Reader The
|
00:01:07 |
[woman] You didn't wake me. |
00:01:10 |
You were sleeping. |
00:01:12 |
You can't bear |
00:01:14 |
I've boiled you an egg. See? |
00:01:18 |
if I didn't want to see you. |
00:01:22 |
Does any woman ever |
00:01:24 |
to find out what the hell |
00:01:28 |
What are you doing tonight? |
00:01:30 |
I'm seeing my daughter. |
00:01:32 |
Your daughter? |
00:01:36 |
Have I? |
00:01:38 |
Well, she's been abroad for a year. |
00:01:43 |
Did you say tea? |
00:01:45 |
I'm going. |
00:01:50 |
Have fun with your daughter. |
00:01:52 |
[door shuts] |
00:02:02 |
[train approaching] |
00:02:12 |
[brakes squealing] |
00:02:22 |
[woman speaks German] |
00:02:23 |
[woman] Tickets, please. |
00:02:27 |
Tickets. Excuse me. |
00:02:35 |
Tickets. |
00:02:40 |
Tickets, please. |
00:02:52 |
[panting] |
00:03:00 |
[gagging] |
00:03:14 |
[thunder rumbles] |
00:03:18 |
[vomiting] |
00:03:40 |
[woman] Oh! |
00:03:42 |
Hey. Hey, you! |
00:03:50 |
[faucet turning on] |
00:04:12 |
Your feet. Your feet. |
00:04:22 |
[boy sobbing] |
00:04:33 |
Hey, kid. |
00:04:37 |
Up. |
00:04:41 |
It's all right. |
00:04:52 |
There. Where do you live? |
00:05:01 |
It's just up here. |
00:05:06 |
Goodbye. |
00:05:17 |
Look after yourself. |
00:05:24 |
I'm worried about him. |
00:05:28 |
The boy's saying |
00:05:31 |
- He does. |
00:05:33 |
- Good, then. |
00:05:35 |
We're not going to argue about this. |
00:05:40 |
Remind me. |
00:05:43 |
[mother] Michael's 15. |
00:05:45 |
- [doctor] It's scarlet fever. |
00:05:48 |
[doctor] He'll be in bed |
00:05:51 |
Complete isolation. |
00:05:53 |
Emily, keep away. He's contagious. |
00:05:59 |
Emily! |
00:06:17 |
[mother] How are you feeling? |
00:06:20 |
Better. |
00:06:23 |
I meant to tell you... |
00:06:25 |
...the day I got ill, a woman helped me. |
00:06:27 |
She helped you? |
00:06:29 |
Yes. She brought me home. |
00:06:33 |
Do you have her address? |
00:06:36 |
- [banging] |
00:06:45 |
[men shouting in German] |
00:07:03 |
[woman singing in German on record] |
00:07:10 |
- [Michael] Hello? |
00:07:29 |
[music continues] |
00:07:39 |
I brought you these flowers |
00:07:42 |
Put them over there in the sink. |
00:08:06 |
I would have come earlier, |
00:08:09 |
- You are better now? |
00:08:13 |
- Have you always been weak? |
00:08:19 |
It's incredibly boring. |
00:08:23 |
I couldn't even be bothered to read. |
00:08:30 |
Well, thank you again. |
00:08:34 |
Wait. |
00:08:36 |
I'll walk with you. |
00:08:42 |
Wait in the hall while I change. |
00:08:58 |
[coin clatters on floor] |
00:09:40 |
[men chattering outside] |
00:10:13 |
[women chattering] |
00:10:25 |
[woman shouts in German] |
00:10:38 |
[man grunts] |
00:10:49 |
[Michael gasps] |
00:11:11 |
[footsteps approaching] |
00:11:33 |
There are two more buckets downstairs. |
00:11:36 |
You can fill them and bring them up. |
00:11:53 |
[Michael coughing] |
00:11:57 |
[laughs] |
00:12:03 |
[woman laughing] |
00:12:05 |
You look ridiculous. |
00:12:10 |
[laughs] |
00:12:12 |
You can't go home like that. |
00:12:18 |
Take off your clothes. |
00:12:24 |
[water running] |
00:12:42 |
Do you always take |
00:12:57 |
[clears throat] |
00:12:58 |
It's all right. I won't look. |
00:14:08 |
I'll get you a towel. |
00:15:08 |
[moans] |
00:15:10 |
[whispers] So that's |
00:15:31 |
[whispers] You're so beautiful. |
00:15:34 |
[whispers] What are you talking about? |
00:15:46 |
Look at me, kid. |
00:15:50 |
Mm! Mm! |
00:15:52 |
Slowly. |
00:15:54 |
Slowly... |
00:15:57 |
Shh. |
00:16:00 |
[silverware clattering] |
00:16:02 |
[blows, slurps] |
00:16:09 |
[clock ticking] |
00:16:11 |
[panting, moaning] |
00:16:16 |
[moaning] |
00:16:23 |
[panting] |
00:16:34 |
You've inconvenienced your mother. |
00:16:36 |
How many more times? |
00:16:40 |
- You scared her. |
00:16:42 |
That's why I was late. |
00:16:44 |
How can anyone get lost |
00:16:47 |
I meant to head for the castle, |
00:16:50 |
- Opposite directions. |
00:16:52 |
- He's lying. |
00:16:56 |
Michael never lies. |
00:17:01 |
I've decided I want |
00:17:04 |
- The doctor says you need three weeks. |
00:17:07 |
[mother] Peter? |
00:17:14 |
[sighs] |
00:17:15 |
[children shouting] |
00:17:22 |
- Hey! |
00:17:51 |
- [grunts] |
00:17:55 |
That's right. |
00:17:58 |
[moans] |
00:18:01 |
No, not so fast. |
00:18:14 |
Ah! |
00:18:19 |
It's all right. |
00:18:21 |
Do it again. |
00:18:26 |
Mm... |
00:18:29 |
Oh! |
00:18:46 |
What's your name? |
00:18:49 |
- What? |
00:18:52 |
- Why do you want to know? |
00:18:57 |
I want to know your name. |
00:19:02 |
[laughs] Nothing, kid. |
00:19:04 |
There's nothing wrong with that. |
00:19:07 |
- It's Hanna. |
00:19:13 |
- What's yours, kid? |
00:19:17 |
Michael. Hmm. |
00:19:20 |
So I'm with a Michael. |
00:19:24 |
Hanna. |
00:19:26 |
[teacher] The notion of secrecy |
00:19:32 |
You may say the whole idea of character |
00:19:36 |
is defined by people |
00:19:39 |
holding specific information, |
00:19:42 |
which, for various reasons, |
00:19:45 |
sometimes perverse, |
00:19:49 |
they are determined not to disclose. |
00:20:00 |
[laughs] |
00:20:05 |
[Hanna] You never tell me |
00:20:08 |
Studying? |
00:20:12 |
At school. |
00:20:17 |
- Do you learn languages? |
00:20:22 |
- What languages? |
00:20:30 |
- Say something in Latin. |
00:20:34 |
[speaking Latin] |
00:20:40 |
It's Horace. |
00:20:42 |
It's wonderful. |
00:20:46 |
Do you want some Greek? |
00:21:01 |
[reading in Greek] |
00:21:07 |
It's beautiful. |
00:21:09 |
How can you tell? |
00:21:12 |
How do you know, |
00:21:18 |
What are you studying in German? |
00:21:20 |
I'm studying a play. |
00:21:24 |
By a writer called Gotthold |
00:21:28 |
The play's called Emilia Galotti. |
00:21:32 |
I'd rather listen to you. |
00:21:35 |
All right. |
00:21:47 |
"Act One. Scene One. |
00:21:49 |
The setting: |
00:21:52 |
The Prince..." |
00:21:55 |
I'm not very good. |
00:21:58 |
Go on. |
00:22:01 |
"Complaints, nothing but complaints. |
00:22:05 |
For goodness sake, |
00:22:10 |
Just imagine that |
00:22:15 |
You're good at it, aren't you? |
00:22:20 |
Good at what? |
00:22:25 |
Reading. |
00:22:31 |
What's funny? |
00:22:35 |
I didn't think I was good at anything. |
00:22:37 |
[boys shouting] |
00:22:43 |
[whistling, clapping] |
00:22:50 |
Whoo! |
00:22:57 |
[bell clangs] |
00:23:45 |
[footsteps approaching] |
00:24:05 |
What are you doing? |
00:24:08 |
Why did you behave |
00:24:11 |
You didn't want to know me! You could |
00:24:15 |
- So why did you sit in the second? |
00:24:18 |
- Why did you think I was there? |
00:24:21 |
Now, I've been working. |
00:24:25 |
And I'd like to be by myself. |
00:24:27 |
Would you please leave?! |
00:24:33 |
I... I didn't mean to upset you. |
00:24:39 |
You don't have the power to upset me. |
00:24:42 |
You don't matter enough to upset me. |
00:24:49 |
[gas heater turns on, |
00:25:18 |
[sniffling] |
00:26:02 |
I don't know what to say. |
00:26:06 |
I've never been with a woman before. |
00:26:12 |
We've been together four weeks, |
00:26:15 |
and I can't live without you. |
00:26:18 |
I can't. |
00:26:20 |
Even the thought of it kills me. |
00:26:29 |
I sat in the second carriage |
00:26:34 |
Kid, you thought |
00:26:42 |
Is it true what you said? |
00:26:45 |
That I don't matter to you? |
00:27:00 |
Do you forgive me? |
00:27:08 |
Do you love me? |
00:27:27 |
- Do you have a book? |
00:27:32 |
I took one with me this morning. |
00:27:35 |
- What is it? |
00:27:38 |
It's my homework. |
00:27:43 |
We're changing the order we do things. |
00:27:46 |
Read to me first, kid. |
00:27:55 |
- [Michael] The Odyssey, by Homer. |
00:27:59 |
A journey. |
00:28:02 |
[Hanna] Good. |
00:28:07 |
"Sing to me of the man, Muse |
00:28:11 |
Driven time and again off course |
00:28:14 |
- The hallowed heights of Troy" |
00:28:25 |
[Michael] "He pressed |
00:28:29 |
She was dead. |
00:28:31 |
- Past all help, or need of it." |
00:28:40 |
[panting] |
00:28:42 |
[Michael] "I poked into the place a |
00:28:46 |
as big as a bedroom, |
00:28:50 |
and found a man lying there asleep. |
00:28:51 |
And, by jings, it was my old Jim. |
00:28:56 |
'When you landed, |
00:28:59 |
on the land without having to shout |
00:29:03 |
I begin to go slow."' [laughs] |
00:29:05 |
"Lady Chatterley |
00:29:10 |
as he came into her. |
00:29:13 |
For a moment, |
00:29:16 |
This is disgusting. |
00:29:19 |
Where did you get this? |
00:29:21 |
- I borrowed it from someone at school. |
00:29:24 |
You should be ashamed. |
00:29:30 |
Go on. |
00:29:32 |
[blows raspberry] |
00:29:33 |
"'Billions of bilious blue blistering |
00:29:37 |
It is water! ' 'But what on earth |
00:29:40 |
- Whiskey. |
00:29:45 |
'Whiskey? Come now, captain, |
00:29:48 |
That's enough for today, kid. |
00:29:51 |
I was wondering, do you think |
00:29:55 |
Maybe we could go on a trip. |
00:29:58 |
- What sort of trip? |
00:30:01 |
Just two days. |
00:30:07 |
I've got a guide book. |
00:30:10 |
Look. What do you think? |
00:30:17 |
I think you like planning, don't you? |
00:30:24 |
[sighing] |
00:30:36 |
[Michael] "I'm not frightened. |
00:30:39 |
I'm not frightened of anything. |
00:30:43 |
The more I suffer, the more I love. |
00:30:48 |
Danger will only increase my love. |
00:30:50 |
It will sharpen it. |
00:30:56 |
I'll be the only angel you need. |
00:30:58 |
You will leave life even more beautiful |
00:31:02 |
Heaven will take you back |
00:31:06 |
'Only one thing can make a soul |
00:31:19 |
[laughing] |
00:31:38 |
- Hello. |
00:31:44 |
[boys laughing] |
00:31:47 |
- [woman] Excuse me. |
00:31:50 |
Do you know what you'd like? |
00:31:55 |
- Um... |
00:31:58 |
- You order. I'll have what you have. |
00:32:02 |
Um... |
00:32:04 |
Two frankfurters, two potato salads |
00:32:09 |
[boys laughing] |
00:32:16 |
[sighs] |
00:32:18 |
- Thank you. |
00:32:20 |
- I hope your mother was happy. |
00:32:23 |
She enjoyed her meal very much. |
00:32:41 |
Come on. |
00:32:47 |
[laughing, shouting] |
00:32:59 |
Here, let me show you |
00:33:03 |
It's OK, kid. |
00:33:05 |
I don't want to know. |
00:33:20 |
[choir singing] |
00:33:44 |
[choir continues singing] |
00:34:53 |
[choir stops singing] |
00:34:58 |
- What are you doing? |
00:35:05 |
- Can I hear it? |
00:35:09 |
I'll read it to you one day. |
00:35:36 |
[bicycle bells ringing] |
00:35:54 |
[choral music plays in car] |
00:36:15 |
[music continues] |
00:36:21 |
[shuts off music] |
00:36:27 |
- Morning, Hendrick. |
00:36:30 |
- You're in court 306. |
00:36:32 |
- You all right, Michael? |
00:36:34 |
- Hurry. You know what she's like. |
00:36:37 |
Good luck. |
00:36:40 |
[man] Please stand. |
00:36:47 |
Please sit down. |
00:36:53 |
[woman] The defendant, please. |
00:36:55 |
- [indistinct chatter] |
00:37:06 |
They're coming. |
00:37:13 |
- Hello. |
00:37:16 |
- What did she say? |
00:37:19 |
Welcome your new fellow-students. |
00:37:24 |
- Sit down. |
00:37:28 |
- My name's Sophie. |
00:37:31 |
[teacher] The Odyssey. |
00:37:33 |
Take our your books. |
00:37:38 |
Everyone believes |
00:37:41 |
In fact, The Odyssey |
00:37:44 |
Home is a place you dream of. |
00:37:47 |
Berg, I don't mean to distract you, but |
00:37:51 |
- [laughter] |
00:38:00 |
- It's wonderful, isn't it? |
00:38:03 |
It's gonna be a great summer. |
00:38:18 |
- Why do you leave early? |
00:38:21 |
- Do you have somewhere to go? |
00:38:33 |
[Michael] Sorry I'm late. |
00:38:37 |
I got held up at school. |
00:38:41 |
I have a new book. |
00:38:43 |
The Lady with a Little Dog. |
00:38:49 |
By Anton Chekhov. |
00:38:50 |
"The talk was that a new face |
00:38:53 |
a lady with a little dog." |
00:39:08 |
[man] Schmitz, one moment, please. |
00:39:12 |
I read the reports on you. |
00:39:16 |
You'll be working in the office. |
00:39:19 |
You got promoted. Congratulations. |
00:39:29 |
- [boy] Yee-haw! |
00:39:34 |
[boy] Let's get out of here! |
00:39:36 |
Come on! Michael, we're leaving. |
00:39:39 |
Come on, Michael! |
00:39:40 |
It's meant to be a surprise |
00:39:47 |
- [boy] Come on! |
00:39:49 |
- I'm sorry. Really. |
00:39:52 |
[boy] We've got beer! |
00:39:56 |
I promised someone. |
00:39:58 |
[girl] Michael, please! |
00:40:05 |
[Michael] "Here and there the reflection |
00:40:09 |
on the bank quivered and trembled." |
00:40:11 |
- [Hanna] Oh, kid, kid. |
00:40:14 |
- Stop. |
00:40:17 |
Nothing's wrong. |
00:40:22 |
It's nothing. |
00:40:26 |
You know, you never ask. |
00:40:30 |
You never bother to ask how I am! |
00:40:33 |
[Hanna] You never say. |
00:40:36 |
It just happens to be my birthday. |
00:40:40 |
It's my birthday, that's all! |
00:40:43 |
You've never |
00:40:44 |
- If you want a fight, kid... |
00:40:47 |
- What's wrong with you?! |
00:40:51 |
It's always on your terms. |
00:40:54 |
We do what you want. |
00:40:57 |
- My friends were giving me a party. |
00:41:00 |
Go back to your party. |
00:41:06 |
Mm! Mm! |
00:41:29 |
It's always me |
00:41:31 |
You don't have to apologize. |
00:41:44 |
War and Peace, kid. |
00:43:04 |
[panting] |
00:43:32 |
Now, you must go |
00:43:40 |
[chanting] |
00:43:50 |
Are you all right? |
00:44:16 |
[indistinct chatter] |
00:45:22 |
It's him. |
00:45:27 |
Good. |
00:45:30 |
Get the boy something to eat. |
00:45:41 |
[father] I think we all knew you'd |
00:46:54 |
Mr. Berg? It is 8:00. |
00:46:57 |
Your daughter. |
00:47:01 |
Thank you. |
00:47:03 |
[indistinct chatter] |
00:47:06 |
Julia. |
00:47:08 |
[laughing] |
00:47:10 |
- I've not kept you waiting? |
00:47:13 |
Welcome back. [laughs] |
00:47:18 |
So how will you decide? |
00:47:21 |
I don't know. |
00:47:24 |
I'm happy back in Berlin, I suppose. |
00:47:26 |
- You've seen your mother? |
00:47:28 |
I wanted to get away. That's all. |
00:47:31 |
It was Paris, |
00:47:34 |
Away from your parents? |
00:47:38 |
I'm aware I was difficult. |
00:47:42 |
I wasn't always open with you. |
00:47:48 |
I'm not open with anyone. |
00:47:56 |
I knew you were distant. |
00:48:00 |
You know... |
00:48:06 |
Julia. |
00:48:09 |
How wrong can you be? |
00:48:10 |
[sobbing] |
00:48:22 |
- [Julia] I'll see you very soon. |
00:48:28 |
- [Julia] Good night, Dad. |
00:48:38 |
[woman] Those of you |
00:48:41 |
please stay on in this room. |
00:48:43 |
Professor Rohl will |
00:49:16 |
Well, we seem |
00:49:21 |
A small group and a select one. |
00:49:25 |
Clearly, this is going |
00:49:29 |
We are going to start |
00:49:33 |
Karl Jaspers... |
00:49:36 |
- And ladies. |
00:49:40 |
[# Creation: Making Time] |
00:49:57 |
[girl] So this is where you are. |
00:50:00 |
Yes. |
00:50:03 |
Come in. |
00:50:07 |
- You take work seriously. |
00:50:10 |
You're rather a serious boy. |
00:50:13 |
It's how I was brought up. |
00:50:17 |
What about you? Are you serious? |
00:50:23 |
You're sure you want to work tonight? |
00:50:27 |
Yeah. |
00:50:29 |
But I won't work every night. |
00:50:32 |
See you tomorrow. |
00:50:40 |
- Yes. Exactly |
00:50:48 |
You need a hand. |
00:50:50 |
[crowd shouting] |
00:50:57 |
[siren wailing] |
00:51:12 |
[crowd chanting] |
00:51:14 |
- Why all the police? |
00:51:19 |
- For or against? |
00:51:27 |
[girl] Wow. It's a circus. |
00:51:32 |
[man] All rise. |
00:51:36 |
All photographers |
00:51:40 |
This court is now in session. |
00:51:46 |
[judge] First thing I'm going to do |
00:51:49 |
from each of the defendants' lawyers. |
00:51:51 |
They're arguing that there's |
00:51:55 |
until the outcome |
00:51:58 |
- I'll take these cases one by one. |
00:52:01 |
- I got a pen. |
00:52:06 |
- Your name is Hanna Schmitz? |
00:52:09 |
[judge] Can you speak louder please? |
00:52:12 |
- [Hanna] My name is Hanna Schmitz. |
00:52:15 |
- You were born on October 21 st, 1922? |
00:52:21 |
[judge] At Hermannstadt. |
00:52:23 |
- And you're now 43 years old? |
00:52:27 |
- [judge] You joined the SS in 1943? |
00:52:32 |
[judge] What was your |
00:52:37 |
You were working |
00:52:40 |
Yes. |
00:52:41 |
[judge] You'd recently |
00:52:44 |
Why did you prefer to join the SS? |
00:52:46 |
- Objection. |
00:52:49 |
I'm trying to ascertain |
00:52:52 |
if she joined the SS freely, hmm? |
00:52:55 |
Of her own free will. |
00:52:58 |
- I heard there were jobs. |
00:53:01 |
[Hanna] I was working at Siemens |
00:53:04 |
when I heard the SS was recruiting. |
00:53:08 |
[judge] Did you know the kind of work |
00:53:12 |
They were looking for guards. |
00:53:15 |
- I applied for a job. |
00:53:20 |
- [Hanna] Yes. |
00:53:23 |
Then you were moved to |
00:53:28 |
- [Hanna] Yes. |
00:53:29 |
- [judge] You helped move prisoners... |
00:53:32 |
...west in the winter of 1944 |
00:53:57 |
- So, what did you think? |
00:54:02 |
It wasn't quite what I was expecting. |
00:54:04 |
Wasn't it? In what way? |
00:54:08 |
I thought it was exciting. |
00:54:11 |
[Rohl] Exciting? Why? |
00:54:13 |
Why did you think it was exciting? |
00:54:16 |
Because it's justice. |
00:54:24 |
- [shouting] |
00:54:37 |
[inaudible] |
00:54:47 |
Societies think they operate |
00:54:52 |
but they don't. |
00:54:54 |
They operate by something called law. |
00:54:58 |
You're not guilty of anything |
00:55:04 |
Eight thousand people |
00:55:07 |
Precisely 19 have been convicted, |
00:55:13 |
To prove murder, |
00:55:18 |
That's the law. |
00:55:20 |
The question is never was it wrong, |
00:55:24 |
but was it legal. |
00:55:27 |
And not by our laws, no. |
00:55:31 |
- By the laws at the time. |
00:55:36 |
- [Rohl] What? |
00:55:38 |
Oh, yes. The law is narrow. |
00:55:43 |
On the other hand, |
00:55:45 |
I suspect people who kill other people |
00:55:49 |
tend to be aware that it's wrong. |
00:55:54 |
[judge] Miss Schmitz, |
00:56:00 |
- Yes. |
00:56:02 |
have already been |
00:56:05 |
It's by a survivor, |
00:56:08 |
a prisoner who survived. |
00:56:10 |
Ilana Mather. |
00:56:12 |
She was in the camp |
00:00:02 |
[judge] In the book, |
00:00:07 |
At the end of the month's labor, |
00:00:10 |
sixty inmates were selected. |
00:00:13 |
Picked out to be sent from |
00:00:16 |
That's right, isn't it? |
00:00:20 |
Yes, that's right. |
00:00:22 |
[judge] And, so far, |
00:00:26 |
has specifically denied |
00:00:28 |
Now, I'm going to ask you. |
00:00:32 |
Were you part of it? |
00:00:36 |
Yes. |
00:00:39 |
[murmuring] |
00:00:41 |
So you helped make the selection? |
00:00:45 |
- Yes. |
00:00:53 |
Then tell me, |
00:00:56 |
how did that selection happen? |
00:00:59 |
[Hanna] There were six guards, |
00:01:02 |
so we decided we'd |
00:01:08 |
That's how we did it every month. |
00:01:11 |
We'd all choose ten. |
00:01:13 |
Your fellow defendants |
00:01:16 |
We all did. |
00:01:19 |
[judge] Even though they've denied it? |
00:01:21 |
Saying "we," "we all" |
00:01:25 |
isn't it, Miss Schmitz? |
00:01:28 |
Did you not realize |
00:01:31 |
that you were sending |
00:01:34 |
But they were new arrivals, |
00:01:38 |
So... the old ones had to make room |
00:01:43 |
[gasping] |
00:01:44 |
- I'm not sure you understand... |
00:01:48 |
- There wasn't room. |
00:01:50 |
But what I'm saying... |
00:01:53 |
Let me rephrase. |
00:01:56 |
To make room, you were |
00:01:59 |
"You, you and you have |
00:02:04 |
Well, what would you have done? |
00:02:17 |
Should I never |
00:02:32 |
[man] Ms. Mather, |
00:02:38 |
Go, go. Go, go, go. |
00:02:52 |
- Where's Michael? |
00:02:56 |
[judge] In your book, you describe |
00:03:00 |
[Ilana] Yes. |
00:03:02 |
You were made to work and then, |
00:03:06 |
then they sent you back |
00:03:10 |
[judge] Are there people here |
00:03:12 |
[Ilana] Yes. |
00:03:14 |
[judge] I need you to identify them. |
00:03:33 |
Her. |
00:03:38 |
And her. |
00:03:42 |
Her. |
00:03:45 |
And her. |
00:03:49 |
Her. |
00:03:54 |
And her. |
00:03:57 |
[judge] Thank you. Please continue. |
00:04:00 |
Each of the guards would choose |
00:04:03 |
Hanna Schmitz chose differently. |
00:04:06 |
[judge] In what way differently? |
00:04:13 |
She had favorites. |
00:04:17 |
Girls, mostly young. |
00:04:19 |
We all remarked on it. |
00:04:21 |
She gave them food |
00:04:25 |
In the evening, |
00:04:29 |
And we all thought... |
00:04:31 |
Well, you can imagine |
00:04:34 |
And then we found out she was making |
00:04:42 |
They were reading to her. |
00:04:46 |
At first, we thought this guard, |
00:04:50 |
...more sensitive, |
00:04:56 |
Often, she chose the weak, the sick. |
00:05:01 |
She picked them out. |
00:05:05 |
But then she dispatched them. |
00:05:10 |
Is that kinder? |
00:05:21 |
[judge] I want to |
00:05:24 |
As I understand it, you and your |
00:05:28 |
[Mrs. Mather] In the winter of 1944, |
00:05:33 |
We were told we had to move on. |
00:05:38 |
Women were dying |
00:05:42 |
Half of us died on the march. |
00:05:46 |
"Less a death march, |
00:05:51 |
[judge] Please tell us about |
00:06:03 |
That night, we thought we were lucky |
00:06:08 |
[judge] Go on. |
00:06:11 |
We'd arrived in a village. |
00:06:14 |
As always, the guards took the best |
00:06:19 |
But they let us sleep in a church. |
00:06:22 |
There was a bombing raid |
00:06:26 |
The church was hit. |
00:06:30 |
At first, we could only hear the fire. |
00:06:35 |
Then we could see burning beams... |
00:06:40 |
...and they began to crash to the floor. |
00:06:45 |
Everyone rushed... |
00:06:49 |
...rushed to the doors. |
00:06:54 |
But the doors had been |
00:06:57 |
[judge] The church burned down? |
00:07:02 |
Is that right? |
00:07:05 |
[Mrs. Mather] Nobody. |
00:07:07 |
[judge] Even though you |
00:07:13 |
How many people were killed? |
00:07:15 |
Everyone was killed. |
00:07:21 |
[judge] But you survived? |
00:07:31 |
Thank you. |
00:07:34 |
I want to thank you |
00:07:38 |
today to testify. |
00:07:45 |
I don't know. I don't know |
00:07:49 |
Don't you? |
00:07:51 |
You tell us to think like lawyers, |
00:07:53 |
but there's something... |
00:07:58 |
- How so? |
00:08:00 |
It happened to the Jews. |
00:08:03 |
- What are we trying to do? |
00:08:06 |
Six women locked 300 Jews in a church |
00:08:09 |
What is there to understand? |
00:08:14 |
Tell me! I'm asking! |
00:08:21 |
I started out believing in this trial. |
00:08:24 |
Now, I think it's... |
00:08:28 |
Yes? Diversion from what? |
00:08:31 |
You choose six women, |
00:08:34 |
you say, "They were the evil ones, |
00:08:37 |
One of the victims |
00:08:40 |
That's why they're on trial |
00:08:43 |
Do you know how many camps |
00:08:46 |
People go on about |
00:08:49 |
Who knew? What did they know? |
00:08:53 |
Our parents, our teachers. |
00:08:57 |
The question is, |
00:09:00 |
Better, "Why didn't you |
00:09:05 |
Thousands. That's how many. |
00:09:09 |
Everyone knew. |
00:09:19 |
Look at that woman. |
00:09:23 |
- Which woman? |
00:09:26 |
I'm sorry, but you are. |
00:09:37 |
I don't know which woman you mean. |
00:09:40 |
You know what I'd do? |
00:09:44 |
Put the gun in my hand, |
00:09:51 |
Shoot them all! |
00:12:49 |
[judge] Why did you |
00:12:54 |
Why did you not unlock the doors? |
00:12:59 |
I've asked all of you, |
00:13:03 |
Two of the victims are in this court. |
00:13:11 |
This is the SS report. |
00:13:15 |
The report which was written, |
00:13:19 |
immediately after the event. |
00:13:22 |
you all claim you didn't even know |
00:13:27 |
But that isn't true, is it? |
00:13:31 |
Well? |
00:13:34 |
It's not true. |
00:13:39 |
- I don't know what you're asking. |
00:13:43 |
- is why didn't you unlock the doors? |
00:13:47 |
For the obvious reason. |
00:13:50 |
- We couldn't. |
00:13:52 |
We were guards. |
00:13:55 |
Our job was to guard the prisoners. |
00:13:59 |
We couldn't just let them escape. |
00:14:01 |
I see. And if they escaped, |
00:14:05 |
you'd be charged, |
00:14:07 |
- [Hanna] No! |
00:14:09 |
If we'd opened the doors, |
00:14:13 |
How could we have restored order? |
00:14:16 |
It happened so fast. |
00:14:19 |
The flames... There were flames |
00:14:22 |
Then the screaming began, |
00:14:25 |
If they'd all come rushing out, |
00:14:29 |
We couldn't. |
00:14:36 |
So you did know what was happening? |
00:14:40 |
You let them die, |
00:14:43 |
rather than risk letting them escape. |
00:14:48 |
The other defendants have made |
00:14:52 |
Have you heard this allegation? |
00:14:55 |
They say you were in charge. |
00:14:58 |
It isn't true. |
00:15:01 |
- She was in charge. |
00:15:04 |
- Of course she was. |
00:15:06 |
No. No. We all discussed what to say. |
00:15:11 |
She wrote the report. |
00:15:14 |
- [judge] Is that true? |
00:15:15 |
- Yes, you did! |
00:15:17 |
- She wrote it. |
00:15:19 |
- of your handwriting. |
00:15:23 |
- My handwriting? |
00:15:26 |
- who wrote the report. |
00:15:29 |
- 20 years have gone by. |
00:15:32 |
- Compare handwriting of 20 years? |
00:15:41 |
[judge] I will not be overruled |
00:15:43 |
[counsel] I'm sorry... |
00:15:53 |
I'd rather listen to you. |
00:16:15 |
There's no need. |
00:16:21 |
I wrote the report. |
00:16:23 |
[murmuring] |
00:16:37 |
[judge] Silence, please. |
00:16:40 |
Order! |
00:16:54 |
You've been skipping seminars. |
00:17:20 |
I have a piece of information. |
00:17:23 |
Concerning one of the defendants. |
00:17:26 |
- Something they're not admitting. |
00:17:37 |
You don't need me to tell you. |
00:17:39 |
It's perfectly clear. You have a moral |
00:17:45 |
It happens this information |
00:17:48 |
It can help her case. |
00:17:51 |
It may even affect the outcome, |
00:17:55 |
- So? |
00:17:59 |
The defendant herself is determined |
00:18:03 |
[laughing] |
00:18:07 |
- [Rohl] A moment, please. |
00:18:17 |
What are her reasons? |
00:18:22 |
Because she's ashamed. |
00:18:25 |
Ashamed of what? |
00:18:33 |
- Have you spoken to her? |
00:18:37 |
Why "of course not?" |
00:18:40 |
I can't. |
00:18:43 |
I can't do that. |
00:18:46 |
I can't talk to her. |
00:18:48 |
What we feel isn't important. |
00:18:53 |
The only question is what we do. |
00:18:58 |
If people like you don't learn |
00:19:02 |
then what the hell |
00:19:14 |
Schmitz? |
00:19:16 |
You have a visitor. |
00:19:20 |
[children shouting] |
00:19:23 |
[laughing] |
00:19:32 |
[guard] Quiet, please! |
00:19:34 |
Gertrud Ballow. |
00:19:39 |
Andreas Michael Springer. |
00:19:45 |
Michael Berg. |
00:19:50 |
Walter Sherman. |
00:21:27 |
[guard] Time's up. |
00:21:48 |
[girl] Are you coming in? |
00:22:00 |
[girl] You took your time. |
00:22:14 |
[panting] |
00:22:24 |
What is it? |
00:22:47 |
Where are you going? |
00:22:50 |
I'm sorry. |
00:22:53 |
I need to sleep by myself. |
00:23:33 |
[door unlocks] |
00:23:41 |
I'll just be a minute. |
00:23:48 |
[siren wailing] |
00:23:59 |
[crowd chanting] |
00:24:12 |
- Nazi! |
00:24:14 |
- [shouting] |
00:24:26 |
[man] Silence in the court. |
00:24:30 |
All rise. |
00:24:38 |
[judge] The court |
00:24:41 |
Rita Beckhart, Caroline Steinhoff, |
00:24:44 |
Regina Kroit, Angela Zeva |
00:24:47 |
and Andrea Lumen |
00:24:49 |
of jointly aiding and abetting murder |
00:24:54 |
The court finds guilty the defendant |
00:24:57 |
Hanna Schmitz of murder in 300 cases. |
00:25:04 |
[murmuring] |
00:25:06 |
The court sentences |
00:25:09 |
Rita Beckhart, Caroline Steinhoff, |
00:25:12 |
Regina Kroit, Angela Zeva |
00:25:17 |
to each serve a total sentence in prison |
00:25:23 |
Hanna Schmitz, |
00:25:25 |
in view of your own admissions |
00:25:29 |
you're in a different category. |
00:25:32 |
The court sentences the accused, |
00:25:37 |
[murmuring] |
00:26:10 |
Where are we going? |
00:26:12 |
I said I'll tell you when we get there. |
00:26:15 |
- You told me you liked surprises. |
00:26:37 |
[Michael] She's grown, hasn't she? |
00:26:41 |
I don't know. It's so long since |
00:26:47 |
It's my fault. |
00:26:52 |
[Julia] Daddy's going to live |
00:26:58 |
Mother, I'm afraid |
00:27:01 |
Julia knows. |
00:27:04 |
Gertrud and I, |
00:27:07 |
You don't come for your father's |
00:27:13 |
It's not easy |
00:27:15 |
- Were you really so unhappy? |
00:27:19 |
- It's not what I meant. |
00:27:23 |
You mustn't worry about Gertrud. |
00:27:28 |
She's already a state prosecutor, |
00:27:32 |
[mother] Michael... |
00:27:35 |
...I'm not worried about Gertrud. |
00:27:38 |
I'm worried about you. |
00:28:24 |
"Sing to me of the Man, Muse |
00:28:29 |
The man of twists and turns |
00:28:34 |
Once he had plundered |
00:29:01 |
- [door unlocking] |
00:29:08 |
217, mail. |
00:29:12 |
220, mail. |
00:29:15 |
[indistinct chatter] |
00:29:27 |
1219. 66215. |
00:29:30 |
Number? |
00:29:33 |
Open it. |
00:29:51 |
Testing, testing. |
00:30:11 |
[static on tape] |
00:30:15 |
[Michael on tape] |
00:30:31 |
The Odyssey by Homer. |
00:30:34 |
"Sing to me of the Man, Muse |
00:30:37 |
The man of twists and turns |
00:30:40 |
Driven time and again off course |
00:30:43 |
Once he had plundered |
00:30:47 |
"...to the house of death. |
00:30:51 |
hoping that others might still come. |
00:30:53 |
Shades of famous heroes, |
00:30:57 |
and ghosts of an even older age, |
00:31:00 |
"Come, sheathe your sword, |
00:31:05 |
Mount my bed and mix |
00:31:08 |
We'll breed deep trust between us." |
00:31:13 |
"Not for all the world, not until |
00:31:17 |
a blinding oath you'll never |
00:31:22 |
"Straightaway, she began |
00:31:26 |
Never, she would never do me harm. |
00:31:28 |
And when she'd finished then, at last, |
00:31:31 |
I mounted Circes' gorgeous bed." |
00:31:36 |
"When young Dawn, with her |
00:31:40 |
they yoked their pair again, |
00:31:41 |
and out through the gates |
00:31:44 |
they whipped the team |
00:31:47 |
holding nothing back, and the princes |
00:31:52 |
"...those purebred stallions... |
00:31:55 |
...as the sun sank..." |
00:31:58 |
"...is my beginning." |
00:32:01 |
"Truly, and I have to confess, |
00:32:05 |
It's true, till now..." |
00:32:07 |
"Perfectly astonishing. |
00:32:10 |
but he went to |
00:32:13 |
"He lifted a large newspaper |
00:32:16 |
and began stamping his feet |
00:32:19 |
to drive Gregor back into his room." |
00:32:23 |
rather like a Baba au Rhum |
00:32:27 |
At one time you only had to say |
00:32:30 |
'Zhivago's.' And, |
00:32:33 |
[overlapping dialogue] |
00:32:38 |
"The Lady with the Little Dog |
00:32:44 |
"The talk was that a new face |
00:32:48 |
a lady with a little dog. |
00:32:51 |
Dmitri Dmitritch Gurov |
00:32:54 |
so he was bored with it |
00:32:58 |
Sitting in the pavilion at Vernet, |
00:33:01 |
he saw a young woman |
00:33:04 |
A fair-haired young lady |
00:33:08 |
[voice trails off] |
00:33:18 |
I want to take out a book. |
00:33:22 |
Which book? |
00:33:33 |
Do you have |
00:33:36 |
What's your name? |
00:33:41 |
Hanna Schmitz. |
00:34:13 |
[Michael on tape] |
00:34:18 |
The Lady with the Little Dog. |
00:34:20 |
[muttering] |
00:34:23 |
... Dog. |
00:34:34 |
One, two, three, four, five, six. |
00:34:37 |
The Lady with the Little Dog. |
00:34:41 |
The... |
00:34:46 |
The. |
00:34:49 |
The. The. The. |
00:34:53 |
The. |
00:35:01 |
The. |
00:36:07 |
- No letter? |
00:37:39 |
- [woman on phone] You're Michael Berg? |
00:37:43 |
Thank you for calling me. |
00:37:48 |
I have it here. |
00:37:50 |
As I say, Hanna Schmitz |
00:37:54 |
Hanna has been in prison |
00:37:58 |
She has no family. |
00:37:59 |
She has no friends. |
00:38:02 |
You're her only contact. |
00:38:04 |
And I'm told you don't visit her. |
00:38:08 |
No, I don't. |
00:38:09 |
When she gets out, |
00:38:12 |
She's going to need somewhere to live. |
00:38:14 |
You can't imagine how frightening |
00:38:22 |
Mm-hmm. |
00:38:27 |
I have no one else to ask. |
00:38:30 |
If you don't take |
00:38:33 |
then Hanna has no future at all. |
00:38:39 |
It's kind of you. |
00:38:41 |
Thank you for letting me know. |
00:39:27 |
- You're Michael Berg? |
00:39:29 |
I'm Louisa Brenner. Good morning. |
00:39:31 |
- How do you do? |
00:39:34 |
I should warn you, for a long time |
00:39:39 |
She was very purposeful. In the |
00:39:43 |
She's let herself go. |
00:39:48 |
I'm taking you straight to the canteen. |
00:39:52 |
They've just finished their lunch. |
00:40:07 |
[Brenner] Table four. |
00:40:54 |
You've grown up, kid. |
00:41:11 |
I've got a friend who's a tailor. |
00:41:16 |
He'll give you a job. |
00:41:19 |
And I've found you somewhere to live. |
00:41:23 |
Quite small, but it's nice. |
00:41:26 |
- You'll like it. |
00:41:30 |
There are various social programs, |
00:41:35 |
And the public library is very close. |
00:41:44 |
You read a lot? |
00:41:49 |
I prefer being read to. |
00:41:56 |
That's over now, isn't it? |
00:42:07 |
Did you get married? |
00:42:10 |
I did. Yes, I did. |
00:42:13 |
We have a daughter. |
00:42:15 |
I'm not seeing as much of her |
00:42:19 |
I'd like to see |
00:42:23 |
The marriage didn't last. |
00:42:41 |
Have you spent time |
00:42:43 |
- You mean with you? |
00:42:47 |
No, I didn't mean with me. |
00:43:00 |
Before the trial, |
00:43:04 |
I never had to. |
00:43:06 |
Now? |
00:43:10 |
What do you feel now? |
00:43:13 |
It doesn't matter what I feel. |
00:43:17 |
It doesn't matter what I think. |
00:43:21 |
The dead are still dead. |
00:43:30 |
I wasn't sure what you'd learned. |
00:43:32 |
Well, I have learned, kid. |
00:43:36 |
I've learned to read. |
00:43:52 |
I'll pick you up next week, OK? |
00:44:03 |
That sounds a good plan. |
00:44:08 |
We can do it quietly, |
00:44:12 |
Quietly. |
00:44:16 |
OK. Quietly. |
00:44:20 |
Quietly. |
00:44:31 |
- Take care, kid. |
00:46:43 |
[buzzing] |
00:46:48 |
I've come to collect Hanna Schmitz. |
00:46:54 |
Please. Please, take a seat. |
00:47:23 |
[Brenner] She didn't pack. |
00:47:25 |
She never intended to leave. |
00:47:33 |
[Michael] "The talk was that a new face |
00:47:37 |
had appeared on the promenade, |
00:47:41 |
a lady with a little dog." |
00:47:50 |
[Brenner] She left me a message. |
00:47:54 |
A sort of will. |
00:47:58 |
I'll read the bit that concerns you. |
00:48:09 |
"There is money in the old tea tin. |
00:48:12 |
Give it to Michael Berg. |
00:48:15 |
He should send it, |
00:48:19 |
to the daughter who survived the fire. |
00:48:23 |
It's for her. |
00:48:25 |
She should decide what to do with it. |
00:48:32 |
And tell Michael I said hello." |
00:48:42 |
[sobbing] |
00:49:17 |
[horns honking] |
00:49:53 |
- Ms. Mather? |
00:49:56 |
- You're Michael Berg. |
00:49:58 |
I was expecting you. |
00:50:02 |
- Please. |
00:50:05 |
So you must tell me, exactly what |
00:50:10 |
I was here already. |
00:50:13 |
- You're a lawyer? |
00:50:14 |
I was intrigued by your letter, |
00:50:20 |
- You attended the trial? |
00:50:24 |
I was a law student. I remember you. |
00:50:30 |
My mother died in Israel |
00:50:34 |
I... I'm sorry. |
00:50:37 |
Go on, please. |
00:50:41 |
Perhaps you heard. |
00:50:43 |
Hanna Schmitz recently died. |
00:50:49 |
She was a friend of yours? |
00:50:52 |
A kind of friend. |
00:50:55 |
It's as simple as this. |
00:50:57 |
Hanna was illiterate |
00:51:01 |
Is that an explanation |
00:51:06 |
- No. |
00:51:09 |
No. No. |
00:51:14 |
She taught herself to read |
00:51:18 |
I sent her tapes. |
00:51:23 |
She had always liked... |
00:51:34 |
Why don't you start |
00:51:36 |
At least start that way. |
00:51:40 |
What was the nature |
00:51:47 |
When I was young, |
00:51:56 |
I'm not sure I can help you, Mr. Berg. |
00:51:58 |
And... |
00:52:00 |
...even if I could, |
00:52:02 |
I was almost 16 |
00:52:05 |
The affair only lasted a summer. |
00:52:10 |
But what? |
00:52:18 |
I see. |
00:52:22 |
And did Hanna Schmitz acknowledge |
00:52:28 |
She'd done much worse |
00:52:37 |
I've never told anyone. |
00:52:43 |
People ask all the time |
00:52:46 |
But the camps weren't therapy. |
00:52:51 |
What do you think these places were, |
00:52:55 |
We didn't go there to learn. |
00:52:58 |
One becomes very clear |
00:53:05 |
What are you asking for? |
00:53:08 |
Or do you just want |
00:53:11 |
My advice? Go to the theater |
00:53:15 |
Go to literature. |
00:53:17 |
Don't go to the camps. |
00:53:22 |
Nothing comes out of the camps. |
00:53:27 |
Nothing. |
00:53:42 |
What she wanted... |
00:53:45 |
What she wanted was |
00:53:49 |
- I have it with me. |
00:53:54 |
As you think fit. |
00:54:07 |
Here. |
00:54:17 |
When I was a little girl, |
00:54:22 |
Not quite like this. |
00:54:29 |
I took it with me to the camp, |
00:54:32 |
- What was in it? |
00:54:36 |
A piece of hair from our dog. |
00:54:40 |
my father had taken me to. |
00:54:44 |
It was the tin itself |
00:54:48 |
that was valuable, |
00:54:51 |
what you could do with it. |
00:55:01 |
There's nothing |
00:55:04 |
I give it to anything associated |
00:55:07 |
then to me it seems... |
00:55:10 |
...like absolution, and that's |
00:55:13 |
- nor in a position to grant. |
00:55:17 |
an organization to encourage literacy. |
00:55:25 |
Good. Good. |
00:55:27 |
Do you know if there |
00:55:30 |
I'd be surprised if there isn't. |
00:55:32 |
There's a Jewish organization |
00:55:36 |
Not that illiteracy |
00:55:41 |
Why don't you find out? |
00:56:00 |
Shall I do it in Hanna's name? |
00:56:04 |
As you think fit. |
00:56:11 |
I'll keep the tin. |
00:56:18 |
Thank you. |
00:57:10 |
[choral music plays] |
00:57:11 |
- Where are we going? |
00:57:16 |
I do. I do like surprises. |
00:58:23 |
[Julia] Hanna Schmitz. |
00:58:31 |
Who was she? |
00:58:34 |
That's what I wanted to tell you. |
00:58:39 |
That's why we're here. |
00:58:49 |
So tell me. |
00:59:02 |
[Michael] I was 15. |
00:59:07 |
I was coming home from school. |
00:59:12 |
I was feeling ill. |
00:59:15 |
And a woman helped me. |
01:01:18 |
Subtitles by LeapinLar |