 00:02:10 |
l can tell by your speech |
| 00:02:12 |
May l ask what has brought you |
| 00:02:15 |
-A ship. |
| 00:02:17 |
We brought some cattle over. |
| 00:02:20 |
lf you'll excuse us, please. |
| 00:02:22 |
l know a countryman of yours. |
| 00:02:23 |
John Taylor. You should meet him. |
| 00:02:26 |
He bested you again, Simons. |
| 00:02:28 |
Them critters Burnett draws... |
| 00:02:29 |
lay down and |
| 00:02:31 |
Being's as how l probably bulldogged |
| 00:02:34 |
they know what to expect. |
| 00:02:36 |
SAM: You're next, Sagamon. |
| 00:02:43 |
GERT: Sam. Look who's here. |
| 00:02:45 |
Jeff, how are you? Hi, Gert. |
| 00:02:48 |
Jeff, it's been a long time. |
| 00:02:49 |
More than a year |
| 00:02:52 |
But l ain't through |
| 00:02:53 |
Not by a long shot. |
| 00:02:55 |
Taylor said he took care of things. |
| 00:02:57 |
He promised a lot of things. |
| 00:02:59 |
All Jeff got was $40 |
| 00:03:02 |
Formerly of England, |
| 00:03:06 |
How do you do? |
| 00:03:07 |
Mr. Ellsworth tells me |
| 00:03:10 |
lf Mr. Evans is about, |
| 00:03:13 |
My husband was killed |
| 00:03:16 |
l'm deeply sorry, ma'am. |
| 00:03:17 |
But it's indeed a blessing to find |
| 00:03:23 |
MARTHA: They were bid in yesterday. |
| 00:03:26 |
What we were paid |
| 00:03:28 |
MARTHA: Let's show them Vindicator, Hilary. |
| 00:03:36 |
[Bull grunts] |
| 00:03:38 |
lt's all right. |
| 00:03:42 |
My daughter has a special affection |
| 00:03:47 |
Are you going |
| 00:03:49 |
l'm afraid l must. |
| 00:03:51 |
He'll be auctioned at noon today. |
| 00:03:53 |
You won't find much market |
| 00:03:55 |
Muley? |
| 00:03:57 |
Why, your bull has no horns. |
| 00:03:59 |
He's a freak in that respect. |
| 00:04:01 |
Mr. Ellsworth, Vindicator's lack |
| 00:04:06 |
and it is not a freak condition. |
| 00:04:08 |
Please, ladies, l didn't intend |
| 00:04:11 |
My partner Alex Bowen |
| 00:04:14 |
I'm in the packing end of the game. |
| 00:04:16 |
l see. A butcher. |
| 00:04:18 |
Hilary, please. |
| 00:04:20 |
One morning you'll wake up |
| 00:04:22 |
and there won't be any more |
| 00:04:25 |
Yes, sir, in a few years |
| 00:04:28 |
Leastwise, the way we knew it. |
| 00:04:29 |
Don't start faulting what |
| 00:04:32 |
just 'cause you're finished. |
| 00:04:33 |
l've still got a hoot and a holler |
| 00:04:36 |
Sure. lf somebody buys you a bottle. |
| 00:04:38 |
SAM: Now wait a minute, Simons. |
| 00:04:39 |
Here's a man that broke most of |
| 00:04:43 |
Man? |
| 00:04:47 |
She's no better. |
| 00:04:49 |
She'll put the bite on you for sure. |
| 00:04:52 |
[Lively instrumental music] |
| 00:04:55 |
Close the gate. |
| 00:05:08 |
[Lively instrumental music continues] |
| 00:05:14 |
-Mabry, get in there and stop them. |
| 00:05:25 |
Can't somebody put a stop to this? |
| 00:05:26 |
lt's all right, ma'am, |
| 00:05:28 |
Don't you worry about that bull. |
| 00:05:32 |
[Groaning] |
| 00:05:38 |
Here, get off my bull. |
| 00:05:48 |
Excuse me, ma'am. |
| 00:05:52 |
[All yelling] |
| 00:05:58 |
-Our bull is loose. |
| 00:06:02 |
[Amusing instrumental music] |
| 00:06:10 |
[Bull bellowing] |
| 00:06:16 |
MAN: Missed the horns, Burnett. |
| 00:06:19 |
WOMAN #2: He tried to dog a muley. |
| 00:06:22 |
[Whistles] |
| 00:06:26 |
SAM: Look out, miss, |
| 00:06:28 |
Come on. Up you go. |
| 00:06:32 |
You're the one |
| 00:06:34 |
What kind of a bull is that? |
| 00:06:37 |
[Whistles patriotic tune] |
| 00:06:45 |
Thank you, Mr. Burnett. |
| 00:06:48 |
You all right, Sam? |
| 00:06:49 |
Thanks, Gert. |
| 00:06:51 |
You can't bulldog |
| 00:06:55 |
l didn't break anything, |
| 00:06:58 |
That seems to hurt worse |
| 00:07:03 |
[All laughing] |
| 00:07:06 |
l'll kill Burnett. |
| 00:07:07 |
From now on, Mabry here is top hand. |
| 00:07:09 |
You'll take orders from him. |
| 00:07:12 |
You'll notice the hornless condition |
| 00:07:15 |
that should meet with the approval |
| 00:07:18 |
who must move or ship cattle. |
| 00:07:20 |
Mother, if that butcher bids, |
| 00:07:23 |
Now, really, Hilary |
| 00:07:27 |
l had a long talk |
| 00:07:28 |
and he assured me that he'll be |
| 00:07:31 |
Mr. Bowen is extremely interested |
| 00:07:35 |
Now, who will start the bidding? |
| 00:07:37 |
$700. |
| 00:07:39 |
AUCTlONEER: $700 is bid |
| 00:07:42 |
$800 by Mr. John TayIor. |
| 00:07:43 |
$900 for the lovely ladies |
| 00:07:46 |
lf she'd had an elephant up there... |
| 00:07:47 |
Ellsworth would have bid |
| 00:07:50 |
TAYLOR: $1,000. |
| 00:07:53 |
$1,100. |
| 00:07:55 |
Don't go away, Sam, |
| 00:07:57 |
Bowen doesn't want that muley bull. |
| 00:08:00 |
$1,100 from Mr. Ellsworth on behalf |
| 00:08:04 |
-$1,200. |
| 00:08:07 |
AUCTlONEER: $1,500 from that.... |
| 00:08:11 |
$1,600. |
| 00:08:12 |
ELLSWORTH: $2,000. |
| 00:08:16 |
$2,000 once, $2,000 twice. |
| 00:08:18 |
SoId to Mr. CharIes EIIsworth |
| 00:08:24 |
[Singing] God save our gracious queen |
| 00:08:27 |
AUCTlONEER: lf you will |
| 00:08:29 |
for your signatures |
| 00:08:30 |
Get that bull on the Dodge City |
| 00:08:34 |
l'm not taking |
| 00:08:36 |
l'm working for Bowen, not you. |
| 00:08:38 |
You won't be working |
| 00:08:41 |
That suits me just fine. |
| 00:08:42 |
You get yourself another man. |
| 00:08:45 |
There goes Bulldog Burnett. |
| 00:08:47 |
Just a cowpoke, miss. |
| 00:08:48 |
Long on muscle, short on brains. |
| 00:08:50 |
l'll get a good hand |
| 00:08:52 |
You can depend on that. |
| 00:08:54 |
l'm sure l can, Mr. Ellsworth. |
| 00:08:56 |
Suppose you drop |
| 00:08:58 |
and pick up your money. |
| 00:09:00 |
I'm in Room 22. |
| 00:09:09 |
l've got a business deal for you. |
| 00:09:11 |
Same kind of deal |
| 00:09:16 |
l'll give you $500 for that bull. |
| 00:09:18 |
lt's not mine to sell. |
| 00:09:19 |
Bowen doesn't want it |
| 00:09:22 |
But l do, |
| 00:09:24 |
Ellsworth paid $2,000 for it. |
| 00:09:27 |
l'm buying a bull, |
| 00:09:31 |
All right, l'll go $1,000. |
| 00:09:35 |
l'll have Mabry and Simons |
| 00:09:39 |
and meet you there tomorrow. |
| 00:09:41 |
[Cow mooing] |
| 00:09:47 |
All right, l'll deliver it. |
| 00:09:53 |
[Soft instrumental music] |
| 00:09:54 |
[Knocking on door] |
| 00:09:55 |
Coming, dear lady. |
| 00:10:02 |
What in thunder |
| 00:10:04 |
ELLSWORTH: You quit. |
| 00:10:10 |
Well, get to it. |
| 00:10:12 |
l've decided to deliver |
| 00:10:14 |
All right, fine. |
| 00:10:15 |
You get it out of town and |
| 00:10:18 |
Now look, Sam, be short, be polite, |
| 00:10:24 |
WeIcome. |
| 00:10:25 |
Mr. Burnett is just leaving |
| 00:10:27 |
Have a good trip, Sam. |
| 00:10:29 |
MARTHA: Then you've changed your opinion |
| 00:10:31 |
Well, no, ma'am. |
| 00:10:33 |
l just thought l'd enjoy the trip |
| 00:10:36 |
about that animal |
| 00:10:38 |
l'm sure Mr. Bowen won't laugh. |
| 00:10:41 |
That bull is a thing |
| 00:10:43 |
ELLSWORTH: Give my regards to Bowen. |
| 00:10:46 |
And now, my dear Mrs. Evans... |
| 00:10:48 |
shall we conclude |
| 00:10:50 |
This calls for champagne. |
| 00:10:52 |
Meatpacking Romeo. |
| 00:10:57 |
When that $2,000 is gone, |
| 00:11:01 |
l'm going to lay St. Louis |
| 00:11:04 |
l'm afraid |
| 00:11:06 |
You see, Hilary and l are leaving |
| 00:11:09 |
ELLSWORTH: But you can't be serious. |
| 00:11:11 |
l can do a lot for you. |
| 00:11:14 |
Mr. Ellsworth, |
| 00:11:18 |
has to expect some nonsense |
| 00:11:22 |
but l sold you a Hereford bull, |
| 00:11:26 |
l buy beef for 10 cents a pound. |
| 00:11:29 |
l know companionship comes higher. |
| 00:11:31 |
l'm giving you your money back. |
| 00:11:34 |
lt's too late for that. |
| 00:11:36 |
You said that Vindicator would be |
| 00:11:39 |
That was the condition of the sale. |
| 00:11:41 |
You run out on me, |
| 00:11:43 |
-on that table tomorrow night. |
| 00:11:45 |
Vindicator will be used for breeding |
| 00:11:52 |
lt's getting around train time. |
| 00:11:55 |
-lt might take a little doing. |
| 00:12:01 |
Here's a kind of a mash note. |
| 00:12:04 |
Don't let Jeff read it. l always did |
| 00:12:07 |
l'll see you next year. |
| 00:12:09 |
Mash note? |
| 00:12:11 |
Why, Sam was always so woman-shy... |
| 00:12:13 |
it took a team |
| 00:12:16 |
$1,000? |
| 00:12:18 |
[Train whistle blowing] |
| 00:12:29 |
Come on, you big, red, |
| 00:12:36 |
Hello, Mr. Burnett. |
| 00:12:39 |
-Here now, there's been a mistake. |
| 00:12:42 |
You're not supposed to be.... |
| 00:12:46 |
-lt's going to Dodge City, isn't it? |
| 00:12:48 |
Then we're on the right train, |
| 00:12:50 |
We're going to the Bowen Ranch |
| 00:12:53 |
Well, that's just about |
| 00:12:55 |
as you walking all the way up |
| 00:13:00 |
You just did that, didn't you? |
| 00:13:03 |
How are you getting along |
| 00:13:05 |
l'm not getting along |
| 00:13:07 |
He's a useless hunk of gristle, and |
| 00:13:11 |
Vindicator is not useless. |
| 00:13:13 |
He'll certainly improve those |
| 00:13:17 |
Why, he's so handsome, the cows will |
| 00:13:21 |
Now, what kind of talk is that? |
| 00:13:23 |
What kind of a thing |
| 00:13:26 |
The facts of life |
| 00:13:28 |
After all, |
| 00:13:31 |
You ought to be ashamed of yourself. |
| 00:13:33 |
My father taught me |
| 00:13:36 |
Bloodlines and breeding |
| 00:13:39 |
Nobody said anything |
| 00:13:42 |
l was just.... What's the idea, |
| 00:13:46 |
There's nothing sacred |
| 00:13:48 |
This one happens to be my bedroom. |
| 00:13:50 |
And you have not been invited |
| 00:13:53 |
Now, come on, you bison belly, |
| 00:13:56 |
Come on, get up. |
| 00:13:57 |
Don't you dare kick |
| 00:14:00 |
And Vindicator doesn't appreciate |
| 00:14:02 |
You mean l've hurt his feelings? |
| 00:14:04 |
HlLARY: l mean Vindicator's lineage... |
| 00:14:06 |
is traceable back to James l. |
| 00:14:08 |
Which is a great deal |
| 00:14:11 |
Why, he's practically royalty. |
| 00:14:13 |
And you might as well learn |
| 00:14:16 |
Listen to me, if you please. |
| 00:14:18 |
[Whistles patriotic tune] |
| 00:14:20 |
[Mooing] |
| 00:14:24 |
There you are. |
| 00:14:26 |
Now you may try it, Mr. Burnett. |
| 00:14:27 |
-God Save the Queen. |
| 00:14:30 |
l have my rights. |
| 00:14:31 |
l'm not gonna whistle a tune |
| 00:14:36 |
Now, you get back up |
| 00:14:39 |
SAM: l'll help you. |
| 00:14:42 |
The female is no less agile |
| 00:14:44 |
That's right, young lady. Goodbye. |
| 00:14:49 |
[Train whistle blowing] |
| 00:14:56 |
[Dramatic instrumental music] |
| 00:15:08 |
[Screaming] |
| 00:15:18 |
Holy Moses. |
| 00:15:20 |
Come on, get down off here, |
| 00:15:24 |
[Soft instrumental music] |
| 00:15:30 |
Careful now. |
| 00:15:38 |
[Train whistle blowing] |
| 00:15:52 |
PORTER: Mrs. Evans, your berths are ready. |
| 00:15:56 |
There's Mr. Burnett. |
| 00:15:59 |
Run along to bed, Hilary. |
| 00:16:01 |
l want to have a talk |
| 00:16:03 |
You're wasting your time, Mother. |
| 00:16:04 |
He's obstinate, ill-tempered, |
| 00:16:08 |
Perhaps. But he does |
| 00:16:11 |
which could be refined, |
| 00:16:13 |
Don't be long, Mother. |
| 00:16:16 |
Now, really, Mr. Burnett, |
| 00:16:21 |
-Man overboard. |
| 00:16:26 |
Mr. Burnett, l am sorry. |
| 00:16:28 |
But I thought |
| 00:16:30 |
No, ma'am. |
| 00:16:35 |
Of course. |
| 00:16:37 |
Now, Mr. Burnett, |
| 00:16:40 |
l see no point |
| 00:16:41 |
-There are many arrangements-- |
| 00:16:43 |
we're not travelling together. |
| 00:16:46 |
And if l was you, l'd get off. |
| 00:16:48 |
l intend to deliver Vindicator |
| 00:16:52 |
l'm doing that for Ellsworth, |
| 00:16:56 |
Now, my advice to you is to get |
| 00:16:59 |
and then get on home, |
| 00:17:02 |
Mr. Burnett, |
| 00:17:05 |
but you cannot bulldog me. |
| 00:17:08 |
Vindicator represents generations |
| 00:17:11 |
and l intend to see |
| 00:17:13 |
Now, please, ma'am. |
| 00:17:14 |
l've had all the breeding |
| 00:17:16 |
The thing l'm trying to get over to |
| 00:17:20 |
There's no telling |
| 00:17:24 |
Surely our lives |
| 00:17:27 |
l don't want your lives in my hands. |
| 00:17:30 |
The thing for you to do |
| 00:17:33 |
and trust me to deliver |
| 00:17:37 |
Mr. Burnett, you will either act |
| 00:17:41 |
or l will get someone else. |
| 00:17:44 |
Good night, sir. |
| 00:17:51 |
[Soft instrumental music] |
| 00:18:10 |
[Bell clanging] |
| 00:18:24 |
Would you get our baggage, please? |
| 00:18:36 |
-ls there something wrong? |
| 00:18:45 |
SlMONS: Come on, you stupid.... |
| 00:18:47 |
You fellows are gonna wreck |
| 00:18:49 |
You don't know these two women |
| 00:18:52 |
They're bound and determined to come |
| 00:18:55 |
They got paid $2,000 for this bull, |
| 00:18:59 |
You horn in now, |
| 00:19:02 |
SlMONS: You horn in, l'll call him. |
| 00:19:03 |
You made a deaI with TayIor. |
| 00:19:05 |
Now hold on, both of you. |
| 00:19:06 |
This whole thing is shady |
| 00:19:08 |
All l want is the bull. |
| 00:19:10 |
And you'll get it. |
| 00:19:12 |
l'll meet you over at the saloon. |
| 00:19:14 |
All right. Come on, Simons. |
| 00:19:17 |
All right. But don't make me have to |
| 00:19:21 |
Give me 20 minutes, l'll be there. |
| 00:19:23 |
Now, come on, you, move. |
| 00:19:26 |
You muIey, red rump roast. Come on. |
| 00:19:30 |
HlLARY: All you have to do is whistle, |
| 00:19:33 |
SAM: What are you doing here? |
| 00:19:37 |
But l see you've had some. |
| 00:19:40 |
[Amusing instrumental music] |
| 00:19:46 |
[Sam whistles patriotic tune] |
| 00:19:51 |
Why, that's excellent, Mr. Burnett. |
| 00:19:53 |
You've learned |
| 00:19:55 |
Vindicator, you're a fickle-hearted |
| 00:19:59 |
l'm afraid Hilary is jealous, |
| 00:20:02 |
How soon can we be on our way? |
| 00:20:04 |
l've got to get a wagon and |
| 00:20:08 |
Yes, of course. |
| 00:20:10 |
l've asked the baggage man |
| 00:20:13 |
So we'll wait there for you. |
| 00:20:14 |
Ma'am, l don't think you ought |
| 00:20:19 |
But l am dead set. |
| 00:20:22 |
So let's not waste the day in talk. |
| 00:20:30 |
[Cheerful instrumental music] |
| 00:20:38 |
HlLARY: ...one of them say |
| 00:20:41 |
-Mother, you haven't been listening. |
| 00:20:44 |
HlLARY: We should go to the Sheriff... |
| 00:20:46 |
and have Mr. Burnett thrown |
| 00:20:49 |
-The what? |
| 00:20:53 |
Why on earth should we do |
| 00:20:55 |
Because they plan |
| 00:20:57 |
and Mr. Burnett |
| 00:20:59 |
What is this cahoots? |
| 00:21:05 |
Conspiracy. Anyway, |
| 00:21:09 |
lt has something to do |
| 00:21:11 |
Hilary, Mr. Taylor is an Englishman. |
| 00:21:15 |
So was Captain Kidd. Come on. |
| 00:21:18 |
lf we can find them, l'll show you. |
| 00:21:21 |
[Music playing] |
| 00:21:23 |
SAM: Wait a minute, Simons, |
| 00:21:26 |
and we'll all go to jail. |
| 00:21:27 |
Give us another drink. |
| 00:21:29 |
l don't want your whisky. |
| 00:21:30 |
l'm not letting those women |
| 00:21:33 |
We're going straight through |
| 00:21:35 |
l'll stake that bull |
| 00:21:37 |
You come in at night and take him, |
| 00:21:40 |
You're just gonna stir things |
| 00:21:41 |
You bet l am. |
| 00:21:50 |
You two women go over to the wagon. |
| 00:21:52 |
l've got a little business |
| 00:21:55 |
l'll be with you directly. |
| 00:22:08 |
Does that look |
| 00:22:11 |
The thieves have fallen out. |
| 00:22:16 |
l'm giving the orders here, Simons. |
| 00:22:56 |
[Screaming] |
| 00:23:03 |
Just look at that. |
| 00:23:04 |
[Women screaming] |
| 00:23:11 |
Those ruffians. |
| 00:23:18 |
Stop this at once. |
| 00:23:22 |
How dare you hit that man. |
| 00:23:25 |
He was gonna shoot me. |
| 00:23:26 |
Now, really, Mr. Burnett, you have |
| 00:23:30 |
-of which l heartily disapprove. |
| 00:23:33 |
Now, let's be on our way |
| 00:23:36 |
-Yes, ma'am. |
| 00:23:39 |
[Amusing instrumental music] |
| 00:23:41 |
SAM: Excuse me, ma'am, you're on my hat. |
| 00:23:46 |
l see what |
| 00:23:49 |
Sand Creek, day after tomorrow. |
| 00:24:05 |
Very well, Mr. Burnett, |
| 00:24:07 |
That horse is |
| 00:24:10 |
If you can't ride, |
| 00:24:13 |
We have ridden on occasion, |
| 00:24:16 |
Haven't we, HiIary? |
| 00:24:19 |
[Neighing] |
| 00:24:23 |
[Adventurous instrumental music] |
| 00:24:35 |
Just one thing, ma'am... |
| 00:24:36 |
if you're dead set |
| 00:24:38 |
you're going the wrong way. |
| 00:24:42 |
Thank you, Mr. Burnett. |
| 00:24:43 |
-You are a very capable guide. |
| 00:24:47 |
Now, if you'll just.... |
| 00:25:00 |
[Martha laughing] |
| 00:25:04 |
SAM: Where you been, ma'am? |
| 00:25:05 |
I was about to go out |
| 00:25:07 |
The only thing l concede |
| 00:25:10 |
SAM: We'll swap off and do it again. |
| 00:25:16 |
Thank you, Sam. |
| 00:25:18 |
Hilary, would you like to ride |
| 00:25:20 |
No, thank you, Mother. |
| 00:25:29 |
l'll just drive along... |
| 00:25:30 |
just drive while you two consort. |
| 00:25:34 |
Really, Hilary, do you call |
| 00:25:37 |
No, but l call |
| 00:25:42 |
[Amusing instrumental music] |
| 00:25:53 |
[Serene instrumental music] |
| 00:25:59 |
MARTHA: What do you think now, |
| 00:26:03 |
He's doing all right. |
| 00:26:04 |
As well as a longhorn, |
| 00:26:07 |
lt's hard to say. |
| 00:26:08 |
ln winter, the cattle have to travel |
| 00:26:12 |
and in summers, every once |
| 00:26:15 |
A few wells and catch basins |
| 00:26:19 |
Alex Bowen's not gonna change... |
| 00:26:21 |
the countryside |
| 00:26:23 |
Mr. Bowen cannot stop progress. |
| 00:26:26 |
One day this whole range... |
| 00:26:27 |
will be occupied by |
| 00:26:30 |
You'll see it happen. |
| 00:26:42 |
SAM: l hung onto his horns, |
| 00:26:45 |
me flapping like laundry |
| 00:26:48 |
Finally, he stopped, |
| 00:26:52 |
and then he just flopped down, |
| 00:26:57 |
And you were only 16? |
| 00:27:00 |
And from that time on, |
| 00:27:04 |
From what l saw, things don't seem |
| 00:27:07 |
Here, l'll get you some more coffee. |
| 00:27:09 |
[Gunshots firing] |
| 00:27:11 |
[Tense instrumental music] |
| 00:27:14 |
-You all right? |
| 00:27:16 |
lf anyone's interested, |
| 00:27:19 |
Must've been a stray shot. |
| 00:27:21 |
Funny that a stray shot should |
| 00:27:25 |
Now, Miss Hilary, don't start |
| 00:27:29 |
l think we'd better all turn in. |
| 00:27:31 |
Got to be up before daybreak. |
| 00:27:33 |
l'll take care of Vindicator. |
| 00:27:44 |
[Whistles patriotic tune] |
| 00:27:45 |
[Bull mooing] |
| 00:27:58 |
Did you fire that shot? |
| 00:27:59 |
l was just reminding Burnett |
| 00:28:02 |
l told you once, |
| 00:28:05 |
l'll handle this. |
| 00:28:07 |
Mabry, out here |
| 00:28:34 |
HlLARY: There's your saddle. |
| 00:28:35 |
-Thank you. Your mother up? |
| 00:28:37 |
l just thought l'd help you |
| 00:28:40 |
What's gotten into you now? |
| 00:28:42 |
Come now. |
| 00:28:44 |
That shot was a signal |
| 00:28:46 |
You're taking Vindicator to them. |
| 00:28:48 |
Go on, and good riddance. |
| 00:28:50 |
You're dead wrong. |
| 00:28:53 |
HlLARY: l just bet you were. |
| 00:28:55 |
l was and l am. |
| 00:28:57 |
Time to get up, ma'am. |
| 00:29:01 |
HlLARY: lf you have any decency, you'll go. |
| 00:29:03 |
Vindicator will be better off |
| 00:29:05 |
and my mother can certainly |
| 00:29:08 |
-Hilary. What on earth-- |
| 00:29:12 |
You've decided to play |
| 00:29:14 |
Mr. Burnett is just Iike him. |
| 00:29:16 |
-He certainly is not like him. |
| 00:29:21 |
One was willing to buy a bull |
| 00:29:23 |
the other to sell one he didn't own. |
| 00:29:27 |
OnIy this time, you don't care. |
| 00:29:29 |
You can't see it |
| 00:29:33 |
Sam, is there any truth in this? |
| 00:29:36 |
Mother, l know what l heard. |
| 00:29:40 |
l'm just telling you |
| 00:29:43 |
What you heard in Dodge |
| 00:29:46 |
You're calling me a liar. |
| 00:29:48 |
l'm just saying |
| 00:29:51 |
and imagined more. |
| 00:29:53 |
l suppose l only imagine... |
| 00:29:55 |
that you're trying to win |
| 00:29:57 |
Hilary, that question |
| 00:30:00 |
lt's the whole point, Mother. |
| 00:30:03 |
And Mr. Burnett knows it. |
| 00:30:12 |
Vindicator is |
| 00:30:16 |
And the sooner we move, |
| 00:30:19 |
Very well, Sam. Let's move. |
| 00:30:23 |
[Sober instrumental music] |
| 00:30:43 |
SAM: All right, hold up. |
| 00:30:51 |
Wire. |
| 00:30:53 |
They'll wire the whole world. |
| 00:30:55 |
Telegraph wire... |
| 00:30:59 |
barbed wire. |
| 00:31:01 |
This must be private property. |
| 00:31:04 |
There's always been free passage |
| 00:31:06 |
Taylor may own these sections, |
| 00:31:10 |
Do you mean that we're going |
| 00:31:13 |
We're leaving it. |
| 00:31:14 |
AII right, Martha, |
| 00:31:17 |
SAM: Let's make time. |
| 00:31:20 |
l am. |
| 00:31:56 |
They ought to be moving |
| 00:31:59 |
Burnett had no intention of stopping |
| 00:32:02 |
We better go tell Taylor. |
| 00:32:04 |
SlMONS: You're all through telling, Mabry. |
| 00:32:06 |
There's $3,000 waiting for me |
| 00:32:08 |
lt'll get me all the way to Mexico. |
| 00:32:10 |
You're getting off right here. |
| 00:32:12 |
You're crazy, Simons. |
| 00:32:16 |
Start running. |
| 00:32:17 |
[Tense instrumental music] |
| 00:32:34 |
-Mother. |
| 00:32:37 |
-May l ride with you for a bit? |
| 00:32:48 |
SAM: Better keep moving along. |
| 00:32:50 |
Few more miles |
| 00:32:58 |
Cattle up in there. |
| 00:33:01 |
[Horns clacking together] |
| 00:33:02 |
MARTHA: What's that noise? |
| 00:33:04 |
Horns? |
| 00:33:06 |
Cattle horns. |
| 00:33:08 |
l'll be right back, |
| 00:33:27 |
[Cattle mooing] |
| 00:33:34 |
-Hi, Jamie. |
| 00:33:36 |
-Where are you moving the stock? |
| 00:33:39 |
l'm gonna cash them in |
| 00:33:42 |
Bowen know about this? |
| 00:33:45 |
Pa might miss the cattle |
| 00:33:47 |
l figure he owes me something |
| 00:33:49 |
You all alone? |
| 00:33:51 |
No, Felipe's back there |
| 00:33:53 |
Don't crowd them too much. |
| 00:33:55 |
-l got some people up ahead here. |
| 00:34:21 |
[Tense instrumental music] |
| 00:35:11 |
[Horse neighing] |
| 00:35:13 |
[Dramatic instrumental music] |
| 00:35:14 |
[Yelling] |
| 00:35:23 |
Swing out! They're moving! |
| 00:35:28 |
[Gunshots firing] |
| 00:35:44 |
[Dramatic instrumental music continues] |
| 00:35:52 |
Come on. |
| 00:36:06 |
Turn that wagon around. |
| 00:36:10 |
[Yelling continues] |
| 00:36:35 |
[Hilary screams] |
| 00:36:45 |
Stay where you are. Get back. |
| 00:37:04 |
[Gun firing] |
| 00:37:26 |
[lntense instrumental music] |
| 00:38:05 |
Drop your gun right there. |
| 00:38:19 |
Now l'll take the money |
| 00:38:27 |
l haven't got it. |
| 00:38:29 |
l'll search your corpse |
| 00:38:33 |
There'll be no need for that. |
| 00:38:37 |
l'll give you the money. |
| 00:38:55 |
How much were you paid |
| 00:38:58 |
SlMONS: $1,000. |
| 00:39:01 |
[Tense instrumental music] |
| 00:39:06 |
I'II take aII the money. |
| 00:39:11 |
What else you got in there? |
| 00:39:14 |
[Gunshots firing] |
| 00:39:17 |
[Dramatic instrumental music] |
| 00:39:34 |
Stop it. Do you hear me? Stop it! |
| 00:39:36 |
No wonder there's nothing out here. |
| 00:39:38 |
You're aII too busy |
| 00:39:40 |
Now, Mr. Simons, |
| 00:39:44 |
so you will please |
| 00:39:45 |
And then get out of here. |
| 00:39:47 |
Look out, Martha, |
| 00:39:48 |
So have l. |
| 00:39:53 |
No, please. Let him go. |
| 00:39:59 |
[Gunshots firing] |
| 00:40:11 |
SlMONS: Come on. Get up. |
| 00:40:17 |
[Yelling] |
| 00:40:28 |
[Horse neighing] |
| 00:41:22 |
-You killed him. |
| 00:41:26 |
A man is dead, and this boy is hurt. |
| 00:41:30 |
All because of your dishonesty. |
| 00:41:34 |
That's one way to see it, ma'am. |
| 00:42:04 |
[Soft instrumental music] |
| 00:42:21 |
Out. There's the answer. |
| 00:42:23 |
Take what's due and skin out. |
| 00:42:26 |
HlLARY: Mother, can't we stop? |
| 00:42:28 |
lt isn't much farther, dear... |
| 00:42:30 |
and there'll be people there |
| 00:42:33 |
-You'll be home soon. |
| 00:42:35 |
No. Where's my hat? |
| 00:42:40 |
[Sweeping instrumental music] |
| 00:43:10 |
[People chattering] |
| 00:43:12 |
Estaban. Juan. |
| 00:43:19 |
Please, lift him carefully. |
| 00:43:43 |
Here's Jamie, Alex. He's hurt. |
| 00:43:45 |
Aye, it doesn't surprise me. |
| 00:43:47 |
Felipe comes stumbling in... |
| 00:43:49 |
this afternoon |
| 00:43:52 |
[Snorting] |
| 00:43:54 |
Stampede, he says. |
| 00:43:59 |
MARTHA: Do you mean you knew your son |
| 00:44:04 |
Madam, l knew he'd either |
| 00:44:09 |
ln this part of the world, |
| 00:44:12 |
Now, what do you want? |
| 00:44:14 |
What do l want? |
| 00:44:15 |
Now, you listen to me. |
| 00:44:17 |
Your son is hurt. |
| 00:44:19 |
And I want him moved to a warm room. |
| 00:44:24 |
You shut your gob, woman. |
| 00:44:26 |
Out here it's Alexander Bowen |
| 00:44:29 |
and you womenfolk listen |
| 00:44:34 |
You pompous, foul-smelling tyrant. |
| 00:44:36 |
l want that boy moved |
| 00:44:40 |
Now, you and you there. Pick him up. |
| 00:44:42 |
And, Mr. Burnett, |
| 00:44:44 |
Don't just stand there. |
| 00:44:48 |
[Soft instrumental music] |
| 00:45:02 |
He's got a busted arm... |
| 00:45:03 |
a bunch of cracked ribs, |
| 00:45:06 |
All we can do |
| 00:45:08 |
is to keep him down and hope. |
| 00:45:10 |
l'm sorry about the place. |
| 00:45:11 |
[Thunder rumbling] |
| 00:45:14 |
l'll need something for that roof |
| 00:45:17 |
l've taken care of that. |
| 00:45:23 |
You have? |
| 00:45:24 |
l told that Estaban to fix.... |
| 00:45:32 |
Undisciplined and shiftless, |
| 00:45:35 |
Yes, but we don't know |
| 00:45:38 |
[Banging on door] |
| 00:45:40 |
You need this, señora? |
| 00:45:42 |
No, not in here. Up on the roof. |
| 00:45:44 |
l don't want to catch the rain, |
| 00:45:47 |
And pass the information |
| 00:45:50 |
that cleanliness |
| 00:46:05 |
[Soft instrumental music] |
| 00:46:07 |
No, we don't know |
| 00:46:17 |
[Sober instrumental music] |
| 00:46:45 |
Will they be gone very long? |
| 00:46:46 |
Maybe four, five days, maybe more. |
| 00:46:49 |
There is much work to do. |
| 00:46:54 |
There certainly is. |
| 00:47:30 |
That woman has taken over my fort. |
| 00:47:33 |
Right there. |
| 00:47:42 |
The entire place |
| 00:47:46 |
Madam, if you do not care |
| 00:47:50 |
l suggest that you hitch up |
| 00:47:53 |
l don't intend to head for anywhere |
| 00:47:57 |
l'm glad to hear it. |
| 00:48:00 |
[Dog barking] |
| 00:48:02 |
He's feeling better |
| 00:48:05 |
And furthermore, we can't leave... |
| 00:48:06 |
until you understand |
| 00:48:11 |
Now, tomorrow, l would like |
| 00:48:15 |
-Select? |
| 00:48:19 |
Madam, out here |
| 00:48:23 |
and if that creature of yours |
| 00:48:26 |
he is not fit to live here. |
| 00:48:28 |
l think it may be a good idea |
| 00:48:31 |
at some of these |
| 00:48:33 |
you're figuring to match up |
| 00:48:36 |
-That's precisely my intention. |
| 00:48:40 |
You come on the morrow... |
| 00:48:42 |
and l'll hunt up a longhorn cow |
| 00:48:46 |
and then you'll see for yourself |
| 00:48:49 |
will not be the father of a calf. |
| 00:48:55 |
lt won't be exactly the kind of |
| 00:49:00 |
-Here, can l help with this? |
| 00:49:03 |
They're clean. |
| 00:49:08 |
[Soft instrumental music] |
| 00:49:18 |
-Beef stew? |
| 00:49:22 |
Snake broth, gopher broth, |
| 00:49:25 |
When do l get to eat? |
| 00:49:26 |
-l can do that. |
| 00:49:33 |
-Sure would like something to chew. |
| 00:49:37 |
Hey, you're touchy this morning. |
| 00:49:40 |
Your father's back. |
| 00:49:42 |
He goes off for a whole week |
| 00:49:44 |
then doesn't even stop in |
| 00:49:47 |
What's between you two? |
| 00:49:49 |
You snarl and growl at each other |
| 00:49:52 |
lt's always been like that. |
| 00:49:53 |
-But why? |
| 00:49:58 |
Don't get involved? |
| 00:50:01 |
Jamie Bowen, if you didn't have |
| 00:50:05 |
l'd certainly |
| 00:50:08 |
l'm surrounded by stubbornness. |
| 00:50:11 |
Sam, Mother, your father, |
| 00:50:14 |
The only one l can talk to |
| 00:50:18 |
l hate family mysteries. |
| 00:50:21 |
l don't know! |
| 00:50:25 |
lf l knew, l'd tell you, |
| 00:50:29 |
[Soft instrumental music continues] |
| 00:50:36 |
-l'm sorry. |
| 00:50:40 |
You're gonna stay around until l'm |
| 00:50:44 |
Maybe even a little longer. |
| 00:50:51 |
Hilary, we're going out |
| 00:50:55 |
Jamie, how are you? |
| 00:50:57 |
Fine, Mrs. Evans. |
| 00:50:59 |
l just had the best chicken broth |
| 00:51:03 |
But if you find a loose cow |
| 00:51:06 |
l'd eat it horns, hooves, |
| 00:51:12 |
[Lively instrumental music] |
| 00:51:16 |
[Dogs barking] |
| 00:51:38 |
[Men yelling] |
| 00:51:53 |
[Longhorn bellowing] |
| 00:52:17 |
BOWEN: You still think that bull of yours |
| 00:52:21 |
Mr. Bowen, Vindicator's |
| 00:52:24 |
will weigh half again as much |
| 00:52:27 |
and they'll be hardy. |
| 00:52:29 |
She can rip him to tatters |
| 00:52:31 |
-He'll never beget a calf. |
| 00:52:35 |
BOWEN: Madam, l've lived half my life here. |
| 00:52:38 |
And l tell you, |
| 00:52:40 |
then the wolves |
| 00:52:43 |
And l suppose you agree with him? |
| 00:52:45 |
Sometimes it gets down |
| 00:52:47 |
You can see that beast, Mother. |
| 00:52:49 |
[Bellowing] |
| 00:52:51 |
A cow? Good Lord! |
| 00:52:55 |
l believe that Vindicator |
| 00:52:58 |
on the open range to reproduce. |
| 00:53:00 |
And that's all we can expect of him. |
| 00:53:04 |
Mother, that's cruel. |
| 00:53:06 |
Yes, it's cruel, |
| 00:53:10 |
But then we live among |
| 00:53:13 |
And the only way to convince them |
| 00:53:15 |
Survival. |
| 00:53:18 |
We could build a shelter. |
| 00:53:22 |
l can keep roses alive |
| 00:53:25 |
And you've got |
| 00:53:28 |
That's not so. |
| 00:53:30 |
Vindicator does have stamina |
| 00:53:33 |
My father bred it into him... |
| 00:53:35 |
and if he has to risk his life |
| 00:53:41 |
[Solemn instrumental music] |
| 00:53:46 |
She'll not turn him loose |
| 00:53:49 |
Yes, she will. |
| 00:53:50 |
You forget that my husband died... |
| 00:53:52 |
trying to bring Herefords here |
| 00:54:02 |
That woman does not |
| 00:54:05 |
Nothing but dishonesty and dirt. |
| 00:54:27 |
Do you think your ma |
| 00:54:29 |
-Sure, Jamie. |
| 00:54:32 |
[Horse approaching] |
| 00:54:36 |
Get out of sight! And, Conchita, |
| 00:54:47 |
HlLARY: All right, Vindicator. Come on. |
| 00:54:58 |
Jamie, you shouIdn't be out here. |
| 00:55:01 |
l like to see open sky |
| 00:55:05 |
Where you taking Rosy Red? |
| 00:55:08 |
-Don't call him that. |
| 00:55:13 |
l'm taking him out, |
| 00:55:17 |
and l'm going to leave him there. |
| 00:55:21 |
There's no point in getting yourself |
| 00:55:25 |
Vindicator isn't old. |
| 00:55:27 |
Well, l mean, |
| 00:55:30 |
You are a Bowen, yes, you are. |
| 00:55:33 |
lnsensitive and hateful. |
| 00:55:36 |
You don't even know |
| 00:55:38 |
You can't understand it |
| 00:55:43 |
Come on, Vindicator. |
| 00:55:46 |
[Sober instrumental music] |
| 00:56:24 |
You go along now, Vindicator... |
| 00:56:26 |
and don't you come back, |
| 00:56:29 |
Go aIong. |
| 00:56:37 |
[Snorting] |
| 00:56:46 |
Vindicator, you've got to stand |
| 00:56:51 |
You're a British bull |
| 00:56:54 |
and fine ancestors. |
| 00:56:56 |
We've had some fine times together. |
| 00:56:59 |
Now you've got to prove yourseIf. |
| 00:57:01 |
And prove that Father was right. |
| 00:57:05 |
Go on. |
| 00:57:11 |
[Sentimental instrumental music] |
| 00:57:21 |
[Bellowing] |
| 00:57:34 |
She turned him loose. |
| 00:57:36 |
Your lass has got guts, |
| 00:57:42 |
l suppose you'll be |
| 00:57:44 |
What for? |
| 00:57:47 |
Mistress Evans could pay us |
| 00:57:52 |
Come summer, you'll see the first |
| 00:57:55 |
Sam, there's no sense |
| 00:57:59 |
This is longhorn country... |
| 00:58:01 |
and it'll stay longhorn country, |
| 00:58:09 |
l meant what l said. |
| 00:58:12 |
lf only l could believe that, |
| 00:58:14 |
it might make a difference. |
| 00:58:16 |
But l made that mistake once, |
| 00:58:19 |
Martha, what l did was wrong. |
| 00:58:23 |
l lied to you because l didn't want |
| 00:58:27 |
and l'm sorry. |
| 00:58:34 |
[Soft instrumental music] |
| 00:58:40 |
l think l'd better go to Hilary. |
| 00:58:49 |
Then you're not still mad at me? |
| 00:58:51 |
No, not particularly. |
| 00:58:57 |
You know, Jamie... |
| 00:58:59 |
there's really nothing |
| 00:59:02 |
Vindicator's out there |
| 00:59:04 |
-and you're up and around. |
| 00:59:06 |
l've still got cracked ribs |
| 00:59:09 |
Here, l'll show you. |
| 00:59:12 |
See? That's painful. |
| 00:59:15 |
Jamie, you're breaking my ribs. |
| 00:59:17 |
Yeah. |
| 00:59:18 |
And l will, too, if that's what |
| 00:59:28 |
Look, all l've got is the two legs |
| 00:59:32 |
but there's room in this country to |
| 00:59:36 |
l don't care what it's like. |
| 00:59:38 |
l don't ever want to leave you. |
| 00:59:42 |
[Romantic instrumental music] |
| 01:00:28 |
[Wind howling] |
| 01:00:32 |
BOWEN: [Singing] I'II take the Iow road |
| 01:00:35 |
I'II be in ScotIand afore ye |
| 01:00:47 |
Come on! |
| 01:00:55 |
Get on, wiII you? |
| 01:00:57 |
Get out of here! Go, wiII you? |
| 01:01:06 |
[Bowen continues singing] |
| 01:01:09 |
[Yelps] |
| 01:01:28 |
Don't just stand there, man, |
| 01:01:36 |
SAM: What're you doing? |
| 01:01:39 |
You look like a bull |
| 01:01:42 |
Look, we got a blizzard |
| 01:01:45 |
-The glass is still dropping. |
| 01:01:48 |
She'll not be able to travel |
| 01:01:50 |
Been wondering how to keep her here |
| 01:01:53 |
How do l smell, Sam? |
| 01:01:55 |
-You smell like an old buffalo. |
| 01:01:59 |
Alex, l'm going out |
| 01:02:02 |
and bring him back here |
| 01:02:04 |
-Let nature take its course, man. |
| 01:02:08 |
BOWEN: Who wants to save him? |
| 01:02:10 |
After he's no more here... |
| 01:02:11 |
Mistress Evans will see |
| 01:02:15 |
and then she may get |
| 01:02:16 |
that l can be right about |
| 01:02:19 |
Well, it doesn't take any brains |
| 01:02:23 |
Aye, but it takes a great deal |
| 01:02:26 |
and that's exactly |
| 01:02:28 |
l want her to forget all about |
| 01:02:33 |
l made up my mind. |
| 01:02:35 |
l'm going to wed that woman. |
| 01:02:38 |
-You're going to wed her? |
| 01:02:42 |
But, Bowen, Mrs. Evans is a lady. |
| 01:02:45 |
She didn't come |
| 01:02:47 |
to marry |
| 01:02:50 |
BOWEN: Yeah, she will, l tell you. |
| 01:02:52 |
Once that bull is dead and gone, |
| 01:02:55 |
AIexander Bowen! |
| 01:02:58 |
[Bowen laughs] |
| 01:03:02 |
[Singing] Every Iaddie has his Iassie |
| 01:03:10 |
And aII the girIs they smiIe at me |
| 01:03:14 |
Coming through the rye |
| 01:03:19 |
SAM: Anything? |
| 01:03:23 |
lf he's smart like you say... |
| 01:03:24 |
he headed for the Gulf of Mexico |
| 01:03:27 |
A man cannot find a thing |
| 01:03:30 |
Listen close. Listen. |
| 01:03:33 |
[Whistles patriotic tune] |
| 01:03:38 |
You try it. |
| 01:03:40 |
[Both whistle same tune] |
| 01:03:46 |
Keep it up loud. |
| 01:03:51 |
[Wolf howling] |
| 01:03:58 |
[Sober instrumental music] |
| 01:04:03 |
Sam, tomorrow l'm going with you. |
| 01:04:05 |
No, you're not well enough. |
| 01:04:07 |
l've been doing cartwheels |
| 01:04:10 |
HiIary and Mrs. Evans are worried |
| 01:04:12 |
SAM: lt's your job to stop their worrying. |
| 01:04:14 |
Come on, |
| 01:04:19 |
[Tense instrumental music] |
| 01:04:22 |
[Wolves growling] |
| 01:05:01 |
[Whistles patriotic tune] |
| 01:05:08 |
[Children singing] |
| 01:05:12 |
CHlLDREN: Save her victorious |
| 01:05:16 |
Happy and gIorious |
| 01:05:20 |
Long to reign |
| 01:05:23 |
over us |
| 01:05:25 |
God save the queen |
| 01:05:29 |
Mistress Evans. |
| 01:05:31 |
l'm serving tea at about 4:00 |
| 01:05:34 |
-l wondered if you'd care to come? |
| 01:05:37 |
Why, thank you very much, Mr. Bowen. |
| 01:05:40 |
lt could be a nice change for you. |
| 01:05:46 |
All right, children. Stand up now. |
| 01:05:50 |
One, two, three. |
| 01:05:52 |
[Singing] My country, 'tis of thee |
| 01:05:56 |
Miss Evans, good day to you. |
| 01:06:00 |
Up and about, are you? |
| 01:06:03 |
Do you feel sprightly enough |
| 01:06:05 |
l'm through running. |
| 01:06:09 |
That sounds easy when you say it, |
| 01:06:12 |
Life out here is hard, laddie. |
| 01:06:14 |
Yeah, well, don't do anything |
| 01:06:16 |
What are you referring to? |
| 01:06:18 |
Like maybe you could build |
| 01:06:21 |
and lay in some winter feed |
| 01:06:26 |
You've been listening |
| 01:06:28 |
You bet. |
| 01:06:29 |
And it's the first sense l've heard |
| 01:06:37 |
l'm serving tea at 4:00 |
| 01:06:41 |
You may bring Miss Evans |
| 01:06:46 |
[Door closing] |
| 01:06:53 |
The master will join you presently. |
| 01:07:03 |
My, aren't we formal. |
| 01:07:12 |
[Bagpipes playing] |
| 01:07:35 |
A Highland officer? |
| 01:07:37 |
91st Argyle. Foot. |
| 01:07:45 |
You do not recognise me in uniform, |
| 01:07:48 |
No, you couIdn't. |
| 01:07:51 |
lt's the first time l've scraped |
| 01:07:55 |
Would you care to pour, Mrs. Evans? |
| 01:08:03 |
Estaban has made us some scones. |
| 01:08:21 |
Estaban, you scoundrel. |
| 01:08:25 |
l thought you were 100 years |
| 01:08:29 |
Approve of the change, do you? |
| 01:08:31 |
The trouble with appearances, |
| 01:08:33 |
is while beauty is skin deep... |
| 01:08:35 |
meanness runs all the way through. |
| 01:08:39 |
What's that you're saying? |
| 01:08:40 |
She's saying |
| 01:08:42 |
don't erase the way |
| 01:08:45 |
l did the best l could, lassie. |
| 01:08:49 |
And l could not help it if he |
| 01:08:56 |
All these years |
| 01:08:58 |
lt does not suit my purpose |
| 01:09:01 |
-You mean my mother? |
| 01:09:06 |
Now, what could l have |
| 01:09:09 |
She was ailing when you were born... |
| 01:09:13 |
and she died. |
| 01:09:17 |
And aII the words in the worId |
| 01:09:22 |
or your husband. |
| 01:09:26 |
Mistress Evans... |
| 01:09:28 |
you've captured my entire fort |
| 01:09:32 |
You've got them eating |
| 01:09:37 |
Aye, it's true. |
| 01:09:39 |
Now you've made attachments here |
| 01:09:42 |
To Jamie |
| 01:09:46 |
l just wish.... l mean... |
| 01:09:49 |
l've been hoping that you could |
| 01:09:54 |
make a similar attachment to me. |
| 01:09:57 |
[Soft instrumental music] |
| 01:10:01 |
Given a wee while, of course. |
| 01:10:03 |
l wouldn't want to rush you. |
| 01:10:06 |
And l want you to think about |
| 01:10:11 |
You and your lassie. |
| 01:10:14 |
She likes it here |
| 01:10:18 |
What I'm trying to say... |
| 01:10:20 |
is that could be such a grand life |
| 01:10:26 |
lt would never be |
| 01:10:28 |
Aye, and it's not |
| 01:10:32 |
But when l first came here, |
| 01:10:36 |
l was going to accept the land |
| 01:10:38 |
That's what you must do |
| 01:10:42 |
And if you're still thinking |
| 01:10:45 |
because Hereford cattle cannot |
| 01:10:49 |
and that l shattered... |
| 01:10:51 |
that lovely dream you shared |
| 01:10:55 |
You cannot live with dreams. |
| 01:10:58 |
lt's time to stop dreaming |
| 01:11:03 |
and the next day. |
| 01:11:06 |
Time for me to admit |
| 01:11:10 |
and that you're its lord and master. |
| 01:11:13 |
A man in love is not even lord |
| 01:11:25 |
l'd like to change the climate |
| 01:11:32 |
[Tense instrumental music] |
| 01:11:36 |
What are you looking at, man? |
| 01:11:38 |
ls that you, Señor Bowen? |
| 01:11:41 |
No, l'm Bonnie Prince ruddy Charlie. |
| 01:11:44 |
BOWEN: What do you want? |
| 01:11:47 |
BOWEN: With who? |
| 01:11:50 |
l could hear him whistling, |
| 01:11:52 |
l could not find him. |
| 01:11:55 |
ls he lost? |
| 01:11:56 |
No, señora, maybe he has troubles... |
| 01:11:59 |
but Señor Burnett is not lost. |
| 01:12:00 |
Fetch the men. Go on with you. |
| 01:12:02 |
BOWEN: Saddle my horse. |
| 01:12:06 |
Don't worry, we'll find him. |
| 01:12:13 |
[Wind howling] |
| 01:12:15 |
[Horse neighing] |
| 01:13:00 |
[Tense instrumental music] |
| 01:13:14 |
[Gunshots firing] |
| 01:13:53 |
[Soft instrumental music] |
| 01:14:01 |
[Gasping] |
| 01:14:06 |
l have been wondering for years... |
| 01:14:08 |
what you were hiding |
| 01:14:11 |
l told you before, a man can change. |
| 01:14:13 |
All right, you've changed. |
| 01:14:15 |
l'm sure Mrs. Evans approves. |
| 01:14:19 |
That Hereford bull's out here |
| 01:14:23 |
Do you think you be fit to travel? |
| 01:14:25 |
Of course l'm fit.... |
| 01:14:28 |
[Groaning] |
| 01:14:31 |
[Grunts] |
| 01:15:06 |
SAM: Quit shoving. l can walk. |
| 01:15:09 |
Come over here, Sam. |
| 01:15:13 |
l don't want you to go out there |
| 01:15:17 |
You think Vindicator's dead, too? |
| 01:15:20 |
Yes, but that doesn't matter now. |
| 01:15:23 |
No, l'll do this. |
| 01:15:32 |
There isn't anything worth |
| 01:15:36 |
-There isn't? |
| 01:15:39 |
This is longhorn country. |
| 01:15:41 |
Let's face it and be done with it |
| 01:15:44 |
Well, l'm not done with it. |
| 01:15:46 |
You planted an idea in me, |
| 01:15:50 |
I think Vindicator is as good |
| 01:15:54 |
And come summer, there's gonna be |
| 01:15:58 |
You just wait and see. |
| 01:16:00 |
Not on this range. |
| 01:16:02 |
Just because you shaved |
| 01:16:04 |
don't be so high and mighty |
| 01:16:06 |
You don't know Hereford stock. |
| 01:16:09 |
Sam Burnett, l give you |
| 01:16:11 |
to clear the range |
| 01:16:14 |
Take them. They're yours. |
| 01:16:16 |
But do not worry us |
| 01:16:18 |
lt's not good for Mistress Evans... |
| 01:16:19 |
to hear you constantly |
| 01:16:24 |
Besides, l've asked her to wed me. |
| 01:16:26 |
And she hasn't exactIy said no. |
| 01:16:32 |
Seems to me |
| 01:16:34 |
with everything |
| 01:16:37 |
l've never been a person |
| 01:16:41 |
And you should know that. |
| 01:16:44 |
l was wrong about this country. |
| 01:16:47 |
Well, then, your husband |
| 01:16:50 |
Yes. All right, yes! |
| 01:16:52 |
But there are other things |
| 01:16:54 |
There's Hilary and Jamie. |
| 01:17:05 |
All right, Alex... |
| 01:17:07 |
l'll take |
| 01:17:10 |
and l'll build a place for them. |
| 01:17:12 |
Sam, don't. Can't you see it's over? |
| 01:17:14 |
SAM: Not for me. |
| 01:17:17 |
Give him a hand. |
| 01:17:23 |
He's hell-bent |
| 01:17:26 |
There's no stopping him. |
| 01:17:30 |
[Sober instrumental music] |
| 01:17:32 |
[Jamie yelling] |
| 01:17:51 |
[Ominous instrumental music] |
| 01:17:56 |
[Gunshot firing] |
| 01:18:03 |
Jamie, here's Sam. |
| 01:18:16 |
You're driving them in, huh? |
| 01:18:17 |
Yeah, a lot of them aren't up to it. |
| 01:18:19 |
Dad says he can't remember |
| 01:18:21 |
We haven't seen much of you, Sam. |
| 01:18:24 |
l'm fine. Fine. |
| 01:18:26 |
-Building a place. |
| 01:18:28 |
Juan, he comes out |
| 01:18:31 |
-l'd like to see it, Sam. |
| 01:18:34 |
l'm working |
| 01:18:42 |
l'll be moving along. |
| 01:19:00 |
[Neighing] |
| 01:19:13 |
[Horse neighing] |
| 01:19:15 |
Whoa, boy. |
| 01:19:17 |
[Tense instrumental music] |
| 01:20:03 |
lt's Vindicator, isn't it? |
| 01:20:09 |
A lot of longhorns died, too. |
| 01:20:12 |
We knew what to expect, Sam. |
| 01:20:19 |
Now, l want you to tell Bowen. |
| 01:20:21 |
You tell him that this doesn't mean |
| 01:20:29 |
You tell him that. |
| 01:20:31 |
You tell them both. |
| 01:20:46 |
[Solemn instrumental music] |
| 01:22:07 |
-Hello, Hilary. |
| 01:22:09 |
-Juan directed me how to get here. |
| 01:22:12 |
Jamie knows it. |
| 01:22:15 |
Yes. Jamie and l aren't |
| 01:22:19 |
l see. |
| 01:22:21 |
-Could l talk to you for a bit, Sam? |
| 01:22:25 |
HlLARY: Thank you. |
| 01:22:27 |
l have some medium-hot coffee |
| 01:22:31 |
HlLARY: Yes, thanks. |
| 01:22:34 |
Here, l'll let you |
| 01:22:37 |
HlLARY: Thanks. |
| 01:22:38 |
l'm just finishing up the calf pens. |
| 01:22:40 |
l built two corrals |
| 01:22:45 |
Do you still think |
| 01:22:48 |
SAM: Yes, l do. |
| 01:22:51 |
Vindicator could have lasted longer |
| 01:22:54 |
You could see his calves |
| 01:22:58 |
l see. |
| 01:23:08 |
-What did you say this was, Sam? |
| 01:23:12 |
l'm sorry about you and Jamie. |
| 01:23:15 |
You two have a fight? |
| 01:23:17 |
That's what |
| 01:23:20 |
You see, everything's become |
| 01:23:23 |
lt's just that Jamie asked me |
| 01:23:26 |
SAM: l think that's fine. |
| 01:23:29 |
-You don't love him? |
| 01:23:32 |
-Well, then-- |
| 01:23:34 |
if l marry Jamie then Mother |
| 01:23:39 |
No, l'm afraid l don't follow you. |
| 01:23:41 |
Sam, don't you ever think |
| 01:23:43 |
Think about her? |
| 01:23:46 |
l have this place here |
| 01:23:49 |
and that's more than l ever had |
| 01:23:52 |
And your mother |
| 01:23:54 |
And it means a lot. |
| 01:23:56 |
Then, it's not right for you to |
| 01:24:00 |
lt's not fair. Mother needs you. |
| 01:24:04 |
l'm afraid l'm not very good |
| 01:24:07 |
especially other people's. |
| 01:24:08 |
All l know is that |
| 01:24:11 |
that your mother gave me, and l'm |
| 01:24:15 |
But it'll be too late, Sam. |
| 01:24:17 |
Mother and Mr. Bowen-- |
| 01:24:18 |
No, your mother'll make |
| 01:24:21 |
And that's as it should be. |
| 01:24:22 |
But you ought to make yours, too, |
| 01:24:26 |
lf you love Jamie, l think |
| 01:24:29 |
And marry him. |
| 01:24:37 |
-Do you think l should? |
| 01:24:50 |
Well, thanks for the coffee. |
| 01:24:53 |
-l'm glad l came to see you. |
| 01:25:09 |
Come back, Sam. |
| 01:25:20 |
[Soft instrumental music] |
| 01:25:37 |
[Clearing throat] |
| 01:25:41 |
[Lively instrumental music] |
| 01:25:52 |
lt's a grand day. |
| 01:25:56 |
[Goat bleating] |
| 01:26:16 |
lt's a grand day, Mistress Evans. |
| 01:26:18 |
-We've got plans to make. |
| 01:26:20 |
-What l mean to say is that-- |
| 01:26:23 |
l mean to say it's urgent |
| 01:26:25 |
We ought to be thinking |
| 01:26:36 |
Very well, Alex. September, then. |
| 01:26:40 |
Late in September. |
| 01:26:44 |
You're not still hoping that |
| 01:26:48 |
l suppose so. |
| 01:26:52 |
lt's because that lunatic |
| 01:26:55 |
He's bound to fail, l tell you. |
| 01:26:58 |
Yes, l know. But until September. |
| 01:27:02 |
-That's not too much to ask, is it? |
| 01:27:07 |
He'll certainly give up by then. |
| 01:27:09 |
l agree. September it is. |
| 01:27:22 |
[Sober instrumental music] |
| 01:27:47 |
[Calf mooing] |
| 01:27:58 |
[Fast-paced instrumental music] |
| 01:28:41 |
l'm gonna borrow him |
| 01:28:43 |
Don't you worry. |
| 01:29:12 |
[All chattering] |
| 01:29:14 |
Jamie, there's Sam. |
| 01:29:23 |
You got a whiteface. |
| 01:29:46 |
This is what |
| 01:29:48 |
There's Hereford crossbreeds |
| 01:29:52 |
That calf will make a fine |
| 01:29:54 |
l told you l'd be back |
| 01:29:57 |
There's the first one. |
| 01:29:58 |
You take your hand off |
| 01:30:01 |
And there'll be more whiteface |
| 01:30:04 |
Did you hear what l said? |
| 01:30:07 |
And you get out of here. |
| 01:30:13 |
[People clamouring] |
| 01:30:26 |
[Bowen yelling] |
| 01:30:36 |
[Screaming] |
| 01:30:45 |
[Horse neighing] |
| 01:30:52 |
[Sentimental instrumental music] |
| 01:30:59 |
-Alex, l.... |
| 01:31:05 |
That's Hereford country |
| 01:31:10 |
Raise them if you can, l say. |
| 01:31:13 |
That's just what we're going to do. |
| 01:31:16 |
And before we're finished... |
| 01:31:17 |
you're gonna see crossbreed |
| 01:31:21 |
[Grunts] |
| 01:31:26 |
You can take that one with you. |
| 01:31:28 |
[Amusing instrumental music] |
| 01:31:45 |
That one looks like |
| 01:31:47 |
l'm glad we kept some longhorns, |
| 01:31:51 |
So am l. |
| 01:31:54 |
They're getting pretty scarce. |
| 01:31:56 |
[Hilary whistling patriotic tune] |
| 01:32:03 |
There. Watch that one now. |
| 01:32:08 |
Do you still think one of them |
| 01:32:10 |
No, not really. |
| 01:32:11 |
Sometimes a bit of him |
| 01:32:14 |
l like to think |
| 01:32:17 |
[Lively instrumental music] |
| 01:32:48 |
English - SDH |
