|
Rendezvous
|
| 00:01:26 |
FEUER... EINS! |
| 00:01:48 |
HERE, GENTLEMEN, |
| 00:01:50 |
IS WHERE THE ADELIA |
| 00:01:53 |
YOU SEE, SHE WAS WELL INTO |
| 00:01:58 |
OUR PROPOSED CONVOY SYSTEM |
| 00:02:02 |
BRITISH DESTROYERS WILL MEET YOUR |
| 00:02:07 |
AND CONVOY THEM |
| 00:02:10 |
NEITHER THE SHIP AT SEA NOR THE BRITISH |
| 00:02:15 |
WHEN AND WHERE TO MEET. |
| 00:02:17 |
EVERYTHING DEPENDS UPON THE |
| 00:02:20 |
IT WILL BE SENT |
| 00:02:24 |
BUT OUR CODES |
| 00:02:27 |
WELL, IT'S THE HOPE OF EVERY MILITARY |
| 00:02:31 |
I'VE HAD 3 YEARS' EXPERIENCE ON |
| 00:02:35 |
ALL THAT EXPERIENCE HAS GONE INTO THE |
| 00:02:40 |
WHAT IF WE SEND A MUNITIONS |
| 00:02:43 |
BEFORE WE SEND |
| 00:02:44 |
WHAT DO YOU HOPE |
| 00:02:46 |
A TEST OF |
| 00:02:48 |
IF THE MUNITIONS SHIP GETS |
| 00:02:50 |
OUR TROOPSHIPS |
| 00:02:54 |
IT'S GREEK TO ME. |
| 00:02:56 |
LET'S HOPE IT'LL BE GREEK TO THE ENEMY. |
| 00:03:31 |
WAS IST DAS? |
| 00:03:34 |
THE NEW CODE. |
| 00:03:35 |
HMM. |
| 00:03:59 |
HELLO, |
| 00:04:01 |
MR. GORDON! I HAD |
| 00:04:03 |
ANYWHERE BUT 6,000 MILES |
| 00:04:06 |
MAKING TROUBLE FOR DIPLOMATS |
| 00:04:09 |
EXACTLY. |
| 00:04:11 |
YOU GAVE ME MANY |
| 00:04:13 |
WHAT NOW? HAS YOUR PAPER |
| 00:04:16 |
OH, I'M NO LONGER A |
| 00:04:19 |
WELL! THAT'LL BE GOOD |
| 00:04:21 |
ESPECIALLY |
| 00:04:23 |
SINCE BY WAY OF ENCOURAGING THE ENEMY, |
| 00:04:25 |
I'VE JUST BEEN COMMISSIONED A LIEUTENANT |
| 00:04:27 |
IN THE |
| 00:04:28 |
AH. NOW YOU MAKE ME FEEL |
| 00:04:31 |
YOU'LL FIND OUT WHAT THEY INTEND TO |
| 00:04:35 |
OH, I'M AFRAID YOUR IMAGINATION'S |
| 00:04:38 |
YOUR FIRST FAILURE |
| 00:04:40 |
OH, YOUR EXCELLENCY! |
| 00:04:41 |
THANK YOU VERY MUCH. |
| 00:04:43 |
PAPA GREGORY? |
| 00:04:44 |
HMM? JOEL, MY DEAR! |
| 00:04:46 |
HELLO, DARLING. |
| 00:04:47 |
I WANT YOU TO DO |
| 00:04:49 |
HMM? OH, SO IT |
| 00:04:51 |
WHAT DO YOU WANT ME TO DO, |
| 00:04:53 |
OH, YOU DON'T |
| 00:04:54 |
I DO NOT. YOU RULE |
| 00:04:56 |
AND YET YOU'RE |
| 00:04:58 |
YOU WANT IT |
| 00:04:59 |
NOW, |
| 00:05:01 |
ALL I WANT YOU |
| 00:05:02 |
IS TO POINT OUT BORIS STRONSKOFF FOR ME. |
| 00:05:04 |
BORIS STRONSKOFF? HE |
| 00:05:06 |
OH, THERE HE IS NOW |
| 00:05:09 |
I HAVE A BRILLIANT IDEA FOR |
| 00:05:12 |
I'M GOING TO ASK HIM |
| 00:05:18 |
I BEG YOUR PARDON, |
| 00:05:20 |
OH, MONSIEUR STRONSKOFF, |
| 00:05:23 |
I'M JOEL CARTER. |
| 00:05:27 |
AH. |
| 00:05:35 |
I CAN SEE THAT YOU'RE |
| 00:05:39 |
IN RUSSIA, WE HOLD |
| 00:05:42 |
YES. YES, OF COURSE, |
| 00:05:45 |
I JUST WANTED TO ASK IF YOU'D |
| 00:05:47 |
IT'S FOR CHARITY, |
| 00:05:48 |
YOU SAID SING? |
| 00:05:50 |
JUST A FEW SELECTIONS, |
| 00:05:52 |
IT'S FOR THE RUSSO-AMERICAN |
| 00:05:54 |
AHA. WHY DO ALL |
| 00:05:58 |
WH- |
| 00:05:59 |
OF COURSE, |
| 00:06:01 |
YOUR MEN HERE, |
| 00:06:04 |
THEY ARE NOTHING. |
| 00:06:05 |
I- I DON'T THINK |
| 00:06:07 |
IT'S JUST THAT I WANTED YOU |
| 00:06:09 |
AH, YES, I UNDERSTAND. |
| 00:06:10 |
THESE MEN HERE, THEY... |
| 00:06:14 |
BUT THIS WEEK, I HAVE |
| 00:06:18 |
MY TIME IS, UH, |
| 00:06:21 |
BUT NEXT WEEK... |
| 00:06:23 |
OH, EXCUSE ME, PLEASE. |
| 00:06:35 |
PAPA GREGORY? |
| 00:06:36 |
HMM? |
| 00:06:37 |
HE'S GONE CRAZY. |
| 00:06:38 |
WHO'S GONE CRAZY? |
| 00:06:40 |
BORIS STRONSKOFF. |
| 00:06:41 |
AND HE DIDN'T MAKE |
| 00:06:43 |
YOU TALKED TO HIM? |
| 00:06:44 |
YES. |
| 00:06:46 |
HA HA! ALLOW ME. |
| 00:06:47 |
MISS CARTER, |
| 00:06:49 |
MADAME. |
| 00:06:50 |
HOW DO YOU DO? |
| 00:06:51 |
THEN WHO IS |
| 00:06:53 |
HO HO HO! IS THAT THE MAN YOU TALKED TO? |
| 00:06:56 |
YES. I ASKED HIM |
| 00:06:58 |
SING? THAT'S |
| 00:06:59 |
HE WAS HEAD OF THE A.P. |
| 00:07:02 |
JUST COME HOME |
| 00:07:04 |
HE BELONGS IN FRONT OF A |
| 00:07:06 |
OH, NO. HE'S NOT |
| 00:07:08 |
STILL, HE DID MAKE A RATHER |
| 00:07:12 |
ME, TOO. |
| 00:07:14 |
OH, JOEL, WILL YOU |
| 00:07:16 |
WHY, OF COURSE. |
| 00:07:17 |
COME ALONG, DARLING, |
| 00:07:19 |
GOOD-BYE, PAPA GREGORY. I'M |
| 00:07:22 |
I'VE GOT THE VERY PERSON. SPLENDID. |
| 00:07:25 |
ATTENTION, EVERYONE. |
| 00:07:26 |
THIS IS SOMETHING |
| 00:07:28 |
I'M GOING TO SELL THIS DOLL |
| 00:07:31 |
WHOEVER BUYS IT WILL BE KISSED |
| 00:07:34 |
OH, NO! I COULDN'T! |
| 00:07:36 |
YES, YOU ARE. |
| 00:07:38 |
OH, NO, REALLY, |
| 00:07:40 |
MY DEAR, |
| 00:07:41 |
COME ALONG, NOW. WHAT AM I BID? |
| 00:07:44 |
ONE DOLLAR! |
| 00:07:45 |
TWO DOLLARS! |
| 00:07:48 |
$3.00. |
| 00:07:49 |
$4.00! |
| 00:07:51 |
$5.00! |
| 00:07:52 |
$5.00. |
| 00:07:53 |
WHO'LL PAY 6? $6.00? |
| 00:07:55 |
$10. |
| 00:07:56 |
WHY, I WOULDN'T JEOPARDIZE |
| 00:08:00 |
DO I HEAR 11? |
| 00:08:01 |
$10. |
| 00:08:02 |
DO I HEAR 11? |
| 00:08:04 |
GOING... GOING... |
| 00:08:06 |
$11. |
| 00:08:08 |
THAT'S BETTER. |
| 00:08:10 |
REMEMBER, GENTLEMEN, YOU |
| 00:08:13 |
TO KISS |
| 00:08:14 |
$15! |
| 00:08:16 |
$15. THANKS. THERE'S A |
| 00:08:19 |
$16. |
| 00:08:21 |
$16. $16. |
| 00:08:24 |
$20. |
| 00:08:25 |
WHY, YOU PAY THAT MUCH |
| 00:08:27 |
AND YOU'RE BIDDING ON A KISS |
| 00:08:30 |
$21. |
| 00:08:31 |
$21. $21. |
| 00:08:33 |
$25. |
| 00:08:35 |
WHO'S GOING TO |
| 00:08:37 |
$26. |
| 00:08:39 |
$30! |
| 00:08:41 |
$30. DO I HEAR 31? |
| 00:08:43 |
DO I HEAR $31? |
| 00:08:45 |
DO I HEAR $30.50? |
| 00:08:49 |
DO I HEAR $30.25? |
| 00:08:53 |
COME, COME, GENTLEMEN. |
| 00:08:55 |
GOING AT $30. |
| 00:08:56 |
GOING... GOING... |
| 00:08:59 |
GONE TO THE GENTLEMAN |
| 00:09:15 |
I SUPPOSE YOU THOUGHT |
| 00:09:18 |
I HAVE CHANGED MY MIND. |
| 00:09:20 |
I WILL SING FOR YOU. |
| 00:09:25 |
MISS JOEL CARTER, |
| 00:09:27 |
CAPTAIN NIETERSTEIN. |
| 00:09:29 |
I WAS WONDERING IF YOU WERE |
| 00:09:31 |
OH, NIKKI, |
| 00:09:33 |
I LEAVE IT TO YOU |
| 00:09:35 |
TWO BROKEN |
| 00:09:37 |
NIKKI, NIKKI, |
| 00:09:38 |
I'LL TELL YOU |
| 00:09:40 |
THE FIRST FREE |
| 00:09:41 |
I'LL PHONE YOU, AND |
| 00:09:42 |
AND I'LL BE THERE |
| 00:09:44 |
MAY I CONSIDER THIS |
| 00:09:46 |
YOU MAY. |
| 00:09:48 |
I SHALL LIVE NEAR |
| 00:09:50 |
OH, THANK YOU. |
| 00:09:51 |
AND NOW, |
| 00:09:53 |
I HAVE SOMETHING IMPORTANT TO |
| 00:09:55 |
OF COURSE. |
| 00:11:19 |
LONG DISTANCE, PLEASE. |
| 00:11:24 |
DR. R.A. JACKSON |
| 00:11:27 |
REVERSE THE CHARGES. |
| 00:11:28 |
YES, THAT'S RIGHT. |
| 00:11:31 |
DR. JACKSON |
| 00:11:33 |
LONG DISTANCE. |
| 00:11:34 |
WASHINGTON, D.C., CALLING DR. |
| 00:11:38 |
CHICAGO. ONE MOMENT. |
| 00:11:40 |
LOS ANGELES. HOLD THE WIRE, PLEASE. |
| 00:11:41 |
WASHINGTON, D.C., |
| 00:11:45 |
DR. JACKSON? |
| 00:11:47 |
YES, THIS IS |
| 00:11:49 |
HOW ARE YOU, |
| 00:11:51 |
HOW'S THE |
| 00:11:52 |
THE MARKET IS |
| 00:11:55 |
I THINK, ESPECIALLY |
| 00:11:58 |
MY AGENT, THEREFORE, ADVISED ME |
| 00:12:02 |
1,900 SHARES AT 40 |
| 00:12:04 |
AND TO BUY NORTH AMERICAN, |
| 00:12:09 |
I RECOMMEND YOU LET |
| 00:12:13 |
AND DO NOT CHANGE, AS YOUR PROFITS |
| 00:12:17 |
THANKS A LOT. I KNOW YOU'LL |
| 00:12:20 |
WHEN WILL YOU PHONE |
| 00:12:23 |
TOMORROW AT 3:00. |
| 00:12:26 |
VERY GOOD, |
| 00:12:27 |
GOOD-BYE, |
| 00:12:32 |
S.S. DEPENDABLE. |
| 00:12:34 |
MUNITIONS. |
| 00:12:36 |
LONGITUDE |
| 00:12:40 |
LATITUDE |
| 00:12:44 |
TOMORROW |
| 00:12:47 |
BUT HE SAYS TO LET IT GO THROUGH- |
| 00:12:50 |
LET IT GO THROUGH |
| 00:12:53 |
WILL BE MUCH |
| 00:12:55 |
LET IT GO THROUGH? |
| 00:12:58 |
A SHIP FULL OF AMMUNITION TO |
| 00:13:03 |
BRING ME |
| 00:13:12 |
NIETERSTEIN IS |
| 00:13:14 |
BUT I THINK HE'S INSANE, IF |
| 00:13:18 |
BUT YOU'RE NOT |
| 00:13:21 |
AND NIETERSTEIN |
| 00:13:23 |
BECAUSE HE HAS THE INSANITY |
| 00:13:29 |
CAN'T YOU SEE |
| 00:13:31 |
WE LET THIS SHIP THROUGH, |
| 00:13:34 |
AND WHEN THE FIRST |
| 00:13:37 |
WHAT A ROMAN HOLIDAY |
| 00:13:44 |
BUENOS DIAS, SENOR. |
| 00:13:48 |
PASE USTED, DOCTOR. |
| 00:13:49 |
GRACIAS, SENOR. |
| 00:14:05 |
HOW'S YOUR HUSBAND? |
| 00:14:06 |
HE IS RESTING, DOCTOR. |
| 00:14:07 |
I WON'T DISTURB HIM. |
| 00:14:10 |
HERE. GIVE HIM |
| 00:14:13 |
GRACIAS, DOCTOR. |
| 00:14:53 |
VAMANOS. |
| 00:15:08 |
ACHTUNG! |
| 00:15:28 |
THANKS TO YOU, MAJOR |
| 00:15:30 |
OUR TEST SHIP |
| 00:15:31 |
I WAS SURE |
| 00:15:33 |
WE'LL USE THE SAME |
| 00:15:34 |
TO GET OUR |
| 00:15:36 |
A MILLION OF OUR MEN MUST BE |
| 00:16:12 |
ISN'T IT AWFUL |
| 00:16:14 |
AND YOU HAVE TO TELL THEM ABOUT THE |
| 00:16:17 |
HA HA! ANY, UH, |
| 00:16:30 |
YOU AIN'T GOT |
| 00:16:31 |
CLEAR THE STREET. |
| 00:16:33 |
GIVE ME MY SIGN! |
| 00:16:34 |
GIVE ME THAT BANNER! |
| 00:16:37 |
LET ME ALONE! |
| 00:16:39 |
HEY, BUDDY, |
| 00:16:41 |
NOW, WAIT A MINUTE. |
| 00:16:46 |
YOU'RE RESISTING |
| 00:16:50 |
OFFICER? |
| 00:16:51 |
WHAT? |
| 00:16:52 |
OHH! |
| 00:17:07 |
WHY-WELL, |
| 00:17:09 |
WELL, WHAT DO |
| 00:17:12 |
HOW AM I DOING? |
| 00:17:13 |
WELL, LOOK. |
| 00:17:14 |
THAT'S A-FINE. |
| 00:17:16 |
NOBODY SHE'S A-KNOW |
| 00:17:27 |
WELL, THIS IS |
| 00:17:29 |
AH, COME ON. |
| 00:17:31 |
I KNOW A PLACE WHERE THEY'VE GOT |
| 00:17:33 |
OH, NO. |
| 00:17:35 |
THIS IS THE THIRD TIME |
| 00:17:36 |
NOW I'VE REALLY GOT TO |
| 00:17:38 |
SEE? SEE, THERE IT IS |
| 00:17:41 |
WHERE? LET ME HAVE |
| 00:17:48 |
THAT'S A CINCH. |
| 00:17:50 |
OH, NO, YOU DON'T. |
| 00:17:51 |
BUT ALL I'VE GOT TO DO |
| 00:17:52 |
NO. I AM LUNCHING |
| 00:17:54 |
I BET YOU HAVE TO |
| 00:17:56 |
NOW, THESE HAMBURGERS ARE THE |
| 00:17:58 |
SORRY. GOOD-BYE. |
| 00:17:59 |
YOU WON'T CHANGE |
| 00:18:01 |
UH-UH. |
| 00:18:03 |
WELL, THANKS FOR |
| 00:18:06 |
SAME TO YOU. |
| 00:18:07 |
I NEVER GOT A SHINER |
| 00:18:09 |
THE PLEASURE WAS MUTUAL. |
| 00:18:11 |
I BET I NEVER GET A CHANCE TO |
| 00:18:13 |
THERE ISN'T ONE LEFT |
| 00:18:15 |
DO YOU REALLY THINK SO? |
| 00:18:19 |
NOW, TODAY WE HAVE WITH US |
| 00:18:22 |
WHO WILL PERSONALLY KISS |
| 00:18:28 |
NOW, THAT'S PRETTY HIGH PAY FOR |
| 00:18:31 |
COME ON UP, FELLAS. |
| 00:18:33 |
I'VE BEEN CHEATED. |
| 00:18:34 |
I ENLISTED, AND |
| 00:18:36 |
YOU'D BETTER HURRY. |
| 00:18:39 |
YOU DON'T THINK I WAS |
| 00:18:42 |
OH, NO, NO. |
| 00:18:44 |
YOU THINK YOU MIGHT |
| 00:18:46 |
MIGHT WHAT? |
| 00:18:47 |
GIVE THE MATTER |
| 00:18:49 |
WELL, UH, WHAT TIME |
| 00:18:51 |
OH, UH... IN ABOUT, |
| 00:18:56 |
REALLY? SO SOON? |
| 00:18:57 |
MM-HMM. |
| 00:18:59 |
OH. WELL, I DON'T MIND GOING |
| 00:19:02 |
GOOD. |
| 00:19:03 |
I DON'T THINK CAPTAIN |
| 00:19:05 |
NO, OF COURSE HE WON'T. |
| 00:19:06 |
HE'S NOT A BAD CHAP. |
| 00:19:08 |
I DON'T KNOW WHY I TREAT HIM THIS WAY. |
| 00:19:19 |
ALL ABOARD! |
| 00:19:26 |
YOU'LL TAKE CARE OF YOURSELF, WON'T YOU? |
| 00:19:28 |
OH, SURE. |
| 00:19:30 |
MM-HMM. |
| 00:19:34 |
OH, YOUR TRAIN |
| 00:19:36 |
OH, YOUR TRAIN |
| 00:19:39 |
WELL, A TRAIN IS GONE. |
| 00:19:40 |
WHAT? |
| 00:19:41 |
MY TRAIN DOESN'T LEAVE |
| 00:19:44 |
WHY, YOU TOLD ME |
| 00:19:46 |
WHY, YOU'VE TAKEN |
| 00:19:48 |
YES. |
| 00:19:49 |
WELL! |
| 00:19:57 |
I MUST SAY YOU DO |
| 00:20:00 |
LUNCHEON, TEA, DINNER... |
| 00:20:02 |
NOW, WHAT MORE |
| 00:20:03 |
I'M WHAT'S KNOWN AS |
| 00:20:05 |
HA HA HA! |
| 00:20:07 |
WELL, THIS IS |
| 00:20:10 |
I'M HOME NOW. |
| 00:20:13 |
ALREADY? |
| 00:20:15 |
NOW, WE'VE BEEN |
| 00:20:17 |
I'LL TELL YOU WHAT. |
| 00:20:18 |
LET'S WALK JUST ONCE AROUND |
| 00:20:21 |
WE'LL END UP HERE |
| 00:20:23 |
I'M AFRAID YOU MIGHT |
| 00:20:25 |
I WISH THAT TRAIN DIDN'T LEAVE |
| 00:20:28 |
WHY DON'T-WHY COULDN'T YOU GET |
| 00:20:32 |
LOTS OF PEOPLE |
| 00:20:34 |
OH, NOT FOR ME. THAT'S JUST THE TROUBLE. |
| 00:20:36 |
TROUBLE? |
| 00:20:37 |
YOU SEE, YEARS AGO OUT IN THE |
| 00:20:41 |
I ENTERTAINED MYSELF |
| 00:20:43 |
REALLY? |
| 00:20:44 |
OH, NOT THE KIND |
| 00:20:46 |
THIS WAS A BOOK |
| 00:20:48 |
IT WAS CALLED HOW TO |
| 00:20:51 |
HOW DO YOU LIKE THAT |
| 00:20:52 |
HA HA! A LOVE STORY, EH? |
| 00:20:54 |
HA HA HA! |
| 00:20:55 |
WELL, I DIDN'T WANT |
| 00:20:57 |
THAT I WAS WASTING |
| 00:20:59 |
SO I HAD THE BOOK PUBLISHED |
| 00:21:01 |
ANSON MERIDAN. |
| 00:21:04 |
THAT'S ME. |
| 00:21:05 |
HA HA HA! WELL? |
| 00:21:07 |
WELL, |
| 00:21:09 |
THE WAR DEPARTMENT'S BEEN |
| 00:21:11 |
TRYING TO FIND ME, |
| 00:21:13 |
OH. YOU MEAN |
| 00:21:15 |
THEY'D KEEP YOU |
| 00:21:17 |
THEY WOULD, |
| 00:21:19 |
BECAUSE I'M GOING TO DO |
| 00:21:22 |
NOT BEHIND A DESK. |
| 00:21:23 |
OH, I DON'T BLAME YOU AT ALL. |
| 00:21:26 |
YOU DO? |
| 00:21:28 |
UH-HUH. |
| 00:21:29 |
HA HA HA! |
| 00:21:32 |
YOU KNOW, UH, I'VE |
| 00:21:35 |
I WISH THAT TRAIN DIDN'T |
| 00:21:38 |
TWO DAYS... LIKE THIS ONE? |
| 00:21:41 |
EXACTLY LIKE THIS, |
| 00:21:44 |
ONLY WHAT? |
| 00:21:48 |
I WONDER IF THERE REALLY IS |
| 00:21:51 |
OH, BILL, DON'T GO. |
| 00:21:56 |
MY DARLING... |
| 00:22:00 |
HOW DO YOU SUPPOSE I EVER |
| 00:22:03 |
DO CALL ME THAT, PLEASE. |
| 00:22:05 |
SAY IT AGAIN. |
| 00:22:09 |
DARLING. |
| 00:22:11 |
MMM. |
| 00:22:12 |
HOW'S THAT? |
| 00:22:13 |
OH. OH, BILL. |
| 00:22:23 |
LIEUTENANT GORDON? |
| 00:22:24 |
YES? |
| 00:22:25 |
MAJOR SLOAN'S |
| 00:22:27 |
THE MAJOR INSTRUCTS |
| 00:22:28 |
THAT HE'S BEEN TRANSFERRED |
| 00:22:30 |
AND TO REPORT |
| 00:22:33 |
WHAT ARE YOU TALKING ABOUT? |
| 00:22:35 |
I'M NOT GOING TO SIT BEHIND |
| 00:22:37 |
I'M GOING TO FRANCE! |
| 00:22:39 |
SORRY, SIR. |
| 00:22:40 |
WELL, WHAT THE- |
| 00:22:43 |
SAY, WHAT KIND |
| 00:23:09 |
ANYTHING WRONG, |
| 00:23:11 |
WRONG? |
| 00:23:13 |
LESS THAN AN HOUR AGO, I, |
| 00:23:17 |
OF THE UNITED STATES, |
| 00:23:20 |
WHEN ALL OF A SUDDEN |
| 00:23:22 |
THREATENED WITH ARREST, |
| 00:23:24 |
TO FACE AN ENDLESS LINE |
| 00:23:27 |
WHAT'S THIS COUNTRY |
| 00:23:29 |
WILL YOU JOIN ME IN PROTEST |
| 00:23:33 |
INCOMPETENT BUREAUCRATIC ADMINISTRATION |
| 00:23:36 |
WHY, I'D BE DELIGHTED, |
| 00:23:38 |
GORDON. |
| 00:23:40 |
LATE OF THE 73rd, NOW |
| 00:23:44 |
SUPPOSE WE MAKE |
| 00:23:46 |
ATTABOY! |
| 00:23:47 |
HEY, TOGETHER, YOU AND I |
| 00:23:51 |
WON'T YOU COME IN, |
| 00:24:06 |
I'M ASSISTANT |
| 00:24:12 |
THAT'S ALL RIGHT, |
| 00:24:13 |
WE ALWAYS LIKE |
| 00:24:16 |
AT LEAST, I DO. |
| 00:24:18 |
WILL YOU HAVE A CIGAR? |
| 00:24:23 |
YOU MIND IF I SMOKE? |
| 00:24:29 |
NOW FOR THE PROTEST |
| 00:24:34 |
WELL... |
| 00:24:35 |
MR. SECRETARY, |
| 00:24:38 |
I'M ON MY WAY |
| 00:24:40 |
I BREAK A BEAUTIFUL GIRL'S |
| 00:24:42 |
BANDS PLAYING, |
| 00:24:44 |
BAYONETS GLEAMING IN THE |
| 00:24:46 |
I'M DRAGGED HERE |
| 00:24:49 |
PENCILS, ERASERS, |
| 00:24:51 |
DOES THAT MAKE SENSE? |
| 00:24:53 |
CAN'T FIGURE |
| 00:24:54 |
NO, SIR. IT CERTAINLY IS A PUZZLE TO ME. |
| 00:24:56 |
WELL, LET'S TAKE |
| 00:24:57 |
SUPPOSE YOU WERE IN |
| 00:24:59 |
AND YOU'D BEEN HUNTING HIGH AND |
| 00:25:02 |
A FELLOW WITH THE NOM DE |
| 00:25:05 |
A FELLOW YOU THOUGHT |
| 00:25:08 |
AM I BORING YOU? |
| 00:25:10 |
THEN SUPPOSE |
| 00:25:12 |
HE'D BEEN COMMISSIONED UNDER |
| 00:25:14 |
SOME OTHER BRANCH THAT DIDN'T |
| 00:25:17 |
AND THAT HE WAS LEAVING FOR AN |
| 00:25:19 |
WHAT WOULD YOU DO? |
| 00:25:22 |
EXACTLY. |
| 00:25:25 |
TAKE LIEUTENANT GORDON TO MAJOR BRENNAN. |
| 00:25:27 |
WOULD I BE |
| 00:25:30 |
IF I ASKED |
| 00:25:32 |
YOU HAVE YOUR |
| 00:25:35 |
YES, SIR. |
| 00:25:37 |
SHALL I-SHALL I ANNOUNCE |
| 00:25:44 |
CARTER... |
| 00:25:50 |
SO YOU GOT ME |
| 00:25:53 |
NOW, PLEASE. |
| 00:25:55 |
YOU CAN DO JUST |
| 00:25:57 |
AS YOU CAN |
| 00:25:58 |
AND I THOUGHT |
| 00:25:59 |
YOU THOUGHT! WHO ASKED YOU TO THINK? |
| 00:26:01 |
WHAT BUSINESS |
| 00:26:02 |
WHAT'S ALL |
| 00:26:03 |
HONOR AND TRADITIONS |
| 00:26:05 |
NOTHING IS |
| 00:26:06 |
WHAT WILL MY CHILDREN |
| 00:26:08 |
WHO FOUGHT FROM |
| 00:26:09 |
CHILDREN? |
| 00:26:10 |
IT'S PURELY HYPOTHETICAL, UNCLE STEVIE. |
| 00:26:11 |
MY DEAR NIECE TO THE |
| 00:26:14 |
LIEUTENANT GORDON, WILL |
| 00:26:16 |
OR MUST I ARRANGE |
| 00:26:19 |
I'LL GO, SIR. |
| 00:26:21 |
MAYBE THIS'LL TEACH |
| 00:26:22 |
NOT TO LET MYSELF GET |
| 00:26:43 |
THANK YOU. |
| 00:26:48 |
I WAS ORDERED TO REPORT |
| 00:26:51 |
OH, YES. |
| 00:26:56 |
I'M LIEUTENANT |
| 00:27:00 |
OH, YES, |
| 00:27:02 |
DELIGHTED |
| 00:27:03 |
I'VE ADMIRED |
| 00:27:05 |
THANK YOU. |
| 00:27:06 |
LET ME SEE, |
| 00:27:09 |
OH, ROBERTS... |
| 00:27:10 |
WHAT WAS THE NAME |
| 00:27:13 |
HOW TO ENCIPHER AND |
| 00:27:15 |
THANK YOU, |
| 00:27:16 |
I NEVER CAN REMEMBER |
| 00:27:18 |
ROBERTS HAS BEEN REMEMBERING |
| 00:27:21 |
YOU DID WRITE |
| 00:27:22 |
YES, SIR. |
| 00:27:25 |
I BOUGHT 3 OF THEM. |
| 00:27:26 |
WELL, YOU'RE VERY MODEST, LIEUTENANT. |
| 00:27:27 |
THE BOOK IS |
| 00:27:29 |
AMONG STUDENTS |
| 00:27:31 |
DO YOU KNOW |
| 00:27:37 |
WIRELESS INTERCEPT. |
| 00:27:40 |
WELL, I SUPPOSE IT'S AN |
| 00:27:42 |
THAT YOUR OPERATORS |
| 00:27:44 |
EXACTLY. |
| 00:27:45 |
WE KNOW THEY |
| 00:27:47 |
SOME POWERFUL SENDING |
| 00:27:49 |
AND WE SUSPECT THEY CONTAIN |
| 00:27:52 |
BY ENEMY |
| 00:27:53 |
NOW, THE MEXICAN |
| 00:27:56 |
TRIED TO LOCATE |
| 00:27:58 |
BUT SO FAR, |
| 00:27:59 |
WE CAN'T READ THESE. |
| 00:28:01 |
DO YOU THINK |
| 00:28:03 |
I THINK SO. |
| 00:28:06 |
NO, SIR. |
| 00:28:08 |
BECAUSE IT'S AN "I LOSE |
| 00:28:10 |
HA HA! I DON'T |
| 00:28:12 |
IF I DECIPHER THEM, I'LL |
| 00:28:14 |
A PERMANENT BERTH |
| 00:28:16 |
BUT THIS IS |
| 00:28:17 |
YOU'VE GOT TO DO |
| 00:28:18 |
I WAS BROUGHT HERE |
| 00:28:20 |
BUT I CAN'T BE MADE TO |
| 00:28:23 |
YES, I KNOW |
| 00:28:24 |
THANK YOU. |
| 00:28:26 |
IF YOU SUCCEED IN |
| 00:28:28 |
I MIGHT BE ABLE TO ARRANGE |
| 00:28:30 |
AT THE ENEMY |
| 00:28:32 |
IS THAT A PROMISE, |
| 00:28:35 |
THAT'S ALL, |
| 00:28:36 |
REPORT TO MR. GARDNER |
| 00:28:39 |
YES, SIR. |
| 00:28:51 |
P-N- |
| 00:28:55 |
O- Q-R-R- |
| 00:29:00 |
F- T-N-O. |
| 00:29:06 |
YES? YES, |
| 00:29:10 |
WELL, TRY THE SECONDHAND BOOKSTORES. |
| 00:29:11 |
WE'VE GOT |
| 00:29:12 |
OF ALL THEIR SHORTHAND SYSTEMS! |
| 00:29:14 |
I DON'T CARE! |
| 00:29:17 |
SAY, I BEG |
| 00:29:18 |
DON'T INTERRUPT. I TOLD |
| 00:29:20 |
R- N-P... |
| 00:29:23 |
NEW INTERCEPT, SIR. |
| 00:29:24 |
O- T-O-T-L- |
| 00:29:29 |
DON'T TOUCH ANYTHING |
| 00:29:31 |
OH, YOU'RE |
| 00:29:32 |
THERE'S A DESK |
| 00:29:33 |
JUST SIT DOWN. I'LL BE |
| 00:29:34 |
L- F-R-O-N-O-Z- |
| 00:29:41 |
GOOD EVENING, |
| 00:29:44 |
GOOD EVENING. |
| 00:29:47 |
I HOPE YOU LIKE YOUR DESK, LIEUTENANT. |
| 00:29:52 |
TABULATE THEM INTO LETTER GROUPS |
| 00:29:55 |
NOW, THIS IS |
| 00:29:57 |
SOUNDS VERY COMPLICATED, |
| 00:29:59 |
ENABLES US TO FIND HOW OFTEN |
| 00:30:02 |
THIS IS A REGULAR |
| 00:30:05 |
NOW, WHAT I WANT YOU |
| 00:30:07 |
NEXT TO EACH LETTER EVERY TIME |
| 00:30:10 |
IT'S THE FIRST STEP |
| 00:30:12 |
EXACTLY WHAT |
| 00:30:14 |
TAKE YOUR TIME. AND BE |
| 00:30:17 |
ACCURACY IS THE FIRST |
| 00:30:20 |
IT DIDN'T WORK, |
| 00:30:21 |
WELL, IT MAY WORK |
| 00:30:24 |
TABULATE THE NUMBER OF LETTERS |
| 00:30:26 |
EITHER WE'LL FIND A COMMON |
| 00:30:29 |
PERSONALLY, I THINK |
| 00:30:35 |
DOES EVERYBODY AROUND |
| 00:30:38 |
WE DO DURING |
| 00:30:41 |
WHEN THE ENEMY HAS |
| 00:30:43 |
THEY FILL THE AIR |
| 00:30:46 |
TO COVER UP |
| 00:30:47 |
SO, THEN WE KNOW THAT |
| 00:30:50 |
BUT WE DON'T |
| 00:30:52 |
SO, THE ARMY HECKLES THE |
| 00:30:57 |
THE INTELLIGENCE |
| 00:31:00 |
WE HAVEN'T GOT |
| 00:31:03 |
SO, WE HECKLE |
| 00:31:06 |
YOU MIND TELLING ME HOW LONG |
| 00:31:10 |
6 MONTHS. |
| 00:31:11 |
6 MONTHS! |
| 00:31:13 |
IT TAKES 3 MONTHS TO GET |
| 00:31:18 |
I CUT MY EYETEETH |
| 00:31:21 |
THAT INTERCEPT CAME |
| 00:31:22 |
WE CAN PRESUME IT'S EITHER IN |
| 00:31:25 |
IT OBVIOUSLY |
| 00:31:26 |
BECAUSE "E" IS THE MOST |
| 00:31:29 |
AND YOU'VE GOT |
| 00:31:32 |
IT CAN'T BE GERMAN BECAUSE |
| 00:31:34 |
AND THERE ARE |
| 00:31:37 |
IT CAN'T BE SPANISH |
| 00:31:39 |
"Q" IS ALWAYS |
| 00:31:41 |
AND YOU'VE GOT |
| 00:31:46 |
WHAT DID YOU SAY |
| 00:31:48 |
GORDON. |
| 00:31:50 |
WHY DIDN'T |
| 00:31:51 |
GLAD TO HAVE YOU. |
| 00:31:53 |
I HOPE YOU'VE GOT |
| 00:31:55 |
WHY? |
| 00:31:56 |
HAVE A CHAIR. |
| 00:31:57 |
SIT DOWN, LIEUTENANT GORDON. SIT DOWN. |
| 00:31:58 |
NO, THANK YOU. I'VE |
| 00:31:59 |
I'M IN A HURRY |
| 00:32:01 |
CAN I BORROW THAT? |
| 00:32:02 |
GARDNER, HAVEN'T |
| 00:32:05 |
GO HOME |
| 00:32:06 |
LET LIEUTENANT GORDON |
| 00:32:08 |
THANK YOU, SIR! |
| 00:32:10 |
YOU MIGHT REPORT |
| 00:32:12 |
WELL, I'LL ONLY BE HERE |
| 00:32:15 |
I'D CERTAINLY LIKE |
| 00:32:16 |
COULD YOU TELL ME |
| 00:32:18 |
I'M AFRAID NOT. |
| 00:32:20 |
WELL, IS THERE |
| 00:32:21 |
I CAN MAKE THAT |
| 00:32:23 |
I'M ALMOST CERTAIN |
| 00:32:24 |
GOOD NIGHT, LIEUTENANT. |
| 00:32:27 |
GOOD NIGHT. |
| 00:32:41 |
MAJOR BRENNAN. |
| 00:32:43 |
MR. GRAYSON WILL ESCORT |
| 00:32:44 |
YES, SIR. |
| 00:32:48 |
HERE'S THE CODE BOOK, |
| 00:32:49 |
THANK YOU, SIR. |
| 00:32:51 |
WE'VE DONE EVERYTHING IN OUR |
| 00:32:55 |
I UNDERSTAND, |
| 00:32:56 |
THE RENDEZVOUS POSITION WILL |
| 00:33:01 |
GOD SPEED YOU, |
| 00:33:12 |
WE'VE BEEN ON THE WRONG TRACK ALL NIGHT. |
| 00:33:16 |
IT ALSO PROVES THAT I'M NOT |
| 00:33:27 |
NEW INTERCEPT, SIR. |
| 00:33:29 |
THE INTELLIGENCE |
| 00:33:31 |
THAT IT MAY |
| 00:33:33 |
IT'S BEEN SENT 8 TIMES |
| 00:33:35 |
DEAN. |
| 00:33:36 |
ERASE THAT STUFF ON THE BOARD, WILL YOU? |
| 00:33:38 |
AND PUT THIS |
| 00:33:39 |
YES, SIR. |
| 00:33:40 |
WE MIGHT AS WELL |
| 00:33:43 |
MORNING, BOYS. |
| 00:33:45 |
MORNING, MISS CARTER. |
| 00:33:48 |
OH, I FOOLED |
| 00:33:49 |
THIS TIME |
| 00:33:54 |
OH, GOOD MORNING! |
| 00:33:56 |
HAVE YOU BEEN WORKING |
| 00:33:59 |
OH, NO. NO, |
| 00:34:02 |
GOT A CASE OF SCOTCH, A 3-PIECE |
| 00:34:06 |
NOW, BILL, BILL, DO YOU |
| 00:34:07 |
STARTING OFF |
| 00:34:09 |
IDEALLY, YOU SHOULD HAVE |
| 00:34:11 |
MISS CARTER, YOUR |
| 00:34:13 |
I'M MOVED |
| 00:34:15 |
WELL, I CAN GO |
| 00:34:16 |
YOUR UNCLE, MY EYE. |
| 00:34:18 |
I'LL GET MYSELF |
| 00:34:20 |
YOU CAN PUT ON |
| 00:34:21 |
AND TAKE A NICE MARATHON |
| 00:34:24 |
ABOUT 30 MILES OUT, |
| 00:34:26 |
OH, BUT, BILL, |
| 00:34:28 |
FOR JUST A LITTLE |
| 00:34:30 |
I PROMISE YOU THAT IF |
| 00:34:31 |
I'LL LIE DOWN ON THE FLOOR AND SCREAM. |
| 00:34:33 |
I'LL GO. |
| 00:34:36 |
HAVE YOU SOMETHING- |
| 00:34:39 |
TO PUT A NERVOUS PERSON |
| 00:34:40 |
YES, MISS. |
| 00:34:41 |
HOW MANY AT A TIME? |
| 00:34:43 |
OH, ONE WILL PUT YOU |
| 00:34:44 |
OH, IT'S NOT FOR ME. |
| 00:34:49 |
SAY, THAT'LL PUT |
| 00:34:51 |
THAT'S JUST |
| 00:34:58 |
WILL YOU PLEASE GIVE |
| 00:35:00 |
HE SENT OUT |
| 00:35:01 |
YES, MA'AM. |
| 00:35:02 |
AND THE TRICK IS... |
| 00:35:05 |
TO FIND |
| 00:35:08 |
OH, COFFEE, THANKS. |
| 00:35:11 |
NOW, WE CAN DISREGARD |
| 00:35:17 |
MERELY THE WIRELESS |
| 00:35:19 |
YES, SIR. |
| 00:35:22 |
NOW, LET'S ASSUME FOR A |
| 00:35:25 |
MEANS THE LETTER AFTER |
| 00:35:27 |
YES, SIR. |
| 00:35:28 |
K- L, D-E, W-X, |
| 00:35:40 |
OH, THAT DOESN'T SEEM TO BE |
| 00:35:43 |
TRY IT IN |
| 00:35:44 |
THE LETTER BEFORE IT |
| 00:35:46 |
YES, SIR. |
| 00:35:49 |
SAY, I'LL BE BACK |
| 00:35:58 |
GOOD MORNING. |
| 00:36:00 |
GOOD MORNING, |
| 00:36:02 |
YOU HAVEN'T SOMETHING |
| 00:36:04 |
A FELLOW AWAKE, |
| 00:36:06 |
I'VE TRIED COFFEE, AND IT |
| 00:36:08 |
I THINK SO. |
| 00:36:10 |
YOU'RE THE NEW MAN, AREN'T YOU? |
| 00:36:10 |
UH-HUH. |
| 00:36:11 |
HA HA! WELL, I'M |
| 00:36:13 |
HERE. TRY SOME |
| 00:36:15 |
POUR SOME OF IT RIGHT |
| 00:36:17 |
HOW MUCH? |
| 00:36:18 |
OH, A GENEROUS |
| 00:36:20 |
WELL, I'D BETTER TAKE |
| 00:36:24 |
PUT IT RIGHT IN |
| 00:36:26 |
AND DRINK IT |
| 00:36:28 |
I USED TO GIVE THAT |
| 00:36:30 |
WHEN THEY WANTED |
| 00:36:32 |
WHILE THEY CRAMMED FOR |
| 00:36:33 |
HA! AFRAID THEY STAYED AWAKE, ALL RIGHT, |
| 00:36:35 |
BUT THEY DID VERY |
| 00:36:38 |
WELL, THANKS. |
| 00:36:40 |
YOU'RE WELCOME. |
| 00:36:41 |
THAT WAS JUST |
| 00:37:01 |
YOU KNOW WHAT? |
| 00:37:02 |
I TRIED THE FIRST LETTER |
| 00:37:05 |
AND THAT DIDN'T WORK. |
| 00:37:09 |
WHAT'S THE MATTER, |
| 00:37:11 |
I DON'T KNOW. MY HEAD'S |
| 00:37:15 |
GET A DOCTOR. |
| 00:37:16 |
AND TELL HIM TO BRING |
| 00:37:17 |
DOCTOR? |
| 00:37:19 |
I GUESS I PUT |
| 00:37:20 |
SLEEPING TABLETS |
| 00:37:23 |
YOU PUT SLEEPING TABLETS |
| 00:37:25 |
I ONLY WANTED YOU TO GET A LITTLE REST. |
| 00:37:27 |
OH, THIS WOMAN IS MAD. |
| 00:37:30 |
OH, GUARD. |
| 00:37:32 |
YOU AREN'T GOING TO BE |
| 00:37:34 |
SHOW THIS LADY THE DOOR |
| 00:37:36 |
AND IF SHE TRIES TO GET |
| 00:37:38 |
OH, BUT, BILL, |
| 00:37:40 |
DON'T SHOOT TO KILL. |
| 00:37:41 |
I DON'T WANT HER |
| 00:37:45 |
RIGHT IN THERE, |
| 00:38:06 |
WELL, SUPPOSE YOU TRY |
| 00:38:09 |
YOU TAKE 3 FORWARD |
| 00:38:12 |
YOU 4, AND YOU 5. |
| 00:38:14 |
AND WILL YOU TAKE 6- |
| 00:38:18 |
YOU 7, 8, 9, CONSECUTIVELY |
| 00:38:21 |
BACKWARD, FORWARD. |
| 00:38:22 |
LIEUTENANT GORDON. |
| 00:38:23 |
YES. |
| 00:38:25 |
THIS LOOKS LIKE |
| 00:38:26 |
5 FORWARD |
| 00:38:28 |
F- I-R-S-FIRST. |
| 00:38:31 |
WELL, THAT CERTAINLY |
| 00:38:34 |
FIRST. FIRST WHAT? |
| 00:38:36 |
FIRST TROOP SHIP? |
| 00:38:38 |
WHAT'S THE NEXT |
| 00:38:40 |
G- D-O-U-G. |
| 00:38:43 |
THAT CERTAINLY DOESN'T SOUND |
| 00:38:45 |
NO, SIR. |
| 00:38:46 |
SAY, WAIT A MINUTE! |
| 00:38:48 |
WHAT DAY OF |
| 00:38:50 |
FIRST. |
| 00:38:52 |
HEY, YOU DON'T |
| 00:38:55 |
THAT IN THE LETTERS |
| 00:38:57 |
THEY'RE USING THE DATE |
| 00:38:59 |
AS A KEY WORD FOR THE REST |
| 00:39:02 |
LET'S TRY IT OUT |
| 00:39:04 |
LET "A" EQUAL "F" |
| 00:39:06 |
LET "A" EQUAL "I" |
| 00:39:08 |
LET "A" EQUAL "R" |
| 00:39:11 |
EQUAL "S" ON YOURS... |
| 00:39:17 |
ALL RIGHT. WHAT'S THE |
| 00:39:19 |
B. |
| 00:39:20 |
"B" BECOMES "W." |
| 00:39:22 |
I. |
| 00:39:24 |
J. |
| 00:39:26 |
Z. |
| 00:39:28 |
V. |
| 00:39:32 |
W- A-S-H-I |
| 00:39:35 |
HEY, IF THE NEXT LETTER |
| 00:39:37 |
AND IT IS. |
| 00:39:38 |
G- T |
| 00:39:40 |
WASHINGTON! |
| 00:39:41 |
NOW WE'RE GETTING |
| 00:39:42 |
LET'S HAVE |
| 00:39:43 |
S- A-I- |
| 00:39:44 |
RIGHT OFF |
| 00:39:45 |
S- T-A-T-O-S |
| 00:39:48 |
WE GOT IT! |
| 00:39:52 |
"WASHINGTON SAILED STAND |
| 00:40:01 |
"WASHINGTON SAILED. |
| 00:40:03 |
STAND BY FOR |
| 00:40:10 |
THAT'S THE MESSAGE WE SENT TO |
| 00:40:15 |
EXACTLY. |
| 00:40:17 |
WE INTERCEPT A WIRELESS IN ENEMY CODE. |
| 00:40:19 |
THANKS TO |
| 00:40:21 |
WE'RE ABLE |
| 00:40:23 |
AND WE FIND THEY'RE |
| 00:40:26 |
THAT WE SENT TO INFORM |
| 00:40:28 |
OF THE COMING |
| 00:40:30 |
BUT HOW COULD THEY |
| 00:40:32 |
YOU DON'T THINK THEY COULD |
| 00:40:34 |
IMPOSSIBLE. |
| 00:40:35 |
IT'S A CODE |
| 00:40:37 |
ONLY ONE MESSAGE HAS BEEN ENCODED IN IT. |
| 00:40:41 |
WITHOUT A COPY |
| 00:40:43 |
THEN SOMEONE |
| 00:40:44 |
NO, NO, NO. |
| 00:40:46 |
EVERY COPY |
| 00:40:47 |
IS UNDER |
| 00:40:49 |
WE'VE NO CHOICE. |
| 00:40:50 |
WE MUST RECALL |
| 00:40:52 |
WE CAN'T RECALL |
| 00:40:53 |
IT'LL DAMAGE THE ALLIED |
| 00:40:57 |
THERE'S NO WAY TO GET |
| 00:41:01 |
THE RENDEZVOUS POSITION |
| 00:41:04 |
THE CODE WE GAVE |
| 00:41:07 |
WHICH HAS BEEN |
| 00:41:10 |
WE'RE IN |
| 00:41:12 |
IF WE SEND IT, THE ENEMY |
| 00:41:16 |
IF WE DON'T AND LET THE |
| 00:41:19 |
IT'LL PROBABLY |
| 00:41:23 |
WE STILL HAVE |
| 00:41:25 |
AND WHAT WILL |
| 00:41:27 |
FIND WHOEVER |
| 00:41:30 |
GET IT BACK |
| 00:41:33 |
FROM INTERCEPTING AND |
| 00:41:35 |
ALL THAT |
| 00:41:37 |
I SHALL SEE TO IT |
| 00:41:38 |
THE COOPERATION OF |
| 00:41:40 |
THAT CAN BE OF |
| 00:41:41 |
WE'LL NEED IT. |
| 00:41:44 |
THANK YOU, |
| 00:41:51 |
WAIT HERE AND KEEP |
| 00:41:53 |
YES, SIR. |
| 00:42:23 |
MISS CULLOUGH'S |
| 00:42:27 |
HELLO, OLIVIA? |
| 00:42:29 |
MY DEAR, COULD |
| 00:42:32 |
COULD YOU? |
| 00:42:35 |
THANK YOU. |
| 00:42:57 |
WHAT'S THE MATTER, |
| 00:42:59 |
SOMETHING |
| 00:43:01 |
SOMETHING |
| 00:43:03 |
ABOUT US? |
| 00:43:04 |
YOU DON'T MEAN THERE'S BEEN SOME GOSSIP? |
| 00:43:06 |
NO, DARLING, NO. |
| 00:43:07 |
THERE'S NOTHING FOR |
| 00:43:09 |
BUT IF YOU WORRY, |
| 00:43:11 |
WHAT IS IT, |
| 00:43:12 |
I CAN'T |
| 00:43:15 |
I KNOW I HAD IT WHEN |
| 00:43:17 |
I THOUGHT I BROUGHT |
| 00:43:19 |
IS IT SOMETHING |
| 00:43:20 |
IS IT IMPORTANT? |
| 00:43:22 |
VITALLY. |
| 00:43:23 |
A DISPATCH. |
| 00:43:25 |
I HAD IT IN |
| 00:43:26 |
ALONG WITH |
| 00:43:27 |
ONE CAN HARDLY |
| 00:43:29 |
IF IT SHOULD FALL |
| 00:43:32 |
OH, BUT IT MUSTN'T. |
| 00:43:35 |
LET'S TRY |
| 00:43:36 |
HOW LONG AGO DID YOU |
| 00:43:38 |
ABOUT AN HOUR. |
| 00:43:39 |
AND THEN WHAT |
| 00:43:40 |
WELL, I WALKED |
| 00:43:41 |
HAD A CUP OF COFFEE, |
| 00:43:42 |
YOU SURE YOU DIDN'T |
| 00:43:43 |
I TELEPHONED IMMEDIATELY. |
| 00:43:45 |
BUT THEY'RE MAKING |
| 00:43:47 |
WHAT ABOUT |
| 00:43:48 |
I DON'T EVEN KNOW |
| 00:43:49 |
OH, THAT'S EASY. WE'LL NOTIFY THEM ALL. |
| 00:43:52 |
ARE YOU SURE YOU DIDN'T |
| 00:43:53 |
HELLO? GET ME THE ACME |
| 00:43:56 |
YES. |
| 00:43:58 |
BY JOE, |
| 00:43:59 |
I'LL GO BACK THERE. |
| 00:44:00 |
DARLING, YOU'RE |
| 00:44:02 |
YOU CAN'T EVEN |
| 00:44:03 |
HELLO? GIVE ME THE LOST |
| 00:44:06 |
THANK YOU. I WILL. |
| 00:44:09 |
LISTEN, DARLING, WE'LL |
| 00:44:11 |
NOW, YOU GO TO THE CLUB, |
| 00:44:12 |
AND IF IT ISN'T THERE, |
| 00:44:14 |
PHONE ME WHEN |
| 00:44:16 |
I'M BEGINNING TO FEEL BETTER ALREADY. |
| 00:44:18 |
HURRY, DARLING. |
| 00:44:20 |
HELLO? LOST AND FOUND DEPARTMENT? |
| 00:44:23 |
YES. I'M REPORTING THE LOSS |
| 00:44:26 |
MM-HMM. THANK YOU. |
| 00:44:36 |
DRIVE AROUND |
| 00:44:37 |
YES, SIR. |
| 00:44:54 |
WOULD YOU LIKE |
| 00:44:57 |
WOULD I!? |
| 00:44:58 |
I WANT YOU TO DRIVE |
| 00:45:01 |
AND TAKE THIS BRIEFCASE TO APARTMENT 4C. |
| 00:45:04 |
4C? |
| 00:45:06 |
OK. THAT'S A SOFT WAY |
| 00:45:09 |
WAIT A MINUTE. |
| 00:45:10 |
YOU'RE TO TELL |
| 00:45:12 |
THE GENTLEMAN LEFT IT |
| 00:45:14 |
ABOUT A HALF |
| 00:45:16 |
AND THAT YOU SAW |
| 00:45:19 |
I GET YOU. |
| 00:45:23 |
PARTY BY THE NAME |
| 00:45:24 |
OH, YES. |
| 00:45:25 |
A GENTLEMAN LEFT |
| 00:45:27 |
OH, THANKS. WAIT A MOMENT PLEASE. |
| 00:45:30 |
IT'S A LUCKY THING I |
| 00:45:32 |
WE'VE BEEN LOOKING |
| 00:45:33 |
THANK YOU. |
| 00:45:39 |
DID YOU GIVE IT |
| 00:45:41 |
YES, SIR. |
| 00:45:43 |
NOW FORGET |
| 00:45:44 |
YES, SIR. |
| 00:46:35 |
CHARLES! |
| 00:47:07 |
WHERE ARE THEY? |
| 00:47:09 |
810. THEY'RE WAITING |
| 00:47:10 |
ANYTHING WRONG? |
| 00:47:11 |
YES. |
| 00:47:17 |
8. |
| 00:47:26 |
OH, HOW DO YOU DO, |
| 00:47:29 |
HOW ARE YOU? |
| 00:47:37 |
I DIDN'T KNOW ANYONE HAD |
| 00:47:41 |
ANYTHING WRONG? |
| 00:47:43 |
EVERYTHING. |
| 00:47:46 |
I KILLED BRENNAN. |
| 00:47:47 |
WHAT? |
| 00:47:49 |
I COULDN'T HELP IT. |
| 00:47:51 |
I HAD TO, |
| 00:47:53 |
AFTER ALL, WHAT'S |
| 00:47:56 |
I DON'T REGRET |
| 00:47:58 |
ONLY YOUR STUPIDITY. |
| 00:48:01 |
I HAD ONE OF |
| 00:48:03 |
HE CAUGHT ME. |
| 00:48:05 |
IT WAS HIS LIFE |
| 00:48:08 |
THERE WAS |
| 00:48:10 |
THERE WAS |
| 00:48:11 |
BUT YOU DIDN'T HAVE |
| 00:48:14 |
WITH BRENNAN KILLED, THEY |
| 00:48:16 |
THAT WE HAVE |
| 00:48:17 |
THE VITAL THING IS TO FIND |
| 00:48:19 |
BUT OUR ONLY |
| 00:48:21 |
WE MUST FORM |
| 00:48:24 |
IMMEDIATELY. |
| 00:48:26 |
IT'S YOUR ONE CHANCE |
| 00:48:31 |
WHAT ARE |
| 00:48:33 |
IN WAR, ONE MUST ALWAYS |
| 00:48:36 |
AS MUCH INTELLIGENCE |
| 00:48:38 |
THEY WILL BE SEARCHING |
| 00:48:42 |
THE WISEST PLAN IS TO LET THEM FIND YOU. |
| 00:48:52 |
PARADE, REST! |
| 00:49:00 |
MAJOR CHARLES BRENNAN |
| 00:49:04 |
BRAVELY AND ALONE, FAR FROM |
| 00:49:09 |
WE OWE HIM A DEBT WHICH |
| 00:49:15 |
WE FERVENTLY PRAY THAT |
| 00:49:25 |
ANY IDEA WHO |
| 00:49:27 |
I HAVEN'T |
| 00:49:29 |
MRS. BRENNAN IS IN |
| 00:49:31 |
YES. |
| 00:49:33 |
IF THAT WOMAN |
| 00:49:34 |
IT'S STRANGE THAT SHE |
| 00:49:37 |
IF SHE'S IN |
| 00:49:38 |
IT IS STRANGE, |
| 00:49:43 |
ROBERTS, I'D LIKE |
| 00:49:45 |
A BIT OF INFORMATION |
| 00:49:47 |
IT'S ALL RIGHT. |
| 00:49:48 |
LIEUTENANT GORDON'S |
| 00:49:50 |
YOU WERE WITH THE MAJOR |
| 00:49:53 |
YES, SIR. |
| 00:49:54 |
DO YOU KNOW |
| 00:49:55 |
ANY VERY CLOSE |
| 00:49:58 |
I WOULDN'T KNOW, |
| 00:50:02 |
I SEE. |
| 00:50:06 |
YES, SIR. |
| 00:50:09 |
RUDY. |
| 00:50:10 |
THAT WOMAN IN BLACK. |
| 00:50:11 |
HOW LONG |
| 00:50:12 |
JUST A FEW |
| 00:50:14 |
WE'VE BEEN WONDERING |
| 00:50:16 |
SO HAVE WE. |
| 00:50:21 |
UNLESS I MISS |
| 00:50:24 |
SHE'S BEEN |
| 00:50:25 |
PLANTED? |
| 00:50:26 |
OBVIOUSLY |
| 00:50:28 |
SUPPOSE YOU TAG HER, |
| 00:50:30 |
THEN PICK HER UP. |
| 00:50:31 |
YES, SIR. |
| 00:50:40 |
WE JUST PICKED THIS UP |
| 00:50:42 |
IT'S MARKED NEW YORK. |
| 00:50:44 |
MISS OLIVIA KARLOFF, ANDOVER |
| 00:50:48 |
WELL? |
| 00:50:49 |
THE WOMAN IN BLACK. |
| 00:50:51 |
OH, YES. |
| 00:50:56 |
JUST AN ADVERTISEMENT, |
| 00:50:58 |
APPARENTLY. |
| 00:50:59 |
BUT DO YOU NOTICE |
| 00:51:04 |
JUST AN ORDINARY |
| 00:51:05 |
EXACTLY. TWO CENTS. |
| 00:51:08 |
NOW, IF IT'S JUST |
| 00:51:10 |
IT COULD HAVE GONE |
| 00:51:12 |
WHY SHOULD THEY USE |
| 00:51:15 |
WELL, LET'S HAVE A LOOK AT |
| 00:51:18 |
THAT'S JUST WHAT |
| 00:51:20 |
DO YOU MIND TURNING |
| 00:51:24 |
THANKS. |
| 00:51:30 |
HOW'S IT LOOK TO YOU? |
| 00:51:32 |
FROM OUTWARD APPEARANCES, |
| 00:51:33 |
IT'S A BONA FIDE |
| 00:51:35 |
YOU SEE, EVEN THE GRAIN, |
| 00:51:38 |
HAS BEEN CLEVERLY |
| 00:51:40 |
IF THERE'S |
| 00:51:41 |
WE'LL HAVE TO FIND |
| 00:51:43 |
THAT'S QUITE A JOB |
| 00:51:46 |
EVERY SECRET INK HAS |
| 00:51:48 |
CALLS FOR A LOT |
| 00:51:50 |
YOU KNOW, |
| 00:51:52 |
NOT A VERY |
| 00:51:54 |
WHY, I CAN GIVE IT |
| 00:51:55 |
WON'T TAKE A MINUTE. |
| 00:51:56 |
LET'S DO IT. |
| 00:52:11 |
YOUR HUNCH WAS RIGHT, |
| 00:52:13 |
THIS CIRCULAR UNDOUBTEDLY |
| 00:52:15 |
THEN IF WE CAN GET SOME HINT |
| 00:52:19 |
WHERE DO SPIES |
| 00:52:22 |
WELL, 9 TIMES OUT OF 10, |
| 00:52:24 |
THE REAGENT IS IMPREGNATED IN |
| 00:52:27 |
TO WHOM THE MESSAGE IS SENT. |
| 00:52:30 |
IN CASE IT'S A WOMAN, |
| 00:52:31 |
OR PERHAPS HER UNDERWEAR, |
| 00:52:34 |
OR IN CLOTH-COVERED |
| 00:52:36 |
I'VE GOT ANOTHER HUNCH. |
| 00:52:37 |
YES? |
| 00:52:38 |
I THINK WITHIN AN HOUR, |
| 00:52:39 |
I CAN PROVIDE |
| 00:52:41 |
MEANTIME, GO ON WITH YOUR |
| 00:52:53 |
JUST WHAT ARE YOU DOING? |
| 00:52:55 |
OH! GOOD MORNING, BILL. |
| 00:52:57 |
HOW DID YOU GET IN HERE? |
| 00:52:58 |
WELL, I HAD A PASS |
| 00:53:00 |
WHEN YOUR ORDERLY WENT |
| 00:53:02 |
WHY, I JUST OPENED THE DOOR |
| 00:53:04 |
I'LL BET THEY NEVER |
| 00:53:05 |
I BET I SHAN'T EITHER. |
| 00:53:06 |
SUPPOSE YOU OPEN THE DOOR |
| 00:53:08 |
BUT, BILL, I ONLY CAME BECAUSE |
| 00:53:10 |
THE LAST TIME |
| 00:53:11 |
YOU NEARLY KILLED ME |
| 00:53:13 |
NOW IT'S A BAYONET. |
| 00:53:14 |
OH, BILL, |
| 00:53:15 |
IT WAS THE ONLY THING |
| 00:53:16 |
TO CUT THE STRING |
| 00:53:18 |
OH. THE DEPARTMENT GAVE ME |
| 00:53:20 |
NOT FOR YOU TO USE AS |
| 00:53:22 |
OH, BUT, BILL, LOOK WHAT |
| 00:53:23 |
OUT YOU GO. BUT, PLEASE. WAIT A MINUTE. |
| 00:53:25 |
COME ON. |
| 00:53:26 |
IT'S FOR YOU. |
| 00:53:27 |
I GOT UP EARLY |
| 00:53:28 |
AND GOT IT JUST |
| 00:53:29 |
AND THE MAN |
| 00:53:30 |
SAID YOU COULDN'T EVEN |
| 00:53:33 |
WHY, YOU CAN WASH IT, |
| 00:53:34 |
IT'S THIN, AND WILL |
| 00:53:37 |
I'LL BITE. WHAT IS IT? |
| 00:53:46 |
WHAT IS IT? |
| 00:53:47 |
A BULLETPROOF VEST. |
| 00:53:55 |
NO ONE ELSE WOULD |
| 00:53:57 |
NO ONE, DEAR. |
| 00:53:59 |
NO ONE AT LIBERTY. |
| 00:54:01 |
SLEEPING TABLETS, |
| 00:54:03 |
BAYONETS, |
| 00:54:05 |
HUH! WHAT A GAL. |
| 00:54:07 |
COME ON. |
| 00:54:08 |
UH-UH. NO, YOU DON'T. |
| 00:54:10 |
I WON'T GO UNTIL YOU TELL |
| 00:54:13 |
HMM. HOW ABOUT |
| 00:54:15 |
I'VE GOT TO EAT. |
| 00:54:17 |
I SUPPOSE IT MIGHT |
| 00:54:18 |
OH, LOVELY. |
| 00:54:21 |
BILL, WHAT WOULD |
| 00:54:24 |
HOW ABOUT A STRAIT-JACKET? |
| 00:54:25 |
HEE HEE HEE. |
| 00:54:26 |
OH, HOW DO YOU DO? |
| 00:54:29 |
WELL,GOOD-BYE. |
| 00:54:30 |
GOOD-BYE. |
| 00:54:32 |
WON'T YOU COME IN, |
| 00:54:36 |
I'LL JOIN YOU |
| 00:54:46 |
BYE. |
| 00:54:51 |
OLIVIA KARLOFF. |
| 00:54:52 |
SHE CAME BACK TO |
| 00:54:54 |
WENT TO THE ANDOVER |
| 00:54:55 |
WHERE BRENNAN |
| 00:54:59 |
THANK YOU. |
| 00:55:08 |
WON'T YOU |
| 00:55:11 |
NO, THANKS. |
| 00:55:12 |
BUT I WOULD LIKE SOME |
| 00:55:16 |
NOW, MISS KARLOFF, |
| 00:55:17 |
TO ANSWER QUESTIONS, |
| 00:55:19 |
UH, DO YOU MIND |
| 00:55:23 |
NOT AT ALL. |
| 00:55:26 |
THANK YOU. |
| 00:55:28 |
AND NOW I'LL HAVE TO ASK YOU TO |
| 00:55:34 |
OH, I BEG |
| 00:55:36 |
THAT WAS RATHER ABRUPT, |
| 00:55:38 |
YES, RATHER. |
| 00:55:40 |
UH, WILL YOU SEND ME |
| 00:55:42 |
WOULD IT BE ASKING TOO |
| 00:55:45 |
WHY YOU'RE SO INTERESTED |
| 00:55:47 |
OH, NOT AT ALL. |
| 00:55:49 |
WE WANT THEM FOR |
| 00:55:51 |
IT'S A RULE, |
| 00:55:53 |
MM-HMM. YES. |
| 00:55:56 |
I SUPPOSE I SHALL |
| 00:56:06 |
YOU SENT FOR |
| 00:56:07 |
YES. |
| 00:56:16 |
WILL YOU PLEASE TAKE MISS |
| 00:56:18 |
AND GET HER CLOTHES? |
| 00:56:20 |
YES, SIR. |
| 00:56:24 |
THIS WAY, |
| 00:56:44 |
NOTHING IN THE HAT, |
| 00:56:50 |
HERE YOU ARE, SIR. |
| 00:57:04 |
DO YOU WISH |
| 00:57:09 |
IS THAT ALL, MATRON? |
| 00:57:11 |
THAT'S ALL. |
| 00:57:14 |
SHE'S BOWLEGGED. |
| 00:57:17 |
WOULD YOU PLEASE GIVE |
| 00:57:21 |
THEN GO TO THE NEAREST |
| 00:57:23 |
AND GET HER A NEW OUTFIT |
| 00:57:25 |
SIZE 14. |
| 00:57:27 |
SHE'LL NEVER GET |
| 00:57:29 |
GO GET IT, PLEASE. |
| 00:57:37 |
HERE'S A LITTLE WORK |
| 00:57:40 |
I THINK I'LL HAVE THE |
| 00:57:44 |
I SEE. |
| 00:57:46 |
THEN WHY WERE YOU AT MAJOR |
| 00:57:50 |
FUNERAL? |
| 00:57:52 |
MY MEN FOLLOWED YOU |
| 00:57:54 |
I WENT TO THE BOAT |
| 00:57:58 |
CERTAINLY YOU WENT |
| 00:58:00 |
AND THAT FRIEND |
| 00:58:03 |
WHY DON'T YOU |
| 00:58:05 |
OUR RECORDS SHOW THAT YOU |
| 00:58:07 |
YOU STAYED AT |
| 00:58:08 |
YOU DINED TOGETHER, |
| 00:58:10 |
HE MADE YOU |
| 00:58:12 |
AND LAST NIGHT, |
| 00:58:15 |
WHAT WERE YOU TO HIM? |
| 00:58:20 |
I LOVED HIM. |
| 00:58:22 |
LET'S HAVE |
| 00:58:24 |
I WENT TO HIS APARTMENT |
| 00:58:27 |
HE WASN'T THERE. |
| 00:58:29 |
SO I THOUGHT I'D FIX SOME TEA AND |
| 00:58:32 |
I WENT INTO THE KITCHEN, |
| 00:58:34 |
HE WAS ON THE FLOOR. |
| 00:58:36 |
I WAS ABOUT |
| 00:58:38 |
BUT I WAS AFRAID |
| 00:58:40 |
WHY DID YOU FEAR |
| 00:58:42 |
BECAUSE I'D HAVE |
| 00:58:44 |
THE SAME AS I'M TELLING YOU. |
| 00:58:45 |
YOU SEE, HIS WIFE |
| 00:58:50 |
TO HER, BRENNAN WILL HAVE DIED |
| 00:58:56 |
THAT WAS VERY |
| 00:58:57 |
GENEROUS. DO YOU THINK |
| 00:59:01 |
I DID IT FOR HIM... |
| 00:59:04 |
BECAUSE I KNEW |
| 00:59:06 |
CIGARETTE? |
| 00:59:09 |
YOU SEE, I'M RATHER |
| 00:59:11 |
MOST OF MY FRIENDS |
| 00:59:14 |
YOU'RE NOT GOING |
| 00:59:18 |
IF YOUR PASSPORT |
| 00:59:20 |
THERE SHOULD BE NOTHING |
| 00:59:28 |
HOPE I HAVEN'T |
| 00:59:29 |
I'LL GET YOU A RELEASE |
| 00:59:39 |
THANKS. THIS IS MY FIRST |
| 00:59:42 |
HOW DID YOU MAKE OUT? |
| 00:59:44 |
IT WAS |
| 00:59:45 |
LIEUTENANT GORDON |
| 00:59:46 |
DON'T YOU THINK SO? |
| 00:59:48 |
WELL, OF COURSE I'VE ALWAYS |
| 00:59:54 |
OH, LIEUTENANT, I- |
| 00:59:55 |
HE'S NOT HERE. |
| 00:59:56 |
WELL, DO YOU KNOW |
| 00:59:57 |
YES, HE WENT TO SEE |
| 00:59:58 |
WELL, WHEN HE RETURNS, |
| 01:00:00 |
WOULD YOU KINDLY |
| 01:00:01 |
IMMEDIATELY ABOUT |
| 01:00:04 |
CERTAINLY. |
| 01:00:06 |
THANK YOU. |
| 01:00:10 |
FINE. |
| 01:00:11 |
I DON'T UNDERSTAND, |
| 01:00:13 |
WHY YOU WANT TO LET HER |
| 01:00:15 |
THE IDEA IS TO FORCE |
| 01:00:18 |
UNLESS THE GERMAN RING IS |
| 01:00:20 |
WE CAN'T SEND THE RENDEZVOUS |
| 01:00:23 |
NOW, IF THAT BEAUTY CIRCULAR |
| 01:00:25 |
OH, I GET YOU. |
| 01:00:26 |
SHE'LL CONTACT HEADQUARTERS |
| 01:00:29 |
EXACTLY. |
| 01:00:30 |
WHEN THAT WOMAN |
| 01:00:31 |
DON'T LOSE HER |
| 01:00:33 |
TELL CLARK TO PUT TWO MEN |
| 01:00:35 |
OK. |
| 01:00:46 |
OH, UH, MISS KARLOFF, |
| 01:00:47 |
I DO HOPE YOU LIKE |
| 01:00:49 |
I DID TRY TO GET |
| 01:00:52 |
THAT WILL BE ALL, |
| 01:00:53 |
IT'S VERY DIFFICULT SHOPPING |
| 01:00:55 |
YES. |
| 01:00:58 |
AND SUCH A BARGAIN, TOO. |
| 01:01:00 |
ONLY $4.98 FOR |
| 01:01:03 |
I'M AFRAID THIS HAS BEEN |
| 01:01:06 |
BUT NOT UNINTERESTING, LIEUTENANT. |
| 01:01:08 |
SUPPOSE I TELEPHONE |
| 01:01:10 |
YES. I THINK I SHALL FEEL |
| 01:01:12 |
ABOUT 10:00? |
| 01:01:14 |
AT 10:00. |
| 01:01:15 |
OH, MATRON, |
| 01:01:16 |
WHEN I GO SHOPPING |
| 01:01:18 |
MAY I CALL ON YOU? |
| 01:01:29 |
MADE A MONKEY |
| 01:01:31 |
ARE YOU SURE SHE DIDN'T |
| 01:01:33 |
HEH HEH. |
| 01:02:33 |
BROUGHT THIS MAN |
| 01:02:34 |
TO TRANSLATE THIS FOR |
| 01:02:36 |
FOLLOWED HER EVERY MINUTE |
| 01:02:38 |
SHE WENT FIRST TO |
| 01:02:40 |
INSIDE THE DOOR, |
| 01:02:41 |
THEN SHE WROTE ON |
| 01:02:42 |
AND LEFT IT FOR |
| 01:02:44 |
CAN YOU TRANSLATE IT? |
| 01:02:46 |
OH, YES. IT'S FROM |
| 01:02:50 |
IN MEMORY OF THE SERVANT |
| 01:02:54 |
PLEASE OFFER UP |
| 01:03:48 |
WELL, THAT'S |
| 01:03:50 |
IT'S NEGATIVE. |
| 01:03:51 |
JUST A PRAYER SLIP, |
| 01:03:55 |
HMM... WELL, THERE'S SOMETHING |
| 01:04:00 |
YOU'RE SURE THAT |
| 01:04:02 |
AFTER SHE BOUGHT |
| 01:04:03 |
WE'RE POSITIVE, |
| 01:04:04 |
SHE WENT OVER TO THE ALTAR |
| 01:04:07 |
HMM. WELL, WE'LL KEEP |
| 01:04:11 |
THOUGH I DON'T THINK IT'S |
| 01:04:12 |
SHE'S A VERY |
| 01:04:16 |
YOU SAY SHE WENT STRAIGHT |
| 01:04:18 |
YES, |
| 01:04:20 |
LOOK UP THE NUMBER TO THE |
| 01:04:21 |
RIGHT. |
| 01:04:22 |
GOT AN IDEA? |
| 01:04:24 |
WELL, CHURCH |
| 01:04:25 |
SHE MUST BE PRETTY WORRIED |
| 01:04:27 |
IF I CAN CATCH HER RIGHT |
| 01:04:29 |
I MAY BE ABLE TO FIND |
| 01:04:31 |
CAPITAL 7296. |
| 01:04:32 |
THANKS. |
| 01:04:33 |
CAPITAL 72- |
| 01:04:37 |
UH, NEVER MIND, |
| 01:04:39 |
NOW WHAT? |
| 01:04:41 |
IT JUST STRUCK ME. |
| 01:04:42 |
IF SHE REALLY |
| 01:04:44 |
SHE'LL TRY TO FIND OUT |
| 01:04:46 |
YES, I GUESS |
| 01:04:48 |
LET'S WAIT AND SEE |
| 01:04:50 |
HOW'S THAT |
| 01:04:51 |
ALL RIGHT, |
| 01:04:53 |
MEANTIME, KEEP RIGHT AFTER |
| 01:04:55 |
THERE'S SOMETHING |
| 01:04:57 |
I'LL WEAR OUT |
| 01:04:58 |
THAT'S THE IDEA. |
| 01:05:01 |
HELLO. |
| 01:05:03 |
YOU'LL FIND CIGARS |
| 01:05:06 |
WELL? |
| 01:05:07 |
WELL, WHAT? |
| 01:05:08 |
WELL, HOW DO I LOOK? |
| 01:05:10 |
YOU'RE SURELY NOT GOING |
| 01:05:13 |
WELL, CERTAINLY. |
| 01:05:14 |
WHY, BILL, I WORE IT |
| 01:05:15 |
IT'S GOING TO LOOK SWELL |
| 01:05:17 |
CAFETERIA?! |
| 01:05:19 |
OH, I ORDERED A TABLE FOR |
| 01:05:22 |
I'M SORRY, BUT 30 MINUTES IS AS |
| 01:05:24 |
FOR DINNER THIS EVENING. |
| 01:05:25 |
OHHH. IF I HAD |
| 01:05:27 |
I'D GO RIGHT HOME. |
| 01:05:28 |
INSTEAD OF THAT, |
| 01:05:30 |
DO YOU KNOW ANY |
| 01:05:32 |
THOUSANDS. |
| 01:05:33 |
THEN WHY DON'T |
| 01:05:34 |
HOW CAN I WITH YOU SNOOPING |
| 01:05:38 |
HOW WOULD YOU LIKE TO HAVE |
| 01:05:39 |
HELLO? |
| 01:05:42 |
OH, MISS KARLOFF. |
| 01:05:45 |
FINE. I'M GLAD YOU CALLED. |
| 01:05:48 |
SUPPOSE WE HAVE DINNER |
| 01:05:51 |
CORDON ROUGE? FINE, FINE. |
| 01:05:53 |
HEH HEH. GOOD-BYE. |
| 01:05:57 |
I THOUGHT YOU WERE |
| 01:06:01 |
NOW, JOEL, YOU KNOW I WOULDN'T DO |
| 01:06:04 |
ALL I KNOW IS THAT YOU'VE |
| 01:06:06 |
WHY MUST I ALWAYS KEEP REMINDING |
| 01:06:09 |
OF COURSE, I WASN'T GOOD |
| 01:06:11 |
YOU WERE TOO BUSY. |
| 01:06:12 |
A CAFETERIA WAS |
| 01:06:14 |
BUT THE MINUTE THAT-THAT VENUS |
| 01:06:16 |
YOU HAVE THE TIME |
| 01:06:17 |
BUT, MY DEAR- |
| 01:06:18 |
ALL RIGHT. |
| 01:06:19 |
I DON'T HAVE TO THROW |
| 01:06:21 |
I'M STILL YOUNG. |
| 01:06:23 |
I'LL GO WHERE |
| 01:06:24 |
WELL, I'M SORRY, |
| 01:06:26 |
I CANNOT NEGLECT |
| 01:06:28 |
OF COURSE NOT. I NEVER |
| 01:06:37 |
WE'LL ORDER |
| 01:06:38 |
YES, SIR. |
| 01:06:42 |
I SUPPOSE, LIEUTENANT, |
| 01:06:43 |
WHY I ASKED YOU |
| 01:06:46 |
I RATHER CHERISHED THE HOPE |
| 01:06:48 |
UH, WANTED TO HAVE |
| 01:06:51 |
I WANTED TO TALK |
| 01:06:53 |
ABOUT A VERY |
| 01:06:55 |
YES? |
| 01:06:56 |
THIS AFTERNOON |
| 01:06:57 |
ONE OF YOUR MEN BROUGHT |
| 01:07:00 |
I COULDN'T HELP SEEING IT. |
| 01:07:02 |
WELL? |
| 01:07:03 |
WOULD YOU TELL ME WHERE |
| 01:07:08 |
AT THE POST OFFICE... |
| 01:07:11 |
ADDRESSED TO YOU. |
| 01:07:16 |
OH! |
| 01:07:21 |
THANK YOU. |
| 01:07:27 |
I FEEL BETTER NOW. |
| 01:07:31 |
LIEUTENANT, THE DAY THAT |
| 01:07:35 |
OH, HELLO! |
| 01:07:41 |
SURPRISED |
| 01:07:42 |
NO. |
| 01:07:43 |
AREN'T YOU |
| 01:07:45 |
NO. |
| 01:07:48 |
CHATTY FELLOW, |
| 01:07:50 |
OH, I FORGOT YOU TWO |
| 01:07:52 |
MAY I PRESENT |
| 01:07:53 |
CAPTAIN NIETERSTEIN. |
| 01:07:54 |
HOW DO YOU DO? |
| 01:07:56 |
ALLOW ME. MISS KARLOFF, MISS CARTER. |
| 01:07:58 |
THE MATRON, |
| 01:08:00 |
THIS IS |
| 01:08:02 |
OH, UH, |
| 01:08:05 |
OH, HELLO, |
| 01:08:07 |
OH, HELLO, JOEL... |
| 01:08:10 |
GORDON, CAPTAIN. |
| 01:08:13 |
MISS KARLOFF, |
| 01:08:15 |
HOW DO YOU DO? SO THIS IS |
| 01:08:17 |
COLONEL PETROFF AND I JUST CAME |
| 01:08:19 |
CAPTAIN NIETERSTEIN. |
| 01:08:21 |
HIS EXCELLENCE HAS |
| 01:08:23 |
WOULD YOU BE GOOD ENOUGH |
| 01:08:25 |
THANK YOU. |
| 01:08:26 |
I'M TERRIBLY SORRY. |
| 01:08:27 |
I'M AFRAID |
| 01:08:28 |
MAY I TAKE |
| 01:08:29 |
YOU CERTAINLY |
| 01:08:30 |
I JUST LEFT HOME. |
| 01:08:31 |
WELL, I SHALL BE BACK |
| 01:08:33 |
WELL, DON'T HURRY |
| 01:08:35 |
I'M AMONG FRIENDS. |
| 01:08:37 |
WELL, FORGIVE ME |
| 01:08:40 |
AH, THIS WAR IS GETTING |
| 01:08:43 |
OH, UNCLE JOHN, WHY DON'T YOU |
| 01:08:45 |
TO COME OVER HERE AND WE |
| 01:08:47 |
HE WOULDN'T MIND, |
| 01:08:48 |
UH, WELL, WE BETTER |
| 01:08:50 |
YOU'LL EXCUSE US, WON'T YOU? OH! |
| 01:08:52 |
ALWAYS GLAD TO EXCUSE |
| 01:08:54 |
TO HIS OWN TABLE. |
| 01:08:55 |
YOU'RE NOT |
| 01:08:57 |
THAT MEANT ME. |
| 01:09:01 |
I'M SORRY FOR |
| 01:09:05 |
NOW, WHAT ABOUT |
| 01:09:08 |
THE DAY THAT |
| 01:09:10 |
HE RECEIVED |
| 01:09:12 |
EXACTLY LIKE THE ONE |
| 01:09:16 |
HE DID? |
| 01:09:18 |
YES, I REMEMBER LAUGHING |
| 01:09:20 |
A MAN RECEIVING |
| 01:09:23 |
WE DIDN'T THINK |
| 01:09:24 |
WHAT MAKES YOU THINK |
| 01:09:27 |
BECAUSE YOU ATTACH |
| 01:09:30 |
OH, I KNOW YOU MUST. |
| 01:09:33 |
AND IT WAS ADDRESSED TO ME. |
| 01:09:34 |
WELL, MISS KARLOFF, |
| 01:09:38 |
JUST AS WE WOULD HAVE |
| 01:09:40 |
COMING TO YOU. |
| 01:09:42 |
YOU WERE UNDER SUSPICION |
| 01:09:43 |
BECAUSE OF YOUR |
| 01:09:46 |
WITH A MAN |
| 01:09:47 |
OH, I SEE. |
| 01:09:50 |
OF COURSE, I KNOW VERY |
| 01:09:53 |
BUT ISN'T THERE SOME WAY THAT |
| 01:09:55 |
FIND OUT WHO SENT IT? |
| 01:09:58 |
AND THEN, |
| 01:10:00 |
I ASSURE YOU, WE'LL DO |
| 01:10:03 |
AND I'M |
| 01:10:04 |
FOR TELLING ME ABOUT IT. |
| 01:10:06 |
IT MAY LEAD |
| 01:10:08 |
CALL FOR YOU, |
| 01:10:11 |
I MIGHT AS WELL HAVE |
| 01:10:13 |
PARDON ME. |
| 01:10:14 |
HELLO? |
| 01:10:16 |
HELLO! |
| 01:10:19 |
GORDON! THIS IS MARTIN! |
| 01:10:21 |
YES? |
| 01:10:23 |
GORDON I'VE GOT IT! |
| 01:10:24 |
THE BEAUTY CIRCULAR-IT'S- |
| 01:10:30 |
OH, THE PAPER. YEAH, YOU'LL |
| 01:10:34 |
YES. I LEFT IT THERE |
| 01:10:36 |
IF YOU GENTLEMEN THINK I'M |
| 01:10:39 |
FOR ANY SUCH NONSENSE, |
| 01:10:42 |
WELL, IF YOU |
| 01:10:44 |
WHY DON'T YOU CALL |
| 01:10:45 |
THEY'RE USUALLY |
| 01:10:47 |
HELLO? HELLO? |
| 01:10:49 |
THE PAPER MUST BE THERE. |
| 01:10:53 |
I LEFT IT THERE JUST AS SURE |
| 01:10:55 |
OH, LIEUTENANT GORDON. |
| 01:10:57 |
WELL, A TERRIBLE THING |
| 01:10:59 |
THEY'VE JUST KILLED |
| 01:11:01 |
MAYBE MARTIN'S |
| 01:11:05 |
THE WHOLE INTELLIGENCE DEPARTMENT, |
| 01:11:07 |
HA HA HA. |
| 01:11:08 |
NO SIR. |
| 01:11:11 |
YES, SIR. I'M POSITIVE. |
| 01:11:13 |
OH, ALL RIGHT. |
| 01:11:15 |
I'LL FIND IT |
| 01:11:17 |
NO. IT'S ALL RIGHT. |
| 01:11:18 |
I'LL SEE YOU TOMORROW. |
| 01:11:21 |
CONFOUND THESE |
| 01:11:24 |
I SUPPOSE |
| 01:11:26 |
BUT I AM REALLY |
| 01:11:28 |
BUT YOU MUSTN'T BE. |
| 01:11:30 |
I'LL SEE TO IT THAT YOU GET |
| 01:11:33 |
YOU SEE, AFTER CHARLES |
| 01:11:36 |
I HAD NO ONE TO TURN TO, |
| 01:11:39 |
AH, BUT THAT'S |
| 01:11:41 |
I'D LIKE YOU TO FEEL |
| 01:11:44 |
THAT IS, IF YOU HAVE |
| 01:11:56 |
OH! WILL YOU EXCUSE ME A FEW |
| 01:12:00 |
WELL, AS YOUR NEWLY |
| 01:12:01 |
I SHOULDN'T LET YOU |
| 01:12:03 |
WE'LL START OUR SERVICE OF |
| 01:12:17 |
NIETERSTEIN |
| 01:12:19 |
GOOD. |
| 01:12:20 |
DID YOU GET |
| 01:12:21 |
ABOUT THE RENDEZVOUS |
| 01:12:23 |
I HARDLY HAD TIME. |
| 01:12:29 |
TIME IS SHORT. THE AMERICANS |
| 01:12:32 |
THAT IT'S SAFE |
| 01:12:33 |
SOMEONE MUST BE CAPTURED |
| 01:12:36 |
AND THE CODE BOOK |
| 01:12:39 |
WHO IS IT TO BE? |
| 01:12:40 |
WE HAVE DECIDED ON |
| 01:12:43 |
DOES HE KNOW? |
| 01:12:44 |
HE WAS CALLED AWAY FROM HERE |
| 01:12:48 |
HE'S TO APPEAR |
| 01:12:52 |
USE THIS. |
| 01:12:55 |
WHEN? |
| 01:12:56 |
IMMEDIATELY. |
| 01:13:08 |
I'M AFRAID YOUR FRIEND MISS |
| 01:13:12 |
WELL, THAT SHOWS THAT SHE |
| 01:13:15 |
NOW, HOW ABOUT LAUNCHING OUR |
| 01:13:18 |
UH-UH. NO. |
| 01:13:19 |
NO? |
| 01:13:21 |
HAVE YOU BEEN |
| 01:13:23 |
OH, THAT. I FOUND IT |
| 01:13:25 |
CAPTAIN NIETERSTEIN. |
| 01:13:26 |
VERY CARELESS |
| 01:13:28 |
DROPPING HIS MILITARY HONORS |
| 01:13:31 |
YES. PARTICULARLY, WHEN |
| 01:13:33 |
AND WORE NO MEDALS. |
| 01:13:35 |
OH! WHY, THAT'S TRUE. I WONDER |
| 01:13:39 |
PERHAPS HE'S ONE OF |
| 01:13:40 |
WITH THEIR MEDALS |
| 01:13:42 |
HEH HEH HEH! I WONDER |
| 01:13:45 |
TO RETURN IT TO |
| 01:13:46 |
OF COURSE. |
| 01:13:48 |
JUST A MOMENT, PLEASE. |
| 01:13:52 |
WHY, THAT'S STRANGE. |
| 01:13:57 |
YES.ERY STRANGE... |
| 01:14:00 |
FOR A MILITARY ATTACHE |
| 01:14:02 |
WHAT? |
| 01:14:04 |
I HATE TO INTERRUPT |
| 01:14:07 |
BUT DO YOU MIND |
| 01:14:09 |
WHERE ARE WE GOING? |
| 01:14:10 |
CAPTAIN NIETERSTEIN SAID |
| 01:14:12 |
TO THE EMBASSY, |
| 01:14:13 |
I BELIEVE SO, YES. |
| 01:14:16 |
WELL, THAT'S |
| 01:14:24 |
WON'T YOU SIT DOWN? |
| 01:14:25 |
PARDON ME. |
| 01:14:27 |
COULD YOU COME WITH US TO THE EMBASSY? |
| 01:14:29 |
IT'S VERY URGENT. |
| 01:14:30 |
WHY, OF COURSE. |
| 01:14:31 |
YOU WON'T MIND SEEING |
| 01:14:33 |
I SHOULD |
| 01:14:44 |
IT'S OUTRAGEOUS! |
| 01:14:46 |
I REALIZE THAT THIS IS VERY |
| 01:14:49 |
IF I'M WRONG, YOUR |
| 01:14:51 |
TO THE STATE DEPARTMENT, |
| 01:14:52 |
AND I'LL BE |
| 01:14:53 |
WELL. THAT AT LEAST |
| 01:14:56 |
I ALWAYS PAY OFF |
| 01:14:59 |
BUT YOU YOURSELF |
| 01:15:00 |
THAT THERE IS |
| 01:15:01 |
WHY CAPTAIN NIETERSTEIN |
| 01:15:03 |
THE CAPTAIN HAS |
| 01:15:05 |
THAT THE MEDAL WAS STOLEN |
| 01:15:09 |
I DOUBT VERY MUCH, SIR, |
| 01:15:12 |
MERELY TO DIP |
| 01:15:14 |
I'M PERMITTING YOU TO PROCEED |
| 01:15:17 |
AND I SHALL LOOK FORWARD |
| 01:15:20 |
LIEUTENANT GORDON! YES? |
| 01:15:21 |
WOULD YOU LOOK |
| 01:15:27 |
VERY USEFUL, |
| 01:15:29 |
PARTICULARLY, |
| 01:15:31 |
SURELY EVERY MAN IS |
| 01:15:33 |
THIS ONE HAPPENS |
| 01:15:34 |
NICHOLAS WAS ALWAYS INTERESTED |
| 01:15:37 |
THAT PROVES NOTHING. |
| 01:15:38 |
LIEUTENANT GORDON. |
| 01:15:39 |
IT'S THE OFFICIAL CODE. |
| 01:15:41 |
I CAN'T PERMIT |
| 01:15:44 |
NATURALLY. |
| 01:15:54 |
THE BRENNAN CODE. |
| 01:15:58 |
IT'S AS SIMPLE |
| 01:16:00 |
THE MESSAGES WERE |
| 01:16:02 |
AND DECODED WITH THIS. |
| 01:16:04 |
FAIRLY COMPLETE, |
| 01:16:06 |
I'M SORRY, |
| 01:16:10 |
I HAVE ONLY ONE |
| 01:16:12 |
MOTHER WAS GERMAN. |
| 01:16:14 |
YOU SEE HOW DIFFICULT |
| 01:16:18 |
YOU ALL HAVE ONE COUNTRY |
| 01:16:20 |
I HAD TWO AND HAD TO CHOOSE |
| 01:16:24 |
BELIEVE ME, I DID WHAT |
| 01:16:27 |
NICHOLAS. NICHOLAS. |
| 01:16:35 |
MY COMPLIMENTS. |
| 01:16:37 |
LIEUTENANT GORDON SHOULD |
| 01:16:40 |
BUT-BUT I DIDN'T |
| 01:16:42 |
I ONLY FOUND THE MEDAL. |
| 01:16:44 |
I NEVER EXPECTED- |
| 01:16:45 |
IT'S A GREAT CONSOLATION |
| 01:16:46 |
TO KNOW YOU'RE |
| 01:16:49 |
IT WAS AN ACCIDENT. |
| 01:16:53 |
BUT I WOULD HAVE DONE IT |
| 01:16:58 |
YOU SEE, I, TOO, |
| 01:17:02 |
I THINK WE CAN GO NOW. |
| 01:17:04 |
DO YOU MIND |
| 01:17:06 |
OF COURSE NOT. |
| 01:17:21 |
AAH! |
| 01:17:39 |
WAR, MY DEAR. |
| 01:17:41 |
WAR... DEATH... |
| 01:17:45 |
WHY ARE SUCH THINGS? |
| 01:17:48 |
THEY HAPPEN. |
| 01:17:50 |
THEY ALWAYS WILL, |
| 01:17:52 |
YOUR EXCELLENCY, |
| 01:18:03 |
I CAN'T TELL YOU |
| 01:18:06 |
BUT WE'RE GRATEFUL, |
| 01:18:08 |
YOU'VE HELPED US TRAP |
| 01:18:11 |
AND I SHALL SEE THAT YOUR |
| 01:18:13 |
I DON'T WANT RECOGNITION. |
| 01:18:17 |
DO YOU THINK I WANT |
| 01:18:18 |
WITH SOMETHING |
| 01:18:22 |
WOULD YOU CARE |
| 01:18:25 |
IN A MOMENT. |
| 01:18:30 |
IT'LL BE SAFE FOR YOU TO SEND |
| 01:18:33 |
I'LL GET BACK |
| 01:18:34 |
AND HAVE IT SENT |
| 01:18:36 |
GOOD NIGHT, SIR. |
| 01:18:56 |
WELL... HUH. |
| 01:18:59 |
I THOUGHT COLONEL PETROFF |
| 01:19:01 |
WELL, YOU DIDN'T EXPECT ME |
| 01:19:02 |
WITH THAT |
| 01:19:05 |
DON'T YOU THINK IT |
| 01:19:06 |
FOR YOU TO GO HOME |
| 01:19:11 |
HEY, THAT'S MY TAXI! |
| 01:19:13 |
WELL, IT'S |
| 01:19:17 |
THE ANDOVER ARMS. |
| 01:19:19 |
NO, NO. |
| 01:19:21 |
I MOVED AFTER |
| 01:19:29 |
UH, TAXI! TAXI! |
| 01:19:45 |
WHAT IS THE NUMBER OF MISS |
| 01:19:47 |
MISS KARLOFF |
| 01:19:48 |
OH, YES, SHE IS. |
| 01:19:50 |
I'M AFRAID MADAM |
| 01:19:52 |
I JUST SAW HER COME IN |
| 01:19:54 |
I'LL SEE, MADAM. |
| 01:19:58 |
MISS KARLOFF, PLEASE. |
| 01:20:00 |
HELLO? A LADY JUST- |
| 01:20:05 |
VERY WELL. |
| 01:20:07 |
I WAS MISTAKEN. |
| 01:20:10 |
BUT SHE DOESN'T WISH |
| 01:20:11 |
OH, SHE DOESN'T WISH |
| 01:20:13 |
WELL, SHE'S GOING TO BE. |
| 01:20:14 |
AND I'M JUST |
| 01:20:16 |
MISS KARLOFF IS |
| 01:20:18 |
THERE'S NO TELLING WHAT |
| 01:20:21 |
MY DEAR MISS- |
| 01:20:22 |
MY NAME IS |
| 01:20:24 |
AND MY UNCLE HAPPENS TO BE |
| 01:20:26 |
IF YOU DON'T SHOW ME WHICH |
| 01:20:28 |
I'LL CALL OUT |
| 01:20:30 |
AND MAYBE A MARINE |
| 01:20:32 |
VERY WELL, MISS CARTER, |
| 01:20:35 |
THIS GENTLEMAN WILL |
| 01:20:37 |
THANK YOU. |
| 01:20:48 |
8. |
| 01:20:54 |
THIS WAY, PLEASE. |
| 01:21:02 |
UH, THIS LADY WISHES |
| 01:21:05 |
THIS WAY, PLEASE. |
| 01:21:34 |
I'M TAKING THE MESSAGE |
| 01:21:37 |
GOOD. |
| 01:21:46 |
NOTE FOR YOU, |
| 01:21:47 |
OH, THANKS. |
| 01:21:49 |
EXCUSE ME. |
| 01:22:04 |
BAD NEWS? |
| 01:22:05 |
OH, NO. JUST ANNOYING. |
| 01:22:06 |
ANY ANSWER, |
| 01:22:08 |
YES. SAY THAT I CAN'T SEE |
| 01:22:10 |
YES, MISS. |
| 01:22:11 |
OH, JUST A MOMENT. |
| 01:22:13 |
I'M NOT IN THE HABIT OF |
| 01:22:15 |
YOU RECEIVED ME. |
| 01:22:17 |
YES, BUT YOU'RE NOT |
| 01:22:19 |
UNFORTUNATELY. |
| 01:22:24 |
THAT'S ALL. |
| 01:22:26 |
OH, JUST A MINUTE, |
| 01:22:28 |
SURELY THE GENTLEMAN WILL |
| 01:22:32 |
YOU THINK SO? |
| 01:22:34 |
WON'T HE BE |
| 01:22:37 |
CAN YOU SUGGEST ANYTHING |
| 01:22:41 |
YES. |
| 01:22:46 |
YOU MIGHT TELL HIM THAT THERE'S REALLY |
| 01:22:54 |
I'M REALLY NOT VERY GOOD |
| 01:23:04 |
WELL... THAT'S THAT. |
| 01:23:07 |
MY COMPLIMENTS TO YOU |
| 01:23:09 |
AND TO CAPTAIN NIETERSTEIN, |
| 01:23:12 |
BUT HIS SACRIFICE |
| 01:23:14 |
THAT THE BRENNAN CODE |
| 01:23:16 |
AND THAT WE HAD |
| 01:23:20 |
I'M FROM THE ARMY |
| 01:23:22 |
I WANT YOU TO TAKE ME TO THE |
| 01:23:24 |
YES, SIR. |
| 01:23:25 |
MISS KARLOFF, I THINK |
| 01:23:27 |
AND YOU CAN DELIVER |
| 01:23:34 |
ALL RIGHT. GO AHEAD. |
| 01:23:52 |
DOWN... |
| 01:23:58 |
I SAID DOWN. |
| 01:24:07 |
GET OUT. |
| 01:24:24 |
SORRY, |
| 01:24:25 |
BUT THE FORTUNES |
| 01:24:28 |
OR THE MISFORTUNES. |
| 01:24:29 |
IN OUR BUSINESS, THERE ARE |
| 01:24:32 |
YOU RECOGNIZE THIS, |
| 01:24:36 |
SOME SORT OF CODE, |
| 01:24:38 |
THIS IS THE |
| 01:24:42 |
AND YOU KNOW IT. |
| 01:24:43 |
UNFORTUNATELY, THE WAR DEPARTMENT |
| 01:24:46 |
COME NOW, LIEUTENANT. |
| 01:24:47 |
EVERYBODY KNOWS |
| 01:24:48 |
ONLY SINCE |
| 01:24:52 |
PRECISELY. IT WOULD |
| 01:24:55 |
IF THE PROCESS WERE |
| 01:24:57 |
AT LEAST I SHALL HAVE |
| 01:24:59 |
THAT WHEN I DO GO, |
| 01:25:02 |
YOUR ONLY KEY TO |
| 01:25:04 |
LIEUTENANT, I KNOW THAT YOU |
| 01:25:08 |
AND THE INEVITABLE IS THAT I GET BUMPED |
| 01:25:12 |
SO I'M NOT |
| 01:25:14 |
YOU'RE QUITE RIGHT. |
| 01:25:16 |
YOU WILL BE... |
| 01:25:19 |
BUT I HAVE AN IDEA THAT YOU WILL |
| 01:25:32 |
IF YOU PLEASE. |
| 01:25:48 |
AS A SOLDIER, YOU |
| 01:25:51 |
REQUIRES |
| 01:25:53 |
I DON'T KNOW ANY EMERGENCY |
| 01:25:57 |
I THOUGHT THERE WAS A CODE |
| 01:25:59 |
UNFORTUNATELY, LIEUTENANT, |
| 01:26:02 |
FOR THE USUAL AMENITIES. |
| 01:26:40 |
IF I DO DECODE |
| 01:26:42 |
WHAT GUARANTEE HAVE I THAT |
| 01:26:44 |
IF YOU DON'T DECODE |
| 01:26:46 |
YOU'RE SURE |
| 01:26:47 |
IF YOU DO, WE HAVE NOTHING |
| 01:26:51 |
5 MINUTES AFTERR |
| 01:26:53 |
THAT OUR U-BOATS HAVE LOCATED |
| 01:26:55 |
SHE WILL BE RELEASED. |
| 01:27:09 |
ANOTHER MAN DID |
| 01:27:12 |
HIS NAME WAS |
| 01:27:40 |
THIS POSITION IS 1,000 MILES |
| 01:27:44 |
UNFORTUNATELY, THAT DOESN'T |
| 01:27:47 |
YOU HAVEN'T FORGOTTEN THAT |
| 01:27:49 |
UNTIL THE TRANSPORT |
| 01:27:52 |
HARDLY. |
| 01:27:54 |
NOW, SINCE I'M ABOUT TO |
| 01:27:59 |
I'D LIKE TO ASK YOU |
| 01:28:01 |
OF COURSE. |
| 01:28:03 |
I'D LIKE TO SPEAK |
| 01:28:05 |
IN A SHORT WHILE, |
| 01:28:09 |
THANK YOU. |
| 01:28:15 |
LONG DISTANCE. |
| 01:28:19 |
SAN DIEGO 2163W. |
| 01:28:22 |
DR. JACKSON. |
| 01:28:27 |
HELLO? |
| 01:28:29 |
YES? |
| 01:28:31 |
OH, IT'S YOU. |
| 01:28:33 |
HOW ARE YOU? |
| 01:28:37 |
YES. |
| 01:28:39 |
FINE. |
| 01:28:42 |
THAT'S SPLENDID. |
| 01:28:48 |
YOU NEED HAVE NO WORRY. |
| 01:28:49 |
THE MEDICINE WILL REACH |
| 01:28:58 |
MISS CARTER IS HERE. |
| 01:28:59 |
BRING HER IN, THEN JOIN |
| 01:29:07 |
VERY SMART, MR. GORDON. |
| 01:29:08 |
HAVING ME MANHANDLED |
| 01:29:11 |
WHILE YOU PLAY RUSSIAN BANK |
| 01:29:14 |
WHO DO YOU THINK YOU ARE? |
| 01:29:18 |
JOEL, WHETHER YOU HEARD |
| 01:29:21 |
THERE'S A WAR |
| 01:29:23 |
THERE'S A WAR GOING ON |
| 01:29:25 |
YOU HAVE BEEN MAKING SOMETHING |
| 01:29:28 |
AFTER ALL, |
| 01:29:30 |
YOU'RE STANDING THERE |
| 01:29:31 |
LONG-SUFFERING MARTYR |
| 01:29:32 |
JUST WAITING FOR ME |
| 01:29:44 |
YOU DON'T WANT TO SEND |
| 01:29:47 |
NO, DARLING. |
| 01:29:50 |
I MUST STAY HERE |
| 01:29:51 |
BUT I'LL SEE YOU |
| 01:29:53 |
YES, DEAR. |
| 01:29:54 |
YOU KNOW, BILL, |
| 01:29:57 |
UH, I CAN'T HELP BEING |
| 01:29:59 |
AND GIDDY ABOUT YOU EVERY- |
| 01:30:20 |
DON'T SHOOT. |
| 01:30:23 |
IT'S PATRICK O'REILLY FROM |
| 01:30:27 |
I NEVER SHOT A MAN BY NAME OF |
| 01:30:31 |
HERE. NO, YOU DON'T. |
| 01:30:32 |
I'LL HAVE THE HANDCUFFS |
| 01:30:34 |
GORDON! |
| 01:30:35 |
ALL PRESENT AND |
| 01:30:37 |
GET ON |
| 01:30:38 |
QUICK! |
| 01:30:40 |
TAKE HIM OUT, BOYS. |
| 01:30:42 |
HOW ABOUT THE REST |
| 01:30:44 |
WELL, THEY'RE ALL PRESENT |
| 01:30:46 |
NOT QUITE ALL, SIR. |
| 01:30:48 |
REILLY. |
| 01:30:49 |
THERE'S A DR. JACKSON |
| 01:30:52 |
YES, SIR. |
| 01:30:54 |
HE'S |
| 01:30:55 |
PHONE SAN DIEGO |
| 01:30:56 |
RIGHT AWAY, SIR. |
| 01:30:58 |
WELL, IT WAS MIGHTY |
| 01:30:59 |
TO SEND OUT THIS MESSAGE |
| 01:31:02 |
MR. CARTER, |
| 01:31:03 |
ON YOUR |
| 01:31:05 |
YES, AND YOU ALMOST LOST. |
| 01:31:06 |
WHAT SAVED YOU WAS MY KNOWING |
| 01:31:09 |
UNDER THE FALSE CODE |
| 01:31:11 |
AND SO THE GERMANS COULDN'T POSSIBLY |
| 01:31:14 |
HOW ABOUT |
| 01:31:16 |
JOEL! |
| 01:31:17 |
HOW LONG HAVE |
| 01:31:18 |
HIDING? HUH! |
| 01:31:21 |
HE DID IT. |
| 01:31:22 |
HE HIT ME OVER |
| 01:31:23 |
I WHAT?! |
| 01:31:24 |
HE TOLD ME HE LOVED ME |
| 01:31:26 |
AND THEN HE HIT ME OVER |
| 01:31:27 |
MY DEAR CHILD, |
| 01:31:30 |
HMM! THE NEXT THING YOU'LL BE TELLING |
| 01:31:34 |
UH- |
| 01:31:36 |
JOEL... |
| 01:31:37 |
AH, DON'T YOU DARE |
| 01:31:39 |
JOEL, DEAR. |
| 01:31:40 |
WELL- |
| 01:31:42 |
CAN YOU READ? |
| 01:31:45 |
IT'S VERY INTERESTING. |
| 01:31:46 |
WHAT IS IT? |
| 01:31:47 |
LATITUDE 37 NORTH, |
| 01:31:51 |
IN OTHER WORDS, |
| 01:31:54 |
THE RENDEZVOUS POSITION |
| 01:31:58 |
NONSENSE. THAT'S |
| 01:32:04 |
MY SWEET, WHEN YOU |
| 01:32:06 |
WERE YOU EVER |
| 01:32:08 |
HMM. |
| 01:32:10 |
DO YOU MEAN TO TELL ME ALL |
| 01:32:13 |
AH... |
| 01:32:14 |
CAME THE DAWN. |
| 01:32:16 |
HEH HEH HEH. |
| 01:32:18 |
THEN THAT WOMAN |
| 01:32:19 |
WELL, I GUESS THAT OUGHT |
| 01:32:23 |
RUNNING AROUND |
| 01:32:25 |
WELL, GORDON, YOU |
| 01:32:26 |
HOW DO YOU FEEL |
| 01:32:27 |
I THINK |
| 01:32:29 |
YOU MEAN TO SAY THAT YOU |
| 01:32:30 |
WHY, I CERTAINLY DO. |
| 01:32:32 |
YOU PROMISED ME THAT AS |
| 01:32:34 |
I COULD GO. |
| 01:32:35 |
NO, NO, NO, NO, |
| 01:32:36 |
DON'T YOU DARE |
| 01:32:37 |
HE'S JUST TRYING TO GET |
| 01:32:40 |
AND TO THINK I COULD |
| 01:32:52 |
OH, DARLING, I THINK |
| 01:32:55 |
A WIFE'S PLACE IS |
| 01:32:56 |
WHEN HE'S IN PARIS. |
| 01:32:58 |
AH, BUT I'LL BE UP |
| 01:33:00 |
BUT YOU COULD |
| 01:33:02 |
OR WE COULD GET THE GERMANS |
| 01:33:04 |
THEN I WOULDN'T HAVE |
| 01:33:05 |
NO, DARLING. YOU CAN DO |
| 01:33:08 |
AS YOU COULD IN PARIS. |
| 01:33:09 |
ALL ABOARD! |
| 01:33:13 |
I HATE GOOD-BYES, |
| 01:33:15 |
OF COURSE. |
| 01:33:17 |
I WISH YOU'D KISS ME |
| 01:33:18 |
AND LEAVE ME |
| 01:33:20 |
THEN I COULD JUST STAND RIGHT |
| 01:33:24 |
FOR A PACKAGE |
| 01:33:25 |
THAT'S RIGHT, DARLING. |
| 01:33:26 |
I'VE JUST LEFT FOR A MINUTE, |
| 01:33:29 |
AND WHILE I'M GONE, |
| 01:33:32 |
PLEASE BE MISERABLE |
| 01:33:43 |
LIEUTENANT GORDON? |
| 01:33:44 |
YES. |
| 01:33:45 |
MAJOR SLOAN'S |
| 01:33:46 |
YOU'RE TO REPORT BACK |
| 01:33:47 |
AT ONCE FOR DUTY. |
