|
Rent Filmed Live on Broadway
|
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We begin on Christmas Eve with me, |
| 00:01:52 |
We live in an industrial loft on the |
| 00:01:56 |
It's the top floor of what was once |
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Old rock 'n' roll posters |
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They have Roger's picture |
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...at CBGB's and the Pyramid Club. |
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We have an illegal |
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Its exhaust pipe crawls up |
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All of our electrical appliances |
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...into one thick extension cord |
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Outside, a small tent city has sprung |
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Inside, it's freezing |
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Smile! |
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December 24th, 9 p. m. |
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From here on in, |
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See if anything comes of it |
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First shot Roger |
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Tuning the Fender guitar |
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- This won't tune |
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He's just coming back |
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- You talking to me? |
| 00:03:04 |
Are you ready? |
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Tell the folks at home |
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I'm writing one great- |
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- The phone rings |
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Re-screen |
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- Speak. |
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That was a very loud beep |
| 00:03:26 |
Mark? Mark? Are you there? |
| 00:03:27 |
Are you screening your calls? |
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We wanted to call |
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And we'll miss you tomorrow |
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Cindy and the kids are here |
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Oh, I hope you like the hot plate |
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Just don't leave it on, dear |
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Oh, and Mark |
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We're sorry to hear |
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I say c'est la vie |
| 00:03:53 |
There are other fishies in the sea |
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Tell the folks at home |
| 00:04:00 |
- I'm writing one great song |
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We screen |
| 00:04:05 |
- Speak. |
| 00:04:07 |
- Chestnuts roasting |
| 00:04:10 |
- I'm downstairs |
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Roger picked up the phone? |
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- No, it's me |
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A wild night is now preordained |
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I may be detained |
| 00:04:22 |
What does he mean? |
| 00:04:24 |
What do you mean, detained? |
| 00:04:27 |
- Benny. Shit. |
| 00:04:28 |
- Dudes, I'm on my way |
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- I need the rent |
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- This past year's rent, which I let slide. |
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You said we were golden. |
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- When you bought the building |
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- Remember, you lived here? |
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You, me, Collins and Maureen. |
| 00:04:44 |
How is the drama queen? |
| 00:04:45 |
She's performing tonight. |
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I know. |
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Two days ago, I was bumped. |
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- You still dating her? |
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- She's in love |
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- Well, no- |
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- Joanne. |
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Rent, my amigos, is due, |
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Be there in a few. |
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The power blows. |
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How do you document real life |
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When real life's getting more |
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Headlines, bread lines |
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And now this deadline |
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Rent |
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How do you write a song |
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Though they once sounded |
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When the notes are sour |
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You once had to ignite the air? |
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- We're hungry and frozen |
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- How we gonna pay? |
| 00:06:09 |
- How we gonna pay? |
| 00:06:12 |
- How we gonna pay |
| 00:06:15 |
- Last year's rent? |
| 00:06:19 |
We light candles. |
| 00:06:26 |
How do you start a fire |
| 00:06:29 |
And it feels like something's stuck |
| 00:06:34 |
How can you generate heat |
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- And they're turning blue? |
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You light up a mean blaze |
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- With posters |
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- How we gonna pay? |
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- How we gonna pay? |
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- How we gonna pay |
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- Last year's rent? |
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Don't screen, Maureen, it's me. |
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Joanne, your substitute |
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Hey, hey, hey. Did you eat? |
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Don't change the subject, Maureen |
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But, darling, |
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You won't throw up |
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The digital delay |
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There may have been one teeny, |
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You're not calling Mark. |
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How do you stay on your feet |
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When on every street |
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And tonight it's trick? |
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Welcome back to town |
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Everything's brown |
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- Where is he? |
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- How we gonna pay? |
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How we gonna pay? |
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How we gonna pay |
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Last year's rent? |
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Allison, baby |
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I can't believe those two |
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Ever since our wedding, I'm dirt |
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I can help them all out |
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The music ignites the night |
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- With passionate fire |
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The narration crackles and pops |
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Could never be a theater person. |
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Zoom in as they burn the past |
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And feel the heat |
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Hello. Maureen. |
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Your equipment won't work? |
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How do you leave the past behind |
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When it keeps finding ways |
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It reaches way down deep |
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Till you're torn apart |
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How can you connect in an age |
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Your own blood cells betray? |
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What binds the fabric together |
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When the raging, shifting winds |
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Draw a line in the sand |
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- Use your camera to spar |
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When they act tough |
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We're not gonna pay |
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We're not gonna pay |
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We're not gonna pay |
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Last year's rent |
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This year's rent |
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Next year's rent |
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Rent, rent, rent, rent, rent |
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We're not gonna pay rent |
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'Cause everything is rent |
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Christmas bells are ringing |
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Christmas bells are ringing |
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Somewhere else, not here |
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You okay, honey? |
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I'm afraid so |
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They get any money? |
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No, had none to get |
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But they purloined my coat |
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Well, you missed a sleeve |
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- Thanks |
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I'm Angel |
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Angel |
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Indeed. |
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An angel of the first degree |
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Friends call me Collins. |
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Tom Collins. |
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Nice tree |
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Let's get a Band-Aid for your knee |
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There's a Life Support meeting |
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Yes, this body |
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For the Acquired Immune |
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- As does mine |
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Get you a coat |
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- I'm flush |
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You're cute when you blush |
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The more, the merry |
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And I do not take no |
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- Where are you going? |
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You're such a sucker. |
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I don't suppose you'd like to see |
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...or come to dinner? |
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Zoom in on my empty wallet. |
| 00:11:58 |
Touché. |
| 00:11:59 |
Take your AZT. |
| 00:12:02 |
Close on Roger |
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His girlfriend April left a note |
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Before slitting her wrists |
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I'll check up on you later. |
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If you change your mind... |
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I'm writing one great song |
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God. |
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One song |
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One song before I go |
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Glory |
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Find one song |
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One last refrain |
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Glory |
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Who wasted opportunity |
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One song |
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Glory |
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A young girl |
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Find glory |
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Beyond the cheap colored lights |
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One song |
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Glory |
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On another empty life |
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Time flies |
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Time dies |
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Glory |
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One blaze of glory |
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One blaze of glory |
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Glory |
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Find glory |
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In a song that rings true |
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An eternal flame |
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Find one song |
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A song about love |
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From the soul of a young man |
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A young man |
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Find the one song |
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Glory |
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One song |
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Time flies |
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And then no need |
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Time dies |
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The door. |
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- What'd you forget? |
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I know you, you're- |
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You're shivering |
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It's nothing |
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And I'm just a little weak on my feet |
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- What are you staring at? |
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Your hair in the moonlight |
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You look familiar |
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- Can you make it? |
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At least the room |
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- What? |
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- Your smile reminded me of- |
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- Who is she? |
| 00:16:24 |
- Her name was April |
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Sorry 'bout your friend |
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- Well? |
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Oh, the wax |
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- It's- |
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- I like it between my- |
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I figured |
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Oh, well, good night |
| 00:17:00 |
- It blew out again? |
| 00:17:05 |
I know I've seen you out and about |
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When I used to go out |
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Your candle's out |
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I'm illin' |
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It was pure |
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The floor? |
| 00:17:21 |
They say that I have the best ass |
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- Is it true? |
| 00:17:28 |
- You're staring again |
| 00:17:31 |
I mean, you do have a nice- |
| 00:17:34 |
I mean, you look familiar |
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- Like your dead girlfriend |
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But I'm sure I've seen you |
| 00:17:42 |
Do you go to the Cat Scratch Club? |
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I dance |
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Yes |
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It's a living |
| 00:17:53 |
I didn't recognize you |
| 00:17:57 |
We could light the candle |
| 00:18:03 |
Oh, won't you light the candle? |
| 00:18:12 |
Why don't you forget that stuff? |
| 00:18:14 |
- You look like you're 16 |
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But I'm old for my age |
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I once was born to be bad |
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- I have no heat, I told you |
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- I got a cold |
| 00:18:34 |
- But now and then I like to feel good |
| 00:18:37 |
- Oh, here |
| 00:18:39 |
Candy-bar wrapper. |
| 00:18:41 |
We could light the candle |
| 00:18:48 |
Oh, what'd you do to my candle? |
| 00:18:57 |
- That was my last match |
| 00:19:01 |
- Thank God for the moon |
| 00:19:06 |
I hear Spike Lee's shootin' |
| 00:19:09 |
Bah humbug |
| 00:19:13 |
Bah humbug |
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- Cold hands |
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Big |
| 00:19:23 |
Do you wanna dance? |
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With you? |
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- No, with my father |
| 00:19:32 |
They call me |
| 00:19:34 |
They call me Mimi |
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Hi, you've reached Maureen |
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Don't forget "Over the Moon," |
| 00:19:57 |
...protesting the eviction of the |
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...from the 11th Street lot tonight |
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Party at Life Cafe to follow. |
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Well, Joanne, we're off |
| 00:20:09 |
And they said you were |
| 00:20:13 |
Remind her that those unwed |
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Call Daisy for our itinerary |
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Or Eileen at the State Department |
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We'll be at the spa for New Year's |
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- The hearings |
| 00:20:27 |
Mommy's confirmation hearings |
| 00:20:30 |
We'll need you alone |
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- Harold! |
| 00:20:34 |
Just three weeks away |
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- I am not |
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No Doc Martens this time |
| 00:20:44 |
- Have a merry |
| 00:20:50 |
Enter Tom Collins. |
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Computer genius, teacher, |
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...who ran naked |
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Bustelo, Marlboro |
| 00:21:06 |
A box of Cap'n Crunch |
| 00:21:10 |
- And firewood |
| 00:21:14 |
- Hold your applause |
| 00:21:17 |
- "Oh, hi," after seven months? |
| 00:21:19 |
This boy could use some Stoli |
| 00:21:22 |
Oh, holy night |
| 00:21:24 |
You struck gold at MIT |
| 00:21:28 |
They expelled me for my theory |
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...which I'll soon impart to the couch |
| 00:21:36 |
- Still haven't left the house? |
| 00:21:40 |
Well, tonight's the night. Come to |
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No flow. |
| 00:21:44 |
Gentlemen, our benefactor |
| 00:21:48 |
Whose charity is only matched |
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A new member of the Alphabet City |
| 00:21:57 |
Angel Dumott Schunard |
| 00:22:14 |
Today for you |
| 00:22:20 |
Today for you |
| 00:22:23 |
- And you should hear her beat |
| 00:22:27 |
It was my lucky day today |
| 00:22:31 |
When a lady in a limousine |
| 00:22:34 |
She said, "Darling, be a dear |
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I need your help to make my |
| 00:22:42 |
This Akita, Evita, just won't shut up |
| 00:22:48 |
That pup will breathe its very last |
| 00:22:53 |
I'm certain that cur |
| 00:22:57 |
Today for you |
| 00:23:00 |
Today for you |
| 00:23:04 |
We agreed on a fee |
| 00:23:08 |
And a bonus if I trim her tree |
| 00:23:11 |
Now, who could foretell |
| 00:23:15 |
But sure as I am here |
| 00:23:18 |
After an hour, Evita, in all her glory |
| 00:23:22 |
From a window ledge |
| 00:23:26 |
Like Thelma and Louise did |
| 00:23:29 |
Swan-dove into the courtyard |
| 00:23:33 |
Today for you |
| 00:23:37 |
Today for you |
| 00:23:45 |
You go, girl. |
| 00:23:55 |
Back on the street |
| 00:23:58 |
Where he was moaning and groaning |
| 00:24:02 |
The nurse took him home |
| 00:24:06 |
Then I dressed his wounds |
| 00:24:09 |
Sing it |
| 00:24:11 |
Tomorrow for me |
| 00:24:13 |
Today for you |
| 00:24:16 |
I said |
| 00:24:19 |
Tomorrow for me |
| 00:24:22 |
Tomorrow |
| 00:24:27 |
For me |
| 00:24:35 |
Joy to the world |
| 00:24:38 |
Hey. You bum. Yeah, you. |
| 00:24:40 |
Get your ass off that Range Rover. |
| 00:24:43 |
That attitude toward the homeless... |
| 00:24:45 |
...is exactly what Maureen |
| 00:24:48 |
Close-up: Our ex-roommate, |
| 00:24:51 |
...who married Allison Grey |
| 00:24:54 |
...then bought our building |
| 00:24:56 |
...from his father-in-law, |
| 00:25:00 |
Maureen is protesting |
| 00:25:04 |
Not my attitude |
| 00:25:08 |
What happened to Benny? |
| 00:25:11 |
What happened to his heart |
| 00:25:17 |
Any owner of that lot next door |
| 00:25:19 |
Has the right to do with it |
| 00:25:24 |
Happy birthday, Jesus |
| 00:25:26 |
- The rent |
| 00:25:27 |
- We're broke |
| 00:25:30 |
There is one way |
| 00:25:33 |
I knew it. |
| 00:25:34 |
Next door, the home of CyberArts |
| 00:25:36 |
And now that the block is rezoned |
| 00:25:42 |
You'll see, boys |
| 00:25:46 |
You'll see, boys |
| 00:25:51 |
A state-of-the-art, digital |
| 00:25:55 |
I'll forgo your rent |
| 00:25:59 |
That you can stay here for free |
| 00:26:01 |
- If you do me one small favor. |
| 00:26:03 |
Convince Maureen |
| 00:26:06 |
Why not just get an injunction |
| 00:26:08 |
I did, and they're on standby. |
| 00:26:11 |
But my investors would rather |
| 00:26:16 |
You can't wipe out |
| 00:26:18 |
...then watch It's a Wonderful Life |
| 00:26:20 |
You wanna produce films |
| 00:26:22 |
You need somewhere to do it |
| 00:26:24 |
It's what we used to dream about |
| 00:26:28 |
You'll see, boys |
| 00:26:32 |
You'll see, boys |
| 00:26:36 |
You'll see the beauty of a studio |
| 00:26:40 |
That lets us do our work |
| 00:26:44 |
With condos on the top |
| 00:26:49 |
Just stop the protest |
| 00:26:52 |
You'll see |
| 00:26:55 |
Or you'll pack. |
| 00:26:56 |
That boy could use some Prozac. |
| 00:26:58 |
- Or heavy drugs. |
| 00:27:00 |
Which reminds me, |
| 00:27:03 |
Anyone who wants to |
| 00:27:06 |
Life Support's a group for people |
| 00:27:08 |
We don't have to stay too long. |
| 00:27:10 |
First I've got a protest to save |
| 00:27:12 |
- Pleasure. |
| 00:27:14 |
- Behave. |
| 00:27:15 |
He's just got other things |
| 00:27:18 |
We'll see, boys |
| 00:27:22 |
We'll see, boys |
| 00:27:26 |
Let it be, boys |
| 00:27:30 |
- I like boys |
| 00:27:34 |
We'll see |
| 00:27:42 |
And so, into the abyss |
| 00:27:44 |
The lot, where a small stage |
| 00:27:48 |
Line in. |
| 00:27:51 |
- Close on Mark's nose dive. |
| 00:27:53 |
Will he get out of here alive? |
| 00:27:56 |
- Mark? |
| 00:27:58 |
I told her not to call you |
| 00:28:01 |
That's Maureen, but can I help |
| 00:28:05 |
I've hired an engineer. |
| 00:28:09 |
Great. |
| 00:28:11 |
So nice to have met you. |
| 00:28:13 |
Wait. |
| 00:28:16 |
She's three hours late. |
| 00:28:22 |
The samples won't delay |
| 00:28:25 |
There's another way |
| 00:28:28 |
Test, one, two, three |
| 00:28:30 |
Anything but that |
| 00:28:35 |
- This is weird |
| 00:28:37 |
- Very weird |
| 00:28:38 |
I'm so mad that |
| 00:28:42 |
Fighting with microphones |
| 00:28:46 |
And to top it all off |
| 00:28:50 |
Feel like going insane? |
| 00:28:53 |
And you're thinking |
| 00:28:57 |
- As a matter of fact |
| 00:29:01 |
It's called the Tango: Maureen |
| 00:29:05 |
The Tango: Maureen |
| 00:29:08 |
It's a dark, dizzy merry-go-round |
| 00:29:12 |
- As she keeps you dangling |
| 00:29:16 |
- Your heart she is mangling |
| 00:29:20 |
And you toss and you turn |
| 00:29:22 |
'Cause her cold eyes can burn |
| 00:29:23 |
Yet you yearn, and you churn |
| 00:29:27 |
I think I know what you mean |
| 00:29:30 |
- The Tango: Maureen |
| 00:29:35 |
Has she ever pouted her lips |
| 00:29:41 |
Never. |
| 00:29:42 |
Have you ever |
| 00:29:46 |
This is spooky |
| 00:29:50 |
Did you swoon |
| 00:29:53 |
Every time, so be cautious |
| 00:29:57 |
Did she moon over other boys? |
| 00:30:00 |
- More than moon |
| 00:30:33 |
Where'd you learn how to tango? |
| 00:30:35 |
With the French ambassador's |
| 00:30:39 |
And you? |
| 00:30:40 |
With Nanette Himmelfarb, |
| 00:30:42 |
...at the Scarsdale Jewish |
| 00:30:47 |
It's hard to do this backwards. |
| 00:30:49 |
You should try it in heels. |
| 00:30:52 |
- She cheated |
| 00:30:53 |
- Maureen cheated |
| 00:30:55 |
I'm defeated |
| 00:30:59 |
Gotta look on the bright side |
| 00:31:03 |
I'd fall for her still, anyhow |
| 00:31:06 |
When you're dancing her dance |
| 00:31:11 |
Her grip of romance makes you fall |
| 00:31:14 |
- So you think, "Might as well" |
| 00:31:18 |
"At least I'll have tangoed at all" |
| 00:31:21 |
The Tango: Maureen |
| 00:31:25 |
Gotta dance till your diva is through |
| 00:31:29 |
You pretend to believe her |
| 00:31:33 |
'Cause in the end |
| 00:31:37 |
But the end, it will come |
| 00:31:40 |
Till you're glum and you bum |
| 00:31:44 |
Why do we love when she's mean? |
| 00:31:47 |
And she can be so obscene |
| 00:31:51 |
Try the mike. |
| 00:31:52 |
My Maureen |
| 00:31:55 |
- Patched. |
| 00:31:58 |
You know, I feel great now. |
| 00:32:01 |
I feel lousy. |
| 00:32:09 |
Hey, honey. We're- "Pookie"? |
| 00:32:13 |
You never called me "Pookie. " |
| 00:32:19 |
Forget it. We're patched. |
| 00:32:23 |
The Tango: Maureen |
| 00:32:42 |
Steve. |
| 00:32:44 |
Gordon. |
| 00:32:45 |
Ali. |
| 00:32:46 |
- Pam. |
| 00:32:48 |
Hi. I'm Angel. |
| 00:32:50 |
Tom. Collins. |
| 00:32:52 |
I'm Paul. Let's begin. |
| 00:32:56 |
There's only us |
| 00:33:00 |
There's only this |
| 00:33:04 |
Sorry. Excuse me. |
| 00:33:06 |
And you are...? |
| 00:33:08 |
Oh, I'm not- I'm just here- |
| 00:33:12 |
Mark |
| 00:33:14 |
Mark |
| 00:33:17 |
Well, this is quite an operation |
| 00:33:20 |
Sit down, Mark. |
| 00:33:22 |
We'll continue the affirmation. |
| 00:33:25 |
Forget regret |
| 00:33:28 |
Or life is yours to miss |
| 00:33:31 |
Excuse me, Paul |
| 00:33:34 |
This credo |
| 00:33:36 |
My T-cells are low. |
| 00:33:39 |
All right, but, Gordon |
| 00:33:42 |
- What do you mean? |
| 00:33:45 |
- Okay. |
| 00:33:47 |
- Best I've felt all year |
| 00:33:50 |
I'm a New Yorker |
| 00:33:56 |
Look, I find |
| 00:34:00 |
Because I'm used to |
| 00:34:04 |
But I try to open up |
| 00:34:08 |
Because reason says |
| 00:34:12 |
Three years ago |
| 00:34:17 |
No other road |
| 00:34:20 |
No other way |
| 00:34:23 |
No day but today |
| 00:34:41 |
What's the time? |
| 00:34:43 |
Well, it's gotta be close to midnight |
| 00:34:47 |
My body's talking to me |
| 00:34:53 |
It says, "I wanna commit a crime |
| 00:34:57 |
Wanna be the cause of a fight |
| 00:35:00 |
I wanna put on a tight skirt |
| 00:35:03 |
And flirt with a stranger" |
| 00:35:08 |
I've had a knack from way back |
| 00:35:11 |
At breaking the rules |
| 00:35:14 |
Get up, life's too quick |
| 00:35:17 |
Where this chick'll |
| 00:35:21 |
We don't need any money |
| 00:35:25 |
I always get in for free |
| 00:35:28 |
You can get in too |
| 00:35:30 |
If you get in with me |
| 00:35:33 |
Let's go |
| 00:35:35 |
Out tonight |
| 00:35:41 |
I have to go |
| 00:35:42 |
Out tonight |
| 00:35:49 |
You wanna play? |
| 00:35:51 |
We won't be back |
| 00:35:56 |
Take me out tonight |
| 00:36:01 |
Meow. |
| 00:36:07 |
Yeah |
| 00:36:09 |
When I get a wink |
| 00:36:13 |
Do you know how lucky you'll be? |
| 00:36:15 |
That you're on the line |
| 00:36:17 |
With the feline of Avenue B |
| 00:36:22 |
Let's go |
| 00:36:23 |
Out tonight |
| 00:36:28 |
I have to go |
| 00:36:30 |
Out tonight |
| 00:36:36 |
You wanna prowl? |
| 00:36:40 |
Well, take my hand, we're gonna |
| 00:36:42 |
Howl |
| 00:36:45 |
Out tonight |
| 00:36:50 |
In the evening I gotta roam |
| 00:36:54 |
Can't sleep in the city |
| 00:36:57 |
Feels too damn much like home |
| 00:37:00 |
When the Spanish babies cry |
| 00:37:05 |
So let's find a bar |
| 00:37:07 |
So dark we forget who we are |
| 00:37:11 |
Where all the scars |
| 00:37:17 |
Let's go |
| 00:37:19 |
Out tonight |
| 00:37:24 |
I have to go |
| 00:37:26 |
Out tonight |
| 00:37:33 |
You're sweet |
| 00:37:35 |
Wanna wail at the moon |
| 00:37:39 |
Just take me |
| 00:37:41 |
Out tonight |
| 00:37:45 |
Please take me |
| 00:37:47 |
Out tonight |
| 00:37:52 |
Don't forsake me |
| 00:37:54 |
Out tonight |
| 00:37:58 |
I'll let you make me |
| 00:38:02 |
Out tonight |
| 00:38:05 |
Tonight |
| 00:38:07 |
Tonight |
| 00:38:21 |
Who do you think you are? |
| 00:38:24 |
Barging in on me and my guitar |
| 00:38:27 |
Little girl, hey, the door is that way |
| 00:38:30 |
You better go |
| 00:38:34 |
Take your powder |
| 00:38:36 |
Your sweet whisper |
| 00:38:40 |
Well, take your hair |
| 00:38:42 |
Your brown eyes |
| 00:38:49 |
I should tell you |
| 00:38:51 |
I should tell you, I should- |
| 00:38:54 |
Another time, another place |
| 00:38:57 |
Our temperature would climb |
| 00:39:00 |
We'd do another dance |
| 00:39:03 |
Looking for romance? |
| 00:39:05 |
Come back another day |
| 00:39:09 |
Another day |
| 00:39:13 |
The heart may freeze |
| 00:39:16 |
Or it can burn |
| 00:39:20 |
The pain will ease |
| 00:39:23 |
If I can learn |
| 00:39:26 |
There is no future |
| 00:39:29 |
There is no past |
| 00:39:32 |
I live this moment as |
| 00:39:35 |
My last |
| 00:39:39 |
There's only us |
| 00:39:42 |
There's only this |
| 00:39:45 |
Forget regret |
| 00:39:49 |
Or life is yours to miss |
| 00:39:52 |
No other road |
| 00:39:55 |
No other way |
| 00:39:59 |
No day but today |
| 00:40:04 |
Excuse me if I'm off track |
| 00:40:07 |
But if you're so wise |
| 00:40:09 |
Why do you need smack? |
| 00:40:10 |
Take your needle |
| 00:40:12 |
Take your fancy prayer |
| 00:40:13 |
Don't forget |
| 00:40:17 |
Long ago you might have |
| 00:40:19 |
But the fire's dead |
| 00:40:26 |
Another time |
| 00:40:28 |
The words would only rhyme |
| 00:40:32 |
It'd be another song |
| 00:40:35 |
You wanna prove me wrong? |
| 00:40:41 |
Another day |
| 00:40:45 |
There's only yes |
| 00:40:49 |
Only tonight |
| 00:40:52 |
We must let go |
| 00:40:55 |
To know what's right |
| 00:40:58 |
No other course |
| 00:41:02 |
No other way |
| 00:41:05 |
No day but today |
| 00:41:11 |
I can't control |
| 00:41:14 |
Control your temper |
| 00:41:17 |
My destiny |
| 00:41:21 |
She doesn't see |
| 00:41:24 |
I trust my soul |
| 00:41:27 |
- Who says that there's a soul? |
| 00:41:30 |
Is just to be |
| 00:41:34 |
Just let me be |
| 00:41:36 |
- Who do you think you are? |
| 00:41:42 |
- Barging in on me and my guitar |
| 00:41:49 |
- Little girl, hey |
| 00:41:52 |
- The door is that way |
| 00:41:56 |
No day but today |
| 00:41:59 |
The fire's out anyway |
| 00:42:02 |
No day but today |
| 00:42:04 |
Take your powder |
| 00:42:08 |
No day but today |
| 00:42:10 |
Take your brown eyes |
| 00:42:14 |
No day but today |
| 00:42:17 |
Another time, another place |
| 00:42:21 |
No day but today |
| 00:42:23 |
Another dance |
| 00:42:26 |
Another day |
| 00:42:29 |
No day but today |
| 00:42:48 |
I'm writing one great song |
| 00:42:53 |
Before I... |
| 00:43:06 |
Will I lose my dignity? |
| 00:43:10 |
Will someone care? |
| 00:43:16 |
Will I wake tomorrow |
| 00:43:19 |
From this nightmare? |
| 00:43:26 |
Will I lose my dignity? |
| 00:43:30 |
Will someone care? |
| 00:43:37 |
Will I wake tomorrow |
| 00:43:40 |
From this nightmare? |
| 00:43:47 |
- Will I lose my dignity? |
| 00:43:52 |
Will someone care? |
| 00:43:54 |
Will someone care? |
| 00:43:57 |
- Will I wake tomorrow |
| 00:44:02 |
- From this nightmare? |
| 00:44:08 |
- Will I lose my dignity? |
| 00:44:12 |
- Will someone care? |
| 00:44:18 |
- Will I wake tomorrow |
| 00:44:22 |
- From this nightmare? |
| 00:44:29 |
- Will I lose my dignity? |
| 00:44:33 |
Will I lose my dignity? |
| 00:44:34 |
- Will someone care? |
| 00:44:39 |
- Will I wake tomorrow |
| 00:44:44 |
- From this nightmare? |
| 00:45:07 |
Christmas bells are ringing |
| 00:45:11 |
- Christmas bells are ringing |
| 00:45:16 |
Christmas bells are ringing |
| 00:45:20 |
Out of town |
| 00:45:29 |
Honest living, man. |
| 00:45:42 |
Evening, officer. |
| 00:45:44 |
Smile for Ted Koppel, |
| 00:45:50 |
And a merry Christmas |
| 00:45:54 |
Right. |
| 00:46:01 |
Who the fuck do you think you are? |
| 00:46:07 |
From some |
| 00:46:09 |
My life's not for you |
| 00:46:15 |
Easy, sugar, easy |
| 00:46:19 |
Just trying to use me |
| 00:46:22 |
It's not that kind of movie, honey. |
| 00:46:25 |
Let's go. This line is full |
| 00:46:32 |
Hey. Artist. You got a dollar? |
| 00:46:38 |
Yeah, I thought not. |
| 00:46:46 |
New York City. |
| 00:46:48 |
Center of the universe |
| 00:46:50 |
Sing it, girl. |
| 00:46:51 |
Times are shitty, but I'm pretty sure |
| 00:46:54 |
I hear you. |
| 00:46:55 |
It's a comfort to know |
| 00:46:57 |
When you're singing |
| 00:46:59 |
That anywhere else you could |
| 00:47:05 |
A pleasure cruise |
| 00:47:07 |
Now you're talking. |
| 00:47:10 |
Well, I'm thwarted by a |
| 00:47:15 |
And I'm sick of grading papers |
| 00:47:20 |
I'm shouting in my sleep |
| 00:47:24 |
All this misery pays no salary |
| 00:47:28 |
Let's open up a restaurant |
| 00:47:33 |
Sunny Santa Fe would be nice |
| 00:47:38 |
We'll open up a restaurant |
| 00:47:42 |
And leave this |
| 00:48:03 |
- You teach? |
| 00:48:05 |
Computer Age Philosophy. |
| 00:48:07 |
But my students |
| 00:48:10 |
- America. |
| 00:48:12 |
You're a sensitive aesthete |
| 00:48:14 |
Brush the sauce onto the meat |
| 00:48:16 |
You can make the menu |
| 00:48:21 |
You can drum a gentle drum |
| 00:48:23 |
And I can seat guests as they come |
| 00:48:25 |
Chatting not about Heidegger |
| 00:48:30 |
Let's open up a restaurant |
| 00:48:34 |
- Santa Fe |
| 00:48:38 |
- Gain |
| 00:48:39 |
We'll open up a restaurant |
| 00:48:43 |
- Santa Fe |
| 00:48:46 |
Save our brains |
| 00:48:48 |
We'll pack up all our junk |
| 00:48:52 |
Devote ourselves to projects |
| 00:48:57 |
We'll open up a restaurant |
| 00:49:02 |
Forget this cold bohemian hell |
| 00:49:31 |
Do you know the way |
| 00:49:36 |
You know, tumbleweeds |
| 00:49:39 |
Prairie dogs |
| 00:49:43 |
Yeah |
| 00:49:53 |
I'll see you at the show |
| 00:50:00 |
- Alone at last |
| 00:50:03 |
- I've been hearing violins all night. |
| 00:50:09 |
Are we a thing? |
| 00:50:12 |
Darling, we're everything. |
| 00:50:14 |
Live in my house |
| 00:50:17 |
I'll be your shelter |
| 00:50:19 |
Just pay me back |
| 00:50:24 |
Be my lover |
| 00:50:26 |
And I'll cover you |
| 00:50:32 |
Open your door |
| 00:50:36 |
Don't got much baggage |
| 00:50:40 |
But sweet kisses I've got to spare |
| 00:50:44 |
I'll be there and I'll cover you |
| 00:50:49 |
- I think they meant it |
| 00:50:52 |
When they said you can't buy love |
| 00:50:54 |
Now I know you can rent it |
| 00:50:55 |
- A new lease you are, my love |
| 00:50:59 |
- On life |
| 00:51:02 |
- Be my life |
| 00:51:10 |
- Girl, where you taking me? |
| 00:51:13 |
- All right. |
| 00:51:16 |
Just slip me on |
| 00:51:18 |
I'll be your blanket |
| 00:51:20 |
Wherever, whatever |
| 00:51:22 |
I'll be your coat |
| 00:51:25 |
You'll be my king |
| 00:51:29 |
No, you'll be my queen |
| 00:51:33 |
I think they meant it |
| 00:51:35 |
When they said you can't buy love |
| 00:51:38 |
Now I know you can rent it |
| 00:51:40 |
A new lease you are, my love |
| 00:51:43 |
- On life |
| 00:51:46 |
- All my life |
| 00:51:51 |
- I've longed to discover |
| 00:51:53 |
- Something as true as this is |
| 00:51:59 |
- So with a thousand sweet kisses |
| 00:52:04 |
I'll cover you |
| 00:52:06 |
- You've got one nickel only |
| 00:52:08 |
With a thousand sweet kisses |
| 00:52:10 |
- When you're worn-out and tired |
| 00:52:13 |
With a thousand sweet kisses |
| 00:52:15 |
- When your heart has expired |
| 00:52:17 |
- Oh, lover |
| 00:52:21 |
- I'll cover you |
| 00:52:23 |
- Yeah, yeah, yeah |
| 00:52:26 |
- Oh, lover |
| 00:52:30 |
- I'll cover you |
| 00:52:47 |
Steve, Joanne. The Murget case? |
| 00:52:52 |
We're okay |
| 00:52:54 |
Honey bear, wait |
| 00:52:57 |
Yes, I have the cowbell |
| 00:53:02 |
So tell them we'll sue |
| 00:53:04 |
Sexual harassment |
| 00:53:07 |
Oh, Steve, you're great |
| 00:53:10 |
Did you cheat on Mark |
| 00:53:12 |
We're okay |
| 00:53:15 |
Honey, hold on. |
| 00:53:19 |
Hello? |
| 00:53:20 |
Dad, yes, I beeped you |
| 00:53:23 |
Maureen is coming |
| 00:53:25 |
We're okay |
| 00:53:28 |
Honey bear, what? |
| 00:53:31 |
You heard? They heard. |
| 00:53:33 |
We're okay |
| 00:53:36 |
And you, Dad |
| 00:53:38 |
Steve, got- |
| 00:53:40 |
The Calvin Klein model? |
| 00:53:42 |
The model who lives |
| 00:53:48 |
We're |
| 00:53:51 |
We're okay |
| 00:53:57 |
I'm on my way |
| 00:54:09 |
Christmas bells are ringing |
| 00:54:15 |
Christmas bells are singing |
| 00:54:21 |
Honest living, honest living |
| 00:54:25 |
Can't you spare a dime or two |
| 00:54:31 |
You'll be merry |
| 00:54:33 |
Though merry |
| 00:54:36 |
No sleigh bells |
| 00:54:40 |
No yule log |
| 00:54:42 |
No holly |
| 00:54:45 |
- No |
| 00:54:48 |
Rudolph the red-nosed reindeer |
| 00:54:54 |
Oh, no |
| 00:54:57 |
And it's beginning to snow |
| 00:55:03 |
Hats, bats, shoes, booze |
| 00:55:06 |
Leather bags, girlie mags |
| 00:55:20 |
No one's buying |
| 00:55:28 |
No room at the Holiday Inn |
| 00:55:34 |
And it's beginning to snow |
| 00:55:40 |
How about a fur |
| 00:55:43 |
Owned by an MBA from uptown? |
| 00:55:46 |
I got a tweed |
| 00:55:49 |
Broker who went broke |
| 00:55:52 |
- You don't have to do this |
| 00:55:58 |
I do not deserve you, Angel |
| 00:56:04 |
- Give, give |
| 00:56:07 |
- All you do is give |
| 00:56:12 |
- Give me some way |
| 00:56:16 |
- To show |
| 00:56:20 |
How you've touched me so |
| 00:56:26 |
Kiss me |
| 00:56:31 |
She said |
| 00:56:34 |
And she put on a pout |
| 00:56:36 |
And she wanted you |
| 00:56:39 |
- Right |
| 00:56:40 |
She was more than okay |
| 00:56:43 |
It was bad, I got mad |
| 00:56:46 |
Out of my sight |
| 00:56:48 |
Wait, wait, wait |
| 00:56:51 |
Let's go eat |
| 00:56:53 |
It's the one vice left |
| 00:56:59 |
- There, that's her |
| 00:57:02 |
Mimi! |
| 00:57:04 |
I should go |
| 00:57:08 |
I'm dreaming of a white |
| 00:57:13 |
Follow the man, follow the man |
| 00:57:20 |
Follow the man, follow the man |
| 00:57:23 |
Help me out, Daddy, if you can |
| 00:57:28 |
- Got any D, man? |
| 00:57:31 |
- Got any C, man? |
| 00:57:34 |
Got any X? Any smack? |
| 00:57:36 |
Any horse? Any jugie boogie boy? |
| 00:57:42 |
- Hey |
| 00:57:45 |
I just want to say |
| 00:57:50 |
- Forget it |
| 00:57:54 |
- Can I make it up to you? |
| 00:57:56 |
- Dinner party? |
| 00:57:58 |
Hey, lover boy, cutie pie |
| 00:58:03 |
You didn't miss me |
| 00:58:05 |
You'll never lack for customers |
| 00:58:07 |
I'm willin', I'm illin' |
| 00:58:13 |
Gotta run, gotta ride |
| 00:58:19 |
And it's beginning to snow |
| 00:58:22 |
We're out of luck, Allison |
| 00:58:25 |
L.L.Bean, Geoffrey Beene |
| 00:58:28 |
Mark, this is Mimi. |
| 00:58:31 |
- Here's a new arrival |
| 00:58:33 |
- Hats, bats, rats |
| 00:58:36 |
- We give discounts |
| 00:58:38 |
- Let's get a better one |
| 00:58:40 |
- That's what he said |
| 00:58:43 |
- She's a thief |
| 00:58:45 |
- Which investor is coming? |
| 00:58:47 |
Your father? Damn. |
| 00:58:49 |
Let's go to the lot |
| 00:58:55 |
Maureen's performing |
| 00:58:59 |
- Who's Maureen? |
| 00:59:02 |
But I am over her |
| 00:59:08 |
I should tell you |
| 00:59:14 |
- Let's not hold hands yet |
| 00:59:21 |
I need to take it slow |
| 00:59:28 |
I should tell you, I should tell you |
| 00:59:33 |
I should tell you |
| 00:59:35 |
And it's beginning to |
| 00:59:39 |
And it's beginning to |
| 00:59:50 |
Joanne? Which way to the stage? |
| 00:59:54 |
Snow |
| 01:00:08 |
Maureen's performance. |
| 01:00:12 |
Last night I had a dream. |
| 01:00:15 |
I found myself in a desert |
| 01:00:20 |
It was hot. |
| 01:00:21 |
My canteen had sprung a leak, |
| 01:00:24 |
...thirsty. |
| 01:00:26 |
Out of the abyss walked a cow. |
| 01:00:28 |
Elsie. |
| 01:00:30 |
I asked if she had anything to drink. |
| 01:00:34 |
"I'm forbidden to produce milk |
| 01:00:40 |
In Cyberland we only drink |
| 01:00:44 |
Diet Coke" |
| 01:00:47 |
Yes. |
| 01:00:49 |
She said: |
| 01:00:52 |
"Only thing to do |
| 01:00:54 |
Is jump over the moon |
| 01:00:58 |
They've closed everything real down |
| 01:01:04 |
And performance spaces |
| 01:01:11 |
And replaced it all with lies |
| 01:01:21 |
But there is a way out. |
| 01:01:24 |
Leap of faith, leap of faith |
| 01:01:29 |
Only thing to do |
| 01:01:37 |
I gotta get out of here |
| 01:01:41 |
It's like I'm being tied to the hood |
| 01:01:45 |
Packed in |
| 01:01:48 |
Pushed over a cliff |
| 01:01:53 |
I've |
| 01:01:55 |
Gotta, gotta, gotta, gotta, gotta |
| 01:01:58 |
Gotta, gotta, gotta, gotta |
| 01:02:02 |
Gotta, gotta find a way |
| 01:02:05 |
To jump over the moon |
| 01:02:09 |
Only thing to do |
| 01:02:16 |
Then a little bulldog entered. |
| 01:02:19 |
His name, we have learned, |
| 01:02:21 |
And although he once |
| 01:02:24 |
...he abandoned them |
| 01:02:26 |
...to a wealthy daughter |
| 01:02:28 |
A one, two, three |
| 01:02:33 |
"Ever since the cat took up the fiddle |
| 01:02:38 |
The dish and the spoon were evicted |
| 01:02:41 |
She's had trouble with her milk |
| 01:02:45 |
Maybe it's a female thing |
| 01:02:49 |
'Cause who'd wanna leave |
| 01:02:53 |
Walls ain't so bad |
| 01:02:55 |
The dish and the spoon, for instance |
| 01:02:58 |
They come knockin' |
| 01:03:00 |
And I said |
| 01:03:05 |
Go back to China"' |
| 01:03:09 |
"The only way out is up" |
| 01:03:16 |
"A leap |
| 01:03:19 |
Of faith" |
| 01:03:26 |
"Still thirsty?" |
| 01:03:28 |
"Parched. " |
| 01:03:32 |
"Have some milk. " |
| 01:03:35 |
And I lowered myself |
| 01:03:38 |
...and sucked the sweetest milk |
| 01:03:44 |
"Climb onboard," she said |
| 01:03:47 |
And as a harvest moon |
| 01:03:51 |
...we reared back, |
| 01:03:53 |
...leaping out of orbit. |
| 01:03:55 |
I awoke, singing... |
| 01:03:59 |
Singing. |
| 01:04:02 |
Shit. |
| 01:04:05 |
Leap of faith |
| 01:04:08 |
Leap of faith |
| 01:04:11 |
Only thing to do |
| 01:04:14 |
Only thing to do is jump |
| 01:04:17 |
Only thing to do is |
| 01:04:23 |
Only thing to do is |
| 01:04:29 |
Over the moon |
| 01:04:32 |
Over the... |
| 01:04:48 |
Moo with me. |
| 01:04:50 |
Moo, yes. Oh, it's so great. |
| 01:04:56 |
Yes! |
| 01:05:02 |
Thank you. |
| 01:05:29 |
No, please, no, not tonight |
| 01:05:32 |
- Can't have a scene |
| 01:05:34 |
Please go. You- Hello sir. |
| 01:05:37 |
What am I, just a blur? |
| 01:05:38 |
- You sit all night, you never buy |
| 01:05:41 |
- I had a tea the other day |
| 01:05:44 |
Oh, yeah. |
| 01:05:46 |
Benjamin Coffin III, here? |
| 01:05:50 |
Oh, no |
| 01:05:52 |
Wine and beer |
| 01:05:53 |
The enemy of Avenue A |
| 01:05:56 |
And Mr. Grey. |
| 01:05:59 |
What brings the mogul in his own |
| 01:06:04 |
I would like to propose a toast |
| 01:06:10 |
- It went well. |
| 01:06:12 |
Was the yuppie scum stomped? |
| 01:06:14 |
Not counting the homeless, |
| 01:06:17 |
- Why did Muffy- |
| 01:06:19 |
Miss the show? |
| 01:06:20 |
There was a death in the family |
| 01:06:23 |
- Sorry. |
| 01:06:25 |
Our Akita. |
| 01:06:26 |
- Evita. |
| 01:06:28 |
Mimi. I'm surprised. |
| 01:06:31 |
A bright and charming girl like you |
| 01:06:34 |
Hangs out with these slackers |
| 01:06:40 |
They make fun |
| 01:06:41 |
Yet I'm the one |
| 01:06:45 |
Or do you really want |
| 01:06:48 |
Where people piss |
| 01:06:51 |
Bohemia |
| 01:06:57 |
This is Calcutta |
| 01:07:00 |
Bohemia is dead |
| 01:07:05 |
Dearly beloved |
| 01:07:07 |
We gather here |
| 01:07:17 |
Here she lies |
| 01:07:20 |
No one knew her worth |
| 01:07:24 |
The late, great daughter |
| 01:07:29 |
On this night |
| 01:07:38 |
In that little town of Bethlehem |
| 01:07:42 |
We raise our glass |
| 01:07:47 |
To |
| 01:07:49 |
La vie |
| 01:07:54 |
Bohème |
| 01:08:00 |
La vie bohème |
| 01:08:04 |
La vie bohème |
| 01:08:08 |
La vie bohème |
| 01:08:11 |
- La vie bohème |
| 01:08:14 |
Playing hooky |
| 01:08:17 |
The need to express |
| 01:08:19 |
To going against the grain |
| 01:08:23 |
- La vie bohème |
| 01:08:26 |
- La vie bohème |
| 01:08:28 |
No pension |
| 01:08:30 |
To starving for attention, |
| 01:08:34 |
Not to mention, of course |
| 01:08:41 |
To riding your bike midday |
| 01:08:46 |
To fruits |
| 01:08:48 |
To Absolut |
| 01:08:50 |
To the Village Voice |
| 01:08:52 |
To any passing fad |
| 01:08:56 |
To being an us for once |
| 01:09:03 |
La vie bohème |
| 01:09:06 |
La vie bohème |
| 01:09:07 |
- Is the equipment in a pyramid? |
| 01:09:11 |
The mixer doesn't have a case |
| 01:09:16 |
Hey, mister |
| 01:09:20 |
So that's five miso soup |
| 01:09:22 |
Three soy-burger dinner |
| 01:09:25 |
And one pasta with meatless balls |
| 01:09:29 |
It tastes the same |
| 01:09:31 |
If you close your eyes |
| 01:09:33 |
- And 13 orders of fries, is that it here? |
| 01:09:37 |
To handcrafted beers |
| 01:09:41 |
To yoga |
| 01:09:43 |
To rice and beans and cheese |
| 01:09:45 |
To leather |
| 01:09:47 |
To curry vindaloo |
| 01:09:50 |
And Maya Angelou |
| 01:09:52 |
Emotion, devotion |
| 01:09:56 |
Creation |
| 01:09:58 |
Mucho masturbation |
| 01:10:00 |
Compassion |
| 01:10:01 |
To passion when it's new |
| 01:10:03 |
- To Sontag |
| 01:10:05 |
To anything taboo |
| 01:10:07 |
Ginsberg, Dylan, Cunningham |
| 01:10:11 |
Lenny Bruce |
| 01:10:12 |
- Langston Hughes |
| 01:10:15 |
- To Uta |
| 01:10:17 |
Pablo Neruda too |
| 01:10:21 |
Why Dorothy and Toto |
| 01:10:25 |
To blow off Auntie Em |
| 01:10:28 |
La vie bohème |
| 01:10:32 |
And wipe the speakers off |
| 01:10:35 |
- Yes, Maureen |
| 01:10:39 |
- Sisters? |
| 01:10:44 |
Brothers |
| 01:10:47 |
Bisexuals, trisexuals |
| 01:10:49 |
Carcinogens, hallucinogens, men |
| 01:10:53 |
German wine, turpentine |
| 01:10:56 |
Antonioni, Bertolucci, Kurosawa |
| 01:10:58 |
Carmina Burana |
| 01:11:00 |
To apathy |
| 01:11:02 |
To empathy |
| 01:11:04 |
Václav Havel |
| 01:11:06 |
8BC |
| 01:11:09 |
Never playin' the fame game |
| 01:11:13 |
- To marijuana |
| 01:11:15 |
It's between God and me |
| 01:11:18 |
To S & M |
| 01:11:20 |
Waiter, waiter, waiter. |
| 01:11:21 |
La vie bohème |
| 01:11:25 |
In honor of the death of bohemia... |
| 01:11:26 |
...an impromptu salon will commence |
| 01:11:30 |
Mimi Marquez, |
| 01:11:32 |
...will perform her famous |
| 01:11:35 |
...to the sounds of iced tea |
| 01:11:38 |
And Mark Cohen will preview |
| 01:11:42 |
...about his inability to hold an erection |
| 01:11:46 |
Maureen Johnson, |
| 01:11:49 |
...one-night engagement |
| 01:11:51 |
...will sing native American |
| 01:11:54 |
...through her vocoder, accompanying |
| 01:11:57 |
Which she has never studied. |
| 01:11:59 |
Your new boyfriend |
| 01:12:02 |
- There's nothing to know |
| 01:12:06 |
- It was three months ago |
| 01:12:09 |
- We're taking it slow |
| 01:12:11 |
He's right- |
| 01:12:14 |
And Roger will attempt to write |
| 01:12:21 |
...that doesn't remind us |
| 01:12:24 |
Angel Dumott Schunard will model |
| 01:12:28 |
...while accompanying herself |
| 01:12:31 |
And Collins will recount |
| 01:12:34 |
...including his successful |
| 01:12:36 |
...of the MIT virtual-reality |
| 01:12:40 |
...as it broadcasts the words: |
| 01:12:43 |
Actual reality. ACT UP. Fight AIDS. |
| 01:12:47 |
Excuse me |
| 01:12:51 |
I get invited, then ignored |
| 01:12:55 |
I've been tryin' |
| 01:12:57 |
No one's perfect |
| 01:13:01 |
Life's too short, babe |
| 01:13:04 |
I'm lookin' for baggage |
| 01:13:09 |
- I should tell you |
| 01:13:11 |
- Should tell you- |
| 01:13:13 |
Wine and beer |
| 01:13:18 |
AZT break. |
| 01:13:25 |
You? |
| 01:13:28 |
Me |
| 01:13:30 |
You? |
| 01:13:33 |
Mimi |
| 01:13:44 |
I should tell you |
| 01:13:49 |
I forget how to begin it |
| 01:13:52 |
Let's just make this part go faster |
| 01:13:57 |
I have yet to be in it |
| 01:14:02 |
I should tell you |
| 01:14:05 |
I should tell you |
| 01:14:06 |
I should tell you |
| 01:14:08 |
I should tell I blew the candle out |
| 01:14:14 |
Just to get back in |
| 01:14:16 |
I'd forgotten how to smile |
| 01:14:21 |
Until your candle burned my skin |
| 01:14:25 |
I should tell you |
| 01:14:27 |
I should tell you |
| 01:14:28 |
I should tell you |
| 01:14:30 |
- I should tell |
| 01:14:35 |
- Well, here we go |
| 01:14:41 |
- Now we |
| 01:14:46 |
Oh, no |
| 01:14:48 |
I know this something is |
| 01:14:53 |
- Here goes |
| 01:14:55 |
Guess so, it's starting to |
| 01:15:00 |
- Who knows? |
| 01:15:02 |
- Who knows where? |
| 01:15:05 |
- Who goes there? |
| 01:15:09 |
- Who knows? |
| 01:15:12 |
- Here goes |
| 01:15:15 |
- Trusting desire |
| 01:15:18 |
- Starting to learn |
| 01:15:22 |
- Walking through fire |
| 01:15:25 |
- Without a burn |
| 01:15:29 |
- Clinging a shoulder |
| 01:15:31 |
- A leap begins |
| 01:15:35 |
- Stinging and older |
| 01:15:38 |
- Asleep on pins |
| 01:15:41 |
- So here we go |
| 01:15:48 |
- Now we |
| 01:15:50 |
Oh, no |
| 01:15:52 |
- I know |
| 01:15:55 |
- Who knows where? |
| 01:15:59 |
- Who goes there? |
| 01:16:03 |
- Here goes |
| 01:16:07 |
- Here goes |
| 01:16:10 |
- Here goes |
| 01:16:14 |
- Here goes |
| 01:16:17 |
- Here goes |
| 01:16:21 |
- Here goes |
| 01:16:26 |
Are we packed? |
| 01:16:28 |
Yes, and by next week, |
| 01:16:31 |
Pookie- |
| 01:16:33 |
And you should see |
| 01:16:35 |
They've padlocked your building |
| 01:16:38 |
- Benny called the cops. |
| 01:16:42 |
They don't know what they're doing |
| 01:16:45 |
The cops are sweeping the lot |
| 01:16:48 |
But no one's leaving. |
| 01:16:53 |
- To dance |
| 01:16:54 |
Masochism, pain, perfection |
| 01:16:56 |
Muscle spasms, chiropractors |
| 01:16:59 |
- Film |
| 01:17:00 |
No family, boring locations |
| 01:17:03 |
Perfect faces, egos, money |
| 01:17:06 |
- Music |
| 01:17:07 |
Mathematics, isolation |
| 01:17:10 |
Feeling, harmony |
| 01:17:12 |
- Anarchy |
| 01:17:14 |
Screaming for solutions |
| 01:17:17 |
Making noise and making pleas |
| 01:17:18 |
To faggots, lezzies, dykes |
| 01:17:22 |
- To me |
| 01:17:23 |
To you and you and you |
| 01:17:26 |
To people living with |
| 01:17:28 |
Not dying from disease |
| 01:17:31 |
Let he among us without sin |
| 01:17:34 |
Be the first to condemn |
| 01:17:37 |
La vie bohème |
| 01:17:41 |
La vie bohème |
| 01:17:44 |
- La vie bohème |
| 01:17:47 |
- La vie bohème |
| 01:17:51 |
- La vie bohème |
| 01:17:54 |
- La vie bohème |
| 01:17:56 |
Aren't we all? |
| 01:17:58 |
The opposite of war isn't peace |
| 01:18:01 |
It's creation |
| 01:18:04 |
La vie bohème |
| 01:18:06 |
The riot continues. |
| 01:18:11 |
The snow dances. |
| 01:18:14 |
Oblivious, Mimi and Roger |
| 01:18:26 |
Viva la vie bohème! |
| 00:00:29 |
Five hundred twenty-five thousand |
| 00:00:35 |
Five hundred twenty-five thousand |
| 00:00:40 |
How do you measure |
| 00:00:45 |
In daylights, in sunsets |
| 00:00:51 |
In inches, in miles |
| 00:00:57 |
Five hundred twenty-five thousand |
| 00:01:02 |
How do you measure |
| 00:01:07 |
How about love? |
| 00:01:12 |
How about love? |
| 00:01:17 |
How about love? |
| 00:01:23 |
Measure in love |
| 00:01:27 |
Seasons of love |
| 00:01:33 |
Seasons of love |
| 00:01:40 |
Five hundred twenty-five thousand |
| 00:01:45 |
Five hundred twenty-five thousand |
| 00:01:50 |
Five hundred twenty-five thousand |
| 00:01:55 |
How do you measure the life |
| 00:02:00 |
In truths that she learned |
| 00:02:06 |
In bridges he burned |
| 00:02:11 |
It's time now to sing out |
| 00:02:16 |
Let's celebrate |
| 00:02:21 |
Remember the love |
| 00:02:24 |
You got to |
| 00:02:28 |
Don't you know |
| 00:02:33 |
Give love |
| 00:02:39 |
Measure, measure your life |
| 00:02:44 |
Seasons of love |
| 00:02:50 |
Seasons of love |
| 00:02:54 |
Gonna be loved |
| 00:03:08 |
Pan to the padlocked door. |
| 00:03:10 |
New Year's Rockin' Eve. |
| 00:03:11 |
The breaking back |
| 00:03:14 |
- How long till next year? |
| 00:03:16 |
I'm giving up my vices |
| 00:03:20 |
Back to school |
| 00:03:23 |
Eviction or not |
| 00:03:27 |
That as long as I got you |
| 00:03:32 |
I couldn't crack the love code, dear |
| 00:03:35 |
Till you made the lock |
| 00:03:37 |
It's gonna be a happy New Year |
| 00:03:41 |
A Happy New Year |
| 00:03:47 |
Coast is clear |
| 00:03:49 |
You're supposed to be working |
| 00:03:51 |
Where are they? |
| 00:03:54 |
Maybe they're dressing |
| 00:03:55 |
I mean, what does one wear |
| 00:03:59 |
That's also a crime? |
| 00:04:00 |
Chips anyone? |
| 00:04:02 |
You can take the girl |
| 00:04:04 |
But you can't take the Hicksville |
| 00:04:06 |
My riot got you on TV |
| 00:04:10 |
Be nice, you two |
| 00:04:13 |
Don't mind if I do |
| 00:04:14 |
Bolted plywood |
| 00:04:17 |
- A total dead end |
| 00:04:24 |
Honey, I know you're there |
| 00:04:26 |
Please pick up the phone |
| 00:04:30 |
It's not funny |
| 00:04:33 |
How can I atone? |
| 00:04:39 |
I lose control |
| 00:04:41 |
Give me one more chance |
| 00:04:44 |
I'll kiss your Doc Martens |
| 00:04:46 |
Your every wish I will obey |
| 00:04:49 |
That might be okay. |
| 00:04:54 |
I did a bit of research |
| 00:04:59 |
Technically, you're squatters |
| 00:05:02 |
- But just in case |
| 00:05:05 |
- We can hoist a line |
| 00:05:08 |
- And tie off at that bench |
| 00:05:11 |
- I can't take them as chums |
| 00:05:17 |
I think I should be laughing |
| 00:05:20 |
Forget how to begin |
| 00:05:23 |
I'm feeling something inside |
| 00:05:27 |
If I should hide |
| 00:05:31 |
Last week I wanted just to disappear |
| 00:05:36 |
But now it just may be |
| 00:05:42 |
A happy new year |
| 00:05:47 |
- Bond. James Bond. |
| 00:05:51 |
Pussy, you came prepared. |
| 00:05:52 |
I was a Boy Scout once, |
| 00:05:55 |
...till some brat got scared. |
| 00:05:56 |
- Moneypenny, my martini |
| 00:06:01 |
- That's shaken, not stirred |
| 00:06:03 |
Just say the word |
| 00:06:05 |
Two minutes left to execute our plan |
| 00:06:07 |
- Where's everyone else? |
| 00:06:09 |
Ironic close-up tight |
| 00:06:13 |
Once the boho boys are gone |
| 00:06:21 |
Mark, it's the Wicked Witch |
| 00:06:23 |
Your mother |
| 00:06:28 |
We're all impressed that the riot |
| 00:06:32 |
Even your father says mazel tov |
| 00:06:37 |
Love, Mom |
| 00:06:40 |
Mark Cohen, Alexi Darling |
| 00:06:45 |
Oh, that show's so sleazy. |
| 00:06:46 |
Your footage of the riots, A-one |
| 00:06:51 |
I'm sending you a contract |
| 00:06:54 |
Ker-ching, ker-ching |
| 00:06:57 |
Marky, give us a call |
| 00:07:01 |
Or at home try 863-6754 |
| 00:07:06 |
Or you can e-mail me |
| 00:07:09 |
Or you can page me at- |
| 00:07:13 |
- I think we need an agent |
| 00:07:15 |
- That's selling out |
| 00:07:19 |
Yeah! It's network TV |
| 00:07:23 |
Somehow I think I smell the whiff |
| 00:07:26 |
Me too. |
| 00:07:28 |
- We can plan another protest |
| 00:07:31 |
This time you can shoot from the start |
| 00:07:35 |
Five, four, three, open sesame |
| 00:07:42 |
Happy New Year |
| 00:07:46 |
Happy New... |
| 00:07:51 |
I see that you've beaten me |
| 00:07:53 |
- How did you know we'd be here? |
| 00:07:56 |
- You're not mad? |
| 00:07:58 |
It's a shame you went |
| 00:08:00 |
Why all of a sudden |
| 00:08:02 |
The credit's yours |
| 00:08:04 |
Mimi came to see me |
| 00:08:06 |
That's not how you put it |
| 00:08:09 |
I couldn't stop thinking |
| 00:08:11 |
- Mark, you'd wanna get this on film. |
| 00:08:13 |
I regret the unlucky circumstances |
| 00:08:17 |
Circumstance? |
| 00:08:22 |
And it's with great pleasure |
| 00:08:24 |
- That I hand you this key |
| 00:08:26 |
- I had no juice in my battery |
| 00:08:28 |
Oh, I see |
| 00:08:31 |
The benevolent god ushers |
| 00:08:35 |
Planning on taking |
| 00:08:38 |
- Anything but that |
| 00:08:41 |
We break ground this month |
| 00:08:43 |
That's why you're here |
| 00:08:45 |
Instead of with Muffy |
| 00:08:48 |
I'd honestly rather be with you tonight |
| 00:08:50 |
- Spare us, sport, the sound bite. |
| 00:08:53 |
Persuade him not to be |
| 00:08:56 |
- Tell them what you wore to my place |
| 00:08:59 |
Black leather and lace |
| 00:09:02 |
I kicked him |
| 00:09:04 |
Your boyfriend know |
| 00:09:07 |
I'm not her boyfriend. |
| 00:09:09 |
People, is this any way to start |
| 00:09:14 |
- Benny just lost his cat |
| 00:09:18 |
My cat had a fall |
| 00:09:19 |
Like losing- |
| 00:09:22 |
- Champagne? |
| 00:09:23 |
- To dogs |
| 00:09:27 |
- Let's make a resolution |
| 00:09:31 |
Let's always stay friends |
| 00:09:33 |
- Though we may have our disputes |
| 00:09:37 |
- Friendship is thicker than blood |
| 00:09:41 |
- Depends on trust |
| 00:09:45 |
- Depends on love |
| 00:09:50 |
Perhaps. |
| 00:09:52 |
- It's gonna be a happy new year |
| 00:09:55 |
It's gonna be a happy new year |
| 00:09:59 |
- You're right |
| 00:10:08 |
- I'm sorry. |
| 00:10:10 |
- Coming? |
| 00:10:22 |
Well, well, well. |
| 00:10:25 |
It's gonna be a happy New Year |
| 00:10:31 |
There, there. There, there. |
| 00:10:36 |
Valentine's Day. |
| 00:10:41 |
Roger's down at Mimi's, where he's |
| 00:10:44 |
Although, he keeps talking |
| 00:10:47 |
...and heading out of town. |
| 00:10:51 |
God knows where Collins |
| 00:10:53 |
Could be that new shantytown |
| 00:10:58 |
Maureen and Joanne |
| 00:11:00 |
- I said, once more from the top! |
| 00:11:03 |
That is, if they're speaking |
| 00:11:06 |
Me? I'm here. |
| 00:11:09 |
Nowhere. |
| 00:11:11 |
The line is, "CyberArts |
| 00:11:13 |
...Grey Communications, wish |
| 00:11:17 |
- What is so difficult about that? |
| 00:11:20 |
I like my version. |
| 00:11:22 |
You, dressed as a groundhog |
| 00:11:26 |
- It's a metaphor. |
| 00:11:29 |
- That's it, Miss Ivy League. |
| 00:11:32 |
Ever since New Year's, |
| 00:11:34 |
I let you direct. |
| 00:11:35 |
Didn't pierce my nipples |
| 00:11:38 |
I didn't dance that night |
| 00:11:41 |
You were flirting with the woman |
| 00:11:46 |
That's what this is about? |
| 00:11:48 |
There will always be women |
| 00:11:51 |
Give me a break. |
| 00:11:52 |
Every single day |
| 00:11:57 |
I hear people say, "Baby" |
| 00:12:00 |
Ever since puberty |
| 00:12:04 |
Boys, girls, I can't help it, baby |
| 00:12:08 |
So be kind |
| 00:12:12 |
Just remember that I'm your baby |
| 00:12:17 |
Take me for what I am |
| 00:12:21 |
Who I was meant to be |
| 00:12:24 |
And if you give a damn |
| 00:12:29 |
Take me, baby, or leave me |
| 00:12:35 |
Take me, baby, or leave me |
| 00:12:39 |
A tiger in a cage |
| 00:12:43 |
This diva needs her stage |
| 00:12:47 |
You are the one I choose |
| 00:12:51 |
You love |
| 00:12:55 |
So be mine |
| 00:12:59 |
Crying, "Oh, honey bear |
| 00:13:04 |
Take me for what I am |
| 00:13:08 |
Who I was meant to be |
| 00:13:12 |
And if you give a damn |
| 00:13:16 |
Take me, baby, or leave me |
| 00:13:20 |
No way can I be what I'm not |
| 00:13:24 |
But, hey, don't you want |
| 00:13:28 |
Don't fight |
| 00:13:32 |
'Cause every night |
| 00:13:33 |
Who's in your bed? |
| 00:13:40 |
Who's in your bed? |
| 00:13:44 |
- Kiss, Pookie. |
| 00:13:47 |
I look before I leap |
| 00:13:48 |
I love margins and discipline |
| 00:13:50 |
I make lists in my sleep, baby |
| 00:13:54 |
Never quit |
| 00:13:56 |
I hate mess |
| 00:13:58 |
What to do |
| 00:14:02 |
So be wise |
| 00:14:06 |
You got a prize |
| 00:14:08 |
You're one lucky baby |
| 00:14:11 |
Take me for what I am |
| 00:14:13 |
A control freak. |
| 00:14:15 |
Who I was meant to be |
| 00:14:17 |
A snob, yet overattentive. |
| 00:14:19 |
And if you give a damn |
| 00:14:21 |
A lovable, droll geek. |
| 00:14:23 |
Take me, baby, or leave me |
| 00:14:25 |
An anal-retentive. |
| 00:14:27 |
- That's it |
| 00:14:29 |
The straw that breaks my back |
| 00:14:31 |
- I quit |
| 00:14:33 |
Unless you take it back |
| 00:14:35 |
- Women |
| 00:14:37 |
What is it about them? |
| 00:14:39 |
- Can't live with them or without them |
| 00:14:45 |
- Take me for what I am |
| 00:14:49 |
- Who I was meant to be |
| 00:14:53 |
- And if you give a damn |
| 00:14:56 |
You better take me, baby |
| 00:14:58 |
- Oh, take me, baby |
| 00:15:01 |
Take me or leave me |
| 00:15:03 |
- Take me, baby |
| 00:15:10 |
- Or leave me |
| 00:15:15 |
- Guess I'm leaving |
| 00:15:18 |
- I'm gone |
| 00:15:37 |
In diapers, report cards |
| 00:15:44 |
In contracts, dollars |
| 00:15:48 |
In 525,600 minutes |
| 00:15:54 |
How do you figure |
| 00:15:59 |
Figure in love |
| 00:16:04 |
Figure in love |
| 00:16:09 |
Figure in love |
| 00:16:15 |
Measure in love |
| 00:16:19 |
Seasons of love |
| 00:16:25 |
Seasons of love |
| 00:16:35 |
- Where were you? |
| 00:16:36 |
No, you lost your keys. |
| 00:16:40 |
Had to help your mother. |
| 00:16:43 |
- How's Benny? |
| 00:16:45 |
- I'm working upstairs tonight. |
| 00:16:48 |
I should tell you |
| 00:16:53 |
Never mind. |
| 00:16:58 |
Happy Spring. |
| 00:17:15 |
Without you |
| 00:17:19 |
The ground thaws |
| 00:17:23 |
The rain falls |
| 00:17:26 |
The grass grows |
| 00:17:30 |
Without you |
| 00:17:34 |
The seeds root |
| 00:17:38 |
The flowers bloom |
| 00:17:42 |
The children play |
| 00:17:46 |
The stars gleam |
| 00:17:50 |
The poets dream |
| 00:17:54 |
The eagles fly |
| 00:17:59 |
Without you |
| 00:18:01 |
The Earth turns |
| 00:18:06 |
The sun burns |
| 00:18:10 |
But I die without you |
| 00:18:22 |
Without you |
| 00:18:25 |
The breeze warms |
| 00:18:30 |
The girl smiles |
| 00:18:33 |
The cloud moves |
| 00:18:37 |
Without you |
| 00:18:41 |
The tides change |
| 00:18:45 |
The boys run |
| 00:18:49 |
The oceans crash |
| 00:18:53 |
The crowds roar |
| 00:18:57 |
The days soar |
| 00:19:01 |
The babies cry |
| 00:19:06 |
Without you |
| 00:19:08 |
The moon glows |
| 00:19:13 |
The river flows |
| 00:19:17 |
But I die without you |
| 00:19:26 |
The world revives |
| 00:19:29 |
Colors renew |
| 00:19:33 |
- But I know blue |
| 00:19:37 |
- Only blue |
| 00:19:40 |
- Lonely blue |
| 00:19:45 |
Within me, blue |
| 00:19:53 |
Without you |
| 00:19:59 |
Without you |
| 00:20:03 |
The hand gropes |
| 00:20:07 |
The ear hears |
| 00:20:11 |
The pulse beats |
| 00:20:15 |
Without you |
| 00:20:19 |
The eyes gaze |
| 00:20:23 |
The legs walk |
| 00:20:27 |
The lungs breathe |
| 00:20:31 |
- The mind churns |
| 00:20:35 |
- The heart yearns |
| 00:20:39 |
- The tears dry |
| 00:20:43 |
- Without you |
| 00:20:46 |
- Life goes on |
| 00:20:50 |
- But I'm gone |
| 00:20:55 |
- 'Cause I die without you |
| 00:21:02 |
Without you |
| 00:21:06 |
Without you |
| 00:21:10 |
- Without you |
| 00:21:25 |
- Speak. |
| 00:21:27 |
Mark Cohen, Alexi Darling |
| 00:21:32 |
On the beach |
| 00:21:34 |
Just saw Alec Baldwin |
| 00:21:39 |
Just kidding |
| 00:21:40 |
We need directors |
| 00:21:42 |
You know you need money |
| 00:21:44 |
Don't be afraid of ker-ching, ker-ching |
| 00:21:49 |
Marky, sell us your soul |
| 00:21:55 |
Just kidding |
| 00:22:04 |
- Yes. |
| 00:22:07 |
Yeah, right there. |
| 00:22:09 |
- You got it. |
| 00:22:13 |
Yeah, right there. Keep doing that. |
| 00:22:17 |
Oh, yeah. |
| 00:22:19 |
Hot, hot, hot, sweat, sweet |
| 00:22:23 |
Wet, wet, wet, red heat |
| 00:22:27 |
Hot, hot, hot, sweat, sweet |
| 00:22:30 |
Wet, wet, wet, red heat |
| 00:22:34 |
Please, don't stop, please |
| 00:22:38 |
Stop, stop, stop |
| 00:22:41 |
- Please |
| 00:22:42 |
- Faster |
| 00:22:45 |
- Bastard |
| 00:22:47 |
- More |
| 00:22:50 |
- Sticky, licky, trickle, tickle |
| 00:22:54 |
- Steamy, creamy, stroking, soaking |
| 00:22:58 |
No latex rubber, rubber |
| 00:23:01 |
Fire, latex rubber, latex bummer |
| 00:23:12 |
Take me, take me, take me |
| 00:23:24 |
Take me, take me |
| 00:23:30 |
Tomorrow for me |
| 00:23:33 |
Tomorrow you |
| 00:23:37 |
Love you, love, love you |
| 00:23:44 |
I love you |
| 00:23:49 |
Take me, yeah |
| 00:23:52 |
- Wait |
| 00:23:53 |
- Shit |
| 00:23:55 |
- Safe |
| 00:23:56 |
I think I missed |
| 00:24:00 |
It was bad for me |
| 00:24:03 |
- It's over |
| 00:24:05 |
- It's over |
| 00:24:09 |
It's over. |
| 00:24:26 |
Angel was one of my closest friends. |
| 00:24:30 |
It's right that it's Halloween |
| 00:24:35 |
I knew we'd hit it off |
| 00:24:37 |
That skinhead was bothering her... |
| 00:24:40 |
...and she said she was more of a man |
| 00:24:43 |
...and more of a woman |
| 00:24:47 |
And then there was a time... |
| 00:24:49 |
...he walked up |
| 00:24:52 |
...and they were petrified... |
| 00:24:54 |
...because, A, they were |
| 00:24:57 |
...and, B, had probably never spoken |
| 00:25:02 |
And he... |
| 00:25:05 |
She... |
| 00:25:07 |
...just offered to escort them |
| 00:25:11 |
...and then she let them |
| 00:25:13 |
...and then she said she'd help them |
| 00:25:18 |
So much more original |
| 00:25:22 |
You'd find an old tablecloth |
| 00:25:26 |
...and next year, |
| 00:25:28 |
...they'd be mass-producing |
| 00:25:33 |
You always said how lucky |
| 00:25:39 |
...but it was us, baby... |
| 00:25:40 |
...who were the lucky ones. |
| 00:25:49 |
Live in my house |
| 00:25:55 |
I'll be your shelter |
| 00:26:00 |
Just pay me back |
| 00:26:06 |
With 1000 kisses |
| 00:26:14 |
Be my lover |
| 00:26:22 |
And I'll cover you |
| 00:26:33 |
Open your door |
| 00:26:36 |
I'll be your tenant |
| 00:26:39 |
Don't got much baggage |
| 00:26:46 |
But sweet kisses I've got to spare |
| 00:26:50 |
I'll be there and I'll cover you |
| 00:26:59 |
I think they meant it |
| 00:27:04 |
Now I know you can rent it |
| 00:27:11 |
On life |
| 00:27:14 |
All my life |
| 00:27:22 |
I've longed to discover |
| 00:27:26 |
Something as true as this is |
| 00:27:33 |
So with a thousand sweet kisses |
| 00:27:37 |
If you're cold and you're lonely |
| 00:27:42 |
With a thousand sweet kisses |
| 00:27:44 |
- You've got one nickel only |
| 00:27:47 |
With a thousand sweet kisses |
| 00:27:49 |
- When you're worn-out and tired |
| 00:27:53 |
With a thousand sweet kisses |
| 00:27:55 |
When your heart has expired |
| 00:28:00 |
Oh, lover |
| 00:28:05 |
- I'll cover you |
| 00:28:07 |
- Yes, I will |
| 00:28:09 |
Oh, yes, I will |
| 00:28:12 |
Oh, lover |
| 00:28:17 |
I'll cover you |
| 00:28:24 |
Five hundred twenty-five thousand |
| 00:28:27 |
Seasons of |
| 00:28:36 |
- Love |
| 00:29:02 |
Hi, it's Mark Cohen. |
| 00:29:06 |
No need to bother her. |
| 00:29:07 |
Just let her know I'm running |
| 00:29:10 |
I'm at my... |
| 00:29:13 |
Yes, I'll still be there. |
| 00:29:17 |
Yes, I signed the contract. |
| 00:29:20 |
Thanks. |
| 00:29:25 |
How did we get here? |
| 00:29:29 |
Pan left |
| 00:29:37 |
How did I get here? |
| 00:29:41 |
Christmas |
| 00:29:47 |
How could a night so frozen |
| 00:29:53 |
How can a morning this mild |
| 00:29:59 |
Why are entire years strewn |
| 00:30:04 |
When single frames |
| 00:30:07 |
Forever flicker in close-up |
| 00:30:09 |
On the 3-D Imax of my mind? |
| 00:30:14 |
That's poetic |
| 00:30:18 |
Why did Mimi knock on Roger's door |
| 00:30:23 |
Back where Angel set up his drums? |
| 00:30:26 |
Why did Maureen's equipment |
| 00:30:29 |
Why am I the witness? |
| 00:30:32 |
And when I capture it on film |
| 00:30:37 |
And I'm alone? |
| 00:30:47 |
It's true you sold your guitar |
| 00:30:52 |
It's true |
| 00:30:56 |
It's true you're with |
| 00:30:59 |
You said you'd never |
| 00:31:04 |
- Not now |
| 00:31:08 |
- In who she says things to at all? |
| 00:31:11 |
Who said that you should stick |
| 00:31:15 |
Who said I was talking to you? |
| 00:31:17 |
- We used to have this fight each night |
| 00:31:19 |
- She'd never admit I existed |
| 00:31:22 |
He was the same way |
| 00:31:24 |
Run away, hit the road, don't commit |
| 00:31:27 |
- She's in denial |
| 00:31:30 |
Didn't give an inch |
| 00:31:33 |
- I gave a mile |
| 00:31:36 |
- Don't you dare come at me. |
| 00:31:39 |
I'd be happy to die |
| 00:31:44 |
- Someone to live for |
| 00:31:46 |
- Unafraid to say, "I love you" |
| 00:31:50 |
All your words are nice, Mimi |
| 00:31:53 |
But love's not a three-way street |
| 00:31:55 |
You'll never share real love |
| 00:31:57 |
Until you love yourself |
| 00:32:01 |
You all said you'd be cool today |
| 00:32:04 |
So please, for my sake |
| 00:32:09 |
I can't believe he's gone |
| 00:32:12 |
I can't believe you're going |
| 00:32:15 |
I can't believe this family must die |
| 00:32:19 |
Angel helped us believe in love |
| 00:32:23 |
I can't believe you disagree |
| 00:32:27 |
I can't believe this is |
| 00:32:33 |
Goodbye |
| 00:32:39 |
- Pookie. |
| 00:32:41 |
- I missed you so much. |
| 00:32:43 |
- I missed your smell. |
| 00:32:48 |
- What? |
| 00:32:50 |
No. No, baby, you said, "Ow. " |
| 00:32:52 |
You bit my tongue. |
| 00:32:54 |
- No, I didn't. |
| 00:32:56 |
I think I should know. |
| 00:32:57 |
- Let me see. I was just try- |
| 00:33:07 |
Thomas B. Collins? |
| 00:33:10 |
Coming. |
| 00:33:26 |
I hear there are great restaurants |
| 00:33:30 |
Some of the best |
| 00:33:32 |
How could you let her go? |
| 00:33:35 |
You just don't know |
| 00:33:39 |
Maybe you'll see why |
| 00:33:44 |
At least now if you try |
| 00:33:50 |
His death is in vain |
| 00:33:55 |
Are you insane? |
| 00:33:57 |
There's so much to care about |
| 00:34:01 |
Mimi's got her baggage too |
| 00:34:03 |
So do you |
| 00:34:05 |
Who are you to tell me |
| 00:34:09 |
- A friend |
| 00:34:15 |
"Mark has got his work" |
| 00:34:17 |
They say, "Mark lives for his work" |
| 00:34:22 |
- Mark hides in his work |
| 00:34:25 |
From facing your failure |
| 00:34:31 |
Facing the fact you live a lie |
| 00:34:36 |
Yes, you live a lie |
| 00:34:41 |
You're always preaching |
| 00:34:43 |
When that's how you thrive |
| 00:34:45 |
You pretend to create and observe |
| 00:34:48 |
When you really detach |
| 00:34:51 |
Perhaps it's because |
| 00:34:56 |
Poor baby! |
| 00:35:02 |
Mimi still loves Roger |
| 00:35:05 |
Is Roger really jealous |
| 00:35:10 |
Mimi did look pale |
| 00:35:12 |
Mimi's gotten thin |
| 00:35:14 |
Mimi's running out of time |
| 00:35:18 |
No more |
| 00:35:24 |
Hey, for someone |
| 00:35:28 |
Who's heading out of town? |
| 00:35:30 |
For someone who longs |
| 00:35:33 |
Who's with his camera, alone? |
| 00:35:39 |
I'll call |
| 00:35:43 |
I hate the fall |
| 00:35:48 |
You heard? |
| 00:35:51 |
Every word |
| 00:36:00 |
You don't want baggage |
| 00:36:06 |
You don't want to watch me die |
| 00:36:11 |
Goodbye, love |
| 00:36:16 |
Came to say goodbye, love |
| 00:36:22 |
Just came to say |
| 00:36:23 |
- Goodbye, love |
| 00:36:25 |
- Goodbye, love |
| 00:36:28 |
Came to say goodbye, love |
| 00:36:32 |
- Goodbye |
| 00:36:40 |
Please don't touch me |
| 00:36:42 |
I'm scared |
| 00:36:45 |
- I know a place, a clinic |
| 00:36:47 |
Maybe |
| 00:36:49 |
I'll pay |
| 00:36:51 |
Goodbye, love |
| 00:36:56 |
Came to say goodbye, love |
| 00:37:01 |
Just came to say |
| 00:37:05 |
Goodbye, love |
| 00:37:12 |
Hello, disease |
| 00:37:21 |
Off the premises now |
| 00:37:24 |
- What happened to "rest in peace"? |
| 00:37:28 |
That's no way to send a boy |
| 00:37:31 |
They had to know |
| 00:37:35 |
Don't you worry about him |
| 00:37:38 |
- Must be nice to have money. |
| 00:37:41 |
I think it only fair to tell you... |
| 00:37:43 |
...you just paid for the funeral |
| 00:37:46 |
I know. I always hated that dog. |
| 00:37:52 |
I can't. I have a meeting. |
| 00:37:53 |
- Punk. Let's go. |
| 00:37:58 |
Hi. Mark Cohen here for Buzzline. |
| 00:38:03 |
Coming up next, vampire |
| 00:38:07 |
...who are compulsive bowlers. |
| 00:38:11 |
Oh, my God. What am I doing? |
| 00:38:16 |
Don't breathe too deep |
| 00:38:19 |
Don't think all day |
| 00:38:23 |
Dive into work |
| 00:38:26 |
Drive the other way |
| 00:38:30 |
That drip of hurt |
| 00:38:33 |
That pint of shame |
| 00:38:36 |
Goes away |
| 00:38:42 |
You're living in America |
| 00:38:45 |
At the end of the millennium |
| 00:38:49 |
You're living in America |
| 00:38:52 |
Leave your conscience at the tone |
| 00:38:56 |
And when you're living in America |
| 00:38:59 |
At the end of the millennium |
| 00:39:07 |
You're what you own |
| 00:39:11 |
The filmmaker cannot see |
| 00:39:14 |
And the songwriter cannot hear |
| 00:39:17 |
Yet I see Mimi everywhere |
| 00:39:21 |
Angel's voice is in my ear |
| 00:39:25 |
Just tighten those shoulders |
| 00:39:27 |
Just clench your jaw till you frown |
| 00:39:31 |
Just don't let go |
| 00:39:32 |
- Or you may drown |
| 00:39:37 |
- You're living in America |
| 00:39:40 |
- At the end of the millennium |
| 00:39:44 |
- You're living in America |
| 00:39:47 |
- Where it's like The Twilight Zone |
| 00:39:50 |
- And when you're living in America |
| 00:39:54 |
- At the end of the millennium |
| 00:40:01 |
- You're what you own |
| 00:40:05 |
- So I own not a notion |
| 00:40:08 |
- I escape and ape content |
| 00:40:12 |
- I don't own emotion |
| 00:40:15 |
- I rent |
| 00:40:19 |
- What was it about that night? |
| 00:40:26 |
- Connection in an isolating age |
| 00:40:33 |
- For once the shadows |
| 00:40:37 |
- Gave way to light |
| 00:40:40 |
- For once I didn't disengage |
| 00:40:47 |
- Angel, I hear you, I hear it, I see it |
| 00:40:50 |
- I see it, my film |
| 00:40:54 |
- Alexi, Mark. Call me a hypocrite... |
| 00:40:57 |
- ... I need to finish my own film. I quit. |
| 00:41:00 |
- Dying in America |
| 00:41:03 |
- At the end of the millennium |
| 00:41:06 |
- We're dying in America |
| 00:41:10 |
- To come into our own |
| 00:41:13 |
- And when you're dying in America |
| 00:41:16 |
- At the end of the millennium |
| 00:41:23 |
- You're not alone |
| 00:41:30 |
- I'm not alone |
| 00:41:37 |
- I'm not alone |
| 00:41:56 |
- Speak. |
| 00:41:58 |
Roger, this is your mother |
| 00:42:02 |
Roger, honey |
| 00:42:06 |
"Moving to Santa Fe" |
| 00:42:09 |
Starting a rock band" |
| 00:42:11 |
Roger, where are you? |
| 00:42:14 |
Roger, where are you? |
| 00:42:20 |
Kitten, wherever are you? |
| 00:42:24 |
Kitten, wherever are you? |
| 00:42:28 |
Kitten, wherever are you? |
| 00:42:32 |
Mark, are you there? Are you there? |
| 00:42:36 |
Please |
| 00:42:39 |
Call |
| 00:42:41 |
Your mother |
| 00:42:55 |
- Christmas bells are ringing |
| 00:43:02 |
Christmas bells are ringing |
| 00:43:08 |
When compassion dies |
| 00:43:12 |
No stockings, no candy canes |
| 00:43:18 |
No loose change |
| 00:43:20 |
- Santy Claus is coming |
| 00:43:27 |
No room at the Holiday Inn again |
| 00:43:33 |
Well, maybe next year |
| 00:43:41 |
December 24th, 10 p. m. |
| 00:43:45 |
I can't believe a year |
| 00:43:49 |
Time to see |
| 00:43:53 |
Turn the projector on. |
| 00:43:55 |
First shot, Roger |
| 00:43:57 |
With the Fender guitar |
| 00:44:00 |
When he sold the car |
| 00:44:04 |
I found my song |
| 00:44:06 |
He found his song |
| 00:44:08 |
I tried. You know I tried. |
| 00:44:12 |
Fade in on Mark |
| 00:44:15 |
- But he's got great footage |
| 00:44:18 |
To screen tonight. |
| 00:44:20 |
- In honor of Benny's wife |
| 00:44:22 |
Allison |
| 00:44:24 |
Pulling Benny |
| 00:44:28 |
Then again, |
| 00:44:32 |
I wonder how Allison |
| 00:44:35 |
Maybe a little bird told her. |
| 00:44:37 |
Or an angel. |
| 00:44:39 |
I had a little hunch |
| 00:44:43 |
- Tutoring again? |
| 00:44:46 |
- Back at NYU? |
| 00:44:48 |
I rewired the ATM |
| 00:44:52 |
To provide an honorarium |
| 00:44:57 |
The code |
| 00:45:03 |
- Well? |
| 00:45:04 |
A- N-G-E-L. |
| 00:45:08 |
Yet Robin Hooding |
| 00:45:12 |
The powers that be |
| 00:45:16 |
In a small, exclusive |
| 00:45:21 |
Where we overcharge |
| 00:45:26 |
Let's open up a restaurant |
| 00:45:30 |
With a private corner banquette |
| 00:45:35 |
We'll make it yet |
| 00:45:39 |
But you'd miss New York |
| 00:46:00 |
Mark! Roger! Anyone, help! |
| 00:46:06 |
- Maureen? |
| 00:46:08 |
We can't get her up the stairs! |
| 00:46:11 |
No! |
| 00:46:17 |
She was huddled in the park |
| 00:46:22 |
And she was freezing |
| 00:46:26 |
- Over here? Oh, God. |
| 00:46:28 |
Got a light? I know you |
| 00:46:33 |
- She's been living on the street |
| 00:46:37 |
- I'm shivering. |
| 00:46:39 |
We can buy some wood |
| 00:46:43 |
I'm afraid she needs more than heat |
| 00:46:47 |
I heard that |
| 00:46:49 |
Collins will call for a doctor, honey |
| 00:46:54 |
Don't waste your money on me |
| 00:46:57 |
Hello, 911? I'm on hold. |
| 00:47:01 |
Cold, cold |
| 00:47:07 |
Yes- Oh, God |
| 00:47:16 |
I should tell you |
| 00:47:20 |
I should tell you |
| 00:47:24 |
I should tell you |
| 00:47:30 |
I know |
| 00:47:32 |
I should tell you why I left |
| 00:47:36 |
- It wasn't 'cause I didn't- |
| 00:47:40 |
- I should tell you |
| 00:47:44 |
I should tell you, I love you |
| 00:48:01 |
Who do you think you are? |
| 00:48:05 |
Leaving me alone with my guitar |
| 00:48:09 |
Hold on, there's something |
| 00:48:13 |
It isn't much, but it took all year |
| 00:48:27 |
Your eyes |
| 00:48:30 |
As we said our goodbyes |
| 00:48:35 |
Can't get them out of my mind |
| 00:48:39 |
And I find |
| 00:48:42 |
I can't hide |
| 00:48:47 |
From your eyes |
| 00:48:51 |
The ones that took me by surprise |
| 00:48:56 |
The night you came into my life |
| 00:49:00 |
Where there's moonlight |
| 00:49:02 |
I see your eyes |
| 00:49:08 |
How'd I let you slip away |
| 00:49:12 |
When I'm longing so to hold you? |
| 00:49:17 |
Now I'd die for one more day |
| 00:49:21 |
'Cause there's something |
| 00:49:26 |
Yes, there's something |
| 00:49:32 |
When I looked into your eyes |
| 00:49:37 |
Why does distance make us wise? |
| 00:49:41 |
You were the song all along |
| 00:49:45 |
And before this song dies |
| 00:49:53 |
I should tell you |
| 00:49:58 |
I have always loved you |
| 00:50:03 |
You can see it in my eyes |
| 00:50:23 |
Mimi |
| 00:50:51 |
- I jumped over the moon. |
| 00:50:53 |
A leap of: |
| 00:50:56 |
She's back. |
| 00:50:59 |
I was in a tunnel... |
| 00:51:01 |
...headed for this warm, white light. |
| 00:51:03 |
Oh, my God. |
| 00:51:05 |
And I swear... |
| 00:51:07 |
...Angel was there. |
| 00:51:09 |
And she looked good. |
| 00:51:13 |
And she said: |
| 00:51:15 |
"Turn around, girlfriend... |
| 00:51:17 |
...and listen to that boy's song. " |
| 00:51:21 |
She's drenched. |
| 00:51:22 |
Her fever's breaking |
| 00:51:26 |
There is no future |
| 00:51:31 |
There is no past |
| 00:51:35 |
Thank God this moment's |
| 00:51:43 |
- There's only us |
| 00:51:46 |
- There's only this |
| 00:51:49 |
- Forget regret |
| 00:51:52 |
Or life is yours to miss |
| 00:51:55 |
No other road |
| 00:51:58 |
No other way |
| 00:52:02 |
No day but today |
| 00:52:08 |
- I can't control |
| 00:52:13 |
- My destiny |
| 00:52:20 |
- I trust my soul |
| 00:52:24 |
My only goal |
| 00:52:26 |
- Is just to be |
| 00:52:32 |
- Without you |
| 00:52:35 |
- The hand gropes |
| 00:52:38 |
- The ear hears |
| 00:52:41 |
- The pulse beats |
| 00:52:44 |
- Life goes on |
| 00:52:47 |
- But I'm gone |
| 00:52:51 |
- 'Cause I die without you |
| 00:52:57 |
- I die without you |
| 00:53:03 |
- I die without you |
| 00:53:10 |
- I die without you |
| 00:53:16 |
- I die without you |
| 00:53:23 |
- I die without you |
| 00:53:31 |
No day but today |
| 00:54:52 |
Five hundred twenty-five thousand |
| 00:54:57 |
Five hundred twenty-five thousand |
| 00:55:03 |
Five hundred twenty-five thousand |
| 00:55:08 |
How do you measure |
| 00:55:13 |
In daylights, in sunsets |
| 00:55:16 |
In midnights, in cups of coffee |
| 00:55:19 |
In inches, in miles |
| 00:55:21 |
In laughter, in strife |
| 00:55:24 |
In 525,600 minutes |
| 00:55:29 |
How do you measure |
| 00:55:35 |
How about love? |
| 00:55:40 |
How about love? |
| 00:55:45 |
How about love? |
| 00:55:51 |
Measure in love |
| 00:55:54 |
Seasons of love |
| 00:56:01 |
Seasons of love |
| 00:56:07 |
Five hundred twenty-five thousand |
| 00:56:13 |
Five hundred twenty-five thousand |
| 00:56:18 |
Five hundred twenty-five thousand |
| 00:56:23 |
How do you measure |
| 00:56:28 |
In truths that she learned? |
| 00:56:34 |
In bridges he burned? |
| 00:56:36 |
- Or the way that she died? |
| 00:56:42 |
Though the story never ends |
| 00:56:44 |
Let's celebrate |
| 00:56:50 |
Remember the love |
| 00:56:53 |
Oh, you got to |
| 00:56:57 |
You know that love is a gift |
| 00:57:02 |
Give love, give love, spread love |
| 00:57:07 |
Measure, measure your life in love |
| 00:57:12 |
Seasons of love |
| 00:57:18 |
- Seasons of love |
| 00:57:25 |
With a thousand sweet kisses |
| 00:57:29 |
With a thousand sweet kisses |
| 00:57:35 |
With a thousand sweet kisses |
| 00:57:39 |
With a thousand sweet kisses |
| 00:57:44 |
How about |
| 00:57:47 |
Love? |
| 00:57:51 |
How about |
| 00:57:52 |
Love? |
| 00:57:56 |
How about |
| 00:57:57 |
Love? |
| 00:58:01 |
Measure in love |
| 00:58:06 |
Seasons of love |
