|
Red Dragon
|
| 00:00:51 |
(SYMPHONY ORCHESTRA PLAYS) |
| 00:02:04 |
"Think to yourseif |
| 00:02:07 |
"The hour to which |
| 00:02:09 |
"will come as |
| 00:02:12 |
"As for me, |
| 00:02:13 |
"when you want a good laugh, |
| 00:02:15 |
"you will find me |
| 00:02:17 |
"fat and sleek, |
| 00:02:20 |
"a true hog |
| 00:02:23 |
(ALL LAUGHING) |
| 00:02:25 |
And we find you cribbing |
| 00:02:30 |
Well done, John. |
| 00:02:31 |
i must say, Hannibal, |
| 00:02:33 |
speaking for |
| 00:02:36 |
i'm sorry, |
| 00:02:39 |
that these little soirees |
| 00:02:44 |
(ALL AGREEING) |
| 00:02:45 |
You're too kind. |
| 00:02:47 |
i do feei guilty enjoying |
| 00:02:51 |
still listed |
| 00:02:54 |
Yes, poor fellow. |
| 00:02:56 |
MAN: Shall i confess |
| 00:02:58 |
i can't help feeling |
| 00:03:02 |
relieved. |
| 00:03:05 |
lt sounds awful, i know. |
| 00:03:07 |
But, let's face it, |
| 00:03:11 |
Hannibal, confess. |
| 00:03:13 |
What is this divine-looking, |
| 00:03:17 |
if i tell you, |
| 00:03:20 |
i'm afraid |
| 00:03:22 |
(ALL LAUGHING) |
| 00:03:27 |
Bon appétit. |
| 00:03:38 |
(DOORBELL RINGS) |
| 00:03:46 |
Speciai Agent Graham. |
| 00:03:49 |
i'm sorry to bother you again, |
| 00:03:51 |
i know it's late. |
| 00:03:52 |
it's no bother. |
| 00:03:53 |
We're both night owls, |
| 00:03:55 |
Come in, please. |
| 00:03:58 |
Let me take your coat. |
| 00:04:00 |
LECTER: |
| 00:04:02 |
We've been on the wrong track |
| 00:04:06 |
Our whole profile's wrong. |
| 00:04:08 |
We've been looking |
| 00:04:11 |
and some kind of |
| 00:04:13 |
Decertified doctors, |
| 00:04:16 |
laid-off mortuary workers. . . |
| 00:04:18 |
From the precision |
| 00:04:19 |
and his choice of souvenirs. |
| 00:04:22 |
That's where |
| 00:04:23 |
He's not collecting |
| 00:04:26 |
Then why keep them? |
| 00:04:32 |
No, listen. |
| 00:04:33 |
We were at Molly's parents' |
| 00:04:34 |
and her dad was |
| 00:04:36 |
how to carve |
| 00:04:38 |
He said, "The tenderest part |
| 00:04:41 |
"on either side of the back." |
| 00:04:44 |
i had never heard |
| 00:04:48 |
Then suddenly i had |
| 00:04:52 |
Darcy Taylor. |
| 00:04:54 |
She was missing flesh |
| 00:04:57 |
LIver, kidney, |
| 00:05:01 |
Every single victim |
| 00:05:05 |
Have you shared |
| 00:05:08 |
No, i needed |
| 00:05:10 |
But i'm right. |
| 00:05:12 |
i'm starting to be able |
| 00:05:14 |
Yeah, it's fascinating. |
| 00:05:17 |
You know, i'd always |
| 00:05:21 |
i'm not psychic, Doctor. |
| 00:05:23 |
No, this is different. |
| 00:05:25 |
More akin to |
| 00:05:28 |
You can assume the emotional |
| 00:05:31 |
even those that might |
| 00:05:34 |
it's a troubling gift, |
| 00:05:36 |
How i'd love to |
| 00:05:40 |
Something still doesn't |
| 00:05:43 |
You're the best forensic |
| 00:05:47 |
and somehow, |
| 00:05:49 |
this possibility |
| 00:05:52 |
i am only human, Will. |
| 00:05:56 |
You don't strike me as a man |
| 00:05:59 |
Now i'm sorry |
| 00:06:01 |
no longer enjoy |
| 00:06:04 |
No, i didn't say that. |
| 00:06:08 |
i don't know what i'm saying. |
| 00:06:11 |
i'm very, very tired. |
| 00:06:17 |
i almost had it. |
| 00:06:19 |
it'll come to you. |
| 00:06:22 |
Why don't you come back |
| 00:06:24 |
i'll clear some time |
| 00:06:26 |
and then we can get started |
| 00:06:29 |
Sound good? |
| 00:06:31 |
Rest here, |
| 00:06:34 |
Won't be a tick. |
| 00:07:30 |
(BOOK SLAMS SHUT) |
| 00:07:31 |
(GROANS) |
| 00:07:33 |
(HiSSING) |
| 00:07:37 |
Don't move. |
| 00:07:39 |
You're in shock now. |
| 00:07:40 |
i don't want you |
| 00:07:43 |
ln a moment you'll begin |
| 00:07:45 |
Then drowsy. |
| 00:07:47 |
Don't resist. |
| 00:07:48 |
it's so gentle. |
| 00:07:49 |
LIke slipping |
| 00:07:51 |
(GASPS IN PAIN) |
| 00:07:52 |
(HlSSING) |
| 00:07:54 |
i regret it came to this, |
| 00:07:57 |
But every game |
| 00:08:05 |
Remarkable boy. |
| 00:08:07 |
i do admire your courage. |
| 00:08:08 |
(GRUNTS) |
| 00:08:11 |
i think i'll eat your heart. |
| 00:08:13 |
(GASPS) |
| 00:11:12 |
(SEAGULLS CRYING) |
| 00:11:35 |
Hey, Dad. |
| 00:11:42 |
Hey. |
| 00:11:45 |
CRAWFORD: You've got |
| 00:11:48 |
Yeah, it's good. |
| 00:11:50 |
You know why i'm here? |
| 00:11:53 |
Yeah, i can guess. |
| 00:11:55 |
How much do you know? |
| 00:11:57 |
Just what was in |
| 00:12:00 |
Two families killed |
| 00:12:04 |
BIrmingham and Atlanta. |
| 00:12:07 |
The circumstances |
| 00:12:09 |
Not similar. The same. |
| 00:12:12 |
What have you kept |
| 00:12:14 |
He smashes mirrors |
| 00:12:17 |
Wears latex gloves, |
| 00:12:22 |
He's not too comfortable |
| 00:12:24 |
Pried open a patio door |
| 00:12:26 |
used a glass cutter |
| 00:12:29 |
And his blood's AB positive. |
| 00:12:32 |
Somebody hurt him? |
| 00:12:33 |
Nope. |
| 00:12:35 |
We typed him from |
| 00:12:43 |
Tell me something, Will. |
| 00:12:47 |
Did you ever consider |
| 00:12:50 |
You've got |
| 00:12:52 |
You've got |
| 00:12:56 |
i've got you down here |
| 00:12:58 |
Yeah, i like |
| 00:13:02 |
i wouldn't be |
| 00:13:03 |
i don't think |
| 00:13:05 |
Really? The last two we had, |
| 00:13:08 |
By doing what you |
| 00:13:11 |
That's not entirely true. |
| 00:13:13 |
Come on. There's been |
| 00:13:17 |
i've got technicians |
| 00:13:19 |
but you've got |
| 00:13:21 |
lmagination. Projection. |
| 00:13:24 |
i know you don't like it. |
| 00:13:26 |
You wouldn't like it, |
| 00:13:50 |
This freak killed |
| 00:13:54 |
Full moon. |
| 00:13:55 |
He killed the Leeds family |
| 00:13:57 |
a few nights ago, March 28. |
| 00:13:58 |
One day short |
| 00:14:00 |
if we're lucky, we may have |
| 00:14:05 |
Will, |
| 00:14:09 |
Of course. |
| 00:14:10 |
i think we have |
| 00:14:12 |
to catch him fast |
| 00:14:14 |
Go to Atlanta and look. |
| 00:14:17 |
Then help me brief the locals. |
| 00:14:21 |
MOLLY: crawford has |
| 00:14:23 |
why does he need you? |
| 00:14:25 |
He just wants me to look |
| 00:14:28 |
GIve him another |
| 00:14:30 |
it's a few days, a week maybe, |
| 00:14:34 |
And you believed that? |
| 00:14:38 |
These kinds of cases |
| 00:14:40 |
and i've had experience. |
| 00:14:42 |
Yes, you have. |
| 00:14:45 |
You're paid up, Will. |
| 00:14:47 |
All of us. Even Josh. |
| 00:14:52 |
There's a chance |
| 00:14:56 |
How do i say no to that? |
| 00:15:06 |
This one will never |
| 00:15:11 |
i'll just help them find him. |
| 00:15:13 |
The cops will take him down, |
| 00:15:21 |
i'll be in the back |
| 00:15:23 |
Never in your life. |
| 00:15:29 |
i know you. |
| 00:15:31 |
Come on. Come here. |
| 00:15:37 |
i love you. |
| 00:15:38 |
i'll see you in a few days. |
| 00:15:42 |
i'll call you tonight. |
| 00:15:46 |
(CAR ENGINE STARTS UP) |
| 00:15:54 |
JOSH: Bye, Dad ! |
| 00:16:30 |
Where's the dog? |
| 00:16:34 |
There's nothing about it |
| 00:18:45 |
The intruder enters |
| 00:18:49 |
He shoots valerie Leeds |
| 00:18:52 |
disabling her |
| 00:18:56 |
He leaves her |
| 00:18:59 |
then turns |
| 00:19:27 |
The children were. . . |
| 00:19:32 |
The children were still in bed |
| 00:19:35 |
which might indicate |
| 00:19:46 |
He dragged the bodies into |
| 00:19:51 |
They were already dead |
| 00:19:55 |
extra attention as Mrs. Leeds. |
| 00:20:28 |
Small pieces of mirror |
| 00:20:30 |
in the orbitai sockets |
| 00:20:33 |
This occurred post-mortem. |
| 00:20:45 |
Why did you put mirrors |
| 00:21:54 |
(GASPS) |
| 00:22:00 |
The pieces of mirror |
| 00:22:04 |
He wanted an audience. |
| 00:22:07 |
watching him |
| 00:22:12 |
When he touched her. |
| 00:22:17 |
Touched. Talcum powder. |
| 00:22:21 |
There was talcum powder. |
| 00:22:27 |
"Mrs. Leeds had |
| 00:22:29 |
"A complete search of the home |
| 00:22:31 |
"led to no such matching |
| 00:22:36 |
You took your gloves off, |
| 00:22:40 |
You took your gloves off, |
| 00:22:42 |
with your bare hand |
| 00:22:44 |
But when the gloves were off, |
| 00:22:47 |
(TELEPHONE RINGS) |
| 00:22:55 |
Crawford. |
| 00:22:56 |
WlLL: are the leeds' bodies |
| 00:22:59 |
Who's good with |
| 00:23:02 |
CRAWFORD: atlanta p.d. |
| 00:23:03 |
They've already |
| 00:23:04 |
Not the bodies. |
| 00:23:07 |
Mrs. Leeds' eyes. |
| 00:23:10 |
i think |
| 00:23:15 |
Jesus, Will. |
| 00:23:18 |
PRlCE: gentlemen. ladies. |
| 00:23:20 |
This is what the subject's |
| 00:23:22 |
The impressions came from |
| 00:23:26 |
This degree of crookedness, |
| 00:23:29 |
plus the groove |
| 00:23:32 |
makes his bite signature |
| 00:23:34 |
Fuckin' shark. |
| 00:23:35 |
(ALL LAUGHING) |
| 00:23:36 |
Knock it off! |
| 00:23:39 |
We're grateful |
| 00:23:41 |
They have a lot of |
| 00:23:43 |
ln particular, |
| 00:23:45 |
That right, Jack? |
| 00:23:47 |
Yes, sir. |
| 00:23:49 |
Anything you want to add, |
| 00:23:51 |
Why don't you come on up |
| 00:23:56 |
COP 1 : That's the guy. |
| 00:23:58 |
COP 3: Yeah, that's the guy |
| 00:24:01 |
COP 4: i thought he retired. |
| 00:24:02 |
COP 5: The son of a bitch |
| 00:24:11 |
Mrs. Leeds and Mrs. Jacobi |
| 00:24:14 |
The others were killed |
| 00:24:18 |
Now, i know that might |
| 00:24:21 |
but this was not random. |
| 00:24:23 |
This wasn't |
| 00:24:25 |
He was never out of control. |
| 00:24:28 |
These attacks were organized, |
| 00:24:31 |
We don't know how |
| 00:24:34 |
They lived in |
| 00:24:36 |
But there is some connection. |
| 00:24:39 |
There's some common factor, |
| 00:24:42 |
Find out what that is, |
| 00:24:45 |
'Cause this one |
| 00:24:49 |
untii we get smart |
| 00:24:53 |
He won't stop. |
| 00:24:56 |
Why not? |
| 00:24:58 |
Because it makes him God. |
| 00:25:00 |
Would you give that up? |
| 00:25:04 |
You asked about the dog. |
| 00:25:08 |
Leeds and his oldest boy |
| 00:25:10 |
the afternoon |
| 00:25:13 |
Had a puncture wound |
| 00:25:15 |
The vet had to put it down. |
| 00:25:17 |
Was it wearing a collar |
| 00:25:19 |
No. |
| 00:25:22 |
Did the Jacobis have a dog? |
| 00:25:23 |
No dog. |
| 00:25:25 |
They found a litter box |
| 00:25:26 |
cat droppings in it, no cat. |
| 00:25:31 |
if the cat was attacked, |
| 00:25:36 |
Ask BIrmingham to |
| 00:25:38 |
And tell them to use |
| 00:25:41 |
(TELEPHONE RINGS) |
| 00:25:44 |
Yeah. |
| 00:25:48 |
it's for you. |
| 00:25:50 |
Crawford. |
| 00:25:55 |
Carl, |
| 00:25:58 |
Would it hold up in court? |
| 00:26:00 |
Okay. Great work. |
| 00:26:03 |
They found a print |
| 00:26:06 |
Partiai thumb. |
| 00:26:08 |
Besides that, there's |
| 00:26:11 |
Thank you for your time. |
| 00:26:12 |
i can't answer more questions. |
| 00:26:14 |
Will Graham ! Remember me? |
| 00:26:17 |
Freddy Lounds. |
| 00:26:19 |
i covered the Lecter case |
| 00:26:21 |
Did the paperback. |
| 00:26:23 |
When did they bring you in? |
| 00:26:26 |
You think the Tooth Fairy |
| 00:26:29 |
i mean, he's already |
| 00:26:32 |
You write lying shit, |
| 00:26:35 |
You stay away from me. |
| 00:26:37 |
Get away, Lounds. |
| 00:26:40 |
How about an exclusive? |
| 00:26:45 |
Sorry about that. |
| 00:26:47 |
That guy snuck into |
| 00:26:50 |
Remember? With the tubes |
| 00:26:53 |
Forget that prick. |
| 00:26:54 |
GIve yourseif some credit. |
| 00:26:56 |
When we catch the Tooth Fairy |
| 00:26:57 |
that print plus his teeth |
| 00:27:01 |
You did that, Will. |
| 00:27:02 |
That evidence was there, Jack. |
| 00:27:05 |
lt was there |
| 00:27:07 |
But nobody else did. |
| 00:27:09 |
All i'm sayin' is, |
| 00:27:11 |
No, good work |
| 00:27:14 |
and catching the guy. |
| 00:27:16 |
And i can't do that. |
| 00:27:20 |
i'm going home. |
| 00:27:23 |
i don't even have |
| 00:27:25 |
What i just gave them |
| 00:27:29 |
That's what you said about |
| 00:27:32 |
And you figured him out. |
| 00:27:35 |
You didn't? |
| 00:27:39 |
i had help. |
| 00:27:45 |
From Lecter. |
| 00:27:49 |
Yeah. |
| 00:27:55 |
Jack, |
| 00:27:58 |
Don't do it. |
| 00:28:00 |
Just tell me |
| 00:28:02 |
i'm saying maybe |
| 00:28:05 |
ls that what this was about? |
| 00:28:06 |
Did you just want to |
| 00:28:09 |
Don't get mad at me. |
| 00:28:11 |
if you know |
| 00:28:14 |
if you think |
| 00:28:16 |
i'll go myseif. |
| 00:28:19 |
if you can't handle it, |
| 00:28:31 |
CHILTON: |
| 00:28:32 |
Lecter has proven |
| 00:28:35 |
He's simply impenetrable |
| 00:28:39 |
Rorschach, |
| 00:28:42 |
He folds them into origami. |
| 00:28:45 |
As you see. |
| 00:28:48 |
So you can imagine |
| 00:28:50 |
is causing among my staff, |
| 00:28:54 |
if you'd care |
| 00:28:56 |
Dr. Chilton, i'm sorry, |
| 00:28:59 |
Of course. |
| 00:29:04 |
Tell me, |
| 00:29:06 |
their style, so to speak, |
| 00:29:09 |
were you able, perhaps, |
| 00:29:12 |
And, if so, did you |
| 00:29:15 |
No. |
| 00:29:24 |
Let me be frank, Mr. Graham. |
| 00:29:26 |
The first analysis of Lecter |
| 00:29:30 |
i'd give you full credit, |
| 00:29:37 |
Damn it, man. |
| 00:29:39 |
You caught him. |
| 00:29:40 |
What was your trick? |
| 00:29:43 |
i let him kill me. |
| 00:29:46 |
(DOOR SLAMS SHUT) |
| 00:29:47 |
(LOCK CLICKS) |
| 00:30:38 |
That's the same atrocious |
| 00:30:44 |
i keep getting it |
| 00:30:46 |
Christmas, yes. |
| 00:30:51 |
i got it, thank you. |
| 00:30:53 |
So nice of the Bureau's |
| 00:30:57 |
They wouldn't give me |
| 00:31:01 |
Dr. Bloom sent me your article |
| 00:31:04 |
in the journal |
| 00:31:07 |
And? |
| 00:31:08 |
very interesting, |
| 00:31:16 |
You say you're a layman. |
| 00:31:25 |
But it was you who caught me. |
| 00:31:29 |
Wasn't it, Will? |
| 00:31:31 |
Do you know how you did it? |
| 00:31:34 |
i got lucky. |
| 00:31:36 |
i don't think |
| 00:31:39 |
it's in the transcript. |
| 00:31:42 |
lt doesn't matter to me, Will. |
| 00:31:44 |
i need your advice, |
| 00:31:49 |
BIrmingham and Atlanta. |
| 00:31:52 |
You want to know |
| 00:31:55 |
i thought you'd have ideas. |
| 00:31:58 |
Why should l? |
| 00:31:59 |
There are things |
| 00:32:01 |
Research materials. |
| 00:32:04 |
i'd speak |
| 00:32:06 |
Yes, Dr. Chilton. |
| 00:32:09 |
Gruesome, isn't he? |
| 00:32:11 |
He fumbles at your head |
| 00:32:16 |
if you recall, Will, |
| 00:32:18 |
our last collaboration |
| 00:32:23 |
You'd get to see |
| 00:32:26 |
And there's another reason. |
| 00:32:28 |
i'm all ears. |
| 00:32:30 |
i thought you might |
| 00:32:33 |
Find out if you're |
| 00:32:43 |
Then, by implication, |
| 00:32:47 |
since it was you |
| 00:32:49 |
i know i'm not |
| 00:32:51 |
Then how did you catch me? |
| 00:32:53 |
You had disadvantages. |
| 00:32:56 |
What disadvantages? |
| 00:32:58 |
You're insane. |
| 00:33:05 |
You're very tanned, Will. |
| 00:33:07 |
And your hands are so rough. |
| 00:33:09 |
Not like a cop's hands |
| 00:33:11 |
And that shaving lotion |
| 00:33:14 |
Has a little ship on |
| 00:33:18 |
And how is young Josh |
| 00:33:22 |
They're always in my thoughts, |
| 00:33:24 |
You will not persuade me |
| 00:33:26 |
to my intellectuai vanity. |
| 00:33:28 |
i don't think |
| 00:33:29 |
You'll either do it |
| 00:33:32 |
ls that the case file? |
| 00:33:34 |
With photos? |
| 00:33:36 |
Let me keep them, |
| 00:33:38 |
No. |
| 00:33:42 |
Do you dream much, Will? |
| 00:33:44 |
Goodbye, Dr. Lecter. |
| 00:33:46 |
You haven't threatened |
| 00:33:49 |
GIve me the file, then ! |
| 00:33:53 |
And i'll tell you |
| 00:33:58 |
i'll need one hour. |
| 00:34:07 |
Just like old times, Will? |
| 00:34:39 |
This is a very shy boy, Will. |
| 00:34:42 |
i'd love to meet him. |
| 00:34:44 |
Have you considered |
| 00:34:47 |
or that he may believe |
| 00:34:49 |
Yeah, the mirrors. |
| 00:34:51 |
Notice he smashes |
| 00:34:53 |
not just enough to |
| 00:34:55 |
And, of course, |
| 00:34:57 |
so he can see himseif there. |
| 00:34:59 |
That's interesting. |
| 00:35:00 |
No, it's not. |
| 00:35:03 |
i had considered it. |
| 00:35:05 |
What about the women? |
| 00:35:07 |
Mere puppets. |
| 00:35:09 |
You need to see them living, |
| 00:35:13 |
That's impossible. |
| 00:35:14 |
Almost. Not quite. |
| 00:35:18 |
What were the yards like? |
| 00:35:21 |
BIg backyards, fenced, |
| 00:35:25 |
Because if this pilgrim |
| 00:35:27 |
feels a speciai relationship |
| 00:35:29 |
he might like to go outside |
| 00:35:32 |
You ever seen blood |
| 00:35:34 |
lt appears quite black. |
| 00:35:36 |
if one were nude, say, |
| 00:35:39 |
outdoor privacy |
| 00:35:42 |
You think the yards |
| 00:35:45 |
Yes. |
| 00:35:47 |
And there will be |
| 00:35:49 |
victims. |
| 00:35:51 |
You'll be wanting lots |
| 00:35:54 |
i might not have time. |
| 00:35:56 |
i do. |
| 00:35:57 |
i have oodles. |
| 00:35:59 |
i need your opinion now. |
| 00:36:01 |
Then here's one: |
| 00:36:03 |
You stink of fear |
| 00:36:06 |
You stink of fear, Will, |
| 00:36:11 |
You fear me, |
| 00:36:13 |
You fear this shy boy, |
| 00:36:20 |
Don't you understand, Will? |
| 00:36:22 |
You caught me because |
| 00:36:27 |
Without our imaginations, |
| 00:36:29 |
we'd be like all those |
| 00:36:36 |
Fear is the price |
| 00:36:39 |
But i can help you bear it. |
| 00:36:52 |
(CAMERA SHUTTER CLICKING) |
| 00:36:53 |
You getting his face? |
| 00:36:55 |
Okay, you got it? |
| 00:36:56 |
All right, let's get |
| 00:36:59 |
CRAWFORD: |
| 00:37:00 |
Yeah, i'm okay. |
| 00:37:02 |
what do you think he meant |
| 00:37:05 |
i don't know, maybe nothing. |
| 00:37:08 |
it's hard to separate |
| 00:37:10 |
But i'm gonna |
| 00:37:46 |
(VAUDEVILLE PIANO MUSIC) |
| 00:38:04 |
(DUCHESS WHINES) |
| 00:38:05 |
CHARLES: all right, |
| 00:38:07 |
show me what you can do. |
| 00:38:11 |
who's that? |
| 00:38:13 |
get them, duch! |
| 00:38:16 |
go get them, girl! |
| 00:38:18 |
okay. |
| 00:38:19 |
and action! |
| 00:38:20 |
charles! what are you doing? |
| 00:38:23 |
CHARLES: hey, gang. |
| 00:38:24 |
you crazy man. |
| 00:38:26 |
how is everybody doing? |
| 00:38:28 |
we're just home |
| 00:38:29 |
hi, daddy. |
| 00:38:31 |
hi, daddy. |
| 00:38:34 |
hi, dad. |
| 00:38:35 |
and sweetie? |
| 00:38:36 |
i am not ready |
| 00:38:40 |
what do you think? |
| 00:38:43 |
get closer. get closer. |
| 00:38:47 |
i think we'd better |
| 00:38:50 |
They seem tired. |
| 00:38:53 |
CHARLES: here we are |
| 00:38:55 |
what are you doing? stop it! |
| 00:38:57 |
you stop it! |
| 00:39:00 |
now i get my kiss? |
| 00:39:02 |
all right, you want a kiss? |
| 00:39:05 |
(ALL CHEERING) |
| 00:39:21 |
Won't nobody |
| 00:39:28 |
Why didn't he |
| 00:39:31 |
it's more hidden. |
| 00:39:32 |
Hell, |
| 00:39:34 |
Reckon he was in |
| 00:39:37 |
No, this one doesn't hurry. |
| 00:39:40 |
(BIRDS CHIRPING) |
| 00:40:35 |
You sat right here, |
| 00:40:38 |
You watched the children |
| 00:40:41 |
And then you waited for dark. |
| 00:41:02 |
You're proud. |
| 00:41:08 |
(CROWS CAWING) |
| 00:41:42 |
YOUNG DOLARHYDE: |
| 00:41:46 |
i'm sorry. |
| 00:41:48 |
GRANDMA: Francis! i've never |
| 00:41:52 |
Look at you! |
| 00:41:55 |
no. |
| 00:41:58 |
grandma, you're hurting me! |
| 00:42:00 |
shut up, |
| 00:42:02 |
i should have |
| 00:42:05 |
DOLARHYDE: |
| 00:42:10 |
You're hurting me! |
| 00:42:11 |
lnto the bathroom! |
| 00:42:12 |
Take off your nightshirt, |
| 00:42:17 |
now give me my scissors |
| 00:42:19 |
Please, no! |
| 00:42:20 |
Take that filthy thing |
| 00:42:24 |
No, Grandma. |
| 00:42:25 |
now! |
| 00:42:26 |
Look down. do you want me |
| 00:42:29 |
No, Grandma! |
| 00:42:31 |
i pledge you my word, francis, |
| 00:42:32 |
if you ever make |
| 00:42:35 |
i'll cut it off. |
| 00:42:37 |
i'll be a good boy. |
| 00:42:42 |
(PANTING) |
| 00:44:37 |
Good morning, Will. |
| 00:44:39 |
So nice of you |
| 00:44:44 |
He carved this on a tree |
| 00:44:47 |
With a Buck knife. |
| 00:44:49 |
The same one later used |
| 00:44:51 |
Yes. |
| 00:44:55 |
Take a walk with me. |
| 00:44:59 |
He had a second tool, too. |
| 00:45:02 |
He used that |
| 00:45:04 |
But? |
| 00:45:05 |
i don't think that's |
| 00:45:08 |
it's too heavy. |
| 00:45:11 |
And he had to carry it |
| 00:45:13 |
And what do we |
| 00:45:15 |
Asian Studies at Langley |
| 00:45:17 |
identified it as |
| 00:45:20 |
lt appears on |
| 00:45:22 |
lt marks the Red Dragon. |
| 00:45:23 |
Red Dragon. Correct. |
| 00:45:26 |
This boy begins |
| 00:45:28 |
We don't know |
| 00:45:32 |
Do you like my little |
| 00:45:34 |
My so-called lawyer is |
| 00:45:37 |
for better accommodations. |
| 00:45:39 |
i don't know |
| 00:45:41 |
Perhaps if you could offer |
| 00:45:43 |
"A Robin Red breast in a Cage |
| 00:45:48 |
Ever been a redbreast, Will? |
| 00:45:52 |
i'm allowed 30 minutes |
| 00:45:55 |
Get to the point. |
| 00:45:57 |
He meant to use |
| 00:46:00 |
but he didn't. |
| 00:46:01 |
lnstead he broke in |
| 00:46:04 |
The noise woke Jacobi, |
| 00:46:07 |
That wasn't planned. |
| 00:46:09 |
And that's not like him. |
| 00:46:12 |
We mustn't judge |
| 00:46:14 |
lt was his first time. |
| 00:46:17 |
Have you never felt |
| 00:46:19 |
(HiSSING) |
| 00:46:25 |
Yeah, that's the fear |
| 00:46:28 |
lt takes experience |
| 00:46:31 |
You sensed who i was |
| 00:46:35 |
Yes. |
| 00:46:36 |
So you were hurt |
| 00:46:39 |
or your instincts, |
| 00:46:40 |
but because you failed |
| 00:46:45 |
You could say that. |
| 00:46:47 |
lmagine what |
| 00:46:49 |
if you could |
| 00:46:52 |
Put two in your head |
| 00:46:56 |
very good, Will. |
| 00:46:58 |
You know, i believe |
| 00:47:01 |
And that's what |
| 00:47:03 |
He is refining his methods. |
| 00:47:05 |
He is evolving. |
| 00:47:11 |
The case file mentioned |
| 00:47:14 |
i'd like to see those. |
| 00:47:16 |
Why not? |
| 00:47:18 |
You don't make it easy, |
| 00:47:20 |
Still, one aims to please. |
| 00:47:23 |
i'll call you |
| 00:47:25 |
Would you perhaps |
| 00:47:27 |
(BUZZER BLARING) |
| 00:47:32 |
That's the end |
| 00:47:35 |
lt was only his first time. |
| 00:47:38 |
Already in Atlanta |
| 00:47:41 |
Rest assured, my dear Will, |
| 00:47:43 |
this one will give you |
| 00:47:50 |
My love to Molly and Josh, |
| 00:47:52 |
BARNEY: Go to the back |
| 00:47:59 |
if you turn around |
| 00:48:01 |
you'll get a dart. |
| 00:48:02 |
Understood? |
| 00:48:04 |
You got ten minutes |
| 00:48:14 |
Starting now. |
| 00:48:23 |
lawyer: hello, dr. Lecter? |
| 00:48:25 |
i have those documents |
| 00:48:35 |
"Robes, Robespierre, Robin. |
| 00:48:39 |
"Robin, call for. . . |
| 00:48:43 |
"Redbreast in a cage." 406.9. |
| 00:48:51 |
"A Robin Red breast in a Cage |
| 00:48:54 |
Yes, that's it. |
| 00:48:55 |
William Blake. |
| 00:48:58 |
Think you got it? |
| 00:48:59 |
Yeah, we should have. |
| 00:49:00 |
We have some books |
| 00:49:03 |
Want to see them? |
| 00:49:06 |
temp: psychology department, |
| 00:49:08 |
university of chicago. |
| 00:49:09 |
Hi. This is Bob Greer |
| 00:49:13 |
Dr. Bloom asked me to send |
| 00:49:16 |
to Will Graham. |
| 00:49:17 |
His assistant was |
| 00:49:20 |
the address and phone number, |
| 00:49:23 |
i'm just a temp. |
| 00:49:26 |
i have to catch FedEx |
| 00:49:28 |
i hate to bother |
| 00:49:30 |
because he told |
| 00:49:32 |
and i don't want to |
| 00:49:34 |
it's right there |
| 00:49:37 |
i'll dance at your wedding |
| 00:49:40 |
i don't know. |
| 00:49:43 |
Be a darling |
| 00:49:45 |
i won't take up |
| 00:49:47 |
Graham, Will. |
| 00:49:50 |
all right. just a minute. |
| 00:49:54 |
"gibson, gordon, graham." |
| 00:49:57 |
lt doesn't give |
| 00:49:58 |
What does it have, dear? |
| 00:50:00 |
"FBI, 935 pennsylvania avenue |
| 00:50:04 |
Yeah? |
| 00:50:07 |
here it is. |
| 00:50:09 |
"p.o. Box 3680, |
| 00:50:13 |
Marathon. |
| 00:50:16 |
That's fine. You're an angel. |
| 00:51:04 |
(BUZZING) |
| 00:51:13 |
i'm Francis Dolarhyde. |
| 00:51:15 |
i've come for |
| 00:51:18 |
RIght. Put your back against |
| 00:51:21 |
three steps till you feel |
| 00:51:24 |
And there's a stool |
| 00:51:29 |
Same Mr. D who's head |
| 00:51:32 |
Uh-huh. |
| 00:51:33 |
i'm Reba McClane. |
| 00:51:35 |
Just a second more |
| 00:51:42 |
Okay, here we go. |
| 00:51:48 |
So, |
| 00:51:52 |
it's for the zoo. |
| 00:51:54 |
They want to photograph |
| 00:51:57 |
That's great. i love animals. |
| 00:52:00 |
i got to warn you, though. |
| 00:52:01 |
This stuff |
| 00:52:04 |
lt can be mean to handle. |
| 00:52:09 |
But i guess i don't |
| 00:52:20 |
Hey, Reba. |
| 00:52:24 |
i'm not interrupting anything, |
| 00:52:26 |
No, Ralph. |
| 00:52:28 |
it's starting |
| 00:52:30 |
i'll give you a lift home? |
| 00:52:31 |
You ride a motorcycle. |
| 00:52:33 |
How's that gonna help me |
| 00:52:35 |
i thought maybe |
| 00:52:38 |
have ourselves |
| 00:52:40 |
i've already got a ride. |
| 00:52:43 |
That's cool. No problemo. |
| 00:52:56 |
if there's anything |
| 00:53:00 |
Especially from |
| 00:53:04 |
Sorry. |
| 00:53:07 |
i have no pity. |
| 00:53:09 |
(THUNDER RUMBLING) |
| 00:53:42 |
RIde with me! |
| 00:53:44 |
Thanks, but i take |
| 00:53:49 |
Mandy is a fool. |
| 00:53:55 |
for my pleasure. |
| 00:54:10 |
You want to come in? |
| 00:54:20 |
Maybe another time. |
| 00:54:21 |
i will come in. |
| 00:54:31 |
When is the zoo project? |
| 00:54:34 |
Maybe next week. |
| 00:54:37 |
i love zoos. |
| 00:54:40 |
ln fact one of my earliest |
| 00:54:45 |
when i was about five. |
| 00:54:47 |
i didn't lose my sight |
| 00:54:50 |
Could you hand me that knife? |
| 00:55:09 |
i've always tried |
| 00:55:14 |
But by now, |
| 00:55:18 |
is probably not in |
| 00:55:20 |
it's more like |
| 00:55:23 |
You know, sometimes i'm not |
| 00:55:26 |
Maybe he's just something |
| 00:55:32 |
You okay? |
| 00:55:34 |
Uh-huh. |
| 00:55:36 |
You don't say much, do you? |
| 00:55:38 |
No, i guess not. |
| 00:55:43 |
Let's talk about |
| 00:55:57 |
i can hear that you've had |
| 00:56:01 |
some kind of |
| 00:56:04 |
But i understand you fine |
| 00:56:09 |
if you don't want to |
| 00:56:13 |
But i hope that you will, |
| 00:56:17 |
because i know what |
| 00:56:19 |
always thinking |
| 00:56:25 |
That's good. |
| 00:56:30 |
May i touch your face? |
| 00:56:33 |
i want to know |
| 00:56:36 |
i want to know whether |
| 00:56:50 |
Take my word |
| 00:56:57 |
i have to go. |
| 00:56:58 |
if i offended you, |
| 00:57:01 |
No. |
| 00:57:09 |
WlLL: i don't know |
| 00:57:13 |
it'd help |
| 00:57:16 |
Diaries, letters. |
| 00:57:19 |
i sure do. |
| 00:57:21 |
one or two little |
| 00:57:25 |
That would be Mr. Jacobi's |
| 00:57:28 |
Yes. As their executor, |
| 00:57:32 |
along with some of |
| 00:57:36 |
But the BIrmingham P. D.'s |
| 00:57:39 |
Could you pack those things |
| 00:57:45 |
i hate to ask. |
| 00:57:51 |
Hell, |
| 00:57:53 |
probate judge is |
| 00:57:58 |
Son, just tell me |
| 00:58:02 |
We're doing our best. |
| 00:58:05 |
Hey, thanks, Mr. Metcaif. |
| 00:58:07 |
A note hidden |
| 00:58:10 |
Might've been mailed |
| 00:58:12 |
He wants Lecter's approval. |
| 00:58:14 |
He's curious about you. |
| 00:58:16 |
i've scrambled a chopper. |
| 00:58:17 |
Does Lecter know |
| 00:58:19 |
CRAWFORD: not yet. |
| 00:58:22 |
WiLL: |
| 00:58:23 |
can't. need a warrant. |
| 00:58:25 |
where's Lecter now? |
| 00:58:27 |
can he see his cell? |
| 00:58:29 |
no. but he's been there |
| 00:58:31 |
he'll soon start |
| 00:58:33 |
We got to buy time, Jack. |
| 00:58:38 |
Dr. Chilton. |
| 00:58:40 |
Call your building |
| 00:58:41 |
or engineer, |
| 00:58:43 |
Tell him to pull |
| 00:58:46 |
Have the super walk down |
| 00:58:50 |
He'll be in a hurry, |
| 00:58:52 |
pissed off, too busy |
| 00:58:55 |
And don't forget: |
| 00:58:58 |
Graham's on his way. |
| 00:59:00 |
LIsten up! |
| 00:59:04 |
possibly from the Tooth Fairy. |
| 00:59:07 |
Number One Priority. |
| 00:59:09 |
lt has to go back |
| 00:59:12 |
unmarked. |
| 00:59:13 |
We'll need Hair and Fiber, |
| 00:59:18 |
i'll walk it through myseif. |
| 00:59:25 |
DOLARHYDE: |
| 00:59:27 |
i wanted to tell you |
| 00:59:29 |
that you've taken |
| 00:59:31 |
and when i learned |
| 00:59:36 |
"dare l?" of course i do. |
| 00:59:41 |
i don't believe |
| 00:59:43 |
Besides, what particular body |
| 00:59:47 |
The important thing |
| 00:59:51 |
i know that you alone |
| 00:59:55 |
i have some things |
| 00:59:58 |
if circumstances permit, |
| 01:00:02 |
i have admired you |
| 01:00:04 |
a complete collection |
| 01:00:07 |
actually, i think of them |
| 01:00:11 |
as unfair as mine. |
| 01:00:13 |
They do like to sling |
| 01:00:17 |
"The Tooth fairy." |
| 01:00:19 |
what could be |
| 01:00:21 |
lt would shame me |
| 01:00:23 |
if i didn't know |
| 01:00:25 |
the same distortions |
| 01:00:27 |
i'm fed up with this |
| 01:00:30 |
Every day something breaking. |
| 01:00:31 |
i swear they ought to tear |
| 01:00:34 |
How much longer |
| 01:00:36 |
Ten minutes, max. |
| 01:00:38 |
BOWMAN: |
| 01:00:39 |
were probably in the section |
| 01:00:41 |
Why not just throw |
| 01:00:44 |
lt was full of compliments. |
| 01:00:46 |
He couldn't bear |
| 01:00:51 |
Now we can mash |
| 01:00:55 |
You're so sly. |
| 01:00:58 |
But so am l. |
| 01:01:01 |
Aniline dyes and colored inks |
| 01:01:05 |
These could be |
| 01:01:08 |
On the end, that's a "P," |
| 01:01:11 |
Maybe this is where |
| 01:01:14 |
There's only one way |
| 01:01:16 |
that's one-way blind. |
| 01:01:17 |
Publication. Wait a minute. |
| 01:01:19 |
We know this guy |
| 01:01:21 |
That's in his note, right? |
| 01:01:23 |
The Tooth Fairy, |
| 01:01:25 |
Three "T's" |
| 01:01:28 |
How do you communicate |
| 01:01:30 |
You got what? News stories. |
| 01:01:32 |
Personals. |
| 01:01:33 |
Maybe he wants Lecter |
| 01:01:36 |
That could be it. |
| 01:01:39 |
before the next |
| 01:01:40 |
CRAWFORD: i'm on it! |
| 01:01:41 |
DOLARHYDE: |
| 01:01:44 |
not your standard gumshoe, |
| 01:01:46 |
more alert. |
| 01:01:47 |
purposefui looking. |
| 01:01:50 |
you should have |
| 01:01:53 |
forgive the stationery. |
| 01:01:55 |
i chose it because |
| 01:01:57 |
if you should have |
| 01:02:00 |
if i hear from you, |
| 01:02:07 |
untii then, dear doctor, |
| 01:02:09 |
i remain your most avid fan. |
| 01:02:33 |
CRAWFORD: The tattler |
| 01:02:35 |
Baltimore postmark |
| 01:02:37 |
it's set to run |
| 01:02:39 |
Chicago field office |
| 01:02:46 |
"Dear Pilgrim." |
| 01:02:48 |
Lecter called him |
| 01:02:50 |
"You honor me. |
| 01:02:54 |
"i offer 1 00 prayers |
| 01:02:56 |
"Find help in John 6:22, 8: 1 6 |
| 01:03:00 |
"9: 1 , Luke 1 :7." |
| 01:03:01 |
Code. |
| 01:03:06 |
We've got 1 9 minutes |
| 01:03:10 |
The tattler can't hold |
| 01:03:12 |
it's simple. |
| 01:03:13 |
They only needed cover |
| 01:03:16 |
i'm thinking |
| 01:03:18 |
The first numeral, |
| 01:03:19 |
"1 00 prayers," |
| 01:03:21 |
The numbers after |
| 01:03:23 |
BIble? |
| 01:03:26 |
lt has only six chapters. |
| 01:03:27 |
Same with "Jonah 6:8." |
| 01:03:30 |
He wasn't using a BIble. |
| 01:03:31 |
Then the Tooth Fairy |
| 01:03:34 |
He specified it in his note, |
| 01:03:37 |
lt would appear so. |
| 01:03:39 |
What about sweating Lecter? |
| 01:03:42 |
i would think drugs. . . |
| 01:03:44 |
They tried sodium amytal |
| 01:03:46 |
to find out |
| 01:03:49 |
He gave them |
| 01:03:51 |
if we sweat him, |
| 01:03:53 |
if the Tooth Fairy |
| 01:03:55 |
he knew Lecter |
| 01:03:57 |
Can we get |
| 01:03:59 |
From Chilton, maybe. |
| 01:04:00 |
No! Wait! |
| 01:04:04 |
took Polaroids |
| 01:04:06 |
Ask them to meet me with |
| 01:04:09 |
Where? |
| 01:04:15 |
i'm leery of letting |
| 01:04:17 |
without knowing |
| 01:04:21 |
i say let this one run. |
| 01:04:24 |
At least it'll |
| 01:04:27 |
What if it encourages him |
| 01:04:29 |
i don't like this |
| 01:04:32 |
But it's our best shot. |
| 01:04:39 |
(MAN SHOUTING) |
| 01:05:11 |
Oh, my God ! |
| 01:05:12 |
(TELEPHONE RINGING) |
| 01:05:18 |
Hello? |
| 01:05:20 |
Jack, it's LLoyd Bowman. |
| 01:05:22 |
You need to know |
| 01:05:24 |
Okay, LLoyd. |
| 01:05:25 |
lt says, "Graham home, |
| 01:05:28 |
"Save yourseif. |
| 01:05:30 |
(TELEPHONE RINGING) |
| 01:05:32 |
Yeah? |
| 01:05:36 |
What does it say? |
| 01:05:38 |
Now, listen to me. |
| 01:05:40 |
i've taken care of it. |
| 01:05:43 |
Tell me now. |
| 01:05:44 |
Lecter gave the bastard |
| 01:05:46 |
CRAWFORD: wait. |
| 01:05:57 |
(DOORKNOB CLICKS) |
| 01:06:09 |
(CLATTERING) |
| 01:06:15 |
Mom? |
| 01:06:16 |
(HELLCOPTER HOVERING) |
| 01:06:28 |
Head down, ma'am. |
| 01:06:54 |
(COW MOOING) |
| 01:06:57 |
MOLLY: ls he after you now? |
| 01:06:58 |
WlLL: No, Lecter just |
| 01:07:03 |
i hate this, Molly. |
| 01:07:06 |
i'm sorry. |
| 01:07:09 |
it's a sick feeling. |
| 01:07:12 |
But you'll be safe here. |
| 01:07:13 |
Crawford's brother |
| 01:07:16 |
No one in the world |
| 01:07:18 |
i'd just as soon |
| 01:07:21 |
AGENT: |
| 01:07:22 |
JOSH: Sometimes i use worms. |
| 01:07:25 |
You like those? |
| 01:07:41 |
Beneath the yellow folder |
| 01:07:43 |
you'll find your |
| 01:07:45 |
from the Archives. |
| 01:07:47 |
lt was brought to me |
| 01:07:50 |
i'm afraid i opened it |
| 01:07:53 |
Sorry. |
| 01:08:00 |
i think we'll remove |
| 01:08:07 |
(GUN FIRING) |
| 01:08:09 |
(HORSE NEiGHING) |
| 01:08:28 |
CRAWFORD: |
| 01:08:29 |
He had a fake Bureau lD |
| 01:08:32 |
and was trying to |
| 01:08:35 |
it's a Federai beef, |
| 01:08:39 |
Personally, |
| 01:08:41 |
i'd like nothing better |
| 01:08:43 |
pulling five at Leavenworth. |
| 01:08:45 |
But maybe there's |
| 01:08:48 |
Yeah? What's that? |
| 01:08:50 |
i think we ought |
| 01:08:52 |
will: The Tooth fairy's ugly |
| 01:08:54 |
and he's impotent with |
| 01:08:57 |
Also, he sexually |
| 01:09:02 |
While they're alive? |
| 01:09:03 |
Sorry, i can't |
| 01:09:06 |
But we do also speculate |
| 01:09:08 |
that he's the product |
| 01:09:11 |
No wonder the creep's |
| 01:09:16 |
That's a tip we got |
| 01:09:18 |
So it's true |
| 01:09:23 |
Yes, it's true. |
| 01:09:24 |
The Doctor was offended |
| 01:09:28 |
the Tooth Fairy would consider |
| 01:09:33 |
(LOUNDS LAUGHS) |
| 01:09:34 |
Okay, tell me about |
| 01:09:37 |
Will, your little |
| 01:09:40 |
This is an apartment |
| 01:09:42 |
till this creep |
| 01:09:44 |
i keep copies of the evidence |
| 01:09:49 |
Make sure you can read |
| 01:09:52 |
Yeah. |
| 01:09:53 |
(CAMERA CLICKING) |
| 01:09:55 |
All right, i got enough. |
| 01:09:57 |
(CLEARS THROAT) |
| 01:09:58 |
Just remember, |
| 01:10:01 |
if my story draws the Fairy |
| 01:10:05 |
and you naii the scumbag, |
| 01:10:09 |
Fuck you, Lounds. |
| 01:10:11 |
When we see the story, |
| 01:10:13 |
about your sealed indictment. |
| 01:10:16 |
All right, it was a pleasure |
| 01:10:29 |
i feei like i need a shower. |
| 01:10:32 |
You okay with this? |
| 01:10:34 |
Better he comes after me |
| 01:10:38 |
So, yeah, i'm okay with it. |
| 01:10:40 |
i wish we had |
| 01:10:41 |
but there's only ten days |
| 01:10:44 |
We've got to |
| 01:10:46 |
We'll stake out |
| 01:10:48 |
put snipers |
| 01:10:50 |
CRAWFORD: you'll have |
| 01:10:53 |
on the street, |
| 01:10:55 |
you'll wear the kevlar |
| 01:10:56 |
no exceptions. |
| 01:11:04 |
You again? |
| 01:11:06 |
Come back at 4:00 a.m. |
| 01:11:11 |
(COIN CLINKING) |
| 01:11:14 |
Hey, i told you ! |
| 01:11:16 |
What? |
| 01:11:19 |
You told me what? |
| 01:11:42 |
Fucking dickhead ! |
| 01:11:45 |
ls that your fucking name |
| 01:11:48 |
(YELPING IN PAIN) |
| 01:12:21 |
(GROANS) |
| 01:12:38 |
(PANTING) |
| 01:12:44 |
Where am l? |
| 01:12:49 |
What am i doing here? |
| 01:12:51 |
DOLARHYDE: |
| 01:12:55 |
i haven't seen your face. |
| 01:12:57 |
i couldn't possibly |
| 01:13:00 |
i work for |
| 01:13:06 |
lt would pay |
| 01:13:08 |
a big reward for me. |
| 01:13:14 |
i mean, a haif a million, |
| 01:13:16 |
or a million, maybe. |
| 01:13:19 |
Do you know who i am, |
| 01:13:21 |
No. |
| 01:13:23 |
And i don't want to know. |
| 01:13:25 |
You know, believe me. |
| 01:13:27 |
According to you, |
| 01:13:28 |
i'm a vicious, |
| 01:13:31 |
a "bottom-feeding lowlife" |
| 01:13:34 |
who's about to, |
| 01:13:37 |
i think you know now, |
| 01:13:42 |
Yes. |
| 01:13:45 |
Do you understand |
| 01:13:49 |
No. |
| 01:13:51 |
But i would like to. |
| 01:13:53 |
i really want to understand |
| 01:13:56 |
and then all my readers |
| 01:14:00 |
i am not a man. |
| 01:14:02 |
i began as one |
| 01:14:03 |
but each being |
| 01:14:06 |
more than a man, |
| 01:14:08 |
as you will witness. |
| 01:14:10 |
i don't need to see you. No. |
| 01:14:12 |
But you must, Mr. Lounds. |
| 01:14:15 |
You're a reporter. |
| 01:14:16 |
You're here to report. |
| 01:14:28 |
Open your eyes and look at me. |
| 01:14:30 |
No. |
| 01:14:31 |
if you won't open them, |
| 01:14:33 |
i'll staple your eyelids |
| 01:14:35 |
No! |
| 01:14:37 |
Open your eyes! |
| 01:14:54 |
Oh, my dear God Jesus! |
| 01:15:01 |
(DOLARHYDE GRUNTS LOUDLY) |
| 01:15:04 |
Oh, God ! |
| 01:15:19 |
Do you want to know what i am? |
| 01:15:23 |
More than anything. |
| 01:15:25 |
i was afraid to ask. |
| 01:15:38 |
DOLARHYDE: Do you see now? |
| 01:15:39 |
Yeah, i see. |
| 01:15:40 |
Oh, God. |
| 01:15:42 |
Mrs. Jacobi in human form. |
| 01:15:45 |
Do you see? |
| 01:15:47 |
Mrs. Leeds in human form. |
| 01:15:49 |
Do you see? |
| 01:15:51 |
Mrs. Jacobi changing. |
| 01:15:54 |
Mrs. Leeds changing. |
| 01:15:56 |
Do you see? |
| 01:15:58 |
Mrs. Jacobi reborn. |
| 01:16:00 |
Do you see? |
| 01:16:02 |
Mrs. Leeds reborn. |
| 01:16:05 |
Do you see? |
| 01:16:07 |
No? No what? |
| 01:16:10 |
Not me. |
| 01:16:14 |
Why did you write lies, |
| 01:16:19 |
Graham told me to lie. |
| 01:16:23 |
lt wasn't me. |
| 01:16:24 |
Will you tell the truth now? |
| 01:16:27 |
About me? |
| 01:16:29 |
My work? |
| 01:16:32 |
My becoming? |
| 01:16:33 |
Yeah. |
| 01:16:37 |
i am the Dragon, |
| 01:16:41 |
You are privy |
| 01:16:44 |
and you recognize nothing. |
| 01:16:47 |
You are an ant |
| 01:16:51 |
lt is in your nature to |
| 01:16:54 |
Before me, |
| 01:16:57 |
But fear is not |
| 01:17:08 |
You owe me awe. |
| 01:17:24 |
Read. |
| 01:17:29 |
DOLARHYDE: |
| 01:17:31 |
You did very well. |
| 01:17:33 |
Will you let me go now? |
| 01:17:36 |
Soon. |
| 01:17:37 |
There's one more way |
| 01:17:41 |
i want to understand. |
| 01:17:44 |
i do. And i'm really |
| 01:17:50 |
You know that. |
| 01:17:58 |
Hello? |
| 01:18:00 |
Oh, God, no! |
| 01:18:03 |
(LOUNDS SCREAMING IN PAIN) |
| 01:18:16 |
(RUSTY WHEELS SQUEAKING) |
| 01:18:31 |
LOUNDS: i have had |
| 01:18:34 |
i have seen with |
| 01:18:36 |
wonder and awe the strength |
| 01:18:41 |
he has helped me to |
| 01:18:45 |
and now i want to serve him. |
| 01:18:49 |
he knows you made me lie, |
| 01:18:53 |
because i was forced to lie |
| 01:18:55 |
he will be more merciful |
| 01:19:01 |
hello? |
| 01:19:03 |
oh, god, no! |
| 01:19:07 |
(LOUNDS SCREAMING IN PAIN |
| 01:19:28 |
We can let this |
| 01:19:31 |
or we can learn from it. |
| 01:19:34 |
Maybe even use it |
| 01:19:42 |
He had to have |
| 01:19:45 |
to move Lounds around |
| 01:19:48 |
Go on. |
| 01:19:49 |
He had to already |
| 01:19:51 |
or know where |
| 01:19:53 |
it's an antique, |
| 01:19:56 |
Does it strike anybody that |
| 01:19:59 |
The tattler comes off |
| 01:20:02 |
By Tuesday morning |
| 01:20:05 |
He either lives |
| 01:20:07 |
or he's within |
| 01:20:10 |
Call it six hours. |
| 01:20:12 |
Find out in this area |
| 01:20:15 |
for early distribution |
| 01:20:17 |
Start with airports, |
| 01:20:19 |
Maybe a newsie |
| 01:20:21 |
LLoyd, this cassette, |
| 01:20:23 |
Maybe you can pick up |
| 01:20:26 |
That wheelchair, |
| 01:20:27 |
i want the maker, |
| 01:20:29 |
Graham and i will |
| 01:20:31 |
Let's hustle. |
| 01:20:45 |
Look, there's not gonna be |
| 01:20:50 |
Okay? i mean, Lounds, |
| 01:20:53 |
That was a chance |
| 01:20:55 |
lt doesn't even |
| 01:20:59 |
The Leeds and the Jacobis |
| 01:21:09 |
i think i should |
| 01:21:11 |
After what he tried to pull? |
| 01:21:13 |
Lecter picked up on |
| 01:21:16 |
Not a name, but something, |
| 01:21:19 |
Even if he did, |
| 01:21:20 |
Not unless i can |
| 01:21:23 |
LECTER: |
| 01:21:25 |
That was most artistic, |
| 01:21:31 |
Your cell looks bigger |
| 01:21:33 |
Does it? |
| 01:21:34 |
i hadn't noticed. |
| 01:21:35 |
Oh, you will. |
| 01:21:37 |
i have other resources. |
| 01:21:40 |
Tell me, Will. |
| 01:21:44 |
Your first murder? |
| 01:21:46 |
Of course you did. |
| 01:21:48 |
lt does to God. |
| 01:21:51 |
Why, only last week in Texas, |
| 01:21:53 |
he dropped a church roof |
| 01:21:56 |
as they were |
| 01:21:58 |
He wouldn't begrudge you |
| 01:22:02 |
Put me next to him, Doctor. |
| 01:22:03 |
You and some SWAT team? |
| 01:22:05 |
Oh, Will. |
| 01:22:08 |
He'll have to |
| 01:22:10 |
A roof can fall on anybody. |
| 01:22:14 |
But not on Molly and Josh, |
| 01:22:17 |
Not yet, anyway. |
| 01:22:19 |
First he kills the pet, |
| 01:22:23 |
Freddy was your pet. |
| 01:22:25 |
They're safe now. |
| 01:22:26 |
No one will ever be |
| 01:22:40 |
Clever work on his note, |
| 01:22:42 |
And that blackout was |
| 01:22:47 |
What else was in that note, |
| 01:22:53 |
Put me next to him ! |
| 01:22:56 |
That's what you want, |
| 01:22:57 |
To help him succeed |
| 01:22:59 |
Twice? |
| 01:23:01 |
GIve him a chance to kill me. |
| 01:23:04 |
Go on, then. |
| 01:23:06 |
Seduce me with your wares. |
| 01:23:08 |
Full restoration |
| 01:23:11 |
Plus computer access |
| 01:23:14 |
One hour a week |
| 01:23:16 |
but it's a one-time offer. |
| 01:23:18 |
lt expires the minute |
| 01:23:20 |
BIt measly, don't you think? |
| 01:23:22 |
Turn it down, then. |
| 01:23:26 |
Are these threats, William? |
| 01:23:28 |
i'm waiting, Doctor. |
| 01:23:36 |
A little sample, then. |
| 01:23:40 |
Seen the Blake, have you? |
| 01:23:42 |
No, |
| 01:23:44 |
Transformation is the key. |
| 01:23:46 |
The man-dragon, |
| 01:23:48 |
his ugliness |
| 01:23:51 |
Look for a military record |
| 01:23:54 |
Look for extensive tattooing |
| 01:23:56 |
and corrective surgery, |
| 01:23:58 |
Come on, i'm past that |
| 01:24:02 |
GIve me what i need. |
| 01:24:04 |
How is he choosing the women? |
| 01:24:05 |
i've already suggested how. |
| 01:24:07 |
The answer |
| 01:24:09 |
You looked but didn't see. |
| 01:24:12 |
Just tell me. |
| 01:24:13 |
No! |
| 01:24:14 |
it's your turn. |
| 01:24:15 |
i asked you before |
| 01:24:18 |
and you responded rudely. |
| 01:24:21 |
Before i tell you |
| 01:24:23 |
you will make certain |
| 01:24:26 |
What kind of arrangements? |
| 01:24:28 |
Oh, nothing much. |
| 01:24:31 |
Shall we say |
| 01:24:37 |
You ready to tell me |
| 01:24:41 |
Nope. |
| 01:24:43 |
You're just full of surprises, |
| 01:24:47 |
Yep. |
| 01:24:50 |
WARFiELD: |
| 01:24:52 |
Can you smell him? |
| 01:24:54 |
Yeah. |
| 01:24:55 |
Now, he's a little noisy, |
| 01:25:00 |
Doctor Hassler's about |
| 01:25:02 |
Glad you could come, |
| 01:25:04 |
We appreciate |
| 01:25:07 |
Two more steps. |
| 01:25:09 |
i'll put your left hand |
| 01:25:13 |
Now, he's right |
| 01:25:15 |
Take your time. |
| 01:25:21 |
(TIGER BAYS DROWSiLY) |
| 01:25:24 |
D? |
| 01:25:26 |
i'm here. |
| 01:25:29 |
You go ahead. |
| 01:25:50 |
(GROWLS) |
| 01:26:08 |
(TIGER GROWLS SLEEPILY) |
| 01:26:16 |
Here. |
| 01:26:19 |
Why don't you try this? |
| 01:26:31 |
(HEART BEATING) |
| 01:26:58 |
(CLOCK TICKING) |
| 01:27:07 |
Nine steps |
| 01:27:10 |
and three more to this room. |
| 01:27:13 |
Sorry. Force of habit. |
| 01:27:17 |
(JAZZ MUSIC PLAYING) |
| 01:27:22 |
That beautifui tiger, |
| 01:27:26 |
i don't think anybody |
| 01:27:29 |
Everybody wonders |
| 01:27:31 |
Especially the women. |
| 01:27:34 |
What do they want to know? |
| 01:27:36 |
They find you |
| 01:27:37 |
very mysterious |
| 01:27:44 |
Did they tell you how i look? |
| 01:27:47 |
They said that you have |
| 01:27:52 |
That you're very sensitive |
| 01:27:57 |
Oh, and, |
| 01:28:00 |
they asked me if |
| 01:28:03 |
you are as strong |
| 01:28:07 |
And? |
| 01:28:10 |
i said i didn't know. |
| 01:28:14 |
(RECORD STOPS PLAYlNG) |
| 01:28:35 |
(SEDUCTIVE JAZZ MUSIC PLAYING) |
| 01:28:49 |
Where the hell are you, D? |
| 01:28:57 |
Here you are. |
| 01:29:03 |
Do you want to know |
| 01:29:28 |
Now, would you show me |
| 01:30:05 |
i have to do a little work. |
| 01:30:08 |
if i'm keeping you from work |
| 01:30:11 |
. . . i'll go. |
| 01:30:14 |
i do. it's just a tape |
| 01:30:17 |
lt won't take long. |
| 01:30:27 |
Do you need to hear it, too? |
| 01:30:29 |
No. |
| 01:30:30 |
May i keep the music? |
| 01:31:34 |
What's it about? |
| 01:31:37 |
Some people |
| 01:31:50 |
So then, |
| 01:31:54 |
it's what? |
| 01:32:01 |
it's homework. |
| 01:32:03 |
Yeah. |
| 01:32:10 |
That's a good idea. |
| 01:32:13 |
it's so important |
| 01:32:22 |
My God, are you ever! |
| 01:32:57 |
(BIRDS CHIRPING) |
| 01:33:48 |
(WHIMPERS IN PANIC) |
| 01:33:59 |
No. i won't give her to you. |
| 01:34:13 |
Please, |
| 01:34:24 |
No! You're hurting me! |
| 01:34:48 |
No, |
| 01:34:51 |
she's nice. |
| 01:34:54 |
She's okay. |
| 01:35:40 |
i had a really |
| 01:35:44 |
But this morning you seem |
| 01:35:48 |
ls something wrong? |
| 01:35:49 |
i have to go now. |
| 01:35:52 |
i have to go away. |
| 01:35:54 |
Where? |
| 01:35:56 |
On a trip. |
| 01:36:01 |
When will i see you again? |
| 01:36:03 |
Reba, |
| 01:36:05 |
Now. |
| 01:36:11 |
METCALF: dear mr. graham: |
| 01:36:13 |
here are the jacobis' |
| 01:36:17 |
i hope these things |
| 01:36:19 |
good hunting. byron metcaif. |
| 01:36:27 |
(SOFT PIANO MUSIC PLAYING) |
| 01:36:41 |
crawford: how many more times |
| 01:36:44 |
WlLL: |
| 01:36:47 |
it's something |
| 01:36:49 |
Lecter keeps saying, |
| 01:36:52 |
CRAWFORD: Lecter says |
| 01:36:57 |
Sad damn thing. |
| 01:37:01 |
We can't afford to |
| 01:37:03 |
No. Again. |
| 01:37:14 |
HARPER: your dissertation |
| 01:37:17 |
Nearly. |
| 01:37:18 |
it's nice to be able to |
| 01:37:21 |
after all our correspondence. |
| 01:37:23 |
But, you know, |
| 01:37:28 |
What did you think |
| 01:37:31 |
Different. |
| 01:37:35 |
(SOFT PIANO MUSIC PLAYING) |
| 01:37:42 |
(YELLS) |
| 01:37:43 |
Thank you. |
| 01:37:47 |
RIght there! There. |
| 01:37:51 |
That's what he wanted |
| 01:37:53 |
To cut that padlock |
| 01:37:57 |
But that's a different door. |
| 01:38:00 |
i don't get it. |
| 01:38:05 |
Jacobi had |
| 01:38:06 |
Beginning of January, |
| 01:38:09 |
it's in here somewhere. |
| 01:38:12 |
Think he cased the house |
| 01:38:14 |
He brought the bolt cutter, |
| 01:38:16 |
He was sure he'd need it. |
| 01:38:18 |
Why case it two months |
| 01:38:20 |
i don't know. He was ready |
| 01:38:23 |
like at the Leeds' house. |
| 01:38:24 |
There he was ready |
| 01:38:26 |
He must've seen the glass |
| 01:38:29 |
No. You can't see |
| 01:38:31 |
There's a porch lattice |
| 01:38:35 |
Jack, he knew |
| 01:38:50 |
Remarkable, isn't it? |
| 01:38:53 |
Two hundred years old. |
| 01:38:57 |
Yet so fresh. |
| 01:39:00 |
So vivid. |
| 01:39:04 |
(SOFT PIANO MUSIC PLAYING) |
| 01:39:37 |
He almost looks alive, |
| 01:39:53 |
(GROANS) |
| 01:40:27 |
We've just gotten |
| 01:40:33 |
(WOMAN SCREAMS) |
| 01:40:42 |
CRAWFORD: mr. metcaif, |
| 01:40:45 |
and credit card statements? |
| 01:40:46 |
We're looking for any kind |
| 01:40:49 |
that might've |
| 01:40:51 |
to enter the house. |
| 01:40:52 |
A repairman |
| 01:40:55 |
Yeah. |
| 01:40:57 |
i know we checked that, |
| 01:40:58 |
but now we got to go back |
| 01:41:01 |
Last year's purchase orders. |
| 01:41:03 |
No collar. |
| 01:41:06 |
No collar. |
| 01:41:07 |
Metcaif says. . . |
| 01:41:09 |
The dog had no collar |
| 01:41:12 |
but he knew which was theirs. |
| 01:41:13 |
Same with the Jacobis' cat. |
| 01:41:18 |
He knew about the padlock. |
| 01:41:21 |
He knew the layout. |
| 01:41:23 |
Every goddamn thing he needed |
| 01:41:27 |
Oh, Jesus. |
| 01:41:31 |
ls Metcaif still on the phone? |
| 01:41:34 |
Byron, it's Graham. |
| 01:41:36 |
You said Niles Jacobi |
| 01:41:40 |
METCALF: yeah, right here. |
| 01:41:41 |
i need to know if something |
| 01:41:45 |
A full-length vHS tape, |
| 01:41:48 |
i see one videotape. |
| 01:41:53 |
But it says, |
| 01:41:58 |
it's Chromalux. |
| 01:42:02 |
CRAWFORD: we just got a fax. |
| 01:42:04 |
An incident at |
| 01:42:06 |
A guy attacked |
| 01:42:10 |
ate the Blake painting. |
| 01:42:12 |
What? |
| 01:42:15 |
That's him. it's got to be. |
| 01:42:17 |
if that painting |
| 01:42:20 |
And why didn't he kill those |
| 01:42:23 |
They both got |
| 01:42:28 |
Maybe he's trying to stop. |
| 01:43:41 |
(PANTING) |
| 01:43:46 |
Mr. Crawford, |
| 01:43:48 |
i've got 382 employees, |
| 01:43:52 |
i can't just turn you |
| 01:43:54 |
Not without a court order. |
| 01:43:55 |
There are privacy issues. |
| 01:43:58 |
One of the employees |
| 01:44:01 |
that we know of. |
| 01:44:02 |
if he gets away tonight, |
| 01:44:03 |
what's the company's |
| 01:44:05 |
i'll get our lawyers here. . . |
| 01:44:08 |
WlLL: LIsten ! |
| 01:44:09 |
We're looking for |
| 01:44:12 |
right-handed with brown hair. |
| 01:44:14 |
LIsten ! Please. He's strong. |
| 01:44:18 |
He might have some kind |
| 01:44:21 |
He drives a van |
| 01:44:24 |
That sounds like Mr. D. |
| 01:44:25 |
Oh, my God. |
| 01:44:26 |
Who's Mr. D? |
| 01:44:28 |
Francis Dolarhyde, |
| 01:44:31 |
What does he do exactly? |
| 01:44:32 |
He maintains the equipment |
| 01:44:34 |
Would he have access to |
| 01:44:36 |
He has access to every tape |
| 01:44:41 |
Thanks for dinner, |
| 01:44:44 |
Look, no problemo. |
| 01:44:48 |
Reba, listen, i know |
| 01:44:53 |
Go on. |
| 01:44:55 |
Well, if Dolarhyde is really |
| 01:44:59 |
maybe you ought to |
| 01:45:01 |
i mean, what do you |
| 01:45:04 |
i appreciate your concern, |
| 01:45:06 |
And i promise |
| 01:45:12 |
Hey, have a great vacation. |
| 01:45:15 |
See you in a week. |
| 01:45:31 |
i had a great time. |
| 01:45:33 |
Good night! |
| 01:45:58 |
(DOORBELL RINGS) |
| 01:46:05 |
Ralph, just 'cause |
| 01:46:25 |
Reba. |
| 01:46:28 |
Wake up. |
| 01:46:31 |
You wandered around |
| 01:46:36 |
What? |
| 01:46:37 |
The other night, |
| 01:46:41 |
Did you take it |
| 01:46:44 |
Did you do that? |
| 01:46:45 |
D? What is it? |
| 01:46:48 |
What's happening? |
| 01:46:49 |
(SHUSHING) |
| 01:46:50 |
Sit still or he'll hear us! |
| 01:46:53 |
He's upstairs. |
| 01:46:58 |
He wants you, Reba. |
| 01:47:02 |
i thought he was gone, |
| 01:47:05 |
D, you're scaring me. |
| 01:47:07 |
(SHUSHING) |
| 01:47:09 |
i didn't want to |
| 01:47:12 |
i did a thing for you today |
| 01:47:17 |
i was wrong. |
| 01:47:19 |
You made me weak |
| 01:47:24 |
(POLLCE SIREN WALLING) |
| 01:47:45 |
No. |
| 01:47:48 |
No, you can't have her! |
| 01:47:50 |
Please don't let him have me. |
| 01:47:53 |
You won't. |
| 01:47:56 |
i'm for you. |
| 01:47:58 |
You like me. |
| 01:48:04 |
Take you with me? |
| 01:48:08 |
Feei this. That's a shotgun. |
| 01:48:10 |
A 1 2-gauge magnum. |
| 01:48:14 |
i wish i could |
| 01:48:16 |
i wanted to trust you. |
| 01:48:19 |
You felt so good ! |
| 01:48:22 |
So did you. |
| 01:48:26 |
Please don't hurt me now. |
| 01:48:28 |
it's all over for me. |
| 01:48:36 |
(REBA GASPS IN PANIC) |
| 01:48:39 |
Where are you? |
| 01:48:43 |
Do you know what he'll do? |
| 01:48:46 |
He'll hurt you so bad ! |
| 01:48:51 |
it's better if you go with me. |
| 01:48:53 |
Yes, God, |
| 01:48:55 |
i'll shoot you |
| 01:48:58 |
Oh, no. |
| 01:48:59 |
i have to shoot you. |
| 01:49:05 |
Oh, Reba. |
| 01:49:09 |
i can't do it. |
| 01:49:15 |
(GUN COCKING) |
| 01:49:17 |
(GUN FIRING) |
| 01:49:20 |
(PANTING) |
| 01:49:25 |
(COUGHING) |
| 01:49:39 |
(CLOCK CHIMES) |
| 01:49:42 |
Three steps to the clock. |
| 01:49:43 |
From the clock |
| 01:49:47 |
Oh, God. |
| 01:49:52 |
(POLICE SIREN WALLING) |
| 01:49:53 |
What is that? |
| 01:49:56 |
That's the place. |
| 01:49:58 |
God damn it! |
| 01:50:00 |
All units, that's his house |
| 01:50:19 |
FBI ! |
| 01:50:20 |
Francis Dolarhyde! |
| 01:50:24 |
He's in there. He is dead. |
| 01:50:26 |
You know that? |
| 01:50:28 |
He shot himseif in the face. |
| 01:50:30 |
He set fire to the house. |
| 01:50:49 |
(COUGHING) |
| 01:50:51 |
CRAWFORD: You all right? |
| 01:50:58 |
(OFFICERS CHATTERING) |
| 01:51:05 |
WiLL: That's all i need. |
| 01:51:07 |
i'd like to come back |
| 01:51:09 |
See how you're doing. |
| 01:51:12 |
Who could resist |
| 01:51:17 |
You know, whatever |
| 01:51:21 |
was only kept alive |
| 01:51:24 |
You probably |
| 01:51:27 |
You didn't draw a freak. |
| 01:51:29 |
You drew a man |
| 01:51:34 |
i should have known. |
| 01:51:36 |
No, sometimes you don't. |
| 01:51:44 |
LIsten to me. |
| 01:51:45 |
There was plenty wrong |
| 01:51:48 |
but there's nothing |
| 01:51:51 |
Except your hair. |
| 01:51:54 |
Your hair is a train wreck. |
| 01:51:56 |
Can we please do |
| 01:51:58 |
For next time, maybe? |
| 01:52:02 |
That would be nice. |
| 01:52:03 |
REBA: Thank you. |
| 01:52:05 |
Just get some rest. |
| 01:52:06 |
You're gonna be fine. |
| 01:52:14 |
ANNOUNCER: dr. voss, |
| 01:52:19 |
We found this in his safe. |
| 01:52:21 |
Thought you might want |
| 01:52:23 |
You've earned it. |
| 01:52:55 |
WlLL: when i read |
| 01:52:59 |
lt was just so sad. |
| 01:53:03 |
i couldn't help |
| 01:53:08 |
He wasn't born a monster. |
| 01:53:11 |
This guy was made one |
| 01:53:14 |
Hey. |
| 01:53:18 |
S'mores? |
| 01:53:20 |
Yeah, you're on. |
| 01:53:22 |
Go look in the pantry. |
| 01:53:27 |
(TELEPHONE RINGING) |
| 01:53:33 |
Crawford. |
| 01:53:34 |
Those remains |
| 01:53:36 |
They're not Dolarhyde's. |
| 01:53:38 |
What are you talking about? |
| 01:53:40 |
His damn dentures were there. |
| 01:53:42 |
Wrong DNA. |
| 01:53:44 |
Then whose are they? |
| 01:53:45 |
Saint Louis P. D. |
| 01:53:47 |
a Chromalux employee |
| 01:53:49 |
He should be on vacation, |
| 01:53:52 |
(LAUGHING) |
| 01:53:54 |
What is taking him so long? |
| 01:53:56 |
lt takes him 20 minutes |
| 01:53:59 |
Yeah, but now i have |
| 01:54:12 |
Josh, what are you doing? |
| 01:54:21 |
(TELEPHONE RINGING) |
| 01:54:26 |
MOLLY: hi. we can't |
| 01:54:30 |
wait for the beep. |
| 01:54:33 |
crawford: will, it's jack. |
| 01:54:34 |
it's dolarhyde. |
| 01:54:37 |
i'm scrambling everything |
| 01:54:39 |
but they'll take time |
| 01:54:42 |
will? |
| 01:54:44 |
christ, will, |
| 01:55:44 |
Drop it. Do it now, gumshoe. |
| 01:55:52 |
Your son is about to change. |
| 01:55:55 |
Then your wife. |
| 01:55:58 |
You can watch. |
| 01:56:00 |
Then i'll take care of you. |
| 01:56:05 |
Look at you. |
| 01:56:07 |
i've never seen a child |
| 01:56:11 |
You pissed your pants? |
| 01:56:16 |
You dirty little beast. |
| 01:56:20 |
Want me to do that, |
| 01:56:22 |
You want me to cut it off? |
| 01:56:23 |
Do you? |
| 01:56:24 |
Don't cry at me, |
| 01:56:27 |
Apologize! |
| 01:56:29 |
Say, "i'm sorry, Daddy! |
| 01:56:32 |
"i'm a freak." Say it! |
| 01:56:34 |
No. |
| 01:56:36 |
JOSH: Dad ! |
| 01:56:39 |
"i'm a dirty little beast. |
| 01:56:41 |
"Freak! Harelip! |
| 01:56:43 |
"And no one |
| 01:56:46 |
(JOSH GROANS) |
| 01:56:48 |
Josh, run ! Run ! |
| 01:56:50 |
(GROANS) |
| 01:56:54 |
(DOLARHYDE SCREAMS) |
| 01:56:58 |
Get down ! |
| 01:57:02 |
You okay? |
| 01:57:06 |
(BANGING ON DOOR) |
| 01:57:20 |
MOLLY: Josh? |
| 01:57:22 |
Will? |
| 01:57:25 |
Where are you guys? |
| 01:57:29 |
i thought i heard |
| 01:57:33 |
Will? |
| 01:57:35 |
Molly, get down ! |
| 01:57:51 |
Will ! |
| 01:57:52 |
(MOLLY SOBBING) |
| 01:58:04 |
Shoot. . . |
| 01:58:08 |
What? |
| 01:58:09 |
Shoot him. Shoot him. |
| 01:58:28 |
JOSH: Mommy? |
| 01:58:35 |
Mommy. |
| 01:58:36 |
(POLICE SIREN WALLING) |
| 01:58:43 |
LECTER: my dear will. |
| 01:58:47 |
on the outside, at least. |
| 01:58:49 |
i hope you're not too ugly. |
| 01:58:51 |
what a collection |
| 01:58:54 |
never forget who gave you |
| 01:58:56 |
and be grateful. |
| 01:58:58 |
our scars have the power to |
| 01:59:02 |
we live in a primitive time, |
| 01:59:05 |
neither savage nor wise. |
| 01:59:07 |
haif measures |
| 01:59:09 |
a rationai society |
| 01:59:16 |
do you dream much, will? |
| 01:59:20 |
your old friend, |
| 01:59:42 |
CHILTON: hannibal? |
| 01:59:44 |
Wants to ask a few questions. |
| 01:59:49 |
A young woman. |
| 01:59:53 |
Though she's far too pretty, |
| 01:59:57 |
i'll tell her you said no. |
| 02:00:04 |
What is her name? |
