RocknRolla
|
00:00:30 |
ARCHY: |
00:00:33 |
What's a RocknRolla? |
00:00:36 |
And I tell them it's not about drums, |
00:00:41 |
Oh, no. |
00:00:43 |
There's more there than that, |
00:00:46 |
We all like a bit of the good life. |
00:00:49 |
Some, the money. |
00:00:50 |
Some, the drugs. |
00:00:52 |
Others the sex game, |
00:00:57 |
But a RocknRolla, oh, he's different. |
00:01:02 |
Why? |
00:01:03 |
Because a real RocknRolla |
00:01:45 |
My name's Archy, |
00:01:48 |
I work for a man called Lenny Cole. |
00:01:51 |
And Lenny Cole has the keys |
00:01:55 |
Let me give you an example |
00:01:59 |
Two years ago, |
00:02:02 |
Today, it costs 5 million. |
00:02:05 |
How did this happen? |
00:02:06 |
Attractive tax opportunities |
00:02:09 |
...restrictive building consent |
00:02:12 |
London, my good man... |
00:02:14 |
...is fast becoming the financial |
00:02:17 |
ARCHY: |
00:02:19 |
Property value has gone one way: up. |
00:02:22 |
And this has left the natives struggling |
00:02:26 |
I can't teach you how to skin a cat... |
00:02:28 |
...but I can tell you a lot |
00:02:32 |
Like he said, it's going one way. |
00:02:34 |
You need to see a lawyer. |
00:02:37 |
We do need to see a lawyer. |
00:02:39 |
Well, it looks like a great deal. |
00:02:42 |
These are the plans. |
00:02:43 |
It'll cost 10, |
00:02:46 |
But, first, you gotta give |
00:02:49 |
LAWYER [ON PHONE]: Same deal as before. |
00:02:52 |
Thank you, Councillor. |
00:02:54 |
You'll get the planning. |
00:02:56 |
Take care of the Councillor, |
00:03:01 |
We need help. |
00:03:02 |
Lenny Cole. |
00:03:03 |
Dog number one. |
00:03:05 |
Bet he moves fast |
00:03:07 |
LENNY: I do move fast, |
00:03:10 |
Property's always a safe bet... |
00:03:12 |
...but you gotta know what you're doing, |
00:03:15 |
ARCHY: Because of these boys' |
00:03:18 |
... the bank won't lend them |
00:03:20 |
Enter Mr. Lenny Cole... |
00:03:22 |
... London's money-loaning |
00:03:25 |
Don't let me down, boys. |
00:03:27 |
Come on, give me your hand. |
00:03:29 |
And this is where he waves |
00:03:32 |
Can't talk now, |
00:03:34 |
I can't get you the planning. |
00:03:36 |
Sorry, boys, can't get the planning. |
00:03:39 |
ARCHY: |
00:03:42 |
Because they don't wanna owe Lenny. |
00:03:44 |
He can't get the planning. |
00:03:46 |
That's right, sweetheart. |
00:03:47 |
Can't get the planning? |
00:03:49 |
You've been fucked. |
00:03:50 |
What do you mean |
00:03:53 |
You owe me. |
00:03:54 |
Right, I get the building, |
00:03:58 |
...and I'm still out of pocket |
00:04:01 |
Find it. |
00:04:03 |
ARCHY: They know they'll have to pay Lenny |
00:04:06 |
Because Mr. Cole has ways of making life |
00:04:11 |
We better find it. |
00:04:12 |
What they don't know |
00:04:15 |
... the judges and the lawyers. |
00:04:17 |
No planning permission will be given |
00:04:20 |
And now that he owns the building, |
00:04:23 |
Hello, Councillor? |
00:04:26 |
Yeah. |
00:04:28 |
Yeah, I hear you got that car |
00:04:32 |
You're very generous, Len. |
00:04:33 |
Right, now, sort that planning out, |
00:04:36 |
- Sorted, Lenny. |
00:04:43 |
What's wrong with you, Archy? |
00:04:46 |
Was that not a bit strong, Len? |
00:04:49 |
They come from the same place as you. |
00:04:52 |
The same place as me? |
00:04:54 |
Do I look like a fucking immigrant? |
00:04:56 |
No one gave me a leg up. |
00:04:58 |
They need a little bit of fear, |
00:05:03 |
They need a little lesson, don't they? |
00:05:05 |
And that is an example |
00:05:16 |
Now, today is Lenny's big day. |
00:05:19 |
He's hit the big time... |
00:05:20 |
... because a new Russian billionaire |
00:05:24 |
He wants planning permission |
00:05:27 |
Lenny Cole is here. |
00:05:29 |
Lenny will come through... |
00:05:31 |
... but he will rape that Russian |
00:05:34 |
Nice to see you, Uri. |
00:05:36 |
Good. Come and take a seat. |
00:05:39 |
Excuse me if I am hasty, |
00:05:43 |
- Oh, that's all right. |
00:05:46 |
I can see we are very much alike, |
00:05:51 |
We like to get things done. |
00:05:54 |
What's it going to cost me? |
00:05:56 |
First, let me make it clear exactly |
00:06:01 |
Without me, |
00:06:03 |
...before you got permission |
00:06:06 |
Secondly, with British law |
00:06:09 |
Lenny, how much? |
00:06:14 |
Seven million euros. |
00:06:21 |
I expect the guarantee that I have consent |
00:06:26 |
Oh, you got it. |
00:06:27 |
Consider it done. |
00:06:31 |
- Drink? |
00:06:36 |
That's a nice painting, Uri. |
00:06:39 |
It's got depth, you know. |
00:06:41 |
That picture has brought me nothing |
00:06:44 |
It's my lucky picture. |
00:06:45 |
- Yeah? |
00:06:47 |
You like? |
00:06:49 |
Yeah. |
00:06:51 |
Take it for a while. |
00:06:53 |
Maybe it will give you luck. |
00:06:54 |
Oh, no, Uri, l... You know, I couldn't. |
00:06:57 |
We are partners now, I insist. |
00:07:00 |
I will get it sent around to your house. |
00:07:03 |
You can give it back to me |
00:07:06 |
Hm? |
00:07:09 |
Well, I thought you lot drank vodka. |
00:07:11 |
Whiskey is the new vodka. |
00:07:14 |
You're not joining me? |
00:07:15 |
I don't drink. |
00:07:21 |
- Cheers. |
00:07:28 |
[LENNY GRUNTS] |
00:07:31 |
[GROANS] |
00:07:33 |
- You all right, Len? |
00:07:34 |
Because you're looking a bit pink. |
00:07:38 |
Get us some water |
00:07:41 |
Right away, Len. |
00:07:42 |
He tried to poison me, the dirty Cossack. |
00:07:46 |
Look, stop messing about, |
00:07:49 |
Sorry, Len. |
00:07:50 |
How is the billionaires club? |
00:07:52 |
Well, I tell you what, this Communism |
00:07:56 |
I'll tell you what, Arch. |
00:07:59 |
We've hit the big time here. |
00:08:02 |
Well, what's wrong? |
00:08:05 |
You gotta watch yourself with this lot. |
00:08:09 |
- They ain't no respecters of the old school. |
00:08:12 |
There's no school like the old school, |
00:08:16 |
That's why he come to me. |
00:08:18 |
Got it? |
00:08:20 |
Yeah, got it. |
00:08:26 |
You think you should have lent him |
00:08:28 |
It makes the peasant feel royal. |
00:08:31 |
Don't spoil it, |
00:08:34 |
I want that consent. |
00:08:36 |
Call the accountant |
00:08:38 |
If Uri's gonna turn over seven large ones |
00:08:42 |
... he's gonna need it in cash. |
00:08:44 |
And for that, |
00:08:48 |
Meet the very gifted |
00:08:52 |
You know why you get deals? |
00:08:54 |
Because those sad, fat, old men like it |
00:08:57 |
They shake like cocktails |
00:09:00 |
...when you raise that posh, little voice. |
00:09:02 |
You, my love, are a rare commodity. |
00:09:07 |
Now, come on, give your Bertie a smile. |
00:09:09 |
I don't feel like smiling. |
00:09:12 |
I'm a 30-year-old accountant |
00:09:17 |
I'm a beard without kids, Bertie. |
00:09:19 |
For a marriage of convenience, |
00:09:23 |
[PHONE RINGING] |
00:09:26 |
URI [ON PHONE]: |
00:09:28 |
Yes, she's right here. |
00:09:30 |
It's Omovich. |
00:09:32 |
You sure he isn't gay? |
00:09:33 |
ARCHY: |
00:09:35 |
... is that his accountant |
00:09:39 |
... and is looking for excitement |
00:09:44 |
Welcome to the Speeler. |
00:09:47 |
This hot little house of crime is home |
00:09:51 |
... of individuals known locally |
00:09:54 |
There's no way you're gonna get a five, |
00:09:57 |
- They've got nothing on you, son. |
00:10:00 |
Fred, they've got a grass. |
00:10:03 |
Got a rat with a roach smoking a canary. |
00:10:06 |
COOKIE: All right, ladies. |
00:10:09 |
Cookie, do you want in? |
00:10:10 |
I did promise the twins |
00:10:14 |
- Throw us in for a quick spin. |
00:10:18 |
No. |
00:10:21 |
ONE TWO: |
00:10:24 |
Coming, dear. |
00:10:26 |
But in the world of crime, |
00:10:29 |
And the very men she needs |
00:10:32 |
... are the very men |
00:10:35 |
What's happening? |
00:10:37 |
You know that lady, the posh pup? |
00:10:40 |
The one that likes a bit of the rough life? |
00:10:42 |
The little dangerous accountant. |
00:10:46 |
- I know. |
00:10:48 |
Well, she's offered us |
00:10:50 |
But, I mean, like, proper work. |
00:10:53 |
[ONE TWO SIGHS] |
00:10:54 |
Now, normally, I would just turn her down, |
00:11:00 |
Let's have a meet. |
00:11:16 |
I've got one just like that at home, |
00:11:20 |
Is that what they call humor |
00:11:24 |
Is that what they call art |
00:11:28 |
You are quite the entertainer, |
00:11:32 |
And you're also late. |
00:11:34 |
Please, don't be late. |
00:11:45 |
I've got some work, |
00:11:47 |
Go on. |
00:11:49 |
There are two accountants taking out |
00:11:54 |
And it won't be protected. |
00:11:56 |
Twenty percent for me, as normal. |
00:11:58 |
The details are in here. |
00:12:01 |
Anything else? |
00:12:03 |
Yeah. |
00:12:04 |
I don't want this coming back to me, |
00:12:09 |
It might help. |
00:12:11 |
Just a black eye, nothing more. |
00:12:16 |
Very well, Mrs. Baxter. |
00:12:18 |
A black eye it is, then. |
00:12:25 |
Nice shoes, by the way. |
00:12:27 |
Thank you. |
00:12:29 |
You'll be able to afford a pair of your own |
00:12:37 |
LENNY: "Troubled rock star, Johnny Quid, |
00:12:43 |
...when he fell from the side of a yacht |
00:12:47 |
...by a prominent high-street |
00:12:52 |
Sorry, I don't know what to say. |
00:12:54 |
Yeah, well, I bet he took a few people |
00:13:01 |
We will never mention this again, |
00:13:10 |
Look, tell the Councillor |
00:13:12 |
...with his little bat and balls |
00:13:19 |
Oh, that is sensational, Councillor. |
00:13:22 |
Did you have lessons as a boy? |
00:13:24 |
Fancy a cool down? |
00:13:26 |
Bit of a chat with Lenny? |
00:13:31 |
- You know Jackie? |
00:13:34 |
No, Archy, please, don't say anything. |
00:13:36 |
Don't you worry about her. |
00:13:40 |
And a member. |
00:13:42 |
Oi, Jackie. |
00:13:44 |
You fancy a runaround |
00:13:47 |
Only if he's wicked. |
00:13:52 |
What does she mean by that? |
00:13:55 |
What would you like her to mean by that, |
00:14:00 |
[CHUCKLES] |
00:14:01 |
Come on. |
00:14:03 |
There we are, plans and papers. |
00:14:06 |
When you're in bed with Len, |
00:14:09 |
Would you like a cigar? |
00:14:12 |
I don't mind if I do. |
00:14:14 |
He wants you sitting in the front row |
00:14:20 |
Len's skill lies in his ability |
00:14:23 |
That's a nice lighter. |
00:14:26 |
Eight grand they wanted for it, |
00:14:30 |
And I paid it. |
00:14:32 |
You know why? |
00:14:33 |
Tell me, Lenny. |
00:14:36 |
It's all about the details. |
00:14:39 |
Is our little deal in there too? |
00:14:43 |
Look at Lenny. |
00:14:44 |
Fucking playing with himself, |
00:14:47 |
He only paid a hundred pounds |
00:14:50 |
... he's making the Councillor sweat |
00:14:53 |
I wouldn't forget about that. |
00:14:55 |
The important things first. |
00:14:57 |
You got to hand it to Len, |
00:15:01 |
I'll leave that with you. |
00:15:03 |
Now, the Councillor just needs a few hours |
00:15:06 |
Can't stay here chewing the fat all day. |
00:15:08 |
Man's got a living to make. |
00:15:10 |
I'll phone you in tomorrow. |
00:15:12 |
- and he'll be in there like swimwear. |
00:15:15 |
LENNY: |
00:15:17 |
Lenny, you forgot your lighter. |
00:15:20 |
LENNY: |
00:15:23 |
It's got your name on it. |
00:15:27 |
All right. |
00:15:28 |
Nothing's gonna stop Lenny |
00:15:31 |
[LAUGHING] |
00:15:32 |
Yeah, I knew he'd like the lighter. |
00:15:35 |
It was a nice touch, wasn't it? |
00:15:37 |
Yeah, she's a good girl, Jackie. |
00:15:41 |
Yeah, you're right. |
00:15:42 |
He wouldn't give me |
00:15:45 |
...if he didn't mean business? |
00:15:48 |
Yeah, I've took it off the easel, |
00:15:53 |
Yeah, it looks mag... |
00:15:55 |
Archy, I've been... Fuck. |
00:15:57 |
Oh, fuck. |
00:15:58 |
Archy? |
00:16:00 |
Archy, I've been robbed. |
00:16:02 |
ARCHY [ON PHONE]: |
00:16:04 |
Hello? |
00:16:06 |
I said, I've been robbed. |
00:16:09 |
Yeah... I don't know when. |
00:16:11 |
It's the painting. |
00:16:13 |
Yeah, it's the one that Uri gave me. |
00:16:17 |
All right, loaned, for fuck's sake. |
00:16:22 |
Archy, this is not good. |
00:16:25 |
That's his favorite painting. |
00:16:27 |
His lucky painting. |
00:16:31 |
Yeah, all right. |
00:16:33 |
Come around here and bring the troops. |
00:16:37 |
Yeah. |
00:16:38 |
Oh, fuck it, this isn't what I want to hear. |
00:16:41 |
When Lenny's wheels come off, |
00:16:44 |
Now, he's gonna stick it |
00:16:46 |
And Archy is gonna have to go to work. |
00:16:52 |
Where was it, Len? |
00:16:58 |
Well, let's just take a wild stab in the dark, |
00:17:02 |
Archy, slap him, send him to school |
00:17:06 |
Now, you sort this out. |
00:17:07 |
Get that painting back, bring me a body, |
00:17:18 |
Bandy, you ever ask a stupid question |
00:17:22 |
He's gonna slap you. |
00:17:24 |
I'm sorry, Arch. |
00:17:27 |
Danny, slap him. |
00:17:32 |
With the right, Danny, properly. |
00:17:36 |
No, no, no, come on, do it properly |
00:17:40 |
- What is this, a tennis match, Arch? |
00:17:46 |
Oh, for fuck... |
00:17:51 |
Like this. |
00:17:54 |
Now, if you can master a slap like that... |
00:17:57 |
...there's no need for your clients |
00:17:59 |
They will open up |
00:18:04 |
No need for strong violence, no, no. |
00:18:06 |
They're transported |
00:18:10 |
Putty in your hands. |
00:18:11 |
Ask Bandy. |
00:18:13 |
Look, thinks he's back at school. |
00:18:16 |
But he never went to school, Arch. |
00:18:18 |
You want a slap as well, Daniel, eh? |
00:18:23 |
Now, if the slap don't work, |
00:18:27 |
...but keep your receipts |
00:18:30 |
Now, get out there, look for the painting. |
00:18:39 |
[CAR ALARM CHIRPS] |
00:18:46 |
- Hello. |
00:18:48 |
Bye. |
00:18:49 |
If you just put the bags in the car, |
00:18:53 |
Ahem. Now, now, boys, do as you're told. |
00:18:55 |
Put the bags in the car, |
00:18:59 |
Sorry, is this a robbery? |
00:19:03 |
Yes, it is a robbery. Now, fuck off. |
00:19:05 |
Thank you. |
00:19:07 |
[MUMBLE CHUCKLES] |
00:19:11 |
- Very good, Mr. One Two. |
00:19:24 |
Yeah, give me the keys. |
00:19:26 |
Thanks. |
00:19:28 |
Yeah, very funny. |
00:19:31 |
[CAR ALARM RINGING & HORN HONKING] |
00:19:36 |
[ALARM STOPS RINGING] |
00:19:43 |
Oi. |
00:19:46 |
Where's reverse? |
00:19:48 |
You have to lift up the knob |
00:19:50 |
- Gear stick. |
00:19:54 |
Oh, yeah. Now, fuck off. |
00:20:16 |
I know an electrician |
00:20:22 |
Might take him |
00:20:25 |
STELLA: Welcome to the nouveau riche, |
00:20:27 |
ONE TWO: |
00:20:30 |
Mm, très chic. |
00:20:36 |
It's a little bit heavier |
00:20:41 |
I see you didn't think |
00:20:44 |
I would like to have obliged. |
00:20:45 |
But from a professional point of view, |
00:20:50 |
- Mm. |
00:20:55 |
Maybe. |
00:21:09 |
URI: The development has been underway |
00:21:12 |
...and will be completed |
00:21:17 |
The area covers 12 acres... |
00:21:19 |
...and it will become one |
00:21:26 |
Excuse me, gentlemen. |
00:21:31 |
What is it? |
00:21:33 |
[WHISPERING IN RUSSIAN] |
00:21:55 |
Victor, Victor. |
00:22:10 |
- Yo, Archy. |
00:22:12 |
Hey, I got Lenny's bit of scratch. |
00:22:14 |
What, you got all of it? |
00:22:15 |
Yes, it's burning a hole in the floor, |
00:22:19 |
I'll come down to Speeler. |
00:22:20 |
[BEEPING] |
00:22:22 |
Hold on. |
00:22:23 |
Gotta go, got another call. Len? |
00:22:26 |
Archy, the Russian didn't come through |
00:22:29 |
Don't worry about that, |
00:22:31 |
I got some good news for you. |
00:22:33 |
One Two and Co. have |
00:22:36 |
- What, all of it? |
00:22:38 |
Where'd they get that from, then? |
00:22:40 |
No idea. |
00:22:42 |
Listen, all I gotta do now |
00:22:45 |
Yeah, well, make sure you do find it. |
00:22:46 |
[BEEPING] |
00:22:47 |
Oh, look, I've gotta go. |
00:22:50 |
Hello? |
00:22:51 |
I have all my people waiting, Lenny. |
00:22:53 |
It's a delay. |
00:22:57 |
Well, get back to me soon. |
00:22:59 |
Yeah, of course. |
00:23:02 |
Wanker. |
00:23:05 |
GARY: I shook your hand, I've nicked your |
00:23:09 |
Yes, that's right. |
00:23:14 |
- I can't. Tell you what I'll do, I give you 50. |
00:23:18 |
WOMAN: |
00:23:19 |
GARY: Hello, Archy. |
00:23:20 |
Come over here. |
00:23:23 |
Hello, Arch. |
00:23:25 |
What do you want, tickets? |
00:23:26 |
I want the Tank. |
00:23:28 |
Right. Well, you won't see him |
00:23:32 |
He don't like the cold, see? |
00:23:36 |
Tank runs |
00:23:39 |
... in the West End of London. |
00:23:41 |
He knows more about what moves |
00:23:44 |
Tank is a fortified world |
00:23:49 |
ARCHY: A word. |
00:23:52 |
I need a word. |
00:23:53 |
Don't stand out there |
00:23:56 |
Step into my world. |
00:24:03 |
MAN [ON TV]: |
00:24:06 |
TANK: |
00:24:08 |
They've had it redone. |
00:24:12 |
Glorious picture. |
00:24:14 |
And the sound, well, it's exquisite. |
00:24:18 |
Could you turn it down a bit |
00:24:21 |
Oh, where are my manners? |
00:24:22 |
Sorry, Arch. |
00:24:24 |
Don't want tickets. |
00:24:27 |
A classic painting, |
00:24:30 |
You got more feet on the street than |
00:24:34 |
I'll tell you what, |
00:24:38 |
Here's a couple of large |
00:24:41 |
[BUZZER SOUNDS] |
00:24:43 |
- Yeah. |
00:24:46 |
It is Fred. |
00:24:47 |
ARCHY: For years, |
00:24:49 |
... that's sent us all down |
00:24:52 |
And now Bob is looking |
00:24:57 |
So, tell me, Handsome, |
00:25:01 |
Not with you getting a five-stretch. |
00:25:03 |
Please, Fred, please, not again, yeah? |
00:25:07 |
I'm sorry, Bob. |
00:25:09 |
But what makes the situation worse... |
00:25:12 |
... is everybody knows this dirty fucking rat |
00:25:17 |
MALCOLM: |
00:25:20 |
Oh, lovely hat, Fred, lovely. |
00:25:23 |
Who gives a fuck what you think? |
00:25:25 |
Okay, gentlemen, let's go. |
00:25:28 |
First, my colleague Paul |
00:25:33 |
I must apologize |
00:25:36 |
He has unusually long arms |
00:25:40 |
I agree it doesn't seem |
00:25:42 |
...to be acquiring a coat |
00:25:46 |
It is the middle of fucking summer. |
00:25:48 |
However, |
00:25:51 |
Where did you get these junkies, eh? |
00:25:53 |
What's this, a fucking double act? |
00:25:55 |
Get on with it, |
00:25:58 |
All in good time, gentlemen, |
00:26:02 |
Next up, |
00:26:04 |
...seen in very, very glossy magazines. |
00:26:09 |
Junkies, as any junkie will tell you, |
00:26:13 |
They take what doesn't belong to them, |
00:26:17 |
... but because they're junkies. |
00:26:19 |
What? It's only fire. |
00:26:21 |
Selling stolen fur coats |
00:26:24 |
... would not seem peculiar |
00:26:28 |
The famous but rare black bear. |
00:26:31 |
[WHISTLES] |
00:26:32 |
Found in the dark mountains |
00:26:35 |
Get an eyeful of that stripe, |
00:26:37 |
Oh, have a look, |
00:26:41 |
[BUZZER SOUNDS] |
00:26:42 |
And all of this could be yours |
00:26:46 |
- Yeah, hello. |
00:26:48 |
- Hello, Arch, come up. |
00:26:50 |
Come up, son. |
00:26:53 |
Come on, back door, fuck off. |
00:26:55 |
The Wild Bunch have had to put |
00:26:58 |
... to ignite Lenny's contacts. |
00:26:59 |
And maybe, just maybe, |
00:27:02 |
... can make Bob's legal paperwork |
00:27:06 |
You all right, Fred? |
00:27:08 |
FRED: |
00:27:10 |
Mumbles. |
00:27:11 |
MUMBLES: |
00:27:13 |
- Bob. |
00:27:15 |
One Two. |
00:27:17 |
Arch. |
00:27:19 |
I see you brought |
00:27:21 |
[MUMBLES SCOFFS] |
00:27:22 |
That's very unkind. |
00:27:25 |
You wanna be careful, One Two. |
00:27:27 |
You don't wanna catch another cold, |
00:27:32 |
Speeler's a bit quiet today, Fred. |
00:27:35 |
Everything all right? |
00:27:36 |
It's good as gold, thanks, good as gold. |
00:27:38 |
Good. |
00:27:42 |
So come on, where is it? |
00:27:45 |
What, can't you smell it? |
00:27:48 |
No, I can't. |
00:27:57 |
Look at that, we could make a team. |
00:27:58 |
Oh, you'd like that, wouldn't you, Arch? |
00:28:01 |
Oh, by the way, this is for you. |
00:28:04 |
You buy yourself a new pair |
00:28:07 |
Really? |
00:28:08 |
You ain't half a funny bastard, ain't you? |
00:28:12 |
Good night, ladies. |
00:28:17 |
URI: They say there are only two days |
00:28:21 |
The day you buy it |
00:28:25 |
According to my figures, |
00:28:28 |
What are you gonna do? |
00:28:29 |
Beauty is a cruel mistress. |
00:28:31 |
I must remember that line. |
00:28:33 |
Be my guest. |
00:28:35 |
- Can I pour you a glass? |
00:28:37 |
Thank you. |
00:28:40 |
You know, I like you. |
00:28:42 |
I like the way you are. |
00:28:44 |
Always thinking about business, |
00:28:49 |
Well, that's what you pay me to be, |
00:28:52 |
Tell me about your husband. |
00:28:56 |
My husband is a lawyer. |
00:28:57 |
I hear he's very good at what he does. |
00:29:00 |
Maybe we can have some work for him. |
00:29:02 |
Tell me, what do you do for fun? |
00:29:11 |
Have I offended you in some way? |
00:29:14 |
As you said, I'm a professional, |
00:29:16 |
So as long as it stays that way, |
00:29:21 |
You see, Victor? |
00:29:25 |
This is what I like about this country. |
00:29:28 |
They understand hierarchy. |
00:29:29 |
You do your job, I do mine, |
00:29:33 |
Now, back to business. |
00:29:36 |
We have had security problems. |
00:29:38 |
And to cut a long story short... |
00:29:41 |
...I need another 7 million euros |
00:29:45 |
Mr. Omovich, I'm the best at what I do. |
00:29:49 |
I could certainly cover |
00:29:51 |
Tsk, tsk, tsk. |
00:29:52 |
...but even I can't hide 7 million |
00:29:56 |
But if you are so good... |
00:29:58 |
You devil. |
00:30:00 |
Let me think about it. |
00:30:02 |
There are some options |
00:30:07 |
Thank you. |
00:30:25 |
- Come on, Bobby boy, cheer up. |
00:30:29 |
I'll be locked up in an 8-by-10 |
00:30:32 |
Bob, that's tomorrow night, okay? |
00:30:37 |
And we have got a party |
00:30:40 |
We got a couple of grams of hurry up |
00:30:43 |
We've got the Harris twins. |
00:30:46 |
Probably the most expensive escort girls |
00:30:49 |
Got the night off from the Russians... |
00:30:51 |
...and they have been greased down |
00:30:59 |
- Okay, well, I see that cheered you up. |
00:31:06 |
What? It's just what? |
00:31:08 |
You wouldn't understand. |
00:31:09 |
Come on, Bobby boy, that's not fair. |
00:31:11 |
I'd understand anything |
00:31:16 |
Would you? |
00:31:18 |
Bob, you're my best mate. |
00:31:25 |
You see, I don't want the strippers, |
00:31:28 |
Okay. |
00:31:31 |
I want you. |
00:31:33 |
[CHUCKLES] |
00:31:40 |
[TIRES SCREECH] |
00:31:44 |
Dirty bastard. |
00:31:51 |
You dirty bastard. |
00:31:56 |
Bob, I know all your girlfriends, |
00:31:58 |
I told you, you wouldn't understand. |
00:32:01 |
What, I wouldn't understand |
00:32:04 |
You're Handsome Bob. |
00:32:06 |
You're Handsome Bob, |
00:32:09 |
Do you hear me, Bob? |
00:32:11 |
I mean, I've had showers with you, man. |
00:32:14 |
I should have just kept my mouth shut. |
00:32:16 |
Right, you should have kept |
00:32:19 |
We should've just gone |
00:32:21 |
...like Handsome Bob would've done. |
00:32:23 |
You should drown the cat |
00:32:25 |
No, no, not you. Not fag Bob. |
00:32:46 |
I am so sorry. |
00:32:52 |
Well, I'm sorry. |
00:32:54 |
No, I'm sorry. |
00:32:55 |
- No, I'm sorry. |
00:32:58 |
No, I'm fucking sorry, Bob, all right? |
00:33:00 |
I went over the top a bit. |
00:33:03 |
And it was a bit |
00:33:06 |
It was a bit of a broadside. |
00:33:08 |
It's fine. It's fine. |
00:33:13 |
Five years, you know. |
00:33:16 |
I don't know if I can handle it. |
00:33:24 |
I don't know what I was thinking, Bob. |
00:33:27 |
I mean, there's nothing wrong |
00:33:32 |
...or whatever it is you call it, |
00:33:36 |
I mean, there's gonna be plenty |
00:33:40 |
You'll probably love it. |
00:33:44 |
Oh, God. |
00:33:47 |
[BOB GROANING] |
00:33:52 |
What...? |
00:33:53 |
What exactly is it that you? |
00:33:57 |
That you wanna do to me, then, Bob? |
00:34:03 |
Tank, come in. |
00:34:07 |
You want a drink? |
00:34:08 |
No, thanks, Archy. |
00:34:18 |
Ooh. Nice office Lenny's got here, isn't it? |
00:34:22 |
Like that, |
00:34:25 |
Nice touch, that. |
00:34:28 |
Ooh. |
00:34:30 |
- Whistler. |
00:34:32 |
Nineteenth century, |
00:34:36 |
Is that right? |
00:34:37 |
You know a man's cultured |
00:34:44 |
Go on. |
00:34:47 |
[SIGHS] |
00:34:51 |
Now, you know why they call me Tank, |
00:34:54 |
It's because you're a dirty, |
00:34:56 |
Think tank, Arch. |
00:34:59 |
Nothing gets past the old think tank. |
00:35:01 |
Nothing. |
00:35:04 |
So I thought I'd fire a few questions |
00:35:08 |
Thought I'd come see you because it looks |
00:35:12 |
- Oh, yeah? |
00:35:15 |
Right, let me tell you how this works. |
00:35:18 |
You're going in the drink, |
00:35:21 |
Beneath your feet |
00:35:25 |
I just hope for your sakes |
00:35:28 |
...for as long as it takes |
00:35:30 |
After that, I'm gonna ask you a question, |
00:35:34 |
You're gonna give me a name. |
00:35:36 |
And if it's the right name... |
00:35:38 |
...l'm gonna send you home warm and dry |
00:35:41 |
If it's the wrong name, |
00:35:45 |
They're American, these crayfish. |
00:35:48 |
Big, hungry bastards. |
00:35:50 |
And like most things American, |
00:35:53 |
...but they've still got room for more. |
00:35:56 |
Show him one, Charlie. |
00:35:58 |
[SLOANE GRUNTING] |
00:36:00 |
All right, see you, enjoy. |
00:36:03 |
[SLOANE SCREAMING] |
00:36:04 |
SLOANE: |
00:36:08 |
They stole the fucking money. |
00:36:10 |
I swear, I wouldn't fucking lie to you, |
00:36:13 |
No, no, no. |
00:36:15 |
Oh, stop, stop. |
00:36:16 |
No, don't. |
00:36:18 |
LENNY: The American crayfish |
00:36:22 |
A guest, if you like. |
00:36:24 |
And like most guests having a good time, |
00:36:29 |
Next 50 years... |
00:36:30 |
...they consumed all the local crayfish, |
00:36:36 |
And then, they started eating each other. |
00:36:42 |
That's the thing about greed, Arch. |
00:36:46 |
It's blind. |
00:36:50 |
And it doesn't know when to stop. |
00:36:53 |
That's why I'm here. |
00:36:57 |
To keep order. |
00:37:00 |
Danny, hose him down. |
00:37:20 |
[COUGHING] |
00:37:22 |
Right, who's got that painting? |
00:37:27 |
Johnny. |
00:37:29 |
Johnny Quid. |
00:37:32 |
The singer from the group, |
00:37:35 |
This hasn't worked, has it? |
00:37:38 |
- How can a dead man sell you a painting? |
00:37:41 |
He's not dead, he just tried selling us |
00:37:45 |
- He's got, like, an obsession with it. |
00:37:48 |
Archy, put him back in |
00:37:50 |
No, please, I know who he is. |
00:37:53 |
I wouldn't lie to you. |
00:37:54 |
I don't lie. |
00:37:56 |
Now, please just let me go. |
00:38:00 |
[SOBBING] |
00:38:03 |
Len, can I have a word? |
00:38:05 |
SLOANE: |
00:38:14 |
- Your boy ain't dead, is he? |
00:38:17 |
Oh, you know what I mean. |
00:38:22 |
He had a set of keys to the house, |
00:38:25 |
He just won't fucking die, |
00:38:27 |
That junkie's seen more funerals |
00:38:31 |
I tell you, the next world war |
00:38:37 |
Look, you go see... |
00:38:39 |
...if you can find them two flash idiots |
00:38:44 |
What are they called? |
00:38:46 |
Greek and Minnie? |
00:38:47 |
- Roman and Mickey. |
00:38:50 |
Because if anybody can find |
00:38:54 |
No, you're not listening to what I'm saying. |
00:38:58 |
The dry ice, Mickey. |
00:39:01 |
My show just doesn't work without it. |
00:39:03 |
Hold on a second. |
00:39:04 |
If you would've asked me yesterday |
00:39:07 |
...I would've got the driest ice |
00:39:10 |
...but you didn't ask me. |
00:39:11 |
You asked me for two cases |
00:39:14 |
...and four ladies of the pole, |
00:39:18 |
Yes. |
00:39:19 |
Yes, you did, I do confess. |
00:39:21 |
But, Mickey, you are the manager, |
00:39:27 |
You got on the hat. |
00:39:31 |
My hat is deep and full of magic. |
00:39:33 |
I got rabbits, handkerchiefs |
00:39:38 |
I got smoke machines, |
00:39:40 |
...I even got love marines, |
00:39:45 |
All right? |
00:39:47 |
But there ain't no motherfucking dry ice. |
00:39:49 |
Okay. |
00:39:51 |
You made your point. |
00:39:54 |
But tomorrow, |
00:40:00 |
- You read this? |
00:40:03 |
"Singer extraordinaire, Johnny Quid |
00:40:06 |
"Missing, assumed dead," they say. |
00:40:09 |
Our Johnny? |
00:40:11 |
How many rock stars by the name Johnny |
00:40:15 |
Only thing he fell off is his junkie spoon. |
00:40:17 |
He's no deader |
00:40:20 |
He'll be gearing himself up, |
00:40:23 |
June, how dead is Johnny? |
00:40:25 |
If he's dead, |
00:40:28 |
Rockers like that never die. |
00:40:33 |
They just wither and give me pain. |
00:40:37 |
[THE CLASH'S "BANKROBBER" |
00:40:43 |
[LIP-SYNCHING TO THE CLASH'S |
00:40:51 |
[SINGING THE CLASH'S "BANKROBBER"] |
00:40:58 |
[MUSIC STOPS] |
00:41:00 |
LENNY: |
00:41:03 |
I never did like you, |
00:41:06 |
You're a reject. |
00:41:07 |
A wrong and a fucking fairy in the mirror |
00:41:11 |
But she ain't with us no more, |
00:41:14 |
Now, next week, |
00:41:17 |
The most expensive fucking school |
00:41:20 |
And then you'll be gone |
00:41:22 |
In the meantime, show some gratitude |
00:41:32 |
[THE CLASH'S "BANKROBBER" |
00:41:33 |
[SINGING] |
00:42:00 |
[LIP-SYNCHING TO THE CLASH'S |
00:42:12 |
[MUSIC STOPS] |
00:42:17 |
Go on, John. |
00:42:19 |
Jog it on. |
00:42:23 |
I can't, Pete. |
00:42:25 |
The painting's got me. |
00:42:27 |
That's what art does to you, Pete. |
00:42:29 |
You'd get a good few notes for that. |
00:42:33 |
- You wouldn't understand. |
00:42:37 |
Because you are street scum, Pete. |
00:42:40 |
You're in need of a good education. |
00:42:43 |
But your dad |
00:42:45 |
And that's why you're on the gear. |
00:42:47 |
The gear is your surrogate father. |
00:42:50 |
Leave off, John. |
00:42:55 |
JOHNNY: |
00:42:59 |
I'm your sponsor, doctor. |
00:43:03 |
I'll be your dad if you feel |
00:43:07 |
But first, we need a drink in our hands. |
00:43:13 |
My dad used to make me watch Bonanza |
00:43:18 |
Well, that's got |
00:43:20 |
- All those guns, nuns and cowboys. |
00:43:23 |
It wasn't all bad. |
00:43:25 |
He sometimes made me laugh too. |
00:43:27 |
Well, now we're onto something. |
00:43:29 |
Did he ever interfere with you? |
00:43:31 |
You know, touch you inappropriate-like. |
00:43:35 |
He tickled me, if that's what you mean. |
00:43:37 |
In psychological circles, |
00:43:40 |
There is? |
00:43:42 |
Monsteroustickalotis. |
00:43:44 |
You what? |
00:43:46 |
Your dad was a tickling monster. |
00:43:50 |
Oi, that's my drink. |
00:43:52 |
Fuck you, sing-along. |
00:43:54 |
You're no help, |
00:43:56 |
MAN: |
00:44:00 |
Come on then, boy. |
00:44:01 |
I'll have you and your girlfriends. |
00:44:06 |
Do I not look like a pothouse? |
00:44:09 |
Go on, jog on, walk on, |
00:44:19 |
- Was I good or what, Pete? |
00:44:21 |
It's all in the eyes. |
00:44:22 |
Junkies, I shit them. |
00:44:26 |
[ROCK MUSIC BLARING ON HEADPHONES] |
00:44:38 |
Roman, Mickey. |
00:44:40 |
I tried to stop them, |
00:44:45 |
- I think they just wanted... |
00:44:48 |
JUNE: |
00:44:50 |
Yeah, don't worry about it, June. |
00:44:53 |
Why don't you go have another lunch? |
00:44:55 |
Come over here, babe. |
00:44:59 |
Yeah, sorry to intrude. |
00:45:02 |
They call this a litchi, don't they? |
00:45:04 |
Litchi. |
00:45:05 |
Litchi, litchi. |
00:45:14 |
LENNY: |
00:45:16 |
It's tasty and exotic. |
00:45:19 |
A bit like your June. |
00:45:21 |
Thanks. |
00:45:27 |
Can we help you? |
00:45:28 |
Yeah. You got an act |
00:45:30 |
We did, yeah. |
00:45:38 |
And there's a singer called Johnny Quid. |
00:45:41 |
There was. |
00:45:43 |
Well, I'd like to see Mr. Quid. |
00:45:46 |
I'd like to see him too, |
00:45:49 |
According to the papers... |
00:45:51 |
...the only songs Mr. Quid's |
00:45:53 |
And I shed a tear. |
00:45:55 |
I shed a tear for all those bone tops |
00:46:01 |
But did you see his body? |
00:46:04 |
Did you see him smacked up |
00:46:06 |
...with his tongue on his chin |
00:46:09 |
...swinging from the rafters |
00:46:11 |
No, you didn't, did you? |
00:46:13 |
And nobody else |
00:46:16 |
Because he ain't dead. |
00:46:18 |
He's alive, alive-o somewhere, |
00:46:22 |
...and a very important painting |
00:46:26 |
I'm sorry, |
00:46:29 |
You have 12 licenses |
00:46:34 |
So if you wanna play on, |
00:46:37 |
[LENNY CHUCKLES] |
00:46:40 |
I can tell what you're thinking now. |
00:46:42 |
Well, there's not much you can't do. |
00:46:44 |
[OVER SPEAKERS] |
00:46:48 |
[SINGING] You'll never sing the same |
00:46:55 |
Wait, so you guys |
00:46:58 |
What do you think we are, gangsters? |
00:47:01 |
That's not my style. |
00:47:03 |
So do us all a favor |
00:47:13 |
There he is. |
00:47:14 |
You were missed in court this morning. |
00:47:16 |
Not very compassionate, is it? |
00:47:18 |
Not turning up to your amigo's funeral. |
00:47:21 |
FRED: Yeah, everyone else was there, |
00:47:25 |
And I got the feeling |
00:47:27 |
...that Handsome |
00:47:31 |
[PHONE RINGS] |
00:47:33 |
All right, well, |
00:47:35 |
What the fuck are you getting at? |
00:47:38 |
Whoa, leave it. |
00:47:41 |
We all know how much you loved Bob. |
00:47:44 |
What exactly do you mean, loved Bob? |
00:47:47 |
Guess who. |
00:47:50 |
Prosecution lost the paperwork. |
00:47:52 |
Case is closed. |
00:47:53 |
[ALL CHUCKLE] |
00:47:58 |
Five years. |
00:48:06 |
You're supposed to be in fucking... |
00:48:09 |
DOLLY: |
00:48:16 |
Someone lose a bit of paperwork, |
00:48:19 |
- Very clever. |
00:48:21 |
That's exactly why you pay Lenny, |
00:48:25 |
- All right. |
00:48:27 |
[PHONE RINGS] |
00:48:31 |
How did you get this number? |
00:48:33 |
Oh, I can get any number. |
00:48:35 |
I work with numbers, don't I? |
00:48:37 |
One point for initiative, |
00:48:41 |
My old man's having a party tonight, |
00:48:45 |
It's a liberty, |
00:48:47 |
- Sorry, not my thing. |
00:48:51 |
You can bring your friends. |
00:48:54 |
- Rich and famous, great and the good. |
00:48:58 |
Let me see what I can do. |
00:49:02 |
[SIGHS] |
00:49:04 |
[VICTOR SPEAKING IN RUSSIAN] |
00:49:29 |
Okay? |
00:49:44 |
Yeah, a nice drop of whiskey. |
00:49:48 |
I suppose you're wondering |
00:49:50 |
Well, I assume you just wanted to check |
00:49:54 |
I was surprised |
00:49:57 |
...at the appropriate time. |
00:49:58 |
But then, |
00:50:01 |
I understand that. |
00:50:02 |
And I wouldn't like things |
00:50:05 |
...which brings me conveniently |
00:50:09 |
Ever since the painting, |
00:50:12 |
...hasn't been hanging on my wall, |
00:50:18 |
I know this is a rude request because |
00:50:21 |
...but I feel as though I need it. |
00:50:25 |
Yeah. |
00:50:31 |
[ARCHY LAUGHING] |
00:50:33 |
ARCHY: Fucking hell. |
00:50:36 |
- You wanna lay off that vodka. |
00:50:39 |
ARCHY: Everything all right? |
00:50:42 |
He wants his painting back. |
00:50:44 |
ARCHY: |
00:50:47 |
- That is a bit of a problem. |
00:50:49 |
I swear, they changed color. |
00:50:54 |
They don't care |
00:50:57 |
They could buy up half of London |
00:51:00 |
You're small-time. |
00:51:01 |
They click their fingers, |
00:51:03 |
You speak to me like that again, |
00:51:07 |
I run this town. You got that? |
00:51:10 |
Me. |
00:51:12 |
Anyone who thinks he's rude enough, |
00:51:16 |
...because I'll tear his fucking arm off. |
00:51:21 |
Do you understand that, Archy, do you? |
00:51:24 |
Yeah, yeah, I understand that. |
00:51:28 |
How about that? |
00:51:31 |
Johnny Quid's daddy. Mm. |
00:51:35 |
How did that go under the radar? |
00:51:38 |
Why doesn't anybody know? |
00:51:39 |
Would you want anyone to know |
00:51:42 |
Would we have signed him |
00:51:45 |
I know what. |
00:51:47 |
We better give |
00:51:51 |
A bed that's been slept in, |
00:51:55 |
If you want to find Johnny, |
00:52:02 |
[THUMPING MUSIC BLARING FROM HOUSE] |
00:52:05 |
Who are you? |
00:52:07 |
My name's Cookie. |
00:52:10 |
You must be with Stella. |
00:52:11 |
No, we're the SWAT team. |
00:52:13 |
Well, you better get swatting. |
00:52:17 |
[MAN IMITATING BUGLE SOUND] |
00:52:20 |
This is gonna be a scream. |
00:52:21 |
MAN: |
00:52:23 |
COOKIE: Fred, get them in. |
00:52:25 |
FRED: Why me? |
00:52:29 |
Take that chewing gum off your feet |
00:52:32 |
Follow me, boys. |
00:52:39 |
So who the man? |
00:52:42 |
- Cookie, I think that's your cue. |
00:52:45 |
Think I'll have a little dance first. |
00:52:47 |
- Fred, you fancy it? |
00:52:52 |
Look at the girls. |
00:52:58 |
Excuse me, darling. |
00:53:01 |
Well, all the boys were coming, |
00:53:04 |
I thought I was gonna be locked up. |
00:53:06 |
So I thought I'd come and celebrate. |
00:53:08 |
- Do you fucking mind? |
00:53:12 |
What happened last night, okay, |
00:53:14 |
...that's our little secret, all right? |
00:53:17 |
It happened because you're |
00:53:20 |
If you tell anybody |
00:53:25 |
- Oh, good evening, gentlemen. |
00:53:28 |
- Fuck... |
00:53:30 |
Okay, definitely, yeah. |
00:53:35 |
- Go that way. |
00:53:36 |
Go that way. |
00:53:40 |
Then I'm like, "Bertie, take a Quaalude," |
00:53:45 |
All right. |
00:53:49 |
Drink? |
00:53:50 |
- Dance? |
00:53:54 |
Am I a dancer? |
00:53:55 |
Shall we set the record straight? |
00:53:58 |
See, my dad was a dancer, |
00:54:02 |
So finally, it percolated |
00:54:10 |
You're not joining me? |
00:54:13 |
Sure. |
00:54:14 |
I like to dance. |
00:54:33 |
No. |
00:54:34 |
I'm Bertie. It's my party. |
00:54:37 |
So you're part of the Wild Bunch? |
00:54:39 |
Stella says you're dangerous. |
00:54:43 |
I am dangerous. |
00:55:02 |
Is your friend part of the Wild Bunch? |
00:55:05 |
No. |
00:55:07 |
He is the Wild Bunch. |
00:55:22 |
- I know all about your type. |
00:55:25 |
- How's that, then? |
00:55:27 |
And I know a secret |
00:55:31 |
What's that, then, Bertie? |
00:55:33 |
You have an informer |
00:55:37 |
What's his name? |
00:55:39 |
You have to pay for secrets. |
00:55:41 |
Now, now, that's not very nice, is it? |
00:55:46 |
What's your price? |
00:55:47 |
And remember, I am dangerous. |
00:55:52 |
I want to meet the Wild Bunch. |
00:55:59 |
See that man sitting on the sofa? |
00:56:02 |
BOB: Oh, the queen who's screwing me out. |
00:56:04 |
- It's a bit hard to miss him. |
00:56:07 |
- Go and chat him up, will you? |
00:56:10 |
No, no, he's a bigtime lawyer |
00:56:13 |
...in our part of town. |
00:56:15 |
Now, you were facing a five-stretch. |
00:56:17 |
And I figured |
00:56:21 |
Mm-hm. |
00:56:27 |
- Hey. |
00:56:28 |
All right. |
00:56:29 |
- So we got another job on again. |
00:56:32 |
Same one as before. |
00:56:33 |
Cor, it's all going down in here. |
00:56:36 |
I hear you have a secret. |
00:56:38 |
And by the looks of you, |
00:56:41 |
I don't want to talk about work. |
00:56:43 |
If you tell me who this informer is, |
00:56:48 |
I gotta get myself a breath of fresh air. |
00:56:51 |
Oi, One Two, I owe you one. |
00:56:53 |
This lot are doing more bugle |
00:56:58 |
- I'm happy for you, Cookie. |
00:57:06 |
If he's an informer, |
00:57:10 |
My, my, not just a pretty face. |
00:57:15 |
How'd you know |
00:57:18 |
Give me your mobile. |
00:57:19 |
- What? |
00:57:21 |
Do as you're told. |
00:57:26 |
Ooh. |
00:57:29 |
That's nice. |
00:57:30 |
[DIALING PHONE] |
00:57:32 |
Here, we'll go for a drink next week, |
00:57:40 |
All I need is some paperwork. |
00:57:47 |
PETE: |
00:57:51 |
Where's the rush? |
00:57:53 |
All right. |
00:57:55 |
- What's wrong? |
00:57:57 |
- I think we got a problem. |
00:57:59 |
How much is it gonna cost |
00:58:02 |
- Eleven thousand, three hundred... |
00:58:04 |
Go out there |
00:58:07 |
[SINGING THE SUBWAYS' |
00:58:16 |
You, what do you think |
00:58:19 |
What do you think? |
00:58:22 |
Go home, wasters. |
00:58:23 |
- It costs money to get in here. |
00:58:27 |
ROMAN: |
00:58:29 |
No, you can't shut us down. |
00:58:32 |
- And I'm interested? |
00:58:35 |
- Find him. |
00:58:36 |
Listen, but I have to keep the club open. |
00:58:40 |
Run along, junkies. |
00:58:41 |
Oi, lookie but no touchy. |
00:58:45 |
Get off of him, you slag. |
00:58:46 |
He is absolute class. |
00:58:53 |
I gotta keep the club open. |
00:58:57 |
[SINGING THE SUBWAYS' |
00:59:02 |
Leave it, John. I'm happy. |
00:59:04 |
I'm all right down here, mate. |
00:59:08 |
- I'll fucking show him happy. |
00:59:11 |
[SINGING THE SUBWAYS' |
00:59:23 |
Fancy some more talent, boy? |
00:59:25 |
I'd like to make a complaint. |
00:59:28 |
Jog on, boy, |
00:59:32 |
[SINGING THE SUBWAYS' |
01:00:22 |
Night, night. |
01:00:25 |
- Fucking mutt. |
01:00:27 |
- It's a damn revolution going on outside. |
01:00:30 |
If we wanna keep our license |
01:00:40 |
We'll put rock salt in the shells, |
01:00:43 |
If they get large, we'll bang a couple |
01:00:47 |
And they won't know the difference. |
01:00:49 |
And then Bob's our driver, and... |
01:00:52 |
- I don't wanna use Bob. |
01:00:54 |
- I don't want to use Bob. |
01:00:57 |
The Wild Bunch is not complete |
01:00:59 |
No. |
01:01:01 |
What's happened |
01:01:04 |
[SIGHS] |
01:01:07 |
Mumbles, there is something about Bob |
01:01:12 |
What's that, then? That he's a poof? |
01:01:15 |
- How the fuck did you know that? |
01:01:19 |
You're the only one that doesn't. |
01:01:23 |
It's sausage and beans |
01:01:25 |
What the fuck are you talking about? |
01:01:28 |
- Did he make a pass at you? |
01:01:31 |
So, what's the problem? |
01:01:33 |
It was supposed to be his last night. |
01:01:36 |
That's what friends do for one another. |
01:01:40 |
And I won't tell the chaps. |
01:01:44 |
What the fuck do you mean? |
01:01:48 |
So, what did you do? Did you suck his...? |
01:01:50 |
Hey, hey, that's enough, all right? |
01:01:53 |
What the fuck is going on here? |
01:01:56 |
What? Did you suck his...? |
01:01:58 |
- You must have touched him. |
01:02:00 |
Hold on. |
01:02:04 |
I'm not gay, all right, Mumbles? |
01:02:09 |
He just asked |
01:02:14 |
Was it a slow dance? |
01:02:17 |
[LATIN MUSIC PLAYING] |
01:02:24 |
What has he done to me? |
01:02:26 |
Mr. One Two, I think there is something |
01:02:31 |
Who do you think looked after your mom |
01:02:34 |
...when you was doing a two-stretch? |
01:02:37 |
Because it wasn't me, |
01:02:39 |
No, it was Bob. |
01:02:41 |
Bob was around there six times a week |
01:02:45 |
You tore your mom's heart out when you |
01:02:53 |
I tell you something, Mr. One Two. |
01:02:56 |
If I could be half the human that Bob is |
01:03:00 |
...l'd think about it. |
01:03:03 |
Not for too long, |
01:03:10 |
And the kid looks up and goes, |
01:03:13 |
[ALL LAUGH] |
01:03:15 |
That joke was a lot funnier |
01:03:18 |
Can I have a word with you, Cookie? |
01:03:20 |
Treacles, would you mind? |
01:03:22 |
On your toes. Five minutes. |
01:03:29 |
ROMAN: |
01:03:31 |
We need to know where Johnny Quid is. |
01:03:36 |
You should probably be the first |
01:03:39 |
I know. Come on, you know |
01:03:43 |
Come on, Cookie, you've been fucking |
01:03:47 |
Come on, show our boy a little love. |
01:03:52 |
You ever bought a ticket |
01:03:56 |
It's an unpleasant place |
01:04:02 |
Might sound like a hair salon... |
01:04:03 |
...but it don't fucking look like one, |
01:04:07 |
It's a terrible sight, |
01:04:14 |
...sucking his soul |
01:04:19 |
And even worse |
01:04:22 |
I've been there, and I've done that. |
01:04:24 |
He has been here, and he has done that. |
01:04:27 |
And then I nailed that demon |
01:04:31 |
And I did it all with Johnny. |
01:04:34 |
I love that man. |
01:04:36 |
He's what you call class. |
01:04:38 |
If you had any brains, Roman, |
01:04:40 |
You know, his music sales have gone up |
01:04:48 |
You see, Johnny, the crackhead knows... |
01:04:51 |
...that a rocker |
01:04:55 |
Silly world, isn't it? |
01:04:59 |
Mr. Quid does not get his gear from me. |
01:05:03 |
He has to travel far and wide. |
01:05:06 |
But do leave me your number. |
01:05:08 |
And if the dead feels like calling... |
01:05:13 |
...you'll be the first to know. |
01:06:25 |
[SPEAKING IN RUSSIAN] |
01:07:11 |
I'll have the painting for you |
01:07:13 |
I had it locked up with some other goods. |
01:07:17 |
And then Archy goes and loses the key. |
01:07:20 |
Don't you, Arch? |
01:07:23 |
So I'm not trying to be funny, |
01:07:27 |
...and if there's any chance |
01:07:37 |
Where the fuck has he gone, then? |
01:07:40 |
I don't know. But I don't think |
01:07:45 |
Something wrong with these immigrants. |
01:07:48 |
I think we're being set up. |
01:07:50 |
I don't know how, |
01:07:53 |
I can smell it with my sniffer. |
01:07:55 |
[SPEAKING IN RUSSIAN] |
01:07:59 |
He doesn't have the balls or the brains. |
01:08:01 |
He's a crook. |
01:08:10 |
I think he's trying |
01:08:13 |
Adjourn the meeting. |
01:08:31 |
Oh, my God, you're a mess. |
01:08:34 |
There you go. |
01:08:37 |
[GROANS] |
01:08:39 |
Are you all right? |
01:08:41 |
That is a rhetorical question, I hope. |
01:08:46 |
I'll have a water, please, |
01:08:52 |
Thank you. |
01:08:58 |
[CLEARS THROAT] |
01:09:00 |
So you don't wanna know |
01:09:24 |
ONE TWO: |
01:09:29 |
I know what happened. |
01:09:40 |
MUMBLES: Don't go in there. |
01:09:43 |
Mace him. |
01:09:45 |
Hollandaise? |
01:09:46 |
I see you ordered already. |
01:09:48 |
You were late. |
01:09:50 |
The bastard's gonna hit me. |
01:09:53 |
ONE TWO: Mace him, Mumbles. |
01:09:55 |
ONE TWO: Not me, you idiot. |
01:09:56 |
ONE TWO: I can't move my... |
01:09:58 |
[ONE TWO SCREAMING] |
01:10:09 |
MUMBLES: |
01:10:15 |
[TIRES SCREECH] |
01:10:17 |
Shouldn't you have taken precautions? |
01:10:19 |
[SIGHS] |
01:10:21 |
[TIRES SCREECHING] |
01:10:25 |
Precautions? |
01:10:35 |
MAN 1: Did you see that? |
01:10:37 |
MAN 2: |
01:10:39 |
Well, it's your job, isn't it? |
01:10:55 |
What are these guys made of? |
01:10:58 |
[GUN COCKS] |
01:10:59 |
I didn't realize. |
01:11:01 |
Realize? |
01:11:03 |
You didn't realize that they had guns? |
01:11:06 |
Big, long, dangerous machine guns. |
01:11:10 |
With war criminals |
01:11:15 |
Please, stay down. |
01:11:19 |
Just fuck off. |
01:11:22 |
[SPEAKS IN RUSSIAN] |
01:11:30 |
[SPEAKS IN RUSSIAN] |
01:11:41 |
Get out of the fucking way now. |
01:11:50 |
You know what, darling? |
01:11:51 |
I'm just gonna leave this laundry bag here |
01:12:00 |
Fucking hell. |
01:12:06 |
Shit. |
01:12:08 |
Hold up. |
01:12:10 |
[HORN HONKING] |
01:12:12 |
Oh, my... |
01:12:20 |
Oh, fucking hell. |
01:12:28 |
Abandon ship. |
01:12:30 |
Run for your lives. |
01:12:45 |
[CHATTER ON POLICE RADIO] |
01:13:30 |
Come on. Come on. |
01:13:35 |
Come back with my bike, |
01:13:40 |
[LAUGHS] |
01:13:47 |
[HORN HONKING] |
01:15:26 |
Goodbye, sweetheart. |
01:15:28 |
You're way too dangerous for me. |
01:15:35 |
- Did I overdo it with the limp? |
01:15:38 |
She's a wild one. |
01:15:40 |
She likes you, boy-o. |
01:15:43 |
Rather her than you, Bob. |
01:15:59 |
LENNY: |
01:16:01 |
If we call, he answers. That's the deal. |
01:16:03 |
Oh, there he is. |
01:16:05 |
Oi, Councillor. |
01:16:08 |
Councillor. |
01:16:09 |
I'll see you at lunch. |
01:16:11 |
Something wrong with your telephone? |
01:16:13 |
Oh, I'm sorry. Shouldn't I be here? |
01:16:15 |
I go wherever I fucking like |
01:16:19 |
...no matter what you and your pen-pushing |
01:16:25 |
So, what's going on? |
01:16:27 |
Step in here. |
01:16:31 |
I can't do it. |
01:16:32 |
You've left it too long. You want |
01:16:36 |
They wouldn't give permission to build. |
01:16:38 |
Don't give me that shit. |
01:16:40 |
I look out my window, |
01:16:42 |
...this city said they'd never build. |
01:16:44 |
How did that happen? The termites |
01:16:48 |
No, sunshine. |
01:16:51 |
Backhanders like mine. |
01:16:53 |
ARCHY: Lenny's good for the money, |
01:16:56 |
- So don't go getting cold feet. |
01:16:59 |
It's not fucking Zaire, Lenny. |
01:17:01 |
Get off my bollocks, Lenny. |
01:17:03 |
Don't you ever swear at me, |
01:17:07 |
...or I'll drown you in it. |
01:17:10 |
You feel that, do you, Councillor? |
01:17:12 |
You don't think there's a paper trail |
01:17:15 |
The cars, the holidays, |
01:17:20 |
I own these bollocks. |
01:17:22 |
And right now, they're more fragile |
01:17:27 |
Now, get it done. |
01:17:28 |
[GRUNTING] |
01:17:43 |
Pedro? |
01:17:47 |
Come back here. |
01:17:51 |
Where do you think you're going |
01:17:55 |
You never said it was your dad's, |
01:17:59 |
You've gotta give it back, John. |
01:18:01 |
People are looking for it, bad people. |
01:18:04 |
The streets are alive |
01:18:07 |
You may have a point, Pete, |
01:18:11 |
- You know why? |
01:18:14 |
Meet me in the pub in two minutes. |
01:18:17 |
LENNY: I'll have that painting |
01:18:19 |
- You can trust me on that. |
01:18:22 |
LENNY: |
01:18:24 |
That's a bit of me. That is... |
01:18:26 |
URI: |
01:18:29 |
LENNY: Oh, yeah. |
01:18:31 |
But I don't understand it. |
01:18:33 |
There's no one here. |
01:18:35 |
URI: That's because I have had the course |
01:18:38 |
We are not going to be disturbed. |
01:18:44 |
Victor, please, come to join us. |
01:18:55 |
You see that pack of Virginia killing sticks |
01:19:01 |
Yes. |
01:19:02 |
All you need to know about life |
01:19:09 |
URI: |
01:19:12 |
Every time I am about |
01:19:17 |
...something dishonest happens. |
01:19:21 |
You wouldn't know anything, would you? |
01:19:23 |
You will notice that one of your personalities |
01:19:28 |
A gold packet of king size |
01:19:31 |
An attractive implication |
01:19:35 |
A subtle suggestion that cigarettes |
01:19:39 |
JOHNNY: |
01:19:42 |
Excuse me? |
01:19:45 |
I'm not trying. |
01:19:47 |
I am saying something. |
01:19:53 |
Your other personality is trying to draw your |
01:19:57 |
Written in boring, bold, |
01:20:00 |
...that these neat little soldiers of death, |
01:20:06 |
And that, Pete, is the truth. |
01:20:09 |
I think you forget who you're talking to, |
01:20:15 |
I think you forget where you are, |
01:20:20 |
Oh, beauty is a beguiling call to death and |
01:20:26 |
This is my land. It's my fucking show. |
01:20:29 |
I run this town. |
01:20:31 |
Ah! Fuck! |
01:20:32 |
Ah! God! Ah! |
01:20:35 |
[LENNY SCREAMING] |
01:20:40 |
[LENNY SCREAMING] |
01:20:45 |
JOHNNY: |
01:20:49 |
And that which starts bitter ends sweet. |
01:20:52 |
URI: |
01:20:54 |
I am having lunch |
01:20:58 |
URI: |
01:21:01 |
And it's a long crawl back to your car. |
01:21:05 |
You should make it by sunrise, |
01:21:11 |
URI: |
01:21:14 |
Do you hear me? |
01:21:16 |
- Yes, yes, oh, God. |
01:21:21 |
Goodbye, Lenny. |
01:21:25 |
That is why you and I love the drugs... |
01:21:30 |
...and that is also why |
01:21:42 |
Now, please, pass me a light. |
01:21:47 |
Oh, you are something special, |
01:21:56 |
BARTENDER: |
01:21:58 |
I don't want your sort in here. |
01:22:00 |
Get up out of here. Fuck off. |
01:22:01 |
- Go piss off out the door. |
01:22:03 |
- Go on, fuck off. |
01:22:06 |
Fuck off, you junkie. |
01:22:08 |
- You won't be able to catch me, fat boy. |
01:22:11 |
BOB: |
01:22:12 |
[PHONE RINGS] |
01:22:14 |
[IN SEDUCTIVE VOICE] |
01:22:16 |
BERTIE: |
01:22:19 |
What's happening about that paperwork? |
01:22:21 |
Well, I'm busy tonight, |
01:22:25 |
I'll leave the papers |
01:22:28 |
Text you the address. |
01:22:29 |
Well, I'll pop around in a jiffy, |
01:22:34 |
[GROWLS] |
01:22:37 |
[LAUGHS] |
01:22:39 |
You are scary good at that. |
01:22:42 |
- Do you miss it? |
01:22:45 |
All right, let's go pick up the paperwork |
01:22:49 |
And drop me off on the way, huh? |
01:22:52 |
I'm going back to bed. |
01:22:55 |
Can I come? |
01:23:02 |
- Moron, what do you think you're doing? |
01:23:05 |
Letting creatures in my yard |
01:23:08 |
John, they're good stuff. |
01:23:14 |
Like the drink and the sparrow. |
01:23:16 |
I am Malcolm, and this is my friend |
01:23:20 |
You know, like the Christian saint. |
01:23:24 |
Paul doesn't say much. |
01:23:30 |
Come on, John. We know you. |
01:23:33 |
We're big fans. |
01:23:35 |
You're what they call a real RocknRolla. |
01:23:41 |
Out, on your way. |
01:23:49 |
What is this, a sit-down? |
01:23:54 |
This is a demonstration, |
01:23:57 |
Where the fuck did you find |
01:24:00 |
Conference, kazi, now. |
01:24:11 |
That's the last time |
01:24:14 |
Next time, you're on your own. |
01:24:16 |
I'm sorry. |
01:24:18 |
I just thought that you might've liked |
01:24:21 |
I'm dead, Pete. What does that tell you? |
01:24:24 |
It tells you that dead people |
01:24:28 |
- Now, jog them on. |
01:24:31 |
Yes, you fucking well will. |
01:24:35 |
Meeting adjourned. |
01:24:41 |
You've scared them off, sing-along. |
01:24:43 |
But with a welcome like that, |
01:24:46 |
Lucky you're not following them, Pete. |
01:24:52 |
Pete, where's the painting? |
01:24:58 |
FRED: |
01:25:00 |
It's the werewolf brothers. |
01:25:01 |
What you got for us today, boys? |
01:25:04 |
Paul, please exhibit to the audience |
01:25:13 |
Gentlemen, we are entering the realm... |
01:25:16 |
...of the ancient art form |
01:25:20 |
I'll have it. How much? |
01:25:23 |
One moment, sir. There's a pitch |
01:25:26 |
I don't want the pitch. I said I'll have it. |
01:25:30 |
It's a very rare |
01:25:33 |
Is it? |
01:25:35 |
There you go, boys. |
01:25:38 |
Good afternoon, gentlemen. |
01:25:41 |
Come on, me man. Hey. |
01:25:46 |
[PHONE RINGING] |
01:25:48 |
Tank, what is it? I'm in a bit of a rush. |
01:25:51 |
TANK: You owe me, Arch. |
01:25:53 |
First, I found your painting. Now I found |
01:25:56 |
WOMAN [ON TV]: |
01:25:58 |
Well, don't fuck about. Who is it? |
01:26:16 |
"Let myself in. Thought your lady |
01:26:20 |
[DOORBELL BUZZING] |
01:26:21 |
Love, Cookie." |
01:26:27 |
- Hello? |
01:26:30 |
- Who's me? |
01:26:33 |
Ah. |
01:26:35 |
Well, what do you want? |
01:26:37 |
You. |
01:26:40 |
Oh. |
01:26:42 |
Well, you better come in, then. |
01:26:44 |
[DOOR BUZZES] |
01:26:45 |
[BOTH MOANING & GRUNTING] |
01:27:03 |
[PHONE RINGS] |
01:27:08 |
- Yup? |
01:27:11 |
I've got it in my hand right now. |
01:27:13 |
The informer, the one who's responsible |
01:27:17 |
- All of them, including mine. |
01:27:24 |
Who the fuck is Sidney Shaw? |
01:27:27 |
No, Sidney Shaw |
01:27:30 |
They never use their real name. |
01:27:32 |
Look, get around here |
01:27:36 |
All right. |
01:27:40 |
Where did he learn |
01:27:45 |
Look at you, huh? Good as new. |
01:27:49 |
I have to go now. |
01:27:52 |
So you fancy sharing some dancing lessons |
01:27:56 |
A bit of the old salsa? |
01:28:00 |
I'll take you up on that. |
01:28:03 |
- Oh, I have something for you. |
01:28:06 |
Thought you might like it because |
01:28:16 |
So you like it? |
01:28:19 |
You've got very good taste, |
01:28:25 |
ARCHY: |
01:28:29 |
- What's happened, Len? |
01:28:32 |
Didn't you hear? |
01:28:35 |
That bastard's made me limp |
01:28:38 |
What do you want me to do? |
01:28:41 |
Well, I need that painting, Arch. |
01:28:45 |
- I need it real bad. |
01:28:49 |
- I think I can do better than that. |
01:28:52 |
Someone has been at the Russian's money. |
01:28:56 |
- Well, who? |
01:28:59 |
- You don't like them either. |
01:29:03 |
Who is it? |
01:29:06 |
Mumbles, Bob and One Two. |
01:29:08 |
[ROCK MUSIC BLARING |
01:29:35 |
[MUSIC BLARING FROM STEREO] |
01:30:14 |
ROMAN: So why did you call, Johnny? |
01:30:19 |
But the pipe is. |
01:30:21 |
And the pipe says |
01:30:25 |
Whoever we're talking to, will you |
01:30:28 |
Tell him that his dad, his jack-in-the-box- |
01:30:34 |
Shut down a few of our venues. |
01:30:35 |
Intends to shut down a few more |
01:30:42 |
Why are you talking to the pipe, Roman? |
01:30:47 |
Come back, Johnny. Come back home. |
01:30:52 |
Now, Johnny will come quietly... |
01:30:55 |
...but you may have a couple of problems |
01:31:01 |
Buy us both a cup of tea. |
01:31:03 |
No need for any noise, |
01:31:28 |
[RUSSIAN MUSIC BLARING |
01:32:17 |
[MUMBLING] |
01:32:25 |
[STEREO STOPS] |
01:32:28 |
Is this a bad time, One Two? |
01:32:30 |
[MUMBLING] |
01:32:32 |
[CHUCKLES] |
01:32:35 |
I mean, we can always |
01:32:40 |
[GUNSHOTS] |
01:32:44 |
BANDY: You wanna take the stairs |
01:32:47 |
Bandy, come here. |
01:32:54 |
[SNIFFS] |
01:32:55 |
- You been drinking? |
01:33:00 |
Think before you drink, |
01:33:08 |
ARCHY: Hello, Len, it's me. |
01:33:10 |
I've got the boys |
01:33:13 |
Get over here. |
01:33:14 |
- Yeah, I'll be around in a little bit. |
01:33:16 |
[DOORBELL BUZZES] |
01:33:20 |
Hold on. |
01:33:26 |
- Who's there? |
01:33:29 |
Come up. |
01:33:31 |
[DOOR BUZZES] |
01:33:32 |
And it looks like |
01:33:35 |
Not too bright this lot, are they? |
01:33:38 |
Look, I gotta go, got another call. |
01:33:42 |
- Hello? |
01:33:45 |
What's left of him. |
01:33:47 |
You might wanna hose him down. |
01:33:53 |
VICTOR: |
01:33:55 |
[VICTOR SPEAKING IN RUSSIAN] |
01:34:11 |
Da, Uri, I'm sorry. |
01:34:13 |
- But I still don't like it. |
01:34:16 |
I'm in charge. Now, wait here. |
01:34:19 |
Your last girl cost us 20 million. |
01:34:22 |
God knows how much |
01:34:25 |
Victor, you're so cheap. |
01:34:33 |
Can I come in? |
01:34:35 |
Sorry to surprise you, |
01:34:42 |
A token of my appreciation. |
01:34:45 |
What's this for? |
01:34:46 |
Please do not be insulted |
01:34:51 |
...and I value much more |
01:34:54 |
This is simply just a reflection |
01:34:59 |
I would like to ask you |
01:35:08 |
Would you marry me? |
01:35:13 |
Well, I think I might need |
01:35:18 |
Just to think about it. |
01:35:21 |
Well, sure. Of course. |
01:35:23 |
[PHONE RINGS] |
01:35:24 |
Sorry. |
01:35:28 |
Not now, Victor, I'm busy. |
01:35:34 |
A very nice painting. |
01:35:38 |
How long have you had it? |
01:35:40 |
Years. Do you like it? |
01:35:45 |
Beauty's a cruel mistress, is it not? |
01:35:53 |
Victor, please come to join us. |
01:35:59 |
[VICTOR SPEAKS IN RUSSIAN] |
01:36:05 |
Hello, Arch. |
01:36:07 |
Shrouded and tied, just like the old days. |
01:36:10 |
What is it today? The rack? |
01:36:13 |
The garrote? Or is it the old |
01:36:17 |
You're still full of hot air, Johnny. |
01:36:21 |
You're looking a bit down. |
01:36:23 |
Has that old clown |
01:36:26 |
You always were loyal. |
01:36:30 |
- Watch your mouth, John. |
01:36:34 |
Scary, ain't he? |
01:36:36 |
Well, that's what four years inside |
01:36:39 |
It eats away at his soul... |
01:36:41 |
...and when it's all gone, |
01:36:47 |
You ever wonder how you got in there? |
01:37:02 |
Hello, Archy. |
01:37:05 |
Hey, Johnny boy. Look at you. |
01:37:08 |
Look at this, Dave. |
01:37:11 |
Show us your guns, Uncle Arch. |
01:37:15 |
Don't be cheeky. Get in the car. |
01:37:20 |
Give us your money. |
01:37:21 |
Give us that, in the car. |
01:37:33 |
Be good boys... |
01:37:36 |
...because you never know |
01:37:45 |
So who we got in there, then? |
01:37:49 |
Anyone famous? |
01:37:57 |
Handsome Bob. |
01:38:00 |
Mumbles, One Two. |
01:38:05 |
I bet you could operate |
01:38:09 |
I could see you |
01:38:12 |
- Stiff goose in your step. |
01:38:17 |
That, Roman and Mickey, |
01:38:22 |
You shut it. |
01:38:24 |
Or I'll do you myself, |
01:38:28 |
Don't hurt me, Arch. I'm only little. |
01:38:33 |
Get out. |
01:38:36 |
- Roll them out. |
01:38:40 |
Nice wheels. |
01:38:45 |
Sorry about the painting. |
01:38:46 |
I needed the cash |
01:38:50 |
So it's gone now. |
01:38:51 |
Lost to the world |
01:38:54 |
Never to be seen again |
01:38:59 |
What are you, boy, if you are not poison? |
01:39:07 |
Your dad couldn't even bear |
01:39:11 |
So no wonder he fucked off |
01:39:14 |
But that wasn't enough for you. |
01:39:17 |
You had to push your mom |
01:39:20 |
...and a house full of nutters. |
01:39:22 |
And all she got there |
01:39:28 |
Why? |
01:39:31 |
Because you're poison, John, that's why. |
01:39:37 |
What can I say? |
01:39:38 |
I'm a junkie, crackhead, no-gooder. |
01:39:42 |
You should never have wasted |
01:39:45 |
Archy, get him out of here. |
01:39:48 |
I've had enough of him. |
01:39:50 |
I don't trust myself. Use someone else. |
01:39:54 |
It's a gathering. I love a gathering. |
01:39:57 |
Look. It's Mumbles, One Two. |
01:40:02 |
Handsome Bob, all the old faces today. |
01:40:06 |
And it was all going so well. |
01:40:10 |
Except for Archy. |
01:40:13 |
Had to ruin the day. |
01:40:17 |
I was gonna tell him |
01:40:21 |
I thought I'd tell him the story |
01:40:24 |
ROMAN: |
01:40:26 |
Fucking hell, Len. Calm down. |
01:40:31 |
Now, give us that. |
01:40:33 |
JOHNNY: That wasn't one of your best shots, |
01:40:36 |
If you wanted to shut me up, |
01:40:39 |
- Danny, come here. |
01:40:41 |
Come here. |
01:40:45 |
You get rid of him, Danny, |
01:40:48 |
Get rid of him. |
01:40:52 |
[GROANING] |
01:40:55 |
You don't know |
01:40:59 |
...but please understand |
01:41:03 |
...if you don't tell me where my... |
01:41:06 |
BOB: |
01:41:09 |
The address is in my jacket. |
01:41:11 |
I wouldn't mess you around, Archy, |
01:41:22 |
What does it say? |
01:41:33 |
You want to know what it says, Len? |
01:41:38 |
Funny thing about the law, |
01:41:44 |
Because every time an informer... |
01:41:47 |
...finds himself in front of a judge, |
01:41:51 |
- stands witness |
01:41:55 |
ARCHY: |
01:41:56 |
And if that informer |
01:42:00 |
...then that dog of dogs |
01:42:05 |
A sort of get-out-of-jail-free card. |
01:42:08 |
And it comes with a very good alibi. |
01:42:10 |
Now, you give us the names |
01:42:13 |
...and we'll get them the long sentences. |
01:42:15 |
You can appear to reduce those terms |
01:42:18 |
We'll make you look like a fucking |
01:42:23 |
Trusted throughout. |
01:42:25 |
The only evidence |
01:42:28 |
...comes in the form |
01:42:30 |
...and hard-to-come-by legal document |
01:42:33 |
As in deposition or handlers sheet. |
01:42:38 |
Of course, the informer |
01:42:40 |
What name do you like? |
01:42:42 |
- Johnny? |
01:42:43 |
You can have |
01:42:46 |
But I've seen this name |
01:42:49 |
ARCHY: |
01:42:51 |
Who is this Sidney Shaw, Len? |
01:42:55 |
Nothing to do with you. |
01:42:56 |
MAN: What name do you like the sound of? |
01:42:59 |
I like the sound of that. |
01:43:01 |
Sidney Shaw. Sounds a bit like an actor. |
01:43:04 |
You're free to go, Mr. Sidney Shaw. |
01:43:06 |
No, they're setting me up, Archy. |
01:43:10 |
You are a very dirty bastard, Sidney. |
01:43:15 |
You are a very dirty bastard indeed. |
01:43:19 |
Cut that lot free, |
01:43:22 |
No need to worry just yet, fellas. |
01:43:24 |
Nothing's gonna happen |
01:43:27 |
They'd have to carry |
01:43:30 |
...and that's too much like hard work. |
01:43:33 |
In about two minutes from now, |
01:43:37 |
...Danny boy over there is gonna turn |
01:43:44 |
Then one in the throat just to be sure. |
01:43:48 |
You shouldn't have |
01:43:50 |
JOHNNY: |
01:43:54 |
Once they've "dealt" with us... |
01:43:57 |
...they're gonna put our corpses |
01:44:00 |
... and pour 6 gallons of petrol on top. |
01:44:04 |
I can let your imagination fill in the rest. |
01:44:09 |
But see now, Danny boy is rattled. |
01:44:12 |
[GUN COCKS] |
01:44:13 |
Because he knows that you know. |
01:44:14 |
So he's gonna fire. |
01:44:33 |
[GUNSHOT] |
01:44:37 |
Mickey, pass me the gun. |
01:44:41 |
Quickly. Quickly, Mickey. |
01:44:44 |
Don't worry, he can't defend himself, |
01:44:59 |
May I please have some help, fellas? |
01:45:06 |
Put your fucking hands up. |
01:45:18 |
I think we should get out of here, |
01:45:29 |
Make the deal, come on. |
01:45:31 |
Turn them in. It's not like |
01:45:38 |
Michael Finny, 10 years. |
01:45:42 |
LENNY: Fred the Head. |
01:45:43 |
LENNY: Give him a five, |
01:45:46 |
LENNY: |
01:45:49 |
Frazier Nash, 15 years. |
01:45:51 |
LENNY: One Two, just a two-stretch |
01:45:55 |
Cousin Ronnie got six years |
01:45:59 |
LENNY: Mumbles thinks he's a clever boy, |
01:46:02 |
ARCHY: |
01:46:04 |
LENNY: |
01:46:09 |
The Jew twins, 14 years. |
01:46:12 |
LENNY: Archy, he's as loyal as a dog, |
01:46:18 |
MAN: |
01:46:21 |
And of course me, Archy, |
01:46:37 |
ARCHY: |
01:46:41 |
No life without death. |
01:46:44 |
And the demise of Lenny |
01:46:46 |
... into the lungs of young Johnny. |
01:46:51 |
Goodbye, Mr. Sidney Shaw. |
01:46:58 |
Well, it looks like that clinic |
01:47:06 |
You feeling better? |
01:47:08 |
Well, I was. Until I saw youse twos. |
01:47:12 |
I'm clean now. Straight, I gave it all up. |
01:47:16 |
All but these little bastards. |
01:47:19 |
Come on, give us a cuddle. |
01:47:22 |
Welcome home. |
01:47:26 |
- Give us your money, Arch. |
01:47:29 |
Turbo, show him |
01:47:33 |
JOHNNY: |
01:47:35 |
[ARCHY LAUGHS] |
01:47:38 |
JOHNNY: |
01:47:43 |
Now, I know how much you like the art, I |
01:47:47 |
Someone's been telling you stories, Arch. |
01:47:50 |
Now, that must've been expensive. |
01:47:53 |
As it happens, it did cost |
01:47:59 |
I see your music's back in the charts. |
01:48:01 |
Well, that was when I was a RocknRolla. |
01:48:03 |
Why, what you gonna be now, John? |
01:48:06 |
You wanna watch out... |
01:48:10 |
...because I'm gonna be |
01:48:12 |
Now I'm gonna be a real RocknRolla. |
01:54:13 |
Subtitles by LeapinLar |