|
Red Is the Color of
|
| 00:02:10 |
[ Phone Rings ] |
| 00:02:18 |
[ Beeps ] |
| 00:02:20 |
Blue, I'm in the middle |
| 00:02:25 |
I don't know. Did you-- |
| 00:02:30 |
I did ask you to |
| 00:02:34 |
Okay. Uh, I'll-- |
| 00:02:38 |
Later. I'm in the middle |
| 00:02:41 |
Bye. Bye. |
| 00:03:03 |
Wait. I just-- |
| 00:03:06 |
I made this for you. |
| 00:03:22 |
[ Woman ] |
| 00:03:28 |
# Sometimes, you make me sad # |
| 00:03:35 |
# Don't be bad # |
| 00:03:37 |
# Make me happy # |
| 00:03:40 |
# Make me mad # |
| 00:03:42 |
[ Sniffles ] |
| 00:03:45 |
# [ Vocalizing ] |
| 00:03:48 |
[ Laughs ] |
| 00:03:52 |
I'll be good. I promise. |
| 00:03:55 |
Let's call it a day. |
| 00:03:58 |
I'll be so good. |
| 00:04:00 |
[ Laughs ] |
| 00:04:03 |
How long? |
| 00:04:05 |
[ Door Opens, Closes ] |
| 00:04:09 |
[ Locks Latching ] |
| 00:04:13 |
I've run into this woman. |
| 00:04:16 |
She was waiting |
| 00:04:18 |
I don't know-- |
| 00:04:21 |
I-- I got really scared this time. |
| 00:04:24 |
Oh, I've called them so many times, |
| 00:04:28 |
- Hi. |
| 00:04:32 |
I'm interrupting your work. |
| 00:04:35 |
Oh. Uh-- |
| 00:04:37 |
No. No. |
| 00:04:39 |
Don't, uh-- Don't stop |
| 00:04:41 |
I'll, uh-- |
| 00:04:47 |
Uh-- |
| 00:05:11 |
[ Glass Breaks ] |
| 00:05:13 |
Oh, shit! Shit! |
| 00:05:16 |
It's your grandmother's vase. |
| 00:05:20 |
[ Broken Glass Tinkling ] |
| 00:05:23 |
Got most of it. |
| 00:05:25 |
Go ahead and get dressed. |
| 00:05:27 |
I was just getting |
| 00:05:29 |
Would anybody |
| 00:05:31 |
No? Okay. Um-- Hmm. |
| 00:05:37 |
[ Clattering ] |
| 00:05:40 |
[ Julie ] So that's your wife? |
| 00:05:43 |
What an interesting woman. |
| 00:05:49 |
- And very pretty. |
| 00:05:51 |
She is. |
| 00:05:55 |
You don't wanna paint |
| 00:05:57 |
No. |
| 00:06:00 |
Tomorrow? Again? |
| 00:06:03 |
Paint me? Yes? |
| 00:06:05 |
Yes. |
| 00:06:12 |
So I'll see you tomorrow, |
| 00:06:15 |
freshly bathed and scented, waiting |
| 00:06:19 |
Sir. |
| 00:06:22 |
Julie? |
| 00:06:26 |
Did I give you a check? |
| 00:06:29 |
Yesterday-- |
| 00:06:33 |
All right. Sorry. |
| 00:06:41 |
[ Door Opens, Closes ] |
| 00:06:45 |
So that's Julie? |
| 00:06:47 |
Yep. |
| 00:06:50 |
She seems nice. |
| 00:06:54 |
And very pretty. |
| 00:06:56 |
Mmm. Well, yeah. |
| 00:06:59 |
- You're happy with how it's going? |
| 00:07:04 |
Good. That's good. |
| 00:07:09 |
I bought something for you. |
| 00:07:11 |
Actually, it's for us. |
| 00:07:15 |
It's a little silly, |
| 00:07:17 |
I read about this couple who-- |
| 00:07:21 |
No, three, and they had a competition-- |
| 00:07:23 |
I hate it |
| 00:07:26 |
It makes me feel |
| 00:07:30 |
You are anything |
| 00:07:35 |
Prove it. |
| 00:07:38 |
[ Exhales ] |
| 00:07:48 |
Mm-hmm. |
| 00:07:52 |
So what's the game? |
| 00:07:54 |
Oh. |
| 00:07:56 |
Up on the shelf, |
| 00:07:58 |
[ Chuckles ] |
| 00:08:05 |
This... green thing here? |
| 00:08:13 |
His name is Pogi. |
| 00:08:15 |
For the next month, we'll have |
| 00:08:19 |
and take care of him |
| 00:08:22 |
He's sort of a... |
| 00:08:25 |
You can't be serious. |
| 00:08:27 |
He's from Japan. |
| 00:08:29 |
Oh. I see. |
| 00:08:36 |
And, uh, |
| 00:08:39 |
what do I get |
| 00:08:42 |
I buy you dinner. |
| 00:08:44 |
How many men would agree |
| 00:08:48 |
Um, none. |
| 00:08:52 |
Only you, Mr. Blue. |
| 00:08:57 |
Ooh. |
| 00:08:59 |
[ Squishing Sound ] |
| 00:09:02 |
[ Knocking ] |
| 00:09:05 |
[ Shouting, Indistinct ] |
| 00:09:08 |
Good-bye! |
| 00:09:10 |
Hello. |
| 00:09:13 |
David, hey, um-- |
| 00:09:15 |
I got a friend |
| 00:09:17 |
His name is Carl Marx. |
| 00:09:20 |
He owns Spew Gallery. |
| 00:09:23 |
You should show him your work. |
| 00:09:25 |
Mmm. |
| 00:09:27 |
Oh, you'll meet him. |
| 00:09:29 |
I said I'd think |
| 00:09:31 |
I gotta get going. |
| 00:09:34 |
You forgot something! |
| 00:09:37 |
[ Running Footsteps ] |
| 00:09:41 |
[ Electronic Beeps ] |
| 00:09:46 |
Bye, Blue. |
| 00:09:48 |
Bye, Red. |
| 00:09:50 |
[ Mary ] I have this bizarre, |
| 00:09:53 |
I imagine David breaking |
| 00:09:57 |
Mm-hmm. With you? |
| 00:09:59 |
With dead people-- |
| 00:10:02 |
And I see him pulling out |
| 00:10:04 |
you know, the ones that sink |
| 00:10:07 |
where they keep |
| 00:10:09 |
And there's this woman. |
| 00:10:13 |
very young, |
| 00:10:15 |
Mmm. How young? |
| 00:10:18 |
Very young. |
| 00:10:20 |
Anyway, he's being |
| 00:10:24 |
you know, not to rip out |
| 00:10:26 |
you know, |
| 00:10:29 |
And-- |
| 00:10:33 |
How am I to compete |
| 00:10:37 |
How often do you have |
| 00:10:40 |
Um, mostly when |
| 00:10:43 |
so not very often. |
| 00:10:45 |
[ Groans ] |
| 00:10:47 |
It kind of gets in the way |
| 00:10:50 |
I can see how that could happen. |
| 00:10:57 |
All we have is cookies. |
| 00:10:59 |
Macadamia-chocolate chip |
| 00:11:05 |
Do you think I'm warped-- |
| 00:11:10 |
No! You would not believe what |
| 00:11:16 |
Did David see that shrink |
| 00:11:19 |
Stephen, I'm not supposed to look at that. |
| 00:11:21 |
Well, this is definitely |
| 00:11:23 |
She is attractive, isn't she? |
| 00:11:27 |
What? |
| 00:11:30 |
What was that "uh-huh"? What? |
| 00:11:33 |
You're being paranoid. |
| 00:11:37 |
No. David's not |
| 00:11:41 |
What made you say that? |
| 00:11:43 |
No, you don't. |
| 00:11:45 |
No, you don't. |
| 00:11:46 |
Yeah, I do. David is totally |
| 00:11:51 |
You're right. |
| 00:11:54 |
I found a pair of underwear under |
| 00:11:57 |
Ouch. Well-- [ Stammers ] |
| 00:12:00 |
Don't make any assumptions. |
| 00:12:01 |
There are women dressing and |
| 00:12:04 |
It's not outside the realm |
| 00:12:08 |
[ Sniffling ] Why do you have a tissue |
| 00:12:11 |
I keep getting |
| 00:12:14 |
I need to get cauterized |
| 00:12:18 |
[ Groans ] |
| 00:12:22 |
Oh, yeah. Yeah. |
| 00:12:25 |
We can use these |
| 00:12:27 |
Stephen? |
| 00:12:29 |
Give me back |
| 00:12:31 |
No. Wait. Am I gonna be able |
| 00:12:34 |
Not yet. |
| 00:12:37 |
Tell me n-- Ow! |
| 00:12:40 |
Not going to cancel it. |
| 00:12:42 |
I'm warning you. |
| 00:12:44 |
If I don't get |
| 00:12:46 |
I'm gonna dig a maxi pad |
| 00:12:48 |
and I'll frame it |
| 00:12:51 |
Are you listening to me? |
| 00:12:54 |
You're not having another prolonged |
| 00:12:56 |
- I don't think so. |
| 00:13:02 |
[ Exhales ] |
| 00:13:04 |
[ Toilet Seat Rattles ] |
| 00:13:09 |
[ Urinating ] |
| 00:13:11 |
You're drinking. |
| 00:13:13 |
Just a glass. |
| 00:13:16 |
I thought you had an interview. |
| 00:13:19 |
Four ounces of alcohol |
| 00:13:22 |
to make me forget |
| 00:13:28 |
[ Knocking ] |
| 00:13:39 |
Hello. Uh, I'm Mary. |
| 00:13:42 |
I wasn't expecting you |
| 00:13:44 |
but here I am and there |
| 00:13:46 |
Yes. |
| 00:13:50 |
[ Mary ] |
| 00:13:53 |
You're beautiful, |
| 00:13:56 |
regal, majestic, poetic. |
| 00:13:59 |
Universal symbol |
| 00:14:03 |
What happens? |
| 00:14:05 |
People shoot you... |
| 00:14:07 |
to capture your essence, |
| 00:14:11 |
That wonder, that... |
| 00:14:16 |
- Uh! |
| 00:14:20 |
and I see death, |
| 00:14:23 |
I see the fight against injustice, |
| 00:14:27 |
The-The glorious scream |
| 00:14:30 |
I see agony, ecstasy, |
| 00:14:36 |
of destruction |
| 00:14:38 |
I-- I see the primal force |
| 00:14:41 |
You do? |
| 00:14:46 |
I-- |
| 00:14:48 |
I'm overwhelmed with emotions |
| 00:14:52 |
[ Chuckles ] |
| 00:14:54 |
Uh, what-- |
| 00:14:57 |
As I was walking |
| 00:15:01 |
I met a man |
| 00:15:05 |
He wasn't there |
| 00:15:08 |
I wish to God |
| 00:15:12 |
[ Knocking ] |
| 00:15:15 |
Well, e-excuse me. |
| 00:15:21 |
[ Door Opens ] |
| 00:15:24 |
I'm Paula Krinsky |
| 00:15:26 |
Uh, you-- You're from Perspective? |
| 00:15:30 |
Who are you? |
| 00:15:32 |
I'm Fran-- Fran Pinkerton. |
| 00:15:35 |
I'm the president |
| 00:15:38 |
I wrote to you about appearing |
| 00:15:41 |
Well, actually, |
| 00:15:44 |
but we're planning on |
| 00:15:46 |
so we thought it would be okay to |
| 00:15:49 |
as opposed to |
| 00:15:51 |
- Didn't you get my letter? |
| 00:15:53 |
I think we need to stop |
| 00:15:56 |
- I can come back tomorrow. |
| 00:15:59 |
Thank you so much for sharing |
| 00:16:03 |
I-I feel as if... |
| 00:16:05 |
the Virgin Mary herself had |
| 00:16:08 |
and-and poured her blood |
| 00:16:14 |
Hot, thick, red-- |
| 00:16:17 |
Well, uh-- Yes. |
| 00:16:20 |
I'll save it for next time, |
| 00:16:23 |
Yes, Fran. Uh, good-bye, Fran. Good-bye. |
| 00:16:32 |
Take off your clothes. |
| 00:16:34 |
[ Chuckles ] I love it when |
| 00:16:38 |
Julie-- |
| 00:16:40 |
We don't have |
| 00:16:43 |
Make me. |
| 00:16:51 |
Catch me first. |
| 00:16:54 |
[ Sighs ] |
| 00:16:56 |
[ Growls ] |
| 00:17:00 |
[ Laughs ] |
| 00:17:05 |
If you take one step closer, |
| 00:17:09 |
[ Inhales ] |
| 00:17:11 |
[ Chuckles ] |
| 00:17:13 |
Tell me the story. |
| 00:17:18 |
The story of why David |
| 00:17:23 |
wearing this particular... |
| 00:17:26 |
not-so-spectacular |
| 00:17:32 |
I'm not a very good storyteller. |
| 00:17:38 |
Okay. Uncle Davy |
| 00:17:44 |
[ With Melodramatic Accent ] |
| 00:17:48 |
[ Giggles ] |
| 00:17:51 |
when you put it like that, |
| 00:17:54 |
Okay. Let's see. |
| 00:17:56 |
Story. |
| 00:18:02 |
Not on Uncle Dave's lap. |
| 00:18:05 |
[ Gasps ] Something's alive down there. |
| 00:18:08 |
[ Beeping ] |
| 00:18:12 |
A Pogi? |
| 00:18:15 |
You have to feed him? |
| 00:18:17 |
It's a... Pogi. |
| 00:18:19 |
Something my wife gave me. |
| 00:18:22 |
I'm supposed to keep him alive |
| 00:18:25 |
But I-- I'm thinking of hiring |
| 00:18:30 |
I don't think nude nannies |
| 00:18:34 |
[ Phone Rings ] |
| 00:18:38 |
Don't answer it. |
| 00:18:41 |
[ Ringing Continues ] |
| 00:18:50 |
He-- |
| 00:18:53 |
No. No, she's not here. |
| 00:18:56 |
She should be back |
| 00:18:59 |
[ Writing With Pencil ] |
| 00:19:02 |
Bye-bye. |
| 00:19:04 |
I was? |
| 00:19:07 |
The hat. |
| 00:19:11 |
[ Chuckles ] |
| 00:19:13 |
Well, let's just say... |
| 00:19:15 |
it's an inscrutable |
| 00:19:18 |
of the cosmic |
| 00:19:21 |
How about that? |
| 00:19:23 |
And, uh, why |
| 00:19:29 |
Red, |
| 00:19:33 |
Miss Bell, |
| 00:19:35 |
is the color of torment, |
| 00:19:40 |
uh, flame, |
| 00:19:43 |
birth, death, lust, |
| 00:19:47 |
passion-- |
| 00:19:51 |
Did I? |
| 00:19:53 |
It's a bunch |
| 00:19:55 |
I want the real story. |
| 00:19:57 |
The story, then work. |
| 00:20:02 |
Okay. Let's see. |
| 00:20:06 |
Once upon a time, |
| 00:20:08 |
when I was |
| 00:20:10 |
an older woman-- |
| 00:20:14 |
used to come over and check in on |
| 00:20:18 |
Let me tell it. |
| 00:20:20 |
No, let me tell it. |
| 00:20:27 |
One day she-- Maggie-- |
| 00:20:30 |
comes over to check in |
| 00:20:32 |
who's been out playing soccer |
| 00:20:36 |
It's a hot, yellow day, |
| 00:20:38 |
and he's brown |
| 00:20:42 |
And Maggie comes over |
| 00:20:48 |
and a flowery sun dress... |
| 00:20:50 |
that clings |
| 00:20:52 |
to every crevice |
| 00:20:59 |
Breasts bursting and "strappy" |
| 00:21:06 |
she comes up the back |
| 00:21:10 |
"Davy! |
| 00:21:14 |
Just comin' over to check in on you." |
| 00:21:17 |
Little Davy peeks |
| 00:21:22 |
his towel tied tightly around |
| 00:21:27 |
And there's Maggie, |
| 00:21:29 |
staring straight at him. |
| 00:21:35 |
"Oh, Davy. |
| 00:21:37 |
You are a dirty boy." |
| 00:21:41 |
She reaches in a long, |
| 00:21:43 |
cherry-red nail... |
| 00:21:45 |
to his chest... |
| 00:21:47 |
and wipes it across |
| 00:21:54 |
and licks the sweat |
| 00:21:58 |
"Why, honey," |
| 00:22:01 |
bending down |
| 00:22:06 |
"We woke up Davy, Jr." |
| 00:22:11 |
He stands, rigid, pink, |
| 00:22:15 |
sweat-streaked, |
| 00:22:17 |
as she brings |
| 00:22:21 |
to the tip of |
| 00:22:28 |
Nailed by terror |
| 00:22:32 |
all little Davy can see |
| 00:22:35 |
of the wide-brimmed |
| 00:22:38 |
bobbing up and down, |
| 00:22:43 |
up and down, |
| 00:22:46 |
up and down. |
| 00:22:55 |
You have some |
| 00:22:57 |
Don't you wanna |
| 00:23:01 |
Do I want to, |
| 00:23:04 |
or am I going to? |
| 00:23:52 |
Move your hand |
| 00:23:54 |
Show me where you want it. |
| 00:24:45 |
[ Door Opens ] |
| 00:24:50 |
[ Door Closes ] |
| 00:24:52 |
[ Footsteps Approaching ] |
| 00:24:56 |
[ Mary ] |
| 00:24:58 |
I-- I thought you weren't |
| 00:25:01 |
Did I-- Did I screw up? |
| 00:25:03 |
I'll just leave this right here. |
| 00:25:06 |
Uh, I'll get this |
| 00:25:09 |
Julie, you can relax. |
| 00:25:12 |
I'll get us |
| 00:25:14 |
Oh, thanks, love. |
| 00:25:29 |
So, uh, your-- |
| 00:25:31 |
What do you do in your clothed life? |
| 00:25:34 |
Were you an actress, or-- |
| 00:25:37 |
have been actresses |
| 00:25:40 |
I'm a grad student. |
| 00:25:42 |
What are you studying? |
| 00:25:44 |
Writing. |
| 00:25:47 |
- Really? |
| 00:25:50 |
Oh, uh, about what? |
| 00:25:52 |
Maybe about you. |
| 00:25:54 |
[ Both Laugh ] |
| 00:25:56 |
Oh, that will be a very short |
| 00:26:00 |
Somehow, I doubt that. |
| 00:26:13 |
You didn't happen to... |
| 00:26:15 |
- lose a pair of underwear recently-- |
| 00:26:19 |
Uh-huh. |
| 00:26:21 |
I-- I'm sorry. |
| 00:26:23 |
Uh, under my bed. |
| 00:26:25 |
Oh! See, I-- |
| 00:26:28 |
I'm not shy at all |
| 00:26:30 |
but when I first |
| 00:26:32 |
There's something so intimate |
| 00:26:35 |
I hope you don't mind |
| 00:26:37 |
Oh, no. No. |
| 00:26:40 |
That must have been weird-- finding a |
| 00:26:45 |
[ Both Laugh ] |
| 00:26:52 |
Um, I'm gonna |
| 00:27:00 |
[ Sighs ] |
| 00:27:03 |
Here you go. |
| 00:27:06 |
This deserves some tequila. |
| 00:27:08 |
I'm sorry. |
| 00:27:10 |
[ Laughs ] |
| 00:27:12 |
Oh. Thanks. |
| 00:27:14 |
Thanks. |
| 00:27:17 |
I think we should |
| 00:27:20 |
I'm sorry. |
| 00:27:23 |
So how did you two meet? |
| 00:27:27 |
Um, oh, we actually met right here. It's funny-- |
| 00:27:30 |
I'm sorry. I'm going. |
| 00:27:34 |
I-- I've always been fascinated by the |
| 00:27:39 |
[ Laughs ] It's the utterly hopeless |
| 00:27:43 |
I wanna hear how |
| 00:27:45 |
Please? |
| 00:27:50 |
It's really not that terribly romantic. |
| 00:27:53 |
Please? |
| 00:27:57 |
Okay, uh-- I lived here first. |
| 00:27:59 |
And I was moving out, |
| 00:28:02 |
and we kept... |
| 00:28:05 |
mixing up |
| 00:28:08 |
until we decided to simplify |
| 00:28:12 |
That's not exactly |
| 00:28:15 |
Oh, it's not, huh? |
| 00:28:17 |
No. |
| 00:28:20 |
It was her voice. |
| 00:28:22 |
She doesn't want to hear that. |
| 00:28:24 |
I wanna hear |
| 00:28:26 |
She was late moving out-- |
| 00:28:30 |
Yeah, and, uh, |
| 00:28:32 |
and I was about to walk in |
| 00:28:34 |
I was on the phone, right? |
| 00:28:37 |
It sounded like a-- |
| 00:28:41 |
You know, soft water |
| 00:28:43 |
I kept asking myself, |
| 00:28:47 |
I knew this voice-- |
| 00:28:49 |
the rhythm of it, the tone, |
| 00:28:55 |
I wanted to step inside |
| 00:29:01 |
Yeah. |
| 00:29:04 |
So I just-- I-- |
| 00:29:07 |
speechless, |
| 00:29:09 |
And, uh, |
| 00:29:12 |
I knew from the moment |
| 00:29:14 |
that she was the one. |
| 00:29:17 |
He just stood there |
| 00:29:19 |
like some big old lug. |
| 00:29:22 |
Wow. That's quite a-- |
| 00:29:25 |
asked me to move in |
| 00:29:28 |
That's crazy! |
| 00:29:30 |
Oh, here we go |
| 00:29:32 |
Wow. That was |
| 00:29:35 |
Thanks for sharing. |
| 00:29:39 |
Well, um, I promised |
| 00:29:42 |
I'll come |
| 00:29:44 |
He wants to show some of my old work. |
| 00:29:46 |
I have to talk him |
| 00:29:48 |
I'd love to see some of your stuff. |
| 00:29:52 |
Um-- Uh, yes. |
| 00:29:57 |
Bye. Um-- It's the |
| 00:29:59 |
David, you can tell her |
| 00:30:06 |
[ Door Closes ] |
| 00:30:10 |
So... you don't seem |
| 00:30:15 |
I never said we were. |
| 00:30:18 |
Well, men give off |
| 00:30:21 |
Women have special sensors |
| 00:30:23 |
the "I'm looking to get out of |
| 00:30:31 |
Why did you leave |
| 00:30:35 |
I forgot. |
| 00:30:37 |
Women never forget |
| 00:30:42 |
I did. |
| 00:30:45 |
Uh-oh. |
| 00:30:48 |
[ Gasps ] |
| 00:30:51 |
Here they are. |
| 00:30:54 |
Take them off. |
| 00:31:03 |
It's... so realistic. |
| 00:31:08 |
Yes. So I've heard. |
| 00:31:10 |
That's not meant to be |
| 00:31:15 |
I didn't think it was. |
| 00:31:18 |
I mean, the detail |
| 00:31:20 |
It's so like a-- |
| 00:31:23 |
No, no. A Brueghel. |
| 00:31:25 |
Rotten fruit |
| 00:31:27 |
Yes. |
| 00:31:30 |
The humanity. The obsessive-compulsive |
| 00:31:37 |
Is this yours? |
| 00:31:41 |
No. |
| 00:31:45 |
Well, David, as I said, |
| 00:31:49 |
My art gallery deals |
| 00:31:52 |
What's hot now, today. |
| 00:31:55 |
Realism isn't now today, |
| 00:31:57 |
but if it's now tomorrow, |
| 00:32:09 |
Not a good meeting? |
| 00:32:13 |
I'm just not... |
| 00:32:18 |
But you evidently are. |
| 00:32:21 |
Carl's waiting |
| 00:32:24 |
any time you're ready |
| 00:32:26 |
No. Did he say that? |
| 00:32:29 |
I can't believe |
| 00:32:32 |
Anyway, there are so many other |
| 00:32:36 |
You'll just |
| 00:32:38 |
It'll happen. It will. |
| 00:32:42 |
David-- |
| 00:32:44 |
It's gonna be all right. |
| 00:32:46 |
I'm just trying to-- |
| 00:32:49 |
Just let me think. |
| 00:32:51 |
You said shut up to me. |
| 00:32:55 |
I'm sorry. |
| 00:32:57 |
I said I'm sorry, didn't I? |
| 00:33:00 |
Mary, do-- |
| 00:33:02 |
You-- You want everything |
| 00:33:07 |
Yes. I want-- |
| 00:33:09 |
Let me tell you something. |
| 00:33:11 |
If you don't want sand in your eyes, then |
| 00:33:15 |
Well, excuse me |
| 00:33:18 |
You're too big for Stephen. |
| 00:33:22 |
I am not leaving Stephen. |
| 00:33:25 |
Carl's a prick, |
| 00:33:27 |
but he could double |
| 00:33:31 |
I'm not painting in blood anymore. |
| 00:33:36 |
Mary. |
| 00:33:38 |
Hold on a sec-- Mary. |
| 00:33:44 |
I can't do it. |
| 00:33:49 |
David, don't look at me |
| 00:33:54 |
I can't get a single goddamned |
| 00:33:59 |
and you-- |
| 00:34:02 |
Do you know |
| 00:34:05 |
Yeah, I'm finally breaking through, |
| 00:34:07 |
and you wanna |
| 00:34:09 |
It's not like |
| 00:34:11 |
It's just that-- |
| 00:34:14 |
What's that? |
| 00:34:16 |
Oh, shit. This shit is |
| 00:34:19 |
What's wrong? |
| 00:34:21 |
it won't-- it won't sleep, |
| 00:34:24 |
I think I'm killing him. |
| 00:34:27 |
[ Pogi Groans ] |
| 00:34:29 |
What's that? |
| 00:34:32 |
You're joking. |
| 00:34:34 |
Real sweet. |
| 00:34:36 |
and he's already got |
| 00:34:38 |
David, don't press |
| 00:34:40 |
You'll-- You'll crush his circuits. |
| 00:34:42 |
Don't. You'll-- |
| 00:34:46 |
That's it. |
| 00:34:53 |
Now where are you going? |
| 00:34:57 |
My studio. |
| 00:34:59 |
Isn't that what you want? |
| 00:35:01 |
I'm going to paint a big bunch |
| 00:35:05 |
and I'm going to sell them |
| 00:35:07 |
and then we're going |
| 00:35:12 |
Since when |
| 00:35:15 |
It's beer. |
| 00:35:17 |
[ Beeping ] |
| 00:35:22 |
Excuse me. |
| 00:35:26 |
I was talking to our little... boy. |
| 00:35:29 |
I was-- Not you. |
| 00:35:31 |
Right. |
| 00:35:36 |
Oh, man. |
| 00:37:38 |
Ms. Shaw? |
| 00:37:41 |
Hi. |
| 00:37:44 |
Fran... Pinkerton. |
| 00:37:47 |
Oh. Um-- Oh. |
| 00:37:51 |
I just wanted |
| 00:37:53 |
I didn't want you to think |
| 00:37:57 |
I totally thought |
| 00:38:00 |
It's all right. |
| 00:38:02 |
Um, I have someone |
| 00:38:06 |
I read that article about |
| 00:38:09 |
and, well, when I was 14, |
| 00:38:12 |
Same way, actually. |
| 00:38:15 |
Well, I see it didn't work |
| 00:38:19 |
No. It didn't. |
| 00:38:22 |
That's a good thing. |
| 00:38:24 |
Yeah. I guess. |
| 00:38:26 |
Mmm. |
| 00:38:29 |
I-- I really have to go. |
| 00:38:32 |
You could come by tomorrow |
| 00:38:34 |
We could talk some more. |
| 00:38:36 |
Oh, I would really |
| 00:38:39 |
Okay. Bye-bye. |
| 00:38:49 |
[ No Audible Dialogue ] |
| 00:38:53 |
Hey, Mary, did I tell you that |
| 00:38:58 |
About a dozen times |
| 00:39:02 |
Would you like |
| 00:39:07 |
Ever since David stopped drinking, |
| 00:39:11 |
Sober-- That's tedious. |
| 00:39:13 |
No, actually, |
| 00:39:16 |
Although he was what you |
| 00:39:20 |
[ Laughs ] |
| 00:39:22 |
but, you know. |
| 00:39:25 |
David? |
| 00:39:27 |
I'm sorry. |
| 00:39:29 |
Oh, well, you know, actually, |
| 00:39:32 |
sort of a dry spell, |
| 00:39:35 |
Well, you've been married-- |
| 00:39:39 |
Desire ebbs and flows. It's natural. |
| 00:39:42 |
Unfortunately, mine is flowing |
| 00:39:47 |
[ Laughs ] In the beginning, |
| 00:39:51 |
[ Cork Pops ] |
| 00:39:53 |
[ Both Laughing ] |
| 00:39:55 |
I'm not surprised. |
| 00:39:57 |
You have a-- |
| 00:40:01 |
[ Laughs ] |
| 00:40:04 |
Compelling sexual aura. |
| 00:40:06 |
Oh? |
| 00:40:08 |
Hmm. |
| 00:40:12 |
Oh. Well, to my compelling |
| 00:40:18 |
[ Clears Throat ] All right, then. |
| 00:40:20 |
Mmm. |
| 00:40:22 |
So you were saying about you |
| 00:40:25 |
Oh, yes. I was |
| 00:40:28 |
Uh, in the beginning, |
| 00:40:33 |
It was almost obscene, the |
| 00:40:36 |
Like I was a piece |
| 00:40:38 |
Oh, I love that look. |
| 00:40:43 |
Oh, no, no. |
| 00:40:45 |
[ Laughs ] |
| 00:40:47 |
Like, my boyfriend Carlo-- |
| 00:40:51 |
He looks at me like that. |
| 00:40:54 |
We should get together, |
| 00:40:56 |
That would be fun. |
| 00:41:00 |
What is he like? |
| 00:41:04 |
Mm-hmm. |
| 00:41:06 |
very passionate. |
| 00:41:08 |
Absolutely adores me. |
| 00:41:10 |
It's beginning to irritate the shit out of me. |
| 00:41:13 |
[ Laughing ] No, he's-- He's rich enough, |
| 00:41:18 |
intelligent, sexy, |
| 00:41:22 |
All that. |
| 00:41:25 |
I like my men flawed, you know? |
| 00:41:28 |
Women always say that, |
| 00:41:31 |
they don't really mean it, |
| 00:41:33 |
Nice and stable and devoted are not |
| 00:41:39 |
I have to admit, it is gratifying to |
| 00:41:44 |
I am the sun. He is the moon. |
| 00:41:46 |
Oh. David used to |
| 00:41:49 |
He used to? What happened? |
| 00:41:51 |
I think we stopped |
| 00:41:56 |
be what we thought |
| 00:42:00 |
And I stopped pretending |
| 00:42:05 |
the way, uh, |
| 00:42:09 |
Well, nobody should have to pretend. |
| 00:42:12 |
Is he a bore in bed, |
| 00:42:14 |
Uh-- Ooh. |
| 00:42:16 |
He wants me... |
| 00:42:20 |
You know? |
| 00:42:24 |
[ Laughs ] |
| 00:42:26 |
I know. |
| 00:42:29 |
I mean, he's really not a |
| 00:42:31 |
I-- I don't mean-- |
| 00:42:34 |
He's just got some issues. |
| 00:42:38 |
I've been trying to get |
| 00:42:41 |
You're so lucky to have |
| 00:42:45 |
Mmm. |
| 00:42:49 |
[ Chuckling ] |
| 00:42:51 |
Hmm. |
| 00:42:54 |
I do have a confession. |
| 00:42:56 |
Ooh. Tell, tell. |
| 00:42:58 |
I was extremely |
| 00:43:02 |
when we first met. |
| 00:43:04 |
I, um-- |
| 00:43:06 |
[ Chuckles ] I hated you. |
| 00:43:11 |
Hated? |
| 00:43:14 |
Hated. |
| 00:43:16 |
No, no, no. |
| 00:43:18 |
I mean, it's so passionate. |
| 00:43:22 |
[ Chuckles ] |
| 00:43:24 |
No. No. |
| 00:43:26 |
[ Chuckles ] |
| 00:43:29 |
A little. |
| 00:43:32 |
But, I mean, why would you |
| 00:43:35 |
Granted, your husband looks |
| 00:43:39 |
I might as well |
| 00:43:42 |
or a-- |
| 00:43:47 |
Julie, you are definitely not |
| 00:43:52 |
I think that you |
| 00:43:56 |
I mean, you're a-- |
| 00:43:58 |
complicated woman. |
| 00:44:00 |
And you... |
| 00:44:03 |
have finally managed |
| 00:44:06 |
# [ Jazz On Stereo ] |
| 00:44:12 |
So do you think that |
| 00:44:15 |
[ Chuckles ] |
| 00:44:19 |
Because I do flirt. |
| 00:44:22 |
I-- I flirt outrageously. |
| 00:44:25 |
It's-- It's all due to a deep |
| 00:44:30 |
No. No, you haven't |
| 00:44:34 |
It's all in |
| 00:44:39 |
Okay. |
| 00:44:42 |
I have a confession |
| 00:44:44 |
What? |
| 00:44:46 |
I'm a very bad girl. |
| 00:44:48 |
[ Chuckling ] |
| 00:44:51 |
Nasty. |
| 00:44:55 |
I take things that |
| 00:44:59 |
So, what, are you a kleptomaniac, |
| 00:45:01 |
This... belongs to you, |
| 00:45:06 |
Did David give that to you? |
| 00:45:09 |
I'm a thief. |
| 00:45:12 |
[ Laughing ] |
| 00:45:14 |
so it's not really like you're-- |
| 00:45:19 |
I'm just clearing |
| 00:45:22 |
I'm a very bad girl. |
| 00:45:25 |
Yes, of course you're giving it back. |
| 00:45:28 |
He's mine now. |
| 00:45:30 |
He's crying. |
| 00:45:32 |
You have to give him back, |
| 00:45:35 |
He's mine now. Say bye-bye. |
| 00:45:41 |
Ju-- Julie! |
| 00:45:44 |
[ Door Opens ] |
| 00:45:50 |
[ Door Closes ] |
| 00:45:57 |
[ Chuckling ] |
| 00:46:01 |
What happened? |
| 00:46:05 |
What was she doing here? |
| 00:46:10 |
You? |
| 00:46:12 |
What's so strange |
| 00:46:15 |
Nothin'. |
| 00:46:18 |
Of Julie? Come on. |
| 00:46:21 |
She came to the gallery. Had a |
| 00:46:26 |
And why are you |
| 00:46:30 |
Just curious. |
| 00:46:33 |
Does it bother you that I'm |
| 00:46:36 |
That I might have access |
| 00:46:39 |
No, I just didn't think Julie was |
| 00:46:42 |
Oh? Why? |
| 00:46:46 |
[ Sighs ] |
| 00:46:48 |
I should be more playful, |
| 00:46:52 |
You're perfect exactly |
| 00:46:56 |
[ Chuckles ] You like me depressed |
| 00:46:58 |
I love you |
| 00:47:00 |
No, you don't. |
| 00:47:03 |
She's-She's-- |
| 00:47:08 |
She's a little rough around the edges, but-- |
| 00:47:11 |
But she's extremely attractive, |
| 00:47:19 |
Do you want me to paint |
| 00:47:24 |
Yes. For once, |
| 00:47:27 |
if you would just paint |
| 00:47:30 |
Would you do that |
| 00:47:32 |
Why don't I paint you |
| 00:47:36 |
[ Door Opens, Closes ] |
| 00:47:40 |
Oh, hey, David. |
| 00:47:43 |
Do you want to, uh, |
| 00:47:45 |
We could negotiate the return |
| 00:47:48 |
Oh! |
| 00:47:53 |
Mary, you're already drunk. |
| 00:47:56 |
I'll make sure |
| 00:47:58 |
She is so sexy. |
| 00:48:01 |
I don't know why you don't wanna |
| 00:48:07 |
We all need affection. |
| 00:48:11 |
David, have a good night. |
| 00:48:15 |
We don't have a session tomorrow. |
| 00:48:17 |
Mary invited me and my boyfriend |
| 00:48:21 |
Oh. |
| 00:48:24 |
I thought |
| 00:48:27 |
I hated losing. |
| 00:48:41 |
I gotta go. |
| 00:48:47 |
[ Door Closes ] |
| 00:48:52 |
[ Man, Indistinct ] "In." |
| 00:48:54 |
That's pretty good for an Italian, right? |
| 00:48:57 |
That's pretty good. |
| 00:48:59 |
And to think he's never |
| 00:49:02 |
That's two points for Carlo. |
| 00:49:05 |
Isn't she beautiful? |
| 00:49:08 |
I'm crazy about you. |
| 00:49:11 |
David, you're |
| 00:49:13 |
but, hey, |
| 00:49:17 |
Come on. Let's go. |
| 00:49:19 |
Hey, let's play |
| 00:49:22 |
You're changing the rules in |
| 00:49:25 |
[ Mary ] It's like strip poker. |
| 00:49:26 |
Let's just finish this one. |
| 00:49:29 |
It's no problem. Tell me what you |
| 00:49:31 |
Should I strip? |
| 00:49:33 |
Would you be a good boy |
| 00:49:36 |
Okay. |
| 00:49:36 |
I'll get it. |
| 00:49:38 |
Please. You're the host, |
| 00:49:43 |
Mary, what about you? |
| 00:49:47 |
I will go with you. |
| 00:49:50 |
No cheating, David. |
| 00:49:52 |
I'll keep an eye on him. |
| 00:50:02 |
"Bellissima." |
| 00:50:05 |
He has an enormous schlong. |
| 00:50:08 |
I think, why can't |
| 00:50:11 |
sweet, wonderful lady |
| 00:50:14 |
Aw. |
| 00:50:15 |
Aw. That's so sweet |
| 00:50:18 |
Mary, I bet you've never even |
| 00:50:23 |
Carlo, why do we have |
| 00:50:26 |
Mary, have you ever |
| 00:50:29 |
You don't really want me, Julie. |
| 00:50:33 |
Actually, you're wrong. |
| 00:50:36 |
You pretend to be |
| 00:50:39 |
Vast, free, available. |
| 00:50:42 |
like most women, |
| 00:50:45 |
You just want to suck men into your |
| 00:50:50 |
Nice imagery, David. |
| 00:50:53 |
[ Carlo Laughs, |
| 00:50:57 |
[ Mary Laughing ] |
| 00:51:01 |
[ Carlo Laughing ] |
| 00:51:04 |
Your wife is beautiful, |
| 00:51:07 |
Bravo, Carlo. |
| 00:51:11 |
Let's continue the game. |
| 00:51:14 |
David, you haven't taken your turn. |
| 00:51:18 |
S-E-X. |
| 00:51:21 |
One, two, 10, |
| 00:51:23 |
Oh. You're only |
| 00:51:25 |
[ Mary ] |
| 00:51:27 |
You must be carrying those letters |
| 00:51:29 |
[ Julie ] What's wrong? |
| 00:51:32 |
when he didn't end up |
| 00:51:34 |
Mary, for Christ's sake, |
| 00:51:36 |
Mmm, and it's every time. |
| 00:51:38 |
- Is-Is "sex" not a legitimate word? |
| 00:51:42 |
Let's take our clothes off. |
| 00:51:45 |
[ Carlo ] Everybody, "takes" your |
| 00:51:48 |
Go on. |
| 00:51:51 |
Oh, my God. |
| 00:51:53 |
[ Sighs ] |
| 00:51:56 |
Mmm. Mmm. Mmm. |
| 00:51:59 |
[ Mary ] Go ahead and help yourself |
| 00:52:03 |
They're chocolate chip, |
| 00:52:05 |
What about some coffee, actually? |
| 00:52:09 |
I have such a hangover. |
| 00:52:12 |
Or would you prefer |
| 00:52:14 |
I can make you one. |
| 00:52:17 |
What are you doing? |
| 00:52:20 |
Oh, don't worry. |
| 00:52:24 |
[ Mary ] |
| 00:52:26 |
I'm so sorry. |
| 00:52:28 |
I-- I'll replace them. |
| 00:52:30 |
Fran-- Oh, my God! |
| 00:52:33 |
[ Sighs ] |
| 00:52:37 |
You shouldn't be eating |
| 00:52:41 |
I like the trip. |
| 00:52:43 |
What trip? |
| 00:52:45 |
The place I go |
| 00:52:48 |
I eat sugar, |
| 00:52:50 |
and just as it's about |
| 00:52:55 |
I know... |
| 00:52:57 |
if I can just hang on |
| 00:53:02 |
I could see death. |
| 00:53:05 |
I come so close. |
| 00:53:08 |
I think I saw her once. |
| 00:53:10 |
"Her"? |
| 00:53:14 |
She had glowing red hair, |
| 00:53:17 |
She almost reached out |
| 00:53:20 |
And then my mother |
| 00:53:23 |
It's like... |
| 00:53:26 |
being suspended |
| 00:53:30 |
from a cloud |
| 00:53:35 |
[ Sighs ] |
| 00:53:39 |
Fran, don't eat |
| 00:53:42 |
I know. |
| 00:53:45 |
She's always hiding |
| 00:53:47 |
She really loves me. |
| 00:53:50 |
He gives me Tootsie Rolls |
| 00:53:53 |
I had a question about your |
| 00:53:58 |
"Mary Shaw has tried |
| 00:54:03 |
by bleeding onto the"-- |
| 00:54:05 |
No. |
| 00:54:07 |
Fran, |
| 00:54:11 |
is not who I am. |
| 00:54:13 |
I am not the one. |
| 00:54:15 |
Some cosmic occurrence put you where |
| 00:54:20 |
Do you have any, um-- |
| 00:54:23 |
I used to draw |
| 00:54:25 |
Really? How-How did that go? |
| 00:54:29 |
Well, they told my mother |
| 00:54:34 |
They sent me to the school |
| 00:54:36 |
my drawings were |
| 00:54:40 |
And my mother threw out |
| 00:54:42 |
Actually, I've started drawing again. |
| 00:54:48 |
I do it mostly |
| 00:54:50 |
because it's usually |
| 00:54:52 |
except for the flushing |
| 00:54:55 |
But-- |
| 00:54:57 |
Oh. Uh, yes. |
| 00:54:59 |
All of my drawings |
| 00:55:01 |
I keep them with me |
| 00:55:04 |
I'm petrified my mother |
| 00:55:07 |
She hates art. |
| 00:55:21 |
You don't like them. |
| 00:55:23 |
Uh-- |
| 00:55:27 |
No, it's just that-- |
| 00:55:33 |
Do you draw from |
| 00:55:36 |
Oh, no. |
| 00:55:38 |
A friend of mine works |
| 00:55:41 |
She helps me set |
| 00:55:43 |
We just reattach the body |
| 00:55:46 |
Once they're in the casket, |
| 00:55:52 |
You don't like them. |
| 00:55:56 |
They're just, um, |
| 00:56:01 |
violent. |
| 00:56:05 |
Whoa! But you-- |
| 00:56:09 |
I mean, you're |
| 00:56:15 |
I have an idea. |
| 00:56:17 |
Why don't you take your |
| 00:56:20 |
and show them to-to my |
| 00:56:24 |
He loves to meet young |
| 00:56:29 |
You mean me? |
| 00:56:31 |
You would do that for me? |
| 00:56:34 |
Well, yes, Fran. |
| 00:56:38 |
Oh, my God. |
| 00:56:42 |
Mary Shaw mentoring me-- |
| 00:56:45 |
I-I-- I'm so honored. |
| 00:56:48 |
Fran, it's really not |
| 00:56:52 |
I-- I'll go see |
| 00:56:55 |
I mean, why wait, right? |
| 00:56:59 |
I read Tony Robbins. |
| 00:57:01 |
He's a misogynistic pig, |
| 00:57:08 |
Well, um, good-bye, Fran. |
| 00:57:13 |
Um-- |
| 00:57:21 |
[ Door Opens, Closes ] |
| 00:57:26 |
No. Tequila first. |
| 00:57:29 |
Then ice cream. |
| 00:57:31 |
Hot, cold, sweet. |
| 00:57:34 |
It's based on an ancient |
| 00:57:39 |
This is absolutely, |
| 00:57:43 |
really, seriously... |
| 00:57:46 |
the last one, all right? |
| 00:57:48 |
To corny, horny Italians. |
| 00:57:59 |
I, um-- |
| 00:58:02 |
I hear that... |
| 00:58:05 |
Italian men are |
| 00:58:08 |
Italian women |
| 00:58:10 |
They understand the |
| 00:58:16 |
[ Chuckles ] |
| 00:58:19 |
You just love trying |
| 00:58:23 |
I'm really not such a prude, you know. |
| 00:58:29 |
So you also date women? |
| 00:58:32 |
Isn't this a date? |
| 00:58:35 |
Are you? I mean-- |
| 00:58:40 |
[ Chuckles ] I don't know if there's |
| 00:58:45 |
Sensualist. |
| 00:58:50 |
Have you ever had a serious |
| 00:58:53 |
I had a fling |
| 00:58:56 |
but it was an all-girl school, |
| 00:59:01 |
I've never been |
| 00:59:03 |
Never? |
| 00:59:07 |
Ever been curious? |
| 00:59:11 |
I suppose, as an intellectual |
| 00:59:16 |
What do you think about |
| 00:59:18 |
What? I don't-- |
| 00:59:22 |
That's a tiny, teeny little bit |
| 00:59:29 |
Oh. Um-- |
| 00:59:34 |
You have some, um-- |
| 00:59:40 |
Julie! |
| 00:59:45 |
Every woman |
| 00:59:48 |
We begin by falling in love |
| 00:59:53 |
The softness, the curves, |
| 00:59:56 |
The feeling of |
| 00:59:59 |
the-- the feeling... |
| 01:00:03 |
of our tongue |
| 01:00:05 |
And we wonder, what must it feel |
| 01:00:11 |
To make her feel |
| 01:00:14 |
Touch the tips of breasts-- |
| 01:00:18 |
succulent, but not our own. |
| 01:00:21 |
To nibble, lick, |
| 01:00:26 |
Julie, I am not interested |
| 01:00:34 |
[ Liquid Pouring ] |
| 01:00:43 |
Come on, before it melts. |
| 01:00:48 |
I didn't mean |
| 01:00:56 |
You did not frighten me. |
| 01:00:58 |
I'm just-- |
| 01:01:01 |
I'm, um-- |
| 01:01:05 |
Of course you are. |
| 01:01:08 |
That's why we exist, |
| 01:01:14 |
Hmm. |
| 01:01:19 |
I think I'm done. |
| 01:01:22 |
For now. |
| 01:01:52 |
[ Exhales Sharply ] |
| 01:02:02 |
# [ Jazz ] |
| 01:02:12 |
# [ Woman Vocalizing ] |
| 01:02:39 |
# [ Woman Singing |
| 01:03:03 |
# [ Woman Vocalizing ] |
| 01:03:34 |
# [ Woman Singing |
| 01:03:58 |
# [ Ends ] |
| 01:04:08 |
Well, shit, Mary. |
| 01:04:11 |
Mm-mmm. You're either painting |
| 01:04:14 |
There's no such thing |
| 01:04:16 |
kind of painting. |
| 01:04:17 |
I want you to admit that |
| 01:04:20 |
Okay, you know what? |
| 01:04:24 |
[ Exhales ] |
| 01:04:26 |
What? |
| 01:04:29 |
I'm Fran Pinkerton. |
| 01:04:31 |
I'm a friend of Mary Shaw's. |
| 01:04:33 |
Okay. And? |
| 01:04:33 |
She wanted me to show you |
| 01:04:36 |
Oh. Yeah. |
| 01:04:40 |
but, um, I have a full slate |
| 01:04:43 |
and I'm-I'm really busy, so-- |
| 01:04:45 |
Maybe we could do this another time, okay? |
| 01:04:50 |
Look. |
| 01:04:52 |
I've been very busy myself |
| 01:04:56 |
The Bloody Marys? That's you? |
| 01:04:58 |
You've heard of us? |
| 01:05:00 |
Okay. So I neglected |
| 01:05:03 |
and Mary helped me see that. |
| 01:05:05 |
And I'd really appreciate it if you |
| 01:05:10 |
Yeah. |
| 01:05:12 |
Okay. Don't lose your temper. |
| 01:05:21 |
[ Fran ] |
| 01:05:24 |
Huh? Uh-- |
| 01:05:29 |
No-- No, that's not it. |
| 01:05:33 |
I am a little surprised. |
| 01:05:36 |
[ Fran ] |
| 01:05:46 |
Wow. |
| 01:05:48 |
Wow. |
| 01:05:51 |
It's just as if, uh, |
| 01:05:54 |
I've seen them |
| 01:05:56 |
Oh, David, I think Fran meant |
| 01:06:00 |
Oh, no, I didn't mean them to be similar. |
| 01:06:04 |
If I may be so bold, |
| 01:06:07 |
I think I've rendered |
| 01:06:09 |
I used your catalog. |
| 01:06:11 |
[ David ] Did you use blood? |
| 01:06:15 |
I feel as if |
| 01:06:17 |
Cut from the same cloth. |
| 01:06:19 |
Shouldered from the same arm. |
| 01:06:23 |
Ultimately, Fran, we're all |
| 01:06:26 |
No, I meant us-- |
| 01:06:29 |
I am your |
| 01:06:34 |
Fran, go home. |
| 01:06:36 |
Get some sleep. |
| 01:06:39 |
I thought we could do |
| 01:06:42 |
you know, after your |
| 01:06:46 |
Mr. Stevens said |
| 01:06:49 |
an out-of-body |
| 01:06:51 |
Do you know what |
| 01:06:54 |
Because he's very metaphysical, |
| 01:07:00 |
He's very bright |
| 01:07:03 |
I think that he just-- |
| 01:07:08 |
Fran-- |
| 01:07:12 |
Fran? |
| 01:07:14 |
Fran's all right? |
| 01:07:16 |
They had her on intravenous, |
| 01:07:19 |
[ Exhales ] |
| 01:07:22 |
Mmm. |
| 01:07:25 |
Look, uh, |
| 01:07:28 |
I know this is going to screw up |
| 01:07:30 |
but I would like to |
| 01:07:33 |
I have an idea. |
| 01:07:36 |
Would you show |
| 01:07:38 |
Actually, uh, this crisis you say |
| 01:07:42 |
that you're going through |
| 01:07:46 |
And, um, |
| 01:07:48 |
You did? Who? |
| 01:07:50 |
Fran. |
| 01:07:52 |
Uh-- Wait a minute. |
| 01:07:56 |
We could call it, uh, |
| 01:07:59 |
or "Mary"-- "Bloody Mary Does Mary." |
| 01:08:03 |
Those miniature Xerox copies of my work? |
| 01:08:08 |
That's brilliant. |
| 01:08:12 |
Oh, my God-- Stephen. |
| 01:08:14 |
Oh. That must be, uh, Paula. |
| 01:08:17 |
Hey, Paula, |
| 01:08:20 |
Okay, bye, Mary. |
| 01:08:23 |
But she copied me! |
| 01:08:37 |
Oh. |
| 01:08:40 |
Hi. |
| 01:08:42 |
You know what I think you should do? |
| 01:08:46 |
Take a vacation. |
| 01:08:48 |
My friend has a house in the mountains. |
| 01:08:53 |
I mean, it's minuscule, but |
| 01:08:56 |
And I can come up |
| 01:08:59 |
You cook? |
| 01:09:02 |
I'm shocked. |
| 01:09:04 |
I spend my days masturbating |
| 01:09:09 |
That's your own fault. That's what you |
| 01:09:14 |
How astute of you, Mary. |
| 01:09:16 |
Well, |
| 01:09:18 |
I'm turning over a new leaf. |
| 01:09:21 |
I'm going to be very serious. |
| 01:09:23 |
Just takes a little practice. |
| 01:09:27 |
Your head hurt? |
| 01:09:30 |
Um, yeah. |
| 01:09:33 |
I should get an aspirin |
| 01:09:35 |
I know some headache |
| 01:09:40 |
Uh-- |
| 01:09:45 |
Ouch! |
| 01:09:48 |
Everything good for you |
| 01:09:51 |
Is that so? |
| 01:09:56 |
Oh. Oh. |
| 01:09:59 |
Oh, yeah. Yeah. |
| 01:10:01 |
That's great. Oh! |
| 01:10:07 |
Yeah, just-- |
| 01:10:10 |
Forget cooking for me. |
| 01:10:14 |
I'd pay a fortune |
| 01:10:17 |
Well, I'm not about |
| 01:10:19 |
We could negotiate |
| 01:10:22 |
Mm-hmm. |
| 01:10:28 |
Mary? |
| 01:10:41 |
Oh, wait. |
| 01:10:43 |
[ Chuckles ] |
| 01:10:49 |
I wasn't, um-- |
| 01:10:52 |
I'm s-- |
| 01:10:55 |
I wasn't leading you on. |
| 01:11:00 |
I like you Julie, |
| 01:11:02 |
I'm married, Julie. |
| 01:11:07 |
He-- He doesn't love you. |
| 01:11:11 |
You can't say that. |
| 01:11:13 |
Don't-Don't say that. |
| 01:11:18 |
Mary, I love you. |
| 01:11:24 |
I don't know how this happened, |
| 01:11:30 |
You hate me, don't you? |
| 01:11:33 |
No, Julie-- |
| 01:11:36 |
I like you so much. |
| 01:11:40 |
What if it was good |
| 01:11:42 |
What if it was |
| 01:11:47 |
Wouldn't you wanna... |
| 01:11:50 |
Julie, I mean, love is so |
| 01:11:54 |
than just... sex. |
| 01:11:57 |
I-- I wasn't talking |
| 01:12:03 |
Forget it. |
| 01:12:09 |
Oh. Um-- |
| 01:12:14 |
[ David ] Oh, man. |
| 01:12:18 |
Where's it-- |
| 01:12:22 |
Pogi? |
| 01:12:25 |
Where's it coming from? |
| 01:12:28 |
[ Beeping Continues ] |
| 01:12:31 |
Where is he? |
| 01:12:38 |
Here he is. |
| 01:12:42 |
Never seen that before. |
| 01:12:44 |
What does it mean? |
| 01:12:46 |
Well, I don't know. |
| 01:12:49 |
Oh. Here it is. |
| 01:12:51 |
[ David Sighs ] |
| 01:12:55 |
[ Beeping Continues ] |
| 01:12:57 |
[ Pogi Powers Down ] |
| 01:12:59 |
It's too late. |
| 01:13:01 |
He's dead. |
| 01:13:03 |
Me? |
| 01:13:05 |
Come on. I thought we were |
| 01:13:08 |
Look in the index, David. Look. |
| 01:13:11 |
Maybe we can start all over-- get a new |
| 01:13:14 |
Look, David. Hurry! |
| 01:13:18 |
He's gone-- Give it up. Come on. |
| 01:13:20 |
I don't want to give it up. I do |
| 01:13:24 |
Please make it work, Dav-- |
| 01:13:26 |
Oh, sweet Lord. |
| 01:13:28 |
It's a toy, for God's sake! |
| 01:13:31 |
It's a toy. |
| 01:13:34 |
You can't say that. |
| 01:13:38 |
You can't throw him away! |
| 01:13:40 |
Oh-- For God's sake! |
| 01:13:44 |
You're driving yourself crazy |
| 01:13:48 |
You never wanted one, did you? |
| 01:13:51 |
You say you do, |
| 01:13:53 |
If I was really pregnant, you'd want |
| 01:13:56 |
Oh, Jesus! You don't want |
| 01:13:58 |
Let's not do this, okay? |
| 01:14:01 |
We'll never have enough money and |
| 01:14:06 |
Why do you even |
| 01:14:08 |
What's the point? |
| 01:14:11 |
Or is it because I'm the |
| 01:14:14 |
That's really convenient, |
| 01:14:16 |
I mean, any guy |
| 01:14:18 |
fucking crazy-- |
| 01:14:24 |
[ Sniffles ] |
| 01:14:26 |
Oh, David, I'm-- I'm just so tired. |
| 01:14:33 |
I'm gonna go lie down, |
| 01:14:37 |
[ Door Closes ] |
| 01:14:49 |
# [ Bossa Nova Beat ] |
| 01:15:09 |
Thanks. |
| 01:15:18 |
Don't paint her. |
| 01:15:21 |
Who do you want me to paint? |
| 01:15:34 |
Do you know |
| 01:15:38 |
Uh-- |
| 01:15:44 |
I'll come back in |
| 01:15:51 |
David. |
| 01:16:02 |
Lemonade. |
| 01:16:05 |
But only if |
| 01:16:08 |
And lots of sugar. |
| 01:16:10 |
[ Door Opening ] |
| 01:16:13 |
[ Door Closes ] |
| 01:16:16 |
[ Indistinct ] "...and awash in the Baroque |
| 01:16:19 |
"the work of Fran Pinkerton |
| 01:16:23 |
"with much more fire, |
| 01:16:25 |
"and more content |
| 01:16:27 |
than the original seed |
| 01:16:30 |
"Original seed"? |
| 01:16:35 |
Oh, hi. |
| 01:16:38 |
[ Chuckles ] |
| 01:16:43 |
Um-- |
| 01:16:45 |
It's about Fran, right? |
| 01:16:47 |
"Pinkerton's art goes |
| 01:16:50 |
beyond reinterpretation"-- |
| 01:16:52 |
I mean, try Kinko's. |
| 01:16:55 |
"To call it a layer removed from |
| 01:16:58 |
"Pinkerton's genius lies in |
| 01:17:02 |
"as the artist sees it into |
| 01:17:05 |
"a plane which exists |
| 01:17:07 |
in a Star Trek-ian |
| 01:17:12 |
Wow. |
| 01:17:16 |
Is David, um, |
| 01:17:19 |
I need something to drink. |
| 01:17:23 |
David? |
| 01:17:26 |
Mary? |
| 01:17:31 |
Please-- Please don't-- |
| 01:17:35 |
Mary, it's me. |
| 01:17:37 |
I don't want to hear it, okay? |
| 01:17:40 |
Mary-- Mary, wait. Mary! |
| 01:17:43 |
Let go of me, David! |
| 01:17:46 |
Mary, please! |
| 01:17:48 |
Mary! |
| 01:17:53 |
Fuck! |
| 01:18:00 |
# [ Folk ] |
| 01:18:09 |
[ Woman ] |
| 01:18:13 |
# Cool wind in your hair # |
| 01:18:20 |
# Will you be as bright # |
| 01:18:24 |
# Or everybody's to share # |
| 01:18:32 |
# Or everybody's to share # |
| 01:18:38 |
# Hide with me # |
| 01:18:43 |
# Far out at sea # |
| 01:18:47 |
# Hide away # |
| 01:18:51 |
# Stay, please # |
| 01:18:55 |
# Stay # |
| 01:19:12 |
# [ Fades ] |
| 01:19:17 |
[ Door Opens ] |
| 01:19:22 |
Hi. |
| 01:19:25 |
Um-- Hi. |
| 01:19:30 |
Where have you been? |
| 01:19:32 |
I've been walking. |
| 01:19:34 |
I was here earlier, |
| 01:19:38 |
I-I just got in. |
| 01:19:43 |
I was just really worried. |
| 01:19:47 |
I went-- |
| 01:19:50 |
Kept thinking |
| 01:19:54 |
I was trying to replace all |
| 01:19:57 |
But everywhere I looked, |
| 01:20:00 |
everywhere I turned, |
| 01:20:03 |
And all I could feel |
| 01:20:08 |
[ Sighs ] |
| 01:20:11 |
I went to the park, |
| 01:20:14 |
lay down in the grass. |
| 01:20:17 |
Suddenly, I heard this voice |
| 01:20:20 |
"Enough. That's-- |
| 01:20:23 |
Something shifted |
| 01:20:25 |
and everything |
| 01:20:30 |
I want to feel the way |
| 01:20:33 |
I want to feel that way |
| 01:20:39 |
I haven't done that |
| 01:20:43 |
I used to lay there... |
| 01:20:46 |
and look up in the sky. |
| 01:20:50 |
Dream that my prince |
| 01:20:54 |
Make me happy. |
| 01:20:58 |
I'm not doing a very |
| 01:21:12 |
It's not your job. |
| 01:21:15 |
I'm really sorry. |
| 01:21:23 |
Would you come here? |
| 01:23:09 |
# [ Ballad Beat ] |
| 01:23:22 |
# What can I do |
| 01:23:26 |
# For you to come my way # |
| 01:23:30 |
# And make you stay until the |
| 01:23:38 |
# And when the night comes |
| 01:23:41 |
# That we're meant to be # |
| 01:23:43 |
# Engraving our names in the |
| 01:23:50 |
# Calling out for love |
| 01:23:56 |
# Writing our names |
| 01:24:00 |
# So when the morning comes # |
| 01:24:02 |
# You'll know just who I am # |
| 01:24:06 |
# Sing and dance |
| 01:24:08 |
# Do what you will |
| 01:24:13 |
# You would pray for me |
| 01:24:19 |
# And you will beg for me |
| 01:24:27 |
# [ Vocalizing ] |
| 01:24:54 |
# And when the night comes |
| 01:24:57 |
# That we're meant to be # |
| 01:24:59 |
# Calling out for love # |
| 01:25:03 |
# In the universe # |
| 01:25:06 |
# Writing our names |
| 01:25:12 |
# Writing our names |
| 01:25:15 |
# So when the morning comes |
| 01:25:21 |
# Sing and dance |
| 01:25:24 |
# Do what you will |
| 01:25:29 |
# You would pray for me |
| 01:25:35 |
# And you will beg for me |
| 01:25:43 |
# To let you go # |
| 01:25:49 |
# [ Vocalizing ] |
| 01:26:09 |
# And when the night comes |
| 01:26:12 |
# That we're meant to be # |
| 01:26:15 |
# Engraving our names in the |
| 01:26:22 |
# Calling out for love |
| 01:26:26 |
Subtitles by LeapinLar |
