Redbelt
|
00:01:58 |
Tie him up. |
00:02:00 |
The hands are not the issue. |
00:02:02 |
The fight is the issue. |
00:02:07 |
Who imposes the terms of the battle |
00:02:12 |
You think he has a handicap? No. |
00:02:14 |
The other guy has a handicap |
00:02:19 |
You control yourself, you control him. |
00:02:24 |
Take him to court. |
00:02:29 |
A man distracted is a man defeated. |
00:02:32 |
That's right. |
00:02:34 |
You heard that before, huh? |
00:02:41 |
-Take him to court. |
00:02:45 |
Good. Cut him down. Fight's over. |
00:02:49 |
Fight's over. Finish it here. It's over. |
00:02:56 |
Okay. Improve the position. |
00:03:00 |
Keep the weight on his head. |
00:03:05 |
Watch the slam. Keep your head up. |
00:03:08 |
Nice. Nice. You felt that, huh? |
00:03:12 |
Good. Keep your back. |
00:03:18 |
Okay. Okay. Improve. |
00:03:25 |
Good. Good, you felt that. Good. |
00:03:32 |
Okay. |
00:03:33 |
Improve the position. |
00:03:37 |
Good. |
00:03:39 |
Take him to Brazil. Good, good. |
00:03:43 |
Arm bar. See that? Excellent. |
00:03:50 |
Triangle. Hold. Insist. Insist on it. |
00:03:54 |
Insist on the move. |
00:03:58 |
Good. Now what? |
00:04:00 |
Breathe. Breathe. Breathe. |
00:04:05 |
Good. Good hit. |
00:04:09 |
Okay, breathe. Breathe. |
00:04:12 |
Breathe. You know the escape. |
00:04:13 |
You know the escape. |
00:04:17 |
There's always an escape. |
00:04:22 |
You know the escape. |
00:04:24 |
-There's always an escape. |
00:04:28 |
All right. |
00:04:33 |
Great class. |
00:04:36 |
Great class. |
00:04:40 |
Great. Hey, stick around. |
00:04:47 |
You don't fight your way clear? |
00:04:49 |
I was passing out. |
00:04:52 |
There is no situation |
00:04:54 |
You know the escape. |
00:04:57 |
You know the escape. Show it to me. |
00:04:59 |
Show it to me. Show me the escape. |
00:05:02 |
Good! |
00:05:03 |
Good. You know the escape. |
00:05:07 |
-Don't get tired. |
00:05:10 |
You wanna fight like a black belt, huh? |
00:05:14 |
You wanna test for the black belt? |
00:05:17 |
-Snowflake, give him his wish. |
00:05:21 |
Well, your hands. Get them up, up. |
00:05:23 |
Administer the fight. |
00:05:27 |
Insist. Insist. |
00:05:33 |
You told me this training |
00:05:36 |
This is how you repay me? |
00:05:39 |
Breathe through it. The moves work. |
00:05:41 |
Defend the neck. |
00:05:45 |
Take the fight out of your face. |
00:05:48 |
Well, that's it. Officer down. |
00:05:51 |
That makes you mad, huh? |
00:05:54 |
Control your emotions. |
00:05:56 |
Control your emotions. Breathe. |
00:06:00 |
Breathe. |
00:06:02 |
Breathe. |
00:06:04 |
All right, all right. Okay, okay, okay. |
00:06:07 |
That's it. That's it. |
00:06:13 |
Good. |
00:06:15 |
Hit the showers. |
00:06:24 |
You okay? |
00:06:27 |
-Yeah. He's good. He's good. |
00:06:38 |
Hi, I'm lost. I can't find |
00:06:41 |
What? |
00:06:44 |
I don't know. |
00:06:47 |
Well, you said I had to find it |
00:06:52 |
All right, thank you. Okay. |
00:07:29 |
Hey, hey. Wait, wait! |
00:07:34 |
Stop! |
00:07:43 |
That's the one. |
00:07:46 |
Hi. Hi, yeah, I missed the guy. |
00:07:48 |
I'm gonna need your help |
00:07:53 |
No, a regular doctor's not gonna fill |
00:07:56 |
What? |
00:07:59 |
Because he's closed. |
00:08:02 |
The prescription's not gonna stand up |
00:08:08 |
All right, but I need a-- |
00:08:13 |
All right. Okay. |
00:08:26 |
Hello? Hi, this is Sondra Terry |
00:08:32 |
Yeah, I have |
00:08:38 |
Yeah, you indicate you did not receive |
00:08:44 |
Okay, but on my record it shows that-- |
00:08:49 |
Look, I'm trying to run a business |
00:08:54 |
Oh, wait. |
00:09:01 |
As all the world knows, |
00:09:03 |
So be on Wednesday's schedule. |
00:09:05 |
Nine a.m., Beginning Self Defense, |
00:09:09 |
You're gonna have to train if you |
00:09:13 |
Mike? |
00:09:14 |
What, you want the officer |
00:09:17 |
It's rough out there. |
00:09:18 |
After he gets his black belt |
00:09:21 |
-That would make me feel secure. |
00:09:23 |
I know his fucking pants |
00:09:29 |
Hey, by the way, |
00:09:32 |
-I was thinking about it. |
00:09:35 |
I tell you what. Why don't you take |
00:09:38 |
...and buy a new shoulder rig. Why? |
00:09:43 |
A shoulder rig's |
00:09:45 |
Excuse me. Who's the--? |
00:09:47 |
-It's all right. Come in. |
00:09:49 |
-Mike? |
00:09:50 |
I believe I-- |
00:09:52 |
-Can you come here? |
00:09:53 |
Yes, thank you. I was driving-- |
00:09:55 |
Take off your coat. |
00:09:57 |
Look, I hurt your car, okay? |
00:09:59 |
Hey, Joe, take the lady's coat. |
00:10:01 |
I'll pay you cash so we can just-- |
00:10:04 |
-Miss. |
00:10:14 |
I'm a police officer! |
00:10:47 |
The wind blew something in |
00:10:49 |
-The wind blew something in? |
00:10:52 |
Yeah. Sure. |
00:10:55 |
Y'all okay? |
00:10:57 |
Yeah. We're fine. |
00:10:59 |
You want me to start the cleanup? |
00:11:02 |
Yeah, thanks, Snowflake. |
00:11:04 |
What am I gonna say, |
00:11:07 |
You sure? |
00:11:09 |
I'm sure. |
00:11:15 |
It's okay. |
00:11:18 |
It's okay. |
00:11:40 |
-I'm an attorney. I can't-- |
00:11:46 |
I'm sorry, I don't.... |
00:11:48 |
He thinks it didn't happen. |
00:12:15 |
You were going to the mountains. |
00:12:17 |
No, that's funny. |
00:12:19 |
Joe? Joe still inside? |
00:12:20 |
-No. He just left. |
00:12:22 |
Yeah. Maybe he went to the club. |
00:12:24 |
-What happened to the window? |
00:12:28 |
That's funny. |
00:12:29 |
Weren't you going to the mountains? |
00:12:32 |
-Why would he go to the club? |
00:12:35 |
The club? No, no, no. He hasn't |
00:12:39 |
Listen, I have to tell him something. |
00:12:43 |
Okay? Tell him. |
00:12:46 |
-Why? |
00:12:47 |
Why hasn't he been working there? |
00:12:49 |
Yeah, no. Listen, I gotta get home. |
00:13:14 |
Officer Joe let the girl walk. |
00:13:16 |
Yeah. I suppose he did. |
00:13:18 |
That was generous of him. |
00:13:21 |
Yeah, I think so. |
00:13:24 |
Why did he do that? |
00:13:26 |
He didn't wanna bring dishonor |
00:13:29 |
-Yes, of course. |
00:13:33 |
He didn't want to bring dishonor |
00:13:37 |
Yes. Thank you. |
00:13:42 |
The car? |
00:13:43 |
The car? |
00:13:45 |
The girl drove into your car. |
00:13:48 |
I didn't look at that. |
00:13:51 |
They want cash to get the window |
00:13:54 |
Do you have any cash? |
00:13:57 |
And on your business... |
00:13:59 |
...for which you have no cash, |
00:14:03 |
Your check bounced. |
00:14:05 |
My check? |
00:14:07 |
To the martial arts supply. |
00:14:10 |
Mike, we're short. |
00:14:13 |
You have no cash. |
00:14:16 |
If we pay the window, |
00:14:22 |
Hello? |
00:14:47 |
You need to ask Ricardo for a loan. |
00:14:50 |
Mike. You go ask him for a loan. |
00:15:56 |
Hey, Mike. |
00:15:59 |
Hey, Billy. |
00:16:01 |
Jimmy, you can't smoke in here. |
00:16:04 |
-We got Mike Terry down here. |
00:16:09 |
He's sorry. He's busy. Five minutes. |
00:16:11 |
Ricardo said that? |
00:16:12 |
Bruno. Ricardo's out. |
00:16:20 |
-Fine. I'll take a beer. |
00:16:23 |
-Just weekends now. |
00:16:26 |
Billy. Billy, I'll roll you for this drink. |
00:16:29 |
I hardly think so. Joey the cop? |
00:16:31 |
-Yeah. |
00:16:32 |
Come on. I'll roll you for this drink. |
00:16:34 |
Here, you check out this die. |
00:16:36 |
-So where you been, the cruise ships? |
00:16:39 |
-Why'd Joe quit? |
00:16:42 |
Check this out. |
00:16:49 |
You ever seen that? |
00:16:50 |
I'm fucking fantastic. Somebody buy |
00:16:54 |
-Officer Joe. Why'd he quit? |
00:16:57 |
Why'd Joe quit? |
00:16:59 |
Because Bruno wasn't paying him. |
00:17:02 |
They never paid him? |
00:17:09 |
Coming from that Brazilian |
00:17:12 |
...I spent time with Silva years ago |
00:17:15 |
...and he'd showed me |
00:17:18 |
...his grandfather showed him. |
00:17:20 |
...since I was 12 |
00:17:23 |
We have a deal |
00:17:25 |
He's gonna have his hands full |
00:17:29 |
I don't know why |
00:17:32 |
The main event for the IFA-- |
00:17:34 |
We got a deal. What good's a deal |
00:17:38 |
Ricardo won't do it. |
00:17:39 |
What, he's too pure? What, it's not |
00:17:43 |
How long's that gonna last? |
00:17:46 |
Morisaki's gonna do it? |
00:17:48 |
This bullshit? |
00:17:49 |
Morisaki's a whore. He's gonna do |
00:17:52 |
If he did this, he'll do anything. |
00:17:54 |
"The gold and ivory-studded belt is |
00:17:59 |
It was presented to Taketa Morisaki |
00:18:02 |
Is he on the level? |
00:18:04 |
The belt's a fucking national treasure. |
00:18:07 |
He's going to give it to Ricardo |
00:18:10 |
It's publicity. It's publicity. |
00:18:12 |
It's something to tell the papers. |
00:18:16 |
"I am a samurai, |
00:18:19 |
...I will surrender my fucking belt." |
00:18:21 |
And will he? |
00:18:23 |
Look, we're not selling tickets. |
00:18:25 |
Sell the tickets, sell the show... |
00:18:27 |
...and we'll figure that out |
00:18:30 |
The point is |
00:18:33 |
Ricardo's the biggest in Brazil. |
00:18:34 |
Read the street signs, |
00:18:37 |
Morisaki's doing his part, |
00:18:40 |
Ricardo's gotta do his. |
00:18:42 |
Where the fuck is he? |
00:18:44 |
Pay-per-view is pulling back |
00:18:46 |
We need a gimmick. |
00:18:50 |
Ricardo brings the old man |
00:18:52 |
He fights for the honor of his mentor. |
00:18:57 |
He fights for the emperor. |
00:19:00 |
It's back to the '30s, |
00:19:04 |
A racial grudge match. |
00:19:08 |
Or else it's just two monkeys |
00:19:16 |
We'll speak English here |
00:19:19 |
Marty, |
00:19:21 |
Mike Terry. |
00:19:26 |
I'm trying to do business, Mike. |
00:19:29 |
I gotta talk to you about money. |
00:19:30 |
-Money? |
00:19:32 |
You want money? Tell you what. |
00:19:34 |
Fight on the undercard. |
00:19:37 |
Round robin, |
00:19:39 |
You got a good chance to take home |
00:19:43 |
Joe Collins, the cop. |
00:19:45 |
-Joe Collins, the cop? |
00:19:48 |
-He worked here several months-- |
00:19:53 |
Did you ever pay him? |
00:19:54 |
-Did I pay him? |
00:19:57 |
-What the fuck do you care? |
00:20:00 |
No, I heard you. |
00:20:02 |
The guy's got a family. |
00:20:04 |
What the fuck are you saying? |
00:20:05 |
This guy's got a family and I owe him |
00:20:08 |
-Is this business of yours? |
00:20:10 |
I told him, as I recall, |
00:20:13 |
He got hot-headed and quit. |
00:20:28 |
Yeah. This is Bruno Silva. |
00:20:32 |
Chet Frank just walked into the bar |
00:20:35 |
Without his bodyguard. No. No. |
00:20:38 |
Get a news crew outside and-- |
00:20:40 |
Who did they get the tip from? |
00:20:42 |
Some cabby driving by, |
00:20:44 |
Chet Frank just walked into my bar. |
00:20:46 |
Would you call the newspapers? |
00:20:49 |
Thank you for stopping by. |
00:20:55 |
-I'll have a caipirinha. |
00:20:58 |
-I'll take care of the lady's drink. |
00:21:01 |
-Everything's a fucking struggle. |
00:21:04 |
-Yeah, right. |
00:21:06 |
Anything for beauty. |
00:21:08 |
Nobody's tough |
00:21:10 |
Indeed. Indeed. My pleasure. |
00:21:11 |
Excuse me. I'd like to buy that. |
00:21:15 |
I admire your taste. |
00:21:17 |
What? I'm sorry, what did you say? |
00:21:19 |
I said, I admire your taste. |
00:21:20 |
I heard what you said. |
00:21:23 |
-All right. |
00:21:25 |
Whatever you want it to mean. |
00:21:28 |
And what the fuck is that to me? |
00:21:31 |
-Look-- |
00:21:34 |
I didn't know you knew her. |
00:21:35 |
You insulted me, then you insulted |
00:21:37 |
And don't you have a wife? Didn't I |
00:21:42 |
I didn't come to fight. |
00:21:44 |
Well, maybe you came |
00:21:46 |
You know what? Just calm down. |
00:21:48 |
I'm calm. You fucking calm down. |
00:21:52 |
-I have some ideas. |
00:21:54 |
Oh, I don't? |
00:21:58 |
I just wanna have a drink. |
00:22:05 |
How do you like that, man? |
00:22:07 |
Take that. |
00:22:12 |
All right! Make a lane. |
00:22:58 |
Hey, baby, you can hear me. |
00:23:04 |
-I'm all right. |
00:23:08 |
He's got a guy or something? |
00:23:10 |
I'm sure they made the call. |
00:23:12 |
Hey, pal. Why'd you come out |
00:23:16 |
You looking for trouble? |
00:23:22 |
He's okay. He's all right. |
00:23:40 |
They banished the professor |
00:23:54 |
Here you go. |
00:23:58 |
-I thought Joey was on the door. |
00:24:01 |
-Hey, Mike. |
00:24:03 |
What the fuck happened? |
00:24:05 |
I don't know. Some kind of bar fight. |
00:24:11 |
Show it to me. |
00:24:14 |
What are we talking about here? |
00:24:15 |
Couple of bad boys |
00:24:18 |
How about that? |
00:24:19 |
Loomis has them |
00:24:22 |
What happened to them? |
00:24:25 |
Something like that, I think. |
00:24:29 |
Our friend here is all by himself. |
00:24:33 |
Jesus Christ. |
00:24:35 |
You got the tape. |
00:24:39 |
I'm a stone-cold victim. |
00:24:41 |
What happened to the other guys? |
00:24:44 |
How would I know? |
00:24:46 |
What about you? |
00:24:49 |
Nobody knows who I am. |
00:25:31 |
You didn't get the loan. |
00:25:34 |
Ricardo wasn't there. |
00:25:36 |
Did you ask Bruno for it? |
00:25:41 |
You didn't ask for it. |
00:25:45 |
Are you afraid of money? |
00:25:49 |
You tell me how we can run |
00:25:52 |
You tell me that so I can do it |
00:25:57 |
How am I gonna run my business? |
00:26:00 |
...all the time, |
00:26:05 |
There are some things |
00:26:10 |
My father made money. |
00:26:14 |
And you are somehow too pure. |
00:26:18 |
You're too pure to compete. |
00:26:21 |
-It-- |
00:26:22 |
-That's right. |
00:26:26 |
That's correct. |
00:26:29 |
And what about |
00:26:32 |
What do they eat |
00:26:39 |
I have to take money |
00:26:41 |
...which is making money. |
00:26:44 |
You replace the window, |
00:26:47 |
The insurance |
00:26:50 |
You want to turn your friend in? |
00:26:54 |
-Yeah. |
00:26:58 |
The policeman? |
00:27:00 |
The girl tried to kill him, |
00:27:03 |
The girl, he'd turned her in... |
00:27:05 |
...the cops would have said |
00:27:08 |
And wasn't it? |
00:27:09 |
-It was an accidental discharge. |
00:27:12 |
She's disturbed, all right? |
00:27:15 |
And now what? You're her doctor? |
00:27:17 |
She walks into your academy, |
00:27:20 |
They would prosecuted her. |
00:27:23 |
It would have ruined her life. |
00:27:26 |
And you think it was noble. |
00:27:29 |
-You think it's noble. |
00:27:32 |
Well, that's fine. Except, as we report |
00:27:36 |
...it was an act of God, and not |
00:27:40 |
And so until we find the money... |
00:27:42 |
...we have to live |
00:27:46 |
And you tell me how that brings |
00:27:52 |
Hello. |
00:27:54 |
Hi, Nikki. Yeah. |
00:27:57 |
No, I can't order the new fabric now. |
00:28:01 |
No, I can't. |
00:28:04 |
I can't. |
00:28:06 |
Of course I'm going to reorder. |
00:28:10 |
Okay. Nikki, I'll see you |
00:28:15 |
Okay. Bye. |
00:28:19 |
Now I have to fix the window. |
00:28:22 |
...to buy the fabric for my business |
00:28:27 |
One moment. |
00:28:30 |
Where did you get that cut? |
00:28:36 |
Thank you. |
00:28:39 |
It's for you. |
00:28:47 |
What is it? |
00:28:49 |
It's an invitation. |
00:28:51 |
-Who is it from? |
00:28:54 |
-Chet Frank? |
00:28:55 |
We're invited to his house |
00:29:00 |
-To Chet Frank's house? |
00:29:15 |
Really? |
00:29:27 |
Where's Joe? |
00:29:28 |
Mike, tell him, |
00:29:30 |
-Best weapon is a flashlight. |
00:29:33 |
So you can look deep |
00:29:35 |
They had a dustup |
00:29:37 |
Is that right? |
00:29:39 |
-Two ran into a Cuisinart. |
00:29:42 |
Lenny and Loomis saw the tape. |
00:29:45 |
We gonna ride, |
00:29:47 |
-I'll be right out. |
00:29:49 |
Yeah. I wish I was there too. |
00:29:52 |
You come down |
00:29:54 |
Thing? What thing? |
00:29:56 |
I got something for you. |
00:30:03 |
-No. |
00:30:07 |
-I don't deserve it. |
00:30:11 |
Belt is just symbolic. |
00:30:13 |
The belt, as Snowflake says, |
00:30:23 |
Thank you. |
00:30:27 |
What thing? |
00:30:28 |
-What? |
00:30:30 |
The thing with the girl |
00:30:33 |
-Thank you. |
00:30:39 |
Open it later. |
00:30:41 |
What is it? |
00:30:44 |
Well, apparently, it's a wristwatch. |
00:30:46 |
Yours? Whose is it? |
00:30:47 |
It's yours. I set you up with a job |
00:30:50 |
...who apparently stiffed you. |
00:30:52 |
Yeah. You went to the club. |
00:30:54 |
Why didn't you tell me |
00:30:56 |
You know, I.... |
00:30:57 |
Well, they paid you now. |
00:31:01 |
...and take your wife to the mountains. |
00:31:05 |
What does the black belt mean? |
00:31:08 |
That I represent the academy. |
00:31:10 |
Then respect your teacher. |
00:31:28 |
Hey. What's going on? |
00:31:32 |
Who ordered this? |
00:31:49 |
Mr. Terry, I am heartily ashamed |
00:31:54 |
I will, of course, make it well. |
00:31:56 |
...for the damage to your car. |
00:31:58 |
I would like to contact the officer |
00:32:01 |
I don't know |
00:32:03 |
Mr. Terry, I'm an attorney. |
00:32:06 |
Out of courtesy, |
00:32:09 |
...that might have sent me to jail |
00:32:13 |
-Hey, baby. |
00:32:15 |
Who do you like |
00:32:17 |
One of them's gonna win. |
00:32:19 |
-Little word from a little bird? |
00:32:23 |
-If you did, who would you like? |
00:32:25 |
You sure? You help me, |
00:32:27 |
A word to the wise on this fight |
00:32:30 |
...money in your pocket. |
00:32:32 |
I can't help you, Richard. |
00:32:35 |
I know as much as you. |
00:32:45 |
Mr. Terry.... |
00:32:48 |
As you can see... |
00:32:52 |
...I have a problem. |
00:32:56 |
Is there some way |
00:33:11 |
You work with the police. |
00:33:13 |
I've trained the police. |
00:33:16 |
And what do all the belts mean? |
00:33:19 |
The white belt is someone |
00:33:21 |
Black belt is someone the teacher |
00:33:24 |
In between we have blue, purple |
00:33:31 |
What do you have to do |
00:33:34 |
There's only one. |
00:33:36 |
All right. I'm not going to touch you. |
00:33:41 |
But if you were to hold me, |
00:33:46 |
If you put your arms around me |
00:33:50 |
With your knees. |
00:33:53 |
If you turned your body slightly |
00:33:56 |
...could I strike you? From there? |
00:34:01 |
-No. |
00:34:02 |
No. |
00:34:10 |
Could I strike you now? |
00:34:12 |
No. |
00:34:14 |
Where can I strike you? |
00:34:32 |
Don't stand there. |
00:34:39 |
An enrollment form. |
00:34:43 |
Should you wish to continue |
00:35:02 |
Yeah. |
00:35:04 |
I'm looking at scene 87-C. I got it. |
00:35:07 |
Well, enough is as good as a feast. |
00:35:10 |
Let's take a walk. Come on. |
00:35:12 |
Excuse me, but I have to ask you, |
00:35:15 |
-I made it. |
00:35:18 |
Do you cook too? |
00:35:20 |
-But where did you get the fabric? |
00:35:23 |
You made that? |
00:35:24 |
Yeah. Since I was a kid in Rio. |
00:35:27 |
You made the fabric? |
00:35:29 |
Yeah. I have a company in Brazil. |
00:35:31 |
No. I don't believe it. |
00:35:34 |
Come and sit down. Lucy and I just |
00:35:37 |
-Really? |
00:35:39 |
We have a company. She has her |
00:35:42 |
I love this fabric. |
00:35:44 |
I have some people, |
00:35:47 |
...and they are the ones that-- |
00:35:48 |
-I love this fabric. |
00:35:50 |
-Yes. |
00:35:52 |
...I can show you more. |
00:35:55 |
So, what is jujitsu? |
00:35:57 |
You use one fighter's strength |
00:36:01 |
Yes, in a way. |
00:36:03 |
You let him use his strength |
00:36:07 |
So it's a form of wrestling. |
00:36:09 |
Yeah. |
00:36:11 |
Like we see in the mixed |
00:36:13 |
Yeah, that's right. |
00:36:14 |
-You compete? |
00:36:16 |
Because? |
00:36:18 |
Competition is weakening. |
00:36:22 |
Because it's fixed. |
00:36:23 |
Two guys in a ring, |
00:36:26 |
It may be fixed. |
00:36:30 |
-But you train people to fight. |
00:36:36 |
In the street, in the alley, in combat. |
00:36:40 |
The bodyguard, the cop, the soldier. |
00:36:42 |
There's one rule: |
00:36:45 |
You have to train in order to do that. |
00:36:51 |
Everything has rules. |
00:36:57 |
Your wife. She's a beautiful woman. |
00:37:07 |
Yes, she is. |
00:37:09 |
Booze. Women. |
00:37:10 |
What in this life |
00:37:15 |
Turn to the side. |
00:37:17 |
Everything has a force. |
00:37:19 |
Embrace it or deflect it. |
00:37:26 |
How you doing? You healing up? |
00:37:28 |
-I'm good. |
00:37:34 |
So there's the neckline, |
00:37:37 |
-...and the hemline. Right? |
00:37:39 |
So if you bring the hemline down |
00:37:45 |
-...it gives a better rhythm. Right? |
00:37:47 |
Yeah. And if your repeat |
00:37:52 |
Repeat of 1 foot? It's too costly. |
00:37:54 |
That's what I'm saying. |
00:37:57 |
You can get this fabric? |
00:37:59 |
Absolutely. I make the fabric |
00:38:01 |
-Zee. |
00:38:03 |
He's got to be on the set |
00:38:05 |
Zena, let's let these nice people |
00:38:08 |
Sure, honey. |
00:38:20 |
-Thanks, pal. |
00:38:23 |
Take care of that thing |
00:38:26 |
You bet, Chet. |
00:38:27 |
Movies. We get up early |
00:38:30 |
You in the military? |
00:38:32 |
Yes, I was. |
00:38:35 |
I've never seen Chet socialize |
00:38:38 |
The guy saved his life. |
00:38:41 |
-Zena? |
00:38:43 |
Tomorrow. |
00:38:45 |
Those are all my numbers |
00:38:49 |
Mike. |
00:38:52 |
-Mike, tell them the story. |
00:38:54 |
Come on, baby. Tell them the story. |
00:38:57 |
-The fighters before a fight. |
00:38:59 |
Each fighter has a two-in-three odds |
00:39:02 |
White marble's a pass. |
00:39:03 |
White marble's a pass. |
00:39:06 |
-Black marble is a handicap. |
00:39:09 |
-You lose the use of an arm, or-- |
00:39:12 |
You never know |
00:39:14 |
Thank you for a beautiful evening. |
00:39:16 |
Thank you for having us |
00:39:18 |
A fighter gets a handicap. |
00:39:23 |
-No. |
00:39:25 |
A lot of money in that. |
00:39:29 |
Chet wants you to come down |
00:39:31 |
Can you do that? |
00:39:33 |
Yeah. Okay. |
00:39:45 |
Mike. Over here. |
00:39:48 |
Yeah, well, hold up. |
00:39:49 |
Chet's a little bit late. |
00:39:53 |
What do we need |
00:39:55 |
-Abby? |
00:39:56 |
Get him a script. |
00:39:59 |
Chet's running late. |
00:40:03 |
Yeah, they want all the scenes |
00:40:09 |
Will you pay attention? |
00:40:12 |
Come on, what are you gonna do, |
00:40:15 |
Come on! |
00:40:18 |
No, no, no. This is bullshit! |
00:40:20 |
You gotta stab me |
00:40:22 |
-I'm trying, George. |
00:40:25 |
Come on. Come on, stick me. |
00:40:28 |
Come on. Come on. |
00:40:31 |
You gotta make it real. |
00:40:35 |
You gotta make it real. |
00:40:36 |
You listening to me |
00:40:43 |
Make it look real. |
00:40:46 |
Chet ain't gonna look real |
00:40:50 |
Anybody can do this fucking move. |
00:40:54 |
-You. |
00:40:55 |
Yeah, you. I'm gonna show him |
00:40:58 |
Come. Take the knife. |
00:41:05 |
Mike, what the fuck |
00:41:07 |
I don't know. Jerry Weiss. |
00:41:09 |
-You coming on the show? |
00:41:12 |
-He ask if you were in the military? |
00:41:15 |
-You tell him what you did? |
00:41:20 |
You take the fucking knife. |
00:41:22 |
He's Chet. I'm you. |
00:41:25 |
You take the fucking knife and-- |
00:41:29 |
Well, what we have here |
00:42:07 |
How the fuck are you? |
00:42:09 |
I'm good. I don't wanna take up |
00:42:11 |
No, they're shooting something else. |
00:42:13 |
They're always something else |
00:42:19 |
What are we shooting today? |
00:42:23 |
"Meet me, 0-dark 30, AOC." |
00:42:26 |
I never served. |
00:42:29 |
But what are you gonna say? |
00:42:31 |
But how would I know? |
00:42:35 |
-Here you go, Chet. |
00:42:38 |
Yeah, I'm just a fucking guy |
00:42:47 |
I drink too much. |
00:42:50 |
I fool around. You know how hard it is |
00:42:53 |
A famous man? |
00:42:58 |
What were you doing in the bar? |
00:43:00 |
-I went in to get a drink. |
00:43:05 |
I wanted to get into a fight. |
00:43:07 |
-Why didn't you fight him, then? |
00:43:10 |
-What, are you a psychiatrist? |
00:43:13 |
If that ain't strong enough, |
00:43:16 |
Thanks, babe. |
00:43:18 |
Gulf War flashback. |
00:43:21 |
That's right. lt's not my department... |
00:43:25 |
...but what are these numbers |
00:43:28 |
If the guy had been in combat, |
00:43:31 |
The sizes would be worn off, right? |
00:43:33 |
-It's not the sizes. |
00:43:35 |
Guys in the desert, they'd... |
00:43:38 |
...ink their number in the platoon |
00:43:41 |
That way, if their legs got blown off |
00:43:44 |
...somebody in their platoon |
00:43:57 |
"0-dark 30. AOC." |
00:44:00 |
-What does AOC mean? |
00:44:03 |
"Ass on curb." |
00:44:06 |
That's good. Is that something |
00:44:09 |
He might. lt's old army. World War II. |
00:44:13 |
Maybe the guy learned it from the guy. |
00:44:17 |
Yeah? Are you free tonight? |
00:44:19 |
You, me and Jerry. |
00:44:21 |
I wanna meet over at Fiori's |
00:44:25 |
I wanna make you a co-producer |
00:44:32 |
Yeah, hey. This is Mike Terry. |
00:44:34 |
Yeah, George Koriani asked me |
00:44:38 |
Yeah. I found it. |
00:44:41 |
Okay. I'm gonna fax it. |
00:44:42 |
I'm gonna have dinner |
00:44:45 |
Yeah, okay. Okay. |
00:44:49 |
They wanna put it in the movie. |
00:44:50 |
Put what in the movie? |
00:44:54 |
It's Desert Storm. |
00:44:56 |
George is doing this. |
00:44:58 |
-George is doing the stunts? |
00:45:04 |
Then why do they want you for? |
00:45:06 |
They want me to be a producer. |
00:45:09 |
What does that mean? |
00:45:11 |
To begin with, |
00:45:14 |
Gulf War. |
00:45:16 |
The captain in the film, he's training |
00:45:25 |
Sondra Terry. |
00:45:26 |
Lucy, hi. |
00:45:28 |
Yes. Yes. I'll be right out. |
00:45:30 |
Yeah, yeah, I'm bringing the sample. |
00:45:34 |
-Sorry, babe. You were saying? |
00:45:38 |
I'm gonna head out to the set, and |
00:45:43 |
What? |
00:45:45 |
What? |
00:45:47 |
Who's gonna take |
00:45:51 |
Baby. Let the wheel come around. |
00:45:54 |
Just let it come around. |
00:45:56 |
Sometimes you can just let |
00:45:59 |
I can't just cancel the class. |
00:46:00 |
What message does that send? |
00:46:02 |
Baby, you made Joe a black belt. |
00:46:04 |
And so he's qualified to uphold |
00:46:09 |
Let him teach the class. |
00:46:12 |
Okay? Okay? |
00:46:17 |
Let him teach the class. |
00:46:22 |
Okay. |
00:46:24 |
Let the wheel come around. |
00:46:34 |
Good for you. |
00:46:36 |
Good for you. |
00:46:40 |
I gotta go. |
00:46:42 |
See you later, okay? |
00:46:47 |
They're gonna take me |
00:46:56 |
Yeah, this is Mike Terry. |
00:46:59 |
Yeah, did you get the fax |
00:47:02 |
Okay, good. I'm gonna go through |
00:47:08 |
Yeah. It's all about authenticity. |
00:48:10 |
Am I supposed to meditate? |
00:48:13 |
No. Just sit for a moment. |
00:48:22 |
All right. |
00:48:26 |
I don't understand. |
00:48:28 |
The first step is the hardest. |
00:48:30 |
And what is the first step? |
00:48:32 |
To leave the outside outside. |
00:48:46 |
I think I've come to the wrong place. |
00:48:51 |
Conquer your fear, |
00:48:56 |
Yes. |
00:49:00 |
Mr. Terry... |
00:49:02 |
...a man raped me. |
00:49:05 |
He held a knife to my throat, |
00:49:09 |
And then he raped me. |
00:49:12 |
He held a knife to your throat? |
00:49:13 |
Yes. Look, I appreciate |
00:49:18 |
...I don't think there's anything I could |
00:49:22 |
There's no situation that you cannot |
00:49:25 |
There is no situation that you cannot |
00:49:29 |
A man was gonna cut my throat. |
00:49:31 |
Like this? |
00:49:34 |
Don't move. There's a knife there. |
00:49:38 |
Drag it toward me. |
00:49:41 |
Now, move to the right. |
00:49:44 |
Move to the right and behind me. |
00:49:48 |
Good. Stab me with the knife. |
00:49:50 |
Good. Stab me with the knife. |
00:49:54 |
Let's hear it. Let it out. |
00:49:56 |
Let it out. Let it out. |
00:50:15 |
It's all right. |
00:50:19 |
There's no one here but the fighters. |
00:50:24 |
Yeah. |
00:50:26 |
Yeah, yeah, this is Mike Terry. |
00:50:29 |
Yeah, I'll put that stuff together |
00:50:31 |
Yeah. |
00:50:34 |
It is good. Yeah. |
00:50:37 |
Yeah. No, I'm working |
00:50:41 |
Okay. No, thank you. |
00:50:43 |
Hey, Joe. Thanks for coming in. |
00:50:47 |
I want you take the evening class. |
00:50:51 |
Hip escape, escape the mount, |
00:50:59 |
-What time you going on-shift? |
00:51:04 |
-The wristwatch was hot. |
00:51:07 |
The gold watch the guy gave you, |
00:51:12 |
It was hot? |
00:51:13 |
-Two-dollar pistol. |
00:51:15 |
I did. The pawnshop called it in. |
00:51:17 |
The captain wants to know... |
00:51:18 |
...what I'm doing |
00:51:21 |
-What'd you tell him? |
00:51:23 |
I told him I gotta tell him tomorrow. |
00:51:26 |
He suspended me. |
00:51:31 |
Tell him where you got the watch? |
00:51:33 |
I didn't wanna hurt the academy. |
00:51:36 |
I couldn't tell him |
00:51:38 |
Well, no. Let me clean it up. |
00:51:41 |
-It's easy. |
00:51:43 |
Yeah, these guys, these guys |
00:51:45 |
The guy gave me the watch. |
00:51:48 |
It's easy. I'm sure he'd wanna know. |
00:51:50 |
Take the class. Sweat it out. |
00:51:53 |
It's okay, Joe. It's easy. |
00:52:18 |
Sorry I'm late. |
00:52:20 |
Chet might be shooting till dawn. |
00:52:24 |
He sends his regrets. |
00:52:26 |
Here's what he wanted to talk |
00:52:28 |
And you should get a lawyer... |
00:52:30 |
...he wants to make |
00:52:32 |
He's got some big ideas, |
00:52:36 |
Here's one of them. |
00:52:39 |
Luccha, Luccha. |
00:52:42 |
-No. I'm good. |
00:52:45 |
-I used to. |
00:52:48 |
Jerry... |
00:52:50 |
...there's a problem. |
00:52:54 |
Of course. |
00:52:56 |
It's difficult for me to say. |
00:52:58 |
Best way I know? Spit it out. |
00:53:01 |
Chet gave me a lavish gift. |
00:53:04 |
-A lavish gift. |
00:53:05 |
There was a money issue |
00:53:08 |
-Pawn it? |
00:53:11 |
-Chet sent you a wristwatch. |
00:53:14 |
And you pawned it. |
00:53:17 |
It yours to do with as you want. |
00:53:19 |
-Jerry, how you doing? |
00:53:21 |
-How you doing.? |
00:53:23 |
-I'll catch up with you. |
00:53:25 |
I'll come right over. |
00:53:26 |
-I was going to call you about it. |
00:53:31 |
Somebody pawned the watch |
00:53:33 |
And he was told |
00:53:35 |
-Stolen? |
00:53:37 |
Son of a bitch. |
00:53:42 |
Someone sold Chet Frank |
00:53:45 |
I can't use a cell phone in here. |
00:53:47 |
I'm gonna to use the phone. |
00:54:38 |
But she gave me this number. |
00:54:41 |
She. Mrs. Frank gave me this number. |
00:54:44 |
I called the other number |
00:54:48 |
It's out of service. |
00:54:51 |
Thanks. |
00:54:52 |
Their numbers are all out of service. |
00:54:56 |
How come it's out of service |
00:54:59 |
-Who? |
00:55:01 |
I had a meeting with Jerry. |
00:55:03 |
They've changed the number. |
00:55:06 |
I've ordered $30,000 worth of fabric. |
00:55:08 |
I placed an order to Brazil |
00:55:12 |
Lucy Weiss, please. |
00:55:15 |
She's on vacation. |
00:55:20 |
She won't take my call. |
00:55:22 |
I had a meeting with Jerry. |
00:55:23 |
-What did you do to screw this up? |
00:55:27 |
What did you do? |
00:55:28 |
You placed an order for $30,000. |
00:55:30 |
-Yes. |
00:55:32 |
Zena told me it was a done deal. |
00:55:34 |
They were gonna use my fabric |
00:55:36 |
-Where did you get the credit? |
00:55:38 |
-Where did you get $30,000 credit? |
00:55:41 |
-What? |
00:55:43 |
Do you know what's happening |
00:55:45 |
Where did you get the cash? |
00:55:47 |
I took out a personal loan |
00:55:50 |
I was gonna get the fabric. We-- |
00:55:53 |
I was gonna be part of their company. |
00:55:55 |
You took out a personal loan |
00:55:59 |
-From whom? |
00:56:02 |
Now it's not a done deal. |
00:56:03 |
I wasn't even gonna need it |
00:56:06 |
They told me |
00:56:07 |
Who gave you the loan? |
00:56:10 |
Richard gave me the loan. |
00:56:14 |
You borrowed $30,000 |
00:56:21 |
Are you crazy? |
00:56:32 |
She spent it. |
00:56:33 |
She spent it. |
00:56:36 |
That's right. |
00:56:37 |
She said she wanted the money |
00:56:40 |
She spent the-- |
00:56:47 |
What can you give me? |
00:56:50 |
How soon could you get it to me? |
00:56:52 |
Richie, if you could carry me. |
00:56:54 |
The money ain't mine, Mike. |
00:56:57 |
I gave it out on my word. |
00:56:59 |
You understand? lt ain't mine. |
00:57:02 |
Now, what do you own |
00:57:04 |
What do you got |
00:57:09 |
Something for you? |
00:57:10 |
It is an Asian samurai |
00:57:13 |
...going back to the 17th century. |
00:57:15 |
Every fighter in the tournament, each |
00:57:19 |
Should he pick a white marble, |
00:57:22 |
Should he pick a black marble, |
00:57:26 |
For the fighters on the undercard, |
00:57:29 |
That's right. The samurai say |
00:57:32 |
What do you got that's worth money? |
00:57:34 |
--where one can never tell |
00:57:37 |
So there you have the undercard. |
00:57:39 |
In the main event |
00:57:42 |
...between Morisaki |
00:57:44 |
Morisaki feels he's been insulted. |
00:57:46 |
That is correct. lt is unfortunate, |
00:57:48 |
...has turned into a grudge match |
00:57:52 |
Under the laws |
00:57:55 |
...that is the possession of the idea |
00:57:58 |
...derived from its exploitation... |
00:58:00 |
...belongs to Mr. Terry. |
00:58:03 |
You can't copyright an idea. |
00:58:05 |
You can't, but you can copyright |
00:58:08 |
...which he has done, through use... |
00:58:10 |
...through exploitation of his system, |
00:58:13 |
-It's a historical form. |
00:58:15 |
-It's a historical form. |
00:58:17 |
-The Japanese-- |
00:58:18 |
It was discovered in a training manual |
00:58:21 |
You show it to me in one, |
00:58:24 |
You show me where he |
00:58:27 |
He has a document |
00:58:29 |
...that he's used for many years |
00:58:31 |
So he says. And I'll give you that. |
00:58:34 |
Who's seen this form |
00:58:36 |
We can assume the Silvas |
00:58:38 |
-The presumption of access. |
00:58:41 |
The courts will concur the relationship |
00:58:45 |
Is that your case? ls that |
00:58:48 |
You sure you wanna play |
00:58:50 |
What do they want? |
00:58:56 |
No. Not. Please ask him to wait. |
00:59:01 |
However... |
00:59:03 |
...my client's prepared |
00:59:07 |
To relinquish all rights to his creation. |
00:59:10 |
In return for what? |
00:59:11 |
In return for a payment of $200,000. |
00:59:15 |
-That's a lot. |
00:59:17 |
-It's a good idea. |
00:59:18 |
Or why would you be promoting it? |
00:59:24 |
No, ask him to wait. He's gotta wait. |
00:59:28 |
Your name could be here. |
00:59:33 |
You wanna make some money? |
00:59:34 |
Fight on the undercard, $50,000. |
00:59:37 |
I saw you fight. |
00:59:40 |
You wanna make some money? |
00:59:43 |
I'll make you some money. |
00:59:44 |
Thank you. That's very generous. |
00:59:46 |
Today we need a cash payment |
00:59:49 |
You know, I don't think so. |
00:59:51 |
-Mr. Brown, I tried to stop him. |
00:59:59 |
It's Jerry Weiss, the producer. |
01:00:01 |
I faxed him a copy |
01:00:09 |
It's conspiracy. You gave the one guy |
01:00:12 |
...who gave it to the other guy, |
01:00:15 |
...as A, it's theft, |
01:00:19 |
You wanna get cute, you threaten |
01:00:22 |
I'm glad I caught you. |
01:00:23 |
I think you're about to become |
01:00:26 |
Blew your case back there, |
01:00:28 |
If I could just have one moment. |
01:00:29 |
I will need some time |
01:00:32 |
Of course. |
01:00:34 |
Joseph Collins. Los Angeles Police. |
01:00:37 |
On the night of June 12th, you stole |
01:00:40 |
Here's the ejected shell |
01:00:43 |
It has your fingerprints on it. |
01:00:46 |
Officer Collins did not file a report. |
01:00:48 |
He is also prosecutable, |
01:00:50 |
Prosecuted for? |
01:00:52 |
Witness to the attempted murder |
01:00:54 |
Oh, please. |
01:00:55 |
-Which he suppressed. |
01:00:56 |
-In exchange for a bribe. |
01:00:58 |
This will end his career |
01:01:01 |
...as well as the person who suborned |
01:01:04 |
A bribe? |
01:01:05 |
Your client gave him a wristwatch |
01:01:08 |
...in exchange for his silence. |
01:01:10 |
I've contacted the officer |
01:01:14 |
You withdraw your claim |
01:01:16 |
...force him to incriminate you |
01:01:18 |
...for which you will stand trial. |
01:01:20 |
How would you like to proceed? |
01:01:24 |
I'd like to proceed directly to court. |
01:01:27 |
From the academy, I'll need |
01:01:31 |
Thank you for your time. |
01:01:32 |
Speak to no one about this case |
01:02:03 |
You motherfucking son of a bitch. |
01:02:06 |
What have I got? What have I got? |
01:02:10 |
Do you know what the pension is |
01:02:14 |
What is the pension of a suicide? |
01:02:18 |
Do you know? lt's nothing. |
01:02:21 |
-Tell him. Tell him. |
01:02:25 |
Please don't touch that. |
01:02:27 |
He didn't wanna bring disgrace |
01:02:30 |
I have no husband. |
01:02:35 |
I can't pay my bills. |
01:02:39 |
And now I don't even have |
01:02:42 |
For what? For your stupid principles? |
01:02:46 |
You are a sick fool. |
01:02:48 |
How am I going to Iive? |
01:02:52 |
Who's gonna pay these bills? |
01:02:55 |
Are you? Are you? Are you? |
01:02:58 |
Are you gonna take care of me, huh? |
01:03:00 |
-What are you gonna do? |
01:03:03 |
How about that, huh? |
01:03:07 |
All right. |
01:05:25 |
Okay. Copies |
01:05:28 |
All right, we wanna get the main on, |
01:05:33 |
First elimination: Romero, Sanchez. |
01:05:36 |
-Right here. |
01:05:37 |
Up second, Terry and Garcia. |
01:05:40 |
Winner goes on to the second round. |
01:05:44 |
All right, it's new, |
01:05:48 |
As your match is called, |
01:05:53 |
We will now go to the ring, then I will |
01:05:57 |
Now, no one is allowed |
01:06:00 |
...but fighters and trainers. |
01:06:04 |
Our part of the broadcast |
01:06:08 |
The broadcast starts at 8 p.m. |
01:06:10 |
We will be calling the first fight |
01:06:15 |
So you will take your corner. |
01:06:19 |
...and an official |
01:06:23 |
The officiant, |
01:06:26 |
...will show the bowl. |
01:06:29 |
He will show the bowl |
01:06:32 |
He will then raise the bowl |
01:06:36 |
Black is the handicap. |
01:06:39 |
The handicaps will be chosen |
01:06:42 |
They are: left arm bound... |
01:06:46 |
...right arm bound.... |
01:06:56 |
Okay, if you have no questions, |
01:06:59 |
...to the undercard room. Thank you. |
01:07:16 |
Yamato-damashii |
01:07:20 |
The spirit and honor of the samurai. |
01:07:22 |
Yamato-damashii is a way of life. |
01:07:25 |
Good. Good. Good. |
01:07:28 |
-Sanchez, Romero. Sanchez, Romero. |
01:07:32 |
This fight is sanctioned by... |
01:07:35 |
...and will be fought under the rules |
01:07:41 |
While the fighters are in the ring... |
01:07:43 |
...they'll be under |
01:07:45 |
Any judgment made will be final |
01:07:50 |
...pending a drug test. |
01:07:53 |
Trainers, I wanna see those cards |
01:07:58 |
Be strong. Grab the shoulders. |
01:08:01 |
--is a legal document signifying |
01:08:05 |
...under the statutes |
01:08:08 |
First fight. Sanchez and Romero. |
01:08:11 |
First fight. Sanchez and Romero. |
01:08:15 |
And Dylan here is explaining what |
01:08:19 |
What are they? |
01:08:21 |
They'll basically draw from the bowl |
01:08:24 |
If you get a white, |
01:08:27 |
If you draw the black... |
01:08:28 |
...you're gonna have |
01:08:30 |
...or both arms tied to your body |
01:08:33 |
-Fighting with a blindfold? |
01:08:36 |
That sounds like fun. Well, it's gonna |
01:09:31 |
Great to be here tonight. |
01:09:34 |
Josh, the explosion of mixed martial |
01:09:38 |
Why do you think this sport |
01:09:57 |
It was a good warm-up. |
01:10:01 |
Don't worry about them back there. |
01:10:21 |
Do you have your mouthpiece? |
01:10:23 |
Do you have your mouthpiece? |
01:10:32 |
Do you have your mouthpiece? |
01:10:35 |
Okay. |
01:11:36 |
Yeah, okay. Just take it easy. |
01:11:51 |
Ladies and gentlemen... |
01:11:53 |
...Bobby Sanchez has drawn |
01:11:57 |
...and he will fight one-armed. |
01:12:00 |
Bobby Sanchez has drawn |
01:12:04 |
...and he will fight one-armed. |
01:12:06 |
Welcome to the lFA. |
01:12:41 |
Okay, fighters, move forward. |
01:12:45 |
I went over instructions |
01:12:48 |
Do you have any questions? |
01:12:50 |
Fight hard. Fight clean. Fight fair. |
01:12:53 |
Okay, touch gloves. |
01:12:54 |
To your corners. |
01:12:58 |
Okay, here we go. |
01:13:01 |
Are you ready? |
01:13:39 |
Terry and Garcia on deck. |
01:13:48 |
Terry and Garcia, next up. |
01:14:45 |
Stop, stop, stop! |
01:14:51 |
Stay down. Stay down. Stay down. |
01:15:02 |
Winner. |
01:15:15 |
By submission, at one minute-five |
01:15:19 |
...Felix Romero. |
01:15:24 |
Our next bout in 15 minutes |
01:15:28 |
...Mike Terry and "Toro" Garcia. |
01:15:34 |
Okay. |
01:15:35 |
This fight is sanctioned by |
01:15:39 |
...under the rules |
01:15:42 |
While they're in the ring... |
01:15:44 |
...they'll be under discretion |
01:15:46 |
Any judgment rendered by the judge |
01:15:48 |
...pending the outcome |
01:15:50 |
Let's see the gloves. |
01:15:51 |
Your acknowledgement |
01:15:54 |
...is a legal document signifying |
01:15:58 |
Terry and Garcia. |
01:16:00 |
Let's see the blue card. All right. |
01:16:03 |
Let's go. |
01:16:05 |
Let's go. We got some people |
01:16:07 |
Let's go. Come on. |
01:16:10 |
From Los Angeles, California, |
01:16:13 |
...in the martial-arts world, |
01:16:18 |
...making his first appearance |
01:16:22 |
...at 179 pounds... |
01:16:25 |
...Mike Terry. |
01:16:50 |
Excuse me. You can't smoke here. |
01:16:58 |
Well, I don't know about you, |
01:17:00 |
And I think boxing is as dead |
01:17:02 |
What a fight. |
01:17:04 |
Yeah, I've got eyes on the fighters. |
01:17:07 |
Okay, handlers, keep a hand |
01:17:11 |
You know the drill. We've been |
01:17:16 |
We'll be under here |
01:17:18 |
...then the man will come through |
01:17:21 |
When you get to the ring, |
01:17:24 |
Sorry. |
01:17:26 |
I'm handing them off. I'm coming up |
01:17:29 |
The undercard. What did we just see |
01:17:32 |
Here's what we saw. |
01:17:35 |
Eyes on the prize, Mike. |
01:17:37 |
This is your road game. |
01:17:40 |
There's Terry, an unknown. |
01:17:43 |
What do you think |
01:17:45 |
One guy has a handicap. How would |
01:17:48 |
After the fight, after the fight. |
01:17:51 |
They're coming down |
01:17:59 |
Goddamn shame, Mike. |
01:18:01 |
Goddamn shame about Joey. |
01:18:04 |
He thought the world of you, Mike. |
01:18:11 |
Ladies and gentlemen, we have a very |
01:18:16 |
From São Paulo, Brazil... |
01:18:19 |
...the Redbelt himself... |
01:18:22 |
...the Professor, |
01:18:45 |
You. You, the fighter. |
01:18:49 |
Back it up. Take it all the way. |
01:19:37 |
It's fixed? The fight is fixed? |
01:19:40 |
Of course it's fixed. |
01:19:44 |
Hey, how you doing? |
01:19:55 |
What do you want? |
01:19:57 |
You brought the old man up |
01:20:02 |
You run your business, I run mine. |
01:20:04 |
Who I brought to where |
01:20:07 |
-His life. His teachings. |
01:20:10 |
What the hell do you know |
01:20:15 |
This is my family business, |
01:20:18 |
What the hell did you think it is? |
01:20:22 |
It's about to be big business, |
01:20:26 |
So cool down and sit down. |
01:20:29 |
None of the fighters know |
01:20:31 |
You weren't supposed to know. |
01:20:35 |
-I don't get it. |
01:20:38 |
Here's what you're missing. |
01:20:42 |
It's not a way to ensure |
01:20:44 |
Any two guys fighting for money, |
01:20:48 |
What you did is a way to fix the fight |
01:20:52 |
You stole my idea. |
01:20:53 |
How about that? So look, what? |
01:20:57 |
Every fight tonight, the other guy |
01:21:01 |
You go home with the 50 grand. |
01:21:04 |
How about that? |
01:21:07 |
I love a fighter. What the fuck? |
01:21:09 |
All right, all right, |
01:21:12 |
-Hold on. |
01:21:13 |
-And. |
01:21:14 |
And you come back in three months |
01:21:17 |
Ricardo fights Morisaki |
01:21:22 |
You're throwing the fight tonight? |
01:21:24 |
Everything in life, |
01:21:27 |
You told him he wins tonight? |
01:21:31 |
You'd throw the fight |
01:21:34 |
The Professor an old man. |
01:21:36 |
He no longer has family to support. |
01:21:38 |
Terry? Terry? |
01:21:41 |
Fifteen minute warning on deck. |
01:21:56 |
The cop died. |
01:21:58 |
Everybody dies. |
01:22:07 |
What about the stolen watch? |
01:22:09 |
My friend, he shot himself because |
01:22:12 |
Fellow sold me a watch. |
01:22:15 |
How do I know where it came from? |
01:22:17 |
Is he fighting or you wanna call it? |
01:22:19 |
What kind of motherfucker pawns |
01:22:28 |
How'd you know |
01:22:30 |
That ain't important. |
01:22:31 |
-We were the only ones there. |
01:22:33 |
A guy killed himself |
01:22:35 |
How'd you know? |
01:22:37 |
Your wife sold you out. |
01:22:42 |
Well, who did you think |
01:22:47 |
Brazilian princess |
01:22:49 |
Five years |
01:22:52 |
A smart girl's gonna move on. |
01:22:54 |
Your fight or I'm calling the fight |
01:23:01 |
Either way, Mike. Either way, |
01:23:05 |
Pack it up. We're going home. |
01:24:46 |
Ladies and gentlemen... |
01:24:48 |
...on the undercard, |
01:24:51 |
Our next fight, a substitution. |
01:24:55 |
Juan "Toro" Garcia... |
01:24:58 |
...and fighting |
01:25:01 |
...Steve "Moose" Malloran. |
01:25:05 |
Steve "Moose" Malloran |
01:25:11 |
But jujitsu can, |
01:25:15 |
...give you the ability |
01:25:17 |
And turn the fight around is exactly |
01:25:20 |
Teacher breaks up boys |
01:25:23 |
Asks one boy, "You like to |
01:25:26 |
Well, after all, Dylan, |
01:25:29 |
And that's why we're here |
01:25:33 |
-We out? |
01:25:36 |
-Want me to take the mike, Dylan? |
01:25:44 |
Mr. Flynn! |
01:25:46 |
-Hey, hold on! |
01:25:49 |
Mr. Flynn! |
01:25:51 |
Hey! Stop him! Stop him! |
01:25:54 |
Mr. Flynn! |
01:25:57 |
Mr. Flynn, I need to talk to you! |
01:26:02 |
-Mr. Flynn! |
01:26:05 |
-I need to taIk to you! |
01:26:08 |
Will somebody stop him? |
01:26:10 |
Mr. Flynn, |
01:26:18 |
Somebody stop him. |
01:26:22 |
What's wrong with you, huh? |
01:26:24 |
Why don't you go to the ring? |
01:26:26 |
Just a moment. |
01:26:31 |
-Mike, you hear me? |
01:26:33 |
Oh, you're gonna fucking rip it open? |
01:26:42 |
You think you're going to the ring? |
01:26:45 |
You're going nowhere. You see? |
01:26:48 |
You're going nowhere. |
01:26:50 |
Yeah, that's what I'm talking about. |
01:27:11 |
I'm ending this charade. |
01:27:39 |
I'm going to the ring. |
01:27:43 |
You're going to the ring to do what? |
01:27:46 |
-That's right. |
01:27:49 |
I understand that. |
01:27:50 |
You know? My sister's not wrong. |
01:27:54 |
You know what you are? |
01:27:58 |
I'm going to the ring. |
01:28:00 |
I'm talking to you. |
01:28:02 |
Okay. |
01:28:05 |
You wanna play? |
01:28:09 |
Okay. Let's do this thing. |
01:28:13 |
Let's play the game. |
01:28:20 |
--a relatively new sport. |
01:28:21 |
It's only been here in this country |
01:28:24 |
...a little longer than that in Brazil |
01:28:27 |
After all, that's what this is about. |
01:28:30 |
The old meets the new. |
01:28:31 |
I'm excited about the undercard |
01:28:37 |
Tommy. Tommy, check this out. |
01:28:40 |
You've gotta see this. |
01:28:59 |
-That's Terry. |