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en
00:00:01 It's not difficult to predict
00:00:04 biased, ambiguous
00:00:07 In any case, I want to state here and now
00:00:12 the story of the passion,
00:00:15 is for me the greatest event
00:00:18 and the books that recount it
00:01:16 Damn it.
00:01:21 Got a temperature?
00:01:22 Stracci, you're finished.
00:01:25 Yes, of course.
00:01:27 I slept outside last night.
00:01:31 Then you're not eating?
00:01:32 Not eating? Yeah, right.
00:01:34 Better hide your lunch,
00:01:37 What did you say?
00:01:43 That reminds me: The wife and kids
00:01:47 Who knows what saint will help me.
00:01:48 You've got your pick here today.
00:01:51 With all these saints,
00:01:53 Anything wrong with the saints?
00:01:55 St. Sly there stole from god
00:01:58 Just look how it eats:
00:02:02 Caviar, steak...
00:02:04 saints, did you eat
00:02:07 I'm a poor starving man.
00:02:09 Nothing left?
00:02:12 Shut up
00:02:27 The crown.
00:02:28 The crown!
00:02:45 Places, everyone! We're ready!
00:02:49 The record!
00:02:53 Not that one!
00:02:54 You're worse than the men
00:03:00 Publicans! Blasphemers!
00:03:02 The Scarlatti record!
00:03:18 Camera!
00:03:19 2050, take one.
00:03:21 Action!
00:03:24 Come on, prompter.
00:03:27 O sorrowing spirit.
00:03:29 O bewildered mother's son.
00:03:32 O desperate mother's son.
00:03:36 O martyred son.
00:03:39 O chaste, rose-pink son.
00:03:42 O peerless son.
00:03:44 No, Valentina!
00:03:46 What's with that face?
00:03:49 Action!
00:03:51 O sorrowing spirit.
00:03:54 O bewildered mother's son.
00:03:56 O bewildered mother's son.
00:03:59 O martyred son.
00:04:01 Get the negro out of there!
00:04:05 Sonia, remember
00:04:09 Stop thinking about your dog!
00:04:12 Camera!
00:04:13 2,050, take three.
00:04:16 Action.
00:04:18 Prompter, wake up!
00:04:20 O sorrowing spirit...
00:04:35 half-wits! Now we'll have
00:04:39 Sonia, step out please.
00:04:42 - Camera.
00:04:46 Action.
00:04:49 Amorosi, stop picking your nose
00:05:21 Giovanni, did you get some lunch?
00:05:23 Here it is.
00:05:28 Eat up.
00:05:31 - What about you?
00:05:33 I'm out of luck, as usual.
00:05:37 What can you do?
00:05:38 Enjoy it.
00:05:40 Thanks, Giovanni.
00:06:34 - Where are you going?
00:06:37 I'm gonna get work as an extra.
00:07:08 - Where are you going?
00:07:36 Finished the whole thing already?
00:07:39 What an appetite!
00:07:41 I want to go to Terracina
00:07:44 and have lunch on the plain
00:07:48 I’ll eat a cow whole
00:08:42 you look like my dad.
00:08:44 Idiot.
00:09:41 Hey, you bastard!
00:09:42 That's my lunch!
00:09:45 Damn you!
00:09:47 Drop my lunch
00:09:50 you dirty thief!
00:09:55 Bastard!
00:10:13 Think that was a nice thing to do?
00:10:15 Think you're better than me
00:11:03 May I have a word?
00:11:09 Excuse me.
00:11:12 I'm a journalist.
00:11:16 Go on.
00:11:17 I'd like to get a little interview.
00:11:21 - No more than four questions.
00:11:24 First: What do you mean to express
00:11:31 My intimate, profound,
00:11:34 archaic Catholicism.
00:11:42 What do you think
00:11:46 The most illiterate masses
00:11:49 and the most ignorant
00:11:53 And what do you think of death?
00:11:56 As a Marxist,
00:12:01 Fourth and last question:
00:12:03 What do you think of
00:12:08 He dances.
00:12:14 He dances.
00:12:16 Thank you, congratulations
00:12:27 "I am a force from the past..."
00:12:34 it's a poem.
00:12:37 In the first part, the poet describes
00:12:41 whose style and history
00:12:44 and certain hideous modern buildings
00:12:50 Then he resumes:
00:12:53 "I am a force from the past.
00:12:57 Tradition is my only love.
00:13:01 I come from the ruins, churches,
00:13:04 altarpieces, forgotten hamlets
00:13:07 in the Apennines
00:13:10 where dwell our brothers.
00:13:13 I walk the Tuscolana way
00:13:17 the Appian way
00:13:21 I behold the twilight,
00:13:24 over 'ciociaria',
00:13:26 over the world,
00:13:28 like the first acts of post-history,
00:13:30 which I witness
00:13:34 from the utmost edge
00:13:38 Monstrous is the man born
00:13:41 from the bowels of a dead woman.
00:13:44 And I,
00:13:46 adult foetus,
00:13:49 wander, more modern
00:13:53 in search of brothers...
00:13:58 who are no more."
00:14:02 Did you understand anything?
00:14:04 Sure, a lot.
00:14:07 You walk the Tuscolana way...
00:14:12 write down what I tell you.
00:14:14 You understood nothing
00:14:19 Well, yeah.
00:14:21 But you don't know
00:14:24 He's a monster.
00:14:26 A dangerous criminal.
00:14:29 Conformist,
00:14:32 colonialist,
00:14:34 racist,
00:14:35 slave trader,
00:14:37 a mediocrity!
00:14:45 Have you got a bad heart?
00:14:46 No, thank god.
00:14:48 Too bad, because if you
00:14:51 it'd be good publicity
00:14:54 You don't exist anyway.
00:14:56 Capital acknowledges
00:14:59 only insofar as it serves production.
00:15:01 And the producer of my film
00:15:06 Good-bye.
00:15:41 - What are you doing picking flowers?
00:15:44 Nothing else to do.
00:15:49 - And what are you waiting for?
00:15:53 Your business.
00:16:03 What a nice dog.
00:16:06 What breed is it?
00:16:09 He's adorable.
00:16:12 What's his name?
00:16:13 Bastard.
00:16:15 He's so sweet.
00:16:19 You like him?
00:16:20 A lot!
00:16:21 - Want to make a deal?
00:16:30 I'll sell him to you.
00:16:33 I don't have much on me.
00:16:35 Give me a thousand lira
00:16:38 I've got a thousand lira.
00:17:00 Cheese man!
00:17:02 I'll buy all you've got!
00:17:45 The good thief!
00:17:47 The good thief!
00:18:02 Nail them up.
00:18:05 Here I am.
00:18:09 Come on, slaves. Nail me up.
00:18:12 Climb on
00:18:15 Boy, I ate too much.
00:18:19 - Did you eat, Stracci?
00:18:23 Here, Stracci, have a bite.
00:18:45 You thirsty? Want a drink?
00:18:56 Natalina!
00:18:59 Come here a minute.
00:19:04 Whaddaya want?
00:19:07 Don't make a fuss.
00:19:10 Listen, do us a favour.
00:19:12 Do a striptease for us.
00:19:15 You have to do it in front of him.
00:19:18 What have you got to lose?
00:19:20 We'll pay you. Come on.
00:19:23 Give us a tune.
00:19:25 Play some of that Arab music.
00:19:33 What are you waiting for?
00:19:36 Start stripping.
00:19:41 Silence!
00:19:59 Musician, don't swallow
00:20:22 - Begone, she-devil!
00:20:26 Ali Baba's mistress!
00:20:39 Carry the crosses up.
00:20:47 Get a move on with those crosses!
00:20:52 We ought to have a whip!
00:20:53 Run! Come on, run!
00:20:58 Start the record, please.
00:22:04 Come with me.
00:22:13 Ettore, you're some angel!
00:22:17 - I can try, can't I?
00:22:23 She's the one who should have
00:22:30 What scene are you setting up?
00:22:33 Listen, darling, you shoot my scene
00:22:37 Right. I'd forgotten.
00:22:40 Do the other scene.
00:23:16 Leave them nailed down.
00:23:18 Leave them nailed down!
00:23:27 Take it easy.
00:23:34 I'm hungry.
00:23:37 You do and I’ll let you have it.
00:23:41 A fine Christ you are.
00:23:45 Suit yourself, but I won't take you
00:23:48 I'd settle for the kingdom of earth.
00:23:50 Especially now that
00:23:53 As if yours is any better?
00:23:57 I don't get you.
00:23:59 You're always hungry, yet you stay
00:24:04 Some have one calling,
00:24:08 My calling must have been to starve.
00:24:14 Places, please.
00:24:17 Get the seamstress out of there!
00:24:21 Put on the record.
00:24:25 No, not that one, you heathens!
00:24:35 Remember, the director
00:25:00 - Camera.
00:25:05 Action.
00:25:09 No, not like that.
00:25:11 Do it again.
00:25:16 No, I told you to keep still.
00:25:19 Stop waving those arms around.
00:25:21 Stop!
00:25:22 You're a figure on an altarpiece.
00:25:30 What a shame! What a shame!
00:25:35 I'll bash your heads in,
00:25:38 You have no respect,
00:25:59 Yes, ma'am.
00:26:01 Let's start again.
00:26:04 Camera.
00:26:06 Imploring, you hear?
00:26:09 - 442, take two.
00:26:15 There goes the sun.
00:26:17 Farewell, Phoebus.
00:26:26 Unnail them.
00:27:13 How funny!
00:27:20 It's "the Stracci show"!
00:27:39 Give him something good to eat!
00:27:45 Suck on these!
00:27:47 Watch out for the little chicks!
00:27:57 Here, rinse your mouth out.
00:28:11 That's enough appetizers.
00:29:27 The lightning and thunder!
00:29:31 Let's have some thunder now!
00:29:42 Now the wind!
00:29:52 So you finally found us
00:29:56 Welcome!
00:31:05 Hey, Stracci,
00:31:07 Don't mess up now!
00:31:09 The producer's here!
00:31:12 Politicians, actors and actresses,
00:31:15 come on.
00:31:23 "Lord, remember me
00:31:28 Once again!
00:31:33 Come on!
00:31:39 "Lord, remember me
00:31:42 when thou comest into thy kingdom."
00:32:03 Quiet.
00:32:04 Quiet! We're shooting!
00:32:10 Camera.
00:32:12 2,150, take one.
00:32:16 Action.
00:32:21 Come on, Stracci.
00:32:26 action!
00:32:36 What's the matter with him?
00:32:51 He's dead.
00:32:54 Poor Stracci.
00:32:56 He had to die to remind us
00:33:20 The end