Red Hook
|
00:00:02 |
(crickets chirping) |
00:00:11 |
(crickets chirping) |
00:00:13 |
(dog barks) |
00:00:19 |
(footsteps approach) |
00:00:23 |
(woman screaming) |
00:00:27 |
I SAID BEDTIME. |
00:00:29 |
WHAT AM I, 5? |
00:00:32 |
YOU KNOW THE RULES. |
00:00:35 |
AND YOU'RE GETTING SOME. |
00:00:37 |
I KNOW I'M RIGHT. |
00:00:40 |
(grunts) |
00:00:46 |
(dog barking) |
00:00:48 |
(thud) |
00:00:51 |
WHAT WAS THAT? |
00:00:53 |
AND HE'S COMING FOR YOU |
00:00:56 |
I HEARD A NOISE. |
00:00:59 |
YOU'RE STALLING. NOW GO. |
00:01:01 |
(sighs) |
00:01:06 |
(telephone rings) |
00:01:09 |
(sighs) |
00:01:12 |
NO, SHE'S UPSTAIRS. |
00:01:14 |
SKANK. |
00:01:16 |
(door squeaks) |
00:01:18 |
(doorbell rings) |
00:01:20 |
HEY, BABE-OH. MY GOD. |
00:01:23 |
(man) |
00:01:25 |
BUT WE'VE BEEN GETTING |
00:01:29 |
WELL, WE'VE GOTTEN |
00:01:31 |
MAY I COME IN? |
00:01:34 |
UM, I GUESS, SURE. |
00:01:36 |
COME ON, ELLEN. |
00:01:39 |
(door squeaks) |
00:01:41 |
IS THERE ANYONE ELSE |
00:01:43 |
JUST MY SISTER. |
00:01:46 |
WE HAVE |
00:01:49 |
UH, I'M EXPECTING SOMEBODY, |
00:01:52 |
ARE ALL THE DOORS LOCKED? |
00:01:54 |
AND THE WINDOWS ARE SECURED? |
00:01:56 |
YES, THE HOUSE IS |
00:01:59 |
GOOD. |
00:02:06 |
ONE. |
00:02:09 |
TWO. |
00:02:11 |
(muffled groan) |
00:02:18 |
COME ON, BEAUTIFUL, |
00:02:21 |
(grunting) |
00:02:24 |
OW! |
00:02:26 |
JENNY, RUN! |
00:02:30 |
(door squeaks) |
00:02:37 |
(grunting) |
00:02:39 |
(whimpers) OW. |
00:02:42 |
(telephone rings) |
00:02:45 |
(screams) |
00:02:47 |
(ring) |
00:02:50 |
(screaming) |
00:02:53 |
(ring) |
00:02:56 |
(gunshot) |
00:03:11 |
(siren wailing) |
00:03:22 |
(siren stops) |
00:03:27 |
(chatter over police radio) |
00:03:31 |
WE'RE TOO LATE. |
00:03:35 |
(sighs) |
00:03:38 |
YOU GOT HIM, TOM. |
00:03:41 |
IT'S OVER. |
00:03:45 |
(telephone rings) |
00:03:50 |
(ring) |
00:03:56 |
(ring) |
00:04:03 |
(cell phone ringing) |
00:04:07 |
("Something That's Real" |
00:04:18 |
¶¶ MY CURIOSITY ¶¶ |
00:04:24 |
¶¶ HAS PULLED ME BY THE HAND ¶¶ |
00:04:29 |
¶¶ AND SPINS ME DIZZY ¶¶ |
00:04:34 |
¶¶ EXPOSING ME AGAIN ¶¶ |
00:04:38 |
¶¶ AM I TRIPPING |
00:04:43 |
¶¶ CARELESSLY ¶¶ |
00:04:46 |
¶¶ GIVE ME SOMETHIN' |
00:04:48 |
¶¶ TO FILL MY SOUL ¶¶ |
00:04:51 |
¶¶ GIVE ME SOMETHIN' |
00:04:54 |
¶¶ TO BE MYSELF ¶¶ |
00:04:57 |
¶¶ IT'S A MATTER OF FAITH ¶¶ |
00:04:59 |
¶¶ IT'S A MATTER OF TRUST ¶¶ |
00:05:02 |
¶¶ I CAN'T FIND MY WAY, LOVE ¶¶ |
00:05:04 |
¶¶ SO I'M REACHIN' OUT ¶¶ |
00:05:06 |
¶¶ JUST TO GIVE ME |
00:05:11 |
¶¶¶¶¶¶ |
00:05:20 |
¶¶ CATCH MY BREATH ¶¶ |
00:05:21 |
¶¶ WHEN THE WALL |
00:05:27 |
¶¶ KNOW THAT WHAT HOLDS YA ¶¶ |
00:05:32 |
¶¶ WILL HOLD YOU BACK ¶¶ |
00:05:37 |
¶¶¶¶¶¶ |
00:05:56 |
¶¶ GIVE ME SOMETHIN' |
00:06:00 |
¶¶ SOMETHIN' THAT'S REAL ¶¶ |
00:06:05 |
¶¶ GIVE ME SOMETHIN' ¶¶ |
00:06:07 |
¶¶ TO FEEL ¶¶ |
00:06:13 |
¶¶ HEY, HEY, HEY ¶¶ |
00:06:18 |
¶¶ AH, REAL ¶¶ |
00:06:25 |
¶¶ GIVE ME SOMETHIN' |
00:06:35 |
(AnGELa humming) |
00:06:37 |
(scoffs) |
00:06:40 |
FINALLY. |
00:06:42 |
UH, YOU MUST BE ANGELA? |
00:06:44 |
NO, NO. |
00:06:45 |
I'M AN-GEL-A. (giggles) |
00:06:48 |
OH, HI. |
00:06:51 |
HUH. DRAMA MAJOR? |
00:06:55 |
¶¶ WELCOME ¶¶ |
00:06:57 |
HUH, THANKS. |
00:06:58 |
OKAY, I WANT US |
00:07:02 |
I WANT US TO BE CLOSE. |
00:07:04 |
BY THE END OF THE YEAR, |
00:07:06 |
OH, SORRY. |
00:07:08 |
WHAT? |
00:07:10 |
LOOK, ANGELA, I DON'T KNOW |
00:07:12 |
I GOOGLED YOU. |
00:07:16 |
I WANTED TO KNOW WHO |
00:07:18 |
OH. |
00:07:20 |
YOU ARE ELLEN TRAYLOR'S |
00:07:23 |
YEAH. |
00:07:25 |
IT'S PUBLIC KNOWLEDGE. |
00:07:28 |
SO HOW MUCH OF IT |
00:07:31 |
GEE, ANGELA, UH... |
00:07:34 |
ALL THE GOOD PARTS. |
00:07:36 |
I'M SORRY. |
00:07:37 |
(sighs) |
00:07:39 |
IT'S JUST THAT ALL |
00:07:42 |
TOLD ME THAT I NEED |
00:07:44 |
YOU ARE LIKE MY OWN |
00:07:47 |
(giggles) |
00:07:49 |
AH! YOU MUST BE |
00:07:51 |
HOW THE HELL |
00:07:53 |
I'M TIM |
00:07:55 |
OH, YEAH, RIGHT. |
00:07:59 |
OH, I'M SORRY. |
00:08:01 |
UH, HI. HI. |
00:08:03 |
OKAY. (sighs) |
00:08:05 |
FIRST TIME AWAY FROM HOME. |
00:08:06 |
GOLD MINE! |
00:08:08 |
HEY, NEW YORK CAN BE, |
00:08:11 |
GIVE IT A FEW WEEKS. |
00:08:14 |
UNLIKE CERTAIN |
00:08:16 |
YOU DIDN'T ASK TO BE PUT |
00:08:19 |
LIFE EXPERIENCE. |
00:08:21 |
WELL, ANYWAY, |
00:08:24 |
THE ORIENTATION ISSUE |
00:08:26 |
AND, UH, CAN I SIGN YOU UP |
00:08:28 |
FOR THE BACK-TO-SCHOOL |
00:08:30 |
IT'S THE BEST. |
00:08:32 |
(laughs) |
00:08:34 |
OH. |
00:08:36 |
TIM THINKS HE'S PUTTING |
00:08:38 |
(laughing) YOU... SERIOUSLY, |
00:08:42 |
SIGN-UP SHEET |
00:08:45 |
OH, NO, I'M-I'M OKAY, |
00:08:47 |
KEEP IT. |
00:08:48 |
JUST IN CASE. SHH. |
00:08:50 |
OKAY. |
00:08:58 |
SMALL PENIS. |
00:09:03 |
NO, NOT AT ALL. |
00:09:06 |
(laughs) |
00:09:08 |
YEAH, REALLY. |
00:09:11 |
OH, SORRY. |
00:09:13 |
I KINDA DID IT ON PURPOSE. |
00:09:16 |
OH. |
00:09:18 |
(playing "Red" |
00:09:22 |
¶¶ WHEN I MET YOU |
00:09:25 |
¶¶ YOU SMILED, |
00:09:28 |
¶¶ IT DIDN'T TAKE ME LONG... ¶¶ |
00:09:31 |
HEY. OH, UM, |
00:09:33 |
MY OLDER BROTHER SAYS |
00:09:36 |
GIVES OUT THE SAME ASSIGNMENTS, |
00:09:39 |
SO NOW YOU ARE |
00:09:42 |
IF I DON'T, |
00:09:46 |
OH, OKAY. (chuckles) |
00:09:48 |
I MEAN, PROMISE? |
00:09:50 |
(chuckles) |
00:09:51 |
WHEN I GET MY "A," |
00:09:54 |
UH, NO, YOU CAN'T. |
00:09:56 |
OH. |
00:09:58 |
¶¶ HOW COULD YOU DO IT TO ME? |
00:10:01 |
YOU HAVE SO NOT EARNED |
00:10:04 |
WHY WOULD YOU |
00:10:06 |
YOU GOT BETTER OPTIONS. |
00:10:08 |
HE'S DOING ME A FAVOR. |
00:10:10 |
YOU SEEM SMART ENOUGH. WHY DON'T |
00:10:12 |
BECAUSE I CAN GET HIM TO. |
00:10:14 |
I HAD GUYS LIKE THAT |
00:10:16 |
DID YOU HAVE A LOT OF GUYS |
00:10:19 |
¶¶... LOVE THAT |
00:10:21 |
¶¶ BOY, YOU TRICKED ME ¶¶ |
00:10:23 |
¶¶ OH, BOY, YOU TRICKED ME ¶¶ |
00:10:27 |
WHAT'S YOUR |
00:10:29 |
CHAPPY. ARE YOU SCARED |
00:10:32 |
NO... (scoffs) |
00:10:34 |
THEN GO. |
00:10:39 |
(sighs) |
00:10:49 |
(cell phone rings) |
00:10:55 |
MOM. |
00:10:57 |
(rings) |
00:11:01 |
(playing "Disco Pigs" |
00:11:03 |
¶¶ HEY ¶¶ |
00:11:10 |
¶¶ HEY ¶¶ |
00:11:14 |
¶¶ HEY... ¶¶ |
00:11:16 |
THAT'S MY SEAT. |
00:11:19 |
IT'S A PUBLIC SPACE. |
00:11:21 |
SHE REALLY LIKES |
00:11:23 |
I SAT THERE |
00:11:25 |
FOR THE HONORS PROGRAM. |
00:11:27 |
YOU GOT IN. |
00:11:28 |
BECAUSE YOU SAT |
00:11:31 |
OH. |
00:11:33 |
¶¶ HEY ¶¶ |
00:11:43 |
(singing indistinctly) |
00:11:47 |
¶¶ GONNA WAKE UP... ¶¶ |
00:11:51 |
¶¶ NOW THAT WE FLAUNT THE TRUTH ¶¶ |
00:11:54 |
¶¶ AND UNDERSTAND US ¶¶ |
00:11:56 |
(muffled groans) |
00:12:01 |
(banging noises) |
00:12:27 |
(AnGELa) ¶¶ NO MORE... ¶¶ |
00:12:29 |
(sighs) |
00:12:31 |
¶¶ NO MORE QUIET INSIDE... ¶¶ |
00:12:34 |
THREE MINUTES TO GO. |
00:12:36 |
YEAH. (scoffs) |
00:12:38 |
THANKS. |
00:12:40 |
YOU SHOULD GO IN ANYWAYS. |
00:12:41 |
YEAH, NO, THOUGH, 'CAUSE, |
00:12:45 |
SO, YEAH. |
00:12:47 |
BESIDES, ANG-ANGELA |
00:12:49 |
WELL, YOU CAN WAIT |
00:12:51 |
AND THAT'S NOT |
00:12:54 |
I LIKE |
00:12:56 |
BIGGER GIRLS. |
00:12:59 |
OH. |
00:13:01 |
OH. I-I MEAN, |
00:13:05 |
I'M FROM NORTH CAROLINA. |
00:13:07 |
OH. |
00:13:12 |
HEY, WHAT YA HIDIN' |
00:13:15 |
AH, OW. |
00:13:17 |
HEY, YOU'RE COMIN' |
00:13:20 |
OF COURSE. |
00:13:22 |
OW. |
00:13:24 |
OH, HI. |
00:13:27 |
I'M JUST WAITING |
00:13:29 |
GOD, YOU ARE SO LOUD. |
00:13:31 |
ROOMMATE. (clears throat) |
00:13:33 |
DID I INTERRUPT SOMETHING? |
00:13:35 |
NO. |
00:13:37 |
GAVIN, YOU STAY. |
00:13:38 |
I- I-I CAN-I CAN TAKE CARE |
00:13:41 |
AND THE NUDGE-NUDGE... |
00:13:42 |
BYE. |
00:13:45 |
(scoffs) |
00:13:48 |
I SHOULD GO. BYE. |
00:13:53 |
SHE'S SHY... |
00:13:55 |
AND KIND OF A FREAK. |
00:13:57 |
(chuckles) |
00:14:00 |
HE IS SO PAINFULLY |
00:14:03 |
(chuckles) |
00:14:06 |
I KNOW. |
00:14:09 |
PLAYING HARD TO GET? |
00:14:11 |
UM, NO, I AM HARD TO GET. |
00:14:14 |
THAT CAME OUT WRONG. |
00:14:16 |
I... I'M JUST- |
00:14:19 |
I'M-I'M UNDATABLE. |
00:14:25 |
(scoffs) |
00:14:27 |
TRUST ISSUES. |
00:14:29 |
(water running) |
00:15:06 |
(squeaking sound) |
00:15:37 |
(clinking sounds) |
00:15:56 |
AAH! |
00:15:59 |
THERE'S SOMEBODY IN THERE! |
00:16:02 |
THERE'S-THERE'S SOMEBODY |
00:16:03 |
THERE'S SOMEONE- |
00:16:04 |
(Tim) WHAT'S WRONG? |
00:16:07 |
ARE-ARE YOU SURE? |
00:16:09 |
IF SHE SAYS SHE IS, |
00:16:10 |
YOU TOLD ME |
00:16:13 |
(sighs) OH. |
00:16:15 |
ARE YOU OKAY? |
00:16:17 |
(laughs) |
00:16:21 |
(sighs) |
00:16:27 |
(scoffs) |
00:16:29 |
SOME PEOPLE ARE JUST |
00:16:46 |
(indistinct conversations) |
00:16:50 |
HEY, JENNY. |
00:16:51 |
WAIT, WAIT, WAIT, WAIT, |
00:16:54 |
WAIT. LOOK, I'M SORRY. |
00:16:56 |
I SWEAR I DIDN'T KNOW |
00:16:58 |
WAIT, SO YOU WANTED THAT GUY |
00:17:02 |
HE'S LONELY. |
00:17:03 |
(scoffs) |
00:17:06 |
YOU'RE DISGUSTING. YOU'RE |
00:17:09 |
YOU'RE SUPPOSED TO PULL PRANKS |
00:17:11 |
OKAY, WOULD IT HELP |
00:17:13 |
IF I SAID THAT I AM SORRY |
00:17:16 |
BAD JUDGMENT CALL. WHAT? |
00:17:19 |
I'M A DICK. |
00:17:21 |
I AM SORRY. I-I WON'T |
00:17:24 |
AND WHY SHOULD I |
00:17:26 |
I PROMISE NOT TO BE A DICK |
00:17:31 |
CAN I MAKE IT UP TO YOU? |
00:17:34 |
THERE'S STILL TIME TO SIGN UP |
00:17:36 |
(chuckles) |
00:17:38 |
AND, HELL, IF YOU WIN, |
00:17:40 |
THIS WHOLE PARANOID |
00:17:43 |
OKAY, I'LL CATCH YOU |
00:17:45 |
HEY, GUYS, SIGN UP |
00:17:48 |
THERE'S ONLY FOUR |
00:17:50 |
OKAY, GREAT. |
00:17:52 |
(voices overlapping) |
00:17:55 |
CAN I... |
00:17:57 |
(voices overlapping) |
00:18:13 |
(chuckles) |
00:18:18 |
GAVIN. |
00:18:21 |
WANT TO PULL UP A SEAT? |
00:18:25 |
I'M OKAY. I'M JUST-I'M GETTING |
00:18:32 |
I CAN BE YOUR CLIFF NOTES |
00:18:36 |
AH. |
00:18:38 |
(laughs) |
00:18:40 |
(playing "Anything But Ordinary" |
00:18:49 |
¶¶ HEY ¶¶ |
00:18:52 |
¶¶ HEY... ¶¶ |
00:18:54 |
I'LL BET THEY DON'T HAVE |
00:18:57 |
NO, YOU'RE RIGHT. |
00:18:59 |
KINDA WISH I'D GROWN UP |
00:19:01 |
SPEND 18 YEARS |
00:19:04 |
AND YOU JUST WANT MORE. |
00:19:07 |
¶¶ JUST THE PAIN THAT COMES |
00:19:10 |
¶¶ BORN, BUT NOT FOR LIVIN', |
00:19:13 |
HEY, UH, |
00:19:15 |
THERE ARE-SO MANY |
00:19:18 |
NO. |
00:19:20 |
IT'S 'CAUSE THE LIGHT AT THE END |
00:19:23 |
(laughs) |
00:19:25 |
¶¶ YOU MOVE FORWARD, |
00:19:28 |
IT'S STARTING TO RAIN. |
00:19:30 |
¶¶ AND THE NOISE DROWNS ME ¶¶ |
00:19:33 |
¶¶ YEAH, THE DREAM... ¶¶ |
00:19:35 |
WHERE WERE YOU WHEN... |
00:19:38 |
I WAS UP AT SCHOOL |
00:19:41 |
¶¶... FOOLIN' MYSELF, |
00:19:43 |
YOU MUST HAVE BEEN... |
00:19:45 |
I CAN'T IMAGINE |
00:19:48 |
(thunder rolls) |
00:19:50 |
MY BROTHER DIED HERE. |
00:19:51 |
IT'S LIKE |
00:19:53 |
¶¶ ORDINARY... ¶¶ |
00:19:57 |
I'M SORRY. |
00:19:59 |
YEAH, I DON'T USUALLY LEAD OFF |
00:20:02 |
NO. |
00:20:04 |
YOU SEEM KINDA MORBID |
00:20:09 |
THANK YOU. |
00:20:11 |
YOU'RE WELCOME. |
00:20:13 |
YEAH, DEAD SIBLINGS HAVE, |
00:20:15 |
DID ANGELA TELL YOU? |
00:20:17 |
YEAH. |
00:20:19 |
SHE KINDA TOLD EVERYBODY |
00:20:22 |
NICE. |
00:20:24 |
WOULD YOU BELIEVE IT |
00:20:26 |
IF I TOLD YOU THAT |
00:20:29 |
¶¶ AND THE NOISE DROWNS ME ¶¶ |
00:20:34 |
¶¶ YEAH, THE DREAM ¶¶ |
00:20:38 |
¶¶ HASN'T FOUND ME A WAY ¶¶ |
00:20:40 |
¶¶ DON'T WANT |
00:20:43 |
¶¶ JUST LIKE EVERYBODY ELSE ¶¶ |
00:20:45 |
¶¶ IT'S GETTING HARDER... ¶¶ |
00:20:47 |
WHAT DO YOU WANT? |
00:20:50 |
¶¶ TO BE ANYTHING |
00:20:51 |
DO YOU WANT |
00:20:54 |
UM, THIS. |
00:20:56 |
DO YOU WANT SOME- |
00:20:58 |
YOU WANT SOME? |
00:21:00 |
CHICKEN? |
00:21:02 |
(chuckles) |
00:21:03 |
FRIED RICE? |
00:21:08 |
(gunshot, screaming) |
00:21:09 |
(breathing heavily) |
00:21:13 |
DOWN! DOWN! |
00:21:16 |
DOWN! DOWN! |
00:21:19 |
DOWN! |
00:21:21 |
FASTER! FASTER! |
00:21:23 |
(gunshot) |
00:21:30 |
DOWN! |
00:21:32 |
(gun cocks) |
00:21:33 |
(gunshot) |
00:21:34 |
(breathing heavily) |
00:21:41 |
(cell phone rings) |
00:21:47 |
(cell phone rings) |
00:21:52 |
MOM. |
00:21:54 |
(ring) |
00:21:57 |
IF I TELL HER |
00:21:59 |
(ring) |
00:22:04 |
YOU DON'T HAVE |
00:22:06 |
(ring) |
00:22:09 |
AND ANGELA |
00:22:15 |
HI, MOM. |
00:22:18 |
NO, I'M FINE. I'M FINE. |
00:22:19 |
YEAH, IT'S GREAT. |
00:22:24 |
YEAH, I-I EVEN |
00:22:26 |
(laughs) YEAH. |
00:22:28 |
LISTEN, I HAVE |
00:22:30 |
BECAUSE, UM, THERE'S |
00:22:32 |
SO, UM, I'LL TALK |
00:22:35 |
YEAH, YEAH. |
00:22:37 |
TELL-TELL DAD |
00:22:39 |
I LOVE YOU, TOO. BYE. |
00:22:47 |
WHAT? YOU'RE NOT THE ONLY |
00:22:50 |
(scoffs) YES, BUT THIS ONE |
00:22:56 |
YOU'RE LEAVING SCHOOL? |
00:22:58 |
HELLO, |
00:23:00 |
IF I BOOK IT, |
00:23:03 |
HEY, ANGELA. |
00:23:07 |
HEY, GUYS. |
00:23:09 |
LOOK, YOU HAVE NO IDEA HOW |
00:23:11 |
DON'T EVEN-NO IDEA. |
00:23:14 |
THIS IS EXACTLY WHY PEOPLE |
00:23:17 |
OH! |
00:23:22 |
(playing "Here For You" |
00:23:26 |
YOU WANT ME TO GO? |
00:23:30 |
YOU DON'T HAVE TO. |
00:23:35 |
HOW ARE YOU DOING |
00:23:37 |
¶¶ DAYS DRIFT BY, |
00:23:40 |
I'M WITH YOU. |
00:23:41 |
¶¶ WHERE I'LL BE |
00:23:44 |
¶¶ BUT TONIGHT ¶¶ |
00:23:47 |
¶¶ I'M HERE WITH YOU... ¶¶ |
00:23:49 |
OW. |
00:23:50 |
OH, I'M SORRY. |
00:23:53 |
SORRY. |
00:23:55 |
IT'S BEAUTIFUL. |
00:23:58 |
MM. IT'S A HAND-ME-DOWN |
00:24:02 |
¶¶ SO TONIGHT ¶¶ |
00:24:07 |
¶¶ I AM HERE FOR YOU ¶¶ |
00:24:12 |
¶¶ I'M HERE FOR YOU ¶¶ |
00:24:41 |
(AnGELa sings) |
00:24:43 |
¶¶ DON'T RUN AWAY, |
00:24:45 |
¶¶ HAVE A CONVERSATION, |
00:24:48 |
¶¶ BE A LITTLE WHILE... ¶¶ |
00:24:50 |
YEAH, I-I DON'T-I DON'T |
00:24:52 |
OH, COME ON. YOU GET TO BE |
00:24:54 |
SHE'S A LOT OF FUN, |
00:24:57 |
PAULA. |
00:24:59 |
NO. |
00:25:01 |
WOULD MAKE AN EXCELLENT STORY |
00:25:05 |
RELEVANT TO ME HOW? |
00:25:07 |
I CAN, UH, |
00:25:09 |
YOU COULD GET ME |
00:25:11 |
GOD, PAULA, |
00:25:13 |
YOU CAN BE SO NAIVE. |
00:25:15 |
OH, PLUS I SCORED |
00:25:17 |
FOR THE PRIZE. |
00:25:19 |
BACKSTAGE PASSES, TOO. |
00:25:20 |
YOU KNOW, I HAVE IT |
00:25:22 |
THAT SOME EXECS |
00:25:24 |
ARE GOING TO BE THERE. |
00:25:27 |
IF YOU WIN THE TICKETS, |
00:25:29 |
YOU DON'T HAVE TO TAKE HER, |
00:25:32 |
OH, HEY, CAMILLE. |
00:25:33 |
WHOA, THAT-THAT- |
00:25:36 |
EVEN MY DAD'S FIRM |
00:25:37 |
CAN'T GET THEIR HANDS ON TICKETS |
00:25:40 |
THE WINNING TEAM |
00:25:44 |
WHAT DID YOU SAY? |
00:25:45 |
HE SAID HE'S GONNA WIN |
00:25:46 |
OH, AND CAMILLE. |
00:25:49 |
YEAH, CHAPPY, ARE YOU |
00:25:51 |
YOU WOULD DO THAT FOR ME? |
00:25:53 |
IF YOU'RE THE WINNER. |
00:25:55 |
I'M IN. |
00:25:57 |
NOBODY'S GETTING THEIR HANDS |
00:25:59 |
I'LL DO IT. |
00:26:01 |
I'LL PLAY YOUR |
00:26:06 |
I... |
00:26:28 |
THAT MAN HAS |
00:26:32 |
(sighs) |
00:26:37 |
YOU HAVE BEEN |
00:26:42 |
THANK YOU. |
00:26:44 |
HEY, I WAS THERE. |
00:26:47 |
BUT YOU HANDLE IT |
00:26:50 |
WELL, FOR ONE, |
00:26:53 |
OKAY, IF YOU-IF YOU WANT TO GO |
00:26:56 |
THEN GO, |
00:26:59 |
WIN THE CONCERT TICKETS. |
00:27:01 |
WILL YOU LEAVE YOUR ROOM |
00:27:04 |
MM. |
00:27:05 |
I DON'T WANT THE TICKETS, |
00:27:08 |
AND I DON'T WANT TO BE |
00:27:11 |
WITHOUT YOU. |
00:27:15 |
BUT... |
00:27:17 |
YOU CAN'T STAY IN HERE |
00:27:19 |
STOPPING YOUR LIFE |
00:27:21 |
MEANS YOU'RE NO BETTER OFF |
00:27:24 |
HOW COULD YOU |
00:27:27 |
TO ME? |
00:27:29 |
BECAUSE I SAY IT |
00:27:38 |
IT'S LIKE... |
00:27:42 |
IF I GO OUTSIDE, |
00:27:45 |
(scoffs) |
00:27:47 |
OH, IS THAT THE STUPIDEST |
00:27:51 |
NO, |
00:27:53 |
BECAUSE YOU COULD BE KILLED |
00:27:56 |
YOU'RE BAD. |
00:27:58 |
WELL, YOU ASKED ME |
00:28:00 |
YOU GOTTA HAVE |
00:28:02 |
SO DID YOU... |
00:28:05 |
REALLY WANT TO GO |
00:28:09 |
ONLY WITH YOU. |
00:28:55 |
(door squeaks) |
00:29:00 |
(door slams shut) |
00:29:03 |
(cell phone rings) |
00:29:06 |
(playing |
00:29:08 |
by Cassandra Kubinski) |
00:29:14 |
¶¶ DON'T THINK I DON'T NOTICE |
00:29:17 |
¶¶ WHEN SHE CAUGHT YOUR... ¶¶ |
00:29:19 |
(cell phone rings) |
00:29:21 |
¶¶ EYE ¶¶ |
00:29:24 |
¶¶ WEARIN' JEANS ¶¶ |
00:29:25 |
¶¶ JUST TIGHT ENOUGH ¶¶ |
00:29:28 |
¶¶ SO YOU CAN SEE |
00:29:30 |
WHAT'S UP? |
00:29:32 |
¶¶ OH, SHE'S GOT YOU BLIND... ¶¶ |
00:29:34 |
HEY. |
00:29:36 |
HEY, THANKS, IT'S |
00:29:38 |
HERE. |
00:29:41 |
HEY, CAMILLE. |
00:29:43 |
(cell phone rings) |
00:29:45 |
OH, SORRY. |
00:29:48 |
(ring) |
00:29:50 |
WHAT ARE YOU LOOKIN' AT? |
00:29:53 |
OOH, OKAY, |
00:29:58 |
SORRY. SORRY, EVERYBODY. |
00:30:00 |
I HOPE YOU DIDN'T START |
00:30:03 |
I'M SURE SOMEBODY CAN CATCH |
00:30:05 |
WE HAVEN'T STARTED YET. |
00:30:08 |
NO. |
00:30:10 |
I TOTALLY STOOD IN LINE |
00:30:12 |
FOR "SPRING AWAKENING." |
00:30:14 |
UH, "THAT'S |
00:30:16 |
DOES HE HAVE |
00:30:18 |
HE SO DOESN'T GET ME, |
00:30:20 |
AND, P.S., YOU HAVE GOT |
00:30:22 |
BEFORE YOU'RE GOING TO BE SEEN |
00:30:24 |
BUT THIS IS |
00:30:27 |
ALL WE'RE MISSING |
00:30:29 |
OH, YEAH, SHE CAME OUT, |
00:30:32 |
(giggles) |
00:30:34 |
HI, GUYS. |
00:30:37 |
(sighs) |
00:30:40 |
WELL, YOU-YOU SNOOZE, YOU LOSE. |
00:30:43 |
HE SAID |
00:30:45 |
IS SHE GONNA FREAK OUT? |
00:30:48 |
OH, NO, SHE DOESN'T FREAK OUT. |
00:30:51 |
GUYS, I AM RIGHT HERE. |
00:30:53 |
I'M BACK. LET'S START. |
00:30:56 |
YOU ALL, THIS GAME'S SUPPOSED |
00:30:58 |
YOU KNOW, SORRY, JENNY, |
00:31:01 |
OKAY, YOU CAN FILL IN GAVIN |
00:31:04 |
WELCOME, EVERYONE, |
00:31:07 |
TO THE 12 TO 12 |
00:31:09 |
(cheering) |
00:31:32 |
SO ALL OF YOU |
00:31:34 |
YOU SHOULD ALL BE |
00:31:37 |
FROM RED HOOK. |
00:31:38 |
(cell phones ringing) |
00:31:41 |
YEAH, I JUST |
00:31:44 |
HE SAID THAT HE WAS |
00:31:46 |
AND HE'S NOT HERE, SO... |
00:31:50 |
(scoffs) FREAK. |
00:31:52 |
TRUST ME. |
00:31:55 |
NOW EACH OF YOU |
00:31:57 |
SOME THE SAME, |
00:31:59 |
YOU MAY INTERSECT ONE ANOTHER, |
00:32:01 |
YOU EACH HAVE 12 TO SOLVE. |
00:32:03 |
"WASHINGTON SQUARE ARCH." |
00:32:06 |
SO SHE THINKS. WHEN YOU |
00:32:09 |
YOU GO TO A LOCATION |
00:32:11 |
A POM-POM? |
00:32:14 |
LET'S LISTEN, PEOPLE. |
00:32:16 |
YOU THEN HAVE TO TAKE |
00:32:18 |
WITH THE OBJECT |
00:32:20 |
AND THEN SEND IT |
00:32:23 |
I WILL THEN TEXT YOU BACK |
00:32:25 |
WITH YOUR NEXT CLUE TO YOUR NEXT |
00:32:28 |
I MEAN, I DON'T WANT |
00:32:31 |
GRANT'S TOMB WITHOUT GAVIN. |
00:32:33 |
OKAY, FOR THOSE OF US |
00:32:36 |
WHAT'S THE CATCH? |
00:32:38 |
ALL RIGHT, |
00:32:40 |
THE FIRST TEAM TO GET |
00:32:42 |
TO THE FINAL DESTINATION |
00:32:46 |
WHERE IS THAT? |
00:32:48 |
IT'S A SCAVENGER HUNT. WE'RE |
00:32:51 |
I'LL GIVE YOU PART |
00:32:53 |
FOR ALL OF YOU, YOUR FIRST |
00:32:55 |
IT'S NOT FAR FROM CAMPUS, |
00:32:58 |
YOU WILL FIND YOUR WAY |
00:33:00 |
IN ONE OF |
00:33:02 |
THE WINNING TEAM |
00:33:05 |
ALL RIGHT, HOW ABOUT |
00:33:07 |
(laughs uncomfortably) |
00:33:09 |
FLOOR SPIRIT, COME ON! |
00:33:11 |
COME ON, IT'S ALL PART OF |
00:33:14 |
HONEY, HONEY, HONEY. |
00:33:16 |
ALL RIGHT, |
00:33:19 |
(all) BREAK! |
00:33:21 |
(laughs) |
00:33:24 |
YOU GONNA BE ALL RIGHT? |
00:33:26 |
OH... (laughs) |
00:33:28 |
CRAP. I GOTTA |
00:33:30 |
YEAH, LIKE I'M GONNA TELL YOU |
00:33:35 |
(cell phone rings) |
00:33:38 |
HI, GAVIN, IT'S JENNY. |
00:33:40 |
UH, I GOT THE FIRST CLUE, |
00:33:42 |
BUT I NEED A NEW YORKER |
00:33:45 |
SO COULD YOU CALL ME? |
00:34:02 |
SEE? |
00:34:05 |
UM, I WAS |
00:34:07 |
THE WEST VILLAGE, |
00:34:10 |
SO WHAT THE HELL DOES |
00:34:13 |
DO YOU PLAY THE PIANO? |
00:34:15 |
GIVE ANGELA YOUR PHONE. |
00:34:16 |
OKAY, BUT I HAD |
00:34:19 |
TO AFFORD |
00:34:21 |
TIM KNOWS YOU HAVE A VIDEO |
00:34:24 |
HI, COULD YOU |
00:34:26 |
(sighs) |
00:34:28 |
HELLO, NEW YORK. |
00:34:31 |
LIVE FROM THE DUPLEX... |
00:34:34 |
SO, SERIOUSLY, THAT |
00:34:37 |
HOW DO YOU |
00:34:39 |
(hums) |
00:34:41 |
¶¶ IS THIS THING ON? ¶¶ |
00:34:44 |
ARE YOU KIDDING ME |
00:34:46 |
SOME KID CAME BY A WEEK AGO, |
00:34:49 |
CONVINCED HIM |
00:34:50 |
BE A PART |
00:34:53 |
NOW WAS THE KID |
00:34:56 |
YOU KNOW, I ALWAYS PICTURED TIM |
00:34:58 |
YEAH. |
00:35:01 |
(scoffs) THIS IS SO TIM. |
00:35:03 |
HIT IT. |
00:35:05 |
OKAY. |
00:35:08 |
¶¶ IS THE NEXT PLACE |
00:35:10 |
¶¶ THERE'S A GIRL |
00:35:12 |
¶¶ WHOSE NAME |
00:35:14 |
¶¶ FIND ASMERET ¶¶ |
00:35:16 |
¶¶ IT MIGHT NOT BE EASY, |
00:35:19 |
¶¶ SHE'LL HAND YOU A CD ¶¶ |
00:35:21 |
¶¶ OH, GO ANGELA |
00:35:24 |
¶¶ GET YOUR ASSES |
00:35:27 |
¶¶ AND FIND YOURSELF |
00:35:31 |
(laughs) |
00:35:33 |
OKAY. |
00:35:35 |
ARE YOU COMING? |
00:35:39 |
DON'T FORGET MY PURSE. |
00:35:43 |
(Jenny) HI, IT'S ME AGAIN. |
00:35:45 |
I FEEL LIKE A STALKER. |
00:35:47 |
UM, CALL ME. |
00:35:50 |
WELL, ACTUALLY, DON'T CALL ME. |
00:35:53 |
PAULA AND ROY ARE GONNA WIN |
00:35:57 |
I... (sighs) |
00:35:59 |
I- I REALLY WANT TO SEE YOU. |
00:36:03 |
(sighs) |
00:36:06 |
(cell phone rings) |
00:36:10 |
THANK YOU, TIM. |
00:36:24 |
I AM NOT PICKING UP A USED |
00:36:28 |
UGH, DIRT. |
00:36:29 |
YEAH, BUT THE CLUE SAYS |
00:36:31 |
WE NEED TO FIND |
00:36:34 |
WAIT, I HAVE A CONDOM |
00:36:36 |
BUT IT HAS TO BE USED. |
00:36:38 |
HMM. |
00:36:41 |
(scoffs) |
00:36:43 |
(knock on door) |
00:36:55 |
(cell phone rings) |
00:36:57 |
(sighs) |
00:37:00 |
WHAT, WHAT? |
00:37:04 |
GAVIN? |
00:37:05 |
TIM? |
00:37:27 |
I TOLD YOU WE WERE |
00:37:29 |
LET'S JUST GET THE CLUE. |
00:37:31 |
TIM SENT THE P.D.F. HERE, SO IT |
00:37:33 |
I KNOW MY WAY AROUND |
00:37:36 |
I WAS EDITOR. |
00:37:38 |
AND WHILE I'M HERE, |
00:37:40 |
WHO CAN I TALK TO |
00:37:43 |
(scoffs) |
00:37:45 |
LEAD THE WAY. |
00:37:49 |
UM, NEED HELP? |
00:37:53 |
(clears throat) |
00:37:55 |
PAULA, LOOK AT HER. |
00:37:57 |
IT'S CAMILLE. |
00:38:03 |
YOU KNOW, I CAN- |
00:38:04 |
I CAN KINDA SEE WHY |
00:38:07 |
WHAT? I HEARD |
00:38:09 |
YOU KNOW, I MEAN, LIKE, |
00:38:12 |
GET TO BE THE ONLY ONES |
00:38:15 |
COULD BE KINDA HOT |
00:38:17 |
YEAH, KNOWING |
00:38:19 |
AND ARRESTED. |
00:38:20 |
DIRTY. |
00:38:22 |
OH, YOU OKAY? |
00:38:24 |
YEAH, YEAH, I'M FINE. |
00:38:28 |
(clears throat) |
00:38:30 |
SO, UH, WHERE ARE WE-WHERE ARE |
00:38:33 |
AROUND... |
00:38:35 |
HERE. |
00:38:42 |
ARE YOU SERIOUS? |
00:38:45 |
THE SOONER WE GET IT, |
00:38:47 |
THE SOONER WE CAN |
00:38:49 |
(chuckles) |
00:38:54 |
(chuckles) |
00:39:02 |
OH, WHOA, IT LOOKS LIKE |
00:39:05 |
GOD, IT'S DIRTY. |
00:39:21 |
(Roy) |
00:39:23 |
(Paula) YEAH. |
00:39:27 |
TIM IS REALLY GOOD |
00:39:31 |
"COMING TO A VIDEO STORE |
00:39:34 |
OH, LOOK, HE PUT OUR NAMES |
00:39:38 |
OH, I GET IT. |
00:39:40 |
THE PIZZA PLACE. |
00:39:42 |
BUT WHAT DOES THAT HAVE TO DO |
00:39:44 |
TWO BOOTS |
00:39:47 |
THEY SHOW MOVIES. |
00:39:49 |
TWO BOOTS. |
00:39:51 |
I JUST DIDN'T THINK PEOPLE |
00:39:54 |
ON A SCAVENGER HUNT. |
00:39:55 |
I GOT WORK TO DO, |
00:39:57 |
I LIKE THE WAY YOU THINK. |
00:40:02 |
(clears throat) |
00:40:06 |
(camera shutter clicks) |
00:40:10 |
(giggles) |
00:40:12 |
OH, MY-OH, MY GOD. |
00:40:14 |
I WOULD KILL TO SEE TIM'S FACE |
00:40:19 |
(cell phone rings) |
00:40:23 |
(ring) |
00:40:25 |
WHO IS THAT? |
00:40:28 |
NO, NO, THE CLUE CAME |
00:40:31 |
WHO-WHO THE HELL |
00:40:33 |
THEN I MUST HAVE GOTTEN |
00:40:36 |
THEN WHY DID YOU |
00:40:38 |
ARE YOU ALWAYS |
00:40:41 |
YEAH, I GUESS. |
00:40:43 |
OH, MY GOD. (scoffs) |
00:40:45 |
IS THIS YOUR FIRST TIME? |
00:40:47 |
CAMILLE, WHO TEXTED YOU? |
00:40:49 |
NO ONE. |
00:40:51 |
LOOK, I KNOW YOU WEREN'T AT HOME |
00:40:54 |
(sighs) WHAT DO YOU |
00:40:56 |
JUST TELL ME THE TRUTH. |
00:40:59 |
LOOK, YOU KNOW WHAT? |
00:41:02 |
I'M GONNA GO FIND |
00:41:04 |
IF YOU WANT |
00:41:06 |
YOU KNOW |
00:41:09 |
(scoffs) |
00:41:26 |
CHAPPY? |
00:41:32 |
(sighs) |
00:41:34 |
COME ON, |
00:41:38 |
LOOK, I'M SORRY, OKAY? |
00:41:45 |
NOW IT'S EVEN DIRTIER. |
00:41:47 |
(gasps) |
00:41:49 |
(knock on door) |
00:41:51 |
(footsteps retreating) |
00:42:00 |
(door squeaks) |
00:42:08 |
(cell phone rings) |
00:42:11 |
STILL NO SIGN? |
00:42:13 |
GOOD GOD, TIM. WHAT- |
00:42:15 |
OH. (chuckles) |
00:42:18 |
WHY'D YOU SEND ME |
00:42:20 |
THEY'RE YOUR CLUES |
00:42:23 |
BUT GAVIN WAS NOT |
00:42:26 |
AND WHY DID YOU |
00:42:28 |
THAT WAS |
00:42:31 |
THE MESSAGES ARE |
00:42:33 |
LOOK, I DON'T KNOW. "OOPS" |
00:42:36 |
I MIGHT HAVE ACCIDENTALLY |
00:42:38 |
ALL THE CLUES ARE |
00:42:40 |
"GAVIN IS IN HIS ROOM." |
00:42:43 |
LOOK, IT HAD-IT HAD NOTHING |
00:42:46 |
GRANT'S TOMB? |
00:42:49 |
WHAT DOES THAT HAVE |
00:42:52 |
I INTENTIONALLY MATCHED |
00:42:54 |
WITH EACH PERSON |
00:42:56 |
UM, I DON'T GET IT. |
00:42:58 |
ALL THE PICTURES THAT |
00:43:01 |
I'M PUTTING THEM |
00:43:03 |
IT'S KIND OF LIKE A MOVIE, |
00:43:05 |
LIKE, I HAVE IT SET UP |
00:43:08 |
SO THE CHAPPY HAS TO MEET UP |
00:43:10 |
AT AN INTERNET CAFé |
00:43:13 |
WE GET TO SEE |
00:43:15 |
SO WAIT, |
00:43:18 |
WERE YOU PLANNING |
00:43:20 |
I THOUGHT GRANT'S TOMB MIGHT |
00:43:23 |
DO YOU ACTUALLY |
00:43:26 |
YOU STILL HAVE |
00:43:28 |
TO FIND ANOTHER PARTNER |
00:43:31 |
I GUARANTEE YOU |
00:43:33 |
THE FINAL DESTINATION- |
00:43:35 |
TELL ME WHAT IT IS. |
00:43:37 |
YOU'LL JUST HAVE |
00:43:39 |
A HINT, A HINT. |
00:43:41 |
OH, THE HINT- |
00:43:44 |
(gasps) |
00:43:46 |
WHAT DID YOU SAY, THEY'RE- |
00:43:49 |
JOIN THE GAME |
00:43:55 |
(breathing heavily) |
00:44:00 |
JENNY! |
00:44:02 |
(grunts) |
00:44:06 |
YOU WANT TO TELL ME |
00:44:08 |
AND HOW THE HELL |
00:44:10 |
IT'S OKAY DEENA, DEENA. |
00:44:12 |
SO DO YOU, UH, |
00:44:16 |
WHY YOU'RE CHASING ME |
00:44:19 |
OW. |
00:44:21 |
THAT'S ALL RIGHT. |
00:44:23 |
YEAH, UM, YOUR PARENTS |
00:44:26 |
AND THEY KNEW I'D RETIRED UP |
00:44:29 |
(scoffs) WHY DIDN'T YOU |
00:44:31 |
BECAUSE THEY DIDN'T |
00:44:33 |
LIKE THEY WERE |
00:44:36 |
SO WHERE WERE YOU |
00:44:39 |
SHOT AT? |
00:44:45 |
JENNY, YOUR PARENTS |
00:44:49 |
OKAY, THEN SOME-SOMEBODY |
00:44:54 |
SINCE THE DAY |
00:44:56 |
OKAY, HAVE YOU SEEN HIM? |
00:45:01 |
UH, THAT'S THE THING. |
00:45:03 |
I HAVEN'T REALLY |
00:45:06 |
BUT IT'S JUST |
00:45:10 |
OR MAYBE I'M CRAZY. |
00:45:12 |
AFTER WHAT |
00:45:14 |
YOU'VE GOT A RIGHT TO JUMP |
00:45:17 |
WHY DIDN'T YOU |
00:45:21 |
I WAS PUTTIN' YOUR PARENTS |
00:45:24 |
THAT WON'T HAPPEN AGAIN. |
00:45:27 |
CAN YOU DO ME A FAVOR? |
00:45:29 |
CAN YOU TELL MY PARENTS |
00:45:33 |
BECAUSE I STARTED |
00:45:36 |
AND I JOINED A CULT, |
00:45:38 |
AND MY PIMP REALLY |
00:45:40 |
YOU FOLLOWING ME AROUND. |
00:45:41 |
OKAY, I GET IT. |
00:45:45 |
IF YOU NEED ME, |
00:45:48 |
I WILL. |
00:45:51 |
I WILL CALL YOU |
00:45:53 |
OKAY. |
00:45:55 |
AND YOU LOOK LIKE YOU'RE |
00:45:58 |
WITH, UH, ANNIE OAKLEY |
00:46:01 |
YOU WERE LEAVING. |
00:46:03 |
YEAH, YEAH. |
00:46:05 |
THANK YOU. |
00:46:12 |
LOOK AT YOU, |
00:46:16 |
EW. |
00:46:18 |
BYE. |
00:46:27 |
YEAH, AND YOU'RE WELCOME, |
00:46:31 |
(scoffs) |
00:46:33 |
OH, THANK YOU |
00:46:36 |
(laughs) |
00:46:40 |
OH, YEAH, DON'T WAIT UP. |
00:46:42 |
ARE YOU GONNA TREAT ME |
00:46:44 |
HELL, ARE YOU GONNA |
00:46:46 |
OUR WHOLE LIFE TOGETHER? |
00:46:48 |
YEAH. |
00:46:49 |
WELL, SO NOW THAT YOU KNOW YOUR |
00:46:52 |
ARE YOU GONNA FINALLY |
00:46:54 |
YEAH, I'M TOTALLY CURED. |
00:46:56 |
(scoffs) |
00:46:57 |
IT SO WORKS THAT WAY. |
00:47:00 |
OH, WHEN DID THAT |
00:47:13 |
HELLO, I CALLED YOU |
00:47:16 |
WAIT, WHEN DID YOU- |
00:47:19 |
I CALLED AHEAD. |
00:47:20 |
YOU DIDN'T HEAR ME |
00:47:22 |
BECAUSE, WELL, HEARING ME'S |
00:47:24 |
ANYWAY, UH, WE'RE HERE |
00:47:26 |
THAT I'M SURE THAT OUR R.A. |
00:47:28 |
TOLD SOMEONE HERE TO PUT |
00:47:30 |
SO IF YOU COULD |
00:47:33 |
WE'LL BE OUT OF YOUR HAIR, |
00:47:35 |
AND I'M SURE THAT SHE'LL BE |
00:47:38 |
'CAUSE SHE'S ALWAYS |
00:47:41 |
YEP, THAT GUY |
00:47:47 |
WELL, SHOW US. |
00:47:49 |
YEAH, APPARENTLY, |
00:47:51 |
YOU'RE SUPPOSED TO LOOK. |
00:47:54 |
(Jenny) |
00:47:57 |
HINT-IF HE WAS GONNA |
00:48:00 |
HE'D LEAVE IT |
00:48:28 |
THAT'S WEIRD. |
00:48:30 |
"FIND JENNY TRAYLOR." |
00:48:32 |
(scoffs) |
00:48:37 |
THIS HAD BETTER BE |
00:48:40 |
'CAUSE IF I GO TO ANOTHER |
00:48:43 |
I WAS STARTING TO THINK |
00:48:45 |
WE WERE NEVER GONNA FIND SOMEONE |
00:48:47 |
(giggles) |
00:48:49 |
YOU MUST BE |
00:48:52 |
WAIT, THAT'S MINE! |
00:48:54 |
HEY, HOW MANY OF THESE CAFéS |
00:48:57 |
AND HOW MANY ASMERETS |
00:49:00 |
ACTUALLY, |
00:49:02 |
SEVEN. |
00:49:04 |
I HAVE OTHER CUSTOMERS. |
00:49:09 |
IT'S TOO SMALL |
00:49:13 |
I'M SO TIRED |
00:49:17 |
YEAH... (sighs) |
00:49:19 |
UH, SINCE NO ONE WANTED TO BE |
00:49:23 |
AND SINCE |
00:49:25 |
YOU'RE AS BIG A LOSER |
00:49:28 |
I SAY WE SCREW 'EM ALL, |
00:49:31 |
WIN THE HUNT, |
00:49:35 |
JACK WHITE COULD TURN ME. |
00:49:37 |
(Paula) OF COURSE |
00:49:39 |
SHE'S ALWAYS IN HER ROOM. |
00:49:43 |
HI. |
00:49:48 |
OH, PLEASE, |
00:49:51 |
(thud) |
00:49:57 |
OH, MY GOD. |
00:49:59 |
GOD. |
00:50:01 |
DON'T-DON'T- DON'T TOUCH IT. |
00:50:04 |
OH! |
00:50:09 |
"FOLLOW THE CLUES |
00:50:13 |
"FIND THE FINAL |
00:50:15 |
BEFORE GAVIN MEETS HIS." |
00:50:18 |
OH, COME ON. |
00:50:20 |
THIS IS NOT |
00:50:23 |
IT KINDA LOOKS LIKE THE CADAVER |
00:50:26 |
OH, AND I ASSUME |
00:50:29 |
THIS IS PLASTIC. |
00:50:31 |
REAL BLOOD WOULD BLEED. |
00:50:35 |
HEY, WHERE'S CAMILLE? |
00:50:38 |
THEN WHY ARE YOU HERE? |
00:50:40 |
AND WHEN CAMILLE GETS |
00:50:43 |
I'M GONNA TAKE |
00:50:45 |
TAKE ME. WE COULD |
00:50:47 |
HEY, I THOUGHT |
00:50:49 |
OH, COME ON. YOU'D MOW ME |
00:50:51 |
I- I WOULDN'T. I WOULD NOT. |
00:50:54 |
WHICH HER, |
00:50:58 |
I'LL BE DONE |
00:51:01 |
GAVIN COULD BE |
00:51:04 |
I HATE TO SAY IT, BUT GAVIN'S |
00:51:06 |
IT IS NOT A JOKE. GAVIN WOULD |
00:51:09 |
IF IT EVEN IS A FINGER. |
00:51:12 |
(sniffs) FAKE TO ME. |
00:51:19 |
NOW YOU WANT TO CALL THE COPS, |
00:51:22 |
I'M GONNA TAKE A PICTURE |
00:51:25 |
COME ON. COME ON. |
00:51:28 |
SO YOU REALLY |
00:51:31 |
YOU JUST-YOU JUST |
00:51:34 |
(camera shutter clicks) |
00:51:36 |
ACTUALLY, I DO CARE. |
00:51:38 |
I DON'T WANT |
00:51:40 |
YET ANOTHER ONE |
00:51:42 |
SERIOUSLY, I KNOW |
00:51:45 |
BUT YOU REALLY NEED TO GET |
00:51:47 |
OH, MY GOD. |
00:51:50 |
YOU DID THINK |
00:51:52 |
DOES ANYBODY THINK THAT MAYBE |
00:51:55 |
AND THAT-THAT WHETHER |
00:51:58 |
THAT WE NEED |
00:52:02 |
TIM WAS |
00:52:03 |
(mumbles) |
00:52:06 |
(cell phone rings) |
00:52:09 |
TIM, IT-IT'S ROY. |
00:52:15 |
OH, MY GOD. |
00:52:19 |
IT'S GAVIN'S RING. |
00:52:22 |
LET'S FIND TIM. |
00:52:31 |
OKAY, |
00:52:36 |
ALL RIGHT. |
00:52:38 |
I KNOW. OKAY. |
00:52:40 |
TIMMY! |
00:52:42 |
(scoffs) |
00:52:44 |
OKAY. |
00:52:52 |
COME ON. TIM! |
00:53:05 |
WHAT? |
00:53:08 |
HE'S NOT HERE. |
00:53:11 |
HEY, IT'S... |
00:53:32 |
ARE YOU INSANE? |
00:53:34 |
OH, COME ON. |
00:53:36 |
THIS IS TIM |
00:53:38 |
TOTAL DRAMA QUEEN |
00:53:41 |
LOOK AT THE TRIPOD LEG. |
00:53:43 |
THE GUY IN THE SWEATSHIRT'S |
00:53:45 |
OH, HE IS SO OVER THE TOP. |
00:53:49 |
(giggles) |
00:53:50 |
WELL, OBVIOUSLY, HE WANTS ME |
00:53:53 |
MEN AND THEIR GAMES. MM. |
00:53:55 |
OKAY, TIM, I ADMIT IT. |
00:53:58 |
YOU GOT ME. |
00:54:02 |
(cell phones rings) |
00:54:05 |
I'M GOING BACK TO CAMPUS. |
00:54:08 |
COME ON. YOU DON'T |
00:54:10 |
IF HE'S NOT, |
00:54:11 |
THEN WHY HASN'T HE |
00:54:14 |
HA! SEE? |
00:54:15 |
"SAY OM WITH |
00:54:18 |
"THE DRAMA BOOKS HOP." |
00:54:21 |
"THE GATE"... |
00:54:24 |
"IS OPEN." |
00:54:27 |
THE GATE OF HELL |
00:54:28 |
NO, NOT "BOOKS HOP." |
00:54:31 |
THE DRAMA BOOKSHOP. |
00:54:32 |
IT'S WHERE TIM AND I |
00:54:34 |
GOD, HE IS SO OBVIOUS |
00:54:37 |
DOESN'T CAMILLE DO YOGA? |
00:54:39 |
YEAH, AT A PLACE CALLED |
00:54:41 |
AND YOU HAVEN'T TALKED TO HER |
00:54:44 |
HELLO! WHO'S |
00:54:46 |
YOU GO AHEAD. |
00:54:49 |
GATE OF HELL... |
00:54:50 |
HELLGATE. |
00:54:53 |
YOU CAN SEE IT |
00:54:56 |
OKAY, I'M FROM THERE. |
00:54:57 |
MY PARENTS HAVE A DOORMAN, |
00:54:59 |
(cell phone rings) |
00:55:03 |
IF IT IS, |
00:55:06 |
LOOK. |
00:55:09 |
WELL, WE BETTER |
00:55:12 |
(sighs) |
00:55:14 |
"CALL THE COPS, |
00:55:18 |
PRETTY CLEAR TO ME. |
00:55:20 |
UM, RED HOOK. |
00:55:22 |
OKAY, PEOPLE, |
00:55:25 |
AND HE'S STILL BEING |
00:55:28 |
I SAY WE KEEP PLAYING. |
00:55:31 |
IT'S TIM'S WAY |
00:55:34 |
UM, VINDIGO SAYS THAT |
00:55:37 |
IT'S IN ASTORIA. |
00:55:39 |
SEE? IT'S A 12 THING. |
00:55:41 |
I LOATHE ASTORIA. |
00:55:43 |
SO WHY DON'T YOU GUYS |
00:55:45 |
(groans) |
00:55:48 |
ROY, WHERE IN ASTORIA |
00:55:51 |
WHETHER IT'S A GAME |
00:55:53 |
WE HAVE TO WIN. |
00:55:55 |
I'M NOT FUCKING AROUND. |
00:56:01 |
YOU COMING? |
00:56:15 |
HEY, IF THERE'S |
00:56:17 |
I WANT TO KNOW. |
00:56:20 |
"HAD"? |
00:56:23 |
CAMILLE MIGHT HAVE BEEN |
00:56:25 |
BUT SHE NEVER WOULD HAVE |
00:56:28 |
LOWERED HERSELF |
00:56:30 |
"MIGHT HAVE BEEN." |
00:56:32 |
SHE'S DEAD TO ME. |
00:56:35 |
I'M GOING BACK TO CAMPUS. |
00:56:37 |
WELL, YOU'RE NOT GONNA |
00:56:39 |
WHY NOT? |
00:56:41 |
AND HE'S PROBABLY ALREADY |
00:56:43 |
ARE YOU STILL |
00:56:46 |
WHY DON'T YOU |
00:56:48 |
THERE'S SOMEONE |
00:56:51 |
CALL OR TEXT ME IF YOU |
00:57:36 |
OOH, I THINK... |
00:57:43 |
(door squeaks) |
00:57:51 |
(grunts) |
00:57:56 |
(cell phone beeps) |
00:58:07 |
(groans) |
00:58:29 |
OH. |
00:58:31 |
UM, HELLO? |
00:58:33 |
SOMEBODY? |
00:58:36 |
OH, THEY'RE VINTAGE! |
00:58:38 |
OKAY, I GOT 'EM IN CHINATOWN, |
00:58:42 |
ANYONE? |
00:58:44 |
OW. |
00:58:52 |
IDIOT YOGAS. |
00:59:05 |
"PRINCESS AND THE PEA." |
00:59:07 |
(groans) |
00:59:20 |
(grunting) |
00:59:34 |
(screams) |
00:59:38 |
(gasps) |
00:59:40 |
(mumbling) |
00:59:43 |
(screaming) |
00:59:48 |
AAH! |
00:59:53 |
(AnGELa and Camille moaning) |
00:59:59 |
(grunts) |
01:00:07 |
(gasping) |
01:00:20 |
ANGELA. |
01:00:23 |
(cell phone rings) |
01:00:38 |
"THE PRIZE IS YOUR LIFE." |
01:00:40 |
"THE DESTINATION... |
01:00:46 |
(cell phone rings) |
01:00:48 |
"FIND JENNY TRAYLOR, |
01:00:51 |
(cell phone rings) |
01:00:53 |
SHE'S DEAD. SH-SHE- |
01:00:55 |
WHAT? |
01:00:58 |
I JUST- |
01:01:00 |
PLEASE, STOP. |
01:01:02 |
(cell phone rings) |
01:01:16 |
JENNY. |
01:01:18 |
JENNY TRAYLOR. |
01:01:28 |
(Deena) COME ON, JENNY, |
01:01:31 |
YES, DEENA, I REALLY THINK |
01:01:33 |
THE PICTURE WAS REAL. |
01:01:37 |
I JUST GET HIM, OKAY? |
01:01:39 |
OKAY, THERE'S |
01:01:41 |
LET'S JUST MEET UP |
01:01:43 |
(playing "No More" by ism) |
01:01:51 |
¶¶ I SAID NO MORE ¶¶ |
01:01:57 |
¶¶ NO MORE ¶¶ |
01:01:59 |
¶¶ I'M GONNA RISE UP, RISE UP ¶¶ |
01:02:02 |
¶¶ NO MORE ¶¶ |
01:02:07 |
¶¶ DON'T YOU SEE |
01:02:10 |
WHAT WAS THAT NOISE? |
01:02:12 |
THERE WAS A NOISE. |
01:02:14 |
OKAY, I DON'T GET YOU. |
01:02:16 |
YOU FREAK OUT |
01:02:18 |
AND YET YOU TRUST |
01:02:20 |
(whispering) KEEP YOUR VOICE |
01:02:23 |
WELL, DO YOU |
01:02:26 |
¶¶¶¶¶¶ |
01:02:42 |
THANKS. |
01:02:44 |
WHAT WAS THAT? |
01:02:45 |
IT'S-I WAS |
01:02:48 |
YOU HAVE TO ADMIT |
01:02:50 |
THAT POSTER |
01:02:53 |
AND THE FINGER. |
01:02:55 |
I'M STARTING TO THINK |
01:02:56 |
GAVIN MIGHT REALLY BE |
01:02:58 |
WOW. |
01:03:01 |
I'M REALLY GLAD |
01:03:04 |
OH. SURE, THAT, TOO. |
01:03:07 |
WAIT, WHAT? |
01:03:10 |
YOU HAVE TO ADMIT |
01:03:11 |
THIS WOULD MAKE |
01:03:14 |
PRICELESS. |
01:03:16 |
REALLY, PAULA. |
01:03:18 |
I'M GOING |
01:03:20 |
¶¶ IN THE MOONLIGHT |
01:03:23 |
(whispering) |
01:03:24 |
WHAT? |
01:03:27 |
OKAY, I'LL GO LOOK. |
01:03:30 |
(toilet paper roll squeaking) |
01:03:36 |
(cell phone rings) |
01:03:45 |
"WHERE ARE YOU, TIM?" |
01:03:51 |
(cell phone rings) |
01:04:06 |
(gasps) |
01:04:08 |
(dog barking) |
01:04:10 |
(screaming) |
01:04:20 |
GET OUT OF HERE! |
01:04:22 |
(chuckles) |
01:04:24 |
THAT WAS AWESOME. |
01:04:27 |
I'LL GET IT. |
01:04:31 |
ARE YOU OKAY? |
01:04:33 |
HE WAS MORE SCARED OF YOU |
01:04:36 |
YEAH. |
01:04:38 |
YOU KNOW, THIS IS SUPPOSED |
01:04:43 |
YOU'RE WELCOME, |
01:04:46 |
WELL, YOU'RE RIGHT. |
01:05:02 |
(Jenny) IF THERE IS |
01:05:04 |
JUST BECAUSE |
01:05:06 |
IT DOESN'T MEAN |
01:05:08 |
UH... |
01:05:09 |
YEAH. |
01:05:13 |
AND... YES. |
01:05:16 |
YES? |
01:05:22 |
(chuckles) |
01:05:26 |
MM. |
01:05:33 |
JENNY! DEENA! |
01:05:36 |
DID HE |
01:05:38 |
I DON'T KNOW. |
01:05:40 |
I WENT TO CHECK ON HIM. |
01:05:42 |
OKAY, THAT'S IT. |
01:05:44 |
JENNY! OPEN THE... |
01:05:46 |
NO! |
01:05:49 |
WHERE THE HELL |
01:05:51 |
LOOKING FOR THE SHITHEAD |
01:05:53 |
HOW DO I KNOW YOU'RE NOT |
01:05:55 |
I'M GOING TO SEND |
01:05:59 |
TO SEE IF YOUR CELL PHONE |
01:06:01 |
JENNY TRAYLOR'S GONNA |
01:06:03 |
I HAVE TRIED CALLING JENNY |
01:06:05 |
A THOUSAND TIMES OVER |
01:06:06 |
LOOK, MY CELL PHONE |
01:06:09 |
D- DO YOU TRUST ME YET? |
01:06:12 |
OH. |
01:06:16 |
OKAY. SO WHAT |
01:06:20 |
(sighs) |
01:06:21 |
WE HAVE TO-WE HAVE TO FIND- |
01:06:24 |
DO YOU HAVE ANY IDEAS? |
01:06:26 |
IS THE CLUE." |
01:06:28 |
WHAT THE HELL |
01:06:30 |
FRICKIN' NEW YORK CITY! |
01:06:32 |
YOU'D THINK YOU'D GET |
01:06:34 |
GOT IT, GOT IT, GOT IT, |
01:06:37 |
MOM? HI. HI. |
01:06:38 |
N- N-NO, NO. |
01:06:40 |
I JUST-I-HELLO? HI. |
01:06:42 |
I NEED, UM, I NEED |
01:06:44 |
DON'T BUG ME. |
01:06:47 |
BUT YOU'RE SMARTER. |
01:06:50 |
'CAUSE I SAW HIM TODAY. |
01:06:51 |
YEAH, HE'S IN NEW YORK. |
01:06:54 |
YEAH, 'CAUSE YOU SENT HIM |
01:06:57 |
I'M-I'M NOT MAD. |
01:06:59 |
JUST CAN YOU- |
01:07:01 |
CAN YOU-CAN YOU |
01:07:02 |
OH, MY GOD. |
01:07:05 |
I'M AN IDIOT. |
01:07:10 |
BROOKLYN. |
01:07:18 |
THEY DIDN'T SEND HIM. |
01:07:21 |
I KNEW HE WAS A PSYCHO, |
01:07:24 |
HAS SOME SICK FASCINATION |
01:07:27 |
OKAY, BUT HOW WOULD HE KNOW |
01:07:29 |
'CAUSE MY PARENTS |
01:07:31 |
(groans) A GPS PHONE |
01:07:33 |
WHAT ARE YOU DOING? |
01:07:36 |
(camera shutter clicks) |
01:07:38 |
(cell phones ring) |
01:07:39 |
"DON'T TAKE THE SUBWAY." |
01:07:42 |
"SO PICK UP YOUR CAR |
01:07:47 |
(Jenny) |
01:07:54 |
(groans) |
01:07:58 |
MOM? |
01:08:01 |
HELLO? |
01:08:03 |
WHAT'S WRONG? |
01:08:05 |
WHERE-WHERE ARE YOU? |
01:08:08 |
ANGELA IS DEAD. |
01:08:11 |
AND... HELLO? |
01:08:13 |
WHAT'S WRONG? |
01:08:18 |
IT'S-IT'S HIGGINBOTHAM. |
01:08:20 |
CAMILLE'S DEAD... |
01:08:22 |
AND ANGELA. |
01:08:24 |
OKAY, ARE YOU SURE |
01:08:26 |
THERE IS NO JOKE! |
01:08:28 |
THEN WHY ARE WE |
01:08:32 |
HOW DO YOU KNOW HE'S NOT |
01:08:35 |
HE'S NOT! |
01:08:37 |
BECAUSE I DO. |
01:09:01 |
OKAY, WELL, WE'RE HERE. |
01:09:05 |
UM, I'M GONNA |
01:09:07 |
AND I WANT TO TELL THEM |
01:09:09 |
AND I WANT |
01:09:11 |
DOES ANYBODY |
01:09:14 |
MNH-MNH. |
01:09:16 |
D- D-DON'T-DON'T- |
01:09:28 |
NOTHIN'. |
01:09:32 |
(car door thuds) |
01:09:34 |
WHAT WAS THAT NOISE? |
01:09:41 |
(thud) |
01:09:44 |
(groans) WHAT? |
01:09:46 |
LET'S GET OUT OF HERE. |
01:09:48 |
DON'T. |
01:09:50 |
COME ON! |
01:09:53 |
FROM A PRETTY SHADY SOURCE. |
01:09:55 |
IT'S NOTHING. |
01:10:11 |
(gasps) |
01:10:13 |
(sobs) |
01:10:16 |
STAY IN THE CAR. |
01:10:18 |
(crying) YOU DON'T WANT |
01:10:24 |
(grunting) |
01:10:27 |
WHAT IS IT? |
01:10:30 |
START THE CAR! |
01:10:32 |
WHERE ARE THE KEYS? |
01:10:34 |
(grunts) |
01:10:37 |
I DON'T HAVE THE KEYS! |
01:10:39 |
(grunting) |
01:10:41 |
WHERE ARE THEY? |
01:10:43 |
DEENA, YOU HAVE THE KEYS! |
01:10:45 |
YOU WANT TO KILL ME? |
01:10:47 |
DO SOMETHING! |
01:10:50 |
(grunting) |
01:10:53 |
(grunts) FUCKER! |
01:10:56 |
(grunting) |
01:11:05 |
DEENA! |
01:11:08 |
(gasping) |
01:11:14 |
OH, MY... |
01:11:18 |
(gasps) |
01:11:20 |
(both scream) |
01:11:26 |
AAH! |
01:11:29 |
(both screaming) |
01:11:35 |
GET OFF HER! |
01:11:38 |
COME ON! |
01:11:41 |
NO! |
01:11:48 |
(Jenny)... TWO. |
01:11:51 |
FIVE. SIX. SEVEN. |
01:11:55 |
EIGHT. NINE. |
01:11:58 |
TEN. |
01:12:00 |
ELEVEN. |
01:12:02 |
THERE'S NO SIGNAL. |
01:12:08 |
WE GOTTA GET OUT OF HERE. |
01:12:10 |
JENNY. JENNY. JENNY. |
01:12:13 |
WE GOTTA |
01:12:15 |
SO JUST-JUST |
01:12:19 |
FIND A DOOR, UM... |
01:12:21 |
JENNY! |
01:12:25 |
OKAY. OKAY. |
01:12:28 |
AND I'M GONNA |
01:12:51 |
THERE'S A CLUE, P-PAULA. |
01:13:10 |
PAULA? |
01:13:14 |
(gasps) COME-GET- |
01:13:17 |
THERE'S-THERE'S |
01:13:19 |
LOOK! THERE'S SOMEBODY |
01:13:22 |
SOMEBODY HELP! |
01:13:25 |
COME BACK DOWN HERE! |
01:13:28 |
(screaming) |
01:13:30 |
JENNY! (screaming) |
01:13:38 |
(Lieutenant Fox) JENNY? |
01:13:40 |
JENNY, ARE YOU ALL RIGHT? |
01:13:43 |
IT'S LIEUTENANT FOX. |
01:13:45 |
(Gavin) |
01:13:48 |
LET ME KNOW |
01:13:51 |
JENNY, HELP ME. |
01:13:55 |
(coughs) |
01:13:58 |
I JUST WANT TO KNOW |
01:14:01 |
THAT'S ALL |
01:14:03 |
JENNY? |
01:14:06 |
GAVIN! |
01:14:10 |
JENNY. (coughs) |
01:14:21 |
HEY. |
01:14:24 |
(whimpers) |
01:14:27 |
I DIDN'T THINK |
01:14:30 |
(whispers) |
01:14:32 |
JENNY. |
01:14:34 |
(normal voice) |
01:14:40 |
THIS WAY. |
01:14:42 |
(AnGELa) NOW WAS THE KID |
01:14:45 |
YOU KNOW, I ALWAYS PICTURED TIM |
01:14:51 |
(scoffs) THIS IS SO TIM. |
01:14:54 |
HIT IT. |
01:14:56 |
(clears throat) |
01:14:59 |
¶¶ IS THE NEXT PLACE |
01:15:01 |
¶¶ THERE'S A GIRL |
01:15:03 |
¶¶ WHOSE NAME |
01:15:05 |
¶¶ FIND ASMERET ¶¶ |
01:15:06 |
¶¶ IT MIGHT NOT BE EASY ¶¶ |
01:15:08 |
¶¶ BUT ASMERET HAS |
01:15:10 |
¶¶ SHE'LL HAND YOU A CD ¶¶ |
01:15:12 |
¶¶ OH, GO ANGELA, |
01:15:14 |
¶¶ GET YOUR ASSES |
01:15:16 |
¶¶ AND FIND YOURSELVES |
01:15:22 |
(moaning) |
01:15:25 |
I THOUGHT |
01:15:28 |
(Chappy) TIM, SHOW YOUR FACE, |
01:15:29 |
(Higginbotham) TIM! |
01:15:31 |
TIM! |
01:15:34 |
WHERE ARE YOU, |
01:15:38 |
(gasping) |
01:15:42 |
JENNY, ARE YOU OKAY? |
01:15:44 |
(voices speaking indistinctly) |
01:15:55 |
HE SAID, |
01:15:57 |
(woman groaning) |
01:15:59 |
OH, MY GOD. |
01:16:05 |
HE HAD CAMERAS |
01:16:08 |
(voices speaking indistinctly) |
01:16:13 |
OKAY, WELL, HE'S |
01:16:15 |
NO. N-NO, NO, NOT TIM. |
01:16:18 |
WHO? |
01:16:20 |
TIM'S THE TWISTED LITTLE FUCK |
01:16:33 |
OKAY, WELL, WE NEED |
01:16:36 |
I'M FINE. |
01:16:38 |
THIS IS REALLY BAD. |
01:16:42 |
IT WAS WORTH IT. |
01:16:48 |
WHAT? |
01:16:51 |
WHAT DO YOU- |
01:16:53 |
YOU-YOU CAME |
01:17:02 |
ARE YOU ALL RIGHT? |
01:17:09 |
JENNY, WHAT'S WRONG? |
01:17:14 |
D- DID YOU DO THIS? |
01:17:22 |
DON'T LOOK SAD. |
01:17:25 |
TELL ME |
01:17:29 |
(Chappy) PSYCHO! |
01:17:34 |
NO! DON'T HURT HIM! |
01:17:38 |
GO GET HELP! |
01:17:40 |
(grunting) |
01:17:49 |
GAVIN! |
01:17:57 |
(voices speaking indistinctly) |
01:18:09 |
OH, MY GOD, GAVIN. |
01:18:16 |
AFTER WHAT YOU AND I |
01:18:20 |
NOBODY CARED. |
01:18:22 |
BUT THEY |
01:18:24 |
THEY WOULD'VE |
01:18:26 |
LIKE NOTHING BAD |
01:18:29 |
HAVE ANY OF THEM- |
01:18:30 |
ANY OF THEM |
01:18:33 |
DO THEY KNOW WHAT YOU AND I |
01:18:37 |
GAVIN. |
01:18:40 |
NO, IT'S OKAY. |
01:18:42 |
IT'S OKAY. |
01:18:45 |
SHH. I KNEW |
01:18:48 |
IT'S ALL RIGHT. |
01:18:50 |
THAT'S WHY I LOVE YOU. |
01:18:53 |
I KNEW WHEN I MET YOU. |
01:18:59 |
ARE YOU GONNA KILL ME? |
01:19:01 |
NO. |
01:19:03 |
(chuckling) GOD, NO. |
01:19:07 |
I DID THIS |
01:19:21 |
WHAT IF I DON'T WANT |
01:19:26 |
YOU DON'T MEAN THAT. |
01:19:28 |
WE'RE SOUL MATES. |
01:19:32 |
JENNY! |
01:19:34 |
(gasps) |
01:19:36 |
BACK AWAY |
01:19:39 |
BACK AWAY FROM HIM. |
01:20:02 |
NO. |
01:20:06 |
(gasps) NO! |
01:20:27 |
YOU'RE SAFE NOW. |
01:20:34 |
NO, I'M NOT. |
01:20:45 |
¶¶¶¶¶¶ |
01:21:17 |
(playing "Spin" by NLX) |
01:21:29 |
¶¶ SPIN ¶¶ |
01:21:35 |
¶¶ WON'T YOU SPIN |
01:21:41 |
¶¶ I REGRET TO INFORM YOU ¶¶ |
01:21:43 |
¶¶ I'M GOING TO ADORE YOU ¶¶ |
01:21:46 |
¶¶ YEAH, SPIN ¶¶ |
01:21:48 |
¶¶ AND RELEASE ¶¶ |
01:21:51 |
¶¶ JUST SAY PLEASE ¶¶ |
01:21:55 |
¶¶ I'LL GIVE YOU THE POWER ¶¶ |
01:21:56 |
¶¶ JUST ORPHAN AN HOUR ¶¶ |
01:21:58 |
¶¶ YEAH, SPIN ¶¶ |
01:22:01 |
¶¶ YOU'RE ¶¶ |
01:22:04 |
¶¶ YOU'RE NOT ALONE ¶¶ |
01:22:06 |
¶¶ YOU'RE NOT ALONE ¶¶ |
01:22:09 |
¶¶ AND IT'S KILLIN' ME |
01:22:13 |
¶¶ IT'S KILLIN' ME THAT I KNOW |
01:22:17 |
¶¶ AND THEY NEVER SAY |
01:22:20 |
¶¶ 'BOUT YOUR GIRL ¶¶ |
01:22:23 |
¶¶ AND YOU RISK ¶¶ |
01:22:29 |
¶¶ WOULD YOU RISK ¶¶ |
01:22:32 |
¶¶ IT FOR BLISS? ¶¶ |
01:22:35 |
¶¶ WE'LL BE DAY DRUNKS |
01:22:37 |
¶¶ WE'LL MEET AT THE SALOON ¶¶ |
01:22:39 |
¶¶ AND WE'LL RISK ¶¶ |
01:22:42 |
¶¶ YOU'RE ¶¶ |
01:22:45 |
¶¶ YOU'RE NOT ALONE ¶¶ |
01:22:47 |
¶¶ YOU'RE NOT ALONE ¶¶ |
01:22:49 |
¶¶ AND IT'S KILLIN' ME |
01:22:53 |
¶¶ IT'S KILLIN' ME THAT I KNOW |
01:22:57 |
¶¶ AND THEY NEVER SAY |
01:23:00 |
¶¶ 'BOUT YOUR GIRL ¶¶ |
01:23:16 |
(playing "Independence Day" |
01:23:29 |
¶¶ SORRY I'M STARING ¶¶ |
01:23:32 |
¶¶ I'M JUST TRYING TO SEE ¶¶ |
01:23:36 |
¶¶ WHAT EVERYONE SAYS ¶¶ |
01:23:39 |
¶¶ IS UNDER ME ¶¶ |
01:23:45 |
¶¶ CAUGHT YOU BLUFFING ¶¶ |
01:23:48 |
¶¶ YOU WERE LYING |
01:23:52 |
¶¶ YOU SAID |
01:23:55 |
¶¶ WOULD SET ME FREE ¶¶ |
01:23:57 |
¶¶ BUT IT'S KILLIN' ME ¶¶ |
01:24:00 |
¶¶ I'M NOT TRYIN' |
01:24:03 |
¶¶ NEVER DID, NEVER WILL ¶¶ |
01:24:05 |
¶¶ I'M JUST TRYIN' |
01:24:09 |
¶¶ AND IT'S THE 4th OF JULY ¶¶ |
01:24:14 |
¶¶ IT'S THE 4th OF JULY ¶¶ |
01:24:16 |
¶¶ BUT I DON'T FEEL |
01:24:19 |
¶¶ AT ALL ¶¶ |
01:24:27 |
¶¶ OOH, OOH ¶¶ |
01:24:31 |
¶¶ OOH ¶¶ |
01:24:35 |
¶¶ OOH, OOH ¶¶ |
01:24:39 |
¶¶ OOH ¶¶ |