Reds
|
00:01:40 |
Was that in 1913 or 17? |
00:01:46 |
I'm beginning to forget |
00:01:56 |
Do I remember Louise Bryant? |
00:02:00 |
Why, of course. |
00:02:09 |
I can't... |
00:02:10 |
I might sort of scratch my memory, |
00:02:14 |
but not at the moment. |
00:02:17 |
You know, things go |
00:02:21 |
It was Christopher Street, |
00:02:24 |
and I was thinking about |
00:02:27 |
another street down there instead, |
00:02:30 |
until it came back |
00:02:34 |
Sometimes I have lapses like that. |
00:02:39 |
I'd forgotten all about them. |
00:02:41 |
Were they socialists? |
00:02:44 |
I guess they must've been, |
00:02:46 |
but I don't think they were |
00:02:49 |
I don't remember them at all. |
00:02:51 |
I know that Jack went around |
00:02:54 |
and then he went around |
00:02:57 |
and then he went around |
00:03:01 |
I know there were shifts back and forth, |
00:03:04 |
but it never occurred to me... |
00:03:06 |
It never impinged on |
00:03:10 |
I like baseball. |
00:03:11 |
I don't know what |
00:03:14 |
But they were a couple. |
00:03:17 |
I mean, you always spoke of |
00:03:20 |
I recall his telling me |
00:03:25 |
when he came to college. |
00:03:26 |
One was to be elected |
00:03:29 |
He didn't know anyone in the class. |
00:03:32 |
The other was to make a million dollars |
00:03:36 |
by the time he was 25. |
00:03:38 |
Now, my idea about Jack Reed |
00:03:43 |
But I knew him well. |
00:03:47 |
I knew he was independent. |
00:03:49 |
And I have an idea, |
00:03:53 |
that his wife was a Communist |
00:03:55 |
and that his wife had influenced him, |
00:03:59 |
as you know and I know. |
00:04:04 |
Louise Bryant? |
00:04:05 |
Well, I thought she was something |
00:04:09 |
No, I'm not gonna talk about people. |
00:04:13 |
No, sir. I'm not... I'm not |
00:04:17 |
a purveyor of neighborhood gossip, |
00:04:20 |
That's not my job. |
00:04:21 |
He was quiet. |
00:04:24 |
He was a nice fellow. |
00:04:27 |
I would say, if I met him, |
00:04:32 |
He was, however, a fighting fellow |
00:04:36 |
in regards to principles. |
00:04:38 |
I said, I think, |
00:04:42 |
in the condition of the world |
00:04:45 |
either has no problems of his own |
00:04:47 |
or refuses to face them. |
00:04:50 |
Jack... |
00:04:53 |
but some people did. |
00:04:54 |
Jack Reed's life, short as it was, |
00:04:59 |
happened at a time, |
00:05:01 |
and all of us, after all, |
00:05:05 |
when he had the opportunity, |
00:05:09 |
to be in some very exciting |
00:05:12 |
It isn't everybody can |
00:05:16 |
and he's the only American. |
00:05:19 |
Born in Portland, Oregon. |
00:05:23 |
Now, isn't that something? |
00:05:25 |
- What's he hugging? |
00:05:27 |
Well, I can see that. |
00:05:30 |
It's just a statue, Mr. Woodward. |
00:05:32 |
- How much is it? |
00:05:34 |
- For a photograph? |
00:05:36 |
This is interesting, Mrs. Trullinger. |
00:05:38 |
Not that it isn't very nice, |
00:05:41 |
Mr. Woodward, |
00:05:43 |
- I think I see the intention here. |
00:05:45 |
Eve dominates, you see? |
00:05:47 |
The dream dominates the dreamer. |
00:05:49 |
It's... |
00:05:53 |
It looks blurry to me. |
00:05:55 |
The other one looked blurry, too. |
00:05:58 |
I think that's the intention |
00:06:01 |
What? To be blurry? |
00:06:03 |
But perhaps if you looked at it |
00:06:05 |
Louise! |
00:06:07 |
This is you? |
00:06:15 |
Lovely figure. |
00:06:26 |
Louise, have you taken |
00:06:27 |
Don't be a fool, Paul. |
00:06:29 |
You think I'm a fool |
00:06:31 |
being displayed naked in front |
00:06:33 |
Yes. My God, |
00:06:35 |
What's the matter with you? |
00:06:36 |
You used to call Portland |
00:06:39 |
It may be stuffy and provincial, |
00:06:40 |
but it also happens |
00:06:42 |
You can take your living |
00:06:44 |
because I can earn my own living. |
00:06:45 |
I have my work. |
00:06:46 |
You consider a few articles in |
00:06:50 |
No, I'll tell you |
00:06:51 |
It's making yourself |
00:06:54 |
It's shocking Louise Trullinger, |
00:06:57 |
Now, we're gonna say good night |
00:06:59 |
- I'm going to the Liberal Club. |
00:07:02 |
- I'm going to the Liberal Club, Paul. |
00:07:05 |
It's very nice, Mrs. Trullinger. All of it. |
00:07:08 |
It's very gratifying to hear, |
00:07:11 |
Isn't it, Louise? |
00:07:16 |
Of course, you know |
00:07:19 |
Patriotic Americans believe in freedom. |
00:07:22 |
And unless we are willing to take arms |
00:07:26 |
we cannot call ourselves |
00:07:31 |
I'm proud to be free. |
00:07:33 |
I'm proud to be an American. |
00:07:35 |
And if the man |
00:07:38 |
that our freedoms are being threatened |
00:07:39 |
and that the world must |
00:07:43 |
then I know I won't be alone |
00:07:47 |
What is this war about? |
00:07:50 |
Each man will have his own answer. |
00:07:52 |
I have mine. I'm ready to be called! |
00:08:04 |
Now, tonight we have with us |
00:08:06 |
the son of Margaret |
00:08:11 |
who has witnessed this war first-hand. |
00:08:13 |
And I, for one, see no reason |
00:08:17 |
shouldn't listen to what |
00:08:25 |
What would you say |
00:08:39 |
Profits. |
00:08:42 |
What did he say? |
00:08:49 |
Excuse me, Mr. Reed. |
00:08:51 |
and I am a journalist. |
00:08:52 |
And I was wondering if you might |
00:08:55 |
I'm sorry, I don't. I don't do interviews. |
00:08:56 |
I had a piece in the Blast not long ago. |
00:08:59 |
- Berkman's Blast? Really? |
00:09:06 |
Well, when did you want |
00:09:07 |
Now. |
00:09:09 |
I don't live here. |
00:09:10 |
- I live in a house by the river. |
00:09:12 |
My, my, my. Two places. |
00:09:16 |
Yeah, I use this place as a studio. |
00:09:20 |
Do you like white lilies? |
00:09:22 |
They're my favorite flowers. |
00:09:25 |
- You're not married, are you? |
00:09:29 |
- Are you married? |
00:09:30 |
How could anyone believe in marriage? |
00:09:32 |
I bet your mother's glad |
00:09:35 |
Just glad when I'm not in jail. |
00:09:38 |
Yes. Do you like it? |
00:09:41 |
Yeah. I think they're... |
00:09:44 |
- A little blurry, but this one's very nice. |
00:09:48 |
It is. Now... |
00:09:51 |
Granted, the profit motive |
00:09:53 |
is a basic root cause for the war. |
00:09:55 |
Do you feel that those |
00:09:58 |
and who ascribe their motives |
00:10:01 |
And, if they're cynical, |
00:10:04 |
who feel that without a profit motive, |
00:10:06 |
the power structure elite of this country |
00:10:08 |
even though they feel |
00:10:10 |
of German militarism |
00:10:12 |
All right, Miss Bryant, do you want |
00:10:15 |
Are you naive enough to think |
00:10:16 |
containing German militarism |
00:10:18 |
Don't you understand that England |
00:10:21 |
and Germany just wants a piece of it? |
00:10:22 |
Keep writing, Miss Bryant. |
00:10:23 |
Miss Bryant, can't you grasp |
00:10:26 |
has loaned England and France |
00:10:28 |
And if Germany wins, |
00:10:30 |
More coffee? |
00:10:32 |
to protect J.P. Morgan's money. |
00:10:33 |
If he loses it, we'll have a depression. |
00:10:34 |
So, the real question is, |
00:10:35 |
why do we have an economy |
00:10:38 |
so the rich won't lose money? |
00:10:39 |
All right, now, what haven't we covered? |
00:10:41 |
Economic freedom for women |
00:10:43 |
and sexual freedom |
00:10:45 |
Dissent! The Masses stands for dissent. |
00:10:47 |
...we have a predominantly |
00:10:48 |
upper-middle class readership. |
00:10:50 |
So, we have to run around the country |
00:10:52 |
any way we... |
00:10:58 |
What? |
00:11:00 |
Well, I'm thinking that I guess I... |
00:11:03 |
That I ought to offer you more coffee. |
00:11:05 |
I hadn't realized the hour, but |
00:11:08 |
I seem to have taken up |
00:11:11 |
Well, that's okay by me. |
00:11:15 |
Does this happen to you often? |
00:11:18 |
Not often enough. |
00:11:21 |
Well? |
00:11:24 |
We certainly have come a long way fast. |
00:11:26 |
Yeah. |
00:11:28 |
Do you want to take it a step further? |
00:11:31 |
Yeah. |
00:11:35 |
What would you think if I asked you |
00:11:36 |
that might seem a little selfish? |
00:11:39 |
Well, I... I think you should. |
00:11:41 |
Good. Good, because I'd like you |
00:11:44 |
and tell me what you think. |
00:11:45 |
You see, I really respect |
00:11:48 |
Well, it's odd, |
00:11:50 |
if you had anything |
00:11:51 |
I know it's an imposition |
00:11:54 |
I've read everything |
00:11:56 |
Well, I'd be happy to do it. So, that's... |
00:11:58 |
Well, thank you. |
00:12:00 |
Well, then I... I'll get your coat. |
00:12:04 |
Oh, and I hope you won't |
00:12:06 |
- Gentle? |
00:12:07 |
You can really be tough. |
00:12:08 |
No, I will be. No, I will be. |
00:12:10 |
- Thank you. |
00:12:12 |
- Do you want me to leave? |
00:12:15 |
- Late at 6:00 in the morning? |
00:12:18 |
Well, could I see you tomorrow night? |
00:12:20 |
I'm busy tomorrow night. |
00:12:21 |
- Because I'm leaving town the next day. |
00:12:24 |
So, if you have time, |
00:12:26 |
and I'll send you a copy of the interview. |
00:12:28 |
Some interview, huh? |
00:12:31 |
Take a look sometime. |
00:12:34 |
Yeah. Yeah, yeah. Okay, I understand. |
00:12:37 |
- Bye. |
00:12:48 |
Jack, dear, |
00:12:51 |
Used to be at the First Presbyterian |
00:12:54 |
He's in Seattle now |
00:13:01 |
What brings you out here, Jack? |
00:13:04 |
Just come out to see your mother? |
00:13:08 |
Mr. Partlow, I just... I'm raising money |
00:13:13 |
- What? |
00:13:15 |
for this magazine that I write for! |
00:13:17 |
- Magazine? What magazine? |
00:13:19 |
Well, it's called The Masses. |
00:13:20 |
- The what? |
00:13:22 |
- The Masses. |
00:13:24 |
Jack, do you remember |
00:13:27 |
The one with the bad arm? |
00:13:28 |
- Is that religious? |
00:13:31 |
Oh, you remember her, Jack. |
00:13:33 |
She didn't eat meat. |
00:13:34 |
Sounds religious. |
00:13:36 |
You remember the fellow |
00:13:38 |
Sold spool thread. |
00:13:41 |
- Not religious, huh? |
00:13:44 |
- What was his name, Jack? |
00:13:47 |
Well, I don't know about you people, |
00:13:50 |
I don't know, Mrs. Partlow. I... |
00:13:52 |
Jack, I heard you made a few people |
00:13:54 |
down at the Liberal Club last night. |
00:13:56 |
Oh, Carl, |
00:13:58 |
let's not go into that. |
00:14:00 |
What was his name, Jack? |
00:14:01 |
- Here you are! |
00:14:04 |
Welcome. So happy... |
00:14:05 |
- Hello, Jack. |
00:14:07 |
Oh, you look wonderful. |
00:14:14 |
Alma, this is Louise Trullinger. |
00:14:16 |
Alma Boyle. |
00:14:20 |
Jack, Louise is quite a progressive |
00:14:22 |
Mr. Partlow. |
00:14:24 |
- How do you do, Mr. Reed? |
00:14:27 |
Oh, Mr. Partlow, Mrs. Partlow, |
00:14:30 |
- Pleased to meet you. |
00:14:32 |
Are you Paul Trullinger's wife? |
00:14:35 |
Yes. Yes, I am. |
00:14:37 |
Well, isn't that something? |
00:14:39 |
He did Frank Rhodes' bridge. |
00:14:41 |
Oh, Mrs. Trullinger, your husband's |
00:14:45 |
- Thank you very much. |
00:14:47 |
And I think he did a plate |
00:14:49 |
Oh, we won't wait for Harry and Martha. |
00:14:52 |
All right, let's go in. |
00:14:53 |
What a shame Paul |
00:14:55 |
- An emergency? |
00:14:56 |
Not Uncle Grover's plate, I hope. |
00:14:57 |
- No. Uncle Grover's plate's like new. |
00:15:01 |
Did free love start |
00:15:04 |
Very good wine, Carl. |
00:15:06 |
- More, Jack? |
00:15:11 |
It's just delicious, really. |
00:15:13 |
Don't you think so, Mrs. Trullinger? |
00:15:15 |
Yes, it's just delicious. |
00:15:17 |
Thank you, Louise. |
00:15:18 |
- Dupont, I think. |
00:15:22 |
It is Dupont, isn't it, Harry? |
00:15:23 |
Mother doesn't want you to get Jack |
00:15:27 |
You got any children, Mrs. Trullinger? |
00:15:29 |
Not yet, Mr. Reed. |
00:15:31 |
- Call me Jack. |
00:15:33 |
Don't get me in any arguments |
00:15:35 |
It's getting cold outside. |
00:15:37 |
I'll just call you Louise. |
00:15:38 |
George Waldorf. |
00:15:41 |
Used to sell spool thread. |
00:15:43 |
- What about George Waldorf? |
00:15:47 |
I couldn't think of letting |
00:15:49 |
Tell me something. |
00:15:51 |
Does Dr. Trullinger mind your |
00:15:54 |
People have to give each other |
00:15:57 |
Freedom, Mrs. Trullinger? |
00:16:00 |
I'd like to know |
00:16:02 |
Having your own studio? Walk... |
00:16:11 |
I'd like to see you |
00:16:39 |
Marching and shuffling along |
00:16:57 |
I didn't realize the time. |
00:16:58 |
So, if you like, there's some |
00:17:01 |
And you can make toast out of that, |
00:17:04 |
So, bye. |
00:17:06 |
Where you going? |
00:17:07 |
Where you going? |
00:17:09 |
If you're catching the 2:45, I mean, |
00:17:12 |
- I'm sure you're gonna want to pack... |
00:17:14 |
It's 8:45. |
00:17:15 |
Listen, I realize |
00:17:17 |
but I'd be grateful |
00:17:19 |
to write a few words to me |
00:17:20 |
Oh, yes. Oh, yes. |
00:17:22 |
If you'll just send my portfolio back. |
00:17:24 |
Louise, wait a minute. What are you |
00:17:27 |
Will you come upstairs, please, |
00:17:32 |
Thank you. |
00:17:34 |
- Listen... |
00:17:39 |
Why don't you come? |
00:17:40 |
- What? |
00:17:41 |
You wanna write? |
00:17:43 |
If you wanna have freedom you gotta go |
00:17:46 |
You're gonna go to waste in Portland. |
00:17:48 |
- You ought to be in New York. |
00:17:50 |
I'll remember that. |
00:17:51 |
- What? |
00:17:54 |
Please come with me. |
00:17:56 |
All right, wait a minute. |
00:17:58 |
You want me |
00:18:00 |
Yeah. |
00:18:02 |
What as? What as? |
00:18:04 |
- What do you mean, what... |
00:18:05 |
- Your girlfriend? |
00:18:08 |
What as? Your girlfriend, |
00:18:09 |
your mistress, your paramour, |
00:18:13 |
Why does it have to be as anything? |
00:18:14 |
Because I don't wanna |
00:18:16 |
of emotional possessive involvement |
00:18:21 |
I want to know what as. |
00:18:23 |
Well, it's nearly Thanksgiving. |
00:18:28 |
I always thought she was |
00:18:32 |
Probably the dentist knew nothing |
00:18:37 |
and was mainly interested... |
00:18:40 |
And then she had |
00:18:43 |
who could talk about all sorts of things. |
00:18:46 |
I had a coat I brought from Germany. |
00:18:49 |
And she wanted that coat |
00:18:51 |
and made me all kinds of propositions. |
00:18:56 |
But I wanted it, too. |
00:18:59 |
But finally I gave in and gave it to her. |
00:19:02 |
I had other coats. |
00:19:05 |
So that's how she operated. |
00:19:13 |
She went after him. |
00:19:16 |
So she wasn't any dummy. |
00:19:20 |
But it was something to happen |
00:19:24 |
You didn't hear the word "sex." |
00:19:26 |
You didn't hear the word "lesbian." |
00:19:28 |
You didn't hear the word "homosexual." |
00:19:31 |
You didn't hear the word "abortion." |
00:19:34 |
You didn't hear those things. |
00:19:35 |
Men respected women. |
00:19:37 |
They helped them on with their coats, |
00:19:40 |
And the man and woman |
00:19:43 |
they married each other. |
00:19:44 |
You know something that I think, |
00:19:47 |
that there was just as much |
00:19:52 |
Only now, |
00:19:56 |
Now there's no love whatever included. |
00:20:00 |
Then, there was your heart, |
00:20:02 |
Greenwich Village was there, |
00:20:05 |
and New York was around it. |
00:20:07 |
And the rest of New York did not act |
00:20:11 |
It was sort of a center of dissent |
00:20:13 |
and had been for a long time |
00:20:18 |
People from all over |
00:20:21 |
They were regarded as bohemian. |
00:20:25 |
The way they dressed |
00:20:27 |
and certainly the way they thought |
00:20:29 |
was outside the mainstream |
00:20:32 |
And as I recollect it, |
00:20:33 |
marriage was not important |
00:20:36 |
I remember hearing a line |
00:20:40 |
he was trying to lure into bed. |
00:20:42 |
She was being very coy, and he said, |
00:20:47 |
Hello? |
00:20:58 |
Hello, Jack? |
00:21:43 |
If it's illegal to hand out pamphlets |
00:21:45 |
I'm proud to be a criminal. |
00:21:46 |
No one is arguing with your |
00:21:50 |
All I'm saying |
00:21:52 |
to go to jail for birth control. |
00:21:53 |
Oh, there's a right time |
00:21:55 |
The Masses is governing |
00:21:58 |
Soon you'll be indistinguishable |
00:22:00 |
Emma, all I'm saying |
00:22:03 |
- to the anti-war movement. |
00:22:04 |
- No, he's right. If we get into this war... |
00:22:08 |
- Will you let me finish my sentence? |
00:22:11 |
Thousands of American women, |
00:22:14 |
are dying, giving birth to anemic |
00:22:18 |
Are their lives any less valuable |
00:22:21 |
- I want those back Tuesday. |
00:22:24 |
- Oh, shit. |
00:22:26 |
Good night. |
00:22:27 |
- You want some coffee? |
00:22:30 |
- I'm out of coffee. |
00:22:34 |
No, the conversation is over. |
00:22:37 |
When you're a revolutionary, |
00:22:39 |
Hopefully over coffee. |
00:22:40 |
- It's late, I'll walk you home. |
00:22:51 |
Well... |
00:22:54 |
Yeah. |
00:22:56 |
It's Friday night. |
00:22:58 |
I'm so glad to see you. |
00:22:59 |
Really, I'm so glad to see you. |
00:23:04 |
I finished your articles. |
00:23:07 |
The railroad piece, I think, is... |
00:23:10 |
- It's repetitious, but... |
00:23:13 |
I'm using repetition to make a point. |
00:23:14 |
I don't want it to seem too polished. |
00:23:16 |
Oh. |
00:23:19 |
Well, I think |
00:23:21 |
Emma, Emma, Emma. |
00:23:23 |
I think it was Emma Goldberg. |
00:23:25 |
I think so. |
00:23:26 |
I never forgot Emma Goldman. |
00:23:28 |
She inspired me to the very depths. |
00:23:31 |
And Max Eastman was a beloved man. |
00:23:34 |
The real radical, a free spirit. |
00:23:37 |
He was in that same group |
00:23:41 |
That was her name. |
00:23:44 |
Floyd Dell was one of them. |
00:23:46 |
He wrote novels, beautiful novels. |
00:23:48 |
The radicals included people |
00:23:52 |
and Bill Haywood. |
00:23:54 |
And there were Walter Lippmann, |
00:23:56 |
and Lincoln Steffens |
00:23:59 |
and Edna St. Vincent Millay. |
00:24:01 |
Alfred Stieglitz... |
00:24:03 |
Oh, and Margaret Sanger. |
00:24:04 |
My Lord, I picketed for her. |
00:24:07 |
And, of course, |
00:24:09 |
came from down there. |
00:24:11 |
I don't think there's anybody |
00:24:15 |
You have to be a bit of a rebel |
00:24:19 |
And everybody in Greenwich Village |
00:24:31 |
- What do you do, Louise? |
00:24:33 |
Good for you. |
00:24:35 |
- Thanks. |
00:24:37 |
everyone on the left is the same. |
00:24:47 |
Would you pass the bread, please? |
00:24:50 |
- What do you do, Louise? |
00:24:52 |
Good. Madame Schumann-Heink... |
00:24:54 |
Jack tells me you write, Miss Bryant. |
00:24:58 |
Everything. |
00:25:01 |
You write about everything? |
00:25:03 |
Everything. Yes. Everything, nothing... |
00:25:07 |
Just... |
00:25:10 |
I see. |
00:25:14 |
Now, about Davis and Sloan, |
00:25:17 |
Not yet, but they... |
00:25:25 |
I don't think they should sit here |
00:25:29 |
- It's just... |
00:25:31 |
Look, what does a capitalist do? |
00:25:33 |
Let me ask you that, Mike. |
00:25:35 |
I mean, what does he make, |
00:25:37 |
I don't know what he makes. |
00:25:39 |
Well, what if they got organized? |
00:25:41 |
I mean, all the workers. |
00:25:43 |
and the carpenters |
00:25:45 |
But all of them, all over the world? |
00:25:46 |
Not in just one country. |
00:25:49 |
What if they all got organized? |
00:25:51 |
Don't you think they could... |
00:25:53 |
They can make it into |
00:25:54 |
Jack, can I tap you for $5? I'm flat. |
00:25:57 |
Well, don't ask this pretentious |
00:26:00 |
If you need $5, I'll give it to you. |
00:26:06 |
Let me have $4.50, will you? |
00:26:07 |
- What isn't fair? |
00:26:09 |
If all the workers in the world |
00:26:12 |
- there wouldn't be a war, would there? |
00:26:14 |
Miss Bryant. |
00:26:16 |
You've been nursing |
00:26:18 |
Can I get you a glass of wine |
00:26:20 |
No, thank you. I'm fine. |
00:26:22 |
- Beer's fine. |
00:26:25 |
And a very good painter, I hear. |
00:26:28 |
I write. |
00:26:39 |
Read Jung! |
00:26:41 |
"Read Freud, read Jung." |
00:26:44 |
My God, you can't interpret Freud |
00:26:47 |
You know you got a taxi waiting? |
00:26:49 |
Zosima represents |
00:26:51 |
I tell you you're wrong. |
00:26:52 |
- And Jung is a mystic... |
00:26:57 |
- How long are they going to stay? |
00:27:01 |
- I'll only be gone for a day. |
00:27:04 |
Hey, why don't you come |
00:27:06 |
Really? What am I supposed |
00:27:08 |
What as? |
00:27:09 |
Jack, you know, you got a taxi waiting. |
00:27:13 |
Taxi's waiting, Jack. |
00:27:15 |
See you tomorrow. |
00:27:24 |
We've been trying for two years. |
00:27:27 |
Capitalists can take this country into |
00:27:30 |
The only impact you can make |
00:27:33 |
Of course, but... |
00:27:34 |
But don't you think, Emma, |
00:27:37 |
that if Debs gets a lot of votes, |
00:27:40 |
No, I don't. I think voting is the opium |
00:27:43 |
Every four years, you deaden the pain. |
00:27:44 |
Yeah, but... |
00:27:48 |
Don't you think... |
00:27:49 |
I just made it very clear |
00:27:52 |
Come on, E.G. |
00:27:54 |
- Louise has a point. She says... |
00:27:57 |
Why does my status change |
00:28:00 |
Bernie, could I have the red wine? |
00:28:03 |
She's just... She's upset with me. |
00:28:06 |
It's got nothing to do with you. |
00:28:08 |
Thank you. It's a great comfort. |
00:28:12 |
The house is completely filled |
00:28:14 |
They use it as if it was |
00:28:16 |
- I can't get any work done. |
00:28:18 |
- How am I supposed to throw them out? |
00:28:20 |
Tell them to leave. |
00:28:21 |
I'm not going to |
00:28:23 |
- Just throw them out. |
00:28:24 |
Jack, is that you? |
00:28:27 |
- Hello, Horace. How are you? |
00:28:31 |
- You know Louise Bryant? |
00:28:34 |
- Very nice to see you. |
00:28:36 |
Great pleasure. |
00:28:37 |
- Hi, Max. How are you? |
00:28:39 |
- And Floyd, good to see you. |
00:28:41 |
Still getting arrested, Jack? |
00:28:43 |
I try. |
00:28:47 |
How about you, Miss Bryant? |
00:28:48 |
Are you trying to get arrested, too? |
00:28:50 |
No, not really. |
00:28:53 |
- What do you do, Miss Bryant? |
00:28:57 |
You write? Now, may I ask, |
00:29:03 |
It's impossible to describe. |
00:29:05 |
It's impossible to describe? |
00:29:07 |
She just did a hell of a piece |
00:29:08 |
on the influence of the Armory Show |
00:29:10 |
Well, you know, |
00:29:13 |
Why don't you give me a call |
00:29:16 |
In fact, even better, |
00:29:19 |
- Fine. |
00:29:21 |
- It's a date, then. |
00:29:23 |
That's wonderful. Fine. |
00:29:24 |
Jack! |
00:29:28 |
Now, you stay out |
00:29:33 |
Goodbye. Goodbye. Goodbye. |
00:29:38 |
- Jack, please don't do that. |
00:29:40 |
He's the editor of Metropolitan. |
00:29:42 |
- Jack, I can speak for myself. |
00:29:45 |
- I don't want you to do that... |
00:29:47 |
Oh. Taxi's waiting, Jack. |
00:29:53 |
Jack... |
00:29:56 |
I'll see you at the end |
00:30:00 |
- Okay? |
00:30:01 |
Maybe I will call him about Thursday. |
00:30:03 |
Yeah, call him about Thursday. |
00:30:06 |
- See you, boys. |
00:30:08 |
- Bye-bye, Jack. |
00:30:11 |
See you, Jack. |
00:30:18 |
"The railroad's opening new frontiers, |
00:30:21 |
"and crisscrossing it all |
00:30:24 |
"The railroad's opening new frontiers, |
00:30:26 |
"and in turn, these frontiers... |
00:30:29 |
"And in turn, these frontiers..." |
00:30:31 |
Oh, God. |
00:30:35 |
It is repetitious. |
00:30:41 |
We're not human beings, |
00:30:43 |
- And how many days a week? |
00:30:44 |
- Every day? |
00:30:46 |
"If you don't come to work on Sunday, |
00:30:49 |
- What do you make an hour? |
00:30:51 |
How many times have they |
00:30:54 |
because the labor you do |
00:30:56 |
That's right, Bill. |
00:30:58 |
Well, the IWW's not gonna |
00:31:00 |
- because you're unskilled. |
00:31:02 |
Or skilled. Or black or white or yellow. |
00:31:06 |
Seven days a week. |
00:31:07 |
- What do you make an hour? |
00:31:09 |
One big union. |
00:31:11 |
- All workers belong... |
00:31:15 |
I'm looking for a lathe worker |
00:31:18 |
He had an industrial accident. He got |
00:31:21 |
Yeah, sure, Harvard. |
00:31:23 |
Is that what they wanna read about |
00:31:25 |
industrial accidents? |
00:31:29 |
And for that, we need power. |
00:31:32 |
And there's only one way to get power. |
00:31:34 |
Organize! |
00:31:36 |
All the workers together! |
00:31:38 |
One big union! |
00:31:40 |
And the war the IWW |
00:31:45 |
Not a war in Europe! |
00:31:47 |
War against the capitalists! |
00:31:49 |
You'll never get anything or anywhere, |
00:31:51 |
until the whole working class |
00:31:56 |
All right, gentlemen, |
00:31:58 |
you've got 20 seconds |
00:32:08 |
May I ask on what authority? |
00:32:10 |
On my authority. |
00:32:12 |
This is an illegal assembly. |
00:32:14 |
Excuse me, Officer. These men |
00:32:16 |
That's all they're doing. |
00:32:18 |
We know what the hell they doing. |
00:32:19 |
- What the hell you doing? |
00:32:21 |
You. |
00:32:23 |
- I write. |
00:32:25 |
You wrong. |
00:32:30 |
Get him out of here! |
00:32:37 |
Here they are. |
00:32:38 |
The folio. The oeuvre. |
00:32:43 |
Well... |
00:32:45 |
How is Jack? |
00:32:46 |
I do hope he's being more careful |
00:32:50 |
I'd hate to see him not able |
00:32:52 |
Oh, I'm sure he'll do fine. |
00:32:55 |
Did you tell him |
00:32:59 |
No, I will. He's out of town. |
00:33:01 |
Mr. Whigham, excuse me, but |
00:33:04 |
Oh, this is the Armory... |
00:33:06 |
- Yes. |
00:33:16 |
Well... |
00:33:18 |
I really ought to spend |
00:33:21 |
Oh, yes, of course. |
00:33:22 |
What about dinner? |
00:33:25 |
- Dinner? |
00:33:28 |
- Why would he mind? |
00:33:31 |
but Jack's rather... |
00:33:34 |
He's rather an odd duck, isn't he? |
00:33:36 |
And I've never really known how... |
00:33:37 |
Mr. Whigham, are you saying you need |
00:33:38 |
Jack's permission |
00:33:44 |
Don't get so upset about it. |
00:33:45 |
For Christ's sake, |
00:33:47 |
Don't rewrite what I write, Pete. |
00:33:48 |
What the hell's the matter |
00:33:50 |
The IWW's a bunch of Reds. |
00:33:53 |
Come on. |
00:33:54 |
We got Reds in the IWW, |
00:33:56 |
We've got nothing |
00:33:58 |
For Christ's sake, |
00:34:01 |
Now, what the hell |
00:34:03 |
with a lot of Red propaganda |
00:34:05 |
It's the truth. |
00:34:07 |
Well, who the hell's to say |
00:34:09 |
A bunch of goddamn Reds in the IWW? |
00:34:11 |
You're not being fair to the AF of L. |
00:34:13 |
- Now, give me the goddamn article... |
00:34:16 |
I'm just gonna take it |
00:34:18 |
Well, fine. Take it to The Masses. |
00:34:20 |
- They're a bunch of Reds. |
00:34:21 |
- Who's gonna pay your rent? |
00:34:23 |
You just don't rewrite what I write. |
00:34:26 |
You stubborn son of a bitch. |
00:34:46 |
Louise? |
00:35:05 |
I got every one in the shop. |
00:35:07 |
We're broke, but we've got them all. |
00:35:13 |
Thanks. |
00:35:19 |
- What's the matter? |
00:35:21 |
- What is it? |
00:35:24 |
A lot better than we thought it would. |
00:35:25 |
- You see Whigham? |
00:35:28 |
- How was that? |
00:35:31 |
Did he offer you work? |
00:35:33 |
No, but he made a big point |
00:35:35 |
what wonderful friends |
00:35:37 |
It was a fascinating meeting. |
00:35:41 |
Are you angry at Whigham or me? |
00:35:45 |
What is it? |
00:35:47 |
It's nothing. |
00:35:49 |
and it's Saturday. |
00:35:50 |
Didn't I say I'd back |
00:35:52 |
- The end of the week is Friday. |
00:35:54 |
Saturday's not the |
00:35:56 |
Jack, you said you'd be back Tuesday! |
00:35:58 |
What difference does it make? |
00:35:59 |
What do you think I've been doing? |
00:36:00 |
Running around listening |
00:36:02 |
How do I know whose voice |
00:36:04 |
Obviously you like it |
00:36:17 |
Look at me. Oh, God! |
00:36:20 |
I'm like a wife. |
00:36:23 |
I'm like a boring, clinging, |
00:36:29 |
- Who'd wanna come home to me? |
00:36:32 |
Well, I can't do this! |
00:36:34 |
You can't do what? |
00:36:37 |
I'm just living in your margins. |
00:36:39 |
I don't know what I'm doing here. |
00:36:41 |
- Well, tell me what you want. |
00:36:45 |
I want you to know something. |
00:36:46 |
I asked Whigham |
00:36:51 |
- Is that what you want? |
00:36:58 |
- What are you doing, Louise? |
00:37:00 |
Will you tell me why you're doing this? |
00:37:01 |
I'm not taken seriously |
00:37:03 |
When I'm around |
00:37:04 |
Oh, God, this is not good. |
00:37:05 |
You mean |
00:37:07 |
Is that what you're talking about? |
00:37:08 |
Do you mean you're not? |
00:37:10 |
You know what I'm saying. |
00:37:12 |
I don't know what you're saying. |
00:37:13 |
You're not being honest with me. |
00:37:16 |
I am so being honest with you. |
00:37:17 |
Maybe if you took yourself a little more |
00:37:20 |
I told you what I thought |
00:37:21 |
I was honest about that. |
00:37:22 |
I think it's very nice, |
00:37:25 |
- Thank you. |
00:37:26 |
to be taken seriously if you're |
00:37:29 |
I don't understand that. |
00:37:31 |
I found myself an apartment. |
00:37:33 |
I'm not even sure I know |
00:37:35 |
One day you're writing |
00:37:37 |
and you don't even finish the piece. |
00:37:38 |
The next day you're doing a piece |
00:37:40 |
that happened three years ago. |
00:37:41 |
Look, why do you give me |
00:37:43 |
If I criticize it at all, |
00:37:46 |
And when we're out with other people, |
00:37:47 |
if somebody doesn't ask you |
00:37:49 |
you tell me you feel ignored. |
00:37:51 |
But with everything |
00:37:53 |
you decide to sit down and write a piece |
00:37:55 |
on the influence of the goddamned |
00:37:58 |
Are people supposed |
00:38:00 |
Well, I don't really care! |
00:38:01 |
- You care! |
00:38:03 |
- You care! |
00:38:05 |
And I'm not interested |
00:38:08 |
- take me seriously or not! |
00:38:10 |
That's why they don't take it seriously. |
00:38:11 |
I found an apartment on Houston Street, |
00:38:14 |
And I'll tell you something else, |
00:38:16 |
I don't think we like the same people |
00:38:19 |
- And I wanna be on my own. |
00:38:21 |
I don't give a damn! |
00:38:22 |
Oh! I know you don't give a damn! |
00:38:24 |
Well, will you tell me |
00:38:26 |
You shouldn't! Don't give a damn! |
00:38:27 |
- I don't give a damn, either! |
00:38:30 |
- I'm getting out of here! |
00:39:20 |
Honey, can we just |
00:39:25 |
Let's go somewhere |
00:40:01 |
Provincetown was |
00:40:07 |
And it was very, very conservative. |
00:40:11 |
We'd take the Fall River steamer |
00:40:14 |
We used to save fares |
00:40:17 |
And we always got bedbugs. |
00:40:19 |
You did whatever you pleased up there. |
00:40:21 |
And we put on some very |
00:40:25 |
that a commercial theater |
00:40:27 |
Take Susan Glaspell's Trifles. |
00:40:30 |
There's a whole play |
00:40:32 |
without the protagonist |
00:40:35 |
And they gave three one-act plays. |
00:40:38 |
One of them was a play by... |
00:40:40 |
I always thought it was by John Reed |
00:40:44 |
But I see it's by her. |
00:40:46 |
They were in it. |
00:40:47 |
The play was terrible, |
00:40:50 |
And of course, Gene O'Neill |
00:40:54 |
but I liked his plays |
00:40:57 |
Will you never understand? |
00:40:58 |
Are you so stupid |
00:41:01 |
I am offering myself to you. |
00:41:03 |
I am kneeling before you. |
00:41:05 |
I have promised you my body, |
00:41:07 |
my body that men have |
00:41:09 |
I have promised to love you, |
00:41:14 |
Tell them not to stand behind the moon. |
00:41:18 |
Don't stand behind the moon. |
00:41:20 |
- Back? |
00:41:22 |
'Cause of the moon. |
00:41:23 |
This is the moon here. |
00:41:25 |
- This way? |
00:41:27 |
Take it from "I hate the sea." |
00:41:29 |
Will you never understand? |
00:41:30 |
Are you so stupid |
00:41:32 |
I'm offering myself to you. |
00:41:34 |
I'm kneeling before you. |
00:41:36 |
I... I, who have had so many men |
00:41:39 |
I'm offering you my body, |
00:41:41 |
my body that men have |
00:41:45 |
I have promised to love you. |
00:41:47 |
You, a negro sailor. |
00:41:49 |
Is that not humiliation enough |
00:41:53 |
Answer me, please! Answer me. |
00:41:55 |
Will you give me that water? |
00:41:58 |
I have no water. |
00:42:01 |
Old Teddy wants this war, doesn't he? |
00:42:03 |
I wonder how long it'll take the public |
00:42:06 |
Teddy Roosevelt has rabies. |
00:42:08 |
Jack, your second speech is out. |
00:42:10 |
And the ironic part of it is |
00:42:13 |
Sure, they do. |
00:42:16 |
You can't touch the bunny suit. |
00:42:18 |
Did you read the piece |
00:42:19 |
If the left doesn't defend Wilson, |
00:42:22 |
Think we ought to go to St. Louis? |
00:42:23 |
I am not going to St. Louis |
00:42:25 |
- I think we should. |
00:42:27 |
I don't know, |
00:42:29 |
in a war in a few months, |
00:42:31 |
Wilson's kept us out so far. |
00:42:33 |
Reed thought that he was a good poet. |
00:42:35 |
He was a terrible poet. |
00:42:37 |
He thought that he could write |
00:42:39 |
Short stories. |
00:42:41 |
Of course, he was a poet. |
00:42:43 |
And not a great poet, |
00:42:47 |
but some of it was very fine. |
00:42:49 |
But, as a journalist, |
00:42:54 |
- Look. Pull this up. |
00:42:56 |
See? That's good. |
00:42:58 |
Jack, your ride's here. |
00:43:00 |
- Excuse me. I'll wait outside. |
00:43:05 |
- Do you see what I mean? If one... |
00:43:12 |
Yeah, I got to run. |
00:43:17 |
Bye, honey. |
00:43:26 |
Jack Reed wanted to stir up trouble, |
00:43:28 |
he wanted to stir up trouble |
00:43:30 |
And he also wanted |
00:43:34 |
to the necessity of some |
00:43:38 |
In other words, I am accusing him |
00:43:43 |
or of being a fraidy-cat, |
00:43:47 |
not wanting to face things |
00:43:53 |
Dear Louise, St. Louis is very hot |
00:43:57 |
all having a wonderful time |
00:44:00 |
in anticipation of Wilson's nomination. |
00:44:02 |
I'd like to think it's because |
00:44:03 |
he doesn't want the United States |
00:44:05 |
but who knows |
00:44:07 |
By the way, I've decided to throw out |
00:44:10 |
The rhyming scheme was wrong. |
00:44:11 |
Maybe when I get back |
00:44:14 |
Politics sure plays hell |
00:44:16 |
I keep thinking I see you. |
00:44:19 |
I miss you, honey. |
00:45:06 |
- Hello. |
00:45:18 |
Would you like a glass? |
00:45:28 |
Don't try and decide. |
00:45:31 |
I'll get you one. |
00:45:37 |
I like your play. |
00:45:39 |
I only hope I can do the part justice. |
00:45:42 |
I think your dialogue is beautiful. |
00:45:45 |
Then why the hell |
00:45:47 |
instead of wandering all over the stage? |
00:45:50 |
You're supposed to be looking |
00:45:52 |
Would you rather I didn't smoke |
00:45:53 |
I'd rather you went up in flames |
00:45:56 |
in the middle |
00:45:58 |
I'm sorry. You're absolutely right. |
00:45:59 |
It makes me wanna cancel |
00:46:01 |
I won't do it again. |
00:46:14 |
You keep the glass. I'll take the bottle. |
00:46:17 |
Are you leaving? |
00:46:19 |
Give me your glass. |
00:46:32 |
Are you nervous? |
00:46:34 |
- Or is that a tremor? |
00:46:37 |
Why should I be? |
00:46:52 |
- What are they? |
00:46:58 |
The things that you have that are yours. |
00:47:02 |
What are they? |
00:47:05 |
My work, for one. |
00:47:08 |
He's a real mean |
00:47:11 |
What do you mean? |
00:47:13 |
Leaving you alone with your work. |
00:47:16 |
- You think I mind? |
00:47:20 |
It's the one thing |
00:47:22 |
- You may feel that way, I don't. |
00:47:25 |
Don't let those village radicals keep you |
00:47:29 |
What do you think I should be? |
00:47:32 |
The center of attention. |
00:47:35 |
Well, you must have been |
00:47:38 |
Let's just say possessive. |
00:47:40 |
Possessive? That's something else. |
00:47:43 |
It's a waste of time. |
00:47:45 |
I'm not. |
00:47:47 |
Neither is Jack, for that matter. |
00:47:50 |
Oh, yes. I know. |
00:47:53 |
He has the freedom to do the things |
00:47:56 |
And I think anyone who's afraid |
00:47:58 |
is really only afraid |
00:48:02 |
Are you making this up |
00:48:06 |
I'd like you to go. |
00:48:10 |
Why? |
00:48:11 |
Because I don't want to be patronized. |
00:48:13 |
I'm sorry if you don't believe |
00:48:15 |
and free love and respect. |
00:48:16 |
Don't give me a lot of parlor socialism |
00:48:21 |
If you were mine, I wouldn't share you |
00:48:26 |
It'd be just you and me. |
00:48:32 |
You know, |
00:48:34 |
than being left alone with your work. |
00:48:49 |
- I hope I haven't upset you. |
00:48:53 |
But you seem to be looking |
00:48:56 |
than what I had in mind. |
00:48:58 |
- Than what you had in mind? |
00:49:01 |
You see, Jack and I |
00:49:05 |
of living with our beliefs. |
00:49:08 |
But I think someone as romantic as you |
00:49:12 |
And I don't want that to happen. |
00:49:39 |
You can't come and play in my yard |
00:49:42 |
I don't love you anymore |
00:49:46 |
You'll be sorry when you see me |
00:49:49 |
Sliding down my cellar door |
00:49:53 |
You can't holler down my rain barrel |
00:49:56 |
You can't climb my apple tree |
00:50:01 |
I don't want to play in your yard |
00:50:05 |
If you can't be good to me |
00:50:41 |
I don't want to play in your yard |
00:50:44 |
I don't like you anymore |
00:50:47 |
You'll be sorry when you see me |
00:50:50 |
Sliding down our cellar door |
00:50:54 |
You can't holler down our rain barrel |
00:50:57 |
You can't climb our apple tree |
00:51:01 |
I don't want to play in your yard |
00:51:04 |
If you won't be good to me |
00:51:10 |
Wonderful! |
00:51:29 |
Floyd, I've been |
00:51:53 |
Tap your sensuality. |
00:52:11 |
- Wonderful close. |
00:52:13 |
Very good. Excellent. |
00:52:17 |
- Floyd, that's new for you, isn't it? |
00:52:20 |
- Okay. Who's next? |
00:52:21 |
two-thirds of my new play. |
00:52:23 |
You said it was a work |
00:52:25 |
Oh, did I? How quickly we forget. |
00:52:45 |
- Well! |
00:52:48 |
News from the front. |
00:52:49 |
- Hello, Jack. |
00:52:50 |
- Hi, Jack. |
00:52:54 |
Welcome back. |
00:52:56 |
- Who's next? |
00:52:58 |
Let's have a dance out of Gene. |
00:53:00 |
Jack, you're just in time |
00:53:04 |
Okay. Do something Irish. |
00:53:06 |
Yeah. Let's have it, Gene. |
00:53:08 |
- Yeah. Go ahead Gene. |
00:53:10 |
Hutch says it's wonderful. |
00:53:12 |
Tell us about the convention, Jack. |
00:53:14 |
Never mind the speech. |
00:53:19 |
- What about Wilson? |
00:53:24 |
Oh, I don't think there's any reason to |
00:53:27 |
other than support the interest of the |
00:53:31 |
But as long as he says he's against it, |
00:53:35 |
Because he'll have to make good on |
00:53:38 |
for at least a few months |
00:53:40 |
to strengthen the anti-war coalition. |
00:53:42 |
But there's a lot more pro-war feeling in |
00:54:01 |
You want another drink, Gene? |
00:54:08 |
I guess not. |
00:54:24 |
- Good night. |
00:54:28 |
Good night. |
00:54:40 |
Would you like |
00:54:42 |
No, thanks. |
00:54:44 |
Well, I'll have some, anyway. |
00:54:59 |
- What's this? |
00:55:02 |
May I read it? |
00:55:08 |
I didn't finish it. |
00:55:27 |
Finish it. |
00:55:34 |
Finish it? |
00:55:39 |
Would that make you happy? |
00:55:46 |
I'm happy. |
00:55:58 |
- Jack. |
00:56:01 |
Jack. |
00:56:05 |
There's something |
00:56:07 |
- You don't have to tell me anything. |
00:56:11 |
No. |
00:56:22 |
You want to get married? |
00:56:55 |
Okay. There we go. I'll see... |
00:57:01 |
- Oh, careful there. Careful. |
00:57:05 |
Two? No, there should be three. |
00:57:13 |
Oh, excuse me. I'm sorry. |
00:57:15 |
It's not that |
00:57:17 |
It's just that I'm very concerned |
00:57:22 |
- Here. No. No. |
00:57:47 |
Where's the whiskey? |
00:57:50 |
- Lady, where do you want this? |
00:57:53 |
That'll be fine. Thank you. |
00:57:57 |
Yeah. |
00:58:00 |
- Anything to drink in there? |
00:58:02 |
Oh, here. Thanks. |
00:58:05 |
- Thank you. Good. |
00:58:15 |
Oh. Well. Let's see now. Here we are. |
00:58:23 |
- Gene? |
00:58:26 |
Oh. Let's see. |
00:58:29 |
Well, I guess I should have |
00:58:34 |
No. No, that isn't the right one. |
00:58:37 |
Try this one. |
00:58:39 |
Well, what are you working on, Gene? |
00:58:42 |
At the moment, Scotch. |
00:58:44 |
I found a cup. Will a cup be all right? |
00:58:47 |
- I'd prefer a glass. |
00:58:52 |
You know, |
00:58:56 |
That's not like you, not that I have |
00:59:01 |
Success at last. See, a... Here we go. |
00:59:15 |
Your skill as a bartender |
00:59:18 |
- Are you nervous? |
00:59:21 |
Why should I be nervous? My God, |
00:59:38 |
- What is it? |
00:59:43 |
And that I won't be possessive |
00:59:46 |
And you can sleep with whoever |
00:59:51 |
I'll do anything that you say. |
00:59:56 |
So you can do whatever you want to, |
01:00:00 |
except not see me. |
01:00:04 |
Or smoke during the monologue. |
01:00:11 |
Gene, Jack and I, |
01:00:14 |
because we were too embarrassed. |
01:00:18 |
But |
01:00:21 |
we're married. |
01:00:23 |
Jack and I got married. |
01:00:28 |
- That is embarrassing. |
01:00:32 |
We felt very silly, but we wanted to do it. |
01:00:34 |
And it's gonna be good. |
01:00:37 |
We're gonna spend |
01:00:39 |
That's why we took a lease |
01:00:40 |
so we wouldn't have to go back |
01:00:42 |
Does this mean that we have to cheat? |
01:00:44 |
Or is this a free |
01:00:46 |
- Gene. |
01:00:48 |
and you used me |
01:00:51 |
No, I didn't. |
01:00:53 |
I just want us to be friends, Gene. |
01:00:56 |
Oh, how genteel. That would be a |
01:00:58 |
"There's Louise with Jack and Gene. |
01:01:01 |
"He's crazy about her, |
01:01:04 |
"Poor Jack. Poor Gene. |
01:01:14 |
What a heartbreaker you are, Louise. |
01:01:18 |
I'm sorry. I'm... |
01:01:22 |
Where is he? |
01:01:26 |
Washington. |
01:01:27 |
Well, Mrs. Reed, |
01:01:30 |
I'll do whatever you say. |
01:01:36 |
Wish us well? |
01:01:50 |
I wish you well. |
01:01:53 |
You and Jack. |
01:02:33 |
Jack! |
01:02:36 |
Oh, God. |
01:02:40 |
I'm not sure whether she had an affair |
01:02:43 |
with Eugene O'Neill or not |
01:02:46 |
And nobody seemed to know. Or... |
01:02:49 |
It was nobody's business, anyway, so... |
01:02:53 |
I don't know what that situation was. |
01:02:55 |
The report was that |
01:02:59 |
had a ménage à trois. |
01:03:04 |
Jack, what... What is... |
01:03:23 |
Oh, God! I swear... |
01:03:25 |
...that we love America! |
01:03:28 |
We love her mountains, her forests... |
01:03:31 |
There were mutinies |
01:03:34 |
there were mutinies |
01:03:37 |
And then, in 1917, the troops, |
01:03:41 |
poorly equipped, poorly clothed, |
01:03:45 |
to talk it out with the czar. |
01:03:46 |
And when they got through, |
01:03:48 |
Revolution in Russia. |
01:03:50 |
This was the spring of 1917. |
01:03:54 |
And I became so excited |
01:03:56 |
that I zigzag-jumped the benches |
01:04:00 |
as we walked out of the park. |
01:04:03 |
Oh, I was so happy as a young boy. |
01:04:05 |
Revolution, the people take over, |
01:04:09 |
down with the czar! |
01:04:12 |
Naturally, I was happy. |
01:04:56 |
Well, haven't you made the politics |
01:05:00 |
- What do you mean "nebulous"? |
01:05:02 |
- How can you say they're unclear? |
01:05:05 |
Why am I necessarily attempting |
01:05:06 |
to define the politics |
01:05:08 |
It isn't what I said. |
01:05:14 |
Oh, it's just an opinion. |
01:05:19 |
You know, |
01:05:22 |
I could take them on the train with me. |
01:05:25 |
Wilson, of course, |
01:05:27 |
"Keep us out of war" in 1916. |
01:05:30 |
But in 1917, Wilson reversed himself |
01:05:34 |
and declared war against Germany. |
01:05:38 |
The mission at that time was to make |
01:05:42 |
Reed said, |
01:05:45 |
"This is a war for democracy? |
01:05:50 |
If men really disapproved of war, dear, |
01:05:56 |
Men like wars. Always have. |
01:06:00 |
So they all went and got little uniforms, |
01:06:04 |
- My country is at war! |
01:06:06 |
And so today, I, too, am at war! |
01:06:12 |
My name is Jack Reed, |
01:06:15 |
This is not my war, and I'm not gonna |
01:06:19 |
All right. All right. |
01:06:20 |
All right, folks. |
01:06:22 |
There was a lot of anti-war feeling, |
01:06:24 |
We had no one against the war. |
01:06:28 |
Well, I'm not talking about saying it |
01:06:33 |
How do we move them? |
01:06:35 |
Right. How do we organize them? |
01:06:38 |
The Socialist Party... |
01:06:43 |
The Socialist Party of America |
01:06:46 |
You think the Socialist Party |
01:06:48 |
You boys are Reds, aren't you? |
01:06:50 |
The Socialist Party is useless. |
01:06:54 |
Now, that's the truth. Jack? |
01:06:56 |
The United States is at war. |
01:06:58 |
Your friends are talking to you. |
01:07:00 |
If the workers of the world act together, |
01:07:03 |
This one even pisses red. |
01:07:07 |
You ran around saving the world |
01:07:09 |
Very intelligent. |
01:07:11 |
And you're gonna keep running around |
01:07:13 |
until you wind up |
01:07:15 |
And then, |
01:07:16 |
Harry, how much is the government |
01:07:19 |
- Very funny. Keep laughing. |
01:07:20 |
That hurt, didn't it? |
01:07:24 |
Listen, I'm gonna tell you something. |
01:07:26 |
You're not gonna be able to keep doing |
01:07:29 |
This is a serious condition. |
01:07:31 |
Harry, look, I want to know if... |
01:07:35 |
Could this thing interfere |
01:07:38 |
- Yes. You cannot have sex if you die. |
01:07:43 |
Are you thinking about having children? |
01:07:46 |
Not at the moment, |
01:07:51 |
Is Louise talking about it? |
01:07:54 |
No. |
01:07:56 |
Well, just because |
01:07:58 |
it doesn't mean |
01:07:59 |
Don't worry. You don't make babies |
01:08:02 |
Look, I'm gonna send you home |
01:08:04 |
Tell her to keep you there, |
01:08:06 |
give you lots of liquids. |
01:08:08 |
Look, Louise doesn't know about |
01:08:12 |
- Fine. |
01:08:13 |
- I don't want it sent to the house. |
01:08:20 |
Not at the moment. |
01:08:21 |
Then why the hell |
01:08:24 |
It is my belief that socialism and peace |
01:08:28 |
And I reiterate that the Socialist Party |
01:08:32 |
its resolution to oppose |
01:08:35 |
Mr. Chairman, Louis Fraina, |
01:08:37 |
The chair recognizes |
01:08:40 |
And I still want to know |
01:08:41 |
what specific action |
01:08:44 |
Your resolution is all very nice, |
01:08:46 |
but will it stop even one boy from |
01:08:49 |
...stigmatized as unpatriotic. |
01:08:51 |
The task that confronts us is difficult. |
01:08:54 |
Let us hope |
01:08:55 |
What's that supposed to mean? |
01:08:57 |
Stupid! |
01:08:58 |
I'd like to know if the Socialist Party |
01:09:02 |
- That's what I'd like to know. |
01:09:05 |
I am not a delegate, Mr. Chairman. |
01:09:08 |
I write for the magazine The Masses, |
01:09:09 |
and I want to know if the Socialist Party |
01:09:12 |
I'm sorry, Mr. Reed. |
01:09:15 |
Now, this floor is reserved |
01:09:18 |
Mr. Chairman, |
01:09:20 |
- to take a position on the draft or not? |
01:09:21 |
I'm sorry, Mr. Reed. |
01:09:24 |
Let him speak, will you? |
01:09:25 |
Mr. Reed, |
01:09:28 |
I'm just trying to be a journalist. |
01:09:30 |
So is Trotsky. |
01:09:33 |
Why don't you join the Socialist Party? |
01:09:37 |
Big things are happening in Russia. |
01:09:39 |
As appalling as it may seem |
01:09:43 |
I can understand the necessity |
01:09:45 |
during times of war. |
01:09:47 |
The task that confronts us is a giant! |
01:09:50 |
In that, |
01:10:07 |
- We have to give this dog a name. |
01:10:11 |
What's the matter with her name? |
01:10:14 |
- I can't find anything in this house. |
01:10:17 |
I suppose if she were a baby, |
01:10:19 |
Not really. |
01:10:21 |
No. No. Bad. |
01:10:23 |
See, now this is why |
01:10:24 |
You put things anywhere. |
01:10:26 |
Dog! Dog! |
01:10:27 |
She's still not housebroken. |
01:10:29 |
You got to grab her |
01:10:32 |
and then take her outside. That's right. |
01:10:34 |
And then when she goes, |
01:10:37 |
All right. Now, stay, Dog. |
01:10:39 |
Are we having garlic for dinner, honey? |
01:10:41 |
No, no, no. |
01:10:50 |
Why? Why, do you think |
01:10:54 |
I thought I'd put a little in the sauce. |
01:10:57 |
Garlic doesn't bother me. |
01:11:11 |
- That's from Gene. |
01:11:15 |
I didn't realize what it was. |
01:11:24 |
He gave it to me in October. |
01:11:27 |
- You don't have to explain. |
01:11:29 |
- I'm just telling you it's over. |
01:11:32 |
I don't expect you to tell me |
01:11:34 |
What about if you tell me something, |
01:11:36 |
- Jack, I haven't seen him. |
01:11:38 |
Don't tell me that Gene gave you |
01:11:41 |
but you put it in a book |
01:11:43 |
I don't care |
01:11:44 |
- I just care about dishonesty. |
01:11:46 |
You don't care |
01:11:48 |
you just care about dishonesty? |
01:11:50 |
You care. You care so much, |
01:11:52 |
- You won't even mention... |
01:11:54 |
You want to be honest about it? |
01:11:55 |
If I didn't wanna be honest about it, |
01:11:56 |
do you think I'd be silly enough |
01:11:58 |
lying around in the house |
01:12:00 |
Why not Whitman? |
01:12:02 |
I'm sure Gene would feel right at home |
01:12:04 |
Oh, no. You don't care. |
01:12:06 |
Why the hell should I care that |
01:12:08 |
Do you think I haven't? |
01:12:09 |
I don't think we have to report |
01:12:11 |
every time we go to bed with somebody. |
01:12:14 |
It doesn't mean that I love you any less. |
01:12:15 |
Do you love me any less |
01:12:22 |
What difference does it make? |
01:12:24 |
I just don't think we should lie about it. |
01:12:27 |
- Who? |
01:12:30 |
- Who was it? |
01:12:32 |
Who was it? |
01:12:34 |
What do you want, a list? |
01:12:48 |
Louise. |
01:12:51 |
Louise. |
01:12:58 |
- What are you doing? |
01:13:01 |
- I wanna know where you're going. |
01:13:03 |
- Well, I wanna talk about it. |
01:13:06 |
What? What did I say now |
01:13:09 |
Please forward my mail |
01:13:10 |
Wheeler Bell Syndicate. |
01:13:11 |
I'll have someone pick up |
01:13:14 |
Didn't we say that people had to give |
01:13:16 |
- if they were gonna live together? |
01:13:18 |
I thought |
01:13:20 |
- I thought you loved me! |
01:13:22 |
You love yourself! Me, you fuck! |
01:13:24 |
When you're not fucking other people, |
01:13:27 |
Freedom? You mean I should just be |
01:13:32 |
Is that what fucking Gene means? |
01:13:35 |
I'm not packing my bag. |
01:13:38 |
- Get out of my... |
01:13:40 |
- Get out of my... |
01:13:44 |
Get away! Get out of my way. |
01:14:11 |
- How many were there? |
01:14:16 |
You don't know the first thing about |
01:14:27 |
Go ahead. I know where you're going. |
01:14:28 |
I thought you needed someone |
01:14:31 |
As long as you get your two shots of |
01:14:33 |
You don't need a thing. |
01:14:42 |
You go to hell! Both of you! |
01:15:11 |
It could possibly have been |
01:15:16 |
to say that you had an affair |
01:15:20 |
I haven't been spared |
01:15:22 |
the legends about men that are |
01:15:27 |
because I was known by name. |
01:15:30 |
Affairs which never occurred at all. |
01:15:33 |
It's very difficult to tell, you know. |
01:15:36 |
Do you know there is nothing |
01:15:39 |
than when you get a letter |
01:15:42 |
"That marvelous week |
01:15:44 |
- Yeah. |
01:15:48 |
- Yes. |
01:15:53 |
One day, I was out walking |
01:15:59 |
And she was quite something. |
01:16:03 |
And I said to her, |
01:16:05 |
"What is all this ado about Louise? |
01:16:09 |
"What do you think of her, Aunt Belle?" |
01:16:12 |
She said, |
01:16:13 |
"Well, she had something |
01:16:20 |
That's my story. |
01:16:22 |
- How you feeling? |
01:16:24 |
- Here you are. |
01:16:26 |
Thanks. |
01:16:28 |
Well, we got it out just in time. |
01:16:30 |
But since God only knows what |
01:16:33 |
you better treat it well. |
01:16:35 |
That means, tell that goddamn Eastman |
01:16:38 |
If you get an infection now, that's it! |
01:16:41 |
"Dear Jack, |
01:16:43 |
"I talked to a specialist here in Paris. |
01:16:45 |
"And he said you can lead |
01:16:47 |
"I hope you're not neglecting |
01:16:49 |
"Please don't spend your energy |
01:16:50 |
"getting caught up in things |
01:16:52 |
"Dear Jack, I'm enclosing a piece |
01:16:53 |
"on a volunteer ambulance driver |
01:16:55 |
"from the New York City |
01:16:56 |
"Also, please don't keep asking me |
01:16:59 |
"It just makes me think you have no..." |
01:17:00 |
"Dear Jack, yes, |
01:17:03 |
"Life here is so hectic and exhilarating |
01:17:05 |
"Dear Jack, don't worry, I'm well. |
01:17:07 |
"My only problem is keeping up with |
01:17:11 |
"...serial newsletter under the heading, |
01:17:13 |
"Please don't mention this to anyone. |
01:17:14 |
"I promised Wheeler I wouldn't |
01:17:16 |
"Dear Jack, I feel I've really grown |
01:17:19 |
"and there's no reason to worry about |
01:17:21 |
Bolsheviks, Sandy. The Bolsheviks! |
01:17:23 |
Jesus Christ, |
01:17:25 |
you can just bend right over |
01:17:28 |
Because they'll pull Russia |
01:17:30 |
Right off the Eastern Front. |
01:17:33 |
Pete, the Bolsheviks are small potatoes. |
01:17:35 |
Russia isn't gonna get out of the war. |
01:17:36 |
You want to walk down |
01:17:39 |
and see 500,000 Krauts |
01:17:42 |
You better hope that the Bolsheviks |
01:17:45 |
Now, let's have another drink. Waiter! |
01:17:48 |
Waiter, another round here. |
01:17:50 |
Hey! Oh, God. It's Red Emma, Jr! |
01:17:53 |
Hey, come over here! |
01:17:54 |
Speak up, Pete, speak up. |
01:17:57 |
- How are you, Jack? |
01:17:59 |
God. You look 20 pounds lighter |
01:18:02 |
- Oh, yeah? |
01:18:04 |
Yeah, but twice as often. Sarsaparilla. |
01:18:06 |
Jack, can the Bolsheviks |
01:18:09 |
Okay. Why don't you ask |
01:18:12 |
Goddamn it, Jack. What the hell |
01:18:16 |
Shit, why don't you bury the hatchet |
01:18:19 |
Get back into print so we can all read |
01:18:23 |
- I'll drink to that. |
01:18:26 |
Well, that's right, too. |
01:18:29 |
Jesus Christ. It's good to see you. |
01:18:33 |
Not so good. |
01:18:35 |
- She's good. |
01:18:37 |
that John Wheeler wouldn't know |
01:18:41 |
I'll tell you. |
01:18:43 |
What the hell are you doing? |
01:18:45 |
You realize that? |
01:18:47 |
They think you're some kind |
01:18:49 |
I love it! Goddamn, I love it! |
01:18:51 |
Give them hell, Jack. Give them hell. |
01:18:53 |
- Is that a sarsaparilla with ice? |
01:18:55 |
You bet your sweet patoosie, |
01:18:58 |
Why wouldn't John Wheeler |
01:19:01 |
John Wheeler's a dumbbell, that's why. |
01:19:04 |
No, he's all right. |
01:19:05 |
I just hate to see Louise get hurt. |
01:19:09 |
What are you talking about? |
01:19:13 |
Jesus Christ. |
01:19:16 |
Don't tell her that I told you. All right? |
01:19:19 |
Told me what? |
01:19:21 |
Well, Ben Parsons told me |
01:19:24 |
because she hadn't turned anything in |
01:19:28 |
other than some story about a cop |
01:19:30 |
that went over there to drive |
01:19:35 |
- He let her go? |
01:19:41 |
- When did you hear that? |
01:19:44 |
No, it was a month. |
01:19:48 |
Oh, look, Jack, |
01:19:51 |
Tell her she shouldn't feel ashamed |
01:19:53 |
- I'm gonna see you later, huh? |
01:19:55 |
Hell, we've all been fired. |
01:19:58 |
Hell, I'll drink to it. |
01:19:59 |
Imagine, 65 million |
01:20:03 |
go to war. Right? |
01:20:05 |
10 million die. |
01:20:07 |
10 million become orphans. |
01:20:09 |
20 million become maimed, crippled, |
01:20:15 |
You had catastrophe in Europe. |
01:20:18 |
You had a holocaust in Europe. |
01:20:21 |
You had a desire for change. |
01:20:24 |
Who can stop them |
01:20:25 |
when there was |
01:20:29 |
Who could stop them? |
01:20:41 |
You know, I think I'm gonna have to get |
01:20:47 |
- What are you... |
01:20:52 |
You look fine. Are you all right now? |
01:20:54 |
Oh, God, yes. |
01:20:57 |
The second one's just for show. |
01:21:01 |
Sorry, this isn't a very good time. |
01:21:08 |
They're moving me |
01:21:11 |
So, I'm just not going to be able to |
01:21:14 |
Could we just go out here a second? |
01:21:17 |
- Look, I'm on my way to Russia. |
01:21:20 |
Very funny. |
01:21:22 |
I know you're doing work here |
01:21:23 |
'cause I read the ambulance piece |
01:21:25 |
- Thank you. |
01:21:27 |
and I know how important that is to you. |
01:21:28 |
But you got to have enough sense |
01:21:30 |
if you're trying to build up |
01:21:32 |
to be in the right place at the right time. |
01:21:33 |
- I appreciate your advice. |
01:21:36 |
- Thank you. I'll remember that. |
01:21:39 |
They're in their third |
01:21:41 |
You know what that means? It means |
01:21:44 |
The workers are deserting the factories, |
01:21:48 |
The exiles are all coming back. |
01:21:52 |
All of them are going back, |
01:21:54 |
it might be the real thing. |
01:21:55 |
And if they have |
01:21:57 |
they'd have one in Germany, |
01:22:00 |
- it could happen all over the world. |
01:22:02 |
Louise, that'd be the end of the war. |
01:22:04 |
You don't have to tell me |
01:22:06 |
- I read the papers. |
01:22:08 |
As a colleague, |
01:22:10 |
Come with me as a colleague. |
01:22:12 |
Oh, yeah? Well, that's what you said |
01:22:14 |
- I was right about New York. |
01:22:16 |
And I happen to think my work is... |
01:22:17 |
It is important. But it's not important as |
01:22:20 |
I wanna work together. As partners. |
01:22:22 |
I don't want a partner. And if |
01:22:25 |
- I wouldn't need you to take me. |
01:22:27 |
Russia is not the safest place |
01:22:30 |
You may be a hell of a journalist. |
01:22:37 |
Louise, we'd better hurry along. |
01:22:42 |
So, moving you out of here, huh? |
01:22:44 |
Yes. I've been promised an interview |
01:22:46 |
Well, I've got to run along myself. |
01:22:50 |
- Sorry I don't have any time. |
01:22:52 |
I just... |
01:22:55 |
You've wasted your money, Jack. |
01:22:57 |
Change the date. Go by yourself. |
01:23:01 |
Keep up the good work. |
01:23:04 |
Jack. |
01:23:07 |
Good luck. |
01:23:09 |
Yeah, you, too. |
01:23:16 |
I got a taxi waiting. |
01:23:44 |
Jack! Jack Reed! |
01:23:47 |
- Joe, Joe Volski. |
01:23:49 |
Oh, fine, fine. |
01:23:52 |
- Yes. Yeah. |
01:23:54 |
Great things are happening. |
01:24:00 |
- I think I am. |
01:24:23 |
We met in Chicago. |
01:24:26 |
Boy, oh, boy. Were you a speaker! |
01:24:30 |
You don't remember me, eh? |
01:24:34 |
Well, it's not that. |
01:24:37 |
- Maybe I just... Maybe it's the hat. |
01:24:40 |
Yeah. Maybe I just don't recognize you |
01:24:43 |
Oh, then I'm a revolutionary |
01:24:47 |
Well, comes the revolution, |
01:24:50 |
- I see you're studying Russian. |
01:24:53 |
Know what? |
01:24:57 |
- What? |
01:24:58 |
ask me anything you want in Russian. |
01:25:01 |
Thank you. I'll keep that in mind. |
01:25:04 |
Let's see... |
01:25:05 |
Excuse me. |
01:25:08 |
I'd be a goddamned fool not to take you |
01:25:11 |
I want to sign my own name |
01:25:13 |
and I don't want to use a double byline. |
01:25:15 |
I want to be responsible |
01:25:18 |
I want to be referred to as Miss Bryant, |
01:25:20 |
and I want to keep an account |
01:25:22 |
so that I can pay you back. |
01:25:24 |
Now, I assume you know that |
01:25:26 |
so just don't confuse the issue |
01:25:29 |
That's it. |
01:25:31 |
- Fine. |
01:25:33 |
You like salami? |
01:25:38 |
He says, |
01:25:40 |
"I forgot my teeth on the table." |
01:25:42 |
He says, "Hell with your teeth! |
01:25:44 |
"What do you think, |
01:26:01 |
After the revolution, |
01:26:03 |
Thank you very much. |
01:26:07 |
By the way, did you hear this one? |
01:26:28 |
Lenin asks, |
01:26:31 |
I says, "I want to remember |
01:26:42 |
This is a hard word, |
01:26:45 |
Okay. |
01:26:49 |
"Are you one of the family?" |
01:26:59 |
There's a foreman of a logging camp, |
01:27:02 |
You know, and he goes down |
01:27:04 |
and he gets to a little man in the back |
01:27:05 |
and he says, "Who the hell are you? |
01:27:07 |
"Don't you know that I need men who |
01:27:10 |
"Where the hell |
01:27:12 |
And the little man says, |
01:27:14 |
And the foreman says, |
01:27:16 |
And the little man says, |
01:27:22 |
A woman knocks at the door |
01:27:25 |
I didn't tell you that? |
01:27:26 |
She says, "My husband just died. |
01:27:31 |
He says, |
01:27:34 |
She says, "The pants, I wear." |
01:27:44 |
The Russian border. |
01:27:52 |
The Russian border. |
01:28:19 |
He's already fighting for three months. |
01:28:21 |
Now he joined the Bolsheviks |
01:28:29 |
I don't think he's afraid. |
01:28:33 |
And the Bolsheviks will stop the war. |
01:28:38 |
He's 14 years old. |
01:29:12 |
The Communists obviously wanted |
01:29:16 |
Because the country was completely |
01:29:19 |
There was treason |
01:29:22 |
There was everything under the sun. |
01:29:24 |
But certainly... |
01:29:27 |
of conducting a war. |
01:29:29 |
Kerensky was anxious to conduct it, |
01:29:32 |
produce some battalions of women |
01:29:41 |
Jack Reed! |
01:29:44 |
Alex, what the hell are you doing here? |
01:29:46 |
- You have someone to meet you? |
01:29:48 |
Then what luck I am here! |
01:29:51 |
- Lois? |
01:29:52 |
Alex Gomberg. |
01:29:53 |
- Looking for accommodation? |
01:29:56 |
More good luck. |
01:29:59 |
You have transportation? |
01:30:03 |
A lot of people had an idea |
01:30:06 |
I could not blame them |
01:30:09 |
but I wasn't. |
01:30:11 |
The one person |
01:30:14 |
- was Beatrice Webb. |
01:30:16 |
She didn't know a thing. |
01:30:17 |
Do not be misled by the quiet |
01:30:20 |
Underneath is great tension. |
01:30:23 |
Alex, how much time |
01:30:25 |
Any day now, the Bolsheviks will strike. |
01:30:33 |
Fantastic, isn't it? |
01:30:34 |
A quiet street, |
01:30:39 |
Give him four rubles. |
01:30:44 |
Jack, Lois. Lucky for you, I am here. |
01:30:48 |
Yeah. Thanks. Thanks again. |
01:30:55 |
Only one bed? That's a double. |
01:30:58 |
Single. That's a single! |
01:31:01 |
This is good for me. I can just... |
01:31:05 |
Good. |
01:31:12 |
I don't mind this at all. |
01:31:26 |
He's calling for an insurrection, |
01:31:28 |
Day and night. Day and night. |
01:31:30 |
"Another insurrection will ruin Russia." |
01:31:32 |
"Another insurrection will save Russia." |
01:31:33 |
"The war is ruining Russia." |
01:31:35 |
"Without England or France, |
01:31:39 |
"The Bolsheviks are ruining Russia." |
01:31:41 |
Lois, lucky for you, I am here. |
01:31:43 |
Louise. |
01:31:45 |
- This is the line for bread. |
01:31:47 |
There's another line for boots. |
01:31:50 |
And there is still another line for cards |
01:31:52 |
on which they'll get the boots |
01:31:55 |
Did we have to get rid of the czar |
01:32:00 |
- What does that mean? |
01:32:04 |
Vosstanie means "Insurrection," |
01:32:08 |
and Bolsheviki means Bolshevik. |
01:32:10 |
So I think it calls for an insurrection |
01:32:13 |
against the Kerensky government |
01:32:15 |
- What's a kornilovtsy? |
01:32:18 |
Look, if they buy this, |
01:32:23 |
they're gonna cut you down |
01:32:25 |
- That starts out like you got 5,000. |
01:32:30 |
I'd lose this. I'd lose this. |
01:32:34 |
But what's your lead? |
01:32:38 |
Oh, I know what you think. |
01:32:40 |
Well, I just don't know if you're gonna |
01:32:43 |
with that for a lead. You know? |
01:32:48 |
You're right. |
01:32:51 |
And the strongman line |
01:32:57 |
You've been right |
01:33:02 |
The Bolsheviks will take Russia |
01:33:08 |
- Good night. |
01:33:11 |
"In the streets the talk |
01:33:13 |
"Neither of which |
01:33:15 |
"Everybody knows that |
01:33:16 |
"Everybody knows that |
01:33:17 |
"but nobody knows just what." |
01:33:20 |
Yes? |
01:33:21 |
I'm sorry, I don't speak Russian. |
01:33:23 |
"Petrograd does not sleep. |
01:33:25 |
"At night, the arguments grow louder |
01:33:27 |
"Nobody is satisfied with Kerensky. |
01:33:29 |
"The far right wants a strongman, |
01:33:32 |
"Everyone waits to see |
01:33:34 |
"It is not easy to write fairly about |
01:33:37 |
"He is absorbed, cold, |
01:33:39 |
- You're editorializing here. |
01:33:42 |
- At the end. |
01:33:47 |
What I don't understand is... |
01:33:50 |
Why did you take out the piece |
01:33:53 |
- It is good, isn't it? |
01:33:54 |
Put it back in for me. |
01:34:02 |
Mr. Zinoviev, do you still feel |
01:34:05 |
for a Bolshevik insurrection? |
01:34:07 |
"I interviewed Zinoviev at Smolny. |
01:34:09 |
"He'd been in hiding with Lenin." |
01:34:10 |
...had another whole decade, |
01:34:13 |
"His style is still that of a man in hiding. |
01:34:15 |
"We hear Trotsky speak at Smolny. |
01:34:17 |
"If Lenin represents thought, |
01:34:20 |
"He is essentially an agitator." |
01:34:21 |
"The meeting hall at Smolny |
01:34:22 |
"someone in the platform |
01:34:25 |
"and everybody, including the smokers |
01:34:27 |
"'Don't smoke, comrades! ' |
01:34:29 |
"At the point Trotsky said, |
01:34:31 |
"'but if the Kerensky government |
01:34:33 |
"'we shall answer blow by blow,' |
01:34:34 |
"the audience broke into wild cheers." |
01:34:36 |
"Lenin is a strange popular leader, |
01:34:40 |
"Colorless, humorless, |
01:34:43 |
"he seems to have |
01:34:46 |
"or his gift for phrasemaking, |
01:34:50 |
Kerensky is some socialist, huh? |
01:34:54 |
"The Winter Palace of the czar, where |
01:34:57 |
- "is vast and magnificent..." |
01:34:59 |
"There's no sign here |
01:35:01 |
"that convulse Moscow and Odessa. |
01:35:03 |
"No evidence that |
01:35:05 |
"that the army is starving |
01:35:08 |
"Kerensky is full of old-world manners |
01:35:11 |
"'Provisional government will last,' |
01:35:14 |
"'in spite of the Bolsheviks.'" |
01:35:15 |
"He seemed bitter, defensive." |
01:35:18 |
900,000 men deserted |
01:35:21 |
That's 14% of the Russian army. I... |
01:35:26 |
I'm sort of braising the cabbage. |
01:35:30 |
You know that house |
01:35:33 |
Evidently, the banker's daughter |
01:35:37 |
'cause some woman streetcar |
01:35:40 |
So after dinner, they all voted |
01:35:42 |
they preferred the Germans |
01:35:45 |
Anyway, the Social Revolutionaries |
01:35:48 |
to please not to mention their visit, |
01:35:50 |
because they were already considered |
01:35:52 |
And you know, |
01:35:54 |
you couldn't even see a year ago, |
01:35:56 |
Karsavina is dancing tonight. |
01:35:59 |
And, oh, Manny Komroff says |
01:36:01 |
Jack... |
01:36:03 |
Thanks for bringing me here. |
01:36:17 |
Will they strike? |
01:36:20 |
Do you speak English? |
01:36:24 |
Do you speak English? |
01:36:25 |
Do you speak English? |
01:36:29 |
Do you speak English? |
01:36:31 |
Do you speak English? |
01:36:33 |
Do you speak English? |
01:36:35 |
- Do you speak English? |
01:36:37 |
Will they strike? |
01:36:43 |
- New York? |
01:36:44 |
- You know Broome Street? |
01:36:46 |
I know, |
01:36:47 |
- I lived there four years. |
01:36:51 |
What is he saying? |
01:36:53 |
Can you tell me what he's saying? |
01:36:55 |
He says don't strike. |
01:36:58 |
to leave our Russian soldiers |
01:37:03 |
You are a long way from New York. |
01:37:24 |
He says that our Russian |
01:37:27 |
are also strike. |
01:37:28 |
That is why they're leaving the Front. |
01:37:43 |
What's that? |
01:37:44 |
He said that the workers of England, |
01:37:46 |
will be left alone to fight Germany. |
01:37:48 |
Tell him he doesn't know |
01:37:49 |
in England, France and America |
01:37:51 |
You lived in New York. Tell him that. |
01:37:53 |
You are right, American. |
01:38:02 |
Go ahead, you speak. |
01:38:07 |
Go ahead. |
01:38:08 |
Tell them about your American workers. |
01:38:10 |
No, I can't speak here, I don't have |
01:38:12 |
- I'm an American... |
01:38:15 |
Everyone has credentials here. |
01:38:17 |
He ask you to speak. |
01:38:20 |
Speak. I translate. |
01:38:46 |
I only want to say that if you strike, |
01:38:48 |
the American workers |
01:38:57 |
They're waiting for your example. |
01:39:00 |
They're waiting for your leadership. |
01:39:02 |
If you refuse to support |
01:39:05 |
they will follow your example. |
01:39:07 |
And if workers of the world |
01:39:09 |
the war can be stopped. |
01:39:18 |
They support you |
00:00:05 |
And the last fight |
00:00:09 |
The Internationale |
00:00:12 |
Unites the human race |
00:00:15 |
Then, comrades, come rally |
00:00:18 |
And the last fight |
00:00:21 |
The Internationale |
00:00:24 |
Unites the human race |
00:00:28 |
That's how it goes. |
00:00:29 |
Porter! |
00:00:36 |
Confiscate it. |
00:00:38 |
I'll take it with me to Washington |
00:00:40 |
On whose authority? |
00:00:43 |
The authority of the Attorney General. |
00:00:46 |
All right, pack it up. |
00:00:48 |
- Attorney General? |
00:00:52 |
That's upside down. |
00:00:55 |
- Louise! |
00:00:57 |
How are you? |
00:01:00 |
Max. Hi! |
00:01:04 |
Hi! |
00:01:05 |
Oh, God, Louise. You look good! |
00:01:08 |
God, whatever you've been doing, |
00:01:10 |
Oh, thank you. |
00:01:12 |
He's gonna write a great book, Max, |
00:01:15 |
so we can have something to live on. |
00:01:16 |
And he's gonna write |
00:01:18 |
And then we're gonna go back to Croton |
00:01:20 |
and he's gonna help me edit |
00:01:22 |
on women in the Revolution, |
00:01:23 |
and then we're gonna help |
00:01:25 |
No more separations. |
00:01:28 |
We're really going to get down |
00:01:30 |
It's so moving. |
00:01:34 |
Well, they took my notes. |
00:01:38 |
Can they do that? |
00:01:39 |
Welcome home. Let's go. |
00:01:42 |
Come on, come on. |
00:01:44 |
You'll write your book. |
00:01:46 |
A lot's been happening. Now what |
00:01:48 |
I understand you and Louise |
00:01:51 |
It's a very difficult situation |
00:01:53 |
for a country who is conducting a war, |
00:01:57 |
when one of its allies has a revolution |
00:02:00 |
and the government is changed. |
00:02:02 |
The thing that made the furor |
00:02:06 |
and we lost an ally. |
00:02:08 |
We thought the Russians |
00:02:11 |
The Bolshevik Revolution, at the time, |
00:02:14 |
was the most single striking |
00:02:17 |
of the whole era. |
00:02:19 |
The complete transformation |
00:02:22 |
and the taking over |
00:02:25 |
of the machinery of the state. |
00:02:26 |
It never had happened before in history. |
00:02:29 |
You're a grand old flag |
00:02:30 |
You're a high flying flag |
00:02:32 |
And forever and e'er may you wave |
00:02:35 |
You're the emblem of |
00:02:38 |
The home of the free and the brave |
00:02:41 |
Every heart beats true |
00:02:44 |
Where there's never a boast or brag |
00:02:47 |
Should auld acquaintance be forgot |
00:02:50 |
Keep your eye on the grand old flag |
00:02:53 |
Over There is not till 1918. |
00:02:56 |
Over there, over there |
00:02:58 |
Send the word, send the word |
00:02:59 |
Over there |
00:03:02 |
You know that one. |
00:03:03 |
But the other one |
00:03:07 |
or before, was |
00:03:12 |
I'm a Yankee Doodle Dandy |
00:03:14 |
Yankee Doodle... |
00:03:16 |
Real live nephew of my Uncle Sam |
00:03:18 |
Born on the 4th of July |
00:03:21 |
I've got a Yankee Doodle sweetheart |
00:03:24 |
She's my Yankee Doodle joy |
00:03:26 |
Yankee Doodle went to London |
00:03:29 |
I am the Yankee Doodle boy |
00:03:32 |
That was a big hit. |
00:03:35 |
- Do you believe in God? |
00:03:39 |
It's a simple question, Miss Bryant. |
00:03:43 |
I'm sorry, for a moment I thought |
00:03:44 |
you asked me |
00:03:46 |
That is precisely what I asked you. |
00:03:48 |
I see. Well, I have no way of knowing. |
00:03:51 |
Are you a Christian? |
00:03:53 |
I was christened in the Catholic Church. |
00:03:56 |
- Well, are you a Christian now? |
00:04:00 |
Do you believe |
00:04:03 |
I believe in the teachings of Christ. |
00:04:07 |
Miss Bryant, tell me, |
00:04:08 |
are there no decent, God-fearing |
00:04:13 |
Does one have to be God-fearing |
00:04:16 |
Senator, the Bolsheviks believe |
00:04:19 |
that's kept the Russian people back |
00:04:22 |
- Miss Bryant... |
00:04:24 |
and seen the peasants, |
00:04:26 |
On the subject of decency, Senator, |
00:04:28 |
the Bolsheviks took power |
00:04:31 |
Within six months, they made good |
00:04:34 |
Now, the present President |
00:04:36 |
went to this country in 1916, |
00:04:40 |
Within six months, |
00:04:42 |
and 115,000 young Americans |
00:04:45 |
If that's how decent, |
00:04:47 |
give me atheists anytime. |
00:04:51 |
By the way, Senator Overman, |
00:04:54 |
which is more than you can say |
00:04:56 |
Miss Bryant, |
00:04:58 |
do you advocate a Soviet government |
00:05:01 |
No. In this country |
00:05:04 |
In other words, |
00:05:05 |
They got scared, or we got scared? |
00:05:08 |
No, we didn't get scared. |
00:05:10 |
They were afraid that the unions |
00:05:14 |
A radical movement in America. |
00:05:18 |
Oh, sure. |
00:05:19 |
The Americans, they were frightened |
00:05:23 |
That it could occur here. |
00:05:25 |
Sure. Everybody was in mortal dread |
00:05:28 |
of the government descending on them. |
00:05:31 |
The FBI or whatever it was, |
00:05:34 |
We had to expose them. |
00:05:35 |
And once they told American people |
00:05:39 |
People won't have nothing to do |
00:05:41 |
They know what it is. |
00:05:43 |
But then, they didn't know. |
00:05:46 |
Public opinion was |
00:05:49 |
who had a good word |
00:05:53 |
But Louise was always communicating |
00:05:59 |
I brought blankets, here, |
00:06:02 |
and a heavy coat, here. |
00:06:06 |
Chase and Sanborn. |
00:06:08 |
Gloves. |
00:06:09 |
Thank you, Jack. |
00:06:12 |
And Louise sends you her best and this. |
00:06:18 |
A scarf. Very kind. |
00:06:22 |
I'm afraid your time is up. |
00:06:24 |
Well, |
00:06:26 |
we're going to keep fighting this. |
00:06:29 |
Will you tell Max I'd like a picture |
00:06:32 |
And under it, I would like the words, |
00:06:37 |
"The government of the most |
00:06:38 |
"is afraid of this woman." |
00:06:40 |
We're going to get you back, E.G. |
00:06:43 |
The revolution needs you. |
00:06:46 |
Comrade, I'm not leaving |
00:06:49 |
In Russia, I'll be joining it. |
00:06:52 |
I urged the deportation of all |
00:06:57 |
alien Communists. |
00:07:01 |
It's bad enough having |
00:07:04 |
but to have alien Communists |
00:07:07 |
denouncing our form |
00:07:10 |
and everything else, |
00:07:12 |
And I led a big fight on that |
00:07:15 |
It wasn't a very healthy atmosphere. |
00:07:19 |
So when John Reed came along, |
00:07:21 |
well, he was a voice of what I love. |
00:07:24 |
He was able to go into the most |
00:07:28 |
Communism, Bolshevism. |
00:07:30 |
He was considered one of the rare |
00:07:34 |
He knew he was |
00:07:37 |
and he wrote it that way. |
00:07:46 |
- A touch of this... |
00:07:49 |
I'm in here, honey. |
00:07:50 |
I talked to Edmund and Alfred today |
00:07:53 |
- What a day it's turned out to be. |
00:07:56 |
What are you doing in there? |
00:08:00 |
- Can't I help? |
00:08:02 |
Sure smells good. What is it? |
00:08:04 |
Stay out, honey. |
00:08:05 |
Stay out, honey. |
00:08:06 |
He said in a few weeks |
00:08:10 |
He thinks at least 200,000 of them, |
00:08:15 |
But he doesn't think there's |
00:08:18 |
Yeah? That's good. |
00:08:19 |
You still thinking |
00:08:21 |
Well, I can't really talk now, |
00:08:24 |
Evidently the federal government's |
00:08:27 |
So what they're doing is |
00:08:30 |
just to look into subversive activity. |
00:08:32 |
And you know, with all this talk |
00:08:35 |
being in cahoots with the Steel Trust, |
00:08:37 |
Alfred asked me if I was still gonna do |
00:08:40 |
So I said, "Alfred, for the moment |
00:08:43 |
- "than New Jersey." |
00:08:45 |
Oh, that's good. That's good. |
00:08:47 |
- Just... |
00:08:49 |
Sit down. I'll just be a minute. |
00:08:54 |
Jack, what are you doing? |
00:08:55 |
- How did you leave it with Edmund? |
00:08:59 |
Okay, the first course. |
00:09:02 |
- Yeah? |
00:09:04 |
Sit down and close your eyes. Sit down. |
00:09:14 |
Okay. |
00:09:18 |
Oh, my. |
00:09:23 |
My... |
00:09:25 |
- Go ahead. |
00:09:34 |
What do you think? |
00:09:37 |
Really? You serious? |
00:09:41 |
Really? Thank God. |
00:09:45 |
but the goddamn things flambéed |
00:09:49 |
He was certainly the main inspiration |
00:09:52 |
in the development |
00:09:55 |
through his history |
00:09:57 |
of Ten Days That Shook The World. |
00:10:00 |
Ten Days That Shook The World |
00:10:03 |
He was there when |
00:10:06 |
And his was the best report of it. |
00:10:09 |
Max Eastman had this story |
00:10:12 |
tousled hair all, you know... |
00:10:16 |
and not to disturb him for ten days. |
00:10:18 |
And that became |
00:10:22 |
Supposedly. |
00:10:24 |
He was an enormous, |
00:10:28 |
and this success |
00:10:32 |
'cause he found out there was |
00:10:35 |
do practically better than anyone else. |
00:10:37 |
"Comrades, we have made |
00:10:41 |
"to capture |
00:10:43 |
"The time of right-wing domination |
00:10:47 |
"They have fallen before the shining |
00:10:50 |
"like so many bowling pins! |
00:10:55 |
"Comrades, we have done better |
00:10:58 |
"The left wing has won 12 |
00:11:00 |
"on the Socialist Party Executive, |
00:11:02 |
"including myself, |
00:11:15 |
He took a tremendous jump forward |
00:11:18 |
He became a revolutionist |
00:11:22 |
and he had no more illusions |
00:11:25 |
We all have problems. |
00:11:26 |
You can't escape having problems, |
00:11:29 |
But to take on the problem |
00:11:32 |
to save all humanity, |
00:11:34 |
my God, that was too big |
00:11:38 |
Don't you know |
00:11:40 |
How the hell do we expect |
00:11:50 |
Oh. |
00:11:55 |
Louise. Is that you? |
00:11:57 |
Hello, Harry. |
00:12:00 |
Well, where have you been lately? |
00:12:03 |
That's right. |
00:12:05 |
It might. We've been kicked out. |
00:12:07 |
- Kicked out of what? |
00:12:10 |
- Wait, wait. Who got kicked out? |
00:12:12 |
The Executive Committee |
00:12:14 |
- The whole left wing? |
00:12:18 |
- Can they do that? |
00:12:20 |
We're the majority. We have the votes. |
00:12:21 |
We weren't expelled |
00:12:23 |
We were expelled by the executives. |
00:12:24 |
And you're talking about doing exactly |
00:12:26 |
what the Executive Committee |
00:12:28 |
Give the party back to them |
00:12:30 |
Yes! And organize our own party! |
00:12:32 |
Goddamn it, Louis, |
00:12:35 |
We were voted into power |
00:12:38 |
and we can't be expelled |
00:12:40 |
It's an illegal act, and if we fight it |
00:12:43 |
Why do we have to fight? |
00:12:45 |
What do you mean, |
00:12:46 |
For what do we stay in a party |
00:12:47 |
in which we must win control |
00:12:51 |
Well, what is it, Louis? You mean, |
00:12:54 |
then to hell with it? |
00:12:57 |
I'd like to hear more about |
00:13:00 |
My idea of revolution |
00:13:03 |
And my idea of a socialist party |
00:13:07 |
It is a party of action! |
00:13:09 |
Fine! Fine. |
00:13:11 |
The best example we can give them |
00:13:14 |
and take control of the party! |
00:13:16 |
No! We form our own party! |
00:13:18 |
And I hope that everybody here |
00:13:21 |
will be there that night |
00:13:29 |
All right, but I say you're wrong, |
00:13:31 |
and I say that I'm gonna be there |
00:13:35 |
to take the seat that belongs to me, |
00:13:38 |
to be there to take the seats |
00:13:42 |
It's almost like they want to be |
00:13:45 |
They do want to be separated |
00:13:47 |
Let's go. |
00:13:50 |
I've been in a minority before. |
00:13:54 |
Hello. |
00:14:01 |
While he liked the draft manifesto, |
00:14:03 |
he's a bit nervous |
00:14:05 |
- Excuse me. |
00:14:07 |
Is he gonna bring his people |
00:14:09 |
The man will talk theory |
00:14:10 |
Well, I don't think so. |
00:14:12 |
Isn't that nice? He likes the manifesto. |
00:14:15 |
I don't think we're gonna have |
00:14:17 |
We're gonna get in. |
00:14:19 |
- Carnofsky said no. |
00:14:21 |
- Just knowing on our own... |
00:14:23 |
Come in! |
00:14:27 |
- Hi, Eddie. |
00:14:28 |
- Hello, Eddie. |
00:14:31 |
Hey. |
00:14:33 |
Eddie, what about Levine? |
00:14:37 |
- Eddie? |
00:14:39 |
- What did Levine say? |
00:14:43 |
I waited over an hour. |
00:14:45 |
- Levine didn't show. |
00:14:47 |
Sure it does. Where were you meeting? |
00:14:49 |
In Casey's. |
00:14:50 |
Now, that surprises me. |
00:14:54 |
I could have missed him. |
00:14:57 |
It was really busy in there. |
00:14:58 |
- You could have missed him? |
00:15:01 |
I was late. |
00:15:04 |
How late? |
00:15:08 |
Forty, forty-five minutes. |
00:15:11 |
Nora started spitting up blood |
00:15:17 |
I had to take her to the clinic, |
00:15:18 |
and I had to wait for my mother |
00:15:22 |
So you were 45 minutes late. |
00:15:26 |
Yeah. I thought I could make it. |
00:15:28 |
All right, we gotta get in touch |
00:15:31 |
He's on his way to Chicago. |
00:15:32 |
That's one of the reasons |
00:15:35 |
Wait a minute, |
00:15:37 |
- Yeah. |
00:15:41 |
- Who asked for the meeting? |
00:15:43 |
- Did Levine want the meeting? |
00:15:45 |
Did he call us? |
00:15:47 |
No. We called him. |
00:15:48 |
Then why would he wait? |
00:15:57 |
I'm sorry. |
00:15:58 |
Well, why didn't you call one of us |
00:16:02 |
Because I thought I could make it. |
00:16:04 |
I mean, I thought the man |
00:16:06 |
You thought, you thought, you thought. |
00:16:10 |
Not when your comrades |
00:16:14 |
Be sure. |
00:16:20 |
All right, look. |
00:16:21 |
Do we have a contact |
00:16:24 |
Let's call Singer. |
00:16:26 |
- Do you have a number for him? |
00:16:32 |
Here. |
00:16:34 |
Thanks. |
00:16:37 |
You know, they might work better |
00:16:38 |
if you put something in your stomach |
00:16:42 |
You're a little hard on Eddie, |
00:16:45 |
You think my sympathies |
00:16:47 |
Might help Eddie. |
00:16:49 |
Listen to me. |
00:16:59 |
Four, eight, twelve... |
00:17:08 |
You know, I think we all believe |
00:17:14 |
But with us, |
00:17:17 |
it's more or less our good intentions. |
00:17:22 |
And with Jack, it's a religion. |
00:17:33 |
Our old friend Jack's |
00:17:41 |
Okay. Hey, Frank, how are you? |
00:17:43 |
How are you? |
00:17:48 |
Excuse me. What's happening here? |
00:17:50 |
No one's admitted without a red card. |
00:17:53 |
Well, I'm on the Executive, |
00:17:55 |
- No one's admitted without a red card. |
00:17:58 |
You'll have to take that up |
00:18:00 |
And where's |
00:18:01 |
And where's |
00:18:01 |
I don't know. |
00:18:03 |
I don't think he wants us to go in there. |
00:18:05 |
Well, the way to take the hall |
00:18:08 |
Edmund! |
00:18:09 |
Edmund! Jack! |
00:18:11 |
Okay. Let's go. Let's go. |
00:18:18 |
To propose the agenda, |
00:18:21 |
from the Credentials Committee |
00:18:25 |
May we please have order back there? |
00:18:29 |
In the back of the hall, could we have... |
00:18:31 |
Sergeant-at-arms, would you see |
00:18:35 |
Ladies and gentlemen, it seems |
00:18:39 |
who are trying to take over |
00:18:41 |
We're not going to let them. |
00:18:43 |
Now, please, please sit down. |
00:18:47 |
Sergeant-at-arms, |
00:18:50 |
Please, everyone, sit down. |
00:18:52 |
Now, these are Bolshevik sympathizers |
00:18:55 |
who are trying to take over this party, |
00:19:00 |
The police are coming. |
00:19:03 |
These people aren't socialists. |
00:19:08 |
Now you see? That is Bolshevik tactics! |
00:19:10 |
Come on, delegates. |
00:19:12 |
They were not elected |
00:19:14 |
Ladies and gentlemen, |
00:19:18 |
- You see? The police. |
00:19:20 |
That's the only way the Executive |
00:19:24 |
is by the use of the capitalist police. |
00:19:25 |
Flash your red cards! |
00:19:27 |
They'll resort to any tactics |
00:19:29 |
away from its true leadership |
00:19:33 |
Officers, whoever has no red card |
00:19:37 |
Hold up your red cards. |
00:19:38 |
It's all right. We're going. |
00:19:41 |
If you want to know |
00:19:43 |
of the Socialist Party of America is, |
00:19:45 |
it'll be in the basement of this building |
00:19:48 |
- Red cards, everybody! |
00:19:50 |
I want anybody who does not have |
00:20:42 |
Comrade Chairman, I move that |
00:20:45 |
as the bona fide Communist party, |
00:20:47 |
and that we call ourselves |
00:20:49 |
I second that motion! |
00:20:50 |
Well, look, if we're gonna have |
00:20:53 |
I think what we have to do |
00:20:55 |
what he wants the most and then |
00:20:58 |
in terms of the labor movement |
00:21:00 |
What we have to do |
00:21:02 |
We have to make him want |
00:21:05 |
Those people upstairs |
00:21:07 |
who wrote a good antitrust law. |
00:21:09 |
And whether we call our party |
00:21:11 |
or the Real Socialist Communist... |
00:21:14 |
it doesn't matter because it... |
00:21:17 |
Hello, Lou, are you lost? |
00:21:19 |
No. I'm not lost. |
00:21:22 |
that the newly-formed |
00:21:24 |
is meeting at the Russian Federation |
00:21:28 |
We welcome your applications. |
00:21:30 |
They will be judged |
00:21:33 |
You're gonna judge our applications? |
00:21:34 |
We're gonna apply to you |
00:21:36 |
Comrade Chairman, |
00:21:39 |
The motion has been made |
00:21:41 |
we immediately constitute ourselves |
00:21:44 |
and that we call ourselves |
00:21:47 |
All those in favor, |
00:21:50 |
Aye! |
00:21:51 |
Opposed? Motion is carried. |
00:21:55 |
Comrades! Comrades! |
00:21:56 |
Comrades, this is the wrong time |
00:22:00 |
We should be united in our struggle |
00:22:03 |
You should have thought of that |
00:22:05 |
If your people had stayed with us, |
00:22:08 |
and we'd be in control |
00:22:10 |
We have five times your membership! |
00:22:12 |
Louis, your arithmetic's |
00:22:14 |
We will be at the Russian Federation |
00:22:18 |
I hope to see some of you there. |
00:22:20 |
Comrade Chairman, I move we |
00:22:22 |
to gain recognition by the Comintern |
00:22:24 |
for the Communist Labor Party |
00:22:26 |
- and that delegate be Jack Reed. |
00:22:28 |
The motion has been made |
00:22:31 |
to Moscow immediately |
00:22:33 |
to obtain recognition of the Comintern |
00:22:35 |
for the Communist Labor Party |
00:22:37 |
All those in favor, |
00:22:39 |
Aye! |
00:22:40 |
Opposed? Motion is carried. |
00:22:44 |
Since the first question |
00:22:46 |
All right, thank you. |
00:22:48 |
All right, comrades, since |
00:22:50 |
by the Comintern is gonna be |
00:22:53 |
I think I'm gonna have to be very clear |
00:22:56 |
in relation to |
00:22:58 |
I'm gonna have to say exactly |
00:23:00 |
as opposed to any other group, |
00:23:02 |
and I think we'll have to make it clear |
00:23:04 |
and be very clear in the manifesto. |
00:23:06 |
- Good luck in Moscow, Jack! |
00:23:07 |
Well, I guess you boys think |
00:23:24 |
Hello, Jessie. |
00:23:28 |
Good girl. |
00:23:32 |
- Hello. |
00:24:11 |
Let me make it easy for you, Jack. |
00:24:21 |
And if you go, I'm not sure I'll be here |
00:24:26 |
Louise, you know, the Comintern |
00:24:30 |
from the New York Yankees. |
00:24:33 |
Somebody's got to go over there |
00:24:39 |
We'd be back by Christmas. |
00:24:45 |
We can't merge with Fraina. |
00:24:47 |
We can't deal with him |
00:24:49 |
He wouldn't accept half of our people. |
00:24:51 |
The man is gonna do nothing |
00:24:53 |
from any potential |
00:24:56 |
He's sociologically isolated, |
00:24:57 |
programmatically he's impossible |
00:24:59 |
You mean he's a foreigner? |
00:25:01 |
Don't do that, Louise. |
00:25:03 |
Six months ago, you were friends. |
00:25:04 |
These people can barely speak English. |
00:25:06 |
They don't even want to be integrated |
00:25:09 |
The Foreign Language Federations |
00:25:11 |
in America any more |
00:25:14 |
Being Russian |
00:25:15 |
Do you think the American workers |
00:25:17 |
are gonna be led |
00:25:18 |
Or an insular Italian like Louis Fraina? |
00:25:20 |
He has no possibility |
00:25:23 |
Unlike you? |
00:25:24 |
I'm just saying |
00:25:26 |
is not gonna be led by immigrants. |
00:25:28 |
Revolution? In this country? |
00:25:32 |
Well, what do you think |
00:25:34 |
if we'd been ready? |
00:25:36 |
30,000 party members all armed |
00:25:39 |
leading 365,000 steelworkers? |
00:25:41 |
What it takes is leadership. |
00:25:43 |
And we gotta get it |
00:25:46 |
- I have to go. |
00:25:47 |
You want to go. You want to go running |
00:25:50 |
and making resolutions |
00:25:53 |
What's the difference |
00:25:55 |
and the Communist Labor Party |
00:25:56 |
except that you're running one |
00:25:58 |
- I've made a commitment. |
00:26:01 |
To the fine distinction between |
00:26:04 |
is recognized by Moscow as |
00:26:08 |
To petty political squabbling between |
00:26:11 |
just wasting their time |
00:26:14 |
To getting the endorsement |
00:26:16 |
you call the International |
00:26:17 |
for your group of 14 intellectual friends |
00:26:20 |
who are supposed to tell the workers |
00:26:22 |
whether they want it or not? |
00:26:32 |
Write, Jack. |
00:26:35 |
You're not a politician, you're a writer. |
00:26:38 |
And your writing has done more |
00:26:39 |
than 20 years of this infighting can do, |
00:26:43 |
You're an artist, Jack. |
00:27:08 |
Don't go. |
00:27:10 |
Don't run away |
00:27:16 |
Jack. |
00:27:27 |
I'll be back by Christmas. |
00:27:55 |
I'm going into the city. |
00:27:58 |
Tomorrow. |
00:27:59 |
- I see. |
00:28:03 |
Will you be here? |
00:28:07 |
I don't know. I'll see you when I see you. |
00:28:27 |
Here. Your passport and papers. |
00:28:32 |
Go now! |
00:29:18 |
Well, Mrs. Reed. Sit down. |
00:29:22 |
What can I do for you? |
00:29:24 |
Hello, Gene. How are you? |
00:29:28 |
Fine. And you? |
00:29:32 |
I'm fine. |
00:29:46 |
Sit down. |
00:29:53 |
- How's Jack? |
00:29:57 |
- Is he? |
00:29:58 |
He's trying to get recognition |
00:30:00 |
for the Communist Labor Party. |
00:30:02 |
You see, they've split |
00:30:05 |
And you? |
00:30:11 |
No. |
00:30:12 |
Well, actually, yes, |
00:30:15 |
I do a lot of lecturing |
00:30:18 |
Ah, yes, Russia. |
00:30:20 |
Russia's been good for you and Jack. |
00:30:23 |
Given you a way to meet people, |
00:30:29 |
Russia. |
00:30:31 |
Russia. |
00:30:33 |
Are you really that cynical, |
00:30:35 |
I'm really that cynical. |
00:30:38 |
Gene, if you'd been to Russia, |
00:30:40 |
you'd never be cynical |
00:30:42 |
You would have seen |
00:30:45 |
Louise, something in me tightens when |
00:30:50 |
and they start to talk to me |
00:30:53 |
- Wait... |
00:30:55 |
"A new version of Irish Catholicism |
00:30:59 |
- It's not like that. |
00:31:01 |
a lovely wife like Louise Reed |
00:31:05 |
is sitting around |
00:31:08 |
instead of trotting all over Russia |
00:31:12 |
It's almost worth being converted. |
00:31:19 |
Well, I was wrong to come. |
00:31:22 |
You and Jack have a lot of |
00:31:27 |
Jack dreams that he can hustle |
00:31:30 |
whose one dream is to be rich enough |
00:31:33 |
into a revolution led by his party. |
00:31:36 |
And you dream that if you discuss |
00:31:39 |
before you go to bed with him, |
00:31:41 |
it'll be missionary work rather than sex. |
00:31:44 |
I'm sorry to see you and Jack |
00:31:47 |
It's particularly disappointing |
00:31:50 |
You had a lighter touch |
00:31:56 |
Boy, you've become quite the critic, |
00:31:59 |
Just leaned back and analyzed us all. |
00:32:02 |
Duplicitous women who tout free love |
00:32:05 |
power-mad journalists |
00:32:07 |
instead of observing it, |
00:32:08 |
middle-class radicals |
00:32:10 |
and then talk about Russia. |
00:32:12 |
It must seem so contemptible |
00:32:14 |
who has the courage to sit on his ass |
00:32:17 |
from the inside of a bottle. |
00:32:19 |
Well, I've never seen you |
00:32:21 |
I've never seen you |
00:32:23 |
so I can understand why you might |
00:32:27 |
But whatever Jack's motives are, how... |
00:32:31 |
I seem to have touched a wound. |
00:32:35 |
You're a wounding son of a bitch, |
00:32:37 |
and whatever I've done to you, |
00:32:42 |
Louise. |
00:33:12 |
Jessie! |
00:33:14 |
Hey, Jess, come on! Come here, Jess. |
00:33:17 |
Jessie, come here. |
00:33:25 |
Jessie. |
00:34:03 |
Jessie? |
00:34:22 |
Jessie? |
00:34:23 |
- Oh! |
00:34:25 |
By the order of the Attorney General |
00:34:27 |
A. Mitchell Palmer, |
00:34:29 |
for the arrest of one John Silas Reed. |
00:34:30 |
Look upstairs, Frank. |
00:34:39 |
- Arrest for what? |
00:34:42 |
- Where is he? |
00:34:44 |
Lady, don't ask me. |
00:34:47 |
Just tell me where he is. |
00:34:54 |
I don't suppose there's a chance |
00:34:55 |
of you being a Bolshevik agitator, |
00:34:59 |
Why don't you just look around, |
00:35:02 |
In 1919, |
00:35:05 |
there were no more |
00:35:07 |
than four or five Americans |
00:35:11 |
who got into Russia |
00:35:13 |
because the country was surrounded |
00:35:18 |
You were actually forbidden to go, |
00:35:22 |
It was very dangerous |
00:35:25 |
Because the Finns |
00:35:28 |
and they were bitterly opposed |
00:35:31 |
They decided to strangle |
00:35:33 |
the revolutionary Bolshevik infant |
00:35:37 |
And 16 armies went into Russia |
00:35:41 |
for the purpose |
00:35:43 |
and wiping out the revolution |
00:35:45 |
and restoring Christian civilization |
00:36:15 |
Speak English. |
00:36:17 |
Have a lemon. |
00:36:19 |
Thank you. I just want to know |
00:36:23 |
- in what I said about... |
00:36:25 |
Salt? |
00:36:28 |
- Salt? |
00:36:30 |
Thank you. |
00:36:33 |
I see you eat the peel with the lemon. |
00:36:36 |
Fights the scurvy. So does the onion. |
00:36:40 |
Together, they fight better. |
00:36:45 |
You see, what I really wanted to do |
00:36:47 |
was ask your frank opinion |
00:36:50 |
You think we'll get the endorsement |
00:36:53 |
- I ask unofficially, of course. |
00:36:59 |
Unofficially, I don't know. |
00:37:03 |
Yeah, well, it's such a... |
00:37:05 |
It's a peculiarly American problem |
00:37:09 |
- You do think I was clear? |
00:37:12 |
In this case, however, clarity does not |
00:37:16 |
Well, I don't know. |
00:37:19 |
You know, in fact, I don't... |
00:37:23 |
What I really want to do |
00:37:26 |
for the Executive Committee to read |
00:37:29 |
You see, I'd like to deal in that report |
00:37:32 |
of the American Federation of Labor. |
00:37:34 |
I'd like to deal |
00:37:36 |
And I'm gonna talk |
00:37:39 |
I'm gonna deal with the rise |
00:37:42 |
and the capitulation |
00:37:44 |
- I'm gonna... Am I speaking too quickly? |
00:37:47 |
And so I will deal with |
00:37:52 |
I'll talk about the general strikes |
00:37:55 |
the Boston police strike. |
00:37:57 |
I'm gonna discuss the Plumb Plan, |
00:38:00 |
and the policies of the AF of L |
00:38:03 |
Now, after that, I think it's important... |
00:38:12 |
Comrade Reed, the Executive |
00:38:15 |
has decided against endorsing |
00:38:18 |
or the Communist Party of America, |
00:38:20 |
and instructs the two parties |
00:38:29 |
Sit here, Comrade Reed. |
00:38:30 |
This time, your usual chair, |
00:38:32 |
is now occupied by your detailed report |
00:38:35 |
A most penetrating study. |
00:38:38 |
Thank you. |
00:38:40 |
Obviously, it wasn't clear enough. |
00:38:43 |
Comrade Radek, |
00:38:44 |
I think there must have been |
00:38:47 |
about my travel arrangements |
00:38:51 |
Well, it seems as if I've been asked |
00:38:55 |
That is right. |
00:38:56 |
Comrade Reed, |
00:39:00 |
you are very much needed |
00:39:03 |
We plan for you to remain |
00:39:05 |
You're very welcome |
00:39:07 |
Well, thank you very much, |
00:39:09 |
but I thought that these |
00:39:12 |
I have to get to the Latvian |
00:39:14 |
And to which border would you suggest, |
00:39:16 |
Well, I understand that train travel |
00:39:19 |
Why does he need a train? |
00:39:22 |
Because I have urgent personal |
00:39:25 |
- in the United States and I... |
00:39:28 |
- Excuse me? |
00:39:34 |
- I have a family. |
00:39:38 |
Well, I can speak only for myself |
00:39:43 |
It's very urgent, |
00:39:46 |
and I ask only |
00:39:50 |
But you have a place on the train! |
00:39:51 |
You have a place |
00:39:53 |
You have been like so many others, |
00:39:56 |
One of the engineers |
00:39:58 |
that pulls this revolution |
00:40:02 |
laid out for it by the party. |
00:40:04 |
You can't leave us now. |
00:40:06 |
- What right do you have you to leave... |
00:40:07 |
To do what? To see your wife? |
00:40:10 |
Last year at the International Congress |
00:40:11 |
I learned that my son |
00:40:13 |
I didn't go to see my son |
00:40:15 |
because I knew I was needed |
00:40:18 |
What you don't understand is... |
00:40:19 |
Would you like to abandon this moment |
00:40:22 |
Would you ever get this moment again? |
00:40:23 |
- I am not abandoning the revolution! |
00:40:26 |
People know and respect your work. |
00:40:28 |
- You speak with authority of feeling. |
00:40:31 |
for the past eight weeks, |
00:40:33 |
I've been completely unable |
00:40:36 |
or with my comrades |
00:40:38 |
I need to go back. I would like your help. |
00:40:40 |
Comrade Reed, you can always go back |
00:40:44 |
so can I. |
00:40:45 |
You can never, never come back |
00:40:51 |
I'm sorry. |
00:40:52 |
I have no right to tell you |
00:40:54 |
You know it better than I do. |
00:41:19 |
Maybe it was impossible |
00:41:21 |
There was White armies all around, |
00:41:24 |
so escape was not dreamt of. |
00:42:23 |
We had a communication from Jack. |
00:42:26 |
He was in prison in Finland |
00:42:29 |
But he got word out to me |
00:42:32 |
to take a message to Louise. |
00:42:35 |
And I remember walking over to Louise, |
00:42:38 |
I walked over to Louise's apartment |
00:42:42 |
and spent an evening with her |
00:42:45 |
and she talked very earnestly |
00:43:01 |
Mrs. Reed, the United States |
00:43:03 |
in the internal affairs of Finland. |
00:43:05 |
Are you trying to tell me |
00:43:07 |
- can't give you any information? |
00:43:09 |
- that the State Department can do. |
00:43:12 |
If his name were Rockefeller, |
00:43:14 |
Mrs. Reed, if your husband's name |
00:43:17 |
I think he would hardly be |
00:43:19 |
for a conspiracy to overthrow |
00:43:21 |
He has only one kidney. |
00:43:24 |
That is a chance |
00:43:27 |
when he left the United States |
00:43:31 |
Good day, Mrs. Reed. |
00:43:34 |
The United States |
00:43:37 |
in military expeditions against |
00:43:40 |
in an attempt to overcome them, |
00:43:44 |
and set up another government. |
00:43:47 |
There was a noose |
00:43:49 |
to be pulled around Russia |
00:43:52 |
which gave you an idea |
00:43:57 |
can be surrounded |
00:44:11 |
Your name, |
00:44:31 |
Your name, |
00:44:34 |
I don't know what color... |
00:44:37 |
I'll just get it myself. |
00:44:38 |
- Would you get some... |
00:44:41 |
- Okay. |
00:44:42 |
- All right. |
00:44:44 |
From the top? |
00:44:46 |
Oh, I see. Then they made a map. |
00:44:49 |
Terry spoke to me. |
00:44:50 |
Louise, I don't think you realize |
00:44:54 |
You'd have to stow away. |
00:44:55 |
If you got there at all, |
00:44:58 |
Terry said that he thought that |
00:45:00 |
- as far as Norway. |
00:45:02 |
You know what I mean? |
00:45:04 |
Sit down. |
00:45:07 |
I want to talk to you about something. |
00:45:11 |
...indicates the map. |
00:45:12 |
I could go. |
00:45:14 |
I can sign on as a seaman. |
00:45:17 |
I think under the circumstances... |
00:45:23 |
Don't look at me like that. |
00:45:26 |
I'm not gonna let |
00:45:29 |
Just seemed to me |
00:45:36 |
...and at this point... |
00:45:39 |
Okay. |
00:45:40 |
Wasn't he supposed to come over |
00:45:43 |
I'll talk to Terry in the morning. |
00:45:45 |
Where the cross is made... |
00:45:47 |
I wish these son-of-a-bitches could act. |
00:46:35 |
Your blood pressure is very high. |
00:46:38 |
They only give me |
00:46:41 |
The blood in your mouth |
00:46:44 |
You have scurvy. |
00:46:48 |
An impressive shade of red, comrade. |
00:46:56 |
Could you send a cable to my wife? |
00:47:59 |
Mr. Reed, I have something for you. |
00:48:06 |
- Is there a cable? |
00:48:09 |
You should take one of these powders |
00:48:14 |
Has she sent word to me here? |
00:48:16 |
They won't say. |
00:48:45 |
You are being released. |
00:48:51 |
You know, I must tell you, |
00:48:56 |
But what I heard was |
00:48:58 |
the Bolsheviki traded |
00:49:03 |
for the release of John Reed. |
00:49:06 |
John Reed. |
00:49:07 |
We are here to welcome you. |
00:49:11 |
Could you take me |
00:49:14 |
- Yes. Get in. |
00:49:25 |
"Louise Bryant, Croton-on..." |
00:49:29 |
Hudson. |
00:49:30 |
"...Hudson, New York, USA. |
00:49:33 |
"I'm safe. Stop." |
00:49:35 |
"Please contact..." |
00:49:37 |
Contact. Please contact. |
00:49:39 |
"Contact Petrograd telegraph office. |
00:49:42 |
"Have received no word from you. Stop. |
00:49:45 |
"Please for... Forgive..." |
00:49:49 |
Please forgive Christmas. |
00:49:50 |
"Please forgive Christmas. Stop. |
00:49:58 |
Could you send that right away? |
00:50:03 |
Comrade Lenin said |
00:50:06 |
he would trade, |
00:50:12 |
"Louise Bryant, Croton-on-Hudson, |
00:50:15 |
"New York, USA." |
00:50:17 |
- USA. |
00:50:20 |
- Immediate return... |
00:50:22 |
- ... United States... |
00:50:24 |
- ... impossible. |
00:50:25 |
- Louise Bryant, Croton... |
00:50:28 |
- "Croton-on..." |
00:50:31 |
"Croton-on-Hudson, New York, USA. |
00:50:35 |
"Still no word from you. Stop. |
00:50:41 |
"Louise Bryant. |
00:50:47 |
"Must know, are you well? Stop." |
00:50:51 |
- "Do not..." |
00:50:53 |
"Do not understand |
00:50:59 |
"Louise Bryant. |
00:51:04 |
- "Need..." |
00:51:06 |
"Need word from you. Stop. |
00:51:11 |
"Louise Bryant. Croton-on-Hudson, |
00:51:14 |
- "New York, USA." |
00:51:19 |
Yes. Yes. |
00:51:20 |
And you checked R-E-l-D also? |
00:51:21 |
I have looked R-E-l-D, |
00:51:24 |
R-E-A-D, |
00:51:26 |
R-E-D. |
00:51:31 |
I'm just... Excuse me. One second. |
00:51:34 |
Lf, if... |
00:51:36 |
I thought maybe there's some other way |
00:51:39 |
- You also looked under R-E-l-D? |
00:51:43 |
- Yes, yes. What do you want? |
00:51:48 |
- Excuse me. |
00:51:56 |
What have you heard? |
00:51:58 |
Not much. What have you heard? |
00:52:00 |
I don't hear. I wait. |
00:52:03 |
But they made Bill Shatoff |
00:52:06 |
They treated me very well, |
00:52:10 |
- Well, that's wise. |
00:52:13 |
There are forests within easy reach |
00:52:15 |
Why is this city freezing? |
00:52:17 |
I asked Zinoviev. |
00:52:18 |
He said our enemies have destroyed |
00:52:21 |
and killed off our horses |
00:52:22 |
How would we get at it? |
00:52:23 |
I said, "What about |
00:52:25 |
"They could go there together on foot |
00:52:28 |
He said, "Oh, yes, it would make |
00:52:29 |
"but it would interfere with the carrying |
00:52:32 |
- You get letters from America, E. G? |
00:52:35 |
All opened by the Justice Department. |
00:52:39 |
So I asked him, |
00:52:41 |
He said, |
00:52:44 |
"of the proletarian avant-garde. |
00:52:46 |
"The avant-garde of the revolution, |
00:52:50 |
Anybody mention Louise? |
00:52:53 |
I don't think so. |
00:52:56 |
I've sent her cables, |
00:52:59 |
- For how long? |
00:53:03 |
Wait. |
00:53:04 |
Rhys Williams |
00:53:07 |
He hasn't heard from her, either. |
00:53:09 |
What'd he say? |
00:53:12 |
I think he said |
00:53:15 |
sometime after Christmas, |
00:53:22 |
How long ago was that? |
00:53:24 |
Well, you know how these letters take |
00:53:27 |
By the time I get them, whoever sent it |
00:53:32 |
- That's it. |
00:53:33 |
- There. |
00:53:35 |
Oh. |
00:53:38 |
- First the eyes go, then the legs. |
00:53:41 |
Yeah, I don't understand |
00:53:45 |
I don't know... |
00:53:51 |
He says she seems to be out of town. |
00:53:54 |
That's all he said? |
00:53:57 |
Yeah. |
00:53:59 |
What did he say about O'Neill? |
00:54:01 |
O'Neill? Nothing. |
00:54:03 |
Come on, what did he say? |
00:54:06 |
Nothing. |
00:54:07 |
Can I see it? |
00:54:15 |
I'm sorry. |
00:54:24 |
I just don't know where... |
00:54:30 |
Jack, sit down. |
00:54:44 |
If Louise were to come here, |
00:54:46 |
she'd have to leave |
00:54:49 |
then live in exile with you, |
00:54:52 |
All for the sake of a revolution |
00:54:55 |
Why should she? |
00:54:58 |
You chose the life of a revolutionary. |
00:55:00 |
She didn't. |
00:55:02 |
Your cables only focus the |
00:55:07 |
and the most seditious thing |
00:55:10 |
is being your wife. |
00:55:13 |
Leave her alone. |
00:55:15 |
Let her choose her own future. |
00:55:18 |
Why hasn't she answered me? |
00:55:20 |
I think she has answered you. |
00:57:38 |
He's been released. |
00:58:04 |
Do you know, she was much hated |
00:58:07 |
for her extravagance in clothes. |
00:58:09 |
Well, a long time ago, |
00:58:15 |
"People who... |
00:58:16 |
"Women whose lives |
00:58:19 |
"over a long period |
00:58:23 |
Comrades, as wrong-headed |
00:58:26 |
the IWW is a revolutionary union |
00:58:29 |
and the American Federation of Labor |
00:58:31 |
To think we can infiltrate |
00:58:34 |
and convert it |
00:58:36 |
Translation. |
00:58:40 |
Comrades, that's the wrong translation. |
00:58:51 |
That's not what he said. |
00:58:53 |
What's he saying? |
00:58:55 |
For us to make a point |
00:58:57 |
we have to go |
00:58:59 |
from our own English language |
00:59:01 |
to the Italian, or Spanish, |
00:59:04 |
- And then, when the response from... |
00:59:08 |
Simply for the labor union issue, |
00:59:11 |
could we have the English language |
00:59:13 |
on the floor of the Congress? |
00:59:17 |
Comrade Reed, this is the third time |
00:59:21 |
The issue has been decided. |
00:59:22 |
We must move on |
00:59:29 |
Real revolutionary workers |
00:59:32 |
quit the AF of L a long time ago |
00:59:35 |
and joined the IWW. |
00:59:37 |
We have to make |
00:59:39 |
and that's why we want your support |
00:59:42 |
to extend the session of congress |
00:59:58 |
Jack, are you okay? |
01:00:00 |
- Did you talk to Sadoul? |
01:00:02 |
Comrades, I'm still opposed to closing |
01:00:05 |
I think that this discussion |
01:00:08 |
to avoid hearing the American |
01:00:11 |
And if for no other reason than that, |
01:00:13 |
it shows that discussion |
01:00:16 |
Comrade Radek |
01:00:18 |
in place of an argument and as a result, |
01:00:21 |
What Reed says is not distinguished |
01:00:26 |
He goes on day and night |
01:00:28 |
that the discussion is being broken off |
01:00:30 |
because of fear of the great might |
01:00:49 |
Comrade Reed, you may have time |
01:00:53 |
Other people do not have the time. |
01:00:54 |
Comrade Radek, other people that |
01:00:58 |
are 101 leaders of the IWW |
01:01:01 |
who are in jail today |
01:01:03 |
because of their revolutionary views. |
01:01:05 |
And if we turn our back |
01:01:08 |
out of some pipe dream to radicalize |
01:01:12 |
which cannot be done, it is a disgrace. |
01:01:13 |
We've discussed this |
01:01:16 |
We spent whole day today discussing it, |
01:01:17 |
and you insinuate |
01:01:25 |
We haven't had enough discussion... |
01:01:27 |
We haven't had enough discussion |
01:01:30 |
to realize that Louis Fraina and I |
01:01:33 |
Every American on our delegation, |
01:01:35 |
- every man on the English delegation... |
01:01:38 |
You are not |
01:01:39 |
Comrade Zinoviev, I will not be |
01:01:43 |
that has not had |
01:01:46 |
On the fact... |
01:01:55 |
The discussion is closed. |
01:01:57 |
However, if Comrade Reed |
01:01:59 |
he will have two minutes to do so. |
01:02:02 |
I would merely want to say that |
01:02:06 |
that we will refuse |
01:02:08 |
and that I myself |
01:03:18 |
Jack, I think we have to face it. |
01:03:20 |
The dream that we had |
01:03:23 |
If Bolshevism means |
01:03:25 |
the workers taking the factories, |
01:03:27 |
Russia's one place |
01:03:30 |
You know, I can argue with cops, |
01:03:34 |
I can't deal with a bureaucrat. |
01:03:36 |
You think Zinoviev is nothing worse |
01:03:39 |
The Soviets have no more |
01:03:41 |
The central state has all the power. |
01:03:43 |
All the power |
01:03:45 |
and they are destroying the revolution. |
01:03:47 |
They are destroying any hope |
01:03:50 |
They're putting people like me in jail. |
01:03:53 |
My understanding of revolution |
01:03:55 |
is not a continual extermination |
01:03:58 |
and I want no part of it. |
01:04:01 |
Every single newspaper's |
01:04:03 |
or taken over by the party. |
01:04:05 |
Anyone even vaguely suspected |
01:04:08 |
can be taken out and shot |
01:04:11 |
Is any nightmare justifiable |
01:04:14 |
in the name of defense |
01:04:17 |
The dream may be dying in Russia, |
01:04:19 |
It may take some time. I'm getting out. |
01:04:22 |
You sound like you're a little confused |
01:04:24 |
Up to now, |
01:04:27 |
What did you think |
01:04:28 |
A revolution by consensus |
01:04:30 |
where we all sat down |
01:04:32 |
Nothing works. |
01:04:35 |
Four million people died last year. |
01:04:37 |
Not from fighting a war, |
01:04:38 |
they died from starvation and typhus |
01:04:41 |
that suppresses |
01:04:43 |
where nothing works. |
01:04:44 |
They died because of a |
01:04:46 |
that cut off |
01:04:49 |
and because counter-revolutionaries |
01:04:51 |
and the railroads and the telephones, |
01:04:54 |
the poor, ignorant, |
01:04:57 |
are trying to run things themselves, |
01:05:00 |
but they don't know |
01:05:02 |
Did you really think things would work |
01:05:04 |
Did you really expect |
01:05:06 |
to be anything other than |
01:05:08 |
It's a war, E.G., |
01:05:11 |
with discipline, |
01:05:13 |
or we just give it up. |
01:05:16 |
Those four million people |
01:05:18 |
They died from a system |
01:05:30 |
It's just the beginning, E.G. |
01:05:33 |
It's not happening |
01:05:35 |
It's not happening |
01:05:37 |
but it's happening. |
01:05:43 |
If you walk out on it now, |
01:05:45 |
what's your whole life meant? |
01:05:52 |
Could you tell me if my resignation |
01:05:55 |
- It is. |
01:05:56 |
May I see it? |
01:05:59 |
Thank you. |
01:06:07 |
- Thank you, Comrade Reed. |
01:06:10 |
Now you'll be able to represent |
01:06:12 |
at the forthcoming congress at Baku |
01:06:14 |
to inspire revolution among the peoples |
01:06:17 |
Prepare for a difficult trip. |
01:06:18 |
Our only route |
01:07:01 |
Some of these intellectuals |
01:07:05 |
that he changed his mind afterwards, |
01:07:08 |
trying to, you know, |
01:07:13 |
show that he came to his senses. |
01:07:17 |
It's preposterous. |
01:07:20 |
These men, well, |
01:07:24 |
I don't want to remember them. |
01:10:24 |
All trains to Baku canceled |
01:10:27 |
by counter-revolutionaries. |
01:10:28 |
There must be some train to Baku. |
01:10:31 |
All trains to Baku canceled |
01:10:33 |
because of attacks |
01:10:36 |
There has to be something to Baku. |
01:10:41 |
Louise? |
01:10:46 |
Emma? |
01:10:47 |
Emma. |
01:10:49 |
Emma. |
01:10:53 |
How in the name of God |
01:10:58 |
- I had no idea how long it would take. |
01:11:02 |
By the time you got there, |
01:11:06 |
Go on in. Go on in. |
01:11:07 |
Oh, I'm sorry. |
01:11:09 |
It's all right. It's all right. |
01:11:17 |
Here. Louise, sit down. Sit down. |
01:11:30 |
I want to tell you something. |
01:11:34 |
It's late, I know. |
01:11:40 |
I want to thank you for that scarf. |
01:11:43 |
Oh, yes. |
01:11:46 |
I was wrong about you. |
01:11:49 |
So was I. |
01:11:52 |
The American oil companies |
01:11:55 |
a world monopoly of oil. |
01:11:59 |
In 1898, the Filipinos rebelled against |
01:12:07 |
But after the Spaniards |
01:12:29 |
The Americans have promised |
01:12:32 |
Soon an independent Filipino republic |
01:12:40 |
The government of United States |
01:12:47 |
...under a dictatorship |
01:12:59 |
What's that for? |
01:13:01 |
They are supporting you |
01:13:03 |
of Islamic people against |
01:13:27 |
Excuse me, Comrade Reed. |
01:13:29 |
They said you are not happy |
01:13:31 |
I did the German into Turkic |
01:13:33 |
and Comrade Ossinsky |
01:13:35 |
Russian? |
01:13:38 |
Who turned it into Russian |
01:13:40 |
Well, I don't know. |
01:13:41 |
They were already in Russian |
01:13:43 |
from the office of Comrade Zinoviev. |
01:13:47 |
- I'm sorry for my English. |
01:13:56 |
Zinoviev, did you do |
01:14:00 |
I supervised it. Yes. |
01:14:02 |
I didn't say "holy war." |
01:14:05 |
I took a liberty |
01:14:08 |
Yes, well, I don't allow people |
01:14:12 |
Aren't you propagandist enough |
01:14:15 |
I'm propagandist enough |
01:14:17 |
And who defines this truth? |
01:14:21 |
Is your life dedicated to speaking for... |
01:14:23 |
You don't talk about what |
01:14:25 |
Your life? You haven't resolved |
01:14:27 |
You see yourself as an artist |
01:14:31 |
As a lover to your wife, but also as a |
01:14:33 |
Zinoviev, you don't think |
01:14:35 |
and be true to the collective, |
01:14:37 |
or speak for his own country |
01:14:40 |
or love his wife |
01:14:44 |
you don't have a self to give! |
01:14:45 |
Would you ever be willing |
01:14:47 |
When you separate a man |
01:14:49 |
what you do is purge |
01:14:51 |
And when you purge |
01:14:53 |
- you purge dissent. |
01:14:55 |
And when you purge dissent, |
01:14:58 |
Revolution is dissent! |
01:14:59 |
- Comrade Reed. |
01:15:09 |
Comrade Reed, counter-revolutionaries! |
01:15:12 |
Counter-revolutionaries, |
01:17:49 |
Papa! |
01:17:53 |
Papa! |
01:20:06 |
Don't leave me. |
01:20:10 |
Please don't leave me. |
01:20:27 |
Comrade, the doctor |
01:20:46 |
The doctor thinks |
01:20:49 |
And a picture of his illness |
01:20:52 |
And he wants you to know |
01:20:53 |
that we shall do the best conditions |
01:20:56 |
to prevent possibility |
01:20:58 |
to cause a stroke. |
01:21:15 |
I really... I know... |
01:21:19 |
What? |
01:21:21 |
How are you? |
01:21:27 |
No. |
01:21:29 |
Jack? |
01:21:54 |
You know, I don't... I don't... |
01:22:07 |
You hear it? |
01:22:09 |
- Huh? |
01:22:11 |
The water plays little songs. |
01:22:31 |
It's not December, is it? |
01:22:52 |
My, my, my, my. |
01:23:06 |
God. What a time it was, huh? |
01:23:25 |
- Want to come to New York with me? |
01:23:28 |
I got a taxi waiting. |
01:23:32 |
I wouldn't mind. |
01:23:36 |
What as? |
01:23:39 |
What as? |
01:23:42 |
What as? |
01:23:46 |
Gee, I don't know. |
01:23:56 |
Comrades? |
01:24:03 |
Comrades. |
01:24:10 |
Well, I want to go home. |
01:24:18 |
Yeah. |
01:24:58 |
I'll get you some water. |
01:26:43 |
Oh, God. |
01:28:11 |
It was in the afternoon, |
01:28:13 |
sometime in the fall, I think. |
01:28:16 |
October, I think. |
01:28:19 |
Somebody came to tell me |
01:28:21 |
that Jack Reed died. |
01:28:23 |
You can imagine how... |
01:28:30 |
How I felt. |
01:28:35 |
I'd forgotten all about them. |
01:28:37 |
Were they socialists? |
01:28:41 |
Many of them were idealists. |
01:28:45 |
You know, |
01:28:50 |
I don't know what the outside world |
01:28:54 |
but they were a couple. |
01:28:56 |
I mean, you always spoke |
01:29:02 |
He was just a man in the prime of life. |
01:29:06 |
I don't even know. |
01:29:10 |
They probably didn't have any children, |
01:29:13 |
he and Louise. |
01:29:17 |
Again, you can't tell, |
01:29:21 |
whether they will carry on |
01:29:28 |
Why did he do it? |
01:29:31 |
Well, it's impossible to say |
01:29:34 |
why Edison invented, |
01:29:35 |
or why Galli-Curci sang... |
01:29:39 |
He was definitely a stirrer-up of people. |
01:29:44 |
That was his field. |
01:29:47 |
That's what he came to do, apparently. |
01:29:51 |
He's well-known amongst a few, |
01:29:56 |
They don't know who in heck he is. |
01:30:00 |
I look for myself to die any day. |
01:30:09 |
He was asked by Lenin, |
01:30:12 |
He said, "Yes." |
01:30:13 |
And Lenin said, |
01:30:17 |
And Reed said, "Yes." |
01:30:21 |
Of course, |
01:30:26 |
Everybody wants to live. |
01:30:31 |
I don't remember his exact words, |
01:30:34 |
but the meaning was |
01:30:37 |
that grand things are ahead, |
01:30:43 |
worth living and worth dying for. |
01:30:48 |
He himself said that. |