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1408 en
00:00:42	Preacher on radio: reckless sinful
00:00:45	The Lord has told me
00:00:47	that the open
00:00:49	are yawning up
00:00:52	Yes, the flames
00:00:54	of perpetual damnation
00:00:56	are ever ready to grasp
00:00:59	We know the way
00:01:02	Yeah, we know the prayer
00:01:04	of the righteous man.
00:01:15	I'm telling you
00:01:18	Yes, the Lord has spoken
00:01:45	Hi.
00:01:47	Mike Enslin.
00:01:49	Honey.
00:01:52	We were afraid you
00:01:54	Oh it's such an honor
00:01:56	- Terrible night out there.
00:01:58	I'll settle in and we can
00:02:00	You probably want to hear
00:02:02	Well, this staircase here,
00:02:04	reputedly hung herself
00:02:07	- Oh.
00:02:08	- Can we do this in the morning?
00:02:10	It's printed in
00:02:12	- Did we send you one of these?
00:02:13	- Do you see her in the window?
00:02:16	That's a photo that
00:02:19	In your letter
00:02:21	with the most
00:02:23	were in the attic.
00:02:25	That's right, because the attic
00:02:28	which is the former
00:02:30	People say that all
00:02:32	died up there
00:02:35	- All of them?
00:02:38	At the stroke of midnight
00:02:41	Now our best advice
00:02:43	- Isn't that right, honey?
00:02:45	You take care, you just
00:02:48	I will.
00:02:49	As soon as you
00:02:54	I'm so... right.
00:02:57	- Number 14, you can't miss it.
00:03:00	- Good luck.
00:03:02	what the night brings.
00:04:16	Mike:
00:04:18	says she hasn't
00:04:19	since acquiring the inn
00:04:22	No no no,
00:04:24	But in any case, the eggs
00:04:27	and if you call in advance,
00:04:29	she will bake her famous
00:04:33	On a Shiver Scale, I award the Weeping
00:04:40	Screw 'em, five skulls.
00:04:54	- Hi.
00:04:56	How's it going?
00:04:59	Yeah, I'm here
00:05:01	All right.
00:05:04	I'm Mike Enslin.
00:05:06	Sorry?
00:05:09	- Book signing.
00:05:11	Oh, that's you, yeah.
00:05:14	- That's a good picture.
00:05:16	All right, hold on.
00:05:18	Um... attention,
00:05:21	Tonight we have noted
00:05:24	Michael Enslin
00:05:26	at the Author's Corner
00:05:29	He's the writer of the best-selling
00:05:32	um... with such titles
00:05:36	"10 Haunted Graveyards,"
00:05:39	"10 Haunted Lighthouses. "
00:05:41	That's tonight, 7:00 pm.
00:05:43	Mike: Anyway, so I really
00:05:45	and that's kind of
00:05:47	And I hope you enjoy it,
00:05:50	Uh, you know,
00:05:53	Right?
00:05:54	Where's the scariest place
00:05:57	Scariest place
00:05:59	Uh, I've never heard
00:06:01	That's a joke.
00:06:03	Well, all these places have
00:06:06	Um...
00:06:07	I would say, if I had to
00:06:09	I would say
00:06:11	the site of the grisly
00:06:14	That's an intense place.
00:06:17	where the crazed war widow
00:06:20	I mean, those all have a lot
00:06:22	- The air is thick.
00:06:25	Look, I'm a good researcher.
00:06:28	I travel with an EMF meter,
00:06:31	infrared camera. I mean, look,
00:06:34	than to experience
00:06:36	you know, to get a glimpse
00:06:39	at the end of the tunnel.
00:06:42	So you're saying there's
00:06:46	I'm saying
00:06:47	but they're awful convenient
00:06:50	when the interstate moves away.
00:06:52	This thing has really
00:06:55	- I do.
00:06:57	Uh, but seriously, Mike,
00:07:01	where's my best bet?
00:07:02	- Guaranteed?
00:07:04	Haunted Mansion,
00:07:05	Awesome, thanks.
00:07:08	- Stay scared.
00:07:10	Cashier:
00:07:12	I got band practice tonight.
00:07:15	Holy shit.
00:07:17	What rock did you
00:07:18	- Um, eBay.
00:07:20	How much did it go for?
00:07:22	Well, there weren't
00:07:25	I would think not.
00:07:27	- Wow.
00:07:30	- an amazing book.
00:07:32	Um, so... unique
00:07:35	and inspirational
00:07:38	Thanks.
00:07:40	- Um, Anna.
00:07:42	Are you gonna write another
00:07:44	Nah, it's
00:07:46	Um...
00:07:48	- can I ask you a question?
00:07:50	Um, the relationship
00:07:53	with the father and the son...
00:07:56	- but, um, it's so authentic and...
00:07:59	well-constructed,
00:08:02	is it true?
00:08:05	No.
00:08:08	Well, thank you for this.
00:08:10	My pleasure.
00:08:11	Bye.
00:08:29	- Man: Good boy!
00:08:32	Woman:
00:08:34	Yeah, I'm just gonna tie it
00:09:35	Man:
00:09:37	Woman:
00:09:39	Oh yeah.
00:09:42	Are you okay, buddy?
00:09:44	Hey, are you breathing?
00:09:52	- Woman: No!
00:10:00	We got 325.
00:10:05	Uh-huh.
00:10:06	This is the one.
00:10:09	Oh, you mean
00:10:11	- Have yourself a beautiful day.
00:10:14	- Thank you very much.
00:10:16	- Hey, Jackson, what's up?
00:10:18	I read your last book...
00:10:21	Man, that's some
00:10:23	Cool.
00:10:25	Later on, dude.
00:10:31	- Hi.
00:10:32	- Hi.
00:10:35	Thanks.
00:11:23	That's cute.
00:11:25	Woman: Good evening,
00:11:28	How might I direct
00:11:30	Mike:
00:11:32	One moment please, sir.
00:11:36	Man:
00:11:37	Yeah, I'd like to stay in
00:11:40	That room is
00:11:43	I didn't tell you
00:11:47	How about Saturday?
00:11:49	It's unavailable.
00:11:53	The following Tuesday?
00:11:56	Unavailable.
00:11:57	Next month?
00:11:59	Unavailable.
00:12:01	Next summer?
00:12:29	Man: Somebody, anybody,
00:12:32	I got to have lunch with
00:12:34	Sam, Mike Enslin calling
00:12:36	I'll take it in there.
00:12:38	Clay, you got a sec for
00:12:40	- Say yes.
00:12:41	Great. Now look, this guy
00:12:44	so try to keep the energy up.
00:12:46	- Mike!
00:12:48	Hey hey, read the first
00:12:50	Spooky shit,
00:12:52	Great. Hey, did you take care
00:12:53	You'd better believe I did.
00:12:56	Mike, Clay,
00:12:58	- Hi, Clay.
00:12:59	Talk fast, all right?
00:13:01	All right, Clay,
00:13:02	Yeah, the Dolphin.
00:13:04	That stick-up-its-ass
00:13:06	Too posh for
00:13:08	Well, you are gonna love
00:13:11	He dug around and found you...
00:13:13	- a Federal
00:13:16	Like somebody would
00:13:18	a well-to-do white guy.
00:13:21	Ergo, if the room's
00:13:23	- they have to give it to you.
00:13:25	Yeah. Now look, the manager there's
00:13:27	but he knows the drill.
00:13:28	- Nothing you can't handle.
00:13:30	we'll book the room
00:13:31	we'll rattle our sabers
00:13:33	- So it's all done?
00:13:36	Bye, Clay.
00:13:38	Yeah, Mike,
00:13:40	Yeah, uh, on a more
00:13:44	are you sure
00:13:45	Yeah, of course. It'll make a solid
00:13:48	Yeah yeah,
00:13:51	But, I mean,
00:13:54	All that happened... you really want
00:13:57	- I'll be quick.
00:13:59	No.
00:14:02	In and out.
00:14:07	It's just a job.
00:14:21	Driver:
00:14:24	Man:
00:14:45	Woman: It's a beautiful room,
00:14:48	Pardon me, ladies.
00:15:03	Man:
00:15:04	Welcome to
00:15:06	- Are you checking in?
00:15:08	One night.
00:15:09	And how are we
00:15:12	- N-S-L-I-N?
00:15:14	Yeah.
00:15:21	Uh, would you excuse me
00:15:23	Sure.
00:15:28	Mr. Dempsey, Mike Enslin's
00:15:31	- Where is he?
00:15:33	That's fine, Marie.
00:15:36	Okay.
00:15:43	It'll just be a minute,
00:15:50	Good evening, sir.
00:15:52	- No.
00:15:56	Mr. Enslin,
00:15:59	manager of
00:16:01	If there's anything that I can do
00:16:04	dinner reservations,
00:16:06	maybe a Knicks game?
00:16:08	just tell me.
00:16:10	Well, if I can just get the key to 1408,
00:16:13	Oh, we were thinking
00:16:17	1408, please.
00:16:19	Insistent,
00:16:22	Could you please
00:16:23	by coming to my office for a more
00:16:28	- Sure.
00:16:34	Come in.
00:16:38	1408 a smoking room?
00:16:40	As a matter of fact,
00:16:42	Good, one less worry in
00:16:46	Care for a cigar?
00:16:48	No thank you,
00:16:50	Oh this, yeah.
00:16:52	in case nuclear war
00:16:54	I gave it up
00:16:55	It's part habit,
00:16:57	It's, you know,
00:16:59	You do drink,
00:17:01	Of course, I just said
00:17:02	Le Cinquante Sept
00:17:06	Exquisite.
00:17:08	About $800 a bottle,
00:17:10	I appreciate the bribe,
00:17:14	- How long?
00:17:17	My usual is
00:17:19	I see.
00:17:21	No one's ever lasted
00:17:24	Jesus, man.
00:17:26	You ought to shave your eyebrows
00:17:28	if you're gonna try
00:17:30	Otherwise, you'll
00:17:32	Why are you mocking me
00:17:34	to the best of my ability,
00:17:36	No, you're playing
00:17:38	You're selling
00:17:40	But eventually,
00:17:42	you're gonna give me the key
00:17:45	and I'm gonna write my story
00:17:48	Do you mind if my little friend records
00:17:54	I'll take that as a yes.
00:17:55	Sir, you quite
00:17:59	Now, I know the Dolphin
00:18:02	or the Carlyle,
00:18:04	but we operate
00:18:07	Always.
00:18:08	And my concern here
00:18:11	My concern here
00:18:13	Frankly, selfishly,
00:18:16	I don't want you
00:18:19	because I don't want
00:18:21	Now hotels are all
00:18:25	and fertile
00:18:27	My training is
00:18:30	not a coroner.
00:18:32	Under my watch there have
00:18:36	After the last one,
00:18:38	from checking
00:18:40	The last one was David Hide,
00:18:44	Slit his wrist,
00:18:46	turned himself into
00:18:47	Yes. So you've
00:18:50	I'm a professional too.
00:18:51	Well, grievously, in its
00:18:54	the hotel has seen
00:18:57	four overdoses,
00:18:59	- three mutilations...
00:19:00	two stranglings.
00:19:02	is well-versed in
00:19:04	dryly reciting the docket
00:19:07	discussing his ledger.
00:19:08	Well, you think
00:19:10	I know the game.
00:19:12	Well, during
00:19:13	did you discover
00:19:16	that have occurred
00:19:20	Natural deaths?
00:19:21	Ah, didn't find out
00:19:23	because the newspapers don't
00:19:27	Hmm. All told,
00:19:30	in 1408.
00:19:32	56?
00:19:35	You don't know anything.
00:19:37	The causes of death
00:19:40	from heart attack,
00:19:42	- Drowning?
00:19:45	drowned
00:19:47	That's hard to do.
00:19:50	How indeed?
00:19:51	Interesting.
00:19:54	I will let you have this
00:19:58	You can take notes,
00:20:00	My only condition
00:20:02	is that you do not
00:20:06	You'll let me look
00:20:09	Hmm.
00:20:19	I never did
00:20:40	- Oh, that is good.
00:20:44	Compliments
00:20:57	- I'm still staying.
00:20:59	I'm sorry.
00:21:01	All right here.
00:21:04	I guarantee you,
00:21:06	you won't want to stay
00:21:10	The first victim:
00:21:13	sewing machine salesman.
00:21:15	Checked into the hotel
00:21:16	- October, 1912.
00:21:19	Oh, that's not
00:21:21	Afterwards, in a fit
00:21:23	he tried to stitch
00:21:26	using an old sewing needle
00:21:28	Easy, man.
00:21:30	Look, Mr. Enslin,
00:21:33	You can take
00:21:35	It has the exact same layout and no one
00:21:38	- My readers expect the truth.
00:21:41	Your readers expect
00:21:44	and cheap thrills.
00:21:46	"The headless ghost
00:21:49	still walks
00:21:51	"The Barking Phantom
00:21:54	A direct quote...
00:21:56	Your books aren't
00:21:58	They're on the bargain
00:22:00	of any paperback
00:22:02	full of cynicism,
00:22:06	who doesn't believe
00:22:09	Guilty as charged.
00:22:12	Hey listen, this meeting's over.
00:22:15	Oh please, don't act
00:22:17	- In fact, you surprised me.
00:22:20	You are not
00:22:23	I rather liked the first one,
00:22:26	What was it called?
00:22:29	"Long Road Home. "
00:22:31	"The Long Road Home,"
00:22:34	I rather thought
00:22:36	Yeah, he was.
00:22:38	Um...
00:22:40	look man, just
00:22:42	- Mr. Enslin...
00:22:45	Listen, I stayed
00:22:48	I brushed my goddamn teeth
00:22:51	where Sir David Smith
00:22:53	And I stopped being afraid
00:22:56	Do you know why I can stay
00:23:00	Because I know that
00:23:03	and long-legged beasties
00:23:06	Even if they did,
00:23:08	there's no God to protect
00:23:12	So I can't talk you
00:23:14	I think we've reached
00:23:17	Very well.
00:23:19	Come with me.
00:23:34	Most hotels have
00:23:36	An actual key.
00:23:39	We have magnetic cards also, but
00:23:43	Hope you don't have
00:23:45	General manager claims that the phantom
00:23:48	I have never used
00:23:50	Oh, I'm sorry.
00:23:53	No, you misunderstand.
00:23:54	Whatever's in 1408
00:23:56	Then what is it?
00:23:59	It's an evil
00:24:04	Please.
00:24:10	Mr. Odin.
00:24:13	Oh, oui.
00:24:21	Why don't the owners
00:24:26	The Yasuko Corporation
00:24:28	Just as they pretend
00:24:33	The room,
00:24:35	I mean, the sheets haven't been changed
00:24:37	No no no,
00:24:40	1408 gets a light
00:24:43	I supervise, the maids
00:24:46	We treat the room
00:24:49	filled with poison gas.
00:24:50	We only stay 10 minutes
00:24:54	But still...
00:24:59	A few years ago, a young
00:25:01	found herself locked
00:25:03	She was only there
00:25:04	but when we pulled
00:25:06	- She was dead.
00:25:09	She had taken a pair
00:25:11	and gouged
00:25:13	She was laughing hysterically.
00:25:16	- Ouch.
00:25:19	Well, this is where
00:25:21	This is as close
00:25:24	unless it's that time
00:25:28	- See you tomorrow.
00:25:31	Please...
00:25:33	don't do this.
00:25:38	I'll call you about
00:26:29	Stop it!
00:27:10	Okay. It's okay, sweetie.
00:27:13	Here we go.
00:28:19	This is it?
00:28:22	You got to be kidding me.
00:28:41	Round one goes to the hideous Mr. Olin
00:28:44	I have to admit,
00:28:49	But where is
00:28:52	Show me the rivers
00:29:00	It's just a room.
00:29:48	$8 for beer nuts.
00:29:51	This room is evil.
00:29:54	Mike's voice: Olin said hotels are about
00:29:57	It's a good line,
00:29:59	whether they're really
00:30:02	a prosaic sense
00:30:04	"Yes, I've
00:30:08	It's safe. "
00:30:11	There's a sofa,
00:30:13	a writing desk,
00:30:17	floral wallpaper.
00:30:19	Carpet's unremarkable,
00:30:22	beneath a thrift-store painting
00:30:25	The work is done in the
00:30:28	of Currier & Ives.
00:30:30	The second painting
00:30:33	reading bedtime stories...
00:30:35	to a group
00:30:37	as another Madonna and child
00:30:40	It does have
00:30:44	The third and final
00:30:48	is the ever-popular
00:30:50	Horses, hounds
00:30:53	Some smartass spoke about
00:30:56	If that's true,
00:30:58	then we're in
00:31:04	It does have
00:31:14	The panorama is typically cramped
00:31:17	Dull, grey
00:31:20	Honking traffic below.
00:31:23	- Radio: # We've only just begun... #
00:31:26	- # To live... #
00:31:30	# White lace
00:31:36	# A kiss for luck
00:31:41	# We've only begun #
00:31:45	# Before the rising sun... #
00:31:48	Bravo, Olin.
00:31:53	# So many roads
00:31:58	# We start off walking
00:32:04	# And yet
00:32:06	That means
00:32:11	Hello?
00:32:14	Hello!
00:32:19	Whoa.
00:32:25	That is bizarre.
00:32:30	Finally I got
00:32:33	A ghost that offers
00:32:39	All right.
00:32:41	All right, let's Encyclopedia
00:32:43	Started off the window,
00:32:45	hear the music,
00:32:47	I turn around, go to
00:32:50	Then I go into the closet
00:32:52	my back was turned.
00:32:54	Houdini have time to come in
00:32:57	and he's in the living room.
00:33:15	Out!
00:33:23	Huh.
00:33:31	Hello?
00:33:42	You're gonna have to
00:33:45	Nice and warm
00:33:47	It's hot down here,
00:33:58	Come on.
00:34:15	- Woman: Front desk.
00:34:17	- Guess which room.
00:34:19	- Good evening.
00:34:21	Check out?
00:34:23	Check out, check out, no.
00:34:25	Especially with this wonderful
00:34:29	No no no, I need you to send somebody
00:34:31	- Room's on fire.
00:34:34	We'll send an engineer
00:34:35	- You will?
00:34:38	- Thank you.
00:35:21	How many thin walls
00:35:24	have we put up
00:35:26	old boy?
00:35:29	How many sarcophagal chambers?
00:35:36	Hotel rooms are a naturally
00:35:39	don't you think?
00:35:41	I mean, how many people
00:35:43	How many of them
00:35:45	How many of them
00:35:49	How many of them... died?
00:35:54	We came here
00:35:57	and we don't rattle,
00:37:25	It's not that what
00:37:28	It just ain't as real
00:37:35	Hello?
00:37:37	Man: You got a problem
00:37:45	Yeah.
00:37:51	Come on.
00:37:57	Is it too hot
00:37:58	What does it look like?
00:38:00	Come on in.
00:38:02	The box is
00:38:04	It's stuck around 80.
00:38:09	I said the box
00:38:11	I know where the hell it is,
00:38:15	You just have to walk
00:38:18	I said I ain't going in.
00:38:20	Yes, I'm well aware
00:38:21	Look, I'll talk
00:38:23	Any jackass can fix
00:38:26	Just remove the panel.
00:38:32	Okay, now above that coil
00:38:34	is a little tube
00:38:36	That's supposed to activate
00:38:38	But this hotel's so goddamn old,
00:38:42	Just give the tube
00:38:43	Just tap the damn thing!
00:38:47	Yeah, there it is.
00:38:49	Oh, sir,
00:38:51	A gentleman and a scholar.
00:38:54	Thank you.
00:38:56	a tip.
00:39:00	Sir?
00:39:30	Radio:
00:39:38	# Sharing horizons... #
00:39:40	Son of a...
00:40:04	Nobody lasts
00:40:10	Very effective.
00:40:51	Oh fuck!
00:40:54	Oh, God.
00:40:56	Ow!
00:41:15	Ow! Fuck!
00:41:22	Ow!
00:41:53	# We've only just begun #
00:41:58	# To li... #
00:42:09	Hello?
00:42:16	- Hello?
00:42:18	a miscommunication
00:42:20	There's going to be a 10-minute delay
00:42:22	Sandwich?
00:42:23	I didn't order any sandwich.
00:42:25	I'm sorry.
00:42:27	a side dish for
00:42:29	We have cottage cheese,
00:42:31	- coleslaw...
00:42:33	I'm checking out.
00:42:35	Do you understand?
00:42:37	I understand. If you leave your dry
00:42:40	we'll have it pressed
00:42:42	Shit, bitch! Call me a cab
00:42:44	I'm hurt! Do you comprehend
00:42:47	Sir, I will not tolerate you speaking
00:42:51	You're an idiot!
00:42:54	I'm gonna take legal action!
00:42:56	If you wish, I can connect you
00:42:59	Good! Good good good
00:43:01	Put him on. I'm gonna blitz
00:43:04	Olin... good!
00:43:08	Man's voice: When staying at
00:43:10	New York's finest dining at the fabled
00:43:13	on our mezzanine level.
00:43:15	Then make an appointment
00:43:17	on the Coral level.
00:43:19	facial and aromatherapy
00:43:21	- it will leave you feeling relaxed...
00:43:23	and revitalized.
00:43:26	You bitch.
00:43:29	You win.
00:43:31	All right.
00:43:35	Come on.
00:43:55	Come on.
00:44:07	Hey!
00:44:09	Help!
00:44:23	Help! Help!
00:44:28	Can anybody hear me?
00:44:30	Help!
00:44:34	You! Sir!
00:44:39	Yeah!
00:44:40	Help! Help!
00:44:45	Help!
00:44:47	Yeah!
00:44:51	Call the police!
00:44:55	Help!
00:44:59	Help!
00:45:40	Hey!
00:46:11	Hey!
00:46:30	I'm losing my mind.
00:46:32	Girl's voice:
00:46:39	Daddy?
00:46:44	I'm gonna get you.
00:46:48	Ready or not,
00:46:49	here I come.
00:46:58	Here you are.
00:47:00	I see you, Daddy.
00:47:05	Get ahold of yourself.
00:47:08	You're running to places
00:47:10	Get up. Get up.
00:47:15	You're losing the plot.
00:47:21	You're losing
00:47:24	Girl:
00:47:27	Psychokinetic
00:47:30	A tired mind among classic haunted-house
00:47:33	Gaslit features,
00:47:35	like that motel
00:47:38	There's a reason for everything.
00:47:43	What's that?
00:47:46	What is that?
00:47:49	Who is that?
00:47:53	Is that the sadistic owner
00:47:59	Wait a minute.
00:48:02	He gave me booze.
00:48:04	He gave me booze.
00:48:08	I can't remember.
00:48:12	He dosed me!
00:48:14	It was the booze
00:48:16	Never take candy
00:48:18	All right, all right.
00:48:21	I'm just hallucinating.
00:48:23	I've just got to
00:48:25	I've got to
00:48:26	for four or five hours
00:48:30	You can do this.
00:48:33	Woman:
00:48:35	You are finished.
00:48:38	Dad! Sit down!
00:48:41	Mike:
00:48:44	Mike:
00:48:46	- Yes!
00:48:47	Let me find a good...
00:48:49	let me find a good
00:48:52	Ladies and gentlemen,
00:48:54	welcome to the Most
00:48:58	Fifth and fourth place
00:49:00	goes to Boris and Doris
00:49:02	Ladies and gentlemen!
00:49:07	Let's have a closeup
00:49:09	Look at that.
00:49:12	They're so ugly
00:49:14	Third place
00:49:16	Surprise surprise.
00:49:18	Right, how's this for ugly?
00:49:25	Second place
00:49:28	That was good.
00:49:31	That's kind of like Beowulf
00:49:34	- I like it.
00:49:41	That is a terror.
00:49:43	oh, God! Don't show
00:49:45	Oh, I can't look
00:49:48	Lily:
00:49:50	Whatever you do,
00:51:03	Ma'am, can you hear me?
00:51:08	Ma'am, I need your help.
00:51:11	Please, ma'am,
00:51:16	Kid, be quiet.
00:51:18	Please, ma'am.
00:51:22	Quiet!
00:52:18	Man:
00:52:22	I was dead.
00:52:28	Where's my garden?
00:52:32	I can't smell anything.
00:52:34	I hate this place.
00:52:43	How did I get here?
00:52:49	Pop.
00:52:51	Dad.
00:52:53	It's Michael.
00:53:07	As you are...
00:53:10	I was.
00:53:15	As I am...
00:53:21	you will be.
00:53:45	Mike's voice:
00:53:49	Maybe I'm just
00:53:54	an incredibly vivid
00:53:56	lucid nightmare.
00:54:01	When is the last time
00:54:06	I flew in yesterday.
00:54:09	Or was that... today?
00:54:13	I can't remember.
00:54:15	Was I on a train?
00:54:21	I woke up somewhere
00:54:22	and I had breakfast.
00:54:25	Where was I?
00:54:35	Here it comes.
00:55:00	They say you can't die
00:55:03	Is that true?
00:55:24	The shock
00:55:32	So you couldn't
00:55:40	All right,
00:55:42	Got the hallway,
00:55:45	stairwell,
00:55:48	And that's
00:55:51	the next room.
00:55:54	How many feet across
00:55:58	One...
00:56:01	...three,
00:56:03	four, five,
00:56:05	six, seven, eight...
00:56:09	nine.
00:56:11	Nine, nine...
00:56:17	Okay.
00:56:25	If something should happen,
00:56:28	I want it to be known
00:56:33	The room...
00:56:35	did not win.
00:56:38	Okay.
00:56:40	Okay, I can do this.
00:56:43	18 little steps.
00:56:53	Four...
00:56:55	Don't look down.
00:56:58	Keep moving.
00:57:05	Here we go.
00:57:12	All right.
00:57:15	Number nine...
00:57:17	eight...
00:57:20	six...
00:57:25	Where is it?
01:00:05	Get ahold of yourself.
01:00:06	You're running to places
01:00:12	Hotel rooms are naturally
01:00:19	Strangely, the bedroom
01:00:23	Strangely, the bedroom has no window...
01:00:29	Woman:
01:00:34	Lily:
01:00:43	No. No. Doctors don't
01:00:46	We can get another opinion,
01:00:48	- You hear about...
01:00:51	...miracle cures.
01:00:52	Oh God.
01:00:56	Mike: What kind of god would
01:01:07	Katie.
01:01:09	Katie:
01:01:14	Daddy, I can't find you.
01:01:17	Daddy, I'm scared.
01:01:19	- Katie.
01:01:22	Help.
01:01:24	Help me.
01:01:26	Daddy, help me.
01:02:05	Okay, how about
01:02:07	Come on.
01:02:15	Give me a signal.
01:02:18	Computer: Good evening, Mike.
01:02:21	Oh, yes!
01:02:24	Mike?
01:02:29	Mike, is that...
01:02:31	- I can barely see you.
01:02:32	- It's like seeing a ghost.
01:02:36	- It's me. It's Mike.
01:02:38	I mean, I haven't talked
01:02:40	and suddenly you pop up
01:02:42	I'm sorry, Lily.
01:02:44	Look, I'm at work, okay? So why don't
01:02:47	I'm trapped in this room,
01:02:51	Mike, you're always trapped in weird
01:02:53	No no, please, Lily. Listen to me.
01:02:55	- Please.
01:02:57	- Hi. Yeah yeah.
01:02:59	- I've got those. I'll be right down.
01:03:01	Lily, please!
01:03:03	Send them
01:03:05	I'll call you back.
01:03:10	- You're in the city?
01:03:12	- 2254 Lexington.
01:03:14	I'll tell you later.
01:03:18	- That's just perfect.
01:03:20	You walk out, you disappear.
01:03:22	Not divorced. Separated?
01:03:24	- Suddenly you need me?
01:03:27	- I'm in danger. You understand?
01:03:30	You're not making
01:03:31	There's something trying
01:03:38	No, Lily!
01:03:40	No no no!
01:04:43	I've got a knife!
01:05:00	That's the way out.
01:05:02	Or that way.
01:05:07	All right,
01:05:10	Lady, let me in!
01:05:12	- Help! Help!
01:05:16	- Lady, I'm coming through!
01:05:19	Mike, can you help me?
01:05:22	Mike: I got to get some cigarettes.
01:05:27	Jesus Christ!
01:05:32	Mike:
01:05:33	Mike, you can't do this.
01:05:35	She needs you.
01:05:38	You've got an amazing talent
01:05:40	You think
01:05:41	I'm trying to talk
01:05:44	- Don't put your hands on me, old man!
01:05:46	Talk? Why change what appears to be
01:05:49	You were always great
01:05:51	but the problem is
01:05:53	I never gave a shit
01:06:00	Shit!
01:06:10	Hello!
01:06:17	Oh.
01:06:43	Kevin O'Malley.
01:06:55	No.
01:06:57	No no no no no no.
01:07:00	I can't help you.
01:07:05	No!
01:08:04	It's good to be back.
01:08:11	That's enough of that.
01:08:22	Alcohol.
01:08:25	I was just checking to see
01:08:28	are exceeding
01:08:29	You know goddamn well
01:08:31	- What do you want from me?
01:08:34	What do you want?
01:08:37	What do you want,
01:08:39	- You sought this room.
01:08:42	- I beg your pardon?
01:08:44	Oh, that's right.
01:08:47	You like shattering
01:08:49	Oh, that's bullshit!
01:08:50	Why do you think people
01:08:52	For fun?
01:08:54	It's the prospect
01:08:58	How many spirits
01:09:01	Mike's voice:
01:09:03	Lily: I'm sure she's smiling down
01:09:05	What do you want
01:09:08	Huh?
01:09:10	What do you want
01:09:13	You...
01:09:15	you little...
01:09:20	What do you want?
01:09:22	What?!
01:09:27	I want my drink!
01:09:43	You win.
01:09:53	- Katie: Mommy?
01:09:55	Katie:
01:09:57	I don't know why it's purple.
01:10:00	It was a wedding present.
01:10:03	My grandmother brought it
01:10:06	Someday it'll be yours.
01:10:11	Are there people
01:10:18	Hey, you're not
01:10:22	You're gonna stay
01:10:23	Daddy...
01:10:25	everyone dies.
01:10:29	When they're old.
01:10:32	When they're much older.
01:10:33	Okay, and then they go
01:10:36	And it's beautiful there.
01:10:40	And all your friends
01:10:47	Is God there?
01:10:50	Yes.
01:10:53	Do you really
01:10:56	Yes.
01:11:01	Mike: You know what I think!
01:11:03	- We did everything we could!
01:11:04	- We should have helped her fight...
01:11:07	...instead of filling her head full
01:11:09	about heavens
01:11:11	and all that bullshit!
01:11:13	Those stories,
01:11:15	I'm going to get
01:12:54	Mike's voice:
01:12:57	I'm trying to
01:13:02	Orpheus on
01:13:05	bathed in tango light,
01:13:07	the kind of light
01:13:11	get out of their graves
01:13:14	Now this is level nine...
01:13:19	the deepest level of hell,
01:13:21	furthest removed
01:13:27	This is six.
01:13:29	It's goddamn five.
01:13:31	I think I see
01:13:33	Yes, I can see
01:13:37	Lily:
01:13:38	Mike, can you hear me?
01:13:41	- Michael, where the hell are you?
01:13:45	Michael?
01:13:46	- Mike.
01:13:48	Michael, can you hear me?
01:13:51	Lily.
01:13:56	Oh my God. Thank God.
01:13:59	- Did you call the cops?
01:14:01	- Didn't you say the Dolphin?
01:14:03	- You're sure?
01:14:06	Mike, they're in 1408.
01:14:09	The room's empty.
01:14:11	Mike?
01:14:13	Michael,
01:14:16	Michael?
01:14:17	Michael,
01:14:19	I'm afraid I can't express
01:14:22	Calm down, okay?
01:14:24	- Don't panic.
01:14:26	Michael, stop it!
01:14:29	Don't move.
01:14:34	Mike?
01:14:36	15 minutes
01:14:39	- It'll be too late.
01:14:42	- Lily.
01:14:43	Actually, 15 minutes
01:14:46	It's perfect.
01:14:48	- Good, yes.
01:14:49	You've always been someone
01:14:51	I know we haven't talked a lot
01:14:54	- but I need you, sweetie.
01:14:57	I can't explain it here. You just have
01:15:00	I miss you too, but...
01:15:01	When you get here,
01:15:03	Just come straight up to the 14th floor.
01:15:04	- Walk through the door.
01:15:06	- It's life or death, sweetie.
01:15:08	- Okay.
01:15:10	- I need to talk to you about Katie.
01:15:12	- Lily, don't listen to him!
01:15:14	- It's a trick! Don't come up here!
01:15:22	Lily! Lily!
01:15:56	Woman:
01:16:00	Man:
01:16:03	I don't want to die!
01:16:22	Man:
01:16:25	Man overboard!
01:16:32	Come on!
01:17:56	Are you okay, buddy?
01:17:58	Hey, are you breathing?
01:18:02	Man:
01:18:04	You guys,
01:18:14	Woman:
01:18:22	Hey.
01:18:25	How are you feeling?
01:18:28	- Am I out?
01:18:31	Lie down,
01:18:32	Lie down, lie down, lie down.
01:18:34	You're in the hospital.
01:18:36	Hospital where?
01:18:38	New York?
01:18:39	You got hit on the head
01:18:42	I can't believe
01:18:45	You flew here
01:18:47	Yeah. Yeah,
01:18:50	They called.
01:18:53	I think I'm still listed
01:18:55	Okay, I'm not in New York.
01:18:58	- I'm out.
01:19:03	I was in New York.
01:19:05	In New York,
01:19:08	in this Kafkaesque hotel,
01:19:10	the Dolphin.
01:19:12	- What?
01:19:15	- I spoke with you there.
01:19:17	- I called you.
01:19:22	You're gonna be okay.
01:19:43	Oh, we have a winner.
01:19:48	600 bucks.
01:20:01	Unbelievable.
01:20:04	I can see why
01:20:13	Why did you leave?
01:20:22	Because every time
01:20:24	I saw her face.
01:20:37	Lily:
01:20:39	I think in the dream
01:20:41	and it brought up
01:20:43	That's a good thing
01:20:45	But this was... I mean, I was down
01:20:47	I was rattled.
01:20:49	And I can't shake it.
01:20:51	you should drive me
01:20:53	check me into the psych unit.
01:20:57	You look really great.
01:20:59	I can't believe
01:21:03	Tell me about it.
01:21:05	Is everything all right?
01:21:07	I'll have another
01:21:10	The same.
01:21:15	Mike?
01:21:17	Yeah, I'll have
01:21:19	Patron, chilled,
01:21:20	Be right back.
01:21:28	Katie was there.
01:21:32	Mmm-hm.
01:21:36	Can you imagine
01:21:37	what it feels like
01:21:40	I mean, the very
01:21:42	that I talked to her,
01:21:44	I talked to her,
01:21:46	Yeah.
01:21:49	I see her every night
01:21:53	Yeah, but it was so vivid.
01:21:55	It was so real.
01:21:58	Maybe you should
01:22:00	About Katie?
01:22:03	- You always were tougher than me.
01:22:06	Seriously, it sounds like
01:22:13	Can you stay?
01:22:25	I'm sorry.
01:22:32	Okay, we have got 148.
01:22:34	148 is gonna be
01:22:37	Uh-huh.
01:22:40	So if you'd like
01:22:45	Hey!
01:22:47	You've been
01:22:49	Oh, by the way,
01:22:52	What is it?
01:22:56	That's some scary shit.
01:23:01	See you around.
01:23:42	Did I drop a postcard?
01:23:44	- What?
01:23:45	- Huh?
01:23:47	No, I think I would
01:23:52	But if I find it,
01:23:54	Okay?
01:24:26	Mike: My experience in the room
01:24:29	a fragmented loop
01:24:33	1408 was a horrible dream,
01:24:35	yet somehow
01:24:39	Sam:
01:24:42	- You're scaring me.
01:24:44	but I must say that the work
01:24:46	I think I've actually
01:24:48	in the form of a kind
01:24:51	"Autobiography
01:24:53	Truman Capote meets H.R. Giger. "
01:24:56	I love it!
01:24:58	That's sexy.
01:25:01	start a bidding war.
01:25:03	Easy, tiger. Any day now.
01:25:06	Okay, Mike.
01:25:09	Hey, where's that decaf?
01:25:38	Thank you.
01:25:53	Hey, Pop.
01:26:02	How are you doing,
01:26:05	Can you hear me?
01:26:09	I don't think so.
01:26:21	I know I haven't been
01:26:22	but I just wanted to...
01:26:25	come by and see
01:26:30	tell you I was doing okay.
01:26:33	Doing pretty good, actually.
01:26:38	I started talking
01:26:42	And I wrote a new book,
01:26:46	which I actually think
01:26:51	believe it or not.
01:27:01	Michael.
01:27:02	Dad.
01:27:06	Michael.
01:27:09	Yeah.
01:27:23	So...
01:27:30	Man: Hey, you can't park there!
01:27:33	Hey, I got a package
01:27:37	Is this the right form? I got to get
01:27:40	Man:
01:27:47	Very well.
01:30:02	I was out.
01:30:06	Is that Katie?
01:30:08	Is that Katie?
01:30:11	I was out.
01:30:19	I was out!
01:30:24	I was out.
01:30:26	I know I was out.
01:31:17	Yeah.
01:31:24	Open it.
01:31:42	Preacher:
01:31:45	We know the way
01:31:52	Katie: Daddy.
01:31:58	- Daddy?
01:32:02	- You're not Katie.
01:32:05	Please.
01:32:07	You're not real.
01:32:09	I'm cold.
01:32:10	- You're not Katie.
01:32:31	I love you, Daddy.
01:32:35	Don't you love me anymore?
01:32:38	Of course I do,
01:32:42	There we go.
01:32:46	I got you now, Katie.
01:32:48	- Oh my God.
01:32:51	- Yes, they will.
01:32:54	- What?
01:32:56	No no no no no. Nobody's ever going
01:32:59	I got you now, Katie.
01:33:03	- I'm not gonna let you go.
01:33:05	Of course I do. I love you more than
01:33:07	I wish we could
01:33:09	you, me, and Mommy.
01:33:10	We can, we can.
01:33:14	I got you right here, sweetie.
01:33:17	Everything is fine.
01:33:37	No.
01:33:38	No. No.
01:33:41	You can't take her twice.
01:33:45	You can't.
01:33:48	Not again.
01:33:51	You can't.
01:33:56	Please.
01:33:58	No!
01:34:00	No.
01:34:02	- You bastard.
01:34:07	# So many roads
01:34:12	# We start out walking
01:34:18	# And yet
01:34:31	You little...
01:34:32	where is it?
01:34:34	Where?!
01:35:04	# We'll find a place
01:35:10	# And yes,
01:35:17	# Sharing horizons
01:35:23	# Watching the signs
01:35:28	# Talking it over,
01:36:22	Why don't you
01:36:24	Woman:
01:36:26	enjoy free will,
01:36:28	You can choose to relive this hour
01:36:30	or you can take advantage
01:37:05	Mr. Enslin?
01:37:50	Are you ready to check out,
01:37:56	No.
01:37:58	- Not your way.
01:38:06	By the way, Mr. Enslin,
01:38:09	She'll be here in five minutes
01:38:11	She's not involved.
01:38:14	You can't have her.
01:38:17	I'm done arguing with you.
01:38:22	I'm gonna end this.
01:38:24	Five.
01:38:26	Ignore the siren.
01:38:29	you can never
01:38:32	Eight.
01:38:35	We have killed
01:38:39	Every friend
01:38:41	is now dead.
01:38:54	Mike's voice:
01:38:58	But I don't have
01:39:03	If I'm going down,
01:39:04	I'm taking you with me.
01:39:10	This may not all be real,
01:39:12	and I may not even be real,
01:39:15	but this fire...
01:39:20	that's got to be real.
01:39:33	Go to hell!
01:39:57	Get out onto the street!
01:39:58	Out the doors
01:40:01	Everyone stay calm.
01:40:06	- What's going on?
01:40:09	This might take a while.
01:40:13	Thanks.
01:40:23	Keep quiet,
01:40:28	Please, you've gotta help me.
01:40:30	- Calm down.
01:40:31	My husband's inside.
01:40:33	You've gotta help him,
01:40:35	What floor?
01:40:36	14th floor, 1408.
01:40:39	Please come here.
01:40:41	You're wasting your time.
01:40:50	We're here
01:40:53	and we don't rattle.
01:40:59	The decor is in tatters
01:41:01	and the staff surly.
01:41:03	But on the Shiver Scale...
01:41:08	I award the Dolphin
01:41:35	Never kill
01:41:47	Katie:
01:42:20	We commend to Almighty God
01:42:24	and we commit his body
01:42:27	earth to earth,
01:42:30	dust to dust.
01:42:34	May you rest in peace.
01:42:36	Amen.
01:42:37	All: Amen.
01:42:39	Well, they're together now.
01:42:46	Let's go.
01:42:56	Olin:
01:43:02	I...
01:43:05	I am sorry to intrude at such
01:43:07	but I knew your husband.
01:43:10	Oh.
01:43:12	While we were cleaning up,
01:43:15	No, thank you.
01:43:17	They are of such
01:43:19	- I figured maybe you would want to...
01:43:21	It's not how
01:43:24	I'm sure you understand.
01:43:26	Oh yes, yes.
01:43:28	But it's important that you know
01:43:30	He did not die
01:43:33	What are you talking about?
01:43:35	Because of him,
01:43:37	All right, okay, stop.
01:43:39	Just give
01:43:42	She's been through enough,
01:44:29	Mike:
01:44:31	for effective
01:44:33	I have to admit,
01:44:35	Get ahold of yourself.
01:44:37	You're running to places
01:44:39	Katie:
01:44:41	don't you
01:44:43	Mike:
01:44:45	- Don't you love me, Daddy?
01:44:48	more than anything.
01:44:50	I got you right here, sweetie.
01:44:53	I got you, Katie.
01:44:56	Katie:
01:44:58	Daddy!
01:45:01	Daddy!
01:45:14	Hey, sweetie.
01:46:16	Katie:
01:46:18	Daddy!
01:46:21	Yes, of course.

1408